#hanran

[leavinghell]

watching lovers part

haitani ran/hanma shuji

4.4k ; rated e ; genderswap + roommates au

Shuji doesn’t cry, but Ran could make her. Anything Shuji doesn’t do, Ran could talk and lure and fuck her into it. A testament to how much Shuji loved her. But testaments expire as love runs out, and now that things don’t serve Ran benefits anymore she no longer sees the point of letting Shuji stay aside from personal sentiment.

read here

[reikaniichan]

+1 random oc, Reeze (hanran treason). i haven't drawn her in a while, so details might have changed a little, etc etc

[archiveikemen]

archiveikemen’s Ikemen Genjiden Glossary

⚠️ Please note that this glossary applies to THIS BLOG ONLY. Other translators will have their own ways to translating some terms and I respect their choices. DO NOT USE THIS AS A REPLACEMENT FOR AN ACTUAL JAPANESE DICTIONARY.

This post will be updated regularly, whenever I encounter a new term or I recall one.

Seriously, don’t use this as a dictionary. I’m not responsible if you fail your JLPT or something.

LAST UPDATE: 13 JULY 2024

Yokai Names

九尾の狐 (kyuubi no kitsune) — Nine-Tailed Fox

妖狐 (youko) — Fox Spirit

⤷ Both refer to the same suitor, Tamamo.

酒呑童子 (shuten douji) — A mythical Oni & Demon King

⤷ Refers to Ibuki.

鴉天狗 (karasu tengu) — Crow Tengu

⤷ Refers to Kurama.

雪女郎 (yukijorou) — Snow Woman, Snow-Type Ayakashi

⤷ Refers to Rikka.

八岐大蛇 (yamata no orochi) — Eight-Headed Serpent

People and Places

大倉幕府 (ookura bakufu) — Okura Shogunate

鎌倉幕府 (kamakura bakufu) — Kamakura Shogunate

幕府 (bakufu) — Shogunate

⤷ All refer to the same thing: Yoritomo’s Shogunate.

反乱軍 (hanran gun) — Rebel Army

⤷ Refers to Yoshitsune’s army / faction.

御所 (gosho) — Palace / Shogun’s Residence

⤷ Refers to either Yoritomo’s residence or Akihito’s palace. The term is commonly understood to mean "palace” as in 京都 御所 (Kyoto Imperial Palace). However, the SHOGUN did not live in actual castles or palaces until the Ashikaga Shogunate built the 花の御所. Instead, the Kamakura Shogunate (Minamoto Clan) lived in luxurious villas. To avoid confusion, I will be referring to Yoritomo's residence in Genjiden as the "palace” and Akihito’s palace in Kyoto as specifically “imperial palace” in my translations.

館 (yakata) — Manor

⤷ E.g. Yoshitsune’s residence

屋敷 (yashiki) — Mansion

⤷ E.g. Yasuchika’s residence, Kagetoki’s residence.

Others

陰陽術 (onmyou jutsu) — Onmyō Magic

黄泉 (yomi) — Underworld

[shadowfuka]

And two more characters for the chinese novel based AU, the first were mentioned here

Thanks to @scoophilia who suggested a normal type and so we got Bao

and to @a-kthelittlefairy who suggested a dragon type and so happened Hanran

[nijimx]

Waru ni nokosareta "No" to iu na no Justice

Wow, Breakin' the law Breakin' the world kowaseeeeee (breaking the world) Kirisake Tenderness

Wow, Breakin' the rule Roppou zensho ja shibarenai hanran bunshi sa

Furiageta nigiri kobushi ga oretachi no JUDGEMENT

[socks-wizard-money-gang]

