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fayes-fics · 19 days

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The Secrets We Keep: Pt I

Part II >>

Pairing: Benedict Bridgerton x fem!reader

Summary: Knowing someone your whole life doesn’t mean they can’t surprise you…

Warnings: none yet… fluff and angst. Childhood friends, yearning, arranged marriage, kissing. Pt II will contain a warning/rating change.

Word Count: 5.1k (this part)

Authors Note: Part 1 of 2. My longest gestating WIP! It’s been more than 18 months since I received a request for this secret diary fic. Tulip Anon, I have no idea if you still follow me, but I hope you think I did your detailed request justice. I won't post your ask yet, as it contains spoilers for the second half. Betaed by the awesome @colettebronte, who I can’t thank enough. I’m in the process of writing Pt II, so there will be a gap between instalments. Enjoy! 🫶

-i-

For as long as you can remember, you have loved one man secretly. To the point that you cannot imagine your life without a deep, burning affection simmering in your very core, as fundamental to your existence as drawing air into your lungs.

Benedict Bridgerton.

Your families have been neighbours in Mayfair and Kent for many generations—two aristocratic dynasties that, despite enduring friendships, have never seen intermarriage. There have been attempted matches down the years, according to family lore, but nothing came to fruition.

So when you were brought to Aubrey Hall as a mere babe in arms, the eldest daughter, there were many good-natured jokes that Anthony’s future wife had been born. But the Viscount, wonderful as he is, was not the man who stole your heart just a few short years later. A bright sunny day in June that you suspect Benedict may not even be able to recall, but you can with perfect clarity, even now, some fifteen years later.

He picked you as the first person to join his team for a round of garden games. Paying you heed and ensuring you were included, patiently showing you the ropes and applauding your achievements, ignoring the ridicule from the other twelve-year-old boys for letting a girl - and a little five-year-old at that - join in their games.

Ever since that day, all you have ever seen is his enormous heart and steadfast empathy: always the one to reach out to those excluded, to be supportive, and to love harder and more expansively than his siblings. Thus, unsurprisingly, he became the focus of your singular devotion—a childish adoration transmuting into something more profound and complicated as you matured.

On your fourteenth birthday, your mother gifted you a thick notebook. And it became your refuge, the private canvas on which you outlet your innermost secrets and thoughts. The beautiful but now slightly battered, silk-covered tome is still your most treasured possession even now, more than six years later, so close to filled now, with only a couple of blank pages left. Never long from your hands, but when it must be, carefully stashed under the floorboards of your bedroom. Its pages the reflection of a naive, growing heart. There is one person who features frequently on its crammed, jumbled pages. Sketches of his handsome face, mostly from memory, interspersed with ardent notes and poems that, while they may not mention his name, are written for him. Adoration writ large in every pen and pencil stroke.

Little were you to know that the secrets you keep within its hallowed pages would one day alter the course of your life…

-ii-

It's the evening of the Bridgerton Ball, and usually, you would be brimming with anticipation for such an occasion, a chance to see the man who holds your most ardent admiration. Instead, you find yourself glum, mechanically stepping into the dress your ladies' maid Rachel assists you with, staring blankly into the vanity mirror as she adorns your hair with jewels. Still reeling from your father's shocking announcement the previous day.

The inheritance of a European title had seen him spend eighteen months abroad. In his absence last spring, you were able to persuade your more indulgent mother to delay your societal debut—a yearning to be free in the ways you know no woman really can be for long. A compounding factor was spending the summer in the Highlands with her sister, your Aunt Eliza, a spirited, independent woman who taught you many things and encouraged your artistic whims. And when you were back in London, your mother’s somewhat inattentive running of the house meant you were often able to slip away in the evenings, spending your time deepening your passion for art. Frequenting galleries and conversing with artists led to you being drawn into the bohemian, artsy underbelly of Bloomsbury, a beguiling, exotic contrast to Mayfair. Another secret you keep.

Upon his return to England, your father was not best pleased to learn that not only had you been allowed to skip the previous Season, but Eliza had also taught you to fish, fence and hunt—most unladylike pursuits in his opinion. He, therefore, made it his mission to ensure not only would you debut this year but also a swift match should be made, lest you “get other fanciful, dangerous ideas”.

Perhaps that is why, yesterday, nary two weeks into your first season, he abruptly announced over afternoon tea that he had secured a match for you and the man in question would be dining with you all that evening. A deal no doubt brokered in a private gentleman’s club as if you were merely chattel to be traded.

Revulsion filled your every fibre as you were introduced to Lord Farringdon a few hours later. A wiry man twenty years your senior with a hawk-like countenance and a disdainful disposition. Apparently, a brilliant intellectual mind but accompanied by a mercurial, malevolent reputation. You had read in Whistledown rumours about his mistreatment of his household staff and his previous wife. A forlorn figure who became a recluse long before she died of consumption tragically young. The idea of being betrothed to this cold, abusive man turned your stomach—a seemingly outsized punishment for your rebellion. Once the man left, you had begged and pleaded with your father to reconsider the arrangement, but sadly, your appeal fell on deaf ears.

And so here you are. Going to a ball at which your father plans to announce your engagement. The stately beauty of Bridgerton House is not as heartening of a sight as it typically is. Tonight, it feels more akin to a gallows.

As soon as you arrive, you are scanning the crowds for the only friend you know will understand just how ghastly your predicament is—Eloise Bridgerton. A kindred spirit whose interest in marriage is as scant as your own. Bonding over your similar yearnings for freedom, you have been good friends since you were little, many a day spent together as children running through the Kentish fields, escaping expectation and flouting convention.

Acutely aware of time running out until your father speaks up, you fiddle distractedly with your fan, impatiently awaiting her entrance.

“For heaven's sake, y/n, please cease your fidgeting!” your mother chastises under her breath, snatching away the item. “I do not see why you are so agitated. Tonight is to be a wonderful occasion for you!”

A myriad of caustic comments are on the tip of your tongue, but you swallow them down. The last thing you want is to draw attention, and you certainly don't want to be gossip fodder; these ballrooms are a veritable hotbed of eavesdropping if Whistledown is anything to go by.

When the collective Bridgerton family finally enter their ballroom as hosts, however, your eyes can't help but drift to Benedict instead. A reflex from years of longing, even though it is his sister, arm looped into his, whose counsel you seek tonight. You excuse yourself to fetch a lemonade as soon as you spy a window of opportunity—Eloise standing alone, looking excessively bored. Abandoning your glass, you hurry over to her.

“I have news…” You try to keep your voice neutral but grab her arm and practically drag her away from anyone within earshot.

“Well, it cannot be good if you are willing to rip my arm off to impart it,” she remarks dryly as you lead her down a hallway.

“It is not,” you pull a face that you know will convey to her the gravity of what you need to divulge.

With a nod of understanding and a look to a nearby footman, she leads you beyond him into an area of the house off-limits for guests.

“Tell me…” her tone is sincere as she ushers you into the library and closes the door.

“My father has seen fit to arrange a marriage for me. He is planning to announce it tonight, right here at your family ball!”

She says nothing, only a sympathetic noise as she pulls you into a consoling hug. The emotions you have been tamping down for hours escape as a couple of bitter tears, her arms banding tight around you. You are not sure how long, but you stand in a hug, just grateful for her steadfast support.

“What am I to do?” you whisper.

“I do not know,” she confesses. “Have you tried to reason with your father?”

“A hopeless cause…”

Her mouth twists in understanding, knowing you will have put up a spirited defence as much as she would have. She detangles from you and goes to a nearby brandy decanter.

“It's the very least you deserve, frankly,” she points out, handing you a glass and pulling you into a loveseat with her, wrapping an arm around your shoulder, clinking her glass against yours in a silent but bittersweet toast about your seemingly futile situation.

-iii-

Half an hour later, your parents are distracted across the far side of the room with friends when a large hand grabs yours out of the blue. You startle when you realise it is Benedict, your heart suddenly in your mouth. Before you know it, you are wordlessly being pulled out of the French doors behind you and into the night air.

“Where are we going!?” you demand when you recover from the initial surprise, his gloved hand tugging yours along through the darkened gardens.

“Shh, make haste, we must not be seen,” he hushes you but keeps moving, furtive and fast, your feet having to take extra steps to keep up with his long stride over the lush, dewy grass.

“Benedict…” you try again once you round a thick hedge into the rose garden. “What is going on?”

He slows a little but does not relinquish his tight hold. Gravel path now crunching under his boots as the honeyed scent of damask hangs heavy in the air.

“Eloise told me,” is all he offers. “So we are escaping.”

“W-we are?” you stutter, frowning, a claggy tumult behind your ribs at his use of ‘we’.

“Yes! Or at least we would be if you would keep quiet… please…” he amends, sounding a touch contrite about his initial brusqueness, but speeding up again, headed straight for a small wooden door in a high stone wall, almost hidden behind long, draping ropes of ivy, glowing silver in the moonlight.

When you reach it, he releases his grip on your hand and shoulders the door open with considerable force. The weathered wood creaks loudly, almost splintering under the duress. He signals to the inky blackness of the deserted mews behind Bridgerton House.

“It is now or never, y/n,” he warns as you look back at the house, lit up with the life of the ball inside. “So what is your choice?”

He may be presenting it as an option, but really, you know there would only ever be one answer. You would accompany him to the ends of the earth if he so much as asked. And so wordlessly, you step through the doorway and into the narrow street beyond.

“Good choice,” he compliments as he follows suit and closes the door behind him. “You may stay at my friend Granville’s tonight,” he offers sagely, “I have not seen him in a while, but I will explain when we arrive; I am certain he can provide shelter.”

“Benedict, I already know Henry… Quite well, in fact.”

He looks taken aback as if it had not occurred to him that you may move in the same clandestine circles as he does. To be fair, you have always been discreet in your outings, and it’s not something you have divulged to anyone, including Eloise. Still, what confounds you more is why he is suddenly so seemingly invested in seeing you escape from your predicament. It doesn't entirely make sense.

“Well, then,” he cuts into your brief reverie, “you know Henry is a generous host and discreet about the affairs of others. Your father will not come looking for you there. It will buy some time to figure out what to do next. To ensure your freedom.”

“Freedom?” You scoff. “Benedict, as much as I may wish it, there is no other path open to me. Tonight is merely a delay tactic at best. The only way to stop my father’s pursuit of this union is if I marry another….”

