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loftec · 4 years

Note

Hi i don't know if anyone haven't ask you about it or i'm the only one who wants to read it but CAN YOU PLEASE SHARE YOUR NOTES (ch.44) i don't know if you were serious about that but i really would love to read them cause i'm obsessed with everything what is ntw related 🖤 hope ur well

Hi friend! It’s possibly just you (or one other person, in case of separate anons) but that is enough! I was absolutely serious.

Note on the notes! This is not all of it, because my notes for this chapter were often repetitive and very messy, and some older notes were from four years ago when I didn’t bother writing things out properly, so they barely make sense even to me. But! I’ve done my best to sort everything in some kind of linear order, and removed most of the repetition. And, well, you asked for it... sorry! 🖤

Ian shows up in the morning, Mickey digs out the magazine Iggy stole from Amelia’s dentist’s office the other day and confronts Ian about the big-ass article in Rolling Stone about IAN’S BAND, says he’s listened to some of their songs, takes out a paper where he’s written down some lyrics that sound strangely familiar.

You’re famous!

I’m in a band, people know about us right now, tomorrow they might not. I’m not famous.

You’re kinda famous.

Ian talks about Mickey recognizing him because of Frank. Hints that there might be several songs inspired by Mickey. It’s awkward as fuck, didn’t want you to know.

Were you ever gonna tell me?

Oh yeah, I had a plan. 3 dates, dinner and a movie, day out with Yev, dinner at my place turned vigorous love-making. Second prong; cohabitation, engagement, marriage, then on our wedding night I tell you about crushing on Justin Timberlake when I was 12,

then I tell you I’m semi-famous, if it still applies.

Mickey thinks his face might be on fire.

What the?

I’m fucking with you, Mick. Figured you already knew.

This again?

You angry?

No, I’m not fucking angry. Just-

Freaked out.

Kinda, yeah.

You shouldn’t be. Please.

It’s weird that I didn’t know, I feel like a schmuck. (And I’m pretty sure by your count we’ve already been on those first two dates.)

I’m sorry. I thought you knew and by some fucking miracle didn’t treat me different. I’d been gearing up to maybe have to have this conversation on our date, ‘cause it’s shit sometimes, you know? I don’t do interviews and I never talk about myself when I gotta do them, but there’s still a limelight and a lot of bullshit that complicates

I’ve been crushing on you since we met basically, and I thought I’d just… let it run its course, keep my mouth shut about it and deal until it went away and we could remain friends without me fucking it up.

Didn��t work, by the way.

Good.

Mickey is talking about it with Etch, who suggests that Ian’s been writing at the diner for a reason.

Etch looks up some lyrics and Mickey caps locks them to Ian

You might have inspired a few lately…

Fuck off. How many?

Since we met? Pretty much all of them.

Maybe one or two made it on to the album, but I wrote those before we really got to know each other so they’re just like… about moments, and how I would feel around you.

Didn’t think of it as creepy but it kinda sounds that way now.

No it’s fine

I won’t do it again.

Said it’s fine. Kinda like it.

Yeah?

You gonna tell me which ones are about me, or is that a secret too?

What are you doing tonight?

Thought you said you were going on tour?

We are, it starts tonight. It’s a small fan club gig here in Chicago.

You have a fan club?

Kinda. I’ll put you on the guest list if you want to come.

(Mickey calls Svetlana to make sure Yevgeny can stay with her over the weekend.)

It’s fine if you don’t want to, we’ll do something else when I get back.

Calm your tits Gallagher, course I wanna go. Needed to make sure I’ve got Yev covered.

Oh okay, good. You’re on the list. Doors at 7, gig starts at 8, no support.

You’ve got no chill.

(Ian doesn’t answer for a while)

I like it.

Good, that was torture. Never doing that again.

(Etch teases him about having his nose in his phone, and makes him aware of new guests arriving)

Gotta get back to work

Yeah, me too. See you tonight?

No chill at all.

Ian invites him to the concert and gives Mickey his phone number. Mickey makes sure Yevgeny stays with his mom on saturday, and after work he goes home and gets ready. Showers and cleans himself thoroughly, puts on cologne and a band t-shirt he hasn’t worn in ages, it’s gotten kinda tight on him since he got it. (He puts on a dress shirt first, tucks it into his pants and glares at his reflection).

