#have 2 for my portfolio anyways

[collarbars]

look at this beast sort of wip birthday present for @didderd

[sunnys-side-upside-down]

Blorbo's Eepiest Soldier

Thank you everyone for your kind words, I'm doing better and am back to it <3

[puppyeared]

if escape rooms as team building exercises became popular im not sure if id be more excited or terrified

[voistly]

not a fan of posting sketches/doodles on main which is funny because i love it when other people do

[dkettchen]

me waking up in a cold sweat at 6:20am: "I should get evening classes to be a hair dresser & training to be a makeup artist to be my own hair/make-up person on photo/video shoots and defy industry's single-gender-dominated-and-not-improving department segregation system like the all-rounder online creator that I am 👀😤"

[paging-possum]

genuinely going to be surprised if I make it out of this year without reinjuring my wrist chronic style again. had to speedwrite for 40 minutes today and my wrist is slowly going numb again <3

[gravehags]

trying to reach this internship hour count is killing me like i’m going to be working at the museum into october, which is great on one hand because i’ll be getting a paycheck, but also not having my fridays and sundays for doing class/capstone work/catching up on sleep is nerfing my ass. i just want to be done with it.

[cappurrccino]

tfw u find a graduate program that sounds fucking incredible and has a specialization in book conservation, but then you look at the application requirements and realize you'll never get in 😔

[boygirlctommy]

desperately throwing my animatics at my portfolio please let me into your animation program, school

[loverdude]

I'm just trying 2 do my homework but I'm like having a crisis about my art T_T

[doodlingwren]

Aughhghghh still busy <3 sorry for the late replies to comments and such lol bye <33333

[my-chemical-rot]

Looooove it (/s) when people who haven’t taken an art class since 5th grade make all kinds of judgements about college-level art classes and say shit like “isn’t it an easy class though? Don’t you get an A just for showing up? Or just for participating? You don’t actually have to be good at art to pass that class right?” Like okay maybe when you’re ten years old your art teacher isn’t gonna grade you by technique and skill but contrary to popular belief you actually have to be *good* at art and work your fucking ass off every single day to get a good grade in an art class

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[starscreamingg]

I keep thinking about this one time at work when I was having just an absolute shit of a time and I went to take the green bin outside and I got out to see these massive flakes of snow falling so softly and I remembered the joys of being alive

[togrowoldinv]

The Bodyguard

Bodyguard!Natasha Romanoff x Actress!Reader

Natasha is tasked with being bodyguard to you and you two grow close. Maybe too close, but would she dare cross that line?

Note: I have finally written an installment of this au I’ve been thinking about. Let me know what y’all think! Enjoy!

Natasha Masterlist 1, Natasha Masterlist 2, Natasha Masterlist 3, Main Masterlist

Natasha Romanoff is great at her job. In fact, she is so good that she has been in high demand in the bodyguard industry for years. She is tough, but her clients have nothing but good things to say about her.

Nat recently finished an assignment, and she is available. Your agent jumped on the opportunity to hire her to protect you. As an up-and-coming actress, you need a highly skilled security team. And you’re not exactly the easiest person to protect. You like to ditch your security whenever you can.

When she arrives at work, Natasha waits in her boss’s office to get her assignment. Fury walks in the door with a grin on his face. That’s never good, Nat thinks.

“How bad is it?” Nat asks.

Fury chuckles. “Have you heard of Y/n y/l/n?”

“The actress?”

“That’s the one,” Fury says. “Three movies in one year that reached number one at the box office.”

“And I bet she’s a pain in the ass,” Natasha says dryly. She crosses her arms. “You just told me that I was done covering actors.”

“Plans change, Romanoff. You’ll be meeting Miss y/l/n tomorrow at her New York penthouse.”

“Great,” Nat says sarcastically. “Next time I get to choose the job.”

“In your dreams,” Fury quips back.

Nat leaves his office and passes Carol and Valkyrie in the common area of the office. The two look suspicious as they straighten their clothes, but Nat is focused on finding out more about you.

“New assignment?” Valkyrie asks Nat.

“Yeah, an actress. Just my luck.”

“So, you got the Y/n y/l/n job? Impressive,” Carol says.

“Tell me that when the assignment is over,” Natasha replies. She walks to the door but stops short to turn around and say one last word to the woman. “Hey, we all know about you two by the way. It’s nice.”

Nat smirks and leaves the office. She spends the rest of the day googling you and trying to find out everything she can. Your portfolio is impressive, she must admit.

The next morning, Natasha wakes up early and goes for a run before getting ready to meet you. She wears a black suit and her beautiful red hair in a braid. The drive to your penthouse doesn’t take long.