The admittance of this truth out loud makes you restless, belatedly realising that it truly is your only way out. You stalk towards the main road, the faint glow of the street lamp guiding your way over the cobbles. You soon hear Benedict’s footsteps behind.

“That is ridiculous!” he exclaims as he attempts to catch up with you. “There are other options available to you…”

“Such as?” you whip around, raising your hands, countering his assertion. When he falters, you return to walking, throwing a tart addition over your shoulder: “Unlike you, a man, I do not have the freedom of choice.”

“You should always have a choice…” he counters earnestly, still catching up to your furious pace.

“Should and do are different things, Benedict. You do not even know how lucky you are!” You add bitterly, rounding onto the main street.

A gust of wind causes you to pause and a shiver to run down your arms, your gauzy dress not enough to ward off the unseasonable chill in the air tonight. Ever the observant gentleman, Benedict shucks his jacket and wraps it around your shoulders. Uncharitably, your ire makes you attempt to shake it off, even while knowing it is intended purely as a chivalrous gesture. You are surprised when he seems to grasp your shoulders tighter, holding the heavy velvet in place. It is cloaked in his woodsy, citrus scent, your vexed state turning into an entirely different type of flush as he crowds closer to you.

“My birth has allowed me certain privileges, I concede,” he replies, his stare seemingly far away as you are unable to look anywhere but the dampness of his bottom lip, shimmering slightly in the lamplight. Then he tilts his head down to meet your eyes. “But that does not mean I am able to have everything I wish for in life, y/n…”

Your tongue burns to ask what it is that he wants but cannot have, yet you do not allow yourself to pry. But seeing the wistfulness in his gaze deflates your irritation, your long-held adoration for this man taking over, making you sigh.

‘You deserve the world, Benedict….’

His face morphs into one of breathtaking intensity, and you realise, horrified, you spoke those thoughts aloud.

“As do you, y/n,” he murmurs, eyes sincere, your heart beating wildly as his chest vibrates against your own.

The upheaval of the last day, the man you secretly adore abetting a somewhat daring escape, your heated exchange of words, the lateness of the hour, and the feel of his tall, lithe body pressed against yours…. It's all a dangerous cocktail that culminates in you being utterly impetuous, pushing up onto your tiptoes and mashing your mouth against his with no thought.

His lips are plush and warm, and suddenly, he is kissing you back. It's like a cannon firing in your chest as his warm mouth opens yours. Suddenly, you are urgently taking from each other. A sweeping tidal wave through you obliterates any kissing experiences you have ever had before. It’s a desperate slide of tongues, a passionate continuation of your sparring. His hands are like a hot brand through your thin dress as they sweep around to your back, tugging you into him, his heat, scent and taste overwhelming.

But all too soon you are pulling apart, a need for air in your lungs overriding the spontaneous, reckless moment. For a few seconds, you stare at each other, breathing each other's panted air, hands still grasping onto each other, almost confused by what just occurred… until the whinny of a passing horse carriage has you springing apart as if burned.

Realisation engulfs his entire being. “Oh god! Please, please forgive me!” he stutters, backing away, holding his hands out in a conciliatory gesture, almost tripping in his haste to put space between you, even though it was you who kissed him. “Please, just go to Granville,” he counsels rapidly before turning heel and disappearing into the night, leaving you standing alone, unmoored and breathless, utterly turned upside down.

-iv-

You drift home in a daze, your family’s London residence only a few hundred yards away. Your escape plans are forgotten in the haze of tumbling thoughts about that blistering kiss. How fervently and immediately Benedict had kissed you back, how wonderful it felt to be caged in his arms…. Climbing into bed and passing out, still bewildered. In fact, it’s only the rude awakening of your bedroom door slamming open the following morning that brings you crashing back to your senses.

“WHAT IS THE MEANING OF THIS?!” Your father roars, holding aloft what looks like the latest copy of Whistledown. “You have brought shame upon our family and likely ruination to your prospects!!”

Utterly alarmed, you sit bolt upright, blinking, taking a few moments before you can find your voice. “What are you referring to, father?”.

He glares at you, then throws the paper onto your bed and stalks out of the room without another word, puce with outrage. You know there will be crossed words at the breakfast table. The sight of your name on the crisp ivory page immediately draws your eye, and your stomach plunges as you read the paragraph:

The annual Bridgerton Ball last night was, once again, resplendent. A triumph that the dowager Countess can be rightfully proud of. Although less contentment could likely be gleaned from the behaviour of her offspring. The second eldest of whom was allegedly seen escaping into the unlit gardens hand in hand with none other than the most reluctant of this season's debutantes, the spirited Miss Y/n Y/l/n. Perhaps the rebellious Miss will not have to endure many more of society’s events that she so patently abhors, should a proposal from the most wayward of Bridgerton sons be forthcoming? I, for one, however, Dear Reader, am not holding my breath…

Hiding in your room as long as you can, hunger drives you to join the frosty lunch table, apologising for inadvertently ruining your father’s plans to announce your betrothal and meekly explaining the incident with Benedict as a complete misunderstanding. It was merely an old friend helping you to gather some air before the big news was to be proclaimed. His taking your hand was out of benevolent concern, nothing more, and when you suddenly felt unwell, he chivalrously saw you the few hundred yards home. The lies feel odd on your tongue, your thoughts only of Benedict’s mouth and body moulded hotly to yours as your father lectures about appropriate behaviour for a young lady and your family’s long-standing friendship with the Bridgertons not being an excuse for a lackadaisical attitude to impropriety.

“There is nothing else to be done now—I must secure you a special licence to be wed tomorrow before Lord Farringdon hears about this,” he decrees with finality, his tone brokering no argument.

You slump silently into your chair, dread creeping through every cell, silently chastising yourself for not following Benedict’s advice and running away. If only you hadn't been impetuous and kissed him, you might have been in your right mind to do so. It feels cruel that the one moment you chose to throw caution to the wind is the one moment that sealed a worse fate.

-v-

That afternoon, your mother ushers you to the Modiste, paying handsomely for a very rushed wedding dress. Something simple that can be finished at such a late hour. It will only be your family in attendance anyway; so much else seems unnecessary. As you stand forlornly upon the raised dias, ivory silk tacked up around you with pins; your mother announces she needs to depart to secure other last-minute arrangements, leaving your trusty ladies' maid to accompany you home once alterations are complete.

“You do not look a happy bride…” Madam Delacroix mutters after the tinkle of the bell above the door signals her departure.

“Your observation skills are certainly not lacking,” you respond quietly, craning to double-check that Rachel, your maid, is out of earshot, sitting listlessly in the front of the store, staring out of the window.

“I do read Whistledown, my dear,” she remarks delicately, “and this does not appear to be a dress someone marrying a Bridgerton would wear.”

Your stomach vaults at the implication; the thought of marrying Benedict has your heart going haywire, even as you know it would never happen. The crestfallen look as your mind flits to the awful man you will be marrying instead is one you cannot hide as she meets your eyes in the reflection.

“It is not indeed,” you sigh, “but Whistledown has rather accelerated my unfortunate fate. Hence the rushed dress…” you gesture to your outfit.

“Mr Bridgerton is a friend?” she digs delicately.

“Lifelong,” you admit, “but Lady Whistledown could not have been more erroneous in her assertions…”

“That you and Mr Bridgerton are together? Or that he would marry you?”

You look away from the mirror and down to where she is crouched by your hem on your left side, taken back not only at her astuteness but her drive for information. Almost as if she were Whistledown herself.

“I do not mean to pry,” she modifies, “merely to understand your predicament. Maybe I can be of assistance? I have privately counselled many a young lady on the eve of their wedding. Be it a happy occasion or not. And have kept many a secret of the Ton. ‘Tis the reason my business is so successful, Miss y/l/n. A good modiste can be a trusted confidante.”

“W-we are not together,” you stumble out without meaning to.

“But you wish to be? Or perhaps something has happened between you?”

Your eyes dart furtively, and your cheeks heat at the memory, but you say nothing.

“You need say no more,” she chuckles and offers a knowing smile that appears as much reminiscent as sympathetic.

You rapidly attempt to deflect. “I do not wish to be married to anyone, really. I do find it so unfair a man is free to pursue his passions in life, but merely due to my sex, I am not.”

There is a nod of understanding, and she stands up with her hands on her hips. “I keep a certain array of refreshments for special clients such as yourself.” She nods to what looks like a liquor cabinet partially obscured behind a curtain at the back of her shop. “If you can dismiss your maid, I can assist you on your last night as an unmarried lady.”

The suggestion is too intriguing to refuse. And Rachel will greatly appreciate your pin money.

A few hours later, you are sat upon a circular conversation chair, Gen, as she insists you call her, pouring you another snifter of brandy.

“Tell me, what is your passion?” she inquires, her polished French accent slipping a little, sounding far more East End than Parisian. Something about that makes you like her more.

“Art,” you answer wistfully, “not that I have many opportunities to practice beyond a private notebook. But it is my most prized possession.” You gesture to your pelisse, hanging on a nearby hook. “I have it with me always. I have sewn a secret pocket into all of my coats myself.”

“Ingenious! ” She declares. “You shall have my job one day!”

You laugh, feeling light for the first time in what feels like days, as Gen leans in, raising an eyebrow. “I can also see well why you may have bonded with Mr Bridgerton…”

You giggle and lower your eyes, taking a fortifying sip.

“But it is not just that, is it?” Her tone is thoughtful, delicate even, as she continues: “A life outside the boundaries of so-called polite society can be so very beguiling, can it not? I have seen you, Miss y/l/n, at parties in Bloomsbury…”

A panicked bile rises as your head snaps up.

“As I said before, I am always discreet,” she reassures, “your secret is more than safe with me,” she winks before taking a generous sip from her glass.

Possibly, it's the alcohol, but her understanding of your predicament and the fact she has, unbeknownst to you, moved in similar circles brings an odd sense of relief. Having a confidante, someone to finally share your secrets with, albeit a somewhat stranger, lifts a burden from your shoulders. Wonderful as Eloise is, being the sister of the man who secretly holds your heart is not without complications in many ways.

“Another?” she chimes animatedly, holding aloft the bottle.

You cannot resist that offer.