He’s on the guest list when he gets there, the girl in the box office can’t find him at first but then Anne shows up and points him out, he’s on the VIP list and gets a pass that he’s told he needs to carry so it’s visible. He makes a point of shoving it in the admission guy’s face, but then shoves the ostentatious thing down the pocket of his jeans. Anne shows him in and tells him about the gig, about how the fan club got started. Anne says he can go backstage but he says he’ll pass, thank you. He gets a beer and finds a good spot, there’s a balcony halfway through the venue where he’s got a perfect view of the stage without having to stand in the front.

They text a little, Mickey says he’s there and Ian says he’ll make a sign when they play a song inspired by him.

run-through of the concert, Ian touches the side of his nose when the song is about Mickey. He’s sexy as fuck, and has some ridiculous stripper moves.

He takes off his hoodie at some point, and sweating through his tank he and Anne put on gloves and start hitting the barrels with crowbars.

Anne is the maestro, maybe Ian crowd surfs at some point? Warren Ellis that violin, man. He has little routines with Anne, and some with Jon too. One song, Anne gets one of his guitars and he does noisy stuff with his violin and plays on the oil barrels with Stran, completely in sync.

They got some good stage banter going, and at some point Ian does a Tom Waits impression, and Anne groans and says he’ll sing the whole thing if they’re not careful. There’s a reason why he’s

For the encore, Ian touches the side of his nose and they start playing a song, Anne saying that this is a first. It looks like Ian is about to sing, but then it looks like he changes his mind and they start playing a song that Mickey sure as fuck hope isn’t about him. The insufferable man on a date right next to Mickey tells the woman he’s with that they were about to play the mysterious title track from their last album that never ended up on the record

“it’s derivative, but cute”

how can it be a title track if it’s not on the album

the guy talks about how he’s got a friend working as an engineer in the studio and he’s sent him an early demo version. It’s not their best song by far, but it’s cool that pretty much no one else has heard it.

Mickey asks the girl if she’s ok with this joker, and she says she’s fine. He offers to get her a cab or something, if she wants to get out of there.

She says she’s not interested

Lady, if I wanted to get with either of you, it wouldn’t be you. Just sayin, I ain’t picky, but that guy would’ve gotten the boot ten minutes into the date if he were here with me, no offense.

WHAT IF.

The concert is over, and crowd starts to let up. Then a fight breaks out at the front and Mickey makes his way towards it. It’s over before he gets there, and sees a guy in his 40s with a bleeding nose, and Lip shaking out his fist, a security guard between them.

Mickey talks to the guard and defuses the situation, putting the bleeding man in the position of a sad overzealous fan. It somehow warms Lip to him, absurdly, and he finds himself apologized to, Lip shaking his hand and wincing when Mickey grips his bruised knuckles a little too hard. Lip vaguely explains that that was an old ex of Ian’s, a real piece of work, and then offers Mickey to come backstage with them to see Ian. Mickey declines.

It’s Lip, Carl and Debbie (Liam is too young, and Fiona too pregnant).

“I was drunk, and wrong, and when I’m wrong I say I’m wrong. (IT’S FROM DIRTY DANCING YOU LITERALLY FORGET EVERY TIME AND HAVE TO GOOGLE IT WHENEVER READING THIS NOTE should I really be quoting Baby’s dad in this fic? Probably. If anyone can, it’s Lip.) And Ian tells me you’ve been there for him a lot lately

I wouldn’t say that

But he did, he doesn’t tell me a lot these days, but he told me that.

Mickey gets another beer at the bar as people mill towards the merch and exit, he sits on a stool with an eye on the backstage passage. He watches the band come out to talk to some of the lingering fans and sign shit. Ian comes out and is immediately surrounded by fans, he locks eyes with Mickey across the room and Mickey raises his beer in a silent cheers. Ian comes up to him after a few minutes, he looks damp and exhilarated and unexpectedly nervous,

How was it?

Not bad, Gallagher.

he asks Mickey over. He has to pack up his shit and do the rounds, but he’ll be done in half an hour, tops. Mickey says he’ll meet him outside.

Ian leaves and Mickey finishes his beer, watching Ian talk to some fans, signing shit and taking pictures. He goes for a piss and then goes out for a smoke.

Ian comes out after twenty minutes, carrying two guitar cases and a large wheelie-bag. Mickey takes one of the guitars off his hands and they walk together.