You’re still in your pajamas when she arrives, but your assistant lets her in anyway. She takes a look around for a quick security check while she waits for you to emerge from your bedroom.

“Miss y/l/n, your new bodyguard is here,” your assistant, Kate, says.

Natasha comes into your view and your words catch in your throat. You’re not sure you’ve ever seen such a beautiful woman.

 “Oh, hi,” you say to her.

“Hello, Miss y/l/n,” she speaks, and your heart flutters. She holds out her hand for you to shake. “I’m Agent Romanoff.”

“Call me y/n,” you say as you shake her hand.

“I’d prefer to keep it professional, Miss y/l/n,” she says, trying to ignore that she finds you attractive.

“Right, okay.”

“I have a few rules,” Agent Romanoff begins. “Don’t try to lose me anywhere. It won’t work. Listen to me when I am trying to get you out of a situation or avoiding it all together.”

She pauses when you get out your phone to check a message. You reply and she waits to speak again.

“That was two rules,” you say. “Not a few.”

“Well, I assumed you stopped listening, so I stopped talking,” Nat says.

“I was listening.”

“Sure.”

“Tell me the last rule,” you say.

“That will have to wait,” your assistant interrupts you. “The car is here to take you to the photoshoot.”

Natasha turns to her, “I’ll need information about anyone who drives Miss y/l/n, and you’ll need to include me on all itineraries from this point on.”

“Okay,” Kate replies.

“Thank you.”

You grab your jacket and purse before heading down to the car that’s waiting outside. Nat follows you closely. There are a few fans waiting but nothing compared to some days. You get inside the car, and she sits in the seat next to you.

She buckles up and waits for you expectantly to do the same. The car is in motion before you do it, so takes it upon herself to reach over you and grab the belt.

“What are you doing?!” You ask her.

“You’re not invincible,” Nat says while clicking your belt into place.

You groan in annoyance, but you do feel warm at the thought of someone caring enough for you to make sure you are buckled. You really need to surround yourself with better people.

At the photoshoot, Nat stands guard. She stays out of the way but keeps an eye on you. She doesn’t mind watching you wear beautiful clothes and pose in appealing ways. The whole thing kind of turns her on.

The first few weeks of her employment goes like this. You attend events, parties, and photoshoots. You don’t give Nat any trouble. That is until the night of your birthday party.

The first part of the night went fine. So many people showed up that you didn’t even know them all, but that’s the industry for you. You are sitting at a table and flirting with one of your new colleagues when things take a turn for the worst.

“How about we find somewhere more private?” He leans in and asks you.

“Maybe another time,” you say. You like him just fine, but you really don’t want to leave the party yet. 

“Come on, baby. It’ll be fun.”

“Not tonight,” you reply.

You glance towards Nat who is across the room. She catches your eyes and walks closer to you, keeping her distance but ready to help if you need her.

“Y/n, let’s go,” the man says, taking your hand and trying to pull you up.

“No,” you say firmly.

“She said no,” your actress friend that you’re closest to, Wanda, jumps in.

“Come on,” he still won’t relent. His grip is tightening on your arm. It hurts. He leans closer to your lips. “Let’s just-”

“Hands off of her,” he is interrupted by Natasha getting in his face. She pushes his chest to get him off of you. He releases your arm, but doesn’t back down from Nat.

“What are you going to do about it?” He attempts to taunt her.

“Leave,” Nat says. “Or I’ll put you through that wall.”

“So dramatic,” he says. But he backs away and heads towards the door.

Once he is out of sight, Natasha turns back to you. Wanda and a few others are trying to protect you, but you only want comfort from one person. You practically jump into her arms as you try to hide your tears from anyone else. Nat hugs you back, but with hesitance.

She feels safe and warm as you let yourself go in her arms. Her black leather jacket collects your tears. She walks with you in her arms away from the crowd.

“Are you alright?” She asks, real concern in her eyes.

“I’m fine,” you say, but you don’t look it. Nat walks you to your car and inside the vehicle.

You look out the window and try to hold back your tears.

“Let me see your arm,” Nat says after a few minutes.

You hold it out for her to examine. She doesn’t see any injuries. Her touch is featherlight as she rubs her hands over the aching muscles.

“I’ll make sure he doesn’t get near you again,” she says.

“Thanks, Agent Romanoff,” you reply.

“You can call me Natasha,” she says.

“I love that name,” you tell her. She smirks.

“I’ll step in sooner next time, okay?”

“Okay. Maybe we need a code word or something,” you suggest.