-vi-

It’s close to midnight when Gen loops her arm in yours as she guides you, quite inebriated herself, away from the hackney cab to the familiar abode of one Henry Granville. Her declaration that a party is what you need on your last night of freedom is definitely not one you would dispute. A myriad of heightened emotions roil inside as you await the door being answered: contentment at your newly cemented friendship with Gen, bewildered every time you think of your kiss with Benedict and abhorrence for tomorrow.

As you wander into the debauched tableau of a party in full swing: the air thick with smoke and merriment, the sounds of pleasure, people consorting together, a hedonistic swirl of self-expression unfurling all around you—it all consolidates into a yen to be reckless. Take part this time rather than just observe as you have before. Alcohol mutating the simmering rage about the injustice of your circumstance into a yearning to experience pleasure, especially physical. To get lost in sensation on your one last night of liberty.

So when you encounter Sir Simms - Matthew - friend to your older brother, renowned rake, but quite handsome, you throw caution to the wind. He seems delighted to see you, instantly flirtatious and familiar in a way you would rebuff any other night but this one. Whispering in your ear how very bold you are to be at such a bohemian event and pondering what other adventurous experiences you might be willing to indulge in. At one point Gen pulls you aside, her breath sweetened with fermented fruits, as she leans in and counsels you to be cautious. But you rebuff her concerns, swatting away her hold and returning to Matthew, allowing him to pull you into a kiss.

It’s not the same as with Benedict; your mind screams at the altogether more jarring experience. A wet invasion of tongue that is less pleasant and certainly doesn’t fire anything inside you the way that he had. Merely kindling a defiant resolve to rage against the dying light of your freedom. And so when he slurs into your ear, you consent to his invitation upstairs, knowing fully the implications of what will transpire—feeling vaguely detached from yourself as he pulls you along by the hand towards the staircase.

Suddenly, your field of vision is filled with dark blue velvet, a strong arm wrapping around you, caging you into a warm body mass, disconnecting your hand from Matthew’s—crossed words in two male voices. A momentarily confusing blur that only begins to make sense when you tilt your chin up… and the breath is quite stolen from your lungs.

Benedict.

At first, it feels like a cruel mirage, the man you most desire here to stymie your last gamble at impulsivity. His hold is strong as you sense Matthew shrink away, defeated by Benedict’s threat to expose some dalliance or other. But as he whisks you to an empty room within the house, all you feel bubbling up is anger.

“Stop trying to rescue me!” you rail, reeling out of his grip and stamping your foot to emphasise your point, uncaring that you may be behaving more akin to a petulant toddler.

“Stop making foolish decisions!” he lobbies back after a fleeting wounded look.

You glare at him momentarily before turning your back and staring out of the window into the inky blackness of Granville’s garden, frustration prickling a tear in the corner of your eye.

Behind you, there is a sigh; then his voice turns softer. “Why did you not follow my advice? I came here this morning only to be informed you never arrived…”

That he came to check on you weakens your bluster, although you still have no earthy idea why, once again, he is so invested in your actions. But you are not done saying your piece.

“What does it matter now?” you bite bitterly before spinning around to face him. “Benedict, we are in Whistledown. My father would have arranged a special licence for tomorrow regardless of whether I had come here or not…”

“He did what?” he splutters, shock almost choking the words.

You square your shoulders and cross your arms defensively. “I am to be married in the morning. 11am at St George’s.” When all he offers is floored silence, you uncharitably dig the knife in. “No thanks to you...”

Your words are like a body blow, a world of hurt in his quiet tone as he stares at the ground. “I was only trying to help.”

Regret floods your every cell; why you would choose to lash out at him, even you don't know—so many conflicting feelings and strong liquor coursing through you.

“Please… let me return to the party,” you sigh wearily, after a beat, gesturing to his blocking your exit from the room.

“You would regret what you were about to do until your dying day,” he attests, lifting his head, a vein on his forehead pulsing as his jaw tenses.

“Perhaps,” you shrug. “But that is my burden to endure, not yours.”

“I am your friend,” he frowns, “I will always want to alleviate your burdens…”

“I do not want a friend, Benedict, not tonight. I want a beau.” If you aimed to shock him, you are successful; a cavalcade of expressions warring on his face as you plough on. “So please move so that I may continue with my most inadvisable plan….”

“No.” It's soft but unequivocal, resolute.

When you realise he is not going to budge, you throw your hands up in exasperation. “What do you want from me, Benedict?”

There is a gruff noise in the back of his throat, and then, with two determined strides, he is pressed up against you, his breath hot on your face. Then he is kissing you, ferociously, wantonly, opening your mouth with his, his hands encircling your waist and pulling you roughly into him.

And you are lost.

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heck-theo · 3 months

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Okokokokok- ignore how rough and messy some of these redraws/sketches are - but it's apparently also dinosaur month?? (WHY did no one ever tell me it's Jurassic June? I love dinosaurs) And like. What if Rise but dinosaurs?!

I don't often post such loose sketches but I wanted to show these off cause I really like some of this.

Design choices and dino species + the reasons I picked them bellow (looking for potential Donnie dino suggestions):

Clothes: Without the shell they really need clothes. They'd all have pretty much the same pants to keep some unity, except maybe Mikey (I decided they should all have the same pants after I finished the Mikey sketches, not sure if I'll keep the shorts or change to pants). Accessories are a mix of pre and post finale.

Raph - I think would keep it simple and practical but would also wear nice jackets and stuff when in casual situations. I need to work on giving him an alternative outfit and tweak his accessories a bit.

Donnie - An oversized pull-over hoodie cause we already know he loves that shit. We see him wearing it all the time. Easy enough. He wears a comfortable singlet underneath so the straps of his battle sail don't rub. Nice soft fabric, tight fit so it doesn't move around, tucks it into his pants, etc. When he wears the battle sail he won't overheat so he can wear hoodies basically all year round.

Leo - He's in one of those shirts with obnoxiously large arm holes and make it cropped cause 1. I think he would 2. I want it to be different from Raph and Donnie's singlets. He usually wears the shoulder strap off his shoulder but pulls it up when he needs to. He has some of the black bandages over his mid drift atm but I might just make his pants super high waisted in the final version. He'd probably wear a bomber jacket (also cropped?) over the top for cool weather, but doesn't like to hide his feathers.

Mikey - I think he'd mostly wear hand me downs when he's younger. He definitely goes through a stage of rebelling and wanting to pick his own and would find a middle ground of appreciating sharing some of his brother's clothes and modifying them, as long as he has the choice of his own available. Not sure if that would be before or after this design. At the moment he's got Raph's old shorts (from a loooong time ago), Leo's old shirt, and Donnie's old zip up hoodie. He does have his own accessories though, including pins instead of stickers.

Dinosaurs: I kept them all as non-avian dinosaurs, AKA not including animals that are colloquially considered dinos but aren't (like pterosaurs). I wanted to keep an even split of herbivore vs carnivore just so one wasn't the odd one out. I wanted to keep most of their body structure, colours and distinguishing features the same as canon. Obviously I added tails cause, yeah, of course haha. I did want them to be recognisable as different species of dino using distinct characteristics that their species is known for. I did ignore a lot of differences though, like size and bipedal vs quadruped (although the quadrupeds might be more likely to go to all fours, especially when fighting or afraid). Leo and Donnie are carnivores so have sharper teeth and claws.

Raph - Some kind of Ceratopsian (likely Triceratops or something very similar) and he was the first idea I had for this and I'm really happy with it. I think it just suits him. Trike Raph just came to me in an unprecedented moment of genius. His spikey frill replicates his spikey shell. His sturdiness, protectiveness and willingness to kick ass when needed, all scream trike to me.

Donnie - Spinosaurus but looking for other species recommendations. More details below: So I wanted to figure out a way for him to have tech with a similar function to his battle shell (in the sense that it's something that helped him in day to day life) and so I went with spino cause one possible theory about a function of spinosaurus' sail is temperature regulation. So his battle sail has heating/cooling systems as well as other tech. A spino's sail was probably not fragile but the battle sail would also help protect it from being targeted during fights or crushed during extreme impacts. It was also thought to be used for display, and what's more of a display than a battle sail? The only problem I have with this is that it's lacking part of what makes Donnie's battle shell so great, which is that it is essentially a prosthetic. Not quite the same as how prosthetics are used in people of course, just in the sense that it is replicating the functionality of a body part that he doesn't have (I can't think of a better word). Well he does have a shell but it doesn't function in the same way that his brothers shells do, which leaves him with less defense than they have, hence a big reason for the battle shell (I hope I explained this well, it was hard to try and word properly). I can't think of a good way to do this with dinos. I was thinking of a carno or something with tiny arms, then Donnie could have tech enhanced arms but I'm pretty much ignoring body structure in the others so it would be weird to have just Donnie be affected by a difference in limb structure/functionality. I was thinking prosthetic tail but every non avian dinosaur had a pretty substantial tail. Except therizinosaurus but even they hade pretty obvious tails. I'm open to suggestions for this one if anyone has ideas. It does have to be an extinct non-avian dinosaur (anything not in Avialae), preferably carnivore but if someone suggests a really good herbivore or omnivore then I can try and swap Mikey for a carnivore. I want there to be an even split. I also wanted to give him something different on his face, like his brothers, and that could only be a little spino crest and it crowds the top of his head but I can't put it anywhere else...

Leo - A type of Dromaeosaur. I was tossing up between this and a dilophosaur where his red stripes were part of the dilo's crest, cause I wasn't sure about giving him feathers. But dilo Leo was so plain compared to the rest and the crests were hard to get looking right so I went back to raptor Leo. I can definitely imagine him literally and metaphorically preening his feathers too. You can't really see it but he does also have that big raptor claw. Raptors were smart, tactical and worked in packs so I think that suits him. I wasn't specifically referencing how some artists draw Leo's stripes coming off his face (I was just trying to replicate his stripes somehow, even though it doesn't make a huge amount of sense) but I realised afterwards that it kinda looks like that and might have been subconsciously inspired by it.

Mikey - Is an Ankylosaur. I'm pretty happy with the species but I need to work out the design of his armour plating so that it looks interesting, cool and protective but isn't too chunky, too pointy or super lumpy looking. I went with an anky cause Mikey is often hiding in his shell and he can't do the same here but he could curl up in a defensive ball. Plus I could imagine him using his tail club in his razzmatazz fighting style. A little like his kusari-fundo or nunchacku/nunchucks (not sure on proper wording).

