#i know that we have do see them briefly in the factions trailer but. my HC versions of them are a little different because

[legendary-alliance-stance]

so I’ve doodled my HC designs of viktor/archemorus a couple times now and while I kinda wanna show them off, I’m also really really self-conscious about sharing the designs ;;

i think the main issue is like. there’s no one else out there making content for them so afaik I’d be the first one to put out drawn content and designs and that’s. super spooky!!

[avernale]

Have You Seen These New Pokémon? Have You SEEN Them!? TRULEEWOODO!?

New Pokémon Scarlet & Violet trailer just dropped, gang. I dare say I'm getting psyched. More stuff is revealed and I think a bit more is teased. Check out the trailer!

Three photos, three story paths? Who can say?

Incidentally, notice that Splatoon 3 has three-way Splatfests? I wonder if Nintendo has more threes coming our way...

The opening montage briefly flashes the new Pokémon, but the first new feature I want to note is the map's "Set Destination" option. My first thought is that his might be a waypoint marker you'll be able to see out in the wild, which should be helpful in navigating the world. However, considering we're not shown that explicitly and that the destination appears to be a town, this could easily be a Fast Travel option like Fly. Then again, before the transition, we're also shown two more map screens that are not towns, so who knows.

The first what I presume to be a story path the trailer gets into is Starfall Street, formally introducing us to Team Star! I have to say these "Evil Teams" get considerably less evil each game. I mean, they've basically been terrorists since Gen 2, and then Team Skull came along to be this goof-off street gang that was barely a threat. Team Yell was literally just sports hooligans stanning Marnie. I didn't think they could get less threatening, but Team Star?

Team Star is comprised of rebellious students, presumably from the same school as you (their uniform colors match yours). They don't even have their own uniforms (though their members are, predictably, named Grunt). Instead their uniforms are based on the school's uniforms, with untucked shirts, rolled-up sleeves, white gloves, motorcycle helmets, star-shaped goggles, half a star on their ties, and their logo on the sides of the helmets and shirts.

As delinquent students, the look works, but they hardly look threatening. But as with the last two teams, that's kind of the point. They are not going to be the real threat in this game. They are just chuckleheads blocking your progress, and I wouldn't be surprised if the school directly assigned them this task as part of the Treasure Hunt. The corrupt organization we'll have to deal with may or may not be revealed later, as I'm pretty sure the last two gens (and Legends: Arceus) never expressly stated in their trailers (though it could still be inferred) and let that reveal happen in-game.

There's brief snippets of combat shown where the player "Raids" a Team Star base. What's shown is kind of interesting and, oddly, I think is being used to show off what the website calls "Auto-Battling." You can send out a Pokémon and have it run around on its own to collect items or, more importantly, fight other Pokémon without input while you forage for nearby items. In the trailer, you can see an Oricorio and Makuhita attack Houndoom while the player wanders around and Team Star cheers along the periphery. It's an interesting feature that I thought had been left out of the trailer at first, and its weird that the trailer barely shows it to you without explanation in the middle of a different feature. If "Team Star Raids" are a featured mechanic of this game, the website does not elaborate on it.

We get the full view of Team Star's vehicle (is it also a Pokémon? There's an eye on the engine block) and the boss of Team Star's Fire Crew, Mela! I'm guessing this rank is similar to Admins in previous games, as her title suggests she only leads a small faction. Part of me thinks she might be version-exclusive, but if that was the case they'd also reveal her counterpart here. She doesn't even have alternate colors like the Grunts do.

But her outfit is something else. I would not think someone could wear red and still look goth, but here we are. Well, maybe its more punk or metal than goth, but her make-up is stark against her skin. I'm not even sure where her skin ends and her outfit begins, as the asymmetrical, black parts of it look "burned" on (or perhaps like a Venom symbiote?) Her huge, red boots further the "Burning" look with a big, flame-like fringe. Her hair is styled in an interesting way, too. My first thought was "Blaziken," but after further scrutiny I'm thinking Larvesta/Volcarona. But the only Pokémon she's shown using is Torkoal. :/

Those laser-show balls on the sides of the vehicle's stage form remind me of Blacephalon, though I'm pretty sure its head is white. We also get to see something of a match-up screen after she sends out Torkoal with "VS" being flashed real quick. As just before the transition to the next story appears to be a bit of a tease! A ball of light shining above Team Star's Stage Coach! Mela has no Pokémon out! Could she be summoning her ace Pokémon? Is Torkoal evolving!? Are we about to see the true power of Ulterastalization!?

The second presumed storyline is the Path of Legends, which seems to follow Arven on his own hunt for Legendary cooking ingredients. (How Toriko!) Specifically, he's looking for "Herba Mystica," said to be found in "The lairs of Titans." My first though when reading "Titan" were the Regi Pokémon, which are known as the Legendary Titans, but no. "Titan" appears to be a term similar to Totem or Alpha, designating a Pokémon that is significantly larger than others of its kind. This is illustrated with our first new Pokémon of the trailer, Klawf!

Klawf is a Rock-Type crab Pokémon with fuzzy joints and apparently the ability to stick to walls. It clings to cliffsides to ambush prey, keeping a lookout with its swiveling eyes. It can regrow its claws, which are considered a valuable cooking ingredient. Its signature ability is Anger Shell, which lowers its defenses when its HP is below half, but also increases its speed and offense. Basically Shell Smash, but automatic.

First, I called it! Totems are back! Well, Alphas, at least. I doubt the Totems I collected in Ultra Moon will retain their status, but I still called it. I imagine this will be a thing going forwards, given Alpha Pokémon have their own mark. Titans, assuming you can actually catch them, might as well.

Second, Klawf is an interesting design. It's not knocking my socks off, but its interesting enough. It may just have a place on my team, though I can't say for how long. Especially since I doubt it evolves.

So, yes, this appears to be story two. You're sneaking into the territories of oversized Pokémon to steal rare ingredients. This brief glimpse doesn't feel like an Island Trial so much as a boss fight, but there's probably yet more to see.

And, finally, the third story is gyms - Victory Road! We are immediately introduced to Chairwoman Geeta (not Greta), a woman dressed in black and purple with a butt-load of hair. Reminds me of my own OC. She strikes me as unassuming (or at least that's the intended design), so she can't be the main villain, right? They're not going to pull a Chairman Rose twice in a row, right? Probably not, because she's basically the Champion.

Recall that last trailer (or maybe the one before) introduced Champion Rank. Her description on the website says she reigns supreme amongst the region's Champions, so I assume you have to defeat her to clear this storyline. And, yeah, multiple Champions in this region. But only one can be the best, and that's probably Geeta for now.

There's something weird about her design to me, especially her 2D art. Her eyes are too wide, her limbs are too thin, and I feel like I can't read her personality. Chairman Rose gave it away for me by looking too empathetic. Geeta looks like an anti-Lusamine, with a lot of hair but little presence. I feel like they nailed the "Not a villain" look here so hard they punched a hole in the wall. And why does her art look so stiff? I want to think this is nothing, that there's no way that the Chairman is the villain again, but what even is this character?

Something interesting I'm sure you notice with the Gym Test sequence is the player being followed by about eight Sunflora. Obviously this isn't his team, but I'll also note that he seemed to have two Pokémon out at once in the Team Star segment. What I'm getting here is, just like Legends Arceus, you can have your entire team out at once, but here they can not only follow you, but roam around and get into battles independently. With the maximum number of friends, that could be up to twenty-four Pokémon doing their own thing along with whatever else is in the environment. I'm not sure what to say about that beyond "Intriguing."

We're introduced to the Grass-type Gym Leader, Brassius, who carries a vine whip of his own. How's that for a reference? He's got a neat jacket, too. I wonder if it shares design elements with a Pokémon they have yet to introduce. Also, his hair looks too much like thorny vines. Try again. He looks kinda thuggish, but I get the feeling he's kind of a dandy.

Also, I appreciate the joke with what I presume is his "Ace" Pokémon: A Sudowoodo, the pure-Rock fake tree, with the Grass Tera Type, making it a "Truleewoodo." I have to wonder what he's saying in the Japanese version, considering Sudowoodo's Japanese name is Usokki, roughly translating to "Liar."

And another tease! Truleewoodo used a move called "Trailblaze!" It appears to be a melee move and that's literally all I know about it! It's probably Grass-type, because it was Super Effective against Quaxley. I can't find information about this move anywhere, so I assume its new and not just one I hadn't heard about until now somehow.

During the closing montage, we get a few more glimpses of two new Pokémon that are only explained on the website: Armarouge and Ceruledge! They are humanoid Pokémon with a knight aesthetic and are part Fire-type. Armarouge is Fire/Psychic, with giant-ass pauldrons that combine into an arm cannon for its signature move Armor Cannon. It's a powerful move at the expense of Armarouge's defenses. Ceruledge is Fire/Ghost with swords for hands, and they vampirically drain HP when they cut you.

Are... Are these even Pokémon? Maybe they're just too humanoid for my taste, but they look like Mega Man characters. Like maybe Battle Network or Star Force. Don't get me wrong, these are great character designs, but Pokémon? I wouldn't design a Digimon like this. They're too much like people. Someone at Game Freak decided to design a Knight Pokémon, but stuck too close to that core concept. There are tons of human-shaped Pokémon, going all the way back to Gen 1, but none of them are so "Guy in a suit" shaped. Hell, there are even knight-themed Pokémon that aren't even human-shaped! I don't know what else to say about these two except for that they're just plan wrong.

And beyond that... What are they? They're just so casually here as if it were nothing. No fanfare, no explanation, just chillin' with their trainer. This is probably the biggest tease in the trailer, because there are just so many unanswered questions here! Are they Legendary Pokémon? Are they version exclusive? Are they story relevant!? I need to know more!

If you get Miraidon and Koraidon at the beginning of the game, these guys must come later, right? I mean, assuming they're Legendaries. But they're just here, so casually! Are they like Miraidon and Koraidon, performing some sort of utility like obstacle removal? They must be important, but they're just flashed on the screen, so what even!?

Would I put these guys in my party? I don't know. I object to them being Pokémon, but that's it. They actually look pretty cool. I assume they're Legendaries, so I'd generally keep them off my team on principal (The principal that Legendaries come pretty late in the game, anyway). If the plot went and implied it wanted to be in my party for some reason, I'd have to just purely out of obligation. If they evolved from something already in my party, I wouldn't kick them out. But if they were just a common Pokémon roaming the overworld? I... I can't say. I don't want to put these non-Pokémon Pokémon in my party, but I almost feel like I must! We'll just have to see how I feel about them in the future. Maybe they'll grow on me.

I think that's all I have to say for now. Let's update the party wish list.

Quaxley Gardevoir (It's my Pikachu) Cyclizar/Miraidon Klawf Lechonk? Grafaiai? Smoliv? eeeeEEEEEEEH... Fine, Ceruledge, and primarily because Violet.

That's about six. One slot's in the air, but there's presumably more to see.

Big questions! What's Mela's ace Pokémon? Are the Titans the new Totems? Is Geeta an evil mastermind behind the scenes? What does Trailblaze even do!? Is Ulterastallization even going to be a thing!?

I'm sure we'll know soon, but until then the answers remain to be seen.

[spnasylum]

My notes while listening to Misha’s comments on the podcast: (grab a snack!)

In light of the most recent fandom drama I decided to listen to *that* podcast and take notes as I went along about what was actually said and then give my take on it as objectively as possible. This is basically an essay so strap in!

He complains about not getting a trailer on set that’s the same as Jared and Jensen’s. Even though he has one that can accommodate 3 people. This was the first point of discussion inspired by opening up the interview with a brief chat about Misha currently being in his camper van and how he’s sleeping in it even though he’s still home in Bellingham. The whole hour and 26 minutes has an undertone of complaining and ego stroking by all involved. 

 Says he’s sad he didn’t get to be there for the final days of filming.  

 Seems a little nervous about if friendships made during the shows run will last now it’s over. 

 Admits he has no plan in place or anything coming up career wise and he’s unsure of his future. This is where he brings up Walker and The Boys and says if he had shows like that to go to he wouldn’t feel SPN ending was so monumental. It is said with a slight tone of bitterness. 

 Side note: the hosts Alaina and Malik seem to be fine with running with the narrative that Misha was part of the show it’s entire 15 year run. Misha clears this up eventually by saying he joined in season 4. 

 Misha says that he realized about six years ago that SPN could run as “we”  wanted it to, implying he has any say in keeping the show going or not. He asserts that he would have been on the show up until the very end in any case. But he didn’t feel that way the first few years he was on the show. So that makes me think something or someone involved gave him the feeling he could be confident in being in the cast for however long SPN aired. Maybe this was after Sera left? Maybe this was when he agreed to a significant pay cut and demotion? Either way it seems he felt SPN = job security. 

 Misha doubts he’ll have the feeling of job security again. 

 Says from around age 11 he wanted to be a politician. 

 Says he saw “successful, untalented” actors and decided “I can do that”. He realized that was naive and it’s actually not easy to be that successful and by the time he got his career going he was basically just in it for the fame it’s not anything he took seriously. 

 We find out his wife did a doctorate in gender history... for some reason. 

 That Marilyn Monroe was some sort of baseline for him about creating a public persona (🤷🏽‍♀️) except for getting cosmetic surgery he points out. 

 Talk about how he got started. Acting classes, improve groups. Moving between Chicago, DC and LA. 

 Discussion about the differences and similarities between Hollywood and Washington. 

 States he got a consultant to help him cultivate a fan base and image to connect with an audience after getting on SPN. Admits that was a double edged sword because an anonymous public start thinking that they really know you and things start getting weird. 

 Mentions trying to find a balancing act of being authentic and having a private life but still keeping your fans. 

 He admits that the fan base he grew for himself by seeming accessible has caused him to attract people who don’t have any boundaries. This is when he claims the “dialing it back” in regard to how much he shares and mentions his kids specifically as something he doesn’t feel comfortable with putting out there. Uses the word “unhinged” to describe them. 

 Malik mentions “crazy fans” who seem to know too much about you and finding out where you are etc. Using the example of fans turning up at an airport wanting autographs and you wondering how they even knew you’d be there and what flight you taking. He asks Misha to share experiences about his own crazy fans. 

 This is when Misha uses the example about having fans who think that when he tweets something out he’s communicating with them personally. 

 Alaina then says that in the Supernatural fandom people fight each other to protect Jared, Jensen and Misha and it’s “very bizarre”. She volunteered that people think Misha secretly hates Jared and that it’s not true. Not sure why she decided to direct the conversation to a place that would cause drama and give Misha a chance to play victim. 

 And then...

 That’s when he claims that he was public enemy number one with super fans of the show because he’s taking attention away from Jared and Jensen. 

 That’s when he brings up the alleged organized attack to take down his Facebook account. He says they reported him for... *pauses... claims to not know what. But that whatever it was “Facebook bought it and took it down”. Facebook deleted/deactivated his account but he eventually got it back. 

 Side note: Facebook (like all social media) have always been bias when it comes to people with leftist views and let them have free reign on the platform. So he must have done something that they would decide to suspend him. I don’t think J2 fans can be blamed for the content he posts and if it violated any ToS. As we know he can post some inappropriate things on social media. 