I love when songs goes maigo maigo mattadanaka saa pa pa para paaranooi”a” Giko giko My kokoro sentei pa pa para paaranooi”a” Tairo tairo tatta karamatta pa pa para paaranooi”a” SAD SAD tsuppushite kara pa pa pa La paaranooi”do” Saa ba ba bagu saa bagu bagu ta ta tagu sainou no tagu Mou ha ha hagu kanjou wa hagu hasshou “kurushii” wa iya iya iya Iya iya iya Maa! zekkyou na kanjou rakka pa paranooi”a” obore koe agete wa guruguru Maa! zettai zetsumei rakka yattara mettara shizume yumeyume iya iya iya Saa ba ba bagu sa bagu bagu matohazure zure jiai iya iya Saa ba ba bagu sa bagu bagu kotae taedae iya iya iya Iya iya iya Kurukuru Pakkaan keihou matte muri guruguru see no de maware kurukuru kurukuru aaaaa Pakkaan keihou yappa muri guruguru anyo ni kusari kurukuru kurukuru Endoresu yami…? aha Dakko dakko iranai ko da pa pa para paaranooi”a” Ii ko ii ko “ganbare” no hanran adominisutoreetaa Aa Ba ba bagu saa bagu bagu Ra ra ragu rantaimu ragu Ro ro rogu hankou no rogu Ba ba bagu pa papa La pa pa paaranooi”a” Pa paaranooi”a” Pa paaranooi”a” iya iya Saa zekkyou na kanjou rakka pa paranooi”a” hidari migi yukue mo guruguru hisan Genkainou kurucchatte yattara mettara yami mayoe yoe inai inai baa Inai inai batten Zekkyou na kanjou rakka pa paranooi”a” obore koe agete wa guruguru Maa zettai zetsumei rakka yattara mettara kogoe karehate iya iya iya Saa ba ba bagu sa bagu bagu tadare are are hiai iya iya Saa ba ba bagu sa bagu bagu kuro mamire risei iya iya iya ima ima ima Iya iya iya iya iya iya iya iya iya

[enteringdullsville]

A quick little sketch of a concept Super Sentai, led by Hanran Yellow. Their theme is rebellion, hence the skull motifs, hoodies, and shades.

[pjsk-writin]

maigo maigo mattadanaka saa

papapara paranooi"a"

giko giko My kokoro sentei

papapara paranooi"a"

tairo tairo tatta karamatta

papapara paranooi"a"

SAD SAD tsuppushite kara

papapala paranooi"do"

saa bababagu sa bagubagu

tatatagu sainou no tagu

mou haha hagu kanjou wa hagu

hasshou "kurushii" wa iyaiyaiya iyaiyaiya

maa! zekkyouna kanjou rakka papparanooia"a"

oboregoe agete wa guruguru

maa⚠️ zettai zetsumei rakka yattara mettara

shizume yumeyume iyaiyaiya

saa bababagu sa bagubagu

matohazure zure jiai iyaiya

saa bababagu sa bagubagu

kotae taedae iyaiyaiya iyaiyaiya

kurukuru pakkaan keihou matte muri

guruguru seenode maware

(kurukuru kurukuru)

aaaaa pakkaan keihou yappa muri

guruguru anyo ni kusari

(kurukuru kurukuru)

endoresu yami...? aha

dakko dakko iranai ko da

papapara paranooi"a"

ii ko ii ko "ganbare" no hanran

adominisutoreitaa aaaaa

bababagu sa bagubagu

rararagu rantaimuragu

rororogu hankou no rogu

bababagu pappala papa

paaranooi"a" pa paaranooi"a"

pa paaranooi"a" iyaiyaiya

saa zenkkyou na kanjou rakka papparanooi"a"

hidari migi yukue mo guruguru hi⚠️san

genkainou kurucchatte yattara mettara

yami mayoe yoe inai inai baa

inai inai batten

zekkyou na kanjou rakka papparanooi"a"

oboregoe agete wa guruguru

maa⚠️ zettai zetsumei rakka yattara mettara

kogoe kare hate iyaiyaiya

saa bababagu sa bagubagu

tadare are are hiai iyaiya

saa bababagu sa bagubagu

kuro mamire risei iyaiyaiya ima ima ima

iyaiya iya iyaiyaiya iyaiyaiya

SOOOOO REAL!!!!

