#i should write a book about it but i won't

[yuujispinkhair]

CollegeBoy!Sukuna accidentally knocking you up – Part 2 A

-> Option A: "I'm not ready to be a mom"

You can read Part 1 here

I decided to write two different versions of Part 2 (both are comforting). Option A: Reader has an abortion Option B: Reader decides to have the baby(s). (coming soon)

Modern!Sukuna x Reader (female). Fluff. Light angst with a happy end. 2K words. Unplanned pregnancy, Reader has a surgical abortion. Everything goes well. Sukuna takes good care of Reader. All characters are of age. Minors don't interact. Divider@/plutism + dollsciples + benkeibear

Finding out that you accidentally got knocked up by your college sweetheart was definitely a shock. And it didn't end there because now you are faced with having to make a decision that has the potential to change your life forever.

You sleep a night over it and spend the next day going on a long walk with Sukuna, hoping the fresh air will help you clear your mind. It's when you sit down on a park bench and lean against Sukuna's biceps when you ask softly,

"So what are we going to do, Kuna?"

And Sukuna wraps his arm around you and pulls you against his side,

"It's your choice, princess. I will be there for you no matter what. I'm man enough to handle both. And ultimately, it's your body, so you should be the one who makes the decision."

It makes you love him even more.

Sukuna is usually a very dominant person, someone who likes to be in control. Seeing him hold back and give you the reins fills you with deep affection.

You have contemplated both options, glad that Sukuna made it clear that he won't run even if you want to have the baby. But in the end, there is one option that feels more right for you at this point in your life.

When you tell Sukuna that you want to terminate the pregnancy, he doesn't comment on whether this is what he would have decided or not but just pulls you into his strong arms and hugs you, tells you again that he will drive you to the hospital and be there for you all the way.

You practically melt into the comfort of his strong arms as you add softly,

"It's not that I don't want a baby with you, Kuna. You know that, right? It has nothing to do with you. I just think we are too young. I am too young. I don't want the stress of having to be a mom while I still go to college and have to study for exams and try to find a good job, etc. It already seems so much, and when I imagine also having to take care of a little baby, I don't think I can manage all of it, even with you by my side."

Sukuna smiles at you, not one of his smug smirks or flirty boyish grins, but a genuine smile, soft and tender, a smile that is only reserved for you.

"I know, princess. Don't worry your pretty head about this."

Sukuna is with you throughout the whole journey. He drives you to your doctor and insists on going up to the waiting room with you because he knows how nervous you are. He sits next to you, holds your hand, caresses your fingers soothingly, and grins reassuringly at you. He makes a flirty comment and winks at you when your name gets called, trying his best to make you laugh and feel less nervous.

But you know that he is nervous too. When you get back twenty minutes later, you can see that Sukuna is still on the same page of the book he started to read when you left. His mind obviously occupied with other things, just as affected by the situation as you are.

It makes you reach out and hug him tightly, comforting him just like he comforts you, even though he would never admit openly that this makes him anxious just as much as you.

"My doctor already made an appointment at the clinic for me to have another examination and to sign all the documents and stuff. But it's when you have training, so you really don't have to come with me."

But Sukuna rolls his eyes and shakes his head,

"What are you saying? Stop it, baby. Of course, I am coming with you. If I can put my dick in you, I can also accompany you to your appointment. After all, it's my apparently super-fertile sperm that got you into that situation in the first place! I'll skip training. It's not important. Nothing is as important as you are to me."

The next four days feel weird. You go to the examination at the clinic. You listen to the doctor explaining the procedure to you. You nod, you smile politely, and you sign several documents before you get sent halfway through the hospital to meet an anesthetic and sign more papers. They send you home with a sheet full of instructions on what to do before and after the surgery.

You spend the days until the surgery in a daze. Everything feels unreal.

But you aren't alone. Sukuna doesn't leave your side. It's almost funny how he follows you around like a puppy. The big bad boy, all sweet and doting.

On the day of the abortion Sukuna drives you to the hospital. He walks with you to the unit where the surgery will take place, and his large hand squeezes your smaller one so tightly it almost hurts.

You can see and feel how reluctant he is to let go of you and how worried he is about you, even though he tries to hide it and play it cool so as not to make you more anxious than you already are. But his hug is even tighter than usual, almost bone-crushing the way his strong arms tighten around you, and he pulls you against his tall, muscular body.

He kisses you, too deep and with too much tongue for the location, but you tilt your head to let him push his tongue even deeper into your mouth, craving his kiss and his love and the reassurance he gives you that way.