 He then brings up the allegations of him taking money out of his organization. Stating it’s “categorically untrue” is all he brings forward as evidence to the contrary. 

 Side note: I don’t know why then that there’s no receipts or transparency. Why is his mother a beneficiary, why do people who mention he owns Stands get blocked, why set everything up in Delaware and have your for profit and so called non profit interests so entangled etc etc) I guess fans are just supposed to have faith and take his word for it. 

 He says that ALL of them (Jared, Jensen and himself) have people who hate them in the fandom. But overall the fandom is lovely and supportive of the cast and each other. Makes an attempt at stating there’s no kind of competition or animosity between he and Jared. I think this is like the 3rd or 4th time in the interview either he or Alaina bring up Jared but keep the focus on how Misha is the one facing “character assassination.”

 Finally says that all of them have nasty things done to them and they all have had to consult security because of threats to their families etc, doesn’t specify which faction of the fandom that’s coming from. Mentions people filing police reports in the fandom but doesn’t say regarding who or what. Alaina reacts like it’s the first time hearing of this happening. Misha just goes “yeah!” Then they move on to talking about living situations. 

 Apparently Alaina and Misha were neighbors in LA but didn’t take advantage of that. She doesn’t live in LA anyone, wants a new adventure. 

 Misha mentions Bellingham is another thing about his future he’s unsure about and how his kids flourished there. 

 Brings up not being present with his kids even when he’s home because of work and side projects and that the one thing he’s enjoying right now it spending time with them. That he used to operate from a place of guilt because his kids felt like they only have one parent. He and Malik briefly spoke on how their careers have negatively affected their love lives. 

 Misha says he’s not really involved with Random Acts or running it anymore. (Ummm... what) 

 He and Alaina discuss Haiti and Nicaragua for a while. 

 Says he may try to get into directing. Says he likes having creative control. Mentions he likes doing his art installations. 

 Admits that getting a bit of success made him very entitled and wanting of special treatment. But claims he’s trying to keep that in check (where?) and he’s just like everyone else (well duh!). But he “trades on his celebrity” to get stuff and it makes him feel dirty (I think everyone with any kind of following does that though so nbd)

 Talk of how TV/film is more diverse in telling minority stories these days. 

 Was asked by Malik if he has any kind of chip on his shoulder career wise and Misha says the chip on his shoulder is being bored. But says he needs to work on being more engaged. 

 He then abruptly wants to end the interview. Saying he has to pick up his kids. Malik wants another question. He asks how Misha has been hurt or healed by his career. 

 Misha then brings up the movie Karla. Again admitting to becoming more like Paul psychologically irl. But says knowing he has that type of evil in him somewhere (and says that we all have that in us) made him more empathetic to the human condition. 

 They then say their goodbyes. End of interview. 

 ——

 My takeaway. The worst thing he can think to say the people who don’t like him in the fandom did was trolling to get his Facebook deactivated? Also that people can see the suspicious nature of his businesses? It would be really easy to settle that with actually being transparent about the finances, which they aren’t and not having close family as benefactors though. Also, I can only speak for myself. But I never hated him. I actually loved Castiel (before his character was there just to be there in recent seasons and Cass wasn’t Cass anymore. I think Misha’s need to pander to shippers/stay on the show was a great disservice to Castiel and his arc) I was a huge Misha fan, and participated in RA and Gish a lot. I absolutely adored Misha, I led myself to believe he was the most amazing person in the world, obviously that’s the reaction he wanted to cultivate from us. Unfortunately I learned too much, experienced first hand and heard too much to be able to keep cheerleading for him. I feel bad for the people still under the spell of feeling like it’s their job to keep being defensive and unreasonably loyal to someone who you can’t and don’t really know and only have a superficial “relationship” with. Seeing the ever more unhealthy and toxic lengths people feel they need to go to to prop up his ego etc. The constant investment emotionally and financially that goes into it and the “sunk cost” if you let reality in makes it hard to let go I guess. Even he knows that what he’s done to gain and maintain relevance has attracted what he called multiple times an unhinged fan base he has to try and balance without losing his influence. I think he maybe had or has good intentions but his fame hungry drive and narcissistic personality traits win out in the end. The Heller’s seem to have, as always, taken what was said and blown it out of proportion, twisted things and created their own narrative. I do see them using key words from the interview a lot suddenly though to bully for him. So, I guess the dog whistle to the sycophants worked out. I hope that a time comes where they can have a more healthy relationship with the media and public figures they choose to gravitate towards. We can all get over zealous with things but there’s lines that shouldn’t be crossed. For some that seems sadly unlikely. I hope that Misha does indeed one day get himself in check as he calls it and I can feel comfortable to support him again. But so long as he’s being enabled and not held accountable again that seems sadly unlikely. Even though I do occasionally find myself being drawn in by the facade again a little and quickly retreating because the issues remain the same. There is a problematic dynamic in the Supernatural fandom for sure. That’s why for a long time I opted out and just watched the show separately from fandom. It’s why when I found out it was ending I had this odd sense of relief I wasn’t expecting to feel and it made me sad. I hope that now the show has aired its finale we can all reflect on things, hopefully be more self aware and objective and most importantly honest about what really has gone down and why. When things started turning sour there have been plenty of times it could have been nipped in the bud yet wasn’t. People who used this silly yet special show in selfish ways, times when walking away would have been better than sticking around trying to make things and people into something never intended to be, giving into tribalism while claiming we’re a family... for that I think we all hold a little piece of responsibility. 

  You can listen to it yourself on Spotify: https://open.spotify.com/episode/0m07her5JUf0JGGtDVohtJ?si=c-RdyZzFQmSzffgNzZhkQg

[psyga315]

Prelude

With Volume 7 just beyond the horizon, I figured to look back at my thoughts for Volume 5 and, through more cooled down eyes, boil down why I consider it to be the worst volume of RWBY. When I wrote my review of Volume 5, it was literally the night the episode premiered, so I was boiling. But now? I’m going to look through the review with fresher eyes and clarify what sort of problems I had with RWBY.

First, a bit of backstory. There was an interview made during the summer in between Volumes 4 & 5 that had the cast say what sort of themes one could expect for Volume 5. Among these were stuff like “building yourself back up again”, “shouting ‘we’re not done here!’”, “solving problems on your own”, and lastly, from Barbara herself, “Strength” and “Growth”. For someone who was just starting to realize why people were turned off by the darkness of Volume 3, this was uplifting to say the least…

Shorts

The Character Shorts kinda hyped the Volume, though they sunk in their own way. Weiss’s Character Short effectively foreshadowed her loss to Vernal. This tough and talented girl gets her ass stomped rather quickly and needed to be bailed out. Winter’s line about how she “won’t be around to save her” was foreshadowing to her not actually being in the season, but when I first heard it, I thought she meant “Hey, I’m going to die this volume, lol!” and that’s without bringing up how the trailer fails to hype Weiss up like the other trailers did.

Blake’s Trailer was alright, especially in taking steps to address a problem regarding Menagerie, but it felt more like Ilia given the backstory dump we got that feels all the more like mandatory reading. The problem is that, and it’s perhaps the very first problem I’ve heard about RWBY, is that the trailers (and by extension, anything that’s a spin off of RWBY like World of Remnant) feel more like you need to watch this rather than you can watch this. It’s confusing, but let’s use Blake’s Short as an example.

Ilia talks about her backstory as it is contrasted with a chase between Blake and a random dude we never see again. Assuming you’ve never watched the trailer, you’d just get the truncated version of “MUH PARENTS ARE DEEEAAAD!” and not the bits where she was forced to resent her own race because it was easier to blend in to her surroundings, like a chameleon. It’s ironic, since RWBY would do the reverse problem with Adam, where his trailer isn’t mandatory but we barely get a backstory for him beyond “I got branded, but everyone will speculate that it’s because I did something bad and not that it drove me to do bad things”.

Lastly, there’s Yang’s short, which had the minor hiccup of contrasting what an interview said about running out of Aura means you can’t use your Semblance. The Aura thing is something that can be discussed for another day, but the basics you should take away from this is that, for some time, people didn’t know how running out of Aura is symbolized. Most people take the flickering as the signal as the next hit on those guys are usually the one that does them in. As such, you had this huge debate on what kind of flickering means Aura broken and what just meant Aura is low, which, personally, could have been avoided if the writers and/or animators just utilized that Aura dust thing (seen prominently in the Bumblebee vs Adam fight) as their definitive “aura broken” animation instead of just using it some of the time.

First Episode

The first episode proper promised a lot. In fact, a good chunk of the first half promised a lot. However, it became much clear in a second viewing that a lot of it was just padding at worst and showing us where the characters are at best. But what I think was done dirty the most in this episode was introducing Mistral. We were hyped in Volume 4 (thanks to World of Remnant) that Mistral was this dichotomy of rich, cultural people and the seedy underbelly of criminals and that, at least one of the elements would be utilized in Volume 5. Unfortunately, all we got were a few mat paintings that contrast what Lionheart was saying in regards to Mistral being in chaos.

And so, the most we get out of Mistral are those mat paintings and a perpetually raining downtown that we don’t see much of, even when it gets briefly revisited in Volume 6. We’re supposed to be invested in the city and yet all we get are empty rooms and 2D art. They took great steps to improve this in Volume 6 with Argus, though, so if there’s any consolation, it’s that they learned from their mistakes here.

But we now get into the biggest problem of why Volume 5 is disliked. Because of the situation, the group are left to basically wait until Lionheart convinces the council to get them some Huntsmen. The heroes. Wait. In a volume where the writers were talking about the themes of improving yourself and pulling through with your own strength.

Do you guys see the problem here? I know people have bitched about Volume 5 to hell and back and you’ve probably heard the complaints to high noon, but this entire issue is what rots Volume 5 to the core the most. Not the piss poor fight scenes, not the inconsistent characterizations, it’s that the plotting decides to take a back seat when the volume was meant to be about taking action.

As the episode goes on, you see the problem unfold. Ruby and friends hit a dead end until Oscar appears and has Ozpin exposit things to them, Weiss is denied a chance to save people and fight the Grimm until the Grimm come to her, Blake is hit with the dead end of the Albains deflecting blame, and Yang had the chance encounter with Bakugou where he knows the hideout of her mom.

The closest person who is taking action here is Yang, who established that she is actively looking for Ruby (technically Raven, but as we see later on, moot point). Blake’s situation is being handled by her dad, Weiss is sitting in the plane until the Grimm come for her, and Ruby is sitting on the couch that I’m pretty sure has her grooves molded into the cushion with how many times she’s sat there.

Episode 2

A minor complaint before we go to Episode 2, we had the Stinger repeat itself because the crew thought that people wouldn’t see the stingers. This is the show, mind you, that makes a point to include scenes at the end of every volume, regardless of how long they are or what point they serve in hyping the next Volume. Hell, one of the major complaints about Volume 2 was about the stinger not mattering. So why did they suddenly decide that the viewers might not see the stinger in a culture where the MCU exists?

Alright, cooling things down, we have three major scenes in Episode 2. Salem’s chat with Lionheart was meh at best and wtf at worst. I get the idea of Salem using different approaches to get people to do what she wants, but the cool aspect of Salem was that her approach was not what a villain would normally be. Instead of berating or choking her minions should they fail or talk back, Salem instead talks people down like she’s a mother to them. Even when Tyrian fails, she doesn’t hurt him, but rather tell him that he disappointed her. So, having her choke Lionheart, even when in hindsight it made some sense, is kinda an odd thing to do.

But not as odd as Salem’s whole “Not you, Arthur” bit. A lot of people drew points to that and the best I can explain is that it’s either a typo (she’s meant to say not yet or not now) or Arthur and Watts are some sort of Jekyll & Hyde thing. Unfortunately, it seems Watts is more a parallel to Watson rather than Jekyll, so that brings me to believe that it’s a typo and so, rather than have an easy explanation for a problem, we just have a compounded problem. One of many.

And there’s something funny to be said about Salem warning Cinder about Silver Eyes when Ruby barely learns about it this Volume. And also that she wants to speak with Tyrian but we never see what comes of it. At all.

I only have one new thing about Weiss vs. the Bees. Originally, the pilot was supposed to be gay, but held off on it because they’d be killing off their first revealed gay character, something that wouldn’t look good to the fanbase. Now, while I understand the reason behind it, I have to question the logic behind why they think it isn’t okay for their first LGBT character to be offed, but instead be someone who seemed okay with murdering her crush’s parents while sending said crush to her abuser.

But more on that later, we have Sienna to discuss. Now, there’s a lot to dissect. For one, RT has obviously realized that they’ve messed up and brought Sienna back for a bit (while taking the heat for “if she’s so badass, why did she go out like a chump”). However, in hindsight, what purpose did she actually serve outside of some cute nod to Shere Khan?

All she did was tell Adam that he’s going too far and that’s it. And really, it just seems hypocritical for the leader of the White Fang to effectively restructure the organization into a terrorist group, murder tons of people, and then suddenly back away and say “woah, too much” when Adam proceeded to help torch Beacon. It’s to the point where one question most people want to ask at cons is “did Sienna order the hit out on the SDC”, since we don’t actually know and that it could be a radical leader of that quadrant like Adam.

It felt more like Sienna should have been just the leader of Mistral’s White Fang faction instead of ruling over all the White Fang, which would make more sense as Adam would need permission to attack a kingdom that isn’t his stomping ground. Then there’s the introduction of Hazel, who at first is presented to be a pretty decent character, not wanting to kill people if he had no choice, but as time goes on, is basically your stock “big soft guy with a secret hulk side” character.

Unfortunately, this episode didn’t help enforce the theme of taking action when it’s the villains who are doing it and seeming to be two if not twenty steps ahead of the heroes.

Episode 3

Episode 3 has that whole speech thing I overlooked. Barring Ghira’s speech that the crew said is based off Obama’s “we killed Osama” speech (which, if it is, paints the whole situation of Sienna’s death in a rather dark light) before Ilia interferes. Now, I actually liked that Menagerie is hesitant to stand up for Haven. After all, humans hated their guts so much that the island was originally planned to be a place where people could dump Faunus on. There were lynchings and enslavements that are still going on to this day, just in subtler forms, Of course the Faunus wouldn’t want to fight.

Then Ilia swoops in and robs Blake of any agency she has with the scene. If RT wanted to not let Blake convince the people until three quarters to the end, they should have cut the subtlety and have some annoying kid go “IT’S TOO EARLY IN THE PLOT TO DO YOUR SPEECH!”. Hell, let Blake tell her story about her team, but the audience balks at the fact that she’s not only friends with a Schnee, but also a human who crippled a guy on live television. Remember that plot point?

We then cut to Oscar and this is perhaps the reason I decided to do this revisit of Volume 5. The way Ozpin talks of action and resolve, it felt like we’re going to the root of the themes of taking action. No more being subject to the events of the plot like in previous Volumes. Now? Now is the time to fight back! And that built up to… what? One training scene and Ruby learning headbutt?