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poppyflavour · 2 months

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What motivates me? Hatered? Is it love?

I love this song so so much and the fact that I assosiate different parts of it with different characters is just so!!

I had this idea back in June but due to the lack of time I didn't do it, and when I finally sat to do a sketch my brain went "you know what? This pose is actually super difficult for you, let's not do it". Then I sat to it last week and did the first image in like (added up) 7 hours? Add or take, I'm bad at time

I would talk more about how I view Purple's relationship with Navy but the talking part of this post is already long enough, plus I think it deserves its own post

#animation vs animator #animation vs minecraft #animator vs animation #ava #avm #alan becker #avm purple #avm navy #avm royal blue #art #illustration #artists on tumblr #art on tumblr #lyrics art #stick figure #stickman #god damn it i love this #i don't want to seem narcissistic #but i'm really proud of this

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sophaeros · 8 months

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arctic monkeys for q magazine, june 2011 (x) (x)

ARCTIC MONKEYS: Inside Alex Turner's Head

Words Sylvia Patterson Portrait John Wright

The day Arctic Monkeys moved into their six bedroom, Spanish-style villa in the Hollywood Hills, where the first-floor balcony looked over the patio swimming pool, they knew exactly what to do.

"From the balcony, you could get on t'roof and jump in't pool," chirps the Monkeys' most gregarious member, drummer Matt Helders, in his homely Yorkshire way. "We looked at it and said, That's definitely gonna happen. So by the end, we did a couple of 'em. Somersaults in t'pool, from the roof. At night time."

In January 2011, as Sheffield and the rest of Britain endured its bitterest winter in a century, Arctic Monkeys capered among the palm trees, eschewing hotels for a millionaire's Hollywood homestead as they recorded and mixed their fourth studio album, Suck It and See.

The four Monkeys, alongside producer James Ford and engineer James Brown, lived what they called the "American man thing": watched Super Bowl on giant TVs, played ping-pong, hired two Mustangs, cooked cartoon Tom And Jerry-sized steaks on barbecues on Sundays, had girlfriends over to visit, all cooking and drinking around the colossal outdoor kitchen area featuring a fridge and two dishwashers. Living atop the Hills, they could see the Pacific Ocean beyond by day, the infinite glittering lights of downtown LA by night.

Every day, en route to Sound City Studios, they'd travel in a seven-seater four-by-four through the mountains, via bohemian 60s enclave Laurel Canyon, blaring out the tunes: The Stones Roses, The Cramps, the Misfits' Hollywood Babylon. For the sometime teenage art-punk renegades whose guitarist, Jamie Cook, was once ejected from London's Met Bar for refusing to pay €22 for two beers, the comedy rock'n'roll life still feels, however, absolutely nothing like reality.

NICK O'MALLEY: "It were really as if we were on holiday. When we came back it's the most post-holiday blues I've ever had!"

JAMIE COOK: "It's hard to comment on that. It were just really good fun."

MATT HELDERS: "We always said, As soon as things like that feel normal, we're in trouble. But it's just funny. You might think it would get more and more serious as you get older but it's getting funnier. We've done four albums now and I'm still only 24, I'm still immature to an extent. So who cares?"

Alex? Al? Are you there?

ALEX TURNER: "Yeah, it were good times. But we were in the studio most of the time. So there's no real wild Hollywood stories. Hmn. Yeah."

Wednesday, 16 March 2011, Strongroom Bar, Shoreditch, East London, 11am. Alex Turner, 25, slips entirely alone into an empty art-crowd brasserie looking like an indie girl's indie dream boy: mop-top bouffant hair which coils, in curlicues, directly into his cheekbones, army-green waist-length jacket, baggy-arsed skinny jeans, black cord zip-up cardigan, simple gold chain, supermoon sized chocolate-brown eyes.

Almost six years after I Bet You Look Good On The Dancefloor became the indie-punk anthem of a generation (from the first of Arctic Monkeys' three Number 1 albums), and nothing prepares you for the curious phenomenon of Alex Turner "in conversation". Unlike so many of the Monkeys frenetic early songs, he operates in slow motion, seemingly underwater, carrying a protective shell on his back, perhaps indie rock's very own diamond-backed terrapin. The most celebrated young wordsmith in rock'n roll today talks fulsomely, in fact, only in shapeless, curling sentences punctuated with "maybe... hmn.. yeah", an anecdotal wilderness sketching pictures as vague as a cloud. He is, though, simultaneously adorable: amenable, gentle, graceful, and as Northern as a 70s grandpa who literally greets you with "ey oop?".

"People think I'm a miserable bastard," he notes, cheerfully, "but it's just the way me face falls." Still profoundly private, if not as hermetically sealed as a vacuum-packed length of Frankfurter, his fante-shy reticence extends not only to his personal life (his four-year relationship with It-girl/TV presenter Alexa Chung, whom he never mentions) but to insider details generally. Take the Monkeys’ Hollywood high jinks documented above: not one word of it was described by Turner. Before Q was informed by his other Monkey bandmates, Turner’s anecdotal aversion unfolded like this:

Describe the lovely villa you were in. AT: "Well... we certainly had a... good view."

Of what? AT: "Well, we were up quite high."

The downtown LA lights going on forever? AT: "I dunno. It was definitely that thing of getting a bit of sort of sunshine. Is it vitamin D? If you can get vitamin D on your record, you've got a bit of a head start. So we'd get up and drive to the studio."

What were you driving? AT: "Nothing... spectacular. But yeah, we'd drive up the studio, spend all day there and sort of, y know, get back. To be honest... we had limited time. So we spent as much time as possible kind of getting into it, like, in the studio.

So your favourite adventures were what? AT: "Well, they were really… minimal. We were working out there!"

Any nightclubs or anything, perhaps? AT: "You really want the goss 'ere, don't you?"

Yes, please. AT: "I could make some up. Nah!"

And this was on the second time of asking. It's perhaps obvious: Alex Turner, one of the most prolific songwriters of his generation (four Monkeys albums and two EPs in five years, The Last Shadow Puppets side-project, a bewitching acoustic soundtrack for his actor/video director friend Richard Ayoade's feature-length debut Submarine), is dedicated only to the cause – of being the best he can possibly be. He simply remembers the songs much more than the somersaults.

Throughout 2009, Arctic Monkeys toured third album Humbug – the record mostly made in the Californian desert with Queens Of The Stone Age man-monolith Josh Homme – across the planet. While hardly some cranium-blistering opus, its heavier sonic meanderings considerably slowed the Arctic Monkeys' live sets and on 23 August 2009, Q watched them headline the Lowlands Festival, Holland and witnessed a hitherto unthinkable sight – swathes of perplexed Monkeys fans trudging away from the stage. With the sludge rock mood matching their cascading dude-rock hair it seemed obvious: they'd smoked way too much outrageously strong weed in the desert.

"Heheheh, yeah," responds Turner, unperturbed. "That's your theory. You probably weren't alone."

Back in the Strongroom Bar, Turner's arm is now nonchalantly draped along the back of a beaten-up brown leather sofa. He ponders his band's somewhat contrary reputation…

"I think starting the headline set at Reading with a cover of a Nick Cave tune perhaps was a bit contrary. D'youknowhat Imean?! But to be honest, that summer, at those festivals, we had a great time. And I know some fans enjoyed those sets 10 times more. And you can't just do, y’know, another Mardy Bum or whatever. Because how could you, really?"

With Humbug, notes Turner, "I went into corners I hadn't before, because I needed to see what were there," but by spring 2010 he wanted their fourth album to be "more song-based" and less lyrically "removed". He was "organised this time", studied "the good songwriters" (from Nick Cave, The Byrds and Leonard Cohen to country colossi Johnny Cash and Patsy Cline), discovered "the other three strings" on his guitar, and wrote 12 songs through the spring and summer of 2010, mostly in the fourth-floor New York flat he shared with Chung before the couple moved back to London late last summer (the New York MTV show It's On With Alexa Chung was cancelled after two seasons). The result: major-key melodies, harmonised singing and classic song structures.

At the same time he revisited the opposite extreme: bands such as Black Sabbath and The Stooges ("we wanted a few wig-outs as well"); he was also still heavily influenced by the oil-thick grinder rock of Josh Homme, who is clearly now a permanent Monkeys hero. After four months' rehearsals in London, on 8 January the Monkeys relocated to LA for five swift weeks of production and Homme came to visit, singing backing vocals on All My Own Stunts. Tequila was involved.

"Tequila is probably me favourite," manages Turner, by way of an anecdote. "But it takes a certain climate... It's not the same... in the rain. Yeah. [Looks to be contemplating a lyric] Tequila in the rain."

Vocally, he developed the caramel richness first unveiled on The Last Shadow Puppets' Scott Walker-esque The Age Of The Understatement, finding a crooner's vibrato. "Everything before was so tight,” he notes, clutching his neck. "Probably just through nerves. That's just not there any more." Suck It and See contains at least four of the most glittering, sing-along, world-class pop songs (and obvious singles) of Arctic Monkeys' career: the towering, clanging She's Thunderstorms, the summertime stunner The Hellcat Spangled Shalalala, the heavenly harmonised title track and the Echo & The Bunnymen-esque jangly pop of closer That's Where You're Wrong.

Elsewhere, in typically contrary "fashion", there's preposterous head-banger bedlam (Brick By Brick, the rollicking faux-heavy rock download they released in March "just for fun", featuring vocals by Helders; Don't Sit Down 'Cause I've Moved Your Chair, and Library Pictures). News arrives that the first single proper will be Don't Sit Down 'Cause I've Moved Your Chair. Q is perplexed. Brilliantly titled, certainly, but arriving after Brick By Brick, the new album will appear to the planet as some comedy pastiche metal album for 12-year-old boys.

You've got all these colossal, summery, indie-pop classics and you've gone for... The Chair? AT: [Laughing uproariously] "The Chair! I'm now calling it The Chair, that's cool. Well for once it weren't even our suggestion. It was Laurence's (Bell, Domino label boss). And I were, Fucking too right! He's awesome. It'd be good to get a bit of fucking rock'n'roll out there, won't it? It's riffs. It's loud. It's funny."

If you don't release The Hellcat Spangled Shalalala as a single I'm going round Domino to kick Laurence's "awesome" butt. AT: "I think it'll be the next one!"