You leave towards the room where you are supposed to change, looking back over your shoulder one last time and Sukuna is still standing there in the hallway, his hands shoved into the pockets of his grey sweatpants, looking so cool with his tattoos and the pink hair. But you can see the tenseness in his broad shoulders and the worry on his tattooed face.

It makes your chest feel warm, and you can't help but mouth "I love you" in his direction, smiling when you see him say the words too.

Your surgery goes by without any complications, and the moment you wake up, a nurse is already by your side, bringing you tea and something to eat, and some painkillers. But you are impatient, wanting nothing more than to leave and be in Sukuna's comforting embrace, feel the warmth of his body and inhale his scent and hear his velvety low voice murmuring sweet nothings in your ear.

You're glad when you are finally allowed to get up and get dressed again, promising the nurse that you have someone who will stay with you for the next 24 hours.

When you leave the changing room, you see Sukuna leaning against the wall right next to the reception. His tattooed face is a bit pale, and he is playing nervously with his tongue piercing once again.

His maroon eyes meet yours, and he is by your side in a second, a strong arm wrapping around your waist and carefully pulling you against his side, steadying you, holding you securely, making sure you won't fall. His lips press against your temple, lingering there for a long moment, warm and soft,

"Fuck. I'm glad you're finally out of there."

You can hear the strain in his low voice, can hear every ounce of worry and anxiety he felt during the last hours when he was sitting in his room, waiting for the hospital to call him and tell him, you are ok.

You lean gratefully against him, feeling a bit dizzy from the anesthetics, glad that you have your strong boyfriend to hold you.

"I'm so glad you're here, Sukuna."

"How are you, princess?"

"I'm good. Just a bit wobbly on my feet. And I need something to eat. I'm starving!"

And Sukuna laughs softly, sounding so relieved,

"Well, how lucky you are that your boyfriend spent the last few hours in the kitchen to distract himself and prepare your favorite dishes for you."

And suddenly, your sight becomes blurry as tears well up in your eyes and run down your cheeks without you even knowing why you suddenly start crying now that it's over when, in the days leading up to the abortion, you didn't shed a single tear!

But maybe all the stress and anxiety of the last few days finally caught up with you. The contradictory emotions of feeling a bit wistful about letting go of that fantasy of Sukuna and you having your own little family versus the relief you feel that it's over and that you can live your life the way you planned.

But you suspect that, most of all, it is the overwhelming love you feel for Sukuna right at that moment. You are so touched by how caring he is. How mature he was in this situation. That he didn't run, that he didn't leave you to deal with all of this on your own. He is so worried about you and does so much to make you feel okay. He is so strong all the time, so you have someone to lean on.

A sniffle escapes your trembling lips, and Sukuna's eyes widen. He pulls you against him, burying his face in your hair and murmuring soothingly to you,

"Hey, baby, it's ok. Everything's going to be ok. Don't cry."

Your hands are on Sukuna's broad chest, and you feel the warmth of his skin and the beat of his heart through the soft hoodie he is wearing, comforting and reassuring.

"I'm ok, Kuna, I swear. It's just... I love you so much."

"I love you too."

His voice sounds tender when he says the words, and you snuggle closer to him, lifting your head to look at his beautiful tattooed face. And Sukuna leans down a bit, enough so he can brush his lips over yours.

That's how you end up standing in the middle of the hospital hallway, hugging your boyfriend and kissing him slowly as if the two of you are the only people in this world.

But you make it to the parking lot a few minutes later, walking there with the help of Sukuna's strong arm wrapped around you.

Sukuna is so gentle, so caring. He helps you into the car and puts on your seat belt for you as if you can't do it yourself. He stops at a convenience store to get some pads for you, jogging back to the car as if he is running from a crime scene because he is worried about letting you out of his sight even for a few minutes.

He helps you out of the car again, once you have reached your apartment, picks you up princess-style and carries you up the stairs. He sits you down on the couch, wraps you in a warm blanket and glares at you when you try to get up.

"Don't be a brat! Just stay right here and rest and let me bring you the meal I cooked for you with all my fucking love!"

He brings you the food and plops down next to you, checking if you really eat something, like some super stern nurse, and you can't help but feel warm, knowing that your bad boy is so amazingly sweet and caring when it comes to you.

The moment your face twists in pain, Sukuna is on his knees in front of you, fear in his maroon eyes, his large hands on your thighs, looking up at you with worry written all over his tattooed face.

"What's wrong?"

You grit your teeth and smile shakily at him, reaching out to cup his cheek and caress it tenderly, touched by how worried he is for you.