(maybe Ian has a banjo and he gives it to Mickey to carry and Mickey is all really? I wanna kick your ass so bad right now, country boy, but then carries it anyway.) (banjos are cool)

Walk from the club. Mickey mentions talking to Lip. They talk about Ian’s Tom Waits impression. You’re not musically illiterate at all! Talk about Mickey’s Radiohead tee that he stole from a hookup when he was sixteen, he’s grown into it now. Talk about Ian’s onstage dancing, used to be a stripper, well, not saying you can’t still do private performances (?? you know what I mean! this is not what they’re saying but you’ll remember it) (Note from 2020: I DID NOT REMEMBER IT.)

Talk about wanting to learn playing the trumpet. Don’t have trumpet playing lips.

”Sure you and your lips can do whatever you set your heart to, I believe in you.”

Looks at Mickey and smiles.

”What?”

”You’ve been flirting with me since we first met, haven’t you?”

”Maybe.”

”Huh”

“What?”

“Oh nothing.” “Just re-evaluating everything you’ve ever said to me.”

”Re-evaluate this;” gives Ian the finger.

”That an invitation?”

”Fuck you is what it is,”

“sounds like an invitation.”

Ian tells him a little about his different instruments, Mickey picks up the beat up guitar Gus first gave to Ian and strums it, Ian asks him to play him something but Mickey snorts and says he’s counting on getting laid tonight and him playing would be detrimental to that plan. Ian doesn’t think so, but accepts it when Mickey gives him the guitar.

”I’ve walked some thousand miles,” he starts softly, eyes on his left hand, moving over the strings, ”I have slept many hundred nights, and people’ve said hello and bye through the years since you were mine. But don’t think I’ll stop my mourning, don’t I know it’s overdue. Just because I’ve gotten older, none the wiser I cry for you.”

”Honey, cutie, sweetie-pie,” ”My darling boy, sweet old times, as long as I keep you in mind I will remember what love is like. So, don’t think I’ll stop my mourning, don’t I know it’s overdue.”

”Just because I’ve gotten older, none the wiser.”

”I cry for you.”

I’M THINKING OF WRITING MY OWN SONG BECAUSE I WAS THIS MOMENT TO BE MORE BEFORE SUNSET THAN ANYTHING, ALL SMILES AND DRAMA FREE. SO MAYBE A TEXT THAT IS A LITTLE MORE STRAIGHTFORWARD.

Ian plays the song and when he’s done, Mickey kisses him and they have really enthusiastic sex on the couch. Mickey is about to leave after when Ian invites him to stay,

How about some long-ass foreplay on the couch and then they move into the bedroom.

They start on the couch, they take it to the bedroom, they collapse on the bed after and Mickey is feeling too good to argue when Ian mumbles at him to “stay”.

(Sings the song, says it doesn’t mean anything. It’s just a song, it’s one quick thought put under a spotlight. Feeling like he should have known Mickey his whole life already. It’s too much, isn’t it? In the kitchen.

”do you normally take guys home and serenade them?”

”nah, don’t think it’d be very effective with most.”

”But you figured I’d swoon?”

”Figured you’d want the truth.”

”which is?”)

??? Need to find a good mix of excitement and new and easy, balanced with ho shit wtf are we doing this isn’t going to end well i think i fucking love him shut the fuck up. needs to be sexy and a little rough, as well as painfully sincere against better knowledge. kissing will do that. they’re doing stuff the way they usually do stuff, but for some reason it feels completely different.

Important that Mickey kisses him.

They stand up and stand chest to chest, Ian says they don’t have to do anything, Mickey says shut up and get naked

he helps ian take his shirt off and kisses him the second his face comes back into view

They fucks on the couch.

OR ALT FADE CUT END and don’t go explicit. Just saying, it’s an option. A valid option.

They can go at it in one of the sequels? Like the roadtrip can be more explicit? If I want? But also not?

I mean, there is such a thing as a nice middle ground right.

I just don’t think I’m interested in going all out porn after 40+ chapters of whatever.

THEY KISS AND THEN THERE’S A MOTHERFUCKING FADE TO BLACK MY FRIEND, BECAUSE THAT’S WHAT I HAVE DECIDED. Soz

WHAT IF!!

Iggy comes in, is all: guess what I found at the dentist this morning?

M: again? Did Amelia break another tooth?