[birthday-of-music]

@mattsblogwherehedoesshit maigo maigo mattadanaka saa pa pa para paranoi a giko giko mai kokoro sentei pa pa para paranoia tairo tairo tatta karamatta pa pa para paranoia sad sad tsuppushita kara pa pa para paranoia saa ba ba bagu saa bagu bagu ta ta tagu saino no tagu mou ha ha hagu kanjou wo hagu hassou kurushii wa iya iya iya iya iya iya maa zekkyou na kanjou rakka papparanoia oboregoe agete wa guruguru maa zettai zetsumei ratta yattara mettara shizume yume yume iya iya iya saa ba ba bagu saa bagu bagu matohazure zure jiai iya iya saa ba ba bagu saa bagu bagu kotae tae dae iya iya iya iya iya iya kurukuru pakkan keihou matte muri guruguru seeno de maware (guruguruguruguru) aaa pakkan keihou yappa muri guruguru anyo ni kusari (guruguruguru) endoresu yami? aha dakko dakko iranai ko da pa pa para paranoia iiko iiko ganbara no hanran adominisatoretaa aa ba ba bagu saa bagu bagu ra ra ragu rantaimu ragu ro ro rogu hankou no rogu ba ba bagu pa pa pa la pa pa paranoia papparanoia papparanoia iya iya saa zekkyou na kanjou rakka papparanoia hidari migi yukue mo guruguru hisan genkai no kuruchatte yattara mettara yami mo yoe yoe inainaiba inainai batten zekkyou na kanjou rakka papparanoia oboegoe agete wo guruguru maa zettai zetsumei rakka yattara mettara kogoe koe hate iya iya iya saa ba ba bagu saa bagu bagu tadare are are hiai iya iya saa ba ba bagu saa bagu bagu kuro mamise risei iya iya iya ima ima ima iya iya iya iya iya iya iya iya iya

[if-you-fan-a-fire]

"If we examine the case of the Todai Zenkyōtō movement discussed earlier, the Zenkyōtō confronted power by occupying the point of production this space of knowledge-production that we call the university. It obviously recalls for us the syndicalist understanding of worker-led factory occupations. While the university-wide Zenkyōtō base was comprised of the individual Zenkyōto organizations of each department, it also included activists from the Marxist-Leninist sects, numerous activists of the so-called "non-sect" radicals, and various small, relatively loose groupings. These were encompassed within the movement as part of the council-form known as the All-Campus Joint Struggle League. As its membership was not fixed or set, it experienced intense volatility and fluctuation in terms of individual comings and goings. Within each university, alongside the Zenkyoto radicals existed their opposition, Minsei (the JCP youth organization), as well as numerous organizations of the general student population who were unilaterally opposed to the struggle itself. At Todai, for instance, these organizations joined with the general student population at university assemblies to determine individual department policies. In such sites, violence was taboo, so decision making was supposed to remain at the level of a discursive war. The student assemblies in each department would incessantly and endlessly repeat again and again these discursive struggles, often lasting until the next morning. Far exceeding in numbers, the necessary quorum to fulfill protocol, these assemblies became in reality open to the participation of the entire student body. For the Zenkyoto movement, this intricate and complex war of discourse was an experience that bore close resemblance to what Arendt famously called "the emergence of political space."

