I came up with an idea for a fic that I’m calling the six seeds au
Will is a dumbass and skips off to the underworld alone to bring Jason back for Nico. he can’t bring Jason back but he strikes a deal with Hades that will link his soul to Jason’s and partially bind him to the underworld, so Will spends six months of the year in the underworld while Jason is in the world of the living, then they switch for the next six months. so, similar to Persephone. or Dumuzid and Geshtinanna in Mesopotamian mythology. Will eats six pomegranate seeds to seal the deal, hence the name of the au.
now obviously this whole “I only get to see Will and Jason for half the year and never at the same time” thing wouldn’t be ideal for Nico and of course he’s upset with Will for doing something so reckless and sacrificial. but the real problem is that Will cannot survive in the underworld. it’s draining him more and more every day. there’s no way he’s even going to make it to the end of his first six months. and since his soul is now tied to Jason’s, this means that Jason is dying, too.
so Nico has to march up to his dad like “hey wtf” and Hades might regret not taking into consideration that Will’s a little Sun baby and can’t survive in the underworld and he might feel bad for doing this to his son so he might let slip that maybe a certain cure (one Nico may be familiar with) could break Will from the vow to stay in the underworld for half the year.
so now Jason and Nico have to go on a quest to get the physician’s cure. and Jason is dying because Will is dying. also maybe Will is sometimes in Jason’s head adding commentary through their soul bond because I think that would be funny.
and uhhh yeah that’s all I’ve got for now but idk I think this fic sounds fun so maybe I’ll come back to this
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amor ; sae itoshi 𓆝
synopsis from the marine lover -> small thought i had in class and had to write it out
phylum cnidaria -> blue lock
characters -> sae itoshi x reader
water levels -> all good! highly recommend you listen to the song, and yes i did edit this format hehe, i’ll prolly play around with it a little more later. translation at the bottom.
“my boyfriend probably prefer to be with someone else,” you said?
sae listening to “amor,” every night before going to sleep without fail, thinking about you especially at the 1:32 mark, “amor, amor, amor, amor, yo quiero estar a tu lado, eres mi mejor regalo, no hay otra que yo prefiera.” when he’s away from you because of an abroad practice, game, tournament, or whatever else stops him from being with you itoshi.
that’s your boyfriend.
glass bottle message -> here’s the translation: “my love, my love, my love, i want to be by your side, you’re my best gift, there’s no one else i would rather.”
requests are open, but do check the rules :)
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sorry for being an anti-modern media curmudgeon on main but just something about the way there seems to be a popular public consensus to look down on low budget slasher films of the 70s & 80s followed by a shift now to turn the sequels into big budget blockbusters that flatten everything unique to the slasher genre so that they can make movies that are comfortable for them to make — movies that look the same, sound the same, feel the same as any other modern action movie. and then they reduce the terminology coined to describe slasher genre conventions into these over-simplistic concepts no longer grounded in any of the films but just pop culture imagination (i.e. “final girl” means whatever now basically lol) and apply them to the horror genre as a whole. and now everybody’s a fucking expert on classic slasher movies because they’ve seen scream. this is a dead dead dead dead genre and we’re just dragging the corpse around. shaking filmmakers by the shoulders why does your movie have a budget!!! where’s the innovation
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