"It's nothing bad, Kuna. They told me I would get cramps after the surgery. It's perfectly normal! But it feels like really bad period cramps. They gave me some painkillers for that. Can you..."

You can't even finish the sentence before Sukuna is on his feet again, already walking over to your bag,

"I'll get them for you!"

You thank him, and he sits down next to you again, watching you the whole time with narrowed maroon eyes until you chuckle and reach over to ruffle his pink hair,

"I won't drop dead if you stop looking at me for one second, you know, baby? Eat something, too, I know you are hungry!"

"Don't joke about stuff like that, princess. I am just taking my job as your personal nurse seriously."

And he really does. For the next few days, Sukuna barely leaves your side. And even a week later, he is still acting differently around you, and you begin to realize that this is probably how he will always be now. Even more protective. Even more caring.

The unplanned pregnancy and the abortion didn't drive a wedge between the two of you. Instead, it made the two of you grow even closer. You shared a life-altering experience. Because even though you decided not to have the baby, it still will be something you will always carry with you. And you will never forget how Sukuna reacted. How he was there for you. How he respected your decision and how he cared for you.

You learned that Sukuna is more than just the sexy bad boy you can have fun with. He showed you that you can always count on him, that he won't run when real problems occur. You learned that if one day in the future you actually want to have a baby, you have a wonderful man by your side who would be a loving partner and a damn good dad.

You sigh happily as you lie in your bed with Sukuna behind you. He has become more cuddly since accidentally knocking you up. He wants to spend every night at your apartment or asks you to stay at his. As if he needs to hold you every night, keeping you safe and sound, wrapped in his strong arms, his buff body pressing against your back, and his lips trailing lazy kisses over your neck.

The two of you are living your regular lives again, going to classes, studying, going to training, to parties. No one else knows what happened to you. It's a secret between you and Sukuna because you both want it that way. No one else has to know. This is just something the two of you share.

A commercial for baby food starts playing in between two episodes of the crime show you are watching. A young family, mom and dad, and a tiny baby. And even though it's been weeks, it still makes you feel a bit weird to see it.

Sukuna's arm tightens around you. Maybe he felt you tense up, or maybe he had the same thoughts as you when seeing the commercial. Either way, his hand slips down to your belly, caressing it gently, and there's a smile in his low voice when he says,

"You know, it's not the end of it, princess, right? We can still have one.... when we are older. If we want."

You smile and snuggle against Sukuna's warm, muscular body. Your hand lands on top of his larger one, which is resting on your belly now, and you interlace your fingers with his, feeling the weird tension leave your body again.

"If I ever want to have a baby, it will definitely be with you, Sukuna."

I LOVE HIM 💗😭

Thank you so much for all the love on Part 1!! The story wouldn't leave my mind anymore, and after I got several comments and asks where people asked about a possible Part 2, I wanted to continue the story about College sweetheart Sukuna knocking us up and show how Reader and Sukuna deal with both options, so I decided to write two different versions.

I hope you liked Option A and that it could give you comfort.

Option B will be the version where Reader decides to have the baby (or rather babies lol). I plan to post it next week!

Comments and reblogs would be very sweet 💗

[thebibliosphere]

Am I reading this right? You have been beating yourself up for not 'working more' and not 'doing enough', but, the mere act of being AT YOUR DESK is extremely painful? Sitting at your work station, just SITTING THERE, caused you PHYSICAL PAIN, but you were still under the impression that you should be able to just 'power through that' to do, what? How much more are you expecting out of yourself? A book a month? Its not like you've STOPPED WORKING. What time table were you holding yourself to???

Here's the thing, my body has always hurt.

Even when I was a child, I was in a lot of pain that was dismissed as either "growing pains" despite the fact that I never got past 5 feet tall at the age of 11 or "attention seeking." So, I learned to stop talking about it. (The trick is now getting me to shut up about it.)

And for most of my teens and twenties, the pain didn't really stop me too much. It was bad, and it sucked, but for the longest time, everyone kept telling me that "everyone" felt that way, so I just sort of learned to power through and hide it under the assumption that "everyone" feels this way.

Well, turns out that was a mistake because my body hit its breaking point, and what might have been a mild genetic disability that could have flown under the radar is now a severe one that greatly impacts my daily life to the point where sitting at my desk causes me pain (because everything causes me pain).

Couple that with some new-age religious trauma about willpower, positive thinking, and whatever the fuck else my parents thought I was capable of as an 'indigo starseed' and the fact that I was trained to mask my ADHD by being a hyper-competent workaholic-- I really don't know what a healthy baseline is.