Granted, we see later on that there was a bit more to the plan, but for the most part, it seemed like an excuse for “character growth” as opposed to actual character growth. A training arc isn’t just some short scenes of a person lifting weights and jogging up stairs. Its meant to be a sort of means of growth for the character. There’s a reason most training montages have the character suck at first, but then get better by the time the montage ends. It’s because it’s the quickest way to show growth. But even without that, you could get some serious mileage for a pulled off training arc.

Rocky IV and Star Wars: The Empire Strikes Back have some good examples of it. Rocky IV had the titular hero train and work out in the middle of a cold, mountainous range, while his opponent is simply given steroids. It shows the dichotomy between the two and how they view their eventual fight. Empire, on the other hand, had that masterful scene with Luke in the cave, where he has a huge moment of both foreshadowing and character growth.

Here? We just have Ruby learn headbutt like she’s nothing more than a Pokemon. There could have been a lot more done with it, like having Ruby put a lot more force in her punches, causing others to realize she’s extremely angry about what happened to Pyrrha and Penny, or, if the need to exposit about Semblances is needed, bring something new to the table that isn’t going to confuse the fuck out of people… Something like:

“Your Semblance might not reveal itself until you need it most” or something like that. Not “A semblance is someone’s personality, but not. Wow! Exposition!” or “Hey, remember how we said Aura was passive? Welp, not anymore!”

Not to mention that Jaune is seemingly cool with Ozpin suddenly coming back from the dead. Here’s the thing, last Volume had him upset with Ozpin about what happened to Pyrrha, something that didn’t seemed to resolve itself. Keep in mind that, for all rights and merits, Jaune believed Ozpin to have died. In fact, it was that confirmation that Ozpin had lost against Cinder that convinced Pyrrha to kill herself. Now here he is, seemingly stuck in the body of another kid and he just outright said this is a normal thing for him.

You’d expect him to have something more than “golly!”. The fact that he didn’t seem to have any aggression towards Ozpin until after he ran to his hidey hole in Volume 6 seems rather odd given that his entire character is that he’s angsting about Pyrrha and angry at Cinder for what she did. The group seem rather content to just sit back and let the plot happen, which is the opposite of what the crew was trying to convey with their themes.

Episode 4 and Episode 5

I still stand by what I said regarding how Episode 4 was a good episode, finally having a reunion between two members of Team RWBY, but it’s perhaps one of the last good things about RWBY we’ll ever see in Volume 5. Because Raven’s promise to tell Yang “the whole truth” turns out to just be regurgitated exposition at worst.

But first, we need to have Blake, the woman who doesn’t want her race to be labeled, turn out to have labels for her friends. Okay, granted, it’s not that dumb but it is kinda patronizing that we need to have a character tell us what another character is. While the rest of her speech is pretty effective in defining Blake’s character, making her perhaps the only character these themes of growth and strength actually apply to, it still is annoying that the most we take away out of this is her boiling down every character to a single word, then bringing up how Adam is going to ruin everything for the Faunus. You’ll see why this is a problem later. I liked the setting of Menagerie’s Shallow Sea marketplace thing and felt like Menagerie is wasted potential.

Ruby’s whole speech still feels like damage control, but with the added complaint of Ruby deciding to blame Salem for something Cinder did. Now, I heard the common excuse a lot: “Salem told Cinder to do it so it’s all her fault”, but that problem with that? Cinder told Emerald to kill Penny. So… Yeah. It is her fault. Hell, I wouldn’t have minded this if Ruby didn’t word it like Salem personally killed Penny and Pyrrha. Like as in, she just up and appeared out of nowhere and shot both Penny and Pyrrha in the head.

It still doesn’t fix the fact that Ruby is basically “hey, remember how I’m supposed to be upset?”

Lastly for Episode 5, we have the White Fang do the brilliant plant of murdering the chieftain who just spoke out against them. It’s dumb. Extremely dumb. What the hell do they think will happen after they murder the chieftain in cold blood? Menagerie is just gonna magically bend over and obey the White Fang? But perhaps the biggest waste is the White Fang in general.

You have these two sneaky fox brothers who seemingly oversee everything and even state that they’re only letting Adam do what he wants until he’s no longer of use to them, a buff bat dude, and a spider-lady… And they’re never seen again after this Volume. I get the idea, because RT is trying to wrap up the Faunus subplot as quickly as possible, but the problem that you can’t exactly introduce new characters or hidden depths if you’re just gonna throw them out with the bath water.

If they wanted to end the subplot, why did they put all the effort in some random characters that are just gonna be defeated off screen with a tea tray? Then again, this is a problem endemic to RWBY. Introduce this character, then quickly shoo them away before you’re committed to writing a plot for them. If you know you were going to half-ass the White Fang conclusion, why bother with stuff like more White Fang members or the SDC brand? In fact, why bother with the White Fang to begin with if you’re going to do so little with them?

Episode 6

Moving on before I lose my cool, we have Qrow aimlessly walking around downtown Mistral. Now, the crew said that Maria was supposed to be here… But… Why? What purpose would she serve? If she’s just gonna be a “hey, look, cameo to foreshadow Volume 6”, then that’s a horrible purpose. You know how most Cinematic Universes tanked because they spent more time hyping the next twenty movies when they should focus on their pilot? That’s what she would have been like.

Not to mention that she would have been caught in the crossfire of why Volume 5 was bad. “So here we have this random old lady who doesn’t matter at all to the plot so why is she even there” and then “Oh wow, she’s a SEW. They’re doing damage control to justify her unneeded presence in Volume 5”. And, don’t get me wrong, Maria is a fun lady and all that, but there needs to be a reason she was there beyond “hype for next Volume”.

What makes the problem worse was that they’re planning to include Maria so as to have a sort of Yoda to teach Ruby. This makes the complaint of “why didn’t Ruby ask about the Silver Eyes” even more of a complaint because now it seems like they decided “hey, we’re going to address it next volume, so let’s not bother bringing it up here”. Which is even worse than “hey, people noticed we didn’t address this so let’s completely invent this character for the sole purpose of addressing it!”

And then there’s Raven who is all “lol, I know more than you realize but I’m not actually gonna answer anything trolololololol” AARHG!

Okay. Okay. Before I completely lose my marbles, there’s one thing about the scene with Raven that’s stupid.

It’s the “there’s no such thing as magic” thing.

Okay. I get it. Turning into a bird is something that, in the world of RWBY, seems impossible. But there’s a ton of problems with this:

What makes summoning dead Grimm to fight for you so much more different than magic?

You’re willing to believe in magic rocks that augment your fighting style and are in fact part of a company that profits off magic rocks, yet turning into a bird is the messed up thing?

The guy who gave her this ability is currently inhabiting the body of a young boy and has said to basically devour his soul in due time, as well as create the magic that’s responsible for torching your school and your friend… And the BIRD is the most messed up thing!?

“But Raven made it sound like she was forced into it”. She didn’t seem to have any fucking problem with it though. Not only that, but it didn’t seem like a big dark secret that Ozpin wouldn’t want uncovered. In fact, he even said he gave Qrow and Raven the ability to turn into birds in an amused way.

Even more so when everyone but Yang seemed to respond to it with disbelief rather than outright anger. There’s a reason this whole bird issue was made fun of in Jello’s “So This is Basically RWBY” video.

Also, before we move onto Episode 7, I wanna bring up that the scene where Qrow visits the Shields is perhaps the reason why I hold Ozpin’s censorship of Lionheart’s role in the Battle of Haven to be one of the most scumbag moves he could have made. “Your mom’s dead, but don’t worry, the guy who sold her out is a hero!”

Episodes 7-10

Right, back to Episode 7. Okay, I’ll admit, it was a nice reunion scene all things considered, albeit with some rather unnerving things like Yang asking Weiss if she let the Boarbatusk skewer the trophy wife or even the dumb, patronizing “we haven’t made character arcs for us to go through so I’ll just say we had some”, since they had the great idea to use Ren, who is voiced by Monty’s brother, as the mouthpiece for that.

Unfortunately, this is the episode I always think back to when I think of Volume 5. The perfect epitome of a slow, monotonous Volume. The problem I have is that, yeah, it’s meant to be this breather episode, a calm before the storm, but this just feels like a long lull that’s made even more insulting with the cliffhanger. All it has is people dumping exposition that viewers have either figured out or weren’t even burning questions and I think the awkward silence that followed Ozpin saying how he was the wizard that gave the Maidens his power is the perfect epitome for just how boring the volume is. The dude just revealed a massive plot twist and it’s treated as nothing more than a “did you know” factoid.

While I liked how they addressed that Blake leaving Yang would have had some serious negative emotions in Yang, it felt rather half-assed that they basically resolved it with “hey, my mom’s drunk, so shut up and accept Blake the moment she comes back”, especially since it comes from Weiss, who told Blake at the end of Volume 1 that if she ever runs away again, she best let RWBY know. If they wanted to ship Bumblebee so badly, this would have been a great hurdle for them to come across instead of just “hey, let me resolve this plot for you”.

Now, the whole thing with Ilia… Let’s get the elephant out of the way. The way they revealed her sexuality, I feel, could have been done better. “You wanna know why I’m gonna kill your parents and bring you to your abuser? Because I wanted you to look at me like a lover!” There’s a reason why some fans label her as a “psycho lesbian”.

However, I want to bring up that Rooster Teeth did an excellent job at building tension during the climax of the Menagerie Arc. Sure, the cliffhangers were tiresome, but you couldn’t help but admit you were at the edge of your seat and it even did a good job at subversion. Even if they allegedly didn’t even intend for it to happen.

The constant dryness of exposition and dialogue exchanges is what made Episode 10 so much better than the other episodes. Not just because it’s action-orientated, but because it finally tries to get back to the themes that it was originally supposed to tell. Throughout the entirety of the middle portion of Volume 5, the group basically took a backseat and allowed characters and plots to happen to them rather than advocate for themselves. The closest thing we got to the theme of “building yourself back up” is Weiss talking to Yang about Blake.

In fact, the only actual characters taking action are the villains. Constantly roadblocking the cast, setting them in for a trap, and even aiming to screw each other over. These guys have more advocacy and agency than the main characters. The most any of them did was…

Burn down their own house and blamed everyone else for it, all while saying that the house is the message Adam wants to send.

Use a girl’s unrequited feelings towards them to their advantage, straddle them, and guilt tripped her enough for her to consider switching sides.

Cry about how things are not going their way until their hands start magically glowing.

Yelling at someone until they cry bitch tears and then have them run away without even bothering to close the door leading to the dangerous artifact everyone had been working so hard to keep out of enemy hands.

In the volume where the theme is “solving problems on our own”. Just because Yang drops the word strength a few times when bitching out at Raven doesn’t mean that the theme had been accomplished. In fact, they do nothing of their own accord and just follow a script. Even Ozpin, the supposed smartest guy in all of Remnant, doesn’t even bother to figure out a way to counter the trap. Just instead walk in. Hell, if Yang didn’t spot Raven, they’d be mulched.

But, back on track. Episode 9 was an entire waste that failed to pay off the expectations of what we had with the cliffhanger set up in Episode 7. “But it subverted your ex-” NO. There’s a good way to subvert expectations and being promised a fight after episodes of bland exposition only to have it be “lol, no, it’s just gonna be more talking” is not a good subversion.

No. Here’s a better way. Set up the cliffhanger like normal, but don’t show Cinder’s dragged out negotiation with Raven. Instead, have her “allying” with Cinder be a twist. That way, people’s expectations for what happened are actually, you know, subverted?

The Battle of Haven

But, you know where this is leading to… The Battle of Haven. Really, I don’t think I can say anything that hasn’t been covered by someone else. We all know it makes all the Vytal fights look like masterpieces by comparison, we all know the jokes about useless Weiss or Lionheart hogging the staircase, or even the plot holes of Raven knowing Cinder’s arm being Grimm but doing nothing about it or Blake, despite spending the past volume saying how Adam must be stopped, suddenly doesn’t care about him…

So let me cut it simply:

The reason this battle sucks might have to do with the crunch.

We don’t know how long this issue with Rooster Teeth had been going on for, but if it is indeed what people say it is and that animators don’t get paid for the last quarter or third of their work, then that might explain all the cut corners animators and writers made. Why the fights are broken up into one on ones or why fights are cut out entirely. Maybe they weren’t getting paid enough and thus, the quality of RWBY suffered as a result of it.

And that’s perhaps the shittiest thing about the Battle of Haven. It could have been this epic fight that would have made up for all the boring, drawn out scenes of exposition and chatting, but because Rooster Teeth got too greedy or even because of our own impatience (which, again, isn’t helped by the aforementioned long, drawn out scenes), we are treated to a final battle so broken and tiresome that the Battle of Winterfell manages to be a better final battle, with the only thing holding it back being that Haven had a better identity twist.

And if, for whatever reason, it isn’t due to crunch issues, then we have another problem. This was meant to be this hyped up rematch between the heroes and villains, who haven’t seen each other since the latter ruined the lives of the former. This would have been excellent to see how the killers of Jaune and Ruby’s friends would interact with them, how Yang would react to the person who framed her, even how the group had grown since their last battle…

But… if crunch wasn’t to blame for the quality dip and the writers intended for the fight to go the way it went… I have to say… What the fuck were they thinking!? So many moments could have been brought up here and yet they decided that they weren’t important enough to focus on! And now, with this battle over and done with, those moments lost their luster. If they decide to bring them up, it’d be too little, too late at best and “why the fuck are you bringing this up now” at worst.

I’ll deal with one commonly used example to get what I mean. Adam was established in Volume 3 to be a threat only made strong because he uses Blake’s emotions against her and has a Semblance that lets him dish out aura-breaking damage. Blake easily defeats Adam and has him on the ropes, only to let him run with a few excuses that some people have debated to death and back, when it would have been much easier for Blake to have to choose between apprehending Adam and helping Yang. Then, when he inevitably returns to haunt Blake next volume, suddenly he’s a threat that Blake is afraid of again despite Blake having “grown” to oppose him.

They wanted that “triumph” over him, but realize that by doing so, they’ve burned that opportunity to have the triumph be meaningful. Same goes with Emerald and Mercury. They had a good opportunity for Ruby to effectively call them out for their crimes like how Jaune did to Cinder, but instead she just headbutts Mercury. Yang had at least some closure on her arc with Mercury, but it was meh.

The Point in All of This

Hell, speaking of wasted opportunities, the reunion of Team RWBY, something that the opening had hyped and one that the fans had been waiting for since Volume 3 ended, is nothing more than an afterthought. They couldn’t even be assed to show Blake’s first fight back with Ruby and Weiss. That’s how little they cared. It’s like everyone was just wanting to get that paycheck but they needed to rush that final episode out the door and also need to make room for Gen:Lock and Nomad trailers. They didn’t even care about the stinger, as they basically ignored any sort of information relating to the stinger.

Perhaps the biggest reason why Volume 5 sucked so hard was that it was running off the heels of Volume 3. Everyone basically accepted that Volume 4 was meant to be a breather Volume, with lower stakes and lower drama (with the exception of possible death flags for Ren and Nora), but the moment they made Volume 5 the grudge match everyone wanted, then the stakes got raised back to the heights of the third Volume, only for it to fail to live up to the expectations. Sorry, I think I mean to say “subvert the expectations” in this day and age.