I: It’ll grow back, take a look at this

E: Did you steal that from the dentist’s office?

M: Rolling Stone, wtf?

E: your dentist’s got rolling stone?

Mickey reads the headlines out loud as a customer comes in and asks Etch about something they’ve lost the other day, and Etch starts rifling through boxes behind the counter as Mickey moves over to sit down in Ian’s booth, rifling through the magazine.

M: what am I looking for?

I: I marked the page

E: what’s this note?

Mickey starts reading the article, realizing that the blurred picture is of Ian, and the interview is with Ian, and holy shit. Ian is legit famous.

Etch starts reading the list of coffees, eventually turning the page over and pointing out that there’s a phone number.

Iggy comes to the diner in the morning, Etch is rifling through stuff behind the counter and Mickey is doing the rounds with the few guests still there after the morning rush.

Iggy shows him the magazine he found at the dentist’s and Etch is in the background like wtf is this, reading from Ian’s note with the coffee orders, Mickey only half listens, trying to take in the fact that Ian is fucking famous.

Etch says there’s a phone number too and Mickey brushes him off.

Then he’s like, hold the fuck up! And gets the note from the trash and tries the number, and Ian fucking answers. And they have the you’re famous conversation on the phone and voila, Mickey has his number and vice versa.

So Mickey calls Ian in the morning, then there’s text talk during the day.

From Ian

So, you’ve had my number for x days and you only now decided to use it?

That’s cold.

From Mickey

You wrote it on a piece of paper you then balled up and threw on the floor, asshole, it’s a miracle it didn’t end up in the trash. didn’t know I had it until this morning.

You suck at this. (This is a nice revelation that he likes, but Maybe that doesn’t come across in text.

Not a complaint btw, just gleeful observation.

From Ian

Are we still on?

From Mickey

Of course.

Dumbass.

Ian

I probably deserved that.

At some point Mickey starts capslocking and sending lyrics to Ian, who has to explain through text why he’s written songs about Mickey, saying that he’ll point them out tonight.

HERE’S A QUESTION

SHOULD I SKIP THE WHOLE “WRITING SONGS ABOUT MICKEY” BUSINESS??

Isn’t it enough that Ian is famous and kept this fact from Mickey? Isn’t the writing songs business a little creepy? and if he did write songs about Mickey, would he really publish them without Mickey’s consent? No. Maybe I’m deliriously tired and about to fall ill right now, but I actually think I should skip that part. It’s a little sad because it’s been part of this idea for three years, but if I’m uncertain about it now imagine how I’m going to feel about it later?

When I started writing this story, it was supposed to be a quick and silly thing, and now it’s something else. It’s not important or anything, but also it is. To me. And making a decision on the rating was a big deal for me, and I think this is another one of those things. I’ve been holding on to this idea for so long but when I really think about it, is it even romantic? It’s romantic in that kind of teenage dream way, maybe? It’s more romantic to me if they fall in love for reasons other than Ian writing songs. But he’s written NTW, and he still thinks about performing it live, but we skip the whole thing about songs being about Mickey.

So they talk on the phone in the morning, and then there’s a text coming in after a little while asking if Mickey wants to come to the show.

HEYHO IT’S A REVOLUTION AND I FEEL FREE

Mickey and Ian text after the show (after Mickey declines going backstage) Ian asks him to meet him round back in twenty minutes. When Mickey goes out there, he sees Ian talking to a couple of fans by the bus and Mickey hangs back to smoke while he waits. The fans leave and Ian looks around, checks his watch, he has a bunch of guitars with him.

I AM LEANING HEAVILY TOWARDS MICKEY KISSING IAN HERE. He’s like “Stop, hold this” giving Ian back the guitar, so he can grab on to him and kiss him, smiling against Ian lips as the guitar tips over and clatters against the asphalt.

They’re outside Ian’s house, Ian says he has to get up at an unholy hour tomorrow. Invites him in anyway.

They’re in the elevator, then they’re in Ian’s apartment. Ian plays him the song, Before sunset ending.

almost none of that rhymed, just letting you know. kinda embarrassing.

(almost none of that rhymed, just letting you know. kinda embarrassing.

yeah, it’s not a very good song. is why we cut it from the record

oh yeah? thought it was ‘cause of the like, intensely personal subject

that too)

They smile at each other like fools and Mickey feels like he is exactly where he’s supposed to be, and there’s no rush. Fade to black.