“Like spies,” Nat jokes. You crack a smile, and she feels better about your state. “Let’s see. You can switch your drink from one hand to another.”

“We’ll workshop it, Natasha,” you say.

Nat nods. When you arrive at home, Nat helps you inside. She typically leaves you for the night, but you ask her to stay. Natasha sleeps on the couch.

When you wake in the morning, you find her sitting upright and ready to work. You sigh, thinking about the events from last night.

“What is it? Am I just not pretty?” You ask Natasha as you throw yourself onto the couch next to her.

“You know I can’t answer that and be professional,” Natasha replies.

She tries not to smirk at the way you dramatically sat down. She is slowly opening up to the idea of enjoying being around you as more than just her client.

“But you could just tell me because it seems that no one wants to date me,” you say.

“Y/n,” Natasha warns. “Trust me you are not the problem. I know for a fact people tell you that you are pretty all the time. Those assholes that go after you say it. You wouldn’t be a successful actress if you weren’t pretty.”

“Maybe, but I really don’t feel pretty.”

You sit up straighter and wait for Natasha’s response.

“You’re beautiful, y/n,” Natasha says sincerely.

“Really?”

“Really. Inside and out,” she says.

“I don’t know about that,” you reply despondently.

“I know. Look I haven’t known you but a few weeks, but I know that you’re a good person, y/n. And that makes you more beautiful than a million other people in the same position that you’re in,” Natasha explains.

There is no hesitation in her voice. It is nothing but the truth.

You feel yourself leaning in closer to her, but she moves away breaking the closeness. You try not to frown.

“Rule number three: We can’t get too close to each other,” Natasha says. “I have to protect you with a clear mind.”

“Okay,” you say. “But maybe we could break the rules, Natasha?”

To be continued…

[gorgeouslypink]

hey guys! in my previous post, i said that if you needed to vent, you could do so in my asks and I read every single one of the asks and to be honest, I was so teary eyed. everyone's stories were so heartbreaking and their feelings were so raw and genuine and honestly, it reminded me a lot of my old situation and how much i struggled and it made me want to do something, which is why I'm making this post.

this is going to be a 3 day challenge to improve your void concept so you can really get into the void! read through it and modify it how it best suits you. also, a lot of this was taken from my anon's success stories so trust me, you will succeed.

day 1: choose a subliminal for the void state and you're going to listen to it as much as you can for the entire day. a lot of my anons succeeded with this one, this one, and this one and if you're in a position where you just can't listen to any sounds, use this silent field. if you just can't listen to subliminals, then do this exercise how many ever times you want. (yes, you can do the exercise and listen to subliminals).

basically take this day as a subconcious repgramming day, don't worry about anything else. try staying off tumblr and just doing fun stuff and if you really are addicted to tumblr/void, then read all my proof portfolio links. but basically all you're doing this day is letting the affirmations sink into your brain so that your subconcious beliefs are aligned with the 3d you are trying to create.

that night, i want you to do this shifting hypnosis video (no you wont shift if you dont want to) and basically after she finishes talking, affirm your void concept affirmations (the void is easy, i always wake up in the void, etc ) over and over. you might actually end up entering the void or waking up in the void from this alone but even not, it takes you a pretty deep meditative state where you can really reprogram your subconcious mind.

day 2: this day you're going to be repeating day 1's activities except instead of the shifting hypnosis (unless you really ended up liking it), anytime you want, you're going to do this instant manifestation portal meditation, because it just feels so good and works so well so honestly, don't be shocked if you end up waking up in the void this day.

day 3: this day repeat whatever it is that made you feel good from the 2 previous days and then that night, do this parallel reality meditation. it's basically just a meditation to put you into your ideal state but they worded it as shifting to a parallel reality in which you exist as your ideal state but yeah, it's just a powerful tool to help you enter a state of having your ideal void concept and always entering the void easily. honestly if you don't want to do the entire challenge but want just one powerful thing to do, i recommend this. just try it out and trust me, you won't regret it.

i feel like this challenge comes off as a lot but it's just because i explain too much. here's a simplified version:

day 1: listen to sub or do reprogramming exercise and then at night, do hypnosis video

day 2: listen to sub or do reprogramming exercise and then do instant manifestation portal mediation (yes you can do hypnosis video again if you want)

day 3: listen to sub or do reprogramming exercise and then do parallel reality meditation (basically meditation to enter ideal state)

anyways, don't be shocked if you commit to the challenge and end up not being able to finish it because you already entered the void before the 3 days are up and if you do successfully complete it, your void concept is going to be so good and you already know you're going to enter the void so easily.

i really hope all of you do this or atleast your own version of it and i really wish the best for everyone 💗