Though, I think the huge problem with all of this, and perhaps the biggest bottom line I can say, is that it might be due to Volume 3 going too over the edge. By killing important characters and even dividing the team, the villains had raised stakes up so high, that people began to take the show more seriously. When characters were vaguely hinted to die, be it through threats from the villains or even flashbacks, people fretted that they would die. When the villains go back to striking distance with the heroes, people desired a grand battle. When the show tried to deal with the ramifications that happened with RWBY separating, people wanted to know what was going through the characters’ heads.

And when Volume 5 failed to deliver/“subverted their expectations”, people considered it a bad volume.

But worst of all, it failed to live up to its own themes. Jaune was the only person to build himself back up again through deus ex hands, and we saw next Volume that it needed a statue for him to feel better. No one was in a position of giving up only to be defiant and shout “we’re not done here”, but instead cry “it wasn’t supposed to be like this!”. The big problem of Volume 5, make sure the relic is secure, is only solved because two characters had a catfight in the basement and the survivor didn’t bother to lock up because their daughter was too busy bitching at her. No one really grew or strengthened their resolve. The triumph… wasn’t theirs to have.

Although, it seems Rooster Teeth had learned from their mistakes, with Volume 6 being leaps and bounds better than Volume 5, regardless of what you thought of the latter half. Best of all, the themes promised in Volume 5 were shown prominently in Volume 6, albeit some of the scenes capitalizing on those themes feeling more like a child is having a tantrum because they couldn’t have the airplane.

To close out this rather long winded discussion, and to give people a tl;dr on the whole matter, Volume 5 failed to address the themes it had presented and instead just padded itself out, expecting people to accept it because it’s RWBY.

[flutterbyhime]

So, like everyone, I’ve got some thoughts on Voltron Season 7. Spoilers inbound so... skip this if you still haven’t watched it. Which you should, because despite at least half the fandom acting like it’s the end of the world, season seven is actually pretty goddamn engaging. Like “oh, I’m just gonna watch the first three or so episodes and call it a night. I’ll watch the rest tomorrow.” followed by “It’s nearly three in the morning and I have finished Voltron season seven.” engaging

Okay. So I just want to give everyone a quick warning apart from spoilers, that I am not super used to writing reactions/reviews. Usually I just mule it over in my head, talk it out with some friends, and then that’s about it. BUT~~ since I’m the only one in group of friends that loves Voltron and I would like them to watch it at some point without certain story beats spoiled, I figured I would write out my thoughts this time. You know, try and put my thoughts, praises, and criticisms in a concise and constructive piece. And while I realize that some of the things I’m going to say are probably gonna invite some interesting...responses on my post or inbox, my first few browses of the Voltron tag haven’t actually shown constructive/concise criticisms outside of how the writers handled Shiro’s relationship with Adam (something that I’ll go into detail later. The actual relationship and what I think the text is, feeding on my first Voltron season 7 post, that is. The whole backlash to the writing I do in the next paragraph).

Which, speaking of how the writers handled Shiro and Adam’s relationship! First things first, I just want to say that I can see and understand why a lot of people are upset. Voltron has grown to mean a lot of things to the fandom, and with the news that Shiro is a gay man serving in the military with a long term relationship that was leading to marriage before Kerberous Mission was really exciting. It was fantastic to get a beloved character to be confirmed to be apart of the LGBT+ community. It still is in my book. The fact that Shiro has been through a lot of shit and still has hope and love to give to his newly found family already made him an amazing character. And with his confirmed sexuality, it’s like extra decorative and delicious strawberries on an already amazing proverbial cake. It brings that much more depth and interest in a character that could have very easily been a one note character. And for me, the confirmation announcement and the announcement that we would see parts of Shiro’s life pre-Kerberous was exciting. Of the core cast, the person we know the least about in terms of home life was Shiro. With everyone else, we either knew or learned some aspect of how their lives were before this grand space adventure happened. But we never really knew with Shiro beyond he took in Keith at some point and that he was a prisoner of a ten thousand year old war for about a year. So the glimpse of how he met Keith, came to took him in, and how his relationships were before leaving for Kerberous was a welcome story addition (also greatly needed from a character stand point in my opinion. Shiro was starting to get a touch...mythical). So with what we saw of Shiro and Adam was a fight about Shiro wanting to do the Kerberous Mission, followed later by Adam passing in a first wave offensive and later with Shiro realizing that Adam died, yeah... I see why a lot of people are upset. And if you are upset, I completely understand. You have every right to be upset. But here’s the thing.  Sending hate or being nasty to the writers and the cast isn’t going to help. What will help is giving actual feedback to Dreamworks and the writers. Whatever passion you feel for the show will come through, but an off the hip reaction doesn’t give someone a lot to go off of. Being calm and concise does though. Again, you can be disappointed and upset, but you can voice it in a way that doesn’t come off as an attack (which is what a lot of initial criticism read to me).  Joaquim Dos Santos, an executive producer of Voltron, wrote a wonderful open letter to the fandom addressing all this that you should read. A lot of it puts a number of things into clearer light.(https://twitter.com/JDS_247/status/1029181981572050945)  And I don’t want to get tin-foil-hat on you guys, but something tells me that the writers and producers had to fight to get ANY LGTB+ representation in, let alone confirm it. Which is sad, but Voltron is still a kids show. And I wouldn’t be surprised that some stuffy, out of touch white guys in suits said that you can’t do the gay thing because children can’t be corrupted or some similar bullshit. So be mad, be upset, be loud. But be loud at Dreamswork.  Honestly I wouldn’t be surprised if the writers and producers were showing all this backlash to the suits and going “YOU HAVE TO LET US GIVE THEM THE GAY FOR SEASON EIGHT. LOOK AT HOW MUCH THE AUDIENCE IS DEMANDING IT! THESE ARE THE PEOPLE BUYING THE MERCHANDISE FOR FUCKS SAKE!!!” Because I sure as fuck would.

And with that out of the way, let’s move on to some positive things!

This season was actually well-written. Were there mis-steps? Yes, but again (and getting a litte tin-foil-hatty here), I feel like certain elements were probably more studio driven than writer driven (looking at you Axca and your weird stares at Keith!). But overall this season was excellently written. The stakes were kept high, there was tension throughout, and the comic-relief episode was a wonderful play on fan headcannons (making Keith a terrible artists is something I’m still laughing about). And yeah, the last few episodes can be a little too similar thanks to all the action scenes, but at least the stakes were upped at each turn. And also, what better way to introduce the new big-bad than right after defeating Sendak?! It subverts the exception of a huge celebration with showing our heros that they may not have the chomps to fight against this new threat (which, let’s be real, it’s most likely Lotor and/or Haggar. If it’s not either of them, I will be thoroughly surprised).

One of my favorite things from season seven though is that is explores what happens after a major political leader of an empire is killed. It would have been so easy just to have another galra take the reigns of the Zarkon’s empire, but the writers went with the harder option of a bloody fallout. They showed a world/universe where people have formed their own factions and fighting for power, along with the mess that that creates. You honestly don’t see that a lot in fiction, let alone fiction aimed for younger audiences. 

And let’s talk about episode five for a hot minute. It’s been a long time since I was legit terrified from a children’s show. Like since Avatar: The Last Air Bender (that blood bending episode still gives me chills). The set-up and pacing is so perfect. Starting light before slowly turning tragic, which only leads to the sheer-terror of not only the situation, but of how brutal and cruel the universe has gotten in Voltron’s absence. With so little, it makes the viewer question of what’s happened to other allies of Voltron. And considering it follows the game show episode, it’s the hard left turn I personally wasn’t expecting. But I’m not going to lie, it’s probably my favorite episode of the season. Also, I legit started tearing up when Keith called Krolia “Mom” and they hugged. While I wish there was more mother-son moments in general when in comes to Keith and Krolia, I think that moment alone showed how much Keith has grown. He may still have some abandonment issues, but it’s clear that the trust he has in his family is helping him overcome that. That he trusts Krolia to come back and that he trusts his team/new family to be there for him. And I’m hoping we get that explored some more in season eight. (#MoreActualSpaceMomPlease)

There’s also the fact that they made the four years of Sam Holt’s time back on Earth engaging to watch. While I think we all knew that they were going to explain what Sam, the Garrison, and Earth in general was doing before Voltron arrived, I was worried how they would handle this. This is exposition that’s very easy to make clunky and a slog to get through. I was worried even when the first shot was “Four Years Earlier...”. Even with two episodes dedicated to some very important exposition, this is stuff that I think any writer can tell you is tricky to pull off. Yes, Sam is Pidge and Matt’s father, and we get the bonus of Lance’s sister Veronica (#BestBigSister #MoreVeronicaAndLanceSeasonEight), people who we’re emotionally invested in because members of the core cast are, but this is still focus away from characters we’ve gotten to know and love for six seasons.  These two episodes had to not only re-familiarize us with character we met briefly in season five, but had to reintroduce us to characters we’ve really only seen in episode one with brief cameos in various flashbacks, introduce us to both new characters and the command structure of the Garrison. And that’s a lot to do in less than a total of forty minutes. So the fact that it’s engaging and does not only that, but also clearly gives and raises the stakes for the rest of the season without ham-fisting it is impressive. We knew that Voltron was going to have to save Earth thanks to the trailer, but we didn’t know how dire the situation was going to be when we returned to Earth. Even though these were the episodes that Adam died, I still found myself emotionally invested.  If anything, its inspired me to write AU fanfiction where I take all the ‘humans are space orcs and Earth is a death planet’ ideas and put them in there, having Sendak and the Galra lowkey realize that the Lions of Voltron probably chose the most-level-headed humans to the be the paladins because fuck man, earthlings be terrifying and maybe we should leave??? (I’m serious about this bit. I’ve been going through all my saved screen-shot pins of them on pinterest and making note of which ones I want to use)

I like how we get to see more of the relationships between all of Team Voltron and the core casts’s family. I like that we got to see more of Hunk’s story and how Lance’s relationship with his siblings is very much the same as Keith and Shiro’s in terms of the emotional bonds (seriously, the paralles between Lance and Keith when their siblings (or if you’re a Sheith shipper, loved ones) are in danger is great. The Klance shipper in me is on the floor in tears crying about how these two boys will sacrifice themselves if it meant that their loved ones would live. Thanks for emotionally wrecking me on that Voltron writers). I love that we got to see Colleen Holt reunite with her husband and straight up go “FIGHT ME”  and win when Garrison command tells her she can’t stay because protocol, along with her being active in her own way. When she and Sam broadcast to their entire planet that an alien invasion is imminent, she doesn’t shy away from being the one to drop this bombshell. From the text, it appears that she fought long and hard trying to figure out what happened to her family long before Sam came back, I love that about her. She just wants to know her family is safe, or at least get some potential closure if their not, and she never backed down from that fight. So it’s great to see that reunion. And, quick aside, it’s clear from the visual text that she and Sam have a beautifully healthy relationship despite their years apart and they emotionally support one another. And I hope that we see more of that in the next season. And I’ve got high hopes for season eight for so many more reasons!

So now I guess I should address the one relationship that I said I would talk about at the start of all this.  Shiro and Adam.

Okay, so some of you may have already read my thoughts on an earlier post how how I didn’t believe we were going to get a tearful and heartfelt reunion between the two. (here’s the link if you want to read it in full: http://kirika-hime.tumblr.com/post/176794551537/okay-before-season-7-of-voltron-is-up-ive-got-a  It’s long, so sorry about that, but I’m going to be referencing it a bit here) And even with what little was given to us or even what could have been given to us, I can’t fully get behind Adam. 

Yes, we pretty much just got a fight, but hear me out for a moment. First things first, that fight, when you’re paying attention to it, actually sounds like a fight between two adults who care for each other and have been gone over the topic ad nauseam. Adam sounds tired. Shiro sounds tired and frustrated. The topic of Shiro going on the Kerberous Mission when his health is probably beginning to decline is clearly something that has truly strained their relationship. The acting and the animation show that with so little. And here’s the thing with that, it makes me asks a lot of big questions. If Shiro had stayed and they had gotten married, would that strain still be there? Would Shiro potentially resent Adam for convincing him not to go on the mission? If he does, does that strain begin to grow into a rift? What if their relationship was already showing some cracks in the foundation and they didn’t realize it? What if the fight and their split actually healthy for the two of them?  Would Sam and Matt still have gone the Kerberous Mission? And if they did, would Matt still even be alive? Would Sam find a way to escape? What about Pidge? Colleen? What happens to them? If Pidge is still demanding for answers, does Shiro demand for them as well? Does their relationship change? Does Pidge and Keith’s relationship change? Does Shiro get kicked out of the Garrison instead of Keith? Does Pidge still disguise herself And what about Voltron? Would the Blue Lion have been found at all? Or would Zarkon have found the others, including the Black Lion? Because if that’s what could happen, what does that mean for Allura and Coran? What does that mean for Earth? For Lotor and the Alteans he deceiving and manipulating? What about Romelle? What would have happened to her if Keith and Krolia never found her?

And I know a lot of these questions probably seem dumb and fanficcy to a lot of people, but I think they’re legit questions fans should ask. A lot of this story hinges on Shiro, Sam, and Matt going on the Kerberous Mission when you boil it down. So it’s important to explore how certain characters made certain decisions.  I don’t doubt that Shiro went on the Kerberous Mission to fulfill his dream one last time. He had no way of knowing that he was going to be abducted. But I’m positive that he wanted to be out in space one last time. I don’t think it was about breaking records, like Adam seemed to suggest. I think it was one man trying to get as much joy and fulfillment out of his life before he was fully confined by his illness. Shiro didn’t want to have any regrets when that time came. And possibly, he wanted to show Keith that even when the deck is stacked against him, he could still do amazing things. And it’s also selfish. Which is great because it gives Shiro a character flaw! And we can see how it shapes him when rewatching previous seasons. The guilt he feels from how he left things with Adam, of how he left Keith behind, probably drove a lot of his decisions and choices during his time as a prisoner and as the Black Paladin. Adam may have said that he wouldn’t be waiting for Shiro when he returned, but that still doesn’t mean Shiro wants him, anyone, to experience the horrors of war. Not when he potentially keep that from happening. As a Paladin, he can potentially redeem a lot of his perceived mistakes. That’s what makes Shiro interesting! (It’s also what makes him so difficult to write)

Adam is in his right to not want to put up with Shiro’s selfishness.  But I still hold from one argument from my previous post, that Adam gave up on Keith.

Now a lot of this is on assumptions and personal interpretation of the text (both actual words and visually) that’s been given to us, but I stand by that Adam gave up on a kid who needed him. No matter how you view Shiro and Keith’s relationship, Keith’s important to Shiro. He saw a lot of potential in a lonely child who, more than anything, needed someone to care about him beyond questioning if he was going to get into trouble or not. And as Shiro got closer to Keith, he saw a child who needed a family. A person who he could turn to when things started getting rough, for someone to be in his corner.  Keith at a young age was difficult to get along with, the first episode of this season showed us that. He’s closed off, kids his age don’t really want to take the time to understand him, and it seems that most adults aren’t willing to invest in the time to tease and pull out his strengths or see the kid that feels deeply for his loved ones. Keith has a lot of emotional baggage, and combine it with whatever possible galra childhood tendencies he might have that no one could have known about, you have a really tough job on your hands. And that’s what makes Keith and Shiro’s relationship so powerful. That Shiro was able to see the potential in him. Not just to be a great pilot, but to be a great and loving person. Shiro never gave up on him. 