Etch finds the paper, says there’s a phone number on it. Mickey dials the number and goes out back as it rings out. When Ian answers, he reads a question from the interview and they talk.

He goes back into the diner and basically blows the whole thing off, it doesn’t make any difference to him and he has to go back to work. Yevgeny does his homework and Iggy leaves, and Ian invites Mickey to the gig via text. Etch invites Yevgeny to stay over at theirs for a movie night.

Does Mickey tell Yev about the gig?

Start with Mickey out back, smoking. The phone rings and he waits for Etch to take it, but it keeps ringing. He bangs the door and yells PHONE and then it stops ringing. He kills the cigarette and goes back inside. Etch is behind the counter talking on the phone and going through the lost and found, looking for whatever the caller has lost. Mickey clears a table. It’s afternoon. Etch hangs up but keeps going through stuff in the box, talking to Mickey, when Iggy comes in.

It’s maybe more like afternoon (?) when Iggy comes in and shows Mickey the magazine. He calls Ian and they have a quick conversation (he probably goes outside to have it, to escape his audience) and they establish that Ian is sorta famous. Then they text back and forth a little, until Ian invites him to the show.

Mickey calls Svet to arrange it so Yev can stay with her, and then accepts. He goes home after work to eat, have a shower and change out of his clothes. He wears the only band tee he owns, mostly because it’s funny and because it’s kinda tight and he doesn’t think he looks too bad in it (and a dress shirt is way too much for a concert not-date, not that he tried on a couple first. Then he does a little bit of cyberstalking only to find very little personal information and a lot of crazy fans. Maybe he watches a couple of music videos, but they’re all really weird cartoons so they give him nothing. They’re cool though, and guess the music’s alright, even though he doesn’t have a connection yet to it so it’s hard to tell if he likes it.

Yevgeny calls, because Mickey switched the days and he wants to know why. Mickey asks if he knows about the Broken Bells, and Yev’s like duh who doesn’t? And freaks out when Mickey tells him about Ian. He doesn’t tell him about the whole date situation though, just that he’s going to the concert. Maybe Yev asks for some merch.

Mickey takes an Uber to the venue, even though it’s not too far from the diner (but on the other side, so at least a 30 minute walk) and it seems like they’ve already started letting people in. He hangs back until the admissions office is clear and then tells the lady that he’s on some kinda guest list. She can’t find him, and he’s about to give up and go home when he sees a familiar figure in the background. He calls her Stay-puft first, but then also remembers that her name is Anne and calls her that too. She remembers him, and finds him on a different (VIP) list, the venue staff woman is embarrassed, but Anne is borderline flirting she’s so nice about the mistake. Mickey gets a pass that he’s supposed to keep around his neck, but he shows it to the guards and then tucks it down his back pocket. Anne shows him inside the venue and asks if he wants to come backstage and say hello, but he kindly declines.

He has a quick peruse of the merch table (he checks the CDs, and then sees a smaller table next to the merch with a guy handing out pins, Mickey talks to him and finds out that it’s “fan club” pins to commemorate the gig and Mickey asks if his VIP pass gets him one, it does, and then the guy asks if Mickey wants to sign up for the newsletter) and then gets a beer, before finding a good spot on the mezzanine floor. He’s got a balcony railing for support and beer holder, and he’s got an excellent view of the stage. The floor is filling up with people packing themselves against the front. He texts Ian saying he’s here and they text a little back and forth. He gets someone to watch his spot and goes to the restroom. There, he finds a kid getting cornered by a middle-aged man. The kid looks vaguely familiar and not older than sixteen. Mickey steps in and casually accuses the guy of creeping on a kid and the guy immediately backs off, the kid says thanks and that he’s eighteen (because it’s an 18+ gig) and Mickey says sure.

Getting back to his spot, There is a douchebag on a date behind him that he wants to move away from, but he doesn’t want to surrender his good spot. He decides to tune him out, he’ll hopefully shut up once the set starts. It’s just a couple of minutes after eight when the lights dim and a song comes on louder than before, and the band start coming out on the stage. Ian is wearing jeans and a hoodie, like he normally does, but he’s clean shaven and his normally smiling face is set in blank determination. Anne is the front person, and she commands the audience with the slightest gesture. It’s obvious that the venue is filled with old fans, they all know exactly what to do exactly when she asks them to do it. Ian’s got like four guitars and a whole lot of other shit around him, and he’s super focused on doing his stuff, but now and then he does little routines with Anne and Jon, and gets a big cheer for his occasional solos.