(I mean, heck, I wrote the first book of Hunger Pangs while literally dying. I assumed it would be edited and published posthumously. Jokes on me because now I've got to edit the rest of the fucking thing.)

I didn't, obviously, and ever since then, I've been trying to learn what a healthy baseline looks like for me post-recovery, and I think I'm doing quite well at it and enforcing my boundaries when people ask too much of me.

But none of that makes up for the shrieking frustration I feel that I can't do the things I want.

I want to be creative and do fun things, but I can't because my body won't let me. I want to write more, but I can't because I'm swimming in brain fog most of the time. Yes it hurts to sit at my desk, but I also need to earn money so the financial burden of everything isn't solely on my partner. (Something which he argues I shouldn't even be worrying about right now, but it's hard not to worry as I watch him work himself to the bone taking care of everything because I can't.)

I promise you, I'm not hustling my ass into an early grave. There is, in fact, zero hustle about how I work. I am very, very slow these days compared to how I used to be. There's no timetable for one thing. I get done what I get done, and that's it.

I'm just perpetually frustrated that my hyperactive brain is trapped in a malfunctioning meat suit. And my blog is where I talk about it and work through my emotions because, well, that's what I've always done long before Tumblr was even a thing. It just so happens now I've got an audience.

[ohmygoly]

KotLC Economy

I wasn't gonna post anything, and this probably won't be very noticed, but I saw a poll about the worst part of the KotLC books and now I'm thinking about this.

The way that money is handled in the books is not only super inaccurate and pretty much impossible, it's actually damaging to the story as well. Everyone just gets about 500 million lusters in their accounts at the beginning of their lives and somehow the currency is still more valuable than American/European money? Even though that's not how value works from an economical standpoint anywhere in the world? Just the fact that EVERYONE gets that much money instantly negates its value at all, because no one needs anymore money and therefore any money you possibly could've payed anyone is worthless.

Why do any elves even sell stuff? I get having hobbies, and I get giving it away, but at that point an elf wouldn't even bother charging lusters for it because they would have to ask for so much to match the value while at the same time not needing any more because they have infinite money themselves. Elves would just ask for some other belonging in exchange and life would go back to some primitive form of society where everyone had to pay service with service directly. That or everybody gets everything for free and in that case, material supplies that actually did have value would deplete rapidly and it would destroy the Earth because every resource would be drained for nothing (and that just doesn't happen because any intelligent species should know not to deplete resources and put a value on it. In a free system like the latter describes, elves would actually be doing much worse for the planet than even humans because at least humans know they must preserve some things for more profit).

It's also lazy writing because it's just a way for Shannon Messenger not to have to honestly think about how much a character is spending in the books and it means she can focus more on other prejudices like abilities, twins, or matches without factoring anything else into it. I'll get to that next but for now, it's also a glaring worldbuilding issue because while all elves are supposed to get enough money to last them a lifetime, the books state that elves don't actually know how long they live for. That means that they would have to have an infinite amount of money, to their own knowledge, to last them a lifetime.

Back to focusing on other prejudices, its all well that she came up with creative ways elves would segregate as it makes for a distinct cultural species but money and class is always important in a society because money is always a societal must in any type of advanced civilization. How it's important and how it separates people, as well as how the government controls it, is what makes the societies different. To not have this in here ruins the opportunity for government oppression in the form of labor and money that would amplify the effects of being a twin, a bad match, or talentless. Sure, you could just banish everyone that isn't perfect, I'm sure that has happened, but even then there would be a lot of elves who would be banished and at that point they would be their own society (something else that hasnt really been shown to exist within the elven world).

It also makes being a bad match or talentless less scary because yes society judges you but look at Juline and Kesler, they still live in an ice mansion and have immense wealth. Social oppression and physical oppression are two different things and one is far more drastic and dystopian. Sophie doesn't even need to see it at first. Maybe while not banished, those parts of the elven world are even more hidden than the glittering ones and since Sophie goes to Foxfire she still wouldn't see it right away and it would serve the same effect of what appears to be a utopia to the readers (I forgot who posted it but someone else made a great analysis on this point) but is actually a dystopia.

I think Dex, Marella, and Jensi should've been part of a lower economic class, and I even think Stina should be very close to it. So much so that she has to be mean and bully Dex to separate herself from what is a very possible future for her family. Maybe Sophie meets them another way. Maybe Dex is accepted into Foxfire because his mom is still "noble" or because his aunt is and its very apparent he still doesnt fit in with the rest of the students. Maybe the councillors created a special test to allow only the smartest of the lower class to also join Foxfire, and Marella and Jensi passed. That would make the council seem a little more progressive from the outside at first as well as allow Sophie to meet them as soon as she does as well as give Marella and Jensi a unique perspective.