But Adam did. Not once during episode seven or eight do we see Adam inquire after Shiro or Keith. Something that would have been so easy to include, and it never happened.  Adam no doubt was the first person Shiro talked to when it came to Keith (followed most likely by Sam, because, hey. Sam’s got two kids, he’s gotta know a thing or two about parenting overly-talented children, right?). He probably tried to get feedback, ideas, even confirmation on how he was interacting and raising Keith. And considering how close Keith and Shiro are, Adam definitely met and interacted with Keith.  Adam may not have fully agreed with Shiro pseudo-adopting Keith, but he saw how close the two were. He knew that Shiro was trying to give Keith the tools to succeed in life and get him out of a system that clearly did not care for him. And that could have been part of the reason why Adam loved Shiro.  Like I said in my first post, I fully believe that Shiro asked Adam to look after Keith while he was gone. I still believe that Keith acted similarly to Pidge in trying to get answers after Kerberous went belly-up. And I still fully believe that when Keith was kicked out of the Garrison and left homeless. And I still fully believe that Adam did nothing to help. Nothing that was given to us indicates that Adam tried to reach out and support Keith when Shiro disappeared.

In fact, I’m more angry at Adam now than before season seven was released. He understandably ended things with Shiro. He was tired of watching the man he loved putting his personal goals/desires before his health and couldn’t watch anymore. He told Shiro that he wouldn’t be waiting for him anymore. And I get that.  That sucks. Watching a person you love potentially destroying themselves hurts. The more you care about them, the more it hurts. But Adam, whether he meant it or not, included Keith in that. He cut Keith out of his life too. I don’t have any doubt that Keith tried to get Adam to help him in finding answers. Keith probably had his fair share of fights with Adam, trying to appeal to him that Shiro was too of a pilot for there to be an error, illness or not. That they have a right to know what happened to a person they love.  And Adam shut him out. He abandoned Keith. Whether it was to deal with his own emotional pain over Shiro’s disappearance or that he never cared for Keith in a similar way that Shiro did, I don’t know. But his response was to abandon a child he knew had no one. We get no indication that Adam opened up his home for Keith, or that he tried to find out where Keith went when he left for the desert.  And that’s what makes me angry. Is that Adam, whether he felt equipped to deal with Keith’s problems or not, abandoned a child who needed support more than ever. He didn’t have to care about Keith like a brother or a son, but he could have saw someone who was hurting as much as he was. Adam could have tried to talk to Keith and give him support. They could have potentially healed together over the loss of Shiro. But Adam let a young teenager, a child, feel abandoned once more and homeless on top of that. 

I can’t forgive him for that. Nothing in the text, via words or visually, indicates that Adam tried to help or be there for Keith. And I really wanted to like Adam, but what I’ve got to work with says otherwise.  Who knows, maybe season eight will prove me wrong. But until then, I just can’t. 

[fadedtoblue]

Recap of the Defenders panel at SDCC, pt. 2 (aka just a beat by beat recap of episode 1...)

If you missed, it you can catch part 1 here. I’m sure you can find videos of the panel out now, but if you wanted my additional commentary, there you go, haha :).

I’ve been writing bits and pieces of this since Friday night, so needless to say, I’m starting to get a little fuzzy on the order of the scenes and specifics b/c I was in such a state of shock while watching (and I don’t get the benefit of rewatching it right away 10 times in a row, lol), but I’ll try to recollect as much as possible, as best I can. I’ll also share some of my opinions and theories at the very end.

Some brief, non-spoilery thoughts: This was definitely a set up episode for everything that is to come, so as much as I know everyone wants answers to certain questions, you’re just not going to get to them right away. The show doesn’t hesitate to pick up the threads left from each individual series though, so don’t expect it to be slow at all. They also did a lovely job making each Defenders’ scenes look and feel like their own shows, while still bringing them all together into a new kind of feel and style for The Defenders. I was impressed by that. Anyway, if you have any more general questions, feel free to send me an ask or note.

And now...I shouldn’t have to say this, but just in case...HUGE SPOILERS FOR THE FIRST EPISODE OF THE DEFENDERS UNDER THE CUT! (Apologies for any mistakes, I wrote too much and just want to get it posted rather than spending even more time editing!)

Opening scene:

Very first scene opens in Phnom Penh, Cambodia. An unnamed man is being chased by a woman in black wielding double katanas and shrouded in darkness down some sort of sewer-like corridor, exchanging blows, and the man is clearly getting overwhelmed in the fight. Before she can land the killing stroke, Danny appears out of the darkness and jumps into the fight to draw the woman away. Danny is holding his own, but the woman is clearly a superior fighter, and lands a nice slice across Danny’s tattoo; in his shock, the woman gets the opening she needs and stabs the mystery man to death. Danny tries to chase down the woman, who is running away, and manages to land one Iron fist-packed punch on her, which sends her flying, but she disappears as quickly as she appeared. When Danny returns to the man, Colleen is with him, and we see that he’s clearly dying. After a bit of back and forth, the man tells them that their fight is not there, it’s in New York. Very mysterious, and Danny is extremely frustrated. This has apparently been one of their biggest leads in their search for the Hand, and just like that, he’s gone. Also, it’s pretty obvious this woman is Elektra, and the most impressive thing was how much her fighting skills had supernaturally improved. A small hint at the power of the Black Sky! (Note: there’s really no hint as to who this guy could be, and I originally assumed maybe he was affiliated with the Hand, like Bakuto’s faction or something? But the end credits mention Shaft, who was announced as a character on the show, and plays a big role in the Chaste, so that’s an interesting tie in!)

Opening credit sequence:

New song and graphic styles, I really can’t recall now, but think the instrumental had a kind of synth-y vibe. The backgrounds are basically outlined, lit up, 3-D maps of New York, but they form each of the different characters in their main color palette. It’s super cool. The names on the credits also utilize an effect on certain letters to make it look like a subway line design (i.e. Charlie Cox’s name has a C in a circle). It’s a cute touch and really drives the whole “New York is the fifth Defender!” thing home.

Okay, this is where the order of these scenes gets a little iffy in my head, not to mention we do switch between the characters pretty often this episode...I think I’m fairly clear on the details themselves though! I’ll basically try to summarize everyone’s scenes in one go and then summarize the closing act on its own!

Jessica Jones:

Jessica is (surprise, surprise!) passed out drunk in an empty bar and gets rudely awakened by the bartender, who helpfully informs her that it’s morning and she should probably get out of his bar. Next, we see Trish is running across the street to keep her car from getting towed, but the cop is an ass and refuses to unhook it. Suddenly, we see the car get pulled off by an inexplainable force! Turns out it’s Jessica, who snarkily asks the cop if he has a problem, and Trish has trouble holding back a smile. Now we see Trish and Jessica walking down the street with coffee cups and fighting over Jessica’s life state post-Kilgrave, one that involves a lot of drinking and zero working, which greatly concerns Trish. Trish lets Jessica know that she’s been getting a lot of interest in her story and wants Jessica to take some interviews, if only to make some extra money while she’s not working. Trish says something to the affect of, only you (Jessica) could take a personal triumph and turn it into despair, or something like that. Jessica tries to tell her not to worry. Trish takes a sip of her coffee and nearly spits it out -- turns out Jesica had handed her coffee to Trish and Trish finds out the coffee has whiskey. This got a pretty good laugh during the screening :). Jessica is then shown walking down the hallway to her apartment -- the window is boarded up and clearly hasn’t been fixed since JJ S1. There are two people standing outside the door as she approaches, a woman who seems well-dressed and pulled together, and her teenage daughter, who is snarky and disdainful toward Jessica. The mom heard about what Jessica did and wants her to take a case -- her husband has been missing for a week -- and Jessica flat out says no. As the woman presses her case, Jessica goes into mocking mode, and suggests that everyone thinks THEIR partner would never do anything like this, but usually they’re always cheating. The daughter lobs a few snarky comments at Jessica and the mom, and finally the two of them leave. Jessica seems to have a moment of remorse as she’s opening the door, turns around, and calls out to them. The woman turns around hopefully but Jessica only says that she hopes they can find him soon. The inside of Jessica’s apartment is still absolutely trashed from all of the Luke / Kilgrave stuff from S1 -- part of the scenes are shot through the hole in the wall, which is hilarious. She gets a phone call, and someone using a voice scrambler warns her not to take the case. Dun dun dun! We know what that means!!

Later on, you see Jessica sitting at her desk with her laptop open, using her expert Googling skills to learn more about missing mystery man. At this point, Malcolm strolls in, which pisses Jessica off -- she’s already told him to stop coming into her apartment, he says she gave him a key, she counters that he made himself his own copy of the key, he helpfully clarifies because he was helping her get her locks changed, banter banter banter. I want to know that Malcolm has beefed up a lot for this show. It was noticeable lol. He immediately notices she’s on her computer and absolutely lights up, asking whether she’s taken on a case? She insists she hasn’t taken it...yet, and he’s basically celebrating that she’s totally taken the case and runs over to hover over her shoulder while she’s researching, which pisses her off. They talk briefly about the guy who’s missing, and Jessica mentions that the only reason why she’s even doing this is because she got a call from someone using a voice scrambler who doesn’t want her to look into it, but surely they covered their tracks and won’t want to be found. At which point Malcolm posits the possibility that the guy is actually an amateur, and what if she could track the call back? So Jessica pulls a Jessica and calls the operator, pretending that she received a call from her grandfather who is missing from dementia and gets the number. They find the address the number is connected to, which Malcolm immediately recognizes as a super shady neighborhood that people generally used to get off the grid to use drugs, etc.

Jessica shows up at the building Malcolm helped her identify. Inside, it looks and sounds sketchy as hell -- flickering lights, sounds of people fighting and/or having sex, a real ball. She heads up the stairs to the specific apartment she seems to have identified as the exact location of the call. She bangs on the door, telling him (I assume she thinks it’s James -- the husband -- hiding out in there) that the landlord / someone already told her he’s inside. After getting no response, she does her patented doorknob breaking move (the scene we saw in the first trailer) and goes in. There’s a TV on, but the place is otherwise dim and abandoned. She slowly walks through, peeking into the bedroom and rounding back out to the living area. She spots some boxes, opens one up and inside is either weapons or explosives (I’m leaning toward the latter) -- the camera paused on it for a quick few seconds and I didn’t absorb the writing as thoroughly as I’d like, but it’s obviously something really bad.

Luke Cage:

We start out with the scene of him walking down the jail corridor, while the inmates cheer him on. It’s not super clear in the beginning, but we soon discover that Luke had his charges cleared, thanks to the excellent lawyering provided by one MR. FOGGY NELSON, who is clean shaven and sporting a very short haircut (gotta look the part at those big firms I guess!). Luke asks for Claire, but Foggy tells him only lawyers are allowed. Luke decides it’s time to hop on a bus and get back to New York ASAP. Before he leaves, Foggy gives him his business card and lets him know he can always reach out if he ever needs help starting over. Luke assures him he doesn’t need to start over, just need to move forward. Foggy helpfully lets him know that most people call him Foggy, to which Luke quips: “And you let them?” which earns a great laugh from the room :).

Now you see Luke on his bus ride back to NYC, and this scene is basically just the same scene in the first trailer with him looking out the window and seeing things like Pop’s barbershop as he drives by. He gets off the bus (which is plastered with a New Harlem Renaissance ad, so you can assume Mariah is still going at it) somewhere in Harlem and as the camera pans out, you see Ms. Claire Temple looking like her damn fine self, leaning against the wall, waiting for his return. They end up back at her apartment and immediately rock that cup of coffee, like wow, it was...physical hahaha. Think overturning furniture, going at it all over the place, I’ll admit to being slightly concerned for Claire b/c damn Luke is a strong guy, but she seemed like she was having a good time lol. In the trailer I thought they were leaning against a headboard - nope, it’s a table turned over on its side on the floor, haha. They have a nice chat afterwards, mostly focusing on what Luke might do now that he’s back in New York. He calls Claire out a little bit, saying that he knows she kept some things from him in the letters they exchanged while he was away. She confesses a lot of things happened and are still going on in the city, and she’s concerned about Luke trying to be a hero (cue the dialogue from trailer #1). At this point, there’s a knock on the door, and it’s...Misty! She’s bemused to see Luke at Claire’s place so quickly after being let out, and asks if he can take a walk down the street with her.

They exchange some small talk, apparently Misty has been made head of some sort of city-wide initiative, which is probably how they’ll take her out of Harlem and into some of the other neighborhoods in the Netflix Marvel world. They end up at a burnt out car that’s decorated with flowers, and Misty explains: there’s been a rash of somewhat unexplained deaths that bear striking similarities -- all young men from Harlem, who were recently employed at some sort of mystery job, moved their moms out of Harlem and into nice houses in what I presume is a more gentrified neighborhood of New York, but end up dead under mysterious circumstances. It could be drug running or it could be something more nefarious -- Misty doesn’t know. Luke wants to help, which Misty reacts to with skepticism (she makes a “Really? I’m going to send the guy who just got out of lockup?” kind of joke) but she mentions that this particular memorial is actually for the brother of Candace Miller, who died in LC S1. Apparently she had two brothers, so Misty tasks Luke to track down the last brother, who she last heard wasn’t exactly on the right side of the law, and talk some sense into him before the mother of that family loses her last child.

Luke heads over to the apartment building of the third brother, another interior with flashing lights, except this time with loud music. Luke encounters a group of guys in front of an apartment and asks them where he can find “insert brother’s name here b/c I honestly can’t remember it out” -- they’re about to snap at him for interrupting them and realize it’s Luke Cage, at which points their jaws snap shut and they direct him one floor up. Luke lets himself into the apartment, sees the brother, and walks up to an expensive looking speaker set up to turn down / off the music. The brother angrily exclaims, thinking that his friends are messing with his equipment and is surprised to see it’s Luke. Luke says he’s here to pay his respects, and the two have a conversation in which the brother pretty much stubbornly refuses to listen or provide any information on his brother who just died. Luke notices that for a kid between jobs, he seems to have some pretty nice things (the music / speaker system, spacious apartment, really nice shoe collection) and asks if he might have taken on the same job his brother had before he died. The boy is silent, Luke says something wise, and then leaves.

Matt Murdock:

His scene opens in his apartment, focused on some sort of Braille printer? Matt is practicing an argument for an upcoming case as the pages print off. Suddenly, he catches on the sound of someone getting mugged and you see him going into Daredevil mode and hearing the situation unfold -- Matt is visibly tensing and literally willing his body not to rush off. As he’s listening, he also hears the police approaching and containing the situation. He untenses his body and resumes practicing his speech. At this point, we switch immediately to the courtroom, where Matt is grilling a man on the stand. I couldn’t exactly follow what the incident was and what product the man’s company made, but whatever it was, it was responsible for injuring a young boy, putting him in a wheelchair. Matt is really in his element and manages to pin the executive on the stand into a corner and goes in for the kill. Then we are suddenly outside the courtroom, actually in the same courthouse we were in for the Castle trial, and the news media is there -- Matt won the case and the family of the boy who was injured were awarded $11 mil. The parents of the boy walk ahead to talk to the reporters, while the boy, sitting in the wheelchair, hangs back. Matt has a really lovely scene here when he steps back to talk to the boy, who is clearly having a hard time adjusting to his new circumstances, and gives him a Matt Murdock pep talk about handling adversity and very specifically, coming to terms with a life changing injury (wish I could share more of what he says, but I just can’t remember it and don’t want to butcher it!! It was good though). It does seem to get through to the kid, who then goes back to join his family during their little hallway press conference.