A few songs in, Ian gets up to stand on one of the oil barrels, and Anne starts banging on it with a crowbar. That’s when Mickey starts to really get into it. It’s cool, and it’s a lot harder than Ian made it out to be, but kind of theatrical at the same time. Ian is brilliant, even though he dances like an uncoordinated stripper.

There is banter between the songs, mainly between Anne and Stran (girl sure bangs those drums!) Anne starts banging one of the oil barrels again and Ian and Jon do a little step dance next to each other across the scene.

At some point Ian takes off his hoodie. He’s wearing a white tank and he’s already sweating through it. He gives his guitar to Anne and puts on gloves. Him and Stran do a little bant-y thing and then they start a new song by both banging the barrels in unison while Anne and Jon start playing (maybe Jon plays something else, like an electric piano or a marimba?). At the crescendo of the song, Ian takes out a baseball bat and goes to town on the barrel, sweat shining on his muscly arms and his wet hair flopping down his forehead.

They go off the stage, but come back when the crowd chants a song, stomping their feet and clapping their hands. Anne says they’ve got one more song for them, and they start playing. She moves away from the microphone and it looks for a second like Ian is going to step up and sing. Douchebag behind Mickey tells his date about an unreleased b-side to the last album. But then Ian steps back and says something to Stran, who nods and moves into a slightly different beat. Without blinking Anne, steps back up to the mic and sings the last song.

Some of the crowd lingers by the stage after the lights have gone back on, but most move towards the bar or the merch table. Mickey hangs back to watch the crew take down the stage, and the two oil barrels being handed over to someone in the audience, along with set lists and left-over picks. Walking down from the mezzanine floor to go look for the restrooms, a fight breaks out on the floor. Mickey immediately recognizes one of them as Lip and the other one as the creep from the bathroom, and intervenes by clearly positioning himself on Lip’s side and reminding the creep that he could get him in trouble, the creep backs off and agrees when Mickey tells the security guards it was an accident (in a way that isn’t obviously helpful, but in the end still makes sure that Lip isn’t hurt or arrested for punching a guy) (because he did, he punched a guy, who is thrown out by the guards after Mickey’s intervention). Lip, Carl, Debbie, and Liam is there, but it’s only Lip who knows who Mickey is. He hangs back to talk to Mickey while his siblings go backstage (and PROBABLY DOESN’T tell him a little bit about the guy being Ian’s ex, making it clear that Lip really doesn’t like him). He also apologizes to Mickey for last time. He asks if Mickey wants to go backstage, but Mickey declines. He’s decided earlier with Ian through text that he’ll wait for him and thinks it’s better to do it somewhere that isn’t backstage where he might get asked questions and have to talk to people who aren’t Ian.

He gets another beer and stands in the bar next to the merch, watching as Ian and the rest of the band come out to sign some stuff and shake hands. Ian still looks slightly damp from sweat, even though he’s obviously changed clothes and run a towel through his hair. Mickey wonders if his skin tastes like salt. He drinks his beer.

Ian comes up to him after a little while, asking well? (or texts him, which probably makes more sense? But I also want Mickey to see Ian post-show)

Not bad Gallagher, not bad at all.

Ian looks pleased and asks if Mickey wants to come over, even though Ian has an early morning. Mickey says yes and Ian asks him to wait until they’re done packing up.

Mickey finishes his beer, goes to the restroom (where he sees douchebag by the urinal) and then he goes outside to wait for Ian. (He talks to douchebag’s date and offers to get her a taxi before the guy comes out.) He smokes a cigarette, and before he knows it, Ian is by his side, carrying a fuck ton of guitars. They decide to walk, for some reason, talking on the way.

HEY

Ian says he’s got a car coming and they walk a little bit to where they’re getting picked up. They talk about trumpet lips and stuff and Mickey kisses him. They get interrupted by the car arriving, and Ian picks up his guitars and says “you coming?”

Fuck yes

They sit in silence in the car, but it’s a good one. Ian says

Lip told me what you did back there.

He didn’t tell you shit.

