#i mean it by every performance.

[caramelmochacrow]

alright. im doing this.

(*analyzing all the performances as in i point out why certain shots and framing is used in the performances while checking the lyrics that are available, also by performance i mean one where they are in front of a crowd and performing a song/musical piece)

[qiinamii]

muses and ittonations

[trickarrows-bishop]

GET A NUMBER 🗣️🗣️ GET A NAME💥💥 GET A GOOD 🎸THING🎸 WHILE 🎸YOU 🎸CAN🤭 KISS A BLONDE😏 KISS A FRIEND 😳 CAN A GAY GIRL GET AN AMEN⁉️

[subtle-as-an-earthquake]

"Fuckin' summertime makes promises..." [x]

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[yea-baiyi]

i just posted but i feel INSANE hua cheng’s entire appearance in the ghost groom arc is just symbolism.

when xie lian is alone (having sent everyone away, in danger but perfectly capable of fighting his way out), hua cheng steps in front of xie lian, offers his hand, and guides xie lian through the woods to where he needs to be. monsters cower before him, magical barriers don’t stop him, he steps on the skulls of enemies and crushes them so thoroughly that xie lian behind him feels like he is walking on flat ground. he doesn’t just swoop in without asking — he offers his hand, and waits, and xie lian willingly reaches out and lets himself be guided. and his grip is featherlight, even as he steers xie lian through danger and darkness. his blood rain warns away all who would dare harm them, but xie lian doesn’t get hit by a drop. and hua cheng does this all in his true form, not in disguise, because he’s not playing a character or trying to achieve anything, this is just him. despite not being confident enough to face xie lian directly, hua cheng has already shown him exactly who he is.

(now excuse me while i gnaw through an entire wall because how was this not glaringly obvious to me all along)

[luck-of-the-drawings]

FOR A BEAT OF HEART, THE BREATH IS SHOT. AND WITHIN A BREATH, THE HEART IS CAUGHT. THE PIPES ARE BURSTING, UNDER GREAT STRESS, BOLTS TORN ASUNDER, MAKING A MESS. A FINAL COUGH, A FINAL RETCH, A GOREY SLOUGH, CLAIMED BY WRETCH.

[uhbasicallyjustmilex]

every time i rewatch the miracle aligner music video i am just flabbergasted. FLABBERGASTED. like. they really chose to make it like THAT. and by 'like THAT' i am specifically referring to:

1) “an attempt to extract the truth... approximately" *cue rosepetals and intense eye contact*

2) THIS being the opening shot of the two of them

3) miles legitimately spending the first minute of the entire video blatantly checking alex out

4) literal rainbow lighting around them

5) endless hand holding and twirling

6) that moment where miles's hand reaches ever so reflexively for alex's neck

7) the fucking closing scene?????????

[eternal-moss]

When people continually whitewash my favourite characters.

[ID: A black and white, rough digital drawing of someone sitting at a desk and clutching their head in their hands. End ID.]

^thank you @describe-things

[holygraund]

You needed ass, well, what's wrong with that?

[cometrose]

one of my favorite things about zhongli is that he doesn’t shut up like i know we like to compare him to neuvillette and alhaitham but zhongli is like inverse of their signature traits. social awkwardness? quiet and reserved? zhongli does not care he will talk like he understands liyue’s social customs very well he just does what he wants. like yeah he’s calm and reserved but he’s not quiet and he enjoys socializing with humans like it’s one of his favorite things to do. the people of liyue describe as someone who is a little odd but very helpful and knowledgeable so he understands people and he seems pretty good at reading their intentions and behaviors so yeah he’s weird but he’s very popular cause he’s always doing shit

tldr zhongli is a yapper he will talk about anything and everything if you give him a chance he does not care if it’s weird or socially unconventional

[waterlinkedgirl]

Musical Touken Ranbu: Yorozu no Hana Utsusu Kagami (A Mirror Reflecting Myriad Flowers) Sengo Muramasa & Tonbokiri souki shutsujin

Karma: (in Hinduism and Buddhism) the sum of a person's actions in this and previous states of existence, viewed as deciding their fate in future existences. — Oxford Dictionary

I dedicate this one to the friends of mine who love Sengo and Tonbo. It's a beautiful performance with a wealth of interpretations, a myriad of feelings.

Keep in mind that this is only the subtitle file, timed and tled to the DMM senshuuraku. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.

You can find the subtitles and my TL document here!

[thermodynamic-comedian]

i am like one encouraging reply away from writing a crackfic where all the avatars go to a karaoke bar and each eyevatar gives a shockingly different yet cunt-serving performance.

[july-19th-club]

seven or eight times now ive watched the episodes in which they take the andromache and this is the first time ive realized that during the initial battle, after they board, every time the camera is from dufresne's perspective it's blurrier than otherwise because. he took his glasses off for the fight

[satansapartments]

hey hey hey hey btw the sacramento show from october is up on the archive. you should listen to it. genuinely one of the best goats shows i’ve been to. the crowd energy was wild, it was the first time jd had played sacramento since the 90s. waylon jennings live. solo heel turn 2. very cowbell-heavy no children. partial bowie cover?? wear black!

[gayvampyr]

maybe it’s the autism but has anyone else felt like the whole “moment of silence” thing is kinda stupid and performative