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#i just love cinematography
paintingformike · 1 year
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thinking about how this is literally byler’s s4 miscommunication plot in one image
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mike constantly trying to reach will through the phone, will standing by and waiting for his calls, not realizing that mike did try to call so many times but the line was always busy...and the dividing line between them representing how they’re in different sides of the country...
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mikimeiko · 5 months
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1670 | Season 1 (2023), Jakub Rużyłło
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skitskatdacat63 · 4 months
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The cinematography !!!
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okgee · 11 months
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Something about how conformity won in the end, proven by how Todd matches Nolan's steps perfectly despite what Keating teached them earlier in the film
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shesmore-shoebill · 5 days
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okay, okay, yes, me and my wife. but also this is a deeply clever and horrifying premise. like "i live in your house" and it becomes true. because he lives in your head, and he is living there. He is in your house even if he isn't.
and you spend the whole time thinking- if its in her head, it will get better once someone else is there- her wife, a loved one who has been expressing concern for her wellbeing.
And then she arrives, and invites him in. And it ends with "do you hear that" and an unbothered "yes".
HORRIFYING. well shot, well written, well composed, well acted.
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tiredalwayss · 1 year
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The first time he calls you holy, you laugh it back so hard your sides hurt…
…You will ruin him and he will thank you; he will say please.
Ashe Vernon — Profane
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mooncurses · 5 months
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Why is nobody talking about 1670 besides Polish people lmao? It's so good
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elialys · 4 months
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"You know, I am a fucking disaster. But I'm also relentless. And I'm loyal. I think we can make you a newsreader."
THE NEWSREADER | 1.01 "Three, Two, One..."
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markantonys · 2 months
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reddit:
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literally every other WOT viewer in the world:
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#they've been saying this ever since the finale aired and it drives me CRAZY#have your personal opinions all you want but to say that 2x08 was objectively a weak episode is simply not correct#cinematography acting vfx choreography music EVERYTHING was at the absolute top of its game#and despite being an Exciting Battle Episode it was completely anchored in character moments & emotional resonance which is no easy feat#so much going on yet there was time for every major character to get a huge developmental/emotional beat#(yes even those like nynaeve whose beat was a loss rather than a victory)#every season arc was either wrapped up in an immensely satisfying way or was set up for a deeper examination next season#and 90% of the general audience absolutely loved it#and yet reddit acts like it's an Accepted Fact that it was poor quality#just bc the book-to-show changes in that episode weren't to THEIR PERSONAL taste#touch grass#wot#seeing as season finales will always have the biggest moments it's kinda inevitable that hardcore book fans#will always be the most sensitive to any changes made in those particular episodes#not to mention that the changes made in eps 1-7 will snowball and culminate in the finale#so i feel like finales are always gonna be judged the most harshly by readers#like if dumai's wells isn't an exact 1:1 recreation of the book version#readers are 1000000% going to flip their shit no matter how objectively good the show's version actually is#wot book spoilers#for the replies
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yumemiruuuu · 4 months
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Mu Qing: (scoffing) You don’t even know my favorite color
Feng Xin: (in deep thought)
Feng Xin: The color of my eyes
Mu Qing: …
Mu Qing: You are actually so dramatic
Mu Qing: My favorite color will never be “Shit Brown”
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chickenstrangers · 10 months
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Moonlight Chicken (2023)
Can't I look at you? (pt. 2)
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paintingformike · 2 years
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thinking about how the movie theater scene in season 3 is one of the few pivotal byler moments where there’s actually a large group of people around them (they’re almost always alone or the people with them aren’t included in the shot...the only other crowded scene i can recall is the rink o mania fight tbh) but they still managed to frame it with so much intimacy and tension, mike and will’s faces being close to each other, everything around them blurring and mike’s voice being so gentle and soft and caring as he asks will if he’s okay...
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so there really is no excuse for why there’s such a lack of intimacy in nearly every mleven scene and why they choose to make them have moments with either the ugliest backgrounds, with way too much clutter or people around them that makes it painful to watch, or with the scene ending up being played as comedy 😭 (maybe not all of their scenes but its like 80% of their important scenes that its kind of hard to ignore especially throughout s4...like what the hell is this)
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its such a stark contrast to the way byler scenes are shot...mind you they were in a literal junkyard in the scene below and jonathan and argyle were right in their vicinity but they still managed to frame it as if they were the only two people in the world and the cinematography is visually pleasing
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like this is barely a competition at all...how are we still debating which relationship is meant to be endgame 🤦‍♀️
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cristinaricci · 2 years
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THE X-FILES | Grotesque (3.14)
Yeah, Patterson had this thing about wanting to track a killer, to know an artist, you have to look at his art. It really meant, if you want to catch a monster, you have to become one yourself.
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kotonas · 8 months
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just finished watching the entire 4 seasons of mr. robot. i promise i'm okay. promise i'm sooo normal about it. it did not just send me into a complete reevaluation of myself and my whole life.
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nakaharaswife · 8 months
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i cannot stop thinking about how red is in almost every frame of hannibal wether it blood or a shirt or whatever. the thought that went into everything is insane
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respectthepetty · 1 year
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There is something about the show beginning in a restrained purple
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And Nueng and Palm mainly existing in the purple...
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You know what? Never mind! It's likely nothing! It's probably just the lighting for nighttime. Let's not be excessive.
but...
when Nueng thinks about Ben at night, he is lit by red.
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Possibly because Ben brings more of the same normal red Nueng is usually surrounded by to Nueng's life
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Well, at least until thoughts of Palm start to creep in
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Because Palm gives blue
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and takes red
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And the purple appeared in the background during the daylight when Nueng was watching Palm while playing piano
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Well, until he saw Maggie playing around with Palm. Then, Nueng blocked the purple
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And he tried to cover it up with red by drinking into the night
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While Palm remained highlighted by blue
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The whole time Nueng was yelling at Palm, the purple was stifled, and the purple wouldn't appear again
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Until Nueng called out for Palm
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And it began to creep onto Nueng as he reached out to Palm
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After the fight, Nueng woke up in the blue
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And his mother showed him love in the purple
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Something he has been missing from his mom since his father's death, and only gets from Palm
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So he tried to apologize to Palm by buying Palm the shoes he wanted, but Palm was strictly in the muffled blue and not willing to take any red
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But after Nueng was bullied at school, and Nueng verbally apologized to him, Palm was willing to give color love
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But when they got home, the purple faded (pay attention to the color as they walk in)
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As Nueng worried his mom would be disappointed in him as she sat strictly in the red
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But, as before, she surrounded him with purple love
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So maybe purple is love because we know blue boy + red rascal = pair purple and pink
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Why else would the credits be in the spectrum of blues and reds making pink and purple?
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Or it could all mean nothing.
Maybe cinematographer Rath Roongrueangtantisook who worked on 3 Will Be Free and A Tale of Thousand Stars just really likes purple. Maybe he likes it so much that hints of it were included in the OST. Maybe...
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