Jensi is part of the drooly boys but even from the beginning he is clearly not a part of the group because while gross, theyre still noble. Jensi is still poor. Marella's mom getting drunk and getting a disability would be another way for the kids to scorn the lower class, as if its Marella's fault. Maybe even make way for a storyline where a noble elf was at fault for her impairment (because they have a lower class to oppress). Them becoming talentless and a pyrokinetic would be that much worse because they lose a chance to continue schooling at Foxfire. They are faced with the fact that they have to continue the life their families led before them because they don't have what society wants them to have. Because of this they also still work for the rich and they still have no money. That is much better than just "I can't work for the council and am instead stuck with no obligations to them while I sit comfortably in my mansion with my 500 million lusters. But oh no, I'm not noble so it means I'm oppressed"

[bunnakit]

btw i was a caretaker for 5+ years until my charge passed away (peacefully, asleep) and am now disabled (diagnosed almost 10 years ago) so like..

last twilight really is hitting me like a battering ram sometimes.

[enypneon]

just in case there's ever someone writing with murtagh based on their knowledge of the movie 'eragon', here's a disclaimer:

both have different versions of murtagh. here, murtagh is nothing like the one you know. he descends from aristocracy, he grew up at court, stood at the heart of intrigues and snobby people pleasers, etc. hygiene is written BIG in his schedule. dirt-covered face? no thank you. i get that some of the things were impossible to know for the movie creators but there's also a lot of material they ignored/left out/altered. on purpose? i sure hope so or the situation would be even more grotesque.

under the cut, you can find some details, which might as well be interesting for those wishing to write with him in the future.

murtagh ...

... is not first seen by eragon in duret (where angela is). angela does mention eragon's future meeting with murtagh, though (i believe).

... did in fact see a dragon before. he might not remember morzan's but i am almost 100% convinced that he must have seen shruikan at some point. he technically lived with a dragon. and while he was surprised to see saphira take off, it might be simply for the reason that he had just never seen a dragon take flight so close before. shruikan is massive in size, bigger than the movie showed. hard to miss, you know? however, hardly seen flying around.

... wouldn't have held zar'roc with amusement and gawk at it (in case you've seen the deleted scene where he takes the sword while eragon is sleeping). trust me.

... did not shrug it off and was like 'alright gang, let's go to the vardens.' in the first instance it was mentioned. murtagh initially wanted to leave eragon once they were close to the vardens. well aware that the whole depth of his true identity is likely to be revealed there and he'll risk being dragged back to galbatorix which unfortunately does happen in the end.

... doesn't know the location of the vardens, he's not one of alagaësia's tour guides ready at your service. not long ago he pretty much spent every of his living seconds behind the walls of galbatorix' estate, not allowed to leave. how is he supposed to know about the varden's exact location? an alliance opposing the king.

... was there when brom died (who did not get wounded by the shade in gil'ead btw, which is also a city, and not the fantasy version of alcatraz). murtagh came to the camp while brom was still there at the brim of death ─ and assisted in tending to brom's wounds.

... helped saphira rescue arya AND ERAGON (after brom's passing), who were both held captive in gil'ead. arya stays in a self-induced coma from the moment they escape until they reach the vardens and neither eragon nor murtagh know she's an elven princess. she first mentions this in the second book!

... shot that arrow into durza's head, he hit the shade's shoulder then landed an arrow between his eyes. eragon didn't do that. brom can't tell them they need to pierce his heart, since he's already dead by the time.

... carries a physical scar. a reminder of his father striking him with zar'roc, it stretches along the ENTIRETY of his back, and it's not just a small curve over his hip bone (as is shown in the movie). the few people who get to see it are usually taken aback by how gruesome it looks.

extra info dump:

despite of what the movie suggests thorn will not die by default if murtagh were to die before him. yes, most of the dragons die shortly after but it's due to the emotional and mental repercussions their rider's death causes. losing their rider can drive them into madness and they may act in a haphazard manner, meaning their own actions would lead to their death. like achilles being so blinded by the thought and urge for revenge that it eventually kills him because he's defeated as a consequence of his recklessness. there are records and sightings of riderless dragons. galbatorix current dragon is such an example. shruikan is not the one that hatched for galbatorix.

dragon and rider are equal. the way eragon speaks to saphira in the movie commanding her to do this and that does not work! murtagh can't tell thorn what to do, and neither can thorn force actions on murtagh. the rider is not above the dragon. so don't go complaining to murtagh when thorn's being mean to you.

