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bladekindeyewear · 4 years

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HS^2 bloggin’ mainline 2020-09-15

This caught me laaaate at night gosh I’m tired but I’m gonna get it outta the way so it won’t stick in my craw! Already saw the first page, so it’s time for:

> CHAPTER 13. The Funeral

Church with chess symbols at the peaks and a Prospit/Derse or Hope/Rage split color theme on the stained glass windows.

JANE: Dearly beloved...

> (==>)

Trolls, humans, and papparazzi. Oh, hm, this church is RATHER carapacian isn’t it? Between the chess and the continuing Prospit-Derse themes, like how this corresponds to how they align in the incipisphere top-left to bottom-right if I recall:

(Minus the outlying orbs to the left and right for symmetry.)

That twisted pattern is interesting, and not quite a spirograph. Is that gonna be important later? If we’re going to get some sort of class chart later in the comic, it’d be easy for them to hint at the chart’s graphical structure subtly by dropping it places like here.

JANE: Ladies... JANE: Gentlemen... JANE: News outlets... JANE: And other valued members of the Human Nation State.

Technically true, but still odd to hear-- ...oh right, I forgot this was asshole dictator-wannabe Jane, too.

I read an interