#i love claras route

[leather-field]

They say you’ve seen a Silent House.

[yourdeepestfathoms]

Pathologic fandom stop excluding Clara from stuff challenge

[jyantabear]

been playing pathologic throughout the summer and i've enjoyed it a lot and im currently on the changeling campaign and I heard a lot of people say the changeling route is underwhelming and weak but honestly i think it's been really great so far and I think it has tons of depth and I find Clara very interesting Idk im on day 8 of the campaign I feel like I have more thoughts on this route then the haruspex campaign. Perhaps its partly because Clara's subject matter appeals to me a lot but I think it's amazing It's this tragic story about a little girl who so badly wants to be good and do good. She wants to be love and accepted and find her place in the world with all the anxiety she has over her unsureness on her identity and the strange circumstances of her existence. It's about the Saburovs playing this pretend, toxic, nuclear family structure with her. Where a part of them does care about and love her but for selfish reasons. They project their insecurities on her, both of them. They want her to be their salvation and be their key to finally helping the town as they feel they're failures and frauds in that pursuit. So they pressure, love bomb, and abuse their daughter to fit this mold. And Clara is scared but she follows anyway desperate for love. And even without realizing it she's mimicking their teachings and values because It's all she's been given in this world. The only source of guidance It's about Clara and her relationship to the people around her. How she feels sympathy for her bound because she sees herself in them. Because she sees they're people with dimensions and are complicated. And she wants someone to see and grant her mercy and forgiveness as well. And it's so interesting to compare this to her interactions with Daniil and Artemy. Who she's also very similar with but demonizes them. (which I don't think is unjustified btw as they're very horrible to her. But I want to note that while the healers always had some tension between them this route has definitely cranked it up a ton and in the opening play Clara is the one criticizing them for being heartless, selfish, and "not knowing compassion" right off the bat. And even in the few times Artemy and Daniil can have pleasant exchanges with her it's short lived and never sticks with her) And she goes the extra mile to demonize them and deny and dismiss any complexity they might have as she also sees herself in them but doesn't want to admit it. Because it's what she doesn't want to be. It hurts too personally for her to associate with them and makes her feel pathetic even thinking she could be similar to them because she doesn't want to share their loneliness, their struggles, their failures. It makes her feel more stable in her identity to put them down and go "Well at least I'm not like those bloodthirsty horrible useless doctors" And While Clara also feels dislike towards Maria. Maria is someone Clara wants to be. She wants to be that beloved and powerful mistress. Someone who can guide and help others and use her power for good. Which is why she'll say "Her and Capella will be the only ones to understand my loneliness." Clara wants someone to understand her pain but only if she can protect this idealized image of herself she's painted in her mind because she's been hurt too much. It's a tragic story of the unrealistic and harsh standards placed on young teenage girls. And the idea that perhaps humanity is the problem. But taking that message in a rather conservative and violent way then one that acknowledges the complexity and indoctrination society and people have built. A young girl internalizing beliefs of irredeemable ontologically evil people due to all the abuse she's been put under.

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[florentz]

i can’t sleep i made exactly 3 memes that have probably been done before but take them

[thekimspoblog]

I've said this before, but when the Patho2 Changeling route is released, I really hope they lean into the idea that Clara can see the console command window, and do a little meta-humor about how playing Patho with cheat codes on radically changes the meaning of the game.

[indigo-constellation]

finally... 300 hours

my favourite video game of all time I adore it, first special interest I've gained since I was like 8

[udurghsigil]

its late so i can admit this. i'm actually a big p1 foreman oyun fan. i am so deeply fascinated by him i want to put him under a michaelscope ive loved his character since his introduction *has complaints abt his p2 portrayal. Again*

[stoportotouch]

idk if i want young vlad to still be like. utterly pathetic and soggy like a stuffed toy left out in the rain for too long in daniil’s route or if i want him to actually be a conniving two-faced little bitch again like he was in classic hd

[transk0vsky]

Franziska Novikov “The miracle worker”

You came through this old town just off the steppe in order to make a quick buck, another town to scum will all the others…maybe this town will have a breakthrough you’ll be paraded through as a healer sent from the gods then maybe you’ll family will realize your just as good as any son. But getting off the train something feels wrong with this town it makes a shiver run down your spine a thought crawls into your head as you light your cigarette “God you’ve forsaken me”

[leather-field]

some changelings

[yourdeepestfathoms]

Clara and the Albino are literally Steppe siblings

[foreststepp]

All my time i spend in my job and it’s awful 💀

Here, take some of my recent sketches

I’m on love with “dad and his gremlin daughter” dynamic between Block and Clara (Alexander acts like typical russian dad mark my words)

some of route haruspex vibes

i have an IDEA….

when another actor died for a stupid reason

oh no…. a twink

(like to think that Mark is shorter than anyone in the theatre)

[russellsppttemplates]

https://br.pinterest.com/pin/426082814766919130/

Hello, since Carlos and Carlos Sr. recreated that photo when Jr. removed his appendix, could you do a Carlos blurb where he and the reader leave Clara for a while with Carlos' parents because they are busy with the reader's appointment to see how the twins are doing during her pregnancy, where Carlos Sr. recreates with her one of his photos from where Jr. was little with the newspaper talking about his victory in rally and then Reyes sends them this photo

Cw: reader's pregnant

"Papa and Mama are going to see how the twins are doing, okay? So you'll stay with abuelo and abuela, okay?", Carlos checked with Clara as you spoke to Reyes.

"And then you'll come pick me up?", your daughter asked, "or will I spend the night here?".

"Abuela said she would make dinner for us tonight, so after the appointments, me and mama will come back here and then we'll all go home together", Carlos clarified.

"Okay", the little girl smiled, "say hi to the babies for me!", she hugged Carlos one last time before she ran up to you, "I love you, mama", she hugged your legs.

While you waited for the doctor to call you, the twins started kicking, "put your hand here", you smiled, guiding your husband's hand to the spot where one of the boys was kicking.

"Is it more painful now that there's two of them?", Carlos quesioned.

"Right now it's okay, I imagine it will be harder when they're closer to term", you shrugged your shoulders, "you and your guys managed to put two babies in me, and now you're worried?", you joked.

"I'm always thinking about you and making sure you're all fine, amor", Carlos admitted, "I never quite understood what my father meant until I became a father - I always want the best for you and I hate the thought of you being in pain or uncomfortable", he sighed, "I can assume being pregnant is not the most comfortable thing, so I want to help as much as possible - even if I was the one getting two babies", he smiled.

"It's not the most comfortable, there are some bad days, but I like being pregnant", you assured, "not in a kink type of way before you go down that route, but because I know I'm the babies first home and that they're comfy in there", you rubbed your bump before you got a notification from your mother in-law.

The photo showed, on one side, a young Carlos and his father reading a newspaper about his win, and on the other, a modern recreation of it with Clara holding a tablet with a digital version of the newspaper article reporting about his latest victory.

The shop was out of the physical copies of the newspaper so we had to get creative!

Showing Carlos, the smile on your husband's face was the biggest, "I'm so happy we get to raise the kids with our families nearby", he kissed your temple.

(Thank you for sending this in ✨️)

[vaike-kass]

just finish the changeling route, soooo i wanted to draw clara. because. i love clara and her route so much...........