[aworldofyou]

It's OFFICIAL! I added it to my rules. I WILL NOT TOLERATE TWILIGHT CANON HATE at all. Stephanie Meyer is NOT racist for her treatment of the indigenous people and she helped in so many ways. She gave us representation and it was GOOD representation.

[hanzajesthanza]

[miabrown007]

the Night Circus is fiction because there's no way an Adrien-level sheltered guy goes out to the streets in the 19th century and kisses a girl in an hour

[happyk44]

Advice blogs/other authors: Don't forget to market your book long before you publish it so you can generate early interest and hype!

Me, who takes a million years to finish one draft: I think what I'll generate is a gritted teeth "shut the fuck up about it" and "get off my fucking dash", but okay

[fluffykitteninabox]

the exam tomorrow be like:

analyse this painting

me trying to figure out wtf I'm looking at:

[the-busy-ghost]

So far, Agatha Christie's writing isn't doing much for me, but I will admit, I was utterly delighted to discover that Poirot actually does usher everyone into a drawing room to dramatically reveal the murderer

[dbphantom]

This is a very serious fanfic.

I'm taking it very seriously.

Quoth the Linda "Just Add Water."

[calamitys-child]

Listening to a podcast discussing conspiracy theories and deconstructing the ideas behind them and it's reminded me of the coolest practical lessons in critical thinking I ever got, both in high school, both from the same teacher. One was a month long project on who killed jfk in which we could basically present any theory as long as we cited all our reasons and it got us really excited about research and interpretation, but it was the follow up that I liked best.

Our next project she brought us into class and showed us a documentary claiming the moon landing was faked. Gave us worksheets to do that sided with that stance. And at the end of class a bunch of us were like miss wait this doesn't seem right?? and she said okay, we'll discuss that next week. The next lesson, she showed us a mythbusters episode countering all the claims of the original documentary and gave us worksheets for that, and another bunch of people went wait miss you can't teach us two opposing things, which one is right? What do we put on the exam??

So she split the class in two and told us each to present a case based on each side, and to explain why our source was or wasn't the more reliable of the two. Got us to debate each other directly and use additional sources to back us up and explain why those sources were reliable and should be believed. And because they were randomly assigned there was no guarantee you'd agree with the stance you were presenting, but you had to present it like you did. At the end of the project she asked us all which stance we found more convincing and why, and the majority of us basically said "we think that the moon landing is real because most of the arguments against it seem like someone reacted to a confusing thing without testing it, but when you test it and ask the person running the test to explain the science it makes sense once you have more information. Also, one documentary was made with the help of scientists with qualifications and experience and the other was made by people who don't have that but like to write mystery books, which looks like a less reliable way to get an answer. But we still dont understand why you showed us both if one is wrong."

And she was like excellent. You've done exactly what you should do. At high school level, we as teachers are expected to filter for the reliable sources for you, so you know to repeat that to pass an exam, but if you want to be historians on your own, I won't be your teacher any more once you graduate. Lots of people have opinions and theories and research about times in history, and it's your job to learn how to look at them and decide who you want to trust. This won't be on the exam, but I need you all to know it. You all did a great job following the school's instructions to repeat information you were given, but for some of you, that information wasn't on a reliable foundation. I know you all know how to pass an exam. You're smart and you've been trained to follow these instructions. What you deserve to be taught is how to use all this once you don't have to do exams any more.

And then as a reward for us doing a good job at figuring out the value of checking your sources' sources she let us watch Bush get hit in the face with a shoe before we had to go to maths. Shoutout to you Ms Hannah you were a good'un I hope you're doing well ten years on from that class

[ariaste]

Apparently there was some lil drama in Good Omens fandom again about people being deeply nervous and scared of the end of Season 3, and I wrote this in the replies of one of the asks that Neil Gaiman answered, but I feel like it is deserving of being crossposted into its own post (in a slightly expanded form) so folks actually see it.

cmere, good omens fandom, we're having an intervention. a Come To Jesus talk, if you will.

First of all, I'm literally begging the fandom to:

learn what personal boundaries are, especially around parasocial relationships with strangers. (Suggestion: When sending asks to authors you like, use "polite work email" etiquette, not "joking with a friend" etiquette. The latter comes off REAL weird sometimes, and sometimes outright mean/rude/bullying).

take a couple deep fucking breaths

embrace the philosophy of The Author's Intent Only HAS To Matter To The Author, It Does Not Have To Matter To YOU. If you do not like the author's intent, you can say "hmmmm no thanks" and write some fanfic. That's what it's for.