The record's title, meanwhile, could've been more enigmatically original than the un-loved phrase Suck It and See. The band, struggling with ideas due to the opposing sonic moods, invented an inspiration-conjuring ruse: to think of new names for effects pedals in the style of Tom Wolfe, Turner being long enamoured with the American author's legendarily psychedelic books The Electric Kool-Aid Acid Test and The Kandy-Kolored Tangerine-Flake Streamline Baby, "cos that just sounds awesome".

"There's the Big Muff pedal," he elaborates, "That’s the classic. I've got the Valve Slapper. And there's the Tube Screamer. So we came up with the Thunder Suckle Fuzz Canyon. And… wait till I assemble it in me mind… em… it'll come to me… The Blonde-O-Sonic Shimmer Trap. So we were going for summat like that."

A wasted opportunity?

"Nah. Because some of those things ended up in the lyrics anyway. Suck It and See was just easier."

Alex Turner, rock'n'roll's premier descriptive art-poet, still writes his lyrics long-hand in spiral-bound notebooks. "Writing lyrics is a craft that I've practised a bit now," he avers. "In me notebook it looks like sums. Theories. There's words and arrows going everywhere. There's always a few possibilities and I write the word 'OR' in a square."

For our most celebrated colloquial sketch-writer of the everyday observation (all betting pencils, boy slags and ice-cream van aggravations) the more successful he becomes, the less he orbits the ordinary. "I'm not struggling with that, to be honest," he decides. "In fact I'm enjoying writing lyrics much more than I did. Stories. Describing a picture. Um. There's quite a bit of weather and time in this one. Which is probably not reassuring. 'Oh God, he's writing about the weather.' Maybe leave that out!"

There are also some direct, funny, romantic observations: "That's not a skirt, girl, that's a sawn-off shotgun/And I only hope you've got it aimed at me..." (from the title track).

Some of your romantic quips, now, must be about Alexa. AT: "Right. Yeah. Definitely. Well... there's always been that side to our songs, when we weren't writing about... the fucking taxi rank. It's kind of inevitably... people you're with." [At the mention of Chung's name, Turner is visibly aggrieved, head sliding into his neck, terrapin-esque indeed.]

It must have been very grounding being in a proper relationship through all this madness. Because if you weren't, girls would be jumping all over your head. AT: "Em. Hmn. Well, of course that helps you to... I don't really know.. what the other way would be."

Does Alexa wonder if the lyrics are about her? AT: "Oh there's none of that. Yeah, no, there's no looking over the shoulder."

She must be curious, at least. "Maybe."

Did you ever watch Popworld? AT: [Nervous laughter] "Em! Now and again."

Did you ever see the episode where she helps Paul McCartney write a song about shoes? AT: "Ah, yeah I think so, maybe I did see that."

Well, if I was you, I'd have been thinking, "She's the one for me." AT: "Well. Yeah... maybe that would've... sealed the deal! Hmn. But maybe that wasn't when i got the ray of light. When was? Nah [buries head in hands]. I might have to go for a cigarette..."

Q can't torture him any more and joins him for a snout. Turner smokes Camels from a crumpled, sad, soft-pack and resembles a teenager again. As early song You Probably Couldn't See For The Lights But You Were Staring Straight At Me says, "Never tenser/Could all go a bit Frank Spencer…”

In January 2006, when Arctic Monkeys' Number 1 album Whatever People Say I Am, That's What I'm Not became the fastest-selling debut in UK history, inadvertently redefining the concept of autonomy and further imploding the decimated music industry (& wasn't their idea to be "the MySpace band", it was their fans': the Monkeys merely kick-started viral marketing by giving away demos at gigs), the 19- and 20-year-old Monkeys were terrible at fame. They weren't so much insurrectionary teenage upstarts as teenage innocents culturally traumatised by the peak-era fame democracy.

To their generation (born in the mid-'80s) fame was now synonymous with some-twat-off-the-telly a world of foaming tabloid hysteria where renown and celebrity meant, in fact, you were talentless. Hence their interview diffidence and receiving awards via videos dressed up as the Wizard OfOz and the Village People. Which only, ironically, made them even more celebrated and famous. (“That were a product of us just trying to hold onto the reins," thinks Turner today. "Being uncooperative.")

Q meets The Other Three one morning at 11am, in the well-appointed, empty bar of the Bethnal Green, Bast London hotel they're staying in (all three live in Sheffield, with their girlfriends, in their own homes). First to arrive is the industrious, sensible and cheerful Helders, crunching into a hangover-curing green apple. He has recovered from last year's boxing accident at the gym, which left his broken arm requiring a fitted plate. Now impressively purple-scarred, the break felt "interesting" and the doctor couldn't resist the one-armed drummer jest: "D'you like Def Leppard?"

Currently enjoying an enduring bromance with Diddy, he still doesn't feel famous, "it just doesn't feel that real, there's no paparazzi waiting for me to trip up." He and Turner, during the four-month rehearsals last year, became an accomplished roast dinner cooking duo for the band. "I reckon we could have us our own cookbook," he beams. "Pictures of us stirring, with a whisk."

O'Malley, an agreeable, twinkly-eyed 25-year-old with a strikingly deep voice and a winningly huge smile, is still coyly embarrassed by the interview process. A replacement for the departed original bass player Andy Nicholson in May 2006, he went from Asda shelf-filler to Glastonbury headliner in 13 months and still finds the Monkeys "a massive adventure". His life in Sheffield is profoundly normal – he's delighted that his new home since last October has an open-hearth fireplace: "Me parents had electric bars." He has also discovered cooking. “I’m just a pretty shit-hot housewife, most of the time," he smiles. "I cook stews, fish combinations, curries, chillies. I made a beef pho noodle soup the other day, Vietnamese, I surprised meself, had some mates round for that."

Recently, at his dad's 50th birthday bash, the party band, made up of family and friends, insisted he join them onstage "for ...The Dancefloor. So I were up there [mimes playing bass, all sheepish] and it were the wrong pitch, they didn't know the words or 'owt, going, Makin eyes... er..." He has no extra-curricular musical ambitions. "I'm happy just playing bass," he smiles. "I've never had the skill of doing songs meself. It'd be shit!"

Cook, 25, is still spectacularly embarrassed by the interview process. He perches upright, with a fixed nervous smile, newly shorn of the beard and ponytail he sported in LA: "Rockin' a pone, yeah, because I could get away with it." With his classic preppy haircut and dapper green military coat (from London's swish department store, Liberty), he looks like a handsome '40s film star. (Turner deems Cook "the band heartbreaker" and had a word with him post-LA: "I said to him, Come on, mate, you've got to get that beard shaved off. Get the girls back into us. Shift some posters.")

His life in Sheffield is also profoundly normal. He still plays Sunday League football with his local pub team, The Pack Horse FC (position, left back), remains in his long-term relationship with page-three-model-turned-make-up-artist Katie Downes and "potters about" at home, refusing to describe said home, "cos I'll get burgled".

A tiler by trade, he always vowed, should the Monkeys sign a deal, that he'd throw his trowel in a Sheffield river on his last day of work. "I never did fling me trowel," he confirms. "Probably still in me shed." He's never considered what his band represents to his generation. "I'd go insane thinking about it, I'm pretty good at not thinking about it… Oh God. I'm terrible at this!"

Back in the Strongroom Bar, Alex Turner is cloudily describing his everyday life. "I just keep meself to meself," he confounds. He mostly stays indoors and his perfect night in with Alexa is "watching loads of Sopranos. And doing roast dinners".

No longer spindle-limbed, he attends a gym and has handsomely well-defined arms – "You have to look after yourself."

Suddenly, Crying Lightning from Humbug rumbles over the bar stereo. "Wow. How about that? I was quite happy the other morning cos Brick By Brick were on the round-up goals on Soccer AM. It's still exciting when that happens. It was like Brick By Brick is real."

He spends his days writing music, "listening to records", and recommends Blues Run The Game by doomed '60s minstrel Jackson C Frank ("who's that lass?... Laura Marling, she did a cover recently), a simple, acoustic, deep and regretful stunner about missing someone on the road.

Lyrically, he cites as an example of greatness the Nick Cave B-side Little Empty Boat [from ‘97 single Into My Arms ], a comically sinister paean to a sexual power struggle: "Your knowledge is impressive and your argument is good/But I am the resurrection babe and you're standing on my foot."

"I need a hobby," he suddenly decides. "I'd like to learn another language." Since his mum is a German teacher (his dad teaches music), surely he can speak some German? "I know how to ask somebody if they've had fun at Christmas." Go on, then. "Nah!"

Where Turner's creative gifts stem from remains a contemporary rock'n'roll mystery; he became a fledgling songwriter at 16, after the gift of a guitar at Christmas from his parents. An only child, did his folks, perhaps, foresee artistic greatness? "I doubt it!" he balks. "Cos I didn't. I wasn't... a show kid." Like the others, he doesn't analyse the past, or the future.

"You can't constantly be thinking about what's happened," he reasons, "it's just about getting on with it." The elaborate pinky ring he now constantly wears, however, a silver, gold and ruby metal-goth corker featuring the words DEATH RAMPS is a permanent reminder of he and his best friends’ past. The Death Ramps is not only a Monkeys pseudonym and B-side to Teddy Picker, but a place they used to ride their bikes in Sheffield as kids.

"Up in the woods near where we lived," he nods. "Just little hills. But when you're eight years old they're death ramps." The ring was custom made by a friend of his, who runs top-end rock'n'roll jewellery emporium The Great Frog near London's Carnaby Street. Ask Turner why he thinks the chase between his writing and speaking eloquence is quite so mesmerisingly vast and he attempts a theory.

"Well, writing isn't the same as speaking," he muses. "Not for me. I seem to struggle more and more with... conversation. Talking onstage... I can't do it any more. Hmn. I'll have to work on that."

The ever-helpful Helders has a better theory.

"Since he's been writing songs," he ponders, “It seems like he’s always thinking about that. So even when he’s talking to you now, he’s thinking about the next thing that rhymes with a word. Even when he’s driving. We joke he’s a bad driver, his focus is never 100 per cent on what he’s doing. Which is good for us cos it means he’s got another 12 songs up his sleeve. I think music must be the easiest way for him to be concise and get everything out. Otherwise his head would explode.”