The Zenkyöto movement was a student rebellion that broke from the prior style of postwar Japanese political movements. But it was not only this. The liberation of the concept of rebellion [hanran] from the theoretical framework of revolution was also a fundamental paradigm shift from the traditions of the revolutionary movement. The various party formations of the Japanese New Left generally saw themselves theoretically as vanguard parties, inheritors and successors of the Marxist tradition; that is, they saw themselves as the Marxist-Leninist party. This is the source of the sectarian literary style, beginning with the party program. Within the movement, each individual struggle (ein Kampf) must be positioned as merely one means in a connected chain leading to the final, ultimate revolution [der Kampf], the movement-form aimed at by the entire national political struggle. Here, the vanguard party is understood as the "headquarters," the order-giving division, of the mass movement, which must independently be a steadfast and strong community of revolutionaries. This is the logic of vanguardism. Yet, at the time, the "new vanguard parties" were tiny in comparison to the working class or even to the Communist Party, so they resorted to another self-determination: the Marxist-Leninist "left opposition." These characteristic "revolutionary parties" were an extension of the 1960 Anpo struggle, and when they encountered the Zenkyötö movement, they quickly became influential members and organizers. The composition of the Zenkyōtō as a group was an amalgamation of the masses in rebellion and the various sectarian formations. This produced a constant flux within the Zenkyōtō movement, the sects, and the masses from vanguardism to mass-movementism and vice versa. The revolutionary parties had now experienced a mass rebellion, a moment of insurrection.

However, in Japan, this term "rebellion" [hanran] brings up, rather, associations with the rebellion of nationalists in the military, as in the famous 2-26 Incident of 1936.' For Marxist-Leninists, it recalls perhaps the "counter-revolutionary" Kronstadt rebellion. In short, it is not exactly a positive term for political movements of the left. What Japanese revolutionaries experienced in '68 compelled them to fundamentally reconsider the history and theory of prior revolutionary movements. Precisely through this experience, Marxism itself was subject to close scrutiny. Since the Japanese '68, mass political movements have largely disappeared, and since the 1990s and the implosion of the socialist system, the interest in Marx or Marxism-Leninism has also largely been lost. There are scarcely any traces of the New Left sects of '68. Yet what cannot be destroyed, eliminated, or forgotten from our actual moment is the fact that this concept of rebellion was liberated from the tradition of revolutionary politics, this concept that exerted such a force on the theoretical experience of 1968. It transformed the style, the grammar, of revolution."

- Hiroshi Nagasaki, "On the Japanese '68," in Gavin Walker, ed., The Red Years: Theory, Politics and Aesthetics in the Japanese '68. London and New York: Verso, 2020. p. 28-29

[jpf-sydney]

Nihongo no midare ka henka ka

New item:

"Deviation from the rules is generally perceived negatively. However, from the actual flow of history and culture, it is often the driving force behind the creation of new eras and trends. This book takes up various aspects of past and ongoing changes in the Japanese-language, and attempts to reconsider such things as 'disorder', 'correctness' and 'change' in the language from a dynamic perspective.

Shelf: 810.26 NIH Nihongo no midare ka henka ka : kore made no Nihongo, kore kara no Nihongo = Japanese language in transition : rules as we know them, and those yet to come. edited by Kanazawa Hiroyuki, Kawabata Motoko, Mori Atsushi.

Tōkyō : Hitsuji Shobō, 2021. ISBN: 9784823410376

259 pages : charts ; 18 cm. Includes bibliographical references at the end of each chapter. Text in Japanese.

Table of contents:

"Wakamono no kotoba kara mita Nihongo no mirai / Kanazawa Hiroyuki.

Juju hyōgen no bunpōteki itsudatsu hyōen / Yamada Toshihiro.

Onsei ni okeru itsudatsu / Ozaki Yoshimitsu.

Jpoppu no kashi ni mirareru itsudatsu hyōgen / Noda Harumi.

Daigakusei no bunshō ni mirareru itsudatsu hyōgen / Kawabata Motoko.

Shōhinmei ni miru arata na hyōgen no sanshutsu to teichaku / Minokawa Eriko.

Shingo no teichaku to sono jōken / Hashimoto Yukihiro.

Gairaigo no hanran ran'yō to jojutsugoka / Kimu Eran.

"Tsumeato o nokosu" no "shin'yōhō" kara kangaeru kan'yōteki na hyōgen no itsudatsu / Okada Shōhei.

Kaki kotoba ni okeru teru shukuyakukei to Nihongo kyōiku / Mori Atsushi.