Matt turns around, and we see Karen, who was in the courtroom covering the case for the Bulletin. Karen congratulates Matt on winning the case and is complimentary toward him and what he did in the room. I think Matt also mentions Karen’s work as a journalist and she does her aw shucks Karen thing. She mentions that she needs a quote from him for the story she’s writing, and suggests that maybe they do it over a drink or a bite to eat, which Matt seems surprised at, but agrees to. (This suggests to me that they really haven’t spoken much, since the end of S2 reveal, though they’ve likely crossed paths politely since then.)

Matt and Karen are sitting in a diner, and while the atmosphere is a little awkward, it’s still friendly. They exchange some small talk about their jobs -- Karen asks Matt about his lawyering and I think this is where Matt reveals he’s doing pro bono work, although it’s possible he mentions it at the courthouse, and Karen talks about how she really feels like this is what she’s meant to do. She lowers her voice a bit and asks Matt whether he’s missed being Daredevil. He basically lies and says no. That he doesn’t regret it, but he doesn’t miss it either. Karen seems to be satisfied with that response. She has a whole line about how she really feels like they needed some time to figure themselves out and it sounds like she believes that both her and Matt are in better places now than they were before. She mentions she’s been covering the police beat and she really thinks the police are doing a good job handling the crime, at which Matt cracks a bit of a cynical smile, so maybe he actually did it...he was the hero this city needed and now they don’t need him anymore. But she thinks that right now the city needs more of Matt Murdock, and btw, she still needs that quote, and that’s just about how the scene ends. Very friendly.

EDIT!!! Didn’t realize a huge chunk of Matt’s section was missing from this recap. Damn it Tumblr, you’ve eaten parts of this post like 5 times already. This re-recap will be a bit of a rush job, sorry! Anyway, after the meeting with Karen, Matt goes to find Father Lanthom for confession. He says it’s been three days since his last confession, which suggests to me that he’s been going consistently, and often. He initially brings up the meeting with Karen, and talks about feeling bad about lying to her about not missing being Daredevil. In order to remain transparent, I will say he did use language to refer to Karen as someone he loves, but the impression didn’t come off as romantic, but more out of friendship / deeply caring for her. I really do believe he is sincere in wanting to become friends again. And nothing about the diner meeting or the conversation here feels like it’s moving toward anything more than trust building, which Matt already kind of fails at since he lies to her face there. Anyway, this part of the conversation didn’t last for very long since Lanthom takes the temperature on the situation and immediately gets to the heart of what’s bothering Matt, which I won’t bother recapping b/c you can see it in the scene below:

Danny Rand:

Since Danny was such a big part of the opening scene, he doesn’t get a traditional intro scene like the rest of the defenders in the first act of the episode, so after we’ve touched base with all of the Defenders, we bounce back into his story and find him flying back to New York on his jet with Colleen. It starts with him, alone in the bathroom, and this is where we get that dramatic scene of him wiping the mirror from the trailer. There’s little bit of editing trickery here, as he notices some weird blood splatters on the wall behind him, and he goes from the mirror to tearing off a piece of the wall? Or pushing aside some sort of curtain? And we segue seamlessly into Danny walking into some sort of eerie, abandoned hallway, all torn and tattered. We quickly notice the hallway floor is covered in bloody bodies, bodies of the dead K’un Lun monks. He passes through another doorway and there’s a whole group of them, standing in formation, covered in blood and staring down at him accusingly. He is clearly overwhelmed and confused, and turns around, only to see himself, dressed in robes and looking serious. He says something to real Danny (again, sorry about being spotty on the actually lines), which prompts real Danny to basically breakdown screaming. At this point we hear Colleen in the background, shaking him awake from what’s obviously a nightmare. She tries to get him to talk about the screaming, which he tries to shrug off as turbulence terrors, but she’s not buying it. They talk about the man they hunted down in Cambodia and it’s clear that he’s feeling guilty about his death, and is still feeling guilty about the not being at K’un Lun to protect his city. Colleen insists that it’s not his fault, but Danny remains unconvinced. Danny and Colleen return to the city and are taking a helicopter ride over the city. They’re holding hands. She’s marveling at the view and they’re discussing home -- New York is basically Colleen’s home but for Danny, even though he grew up here, he still doesn’t know if this is his home.

Alexandra:

Our introduction to Sigourney’s antagonist Alexandra lacks any bombast or fanfare, but you definitely feel...unsettled in a lot of her scenes. We first see her in some sort of nondescript building, and she’s waiting for an appointment, looking classy af. A person comes up and leads her to a really bare, empty room, and asks Alexandra to change into a patient’s gown. The nurse brings her out of the room and to a larger room with a CAT scan machine. The doctor greets her warmly but has bad news for her, which she seems to be expecting -- her red? white? blood cell count is precipitously low and her body’s organs are starting to shut down. She asks what the doctor is going to do about it, and he says there isn’t anything they can really do, which is an answer that clearly doesn’t satisfy her (“That’s not what I asked.”). When she asks how long she has, he guesstimates around a few months.

Edit: Embedded the released preview clip that corresponds with the below scene :)

We see Alexandra again in what I assume is Central Park (sorry guys, I don’t know NY!), sitting on a bench and feeding the pigeons. Again, she looks amazing. Madame Gao (woohoo!) comes into frame and says she thought she’d find her here, it’s always been her favorite spot. Alexandra muses about how surprised she is this place hasn’t already been razed to the ground and replaced with high rise buildings, she remembers when it used to be forest. She starts into a mini history lesson about New York City and how the Dutch bought it for 24 dollars -- then she drops a burn -- it was 24 dollars too much. She delivers it with such classy disdain, I love it. There’s also a hint of “Hey I was here when this happened” which tracks nicely with the hints Gao has given about her longevity / immortality...clearly Alexandra has quite a history herself. Anyway, they move onto discussion of more important things, like nefarious evil plans? Madame Gao updates Alexandra about some part of this plan and says in a few months they should be ready to make their move. Alexandra quickly shuts this down, which seems to take Madame Gao by surprise. Instead, Alexandra wants to make her move now, which Gao tries to talk her out of -- she doesn’t think it’s a good idea, they still need more time, etc etc -- but knowing what we know about Alexandra’s updated life expectancy, she obviously can’t afford to wait to make her move. At the very end of this scene, Alexandra quite flippantly tosses her bag of bird seed at Gao and orders her to finish feeding the birds. So there’s a really obvious and interesting power dynamic here...whoever Alexandra is, she’s quite used to calling the shots!

The last scene we have with Alexandra takes place after all of the scenes from the other characters, and on some sort of fancy rooftop -- it’s the one from the trailer, and I think it might be the same one Gao met with Fisk in S1? I’m not 100%. Gao lets her know that things have begun, which seems to please Alexandra greatly. And at this point, we start to see what exactly that plan is.

Closing scene:

It starts out with a rumble, almost like mild earthquake tremors. Matt is back at home after his confession with Lanthom, and his apartment is bathed in red. When the shaking starts, he freezes almost seems like he’s not sure what to do. The shaking intensifies, dust and debris flying off, and he seems actually scared at this point, kind of crouching over and covering his head. Jessica, in the mystery apartment she’s tracked down, is also looking around in a mixture of confusion, fear, and WTF as everything shakes around her. In the streets, you see huge tremors and rows of cars being propelled upwards with some sort of strange force before slamming back into the ground. At the memorial for Candace’s mother, you see her standing outside of the car and looking around in shock as the city shakes around her. A streetlamp breaks and starts to fall, but Luke appears and immediately bears the weight of the falling lamp and pushes it back up and away from her. Danny and Colleen have just gotten off the helicopter, unaware of what’s going on on the ground, but in just a few moments as they walk off the landing pad, the ground cracks beneath them and between them.

As everything crumbles outside, Alexandra calmly turns from the edge of the rooftop and walks over to Elektra in the black cloak, and says that iconic line, “It’s just a city. You’ll get used to watching them fall.”

And basically while the city is falling apart and all of our heroes are like WTF, the episode ends. I know, we were really disappointed lol.

Interesting things of note:

There’s a little scene transition device they employed, at least for the first episode, as you go into a scene for a specific character -- it was sort of a quick-cut style with visual snippets and ambient sounds and slightly colorized for each Defender. I haven’t watched Jessica Jones since it first aired, but it reminded me of that show. Not too surprising because the director for the first 2 episodes of Defenders is the same director who did JJ!

I wrote the heading for this section 2 days ago so while I may have had interesting thoughts then, I certainly don’t now, sorry lol!

[swipestream]

Sensor Sweep: E. R. Eddison, Robert W. Chambers, Starship Troopers 20th Anniversary Edition

Writing (Sacnoth’s Scriptorium): So, while revising to my Eddison piece I came across a striking passage that I’d either overlooked before or, more likely, read when the book in question (Paul Thomas’s edition of ERE’s ZIMIAMVIA) came out (in 1992) and since forgot.

In a passage discussing the composition of THE MEZENIAN GATE, Paul describes how Eddison wrote slowly but persistently, writing and rewriting a passage until he was satisfied with it.* By Paul’s estimation,  at times, when working on particularly important passages, Eddison wrote an average of about twenty-five words a day.

  Art (Adventures Fantastic): Today, December 9, is Margaret Brundage’s birthday.  She was born in 1900 and passed away in 1976.  Since I have a few minutes before I have to start giving final exams (rescheduled due to snow), here are a few of her covers forWeird Tales.

  Writers (Howard History): One of the reasons I was so gung-ho about going to WorldCon this year was because it was in San Antonio. Readers of this blog may have noticed that I’m a tad obsessed with visiting county courthouses in Texas, and, up to this point, I hadn’t been to the Bexar County facility. There are reasons for this: I have generally found that the larger the courthouse, the less helpful they are; also, my usual traveling companion (my dad) disdains to drive in populated areas. But, since the Howards had lived briefly in San Antonio and visited on occasion, a stop at the courthouse was required. So, since I’d be traveling solo this time, I figured I’d brave the traffic and see what treasures I could uncover.

  Cinema (Reactionary Times):  As a former career Marine I know the truth of it and you will find it nowhere in the film adaption of Starship Troopers. This gigantic heap of schlock hits the big Two-O this year and sucks even more now than it did then.

No one got out of this movie with their careers intact.  This flick was an impressive resume stain for everyone attached to it.  The only one who finally managed to put it behind him was Neil Patrick Harris.  Denise Richards flamed out early due to lack of talent.  Dina Meyer still gets work but she never went as far as she should have.  Casper Van Dien was a headliner in three major theatrical release in two years and has worked in TV ever since.  He has repeatedly returned to the role of Johnny Rico…god knows why.

        Gaming (Niche Gamer): Publisher Funcom and developer Petroglyph Games have announced a new real-time strategy game, Conan Unconquered.

As the name suggests, the new RTS game is set within the Hyborian Age and in the Conan universe, and its set for a Windows PC (via Steam) release sometime between April and June of next year.

Featured above, you can view the reveal trailer for the game. Here’s the first screenshots:

    RPG (Table Top Gaming News): Something big is happening over in Mantic’s Kings of War: Vanguard. Well… it’s big, but it’s also small. Dwarves are making their way into the game. We get a look at how this new faction works, along with a look at several of the figures in this preview over on Mantic’s page.

  Gaming (Dev Game Course): Many people think that strategy is merely tactics on a larger scale. It is immensely frustrating to discuss because no matter how many times you describe the qualitative differences they recognize only quantitative differences. People conflate tactics with large numbers with strategy and ignore the different kinds of thinking at work. It’s almost like people think that strategy is the smart word for tactics, similar to people who always use “whom” for “who” because it sounds smarter. Let’s agree the world needs both tacticians and strategists, but conflating them is counterproductive.

  Nerd Culture (RMWC Reviews): Last year, I took a look at the state of some of the big pop culture franchises and where they stood. Since it was my most successful blog post by a magnitude of hundreds, why not revisit my apocalyptic predictions one year on?

Ready Player One? It came and went. Nobody seems to have any feelings about it one way or the other. It pushed some nostalgia buttons and was promptly disposed of.

  RPG (Mixed Dungeon Master): If you weren’t aware, I am adapting the Venger Satanis adventure, “Liberation of the Demon Slayer” for the Adventurer Conqueror King System. The current plan is to play it via Roll 20 on Sunday evenings at 7:00 PM Central Time. The first game is tentatively scheduled to be Sunday January 13th (assuming I can get my day job schedule nailed down).

However, the point of this post is not to advertise the game (P.S., if you are reading this, you are invited to play). I will send out communication closer to that time to officially invite people to play, including a Roll20 link.

  RPG (Pulsipher Game Design): I read a long discussion recently that started with a GM asking others how to cope with a player who wanted to be a female barbarian fighter who carried her newborn baby along with her at all times, including adventures.

What?!

A major point of RPGs is that they DO relate to the real world – they are not abstract. How does anyone think that a warrior could do this without the baby dying soon?

  RPG (Chaosium): To coincide with the launch of the Call of Cthulhu Starter Edition, we’ve created a new video series introducing the game. 

Specifically pitched to newcomers to roleplaying games and Call of Cthulhu, these short (2 – 3 minutes) videos cover basic topics including “What is an RPG?” and “What is Call of Cthulhu?” Instalments we’ll release shortly include “How to Play“, “The Starter Set“, and “What Next?”.

          Fiction (DMR Books): Robert William Chambers died eighty-five years ago today. Once one of the most popular authors in America—albeit mostly for his “shop girl romances’, literary precursors to modern rom-coms—Chambers’ handful of weird tales are what keep him in the public eye a century later.

Chambers was born with a silver spoon in his mouth and a natural flair for poetic, flowing prose. He was also no mean painter and his parents paid for him to study art in Paris. This sojourn in France would lead to his greatest work, The King In Yellow, a collection of loosely-connected tales set in Paris and Brittany. This collection is the linchpin of RWC’s present literary reputation.

      Fiction (DMR Books): Millhaven Press is a new publisher on the fantasy scene, but they already have quite a few anthologies to their credit. Savage Lands is the second volume in their Fierce Tales series, and contains five novellas. There’s no introduction and no editor listed, so let’s get right to the stories.

The collection starts off on the wrong foot with Michael Colangelo’s ludicrous “The Wizard of Xogg.”

  Fiction (Paperback Warrior): Louis L’Amour (1908-1988) is considered a cornerstone of western fiction. During his prolific career he penned 100 novels and around 400 short-stories. While the majority of his work focused on the western frontier, L’Amour also wrote detective, adventure and military fiction. One of those is the WW2 short “Where There’s Fighting”, which was originally published by “Thrilling Adventures” in January, 1942 and reprinted for the compilation book “Yondering”.