The Shoreditch.com photo studios, 18 March. Alex Turner, today, is more ethereally distracted than ever, transfixed by the studio iPod, playing Led Zeppelin, The Rolling Stones, a version of I’d Rather Go Blind. Occasionally, he’ll completely lose his conversational thread, “Um. I’ve dropped a stitch.”

The first to arrive for Q’s photoshoot, he greets his incoming bandmates with enormous hugs (and also hugs them goodbye). Today, Q feels it’s pointless poking its pickaxe of serious enquiry further into Turner’s vacuum-packed soul and wonders if he’ll play, instead, a daft game. It’s called Popworld Questions, as first posed by someone he knows rather well.

“Oh, OK. Let’s do it,” he blinks, now perched in an empty dressing room. He then vigorously shakes his head, “Um…I’ve gotta snap back into it.”

Here, then, are some genuine “Alexa Chung on Popworld” questions (2006-2007), as originally posed to Matt Willis, Amy Winehouse, Robbie Williams, Pussycat Dolls, Kaiser Chiefs and Diddy.

Why do indie bands wear such tight jeans? AT: “Um. I supposed they do. They haven’t always. When we first were playing I was definitely in flares. You need to be quite tall to get the full effect, though. So, that's why this indie band wears such tight jeans, cos we've not got the legs for flares."

What makes you tick in the sexy department? AT: "Wow. Pass. What do I find most attractive in a woman? Something in the head? That's definitely a requirement. Well... Hmn. I'm struggling."

Tell us about all the lovely groupies. AT: "No!"

If dogs had human hands instead of paws, would you consider trying to teach them to play the piano? AT: "Absolutely. I'd teach Hey Jude."

How many plums d'you think you can comfortably fit in one hand? AT: "They're not very big. [Holds small, pale, girly hand up for inspection] It's a shame. Probably three. Diddy only managed two? Maybe not then. I can carry a lot of glasses at once, though. If they're small ones I can do four."

Are you cool? AT: "Not as much as I'd like to be. There's this clip where Clint Eastwood is on a talkshow and he gets asked, Everybody thinks of you as defining cool, what d'you think about that? And he gets his cigs out, takes one out, flicks it into his mouth, lights it and says, I have no idea what you're talking about."

Here, Turner locates his Camels soft-pack and attempts to do a Clint Eastwood. He flicks one upwards towards his mouth. And misses. Flicks another. And misses. "Third time lucky?" He misses. "I'll get it the next time." And succeeds. "Hey. Fourth time. Don't put that in! So there you go. I'm four steps away from where I wanna be."

Thank you very much for joining me here on Popworld, here's my clammy hand again. There it is, let it slip, hmmn. You can let go now. AT: "OK! Were you a Popworld fan, then? It was funny. Cool. What were we talking about, before?"

Blimey, Alex. What must you be like when you're completely stoned out of your head? AT: "Stoned? What d'you mean, cos I seem like that anyway? Yeah. A lot of people... tell me I'm a bit... dreamy. But I like the idea of that. Of being somewhere else."

Two days earlier, Turner had contemplated what he wanted from all this, in the end. Many seconds later he gave his deceptively ambitious answer.

"I just wanna write better songs," he decided. "And better lyrics. I just definitely wanna be good at it. Hmn. Yeah.”

—

RUFUS BLACK: AKA Matt Helders, on his ongoing bromance with Diddy

Matt Helders has known preposterous rap titan Diddy since they met in Miami in 2008. “He goes, Arctic Monkeys! Then he said summat about a B-side and I was like, He's not lying! I just thought, This is funny, I'm gonna go with this for a while." Last October Diddy texted Helders, suggesting he play drums with his Diddy Dirty Money band on Friday Night With Jonathan Ross, to give his own drummer a day off. “I were bowling with me girifriend at the time. In Sheffield, on a Sunday." On the day of recording, says Helder, "We had a musical director. That were one of the maddest times of my life. Next day Diddy said, Why don't you just stay? Come along with me. So I went everywhere with him." Diddy had "a convoy of cars" and made sure Helders was always in his. "He'd stop his car and go, Where's Matt? You're coming with me! So I'd get in his car. Just me, him, his security, driver." Diddy, by now, had given him a pseudonym - Rufus Black. "He kept saying, I don't wanna fuck up your image. And I'm, I don't think it's gonna do me any harm!" He stayed in Diddy's spectacularly expensive hotel. Some weeks later, Helders almost returned to the Dirty Money drumstool for a gig in Glasgow. "But we were rehearsing in London. I were like, I might come, how are you getting there? And he were like, Jet. Jump on t’jet with me. But I had to stay in Bethnal Green instead.”

Love’s young dream: Diddy (left) with Helders

#arctic monkeys #alex turner #matt helders #nick o'malley #jamie cook #sias era #interviews #q magazine #my image id #bands #this is such a funny interview honestly shfjwjs #self proclaimed housewife nick my beloved......#also why did the interviewer describe alex's hands as small pale and girly HELPME #btw im missing page 93 it's probabky just a photospread but yeah #i managed to find the dead links' images on vk #eye contact #not my scan

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bambiilooloooo · 2 months

Text

kind of a rant/critique on dt17

it is my fav show but this really bothers me. idk if my rant gets to the point but i hope u can get at least some of what i'm trying to say

i love gandra and then i realised how much of her character i just made up in my head. i convinced myself she had a great redemption arc. like bro she really didn't?? everything happens off screen. i still love her but i was watching swanstantine and she flash bomed webbers and dew and i was like WOAH and like why was i surprised??she would do that!!

but that makes her sudden redemption later so weird?? and yea ik she was always complcated and i get it but it was still SO rushed. i agree she always had good in her but i can't let go her actually harming and helping harming kids and not getting any on screen reprucussions other than anxiety huey ya know?

her and fenton just suck face in late s3 and like cute sure. but it leaves u feeling meh

they're so lame. i want them to die

back on topic. that's a problem with dt17 in general i think. they have SO MANY characters that that wanna do a lot with and they hint at such interesting things (eg : THE DELLA + GYRO DYNAMIC i'm obsessed with and have fanfictions play out in head but there are only crumbs in the show) but never do anything with them. or at least not enough. and u can say it's cuz it only had 3 seasons and yea i see that but it's just smth i wanna talk about

like this scene is adorable but can we talk about how gladstone and fethry ur supposed to feel like they are part of the squad in moonvasion but they're BARELY in the fucking show?? AND DON'T THINK I'LL FORGET HOW THEY GLOSS OVER FETHRY'S TREATMENT- the show sure did

by the finale, we're supposed to think they're this big happy family but like?? fendra developemt was all off-screen, gyro's bond with b.o.y.d is never developed after their reunion, may and june sure are there i guess. i love all the characters i mentioned but mostly cuz of what we can do with them further

AND QUACKFASTER IS A LEGEND. WE NEED TO TALK ABOUT HER MORE BTW. I LOVE THAT LADY. LOOK AT HER GO!!

i think it's a testement to the show's great character writing how much i love these characters that ultimately get very little screentime but again the fact they have so little to do is annoying and they can do so much with these characters and their stories still.

HEY ALMOST LIKE WHAT HUEY'S PODCAST COULD'VE BEEN HMMMMMMMMM

it's a strength how endearing the side characters are and the potential they have and it's annoying how there's like no official content rlly delving into the ideas they clearly had.

I LOVE FAN INTEREPRETATIONS SO MUCH CUZ OF THAT U GUYS SLAYYY

also WE NEEDED MORE GOLDIE. SHE'S THE BEST I LOVE HER

ok i have more thoughts but rant over for now. if anyone wants to talk about ducktales, plz invade my ask box.

i'm taking a break doing coloured drawings of them but i might post my sketches idk. i'll do the colour pallete requests i have in my ask box within the next week tho

i love u duckblr

#dt17 #ducktales 2017 #gandra dee #emily quackfaster #fenton crackshell cabrera #gyro gearloose #della duck #b.o.y.d #may and june duck #how do i tag them help #gladstone gander #fethry duck #added images and gifs to make it easier for my brain #:D

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shawnxstyles · 1 year

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we need a part two when they finish the project please

sweetheart (part 2)

warnings: smut; (f- receiving [fingering, clit stimulation], praise kink, protected sex, slight cock-warming, dirty talk), and tiny fluff

note: i’m soooo sorry i haven’t been as active. once june starts i’ll be able to write more and post more stories, but right now i’m super busy. i have a few fics right now that i’ve started, but haven’t gotten the chance to sit down and finish them. so for now, please accept this blurb 😖 sweetheart part 1

—

you’ve always had a liking for school, in every aspect. unlike most people, you enjoyed doing homework and projects because it helped you understand the material you were learning. specifically, you adored science. you thought that the facts and what-ifs of the universe were fascinating, and you wouldn’t mind spending your whole life experimenting to discover new things. you absolutely loved chemistry and found it fun to analyze different equations to see what substance creates which reaction.

but right now, you’ve never hated science more.

peter is sitting on his computer typing away on the essay portion while you’re trying to focus on writing the poster. in all honesty, he gave you the easier job and you’re grateful, but you can’t seem to focus. not after he had his warm mouth on your pussy only two hours ago. every few moments, you would peek at peter’s fingers typing. you were getting so desperate to the point that each word he typed sent a tingle down your belly. when you two made light conversation, you swear his voice got a little deeper each time, and the rumbly rasp nearly sent you flying onto his lap.

“y/n, did you hear me?” you did not hear him.

“huh?” you blinked a few times, shaking all your dirty thoughts of his fingers from you. but they looked so rough and they moved so quickly, just like they did in you—

“are you okay?” no, you were not okay.

“uh, yeah, i’m fine,” you lied because you just wanted to finish the project, so peter could withhold his promise. that promise was the only thing getting you through this poster. there seemed to be a million facts and a lot of diagrams.

“what’d i say about lying?” peter asked with a head tilt and an octave-lower voice, his fingers halting on the keyboard. your heart skipped an erratic beat and your pencil dropped onto the poster paper.

“d-don’t do it.”

“good, you remembered,” he smirked subtly before typing away again. you take shallow breaths, wondering how he takes away your breath so easily.

the pulsing need of your clit and the burning of your stomach keep you from focusing. after ten minutes of hazily writing and sketching nonsense, you swallow your fear.

“peter, i was wondering if…we could take a break?” you suggested, pencil spinning around your anxious finger.