Friends, Romans, countrymen..... Stop trying to make Neil Gaiman responsible for your happiness. For one thing, that is an absolutely unfair and cruel burden to put on a stranger who doesn't know you. Neil is only responsible for Neil's happiness. You're responsible for your own happiness. In fact, do not rely on ANY external source to guarantee your happiness, not even very nice people like Neil, not even your significant other, not even your family members. Yes, those people might be able to help you with your happiness, but they cannot guarantee it. Expecting a third party to guarantee your happiness is how corporations exploit you, and it is the source of all media trauma. Take agency over your own joy! Don't give away your power! Plan to DIY your personal ideal ending!

Neil is not telepathic, Neil cannot know all your hopes and dreams and wishes, nor SHOULD he be expected to know them, nor does he have space to know them. He is busy with things like his own and Terry's hopes and dreams and wishes. Their hopes/dreams/wishes are just as valid and important as yours, aren't they? Yes, they are. So calm down. caaaaaaaallllllm dowwwwwn.

Yes, I love the show very much too, but at the end of the day it is just a story. And the great thing about stories is that you are empowered to retell them in a different way. It is not real, so if you end up unsatisfied by S3, then blithely impose your own reality and build your own joy. It's not like it's the End Of The World or anything (lil fandom joke there for you)

And look, if you read this and you're feeling Mad and Upset or Frustrated about it, that is a symptom that you are maybe feeling a little stung in your Media Trauma parts. I am sorry that other stories have let you down in the past, and I really sympathize that you are feeling scared about the fate of this story that really matters to you. You've invested a lot of love into it! I really understand the fear! You don't want to be hurt again, and that's super understandable and normal.

But bestie, literally the only way for you to find a story that's exactly perfect for you and that won't hurt you at all is for you to write it yourself. I know that sucks to hear, but it is the truth. If you keep pinning a hope of perfection on other people's stories, you will keep getting traumatized by the media you consume. Love other people's stories for what they ARE, not for the stories that you WANTED them to be -- the same way that we love people, you know? You have to let a person be their own person; you can't force them to be someone else. That's fucked up, so if you notice that you keep trying to do that, maybe go to therapy so you can be that Someone-Else person for yourself (or, if you can't afford therapy, read some self-help books from the library or find some good channels on Youtube who make content that might help with that (I really like JulienHimself)).

If you need a story to be something big and important for you, if you are seeking catharsis and healing from a story that matters to you and you're really scared that you won't get it, then open a Word document and start typing. You can do it. You're a human being, and you evolved to tell stories. Literally it's a species specialization. You got this. It's gonna be okay, because you're going to seize the means of production and MAKE it okay. Yes? Yes.

Good Omens S3 will be what it will be. It will be what Neil wants it to be and what Terry would have wanted it to be. Period. That IS actually the highest achievement and the most noble and admirable accomplishment that we can hope for. And hey, maybe what they want overlaps with what you want, and that will be wonderful! But that will be merely a happy coincidence. The only person who can TRULY center your wants is YOU. So stop trying to trap Neil into doing it, please, because he's busy and it's not his job, AND because your wants do matter and you deserve to have someone who can give your wants their 100% full attention (aka you. that's you. only you can do that. Not even your best friends in the world can do it. Not even your mom can do it, at least not if you're old enough to know how to read.)

It's gonna be okay. Really. Really, it is. No, stop typing the snarky melodramatic reply. This is not the time for jokes; I'm being serious. It's going to be okay. Neil Gaiman can only break your heart exactly as much as you allow him to do so. That's how art works. You have to consent in order to be affected by it, and you can withdraw your consent at any time. You're going to be okay. I promise. As long as you choose to claim your own agency and your own empowerment as an individual, then all will be well and all manner of things will be well.

[burins]

I know this is the Take Personal Responsibility for Systemic Issues website, but I keep seeing weirdly guilt trippy posts about libraries and ebook licenses, which are a labyrinth from hell and not actually something you personally need to feel guilty about. here are a few facts about ebook licenses you may not know:

in Libby/Overdrive, which currently operates in most US public libraries, ebook licenses vary widely in how much they cost and what their terms are. some ebooks get charged per use, some have a set number of uses before the license runs out, and others have a period of time they're good for (usually 1-2 years) with unlimited checkouts during that period before they expire. these terms are set by the publisher and can also vary from book to book (for instance, a publisher might offer two types of licenses for a book, and we might buy one copy of a book with a set number of uses we want to have but know won't move as much, and another copy with a one year unlimited license for a new bestseller we know will be really moving this year.)

you as a patron have NO way of knowing which is which.