    Sensor Sweep: E. R. Eddison, Robert W. Chambers, Starship Troopers 20th Anniversary Edition published first on https://medium.com/@ReloadedPCGames

[houstonlocalus-blog]

Crazy To Think About: An Interview with White Reaper

White Reaper. Photo: Jesse DeFlorio

  Kentucky garage rockers White Reaper will begin their tour in Houston, filling as direct support for pop-punk group SWMRS. While this may be the first time that some will hear the name White Reaper, it’s worth noting that the group has landed on the radar of musical legends such as Eddie Vedder and Billie Joe Armstrong. Fresh off the release of their sophomore record, The World’s Best American Band, the band is likely to make a name for themselves within the next few years. Lead vocalist Tony Esposito spoke to Free Press Houston about their discography prior to their show on Sunday at Walter’s Downtown.

  Free Press Houston: What makes you guys the world’s best American band?

Tony Esposito: You need to make a really good record, kind of like we did. We’re just the world’s best American band.

  FPH: It seems like Billie Joe Armstrong is no American Idiot, as he’s a fan of the band. What was it like reading something like that?

Esposito: It was just crazy, that’s crazy to think about. [Green Day songs] are songs I’ve heard my whole life. I grew up with that music. It’s crazy to think that he’s listened to our band and likes it. Yeah, that’s wild.

  FPH: And now you’re touring with his son! What is Joey Armstrong like? Does he resemble his dad? Is it basically like touring with Green Day?

Esposito: I’ve actually only met Joey once, very briefly, before the tour. The tour starts really soon. If you come to the Houston show, I can come outside and tell you what I think [of Joey].

  FPH: Eddie Vedder has also given you guys a shout out. Are there any others that we should know about?

Esposito: You know that movie Cat in the Hat with Mike Myers? One of the kids in that movie’s a fan of the band. It’s pretty funny.

  FPH: Have you officially done it again with this album?

Esposito: Yeah, I suppose you could say that.

  FPH: There are some obvious differences with this one, though, in terms of the sound being more rhythmic compared to the garage-er sound of the last one. Before you started writing these, were you out to do something entirely different?

Esposito: I don’t know if we wanted to make something that sounded completely different, but we wanted to challenge ourselves. I think we worked a lot harder on this one. We just spent more time on the studio, and a lot more time on the songs. I think we wanted to see how we could challenge and improve ourselves with the instruments.

  FPH: Who took that photo for the cover for the new album? Is it you holding the guitar?

Esposito: Yeah, that’s me on the cover. A buddy of ours, Jesse DeFlorio, took the photo. It was a really fun shoot; We went to the studio with a white background and took, like, 300 photos. We finally got the image we were looking for, so then we just partied.

  FPH: How exactly do you outdo yourself when your last album was described as “A half hour onslaught of sugary psychedelic keyboard leads and fierce-dirty hook filled garage punk?”

Esposito: Well, it’s hard to outdo an onslaught. We put all of that stuff to the side and did this one like we’ve never done a record before. So, we didn’t want to worry about the last record while making this one.

  FPH: Let’s talk about Kentucky rock bands. It seems like one group from there has become one of the largest touring bands. Do you have any history with Cage The Elephant?

Esposito: I’ve met them at a show in Nashville, I think.

  FPH: But you have some ties to My Morning Jacket. How important was it to you to have this record produced by Kevin Ratterman?

Esposito: Kevin is a really good friend of ours. He worked on the last record too. It’s hard to imagine making a record without him at this point. It was awesome, and he’s basically another member of the band. He was really important in a lot of the decisions made about the songs, so it was great working with him.

  FPH: Tone is arguably the most important faction of a record. What kind of tone can you get out of a hot dog?

Esposito: It can be anything: baseball themed, etc. A hot dog means something different to each person. The possibilities are endless.

  FPH: What gear are you using on this tour?

Esposito: Well, the kind folks at Gibson in Nashville gave me a Les Paul. I’ll also be playing a Marshall 900. There’s a lot of interesting stuff we bring in our little trailer.

  White Reaper plays Walter’s Downtown on Sunday, April 23rd with SWMRS and No Parents. The all ages show has tickets available for $17 at the door.

Crazy To Think About: An Interview with White Reaper this is a repost

[psyga315]

With Volume 7 just beyond the horizon, I figured to look back at my thoughts for Volume 5 and, through more cooled down eyes, boil down why I consider it to be the worst volume of RWBY. When I wrote my review of Volume 5, it was literally the night the episode premiered, so I was boiling. But now? I’m going to look through the review with fresher eyes and clarify what sort of problems I had with RWBY. First, a bit of backstory. There was an interview made during the summer in between Volumes 4 & 5 that had the cast say what sort of themes one could expect for Volume 5. Among these were stuff like “building yourself back up again”, “shouting ‘we’re not done here!’”, “solving problems on your own”, and lastly, from Barbara herself, “Strength” and “Growth”. For someone who was just starting to realize why people were turned off by the darkness of Volume 3, this was uplifting to say the least… The Character Shorts kinda hyped the Volume, though they sunk in their own way. Weiss’s Character Short effectively foreshadowed her loss to Vernal. This tough and talented girl gets her ass stomped rather quickly and needed to be bailed out. Winter’s line about how she “won’t be around to save her” was foreshadowing to her not actually being in the season, but when I first heard it, I thought she meant “Hey, I’m going to die this volume, lol!” and that’s without bringing up how the trailer fails to hype Weiss up like the other trailers did. Blake’s Trailer was alright, especially in taking steps to address a problem regarding Menagerie, but it felt more like Ilia given the backstory dump we got that feels all the more like mandatory reading. The problem is that, and it’s perhaps the very first problem I’ve heard about RWBY, is that the trailers (and by extension, anything that’s a spin off of RWBY like World of Remnant) feel more like you need to watch this rather than you can watch this. It’s confusing, but let’s use Blake’s Short as an example.

Ilia talks about her backstory as it is contrasted with a chase between Blake and a random dude we never see again. Assuming you’ve never watched the trailer, you’d just get the truncated version of “MUH PARENTS ARE DEEEAAAD!” and not the bits where she was forced to resent her own race because it was easier to blend in to her surroundings, like a chameleon. It’s ironic, since RWBY would do the reverse problem with Adam, where his trailer isn’t mandatory but we barely get a backstory for him beyond “I got branded, but everyone will speculate that it’s because I did something bad and not that it drove me to do bad things”.