“sure, that sounds good,” he replies, but not the way you wanted him to. you watch as he saves his progress and closes his computer before walking around the kitchen island. he grabs two cups of water and hands one over to you when you appear at his side.

“oh, i’m not thirsty,” you smile to deny his offer.

“but you will be,” peter says nonchalantly before taking a smooth sip of his water. you feel the all-too familiar blush cascade across your neck as your eyes wander around the floor.

“are you all shy now? you didn’t seem to be when you were checking me out earlier,” peter taunts with a fake-innocent smile and places his glass on the counter. your eyes go wide for a moment, embarrassed that you were caught. “what? you didn’t think i saw you looking at me like you were going to jump on me? i know needy eyes when i see them, baby.”

the overwhelming heat of your skin fogs up your brain, making it impossible to focus on anything but the words leaving his lips. you’re silently begging him to touch you, to mend that ache in your cunt with his rough fingers. and hopefully, his cock. god, you want to see and feel his cock more than anything. you bet it would stretch you out for a whole week.

you swear you’re not normally like this.

“something’s on your mind,” peter observes with squinted eyes and a hand under his chin. “what is it?”

oh, just the idea of you fucking me into oblivion that’s all is what you wanted to say, but of course you didn’t. you mumbled out some gibberish that he couldn’t understand.

“i can’t hear you, sweetheart,” his words were so condescending, and in some twisted way, it turned you on so much.

“your promise,” you finally said, looking at his eyes. with each passing moment they grew from brown to shades darker.

“oh, i see,” peter tsks, “please, remind me what my promise was again? i seem to have forgotten.”

peter just loves games. especially the ones where he can feel your skin radiating fiery heat and watch your body squirm in its place. like he has all night, he’s been able to smell your arousal throughout the two hours you’ve been working. it utterly killed him to sit steady and type some scientific essay that wasn’t nearly as entertaining as your moans or ogasmic face. it was even worse knowing that you were just as desperate, but most likely didn’t want to interrupt your guys’ work time. what an angel you were.

but right now, peter’s never wanted to do more sinful things.

“you said…” how does he say such dirty words with ease? “you said we could continue what we were doing earlier.”

you lean your back against the counter, heart beating erratically in your chest as you try to remain cool. but your entire body was on fire and your clit was throbbing in your soaked underwear, so it was pretty difficult to stay focused.

“and what was that? use your words,” peter softly demands, licking his lips smugly. a never-ending heat cascades through your body, making your heart beat faster than ever. you breathe in, trying to get the courage to be so upfront.

“you said you would…fuck me,” you surprised yourself when you said the words. they sounded even bolder than you would have thought. every little moment he doesn’t say anything makes you think he’s just going to laugh at you. at this point, you think you’ve gone insane because you can no longer feel your heart beating. just the impending silence dangling between you two.

“good girl. now i remember,” peter smiles proudly and inches his way closer to you. his hand snakes up your neck and caresses your jaw. his thumb plays innocently with your bottom lip as your trembling breath huffs out. he could do whatever he wanted to you, and you would let him. “it wouldn’t be very nice if i didn’t keep my promise, would it?”

“no,” you waver out. your legs are stiffened together and your eyes are straining on his every move.

peter solely smirks before leaning down to kiss you. like the movies, his kiss is soft and pleasant. the way your lips molded together caused such an intense chemical reaction, and you would love to experiment on it. multiple times. every day. you would kiss him as many times as you could. you never would forget the magnetic feeling of his lips on yours.

your hands get lost in his brown hair, twisting their way through his ends. you’re so lost within his kiss that you didn’t even comprehend when he said “jump,” but you subconsciously listened and leaped into his hold. peter carried you to his bedroom, which you have been dying to see since you walked through the door. you believed someone’s bedroom said a lot about them.

however, you were too focused on other things to analyze peter’s bedroom. peter delicately lays you onto his black sheets, still kissing you like the world is ending. he slowly makes his way down your warm neck as you hum at the feeling. knowing what’s coming, you don’t wait for peter to ask permission behind discarding your own shirt. you close your eyes and tell yourself to not be self-conscious. he’s already seen you naked, so why be nervous?

seeing this, peter frowns slightly. his rough fingertip taps lightly on your temple. “open. wanna see your pretty eyes.”

your stomach tingles at his words before obeying his request. instead of smirking, peter smiles goofily and then kisses your cheek. a wave of warmth erupts through your skin at his affection. your entire body was covered in flames at this point, and you wondered if you would even be alive to get to the good part.

his tough hands roam your supple skin in hopes of exploring every inch. the rough texture left tingles in its trail.

“jeans?” he asks, looking up at you for approval.

“yes. please, peter,” you rushed and pleaded. your clit was begging for some friction, and you were about to start crying if you didn’t get something.

“gotta tell me what you want, sweetheart,” peter sang, thumbs rubbing the supple skin of your inner thighs teasingly. you wavered out a shaky breath, trying to conjure up the words.

“i need you so bad it hurts,” you whimpered. you were honest with peter, but your words weren’t what he wanted.

“i bet it does, baby. but that’s not what i asked,” peter flicks your clit through your underwear causing you to gasp at this unexpected movement. your thighs twitch and tighten at his teasing. he does it a few more times, just to get your body even more excited, and to get you to finally speak up.

“f-fuck! peter, i need your cock. i-i need you to fuck me,” you shouted, louder than you intended, but that was even better for peter.

“look who’s using her words,” peter says smugly, making your roll your eyes. you both assist in shrugging your panties off, making you completely naked while peter is still fully dressed. you reach for his shirt, but he’s already a step ahead of you and pulls it off himself.

when you see his body, you swear you almost faint. peter had six bulky packs of muscle on his abdomen and lumps of muscle on his arms. his chest was buff and tight, yet looked soft all at the same time. you had to blink a few times to make sure he was real. you even poked a finger at his stomach just to make sure it didn’t go through him like a ghost or a hologram. peter chuckles at your antics before grabbing your hand and kissing it, just like he had done earlier in the evening. and just like earlier, you felt yourself blush profusely and feel tingly all over again.

while you’re smiling like a goof, peter’s hands resume on your body. you instantly stop smiling because you remembered just how much he’s deprived you. but he’s also given you more than anyone else has in the past…

his digits caress your soaking slit between your crossed legs. you gasp because he’s finally touching you bare.

“open,” he demands softly, voice deep and lustful. shakily, you listen and do so. peter doesn’t hesitate to find your lips again with his fingers.

you quietly moan at the delicate pressure, feeling the smallest bit of friction. just as you were about to beg him for more, or to hurry up, his middle finger slips inside of you. it was almost embarrassing how easy it was. the amount of wetness you were leaking could fix the california drought.

“god, you’re so wet. what made you like this?” peter slowly pushed his finger in and out, thumb circling your puffy clit at the same time.

“you, peter! fuck,” you clenched around his digit, needing release already.

“are you thinking about my cock? hmm?” peter questioned, voice gravely as he leans over you. “are you thinking about me inside of you? thinking about how much i’m going to stretch your little pussy out?”

you groan at his foul language, pulsing barbarically. you’re straining to keep your eyes open, trying to obey his earlier request and to intake the moment. peter urges you to come, increasing his thrusts and pace. before you know it, your core is tightening and you’re squeezing peter’s fingers until you do. you thought you cut off his circulation from how hard you were clutching onto him, but when he pulls his fingers away and licks them proudly, you knew he was just fine.

“taste so good, sweetheart,” a smirk dances upon his lips as your taste lingers in his mouth. he’ll never forget that taste, no matter what happens after tonight. he’s hoping there will be more nights like these. more days too.

“can you please fuck me now, peter?–”

he holds up a finger to your lips.

“all of a sudden you know how to use your words and it still sounds so dirty coming from your pretty lips.”

in the blink of an eye, peter is reaching over to his night stand to grab a condom (hopefully). when you see the tinfoil wrapping, he stuffs it between your teeth, making you hold onto it. you then watch as he undresses his pants, clearly taking all the time in the world like he has it.

the smell of your orgasm and your wetness is haunting peter’s senses. the scent of you is never going to rid from his body or his room. he also doesn’t ever want you to leave, so he’s going to drag this out as long as possible.

once his pants are finally off, you get the courage to undo the wrapper while he’s taking his underwear off. holding the condom, you almost drop it once you see his length. he’s big, bigger than you’ve ever had. the tip of cock is bright red and leaking a bit of pre-cum, clearly just as desperate as you.

“fuck,” you mumble when looking at him. all he does is smirk before taking the condom from your hand and putting it over himself. peter leans over you again, face over face.

“ready, sweetheart?” his smirk lingers while you clench around nothing. you can feel the overwhelming sensation of your clit throbbing and you just want him to mend it. “ready to be fucked so hard you can’t leave?”

“yes, peter. fuck me hard.”

with your final words, peter is gently sinking into you. your wet folds encompass his cock snuggly causing you both to groan in delight. after a few moments, he starts to rock his body and you release a string of moans with every thrust. you try your hardest to keep your eyes open, but fail to do so. the sensations are indescribable throughout your body.

peter’s actions get harder, rougher. just like you wanted. he’s flicking his hips into yours with skilled movements while his face is relaxing in the crease of your neck. you feel his warm breath on you as he groans into your ear, lighting your whole body on fire.

“shit, peter, it feels so good. don’t stop,” you whine when he hits a certain part inside of you. your hand creeps down in between you both to rub the ache in your clit, but peter stops you.

“love when you touch yourself,” he grunts, never halting his movements, “but that’s my job right now.”

so, peter begins harshing rubbing your clit to no end. instead, your hands squeeze tightly on his biceps while he pounds into you so hard, you see stars. your never-ending wetness makes it so easy for him to slip in and out.

you feel yourself clutch onto his cock and when he moans, he sounded like the best thing you’ve ever heard.

“i-i love when you moan,” you croaked out, feeling too blissful to speak coherently.

“yeah? what else do you like?” peter huffs out, still smug as ever, even when he’s deep inside of you.

“l-love when you talk dirty, peter.”