Wakamono no kotoba kara mita Nihongo no mirai / Kanazawa Hiroyuki.

Kokkai shūdango no tanjō hattatsu katei ni miru itsudatsu genshō / Matsuda Kenjirō.

Gengo henka to shakai kankyō / Yokoyama shōichi.

[sharky-the-idiot]

RAIL kara hazureta

furyouhin no norainu sa

Dakedo kantan ni wa

TAIL wa furanai ze

YES MAN ni narisobireta

(woah oh oh, woah oh, we are bad boys)

Waru ni nokosareta "No" to iu na no Justice

Wow, Breakin' the law

Breakin' the world kowase

(breaking the world)

Kirisake Tenderness

Wow, Breakin' the rule

Roppou zensho ja shibarenai

hanran bunshi sa

Furiageta nigiri kobushi ga oretachi no JUDGEMENT

What

[superiorllathanvie]

Proof of Life

— [WHUMPTOBER, DAY 6] {NONCANON}

• characters :: ari hanragu, monday dazé ix, other hanran-gun members, monday dazé viii (mentioned)

• genre :: whump, narrative

• warnings :: depictions of violence, kidnapping / hostage situation, honestly just a really violent one-shot i'm ngl

prompt(s) :: ransom video

a/n :: ik the warnings say it's gonna be violent but i mean that in a very general way, like i'm not gonna depict HOLY FUCK injuries or write gore— just clarifying 👍

it's simply very action-movie esque if yk what i mean LMFAO

"How realistic did you want it again, boss?" A member of the group asked, turning to look at Ari who only sipped from her canned coffee. The aforementioned woman lightly kicked herself off of the wall she was leaning on, approaching the select few people surrounding an unconscious, bound, and bruised vampire.

"Don't make it realistic, Reo, make it real." Ari took a swig from her drink and handed the can to another associate who readily took it.

The cool gray-eyed mafia boss roughly pulled on the captive's hair, tugging his head upwards as he quickly regained consciousness and gasped. He panted, feeling the sting from his present injuries, and still Ari forced him to look at her. "What's wrong?" She asked spitefully, "Is it already past your bedtime?"

Monday squinted, getting a better look at his kidnapper. Once he processed their identity, he managed a crooked grin, "Oh, dear, is this a vendetta?" He inquired smugly before the air was knocked out of his lungs.

He hunched over, coughing and heaving with his arms tied behind his back while Ari retracted hers from his stomach.

"Watch your tongue, Dazé. Your daddy ain't here to save your ass this time," Ari hummed, tilting her head tauntingly down at the other. "Did you really think you'd get off scot-free after all this time? I never liked your ways but I had my gang leave you and your family alone because you did the same — until a couple weeks ago, that is." She gritted her teeth, infuriated.

"Boo-hoo!" Monday choked out, glaring at Ari, "I made sure they were just grunts! Pawns! Expendable!" He defended, pulling on his restraints. "Be thankful I didn't come after the higher-ups, because I swear to the Superi that none of you would last in a fair one-on-one fight—"

A backhanded blow struck across his face, cutting him off. Ari glowered at him, "Fuck you! In my organization, no one is expendable, you selfish prick!" She yelled, shoving his chair and sending it toppling onto the floor with a grunt from Monday.

Ari took a deep breath, bringing her hands to her face before she used them to push her hair back. She cleared her throat and readjusted her jacket, turning on her heel and leaving the room, but not before murmuring to her comrades:

"Start the camera. Go wild."

[dopplertoppler]

Here is the second boyo Tonbo Hanran, he and one other girl are the reason this class was created, actually

[cakocidroihan]

RAUH Welt-Begriff Indonesia no.8 "反乱" #rauhweltbegriff #rauhweltbegriffindonesia #rwbindonesia #反乱 #hanran #thegoodrides #goodrides #carsandcoffee (at Mitra Terrace) https://www.instagram.com/p/B1lqIgZF4c8/?igshid=swamymfmdvah