Lastly, there’s Yang’s short, which had the minor hiccup of contrasting what an interview said about running out of Aura means you can’t use your Semblance. The Aura thing is something that can be discussed for another day, but the basics you should take away from this is that, for some time, people didn’t know how running out of Aura is symbolized. Most people take the flickering as the signal as the next hit on those guys are usually the one that does them in. As such, you had this huge debate on what kind of flickering means Aura broken and what just meant Aura is low, which, personally, could have been avoided if the writers and/or animators just utilized that Aura dust thing (seen prominently in the Bumblebee vs Adam fight) as their definitive “aura broken” animation instead of just using it some of the time. The first episode proper promised a lot. In fact, a good chunk of the first half promised a lot. However, it became much clear in a second viewing that a lot of it was just padding at worst and showing us where the characters are at best. But what I think was done dirty the most in this episode was introducing Mistral. We were hyped in Volume 4 (thanks to World of Remnant) that Mistral was this dichotomy of rich, cultural people and the seedy underbelly of criminals and that, at least one of the elements would be utilized in Volume 5. Unfortunately, all we got were a few mat paintings that contrast what Lionheart was saying in regards to Mistral being in chaos. And so, the most we get out of Mistral are those mat paintings and a perpetually raining downtown that we don’t see much of, even when it gets briefly revisited in Volume 6. We’re supposed to be invested in the city and yet all we get are empty rooms and 2D art. They took great steps to improve this in Volume 6 with Argus, though, so if there’s any consolation, it’s that they learned from their mistakes here. But we now get into the biggest problem of why Volume 5 is disliked. Because of the situation, the group are left to basically wait until Lionheart convinces the council to get them some Huntsmen. The heroes. Wait. In a volume where the writers were talking about the themes of improving yourself and pulling through with your own strength. Do you guys see the problem here? I know people have bitched about Volume 5 to hell and back and you’ve probably heard the complaints to high noon, but this entire issue is what rots Volume 5 to the core the most. Not the piss poor fight scenes, not the inconsistent characterizations, it’s that the plotting decides to take a back seat when the volume was meant to be about taking action. As the episode goes on, you see the problem unfold. Ruby and friends hit a dead end until Oscar appears and has Ozpin exposit things to them, Weiss is denied a chance to save people and fight the Grimm until the Grimm come to her, Blake is hit with the dead end of the Albains deflecting blame, and Yang had the chance encounter with Bakugou where he knows the hideout of her mom. The closest person who is taking action here is Yang, who established that she is actively looking for Ruby (technically Raven, but as we see later on, moot point). Blake’s situation is being handled by her dad, Weiss is sitting in the plane until the Grimm come for her, and Ruby is sitting on the couch that I’m pretty sure has her grooves molded into the cushion with how many times she’s sat there. A minor complaint before we go to Episode 2, we had the Stinger repeat itself because the crew thought that people wouldn’t see the stingers. This is the show, mind you, that makes a point to include scenes at the end of every volume, regardless of how long they are or what point they serve in hyping the next Volume. Hell, one of the major complaints about Volume 2 was about the stinger not mattering. So why did they suddenly decide that the viewers might not see the stinger in a culture where the MCU exists? Alright, cooling things down, we have three major scenes in Episode 2. Salem’s chat with Lionheart was meh at best and wtf at worst. I get the idea of Salem using different approaches to get people to do what she wants, but the cool aspect of Salem was that her approach was not what a villain would normally be. Instead of berating or choking her minions should they fail or talk back, Salem instead talks people down like she’s a mother to them. Even when Tyrian fails, she doesn’t hurt him, but rather tell him that he disappointed her. So, having her choke Lionheart, even when in hindsight it made some sense, is kinda an odd thing to do. But not as odd as Salem’s whole “Not you, Arthur” bit. A lot of people drew points to that and the best I can explain is that it’s either a typo (she’s meant to say not yet or not now) or Arthur and Watts are some sort of Jekyll & Hyde thing. Unfortunately, it seems Watts is more a parallel to Watson rather than Jekyll, so that brings me to believe that it’s a typo and so, rather than have an easy explanation for a problem, we just have a compounded problem. One of many. And there’s something funny to be said about Salem warning Cinder about Silver Eyes when Ruby barely learns about it this Volume. And also that she wants to speak with Tyrian but we never see what comes of it. At all. I only have one new thing about Weiss vs. the Bees. Originally, the pilot was supposed to be gay, but held off on it because they’d be killing off their first revealed gay character, something that wouldn’t look good to the fanbase. Now, while I understand the reason behind it, I have to question the logic behind why they think it isn’t okay for their first LGBT character to be offed, but instead be someone who seemed okay with murdering her crush’s parents while sending said crush to her abuser. But more on that later, we have Sienna to discuss. Now, there’s a lot to dissect. For one, RT has obviously realized that they’ve messed up and brought Sienna back for a bit (while taking the heat for “if she’s so badass, why did she go out like a chump”). However, in hindsight, what purpose did she actually serve outside of some cute nod to Shere Khan? All she did was tell Adam that he’s going too far and that’s it. And really, it just seems hypocritical for the leader of the White Fang to effectively restructure the organization into a terrorist group, murder tons of people, and then suddenly back away and say “woah, too much” when Adam proceeded to help torch Beacon. It’s to the point where one question most people want to ask at cons is “did Sienna order the hit out on the SDC”, since we don’t actually know and that it could be a radical leader of that quadrant like Adam. It felt more like Sienna should have been just the leader of Mistral’s White Fang faction instead of ruling over all the White Fang, which would make more sense as Adam would need permission to attack a kingdom that isn’t his stomping ground. Then there’s the introduction of Hazel, who at first is presented to be a pretty decent character, not wanting to kill people if he had no choice, but as time goes on, is basically your stock “big soft guy with a secret hulk side” character. Unfortunately, this episode didn’t help enforce the theme of taking action when it’s the villains who are doing it and seeming to be two if not twenty steps ahead of the heroes. Episode 3 has that whole speech thing I overlooked. Barring Ghira’s speech that the crew said is based off Obama’s “we killed Osama” speech (which, if it is, paints the whole situation of Sienna’s death in a rather dark light) before Ilia interferes. Now, I actually liked that Menagerie is hesitant to stand up for Haven. After all, humans hated their guts so much that the island was originally planned to be a place where people could dump Faunus on. There were lynchings and enslavements that are still going on to this day, just in subtler forms, Of course the Faunus wouldn’t want to fight. Then Ilia swoops in and robs Blake of any agency she has with the scene. If RT wanted to not let Blake convince the people until three quarters to the end, they should have cut the subtlety and have some annoying kid go “IT’S TOO EARLY IN THE PLOT TO DO YOUR SPEECH!”. Hell, let Blake tell her story about her team, but the audience balks at the fact that she’s not only friends with a Schnee, but also a human who crippled a guy on live television. Remember that plot point? We then cut to Oscar and this is perhaps the reason I decided to do this revisit of Volume 5. The way Ozpin talks of action and resolve, it felt like we’re going to the root of the themes of taking action. No more being subject to the events of the plot like in previous Volumes. Now? Now is the time to fight back! And that built up to… what? One training scene and Ruby learning headbutt? Granted, we see later on that there was a bit more to the plan, but for the most part, it seemed like an excuse for “character growth” as opposed to actual character growth. A training arc isn’t just some short scenes of a person lifting weights and jogging up stairs. Its meant to be a sort of means of growth for the character. There’s a reason most training montages have the character suck at first, but then get better by the time the montage ends. It’s because it’s the quickest way to show growth. But even without that, you could get some serious mileage for a pulled off training arc. Rocky IV and Star Wars: The Empire Strikes Back have some good examples of it. Rocky IV had the titular hero train and work out in the middle of a cold, mountainous range, while his opponent is simply given steroids. It shows the dichotomy between the two and how they view their eventual fight. Empire, on the other hand, had that masterful scene with Luke in the cave, where he has a huge moment of both foreshadowing and character growth. Here? We just have Ruby learn headbutt like she’s nothing more than a Pokemon. There could have been a lot more done with it, like having Ruby put a lot more force in her punches, causing others to realize she’s extremely angry about what happened to Pyrrha and Penny, or, if the need to exposit about Semblances is needed, bring something new to the table that isn’t going to confuse the fuck out of people… Something like: “Your Semblance might not reveal itself until you need it most” or something like that. Not “A semblance is someone’s personality, but not. Wow! Exposition!” or “Hey, remember how we said Aura was passive? Welp, not anymore!” Not to mention that Jaune is seemingly cool with Ozpin suddenly coming back from the dead. Here’s the thing, last Volume had him upset with Ozpin about what happened to Pyrrha, something that didn’t seemed to resolve itself. Keep in mind that, for all rights and merits, Jaune believed Ozpin to have died. In fact, it was that confirmation that Ozpin had lost against Cinder that convinced Pyrrha to kill herself. Now here he is, seemingly stuck in the body of another kid and he just outright said this is a normal thing for him. You’d expect him to have something more than “golly!”. The fact that he didn’t seem to have any aggression towards Ozpin until after he ran to his hidey hole in Volume 6 seems rather odd given that his entire character is that he’s angsting about Pyrrha and angry at Cinder for what she did. The group seem rather content to just sit back and let the plot happen, which is the opposite of what the crew was trying to convey with their themes. I still stand by what I said regarding how Episode 4 was a good episode, finally having a reunion between two members of Team RWBY, but it’s perhaps one of the last good things about RWBY we’ll ever see in Volume 5. Because Raven’s promise to tell Yang “the whole truth” turns out to just be regurgitated exposition at worst. But first, we need to have Blake, the woman who doesn’t want her race to be labeled, turn out to have labels for her friends. Okay, granted, it’s not that dumb but it is kinda patronizing that we need to have a character tell us what another character is. While the rest of her speech is pretty effective in defining Blake’s character, making her perhaps the only character these themes of growth and strength actually apply to, it still is annoying that the most we take away out of this is her boiling down every character to a single word, then bringing up how Adam is going to ruin everything for the Faunus. You’ll see why this is a problem later. I liked the setting of Menagerie’s Shallow Sea marketplace thing and felt like Menagerie is wasted potential. Ruby’s whole speech still feels like damage control, but with the added complaint of Ruby deciding to blame Salem for something Cinder did. Now, I heard the common excuse a lot: “Salem told Cinder to do it so it’s all her fault”, but that problem with that? Cinder told Emerald to kill Penny. So… Yeah. It is her fault. Hell, I wouldn’t have minded this if Ruby didn’t word it like Salem personally killed Penny and Pyrrha. Like as in, she just up and appeared out of nowhere and shot both Penny and Pyrrha in the head. It still doesn’t fix the fact that Ruby is basically “hey, remember how I’m supposed to be upset?” Lastly for Episode 5, we have the White Fang do the brilliant plant of murdering the chieftain who just spoke out against them. It’s dumb. Extremely dumb. What the hell do they think will happen after they murder the chieftain in cold blood? Menagerie is just gonna magically bend over and obey the White Fang? But perhaps the biggest waste is the White Fang in general. You have these two sneaky fox brothers who seemingly oversee everything and even state that they’re only letting Adam do what he wants until he’s no longer of use to them, a buff bat dude, and a spider-lady… And they’re never seen again after this Volume. I get the idea, because RT is trying to wrap up the Faunus subplot as quickly as possible, but the problem that you can’t exactly introduce new characters or hidden depths if you’re just gonna throw them out with the bath water. If they wanted to end the subplot, why did they put all the effort in some random characters that are just gonna be defeated off screen with a tea tray? Then again, this is a problem endemic to RWBY. Introduce this character, then quickly shoo them away before you’re committed to writing a plot for them. If you know you were going to half-ass the White Fang conclusion, why bother with stuff like more White Fang members or the SDC brand? In fact, why bother with the White Fang to begin with if you’re going to do so little with them? Moving on before I lose my cool, we have Qrow aimlessly walking around downtown Mistral. Now, the crew said that Maria was supposed to be here… But… Why? What purpose would she serve? If she’s just gonna be a “hey, look, cameo to foreshadow Volume 6”, then that’s a horrible purpose. You know how most Cinematic Universes tanked because they spent more time hyping the next twenty movies when they should focus on their pilot? That’s what she would have been like. Not to mention that she would have been caught in the crossfire of why Volume 5 was bad. “So here we have this random old lady who doesn’t matter at all to the plot so why is she even there” and then “Oh wow, she’s a SEW. They’re doing damage control to justify her unneeded presence in Volume 5”. And, don’t get me wrong, Maria is a fun lady and all that, but there needs to be a reason she was there beyond “hype for next Volume”. What makes the problem worse was that they’re planning to include Maria so as to have a sort of Yoda to teach Ruby. This makes the complaint of “why didn’t Ruby ask about the Silver Eyes” even more of a complaint because now it seems like they decided “hey, we’re going to address it next volume, so let’s not bother bringing it up here”. Which is even worse than “hey, people noticed we didn’t address this so let’s completely invent this character for the sole purpose of addressing it!” And then there’s Raven who is all “lol, I know more than you realize but I’m not actually gonna answer anything trolololololol” AARHG! Okay. Okay. Before I completely lose my marbles, there’s one thing about the scene with Raven that’s stupid. It’s the “there’s no such thing as magic” thing. Okay. I get it. Turning into a bird is something that, in the world of RWBY, seems impossible. But there’s a ton of problems with this: 1.  What makes summoning dead Grimm to fight for you so much more different than magic? 2.  You’re willing to believe in magic rocks that augment your fighting style and are in fact part of a company that profits off magic rocks, yet turning into a bird is the messed up thing? 3.  The guy who gave her this ability is currently inhabiting the body of a young boy and has said to basically devour his soul in due time, as well as create the magic that’s responsible for torching your school and your friend… And the BIRD is the most messed up thing!? “But Raven made it sound like she was forced into it”. She didn’t seem to have any fucking problem with it though. Not only that, but it didn’t seem like a big dark secret that Ozpin wouldn’t want uncovered. In fact, he even said he gave Qrow and Raven the ability to turn into birds in an amused way. Even more so when everyone but Yang seemed to respond to it with disbelief rather than outright anger. There’s a reason this whole bird issue was made fun of in Jello’s “So This is Basically RWBY” video. Also, before we move onto Episode 7, I wanna bring up that the scene where Qrow visits the Shields is perhaps the reason why I hold Ozpin’s censorship of Lionheart’s role in the Battle of Haven to be one of the most scumbag moves he could have made. “Your mom’s dead, but don’t worry, the guy who sold her out is a hero!” Right, back to Episode 7. Okay, I’ll admit, it was a nice reunion scene all things considered, albeit with some rather unnerving things like Yang asking Weiss if she let the Boarbatusk skewer the trophy wife or even the dumb, patronizing “we haven’t made character arcs for us to go through so I’ll just say we had some”, since they had the great idea to use Ren, who is voiced by Monty’s brother, as the mouthpiece for that. Unfortunately, this is the episode I always think back to when I think of Volume 5. The perfect epitome of a slow, monotonous Volume. The problem I have is that, yeah, it’s meant to be this breather episode, a calm before the storm, but this just feels like a long lull that’s made even more insulting with the cliffhanger. All it has is people dumping exposition that viewers have either figured out or weren’t even burning questions and I think the awkward silence that followed Ozpin saying how he was the wizard that gave the Maidens his power is the perfect epitome for just how boring the volume is. The dude just revealed a massive plot twist and it’s treated as nothing more than a “did you know” factoid. While I liked how they addressed that Blake leaving Yang would have had some serious negative emotions in Yang, it felt rather half-assed that they basically resolved it with “hey, my mom’s drunk, so shut up and accept Blake the moment she comes back”, especially since it comes from Weiss, who told Blake at the end of Volume 1 that if she ever runs away again, she best let RWBY know. If they wanted to ship Bumblebee so badly, this would have been a great hurdle for them to come across instead of just “hey, let me resolve this plot for you”. Now, the whole thing with Ilia… Let’s get the elephant out of the way. The way they revealed her sexuality, I feel, could have been done better. “You wanna know why I’m gonna kill your parents and bring you to your abuser? Because I wanted you to look at me like a lover!” There’s a reason why some fans label her as a “psycho lesbian”. However, I want to bring up that Rooster Teeth did an excellent job at building tension during the climax of the Menagerie Arc. Sure, the cliffhangers were tiresome, but you couldn’t help but admit you were at the edge of your seat and it even did a good job at subversion. Even if they allegedly didn’t even intend for it to happen. The constant dryness of exposition and dialogue exchanges is what made Episode 10 so much better than the other episodes. Not just because it’s action-orientated, but because it finally tries to get back to the themes that it was originally supposed to tell. Throughout the entirety of the middle portion of Volume 5, the group basically took a backseat and allowed characters and plots to happen to them rather than advocate for themselves. The closest thing we got to the theme of “building yourself back up” is Weiss talking to Yang about Blake. In fact, the only actual characters taking action are the villains. Constantly roadblocking the cast, setting them in for a trap, and even aiming to screw each other over. These guys have more advocacy and agency than the main characters. The most any of them did was… 1.  Burn down their own house and blamed everyone else for it, all while saying that the house is the message Adam wants to send. 2.  Use a girl’s unrequited feelings towards them to their advantage, straddle them, and guilt tripped her enough for her to consider switching sides. 3.  Cry about how things are not going their way until their hands start magically glowing. 4.  Yelling at someone until they cry bitch tears and then have them run away without even bothering to close the door leading to the dangerous artifact everyone had been working so hard to keep out of enemy hands. In the volume where the theme is “solving problems on our own”. Just because Yang drops the word strength a few times when bitching out at Raven doesn’t mean that the theme had been accomplished. In fact, they do nothing of their own accord and just follow a script. Even Ozpin, the supposed smartest guy in all of Remnant, doesn’t even bother to figure out a way to counter the trap. Just instead walk in. Hell, if Yang didn’t spot Raven, they’d be mulched. But, back on track. Episode 9 was an entire waste that failed to pay off the expectations of what we had with the cliffhanger set up in Episode 7. “But it subverted your ex-” NO. There’s a good way to subvert expectations and being promised a fight after episodes of bland exposition only to have it be “lol, no, it’s just gonna be more talking” is not a good subversion. No. Here’s a better way. Set up the cliffhanger like normal, but don’t show Cinder’s dragged out negotiation with Raven. Instead, have her “allying” with Cinder be a twist. That way, people’s expectations for what happened are actually, you know, subverted? But, you know where this is leading to… The Battle of Haven. Really, I don’t think I can say anything that hasn’t been covered by someone else. We all know it makes all the Vytal fights look like masterpieces by comparison, we all know the jokes about useless Weiss or Lionheart hogging the staircase, or even the plot holes of Raven knowing Cinder’s arm being Grimm but doing nothing about it or Blake, despite spending the past volume saying how Adam must be stopped, suddenly doesn’t care about him… So let me cut it simply: The reason this battle sucks might have to do with the crunch. We don’t know how long this issue with Rooster Teeth had been going on for, but if it is indeed what people say it is and that animators don’t get paid for the last quarter or third of their work, then that might explain all the cut corners animators and writers made. Why the fights are broken up into one on ones or why fights are cut out entirely. Maybe they weren’t getting paid enough and thus, the quality of RWBY suffered as a result of it. And that’s perhaps the shittiest thing about the Battle of Haven. It could have been this epic fight that would have made up for all the boring, drawn out scenes of exposition and chatting, but because Rooster Teeth got too greedy or even because of our own impatience (which, again, isn’t helped by the aforementioned long, drawn out scenes), we are treated to a final battle so broken and tiresome that the Battle of Winterfell manages to be a better final battle, with the only thing holding it back being that Haven had a better identity twist. And if, for whatever reason, it isn’t due to crunch issues, then we have another problem. This was meant to be this hyped up rematch between the heroes and villains, who haven’t seen each other since the latter ruined the lives of the former. This would have been excellent to see how the killers of Jaune and Ruby’s friends would interact with them, how Yang would react to the person who framed her, even how the group had grown since their last battle… But… if crunch wasn’t to blame for the quality dip and the writers intended for the fight to go the way it went… I have to say… What the fuck were they thinking!? So many moments could have been brought up here and yet they decided that they weren’t important enough to focus on! And now, with this battle over and done with, those moments lost their luster. If they decide to bring them up, it’d be too little, too late at best and “why the fuck are you bringing this up now” at worst. I’ll deal with one commonly used example to get what I mean. Adam was established in Volume 3 to be a threat only made strong because he uses Blake’s emotions against her and has a Semblance that lets him dish out aura-breaking damage. Blake easily defeats Adam and has him on the ropes, only to let him run with a few excuses that some people have debated to death and back, when it would have been much easier for Blake to have to choose between apprehending Adam and helping Yang. Then, when he inevitably returns to haunt Blake next volume, suddenly he’s a threat that Blake is afraid of again despite Blake having “grown” to oppose him. They wanted that “triumph” over him, but realize that by doing so, they’ve burned that opportunity to have the triumph be meaningful. Same goes with Emerald and Mercury. They had a good opportunity for Ruby to effectively call them out for their crimes like how Jaune did to Cinder, but instead she just headbutts Mercury. Yang had at least some closure on her arc with Mercury, but it was meh. Hell, speaking of wasted opportunities, the reunion of Team RWBY, something that the opening had hyped and one that the fans had been waiting for since Volume 3 ended, is nothing more than an afterthought. They couldn’t even be assed to show Blake’s first fight back with Ruby and Weiss. That’s how little they cared. It’s like everyone was just wanting to get that paycheck but they needed to rush that final episode out the door and also need to make room for Gen:Lock and Nomad trailers. They didn’t even care about the stinger, as they basically ignored any sort of information relating to the stinger. Perhaps the biggest reason why Volume 5 sucked so hard was that it was running off the heels of Volume 3. Everyone basically accepted that Volume 4 was meant to be a breather Volume, with lower stakes and lower drama (with the exception of possible death flags for Ren and Nora), but the moment they made Volume 5 the grudge match everyone wanted, then the stakes got raised back to the heights of the third Volume, only for it to fail to live up to the expectations. Sorry, I think I mean to say “subvert the expectations” in this day and age. Though, I think the huge problem with all of this, and perhaps the biggest bottom line I can say, is that it might be due to Volume 3 going too over the edge. By killing important characters and even dividing the team, the villains had raised stakes up so high, that people began to take the show more seriously. When characters were vaguely hinted to die, be it through threats from the villains or even flashbacks, people fretted that they would die. When the villains go back to striking distance with the heroes, people desired a grand battle. When the show tried to deal with the ramifications that happened with RWBY separating, people wanted to know what was going through the characters’ heads. And when Volume 5 failed to deliver/“subverted their expectations”, people considered it a bad volume. But worst of all, it failed to live up to its own themes. Jaune was the only person to build himself back up again through deus ex hands, and we saw next Volume that it needed a statue for him to feel better. No one was in a position of giving up only to be defiant and shout “we’re not done here”, but instead cry “it wasn’t supposed to be like this!”. The big problem of Volume 5, make sure the relic is secure, is only solved because two characters had a catfight in the basement and the survivor didn’t bother to lock up because their daughter was too busy bitching at her. No one really grew or strengthened their resolve. The triumph… wasn’t theirs to have. Although, it seems Rooster Teeth had learned from their mistakes, with Volume 6 being leaps and bounds better than Volume 5, regardless of what you thought of the latter half. Best of all, the themes promised in Volume 5 were shown prominently in Volume 6, albeit some of the scenes capitalizing on those themes feeling more like a child is having a tantrum because they couldn’t have the airplane. To close out this rather long winded discussion, and to give people a tl;dr on the whole matter, Volume 5 failed to address the themes it had presented and instead just padded itself out, expecting people to accept it because it’s RWBY.