“knew you were fucking filthy.”

with his rough words, you’re on the brink of your orgasm. your core tightens like it did earlier and your nails are digging deliciously into his skin. peter hisses in pleasurable pain, loving what you’re doing to him.

as your orgasm flows over you, your heart beats a million miles an hour and your breathing becomes staggered. the moans you elicit were just as filthy and pornographic as…well a porno. as you came, peter was smiling the whole time.

peter twitched inside of you and that’s when you knew he was close. you tangled your hands in his hair one last time and gave a single tug. that simple movement caused him to groan deeply and bring him to his release.

he doesn’t pull out quite yet. he just rests inside of you with his head on your chest. then after a few moments, he goes to get up.

“don’t leave,” you whisper and slide your hand through his locks again.

“it’s my place, baby, i’m not leaving,” he chuckles and slowly pulls out. you whimper at the loss of his cock, and at the feeling of being stretched out to the max.

“peter, i think you ruined me,” your voice cracked because it was hoarse and dry. you definitely needed some water now.

“good. are you thirsty now, sweetheart?”

—

tags: @invisibletrolleyson-jeremy @lnmp89 @crybabyddl @pretty-npeach @marine-mayday @aerangi @justanotherpasserby-blog @tinafuentes @moniffazictress11 @eywaheardyou @alwaysclassyeagle @mrstealuregirl @bisexual-desi @sherlockstrangewolf @madsttx @graywrites20 @bradtomlovesya @princesspannnn @raajali3

crossed out= not able to tag

#shawnxstyles #peter parker #peter parker smut #blurb #peter parker fan fics #peter parker au #peter parker fics #peter parker blurbs #requests #peter parker one shot #peter parker x reader #peter parker x you #tom holland #tom holland smut #tom holland fics #tom holland fan fics #tom holland c you #tom holland x reader

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choochooboss · 2 years

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Submas sketchdump! Vol. 1

April-June 2022

Literally dumping all the presentable works as promised, whether I'm proud of them or not! This is where I started, even before the first thing I posted online (That subway station one). Many of these are not on Twitter yet so there's lots to see!

The top piece above the header is my very first digital Submas artwork!! I never finished it bc I didn't know how to pull my vision of as I wanted & started modeling the train and didn't finish that either, whoops! I really want to remake this later and make it super cool!

^^^ My reaction to breaking 500 likes & 100 followers in a single day with my first tweet (the battle subway one) all the way back in May!! I was completely floored by all the attention, oh how it skyrocketed my excitement and anxiety! Crazy times, I was so super nervous to be there with so many amazing artists and doubted if I could ever survive there ahahah!! Many had joined the community much much earlier than me, so I had arrived with a late train to PLA/neo Submas hype!

Next up is a bunch of stuff I haven't posted before:

One of my fav sketches! Been saving this for so long bc I really really want to finish this one day!

One of the first submas sketches with an actual story behind it! The subway bosses are running late for their flight because they didn't pass the safety check! The irony!! This would never happen as bosses are always on schedule. But Emmet hadn't noticed a wild Joltik hiding under his coat, so he set up the alarm and they got examined and interrogated of smuggling! How embarrassing for them! The bosses resolved the situation by catching the Joltik, but will they be able to catch their flight anymore?? Maybe if Elesa can distract the stuerts performing the safety protocol for a minute!

More sketchbook stuff...

In case you can't make any sense of it, Emmet's dreaming of different combinations of pokémon. Meanwhile Ingo snores louder than the train! HONK SHOO!

Top 7 every submas fan draws at some point!

Submas trademark posing

submas sleeping in a train

sad Emmet

Emmet with Joltik

Ingo with a cool solo pose

Emmet being chaotic & Ingo reacting to it

a bunch of mirrored submas poses

I sure have a full bingo card lmao, most of them you can see here XD

Next up is a sad man...

Stay strong our friends!

My typical sketchbook pages, crammed and messy as usual. x)

Post-PLA exploration:

A few examples of how my pencil sketches evolve.

I've done so much art experimenting with submas. I really like this black & white painting but I don't think I'll finish it anytime soon.

Where did you go?

The way I draw the twins' faces has changed a lot. They started with softer features and somewhat neutral emotions, because I wasn't as familiar with them or comfortable drawing them yet. Now there's hundreds of submas sketches, and they still keep evolving! My style is also kinda hard to pull off well, so their features differ from picture to picture.

This one was inspired by some submas music videos, can't recall their names anymore. The glowing eerie eyes and yellow&orange + black&white color schemes were neat!

I keep telling myself I need to draw more butlers, these twinks look so lean and neat and have more color and are posh with their monocles and have fun tailcoats!

(...why eyeglasses are not called binocles??)

I was there for the vinegar chaos. Good times!

That's all for now, I hope you got something fun out of this! Still got loads more art to share but I'll save them for another time. Next round I'll bring in my first submas comic!

#submas #sbms #submas ingo #submas emmet #pokemon ingo #pokemon emmet #subway boss ingo #subway boss emmet #ingo and emmet #sketch dump #chandelure #archeops #sinistea #submas butlers #butler ingo #butler emmet #too many ideas #butlermas

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omaano · 29 days

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SW Hades AU August Update

Links and previous updates: May - June - July, everything else in this AU

In contrast to the July update, I didn't make as much progress in August as I'd intended, but all the same I'm quite happy with what I get to share with you here:

In the previous poll I only promised to get Echo and Fives to lines and flat colours by this (more than a bit belated) update, but thanks to @lesquatrechevrons keeping me company while I was working on them I managed to get the Domino Twins character art to a state of "almost finished". (I had posted them as "finished" but that was before I realized that I'd forgotten to add the little specks of neon colour to them, but oh well, I hate that stage anyway XD)

I also did some brainstorming with the amazing @elwinged about all the characters, as well as the various weapons and their aspects for this AU. They had some great theories and ideas, and also made me actively think about these things, which was real fun!

Before I go into some ramblings about what went into Echo and Fives' art and design (gotta pad this update with something, and some of you seemed to enjoy it with Omega last time), let's have another poll for next month! I've looked over my table of characters and plans, and I came to the delightful realization that I've made far better progress than how it feels on a day-to-day basis. So maybe it's time to work a bit on the boon-giver characters for a change:

Also would anyone be interested in a taglist for these updates, or are you all fine with me just putting these out whenever and let tumblr do its thing in getting them to you? (send me an ask or reply here if yes, I know my tumblr is a mess XD)

Now on to some thoughts on Echo and Fives:

Depicted but not illustrated in its fullest is that Rex has been a constant presence next to Echo and Fives (and to Cody, too, previous to that). It bears repeating that I really wanted to make sure that the clones are the same in size, and share as many colours as possible (so Cody also stood around as moral support when it came to Fives' hair). So you can also see how the shading on their faces are very similar in their shapes, except for the shadows in that part where nose, cheek and mouth meet, because I wanted to make the Dominoes look a bit younger.

Same with how Rex still has that wrinkle in his forehead that I oddly fixate on so much (don't ask), but Echo and Fives very clerly don't. I'll claim that it had been a completely conscious decision, and not just time passing between the two designs - well over half a year - during which I got it into my head that I should depict the clones during wartime as close to their barely-20-ish age as possible.

One thing I didn't commit to enough though (because I chickened out) was to make Fives look a bit more "dead" and ghostly before I put the blue-green soft light adjustment layer on him was the deeper and darker circles under his eyes, and I fully intended to leave out the light reflection from his eyes... but in the end I went back and added a duller shine to them because I'm weak, it's barely visible and he looked too grumpy and mean already T^T I also didn't want to make his cheeks more hollow or anything, because then I would just feel bad and weird about taking away the roundness from their shapes that I've worked so hard to put on them.

As I was working on this piece I've also thought a lot on the style that I've been trying to mimic through this project.

The thing that gave me pause is that I see more and more of my own style slipping into these pieces, I allow my lines to round out more... and I can claim that it is mostly because that's the compromise I can make with the clones, but I open up and look at Hades references less and less, and I just go freely with what's stuck in my brain while I'd tried to wrap my mind around the style when I first went at it.

I've also always had trouble with grouping my shadows and shapes, and this is exactly what I should be pushing more from now on forward. I keep letting myself get distracted by all the tiny details that I so enjoy to put into my work (case in point all that scarring on Echo, and even Fives' hair - as well as Cody's previously, but I didn't know how else to convey the texture of their hair in less and larger shapes). Hades character designs always feel so rich with detail, but at the same time they are a lot more streamlined than what I'd do if i let my own instincts and desires run wild. I'll try to work with that in the future!

Last but not least a few words on Echo's armor:

I'm slowly but surely stretching my artistic muscles a little and going a bit off-model for the characters, so I wanted Echo to wear armor that is a mix of his ARC and Bad Batch commando armor. So he's got the old plates on his arms (where he still has one LOL), all the straps and pouches (and both blasters!) and old kama hanging from his belt, as well as the hand print paint (because that is personally very very important to me that he has it). Then, beause I desperately needed some other colour in my characters that's not blue or black or grey, he's got elements of the red and orange paint he wears later in TBB (I really wanted him to have that orange stripe down the middle of his chest piece too, but I couldn't make it work with the handprint :() I'm real happy with this balance, and particularly with the shades of blue in his worn paint ^^

I also really wanted to give him a hand (I'll never not be frustrated at how Echo was kept literally handicapped with only his left hand to shoot and grab things (and people) with. It's good that he'd been an ARC and trained in dual wielding, but in a world where people keep losing their appendages (and sometimes half of their bodies) as if it was np big deal at all, it couldn't have been too difficult to get him a hand!! ANYWAYS. I'd first learned how to draw mechanical prosthetic hands/arms during my time in the Overwatch fandom, and I don't think I could draw them any other way (especially the fingers and the lights showing through in their joints) than how I'd done for Cole Cassidy way back when he still had a different name XD

I know there is a relatively limited way in how and what parts you can use to build up a hand/forearm, but I just cannot unsee it, and I thought I'd share this tidbit fun fact as well XD

I hope you enjoyed these ramblings, and I promise to try and keep to the normal mid-month-ish schedule for September!

#my art #hades au #hades au update #long post #domino twins #star wars #star wars fanart #tcw fanart #sw fanart #work in progress #artists on tumblr #arc trooper fives #arc trooper echo #tbb echo #I have the same imahe in this post twice so sue me :P #I meant to talk a bit about the stars and constellation element in their design as well but... I lost my steam and I just want to post this #I've been meaning to type this up last week but ugh.... I got very stressed and tired with other things so.... this is what it is #I hope you enjoy!

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