ebook licenses are very expensive compared to physical books! on average they run about 60 bucks a pop, where the same physical book would cost us $10-15 and last us five to ten years (or much longer, if it's a hardcover that doesn't get read a lot.)

if your library uses Hoopla instead, those are all pay per use, which is why many libraries cap checkouts at anywhere between 2-10 per month.

however.

this doesn't mean you shouldn't use ebooks. this doesn't mean you should feel guilty about checking things out! we buy ebook licenses for people to use them, because we know that ebook formats are easier for a lot of people (more accessible, more convenient, easier for people with schedules that don't let them get into the library.) these are resources the library buys for you. this is why we exist. you don't need to feel guilty about using them!

things that are responsible for libraries being underfunded and having to stretch their resources:

government priorities and systemic underfunding of social services that don't turn a profit and aren't easily quantified

our society's failure to value learning and pleasure reading for their own sake

predatory ebook licensing models

things that are not responsible for libraries being underfunded:

individual patron behavior

I promise promise promise that your personal library use is not making or breaking your library's budget. your local politicians are doing that. capitalism is doing that. you are fine.

(if you want to help your local library, the number one thing you can do is to advocate for us! talk to your city or county government about how much you like the library. or call or write emails or letters. advocate for us locally. make sure your state reps know how important the library is to you. there are local advocacy groups in pretty much every state pushing for library priorities. or just ask your local librarian. we like to answer questions!

also, if you're in Massachusetts, bill h3239 would make a huge difference in letting us negotiate ebook prices more fairly. tell your rep to vote for it!)

[am-i-the-asshole-official]

I am not the asshole, and I think this whole thing is stupid, but I was promised that if I sent my side of things to this blog I could pick the hotel for our honeymoon, and I am marrying a man who once tried to take me BACKPACKING of all things, so this ask has become a necessity. In light of that:

AITA (I'm NOT) for planning the seating for our wedding in a logical way?

I got engaged in June, apparently in part because of my partner writing in to this blog (I don't know how to find or link to his posts, but I'm the man who got the cat to bite him, if that rings any bells?). At any rate, for the past ten weeks, I've been in the beginning stages of planning our wedding with my fiance, whom I have been secretly attempting to remove from the planning process as much as possible. I have ALREADY been given a list of his must-haves, and I AM incorporating as many of them as our budget allows. This has NOTHING to do with the emotional side of the event, and EVERYTHING to do with the fact that this is an idiot with no real planning experience or taste who thinks he knows more than me.

For the most part, this has worked very well. I'm the one who's been collating all the contact information for things, so I just replaced all the emails for the tacky companies with false addresses, responded to his inquiries as the companies to say the date was already booked or the price was outside our budget, and let him filter his way to the ones I DO like on his own. I also made a fuss about being "willing to compromise" on the few things he's picked I'm completely fine with in the hopes I can use it to make him compromise later, and have been humming portions of the songs I want on the playlist in the hopes he'll think he came up with the idea to include them himself.

None of this is the real problem. The PROBLEM is that he is deliberately ruining my seating chart, by moving our horrible friend's seat when I'm not looking.

The man in question dated both of us at one point in our VERY early 20s (both ended BADLY), is generally the messiest person we know, and will almost certainly get sloppy drunk and try to make a speech IF he does make an appearance. I'm banking on the fact that he won't, because he's also ridiculously wealthy, and will almost certainly send us some very lavish gift in lieu of coming.

He is SUPPOSED to be sitting beside my fiances aunt, at the same table as his grandmother, his work friend, and her girlfriend, because all four of these women are stone cold terrors who I believe are more than capable of keeping him in line on the slim chance he does come. My fiance INSISTS they won't be able to have any fun if they're running interference all night, and keeps moving him to sit at the head table instead. You know, where WE are. I finally caught him switching the label magnets on my planning board last night, and confronted him.

I tried leveraging how much I've been compromising already, that he's almost certainly going to RSVP no, and that I shouldn't have to deal with him on our big night. My fiance said he knew about all the fake emailing and such, and told me, and I QUOTE: "Look, the mind game shit was hot when it was just about the colour scheme or whatever, but I actually care about this. So you can suffer with everybody else, or you can do the normal thing and not invite a guy you hate to our wedding, you weirdo."

I said that if I did that, it would take out half his groomsmen, he called me an asshole and said I should go explain this to "literally any rational adult" so they could tell me I was in the wrong, and now here we are.

Would you recommend calling my fiance's bluff, since he doesn't want the man sitting near us either? Or should I focus on ensuring he'll turn down the invitation no matter what, so the matter of where he WON'T be sitting can be a moot point?

What are these acronyms?

Original post

The update