#i finished my entire rewatch a bit ago and i'm sad now i don't know what to do w/ myself :-(

[systelon]

day 4 of. you know the usual

[bromcommie]

Hello & Happy Monday!

So...for the WIP tag game...I know I'm supposed to pick the one (1! ONE!) that I find most intriguing, but this is like a whole buffet of intrigue, so maybe I can have two? 👀 1) НОЧНОЙ РАЗГОВОР (FIGURE OUT) <- ngl, the 'figure out' cracked me up. Also, late night conversations? Yes, please!

2) what's a nice nutcase like you doing in a place like astoria 1203 <- this just sounds fun...and possibly like the title could be deliberately misleading

Thank you! <3

Hello helloo, happy Monday to you too! (but also Tuesday now I guess. It's a 2-for-1!)

Thank you for the ask, and thank you for indulging me with two (2! it's gonna be so long!) <3

НОЧНОЙ РАЗГОВОР (FIGURE OUT!!!) - Ooof, this fucking guy. I'm glad my stern instructions to myself in the title there were funny, because I do indeed need to FIGURE this one OUT and it's bugging me. It's essentially another chapter that's a part of a larger work (not naming names not pointing fingers but it's. The Work I'm Having Trouble Updating) and it was written a looong while back, which is why it's now a standalone file. I love the premise but I kinda want to tear it down and rebuild it entirely, mostly because I'm still deciding on whether I like the way I wrote the backstory for it. So. It's fun! It's challenging! It's giving me a migraine! The title's from this song about a tired traveler trying to find his way in the night. It's three conversations (Steve+Nat, Nat+Bucky and Bucky+Steve - although they barely talk at all) that happen in the night after a very not lucid, injured Don't-Call-Me-Bucky who's recently remembered the Red Room and also had a pretty rattling encounter with the code words seeks Natasha out in Europe for [redacted] something as a last resort, but instead accidentally walks straight into Steve who he's been staying away from like the Devil Himself since CATWS. And then basically bleeds all over him. (I am not immune to the wound care trope! However, this is unfortunately not that.) A lot of ugly feelings and defense mechanisms are brought up, some painful memories re: the war and the Red Room are brought up, and nobody's having a good time or really knows how to process jack shit. They all communicate/perceive love&protection in wildly different ways, and while all three dynamics end on some kind of natural conclusion it's still a lot of unfinished, unspoken business and just kind of sad. Hurt no comfort that's necessary for there to be the promise of comfort in the future, if you will. Tbh, I really want to finish/reincorporate this one. But it's just so *screams into paper bag*. Anyway. Snippet:

When Steve wakes up the next morning Bucky’s gone, like he knew he would be. Like a hurricane passing through, the foreknowledge doesn’t make the aftermath any easier. And then what? his own voice from so long ago echoes in his head as he waits for the water for Natasha’s tea to boil in the sunny little kitchenette of the motel’s lobby. 16 hours later, he’s watching the blinding stripe of the sun setting over the East River before the plane maneuvers onto the landing strip at JFK. The hell else? Then we march on, ace. We go home.

2. what's a nice nutcase like you doing in a place like astoria 1203 - oh good, thank god! So this one is a bit more fun, but it's only got a few disjointed half-scenes so far. The title is actually one of the most literal ones on the list - the fic does take place in Astoria, Queens, and it does involves a certain "nutcase". Several, even. They really don't get along, and then they almost do.

(Blame my recent rewatch of the Netflix shows for this one. Man. What a golden age that was.)

Excerpt under the cut:

It was easy to clock the combat training before, sure, but up close this guy’s… Keyed up. Wild-eyed, a little, and not in the twitchy way of the three idiots piled up outside by the ruined water hydrant, not just sheer adrenaline stoked by fear and booze and coke. More dialed-in, purposefully ruthless. Hungry. Getting up with an expression like an enraged bull in spite of the beating he just took. Nutcase, Barnes thinks bleakly. Not that he’s in any position to judge — glass houses, all that, but — “What’re you,” he croaks, “some kind of psycho?” “Says the guy who just mowed down six guys without blinking." The man spits, grimacing at the blood that lands on the stark white of the rooftop like it personally offends him. If he notices the similar spray across his busted face, his clothes, his military-short hair, he doesn't seem to give a damn. "Nice going, by the way— my man got away." "And my man's bleeding out on a fucking pool table downstairs," he grits out. He doesn't have time for this. This whole night has been one giant exercise in unpredictability, and the police sirens echoing off in the distance are problem enough without him having to duke it out over and over with some local homicidal moron who might or might not be HYDRA. "You wanna tell me what that's about?" The man levels an irritated look back at him and then shrugs, dismissive. "I don't play with my food." "Your food had intel I've been hunting for two weeks." "Tough shit. Maybe if you hadn't screwed up your goddamn trig—" His lip curls of its own volition, affronted despite himself. What an appropriate time for his ego to announce it's back from the dead and in the mix. How fun. “The hell I did. I don’t miss.” "Is that right? There's some real screwed up drywall down there that says otherwise." His voice picks up an edge of something dangerous, aiming for threatening and landing on feral as he takes a step closer, and Jesus, can he stay down already? "Unless you did it on purpose to let him know I'm coming because you work for the bastard, in which case lemme tell you, you and me have a whole different problem." "I don't work for anybody," he says, probably with more intensity than strictly necessary. "He was a civillian. I don't kill civillians." The words curl acerbic on his tongue. He doesn't. He doesn't. That, of all things, makes the man laugh, a bitter little thing that sounds like it clawed its way out of his throat, and only barely. Who the fuck is this guy. "Oh Jesus Christ, not this bullshit again— how many of you assholes are running around this place, huh?" he says, gesturing a little wildly at him. "You got a fancy catsuit under that hobo getup, too?" It's Barnes' turn to look at him like he's a few marbles short, which judging by all evidence he very well might be. The guy snorts at his confusion, shaking his head. "If you consider that criminal piece of dog shit a civilian, you’re way more out of your depth than I thought, kid.”

but also:

“Self-righteous, God's sacrificial lamb type-of-shit," he mumbles around the mouthful with distaste, staring off across the bridge. "Got himself a stupid fucking title and everything, if you can believe that. Major pain in my ass.” Barnes hums, considering, before taking a cautious bite of his own sandwich. The thick pile of fatty meat and melted cheese breaks apart in his mouth easy with a sudden, almost overwhelming explosion of flavours, his empty stomach singing praises despite the ache in his bruised jaw as he chews. He never thought he’d say this, but god bless Queens. “Catholic?” Castle grunts an affirmative. “Yeah, I have some experience with that.”