He did, told me you stepped in and stopped him from getting arrested

He was getting his ass kicked, someone had to help the guy

And Liam told me you got him out of a tough situation in the restroom

That was Liam? Some pedo’s creeping on a kid by the urinal, I’m not gonna stand by doing nothing.

You know that’s not what happened

Yeah, well, that’s my story and I’m sticking to it.

He isn’t a pedo, and Lip would’ve beat the shit outta him if you hadn’t stepped in.

You defending this guy?

No, trying to say thanks.

You’re shit at it.

Thank you, Mickey

Better.

So… friend of yours.

No. (Ian isn’t forthcoming with the info)

Alright, whatever.

And he’s definitely not someone I wanna talk about, tonight.

(Ian is smiling at him, all the promise in the world in his eyes)

Fucking fair enough.

They arrive.

OR Ian joins Mickey outside and they stand around and talk

They talk about Ian’s Tom Waits impression. You’re not musically illiterate at all! Talk about Mickey’s Radiohead tee that he stole from a hookup when he was sixteen, he’s grown into it now. Talk about Ian’s onstage dancing, used to be a stripper, well, not saying you can’t still do private performances (?? you know what I mean! this is not what they’re saying but you’ll remember it)

Talk about wanting to learn playing the trumpet. Don’t have trumpet playing lips.

”Sure you and your lips can do whatever you set your heart to, I believe in you.”

Looks at Mickey and smiles.

”What?”

”You’ve been flirting with me since we first met, haven’t you?”

”Maybe.”

”Huh”

“What?”

“Oh nothing.” “Just re-evaluating everything you’ve ever said to me.”

”Re-evaluate this;” gives Ian the finger.

”That an invitation?”

”Fuck you is what it is,”

“sounds like an invitation.”

That’s when a taxi pulls up and Ian walks toward it

Could use some help with these.

They ride in silence

They carry Ian’s instruments from the car, and Ian says something cute

Mickey’s like “Stop, hold this” giving Ian back the guitar, so he can grab on to him and kiss him, smiling against Ian lips as the guitar tips over and clatters on the asphalt.

They’re outside Ian’s house, Ian says he has to get up at an unholy hour tomorrow. Invites him in anyway.

There he asks Ian to play him something that other people don’t get to hear (mostly to be a cheeky monkey, but also because he wants it) and Ian plays him None the wiser.

I’ve walked a thousand miles to end up in your corner booth

Grinning idiot when you bitch, falling fool for your dirty mouth

Sitting on my busy hands when you swagger by and I say -

Hey waiter, pour some coffee in my cup and bring me my toast, before you fuck me up

I’ve been in some thousand fights and it’s clear that so have you, too

Faded threats and cigarettes, sharp glass polished by the sea

Wish you’d put your hands on me and make your feelings clear

Hey waiter

meet me ‘round the back door, tell me I’ve got it wrong and fuck me up some more

‘Cause I’ve fallen a thousand times but never felt this way before, like I should have met you long ago

Walked with you by my side and had your back through thick and thin

Sickness and health, come what may, and I say-

Hey waiter

pop the damn champagne

None the wiser

you fuck me up again

Hey waiter

tell me you’ll be mine

I’ll give you my life

and fuck you up in kind

I wish I was just a plain white shirt

then you could wear me off to work

and I’d be one of the things you keep close to your heart

soft white cotton wrapped around your heart

(Contrasts have faded now

but color still haunt my mind

And words ripped off from their lines

Make bitter tears flood my eyes

Don’t think I’ll stop my mourning

Don’t I know it’s overdue

Just because I’ve gotten older

None the wiser, I cry for you)

Honey, cutie, sweetie-pie

My darling boy, sweet old times

As long as I keep you in mind

I will remember what love is like

So, don’t think I’ll stop my mourning

Don’t I know it’s overdue

Just because I’ve gotten older

None the wiser, I cry for you

’Cause I always say ’I love you’

when I mean ’turn out the light’

And I say ’let’s run away’

when I just mean ’stay the night’

But the words you want to hear

you will never hear from me

I’ll never say ’happy anniversary’

Never stay to say ’happy anniversary’

Bom-chaka bom-chak 23 verses

And he climbed up a mountain

And he looked around

Some kind of forest

With all these dinosaurs

And he stripped his woman

He stripped her bare

But there was a pterodactyl

There!

#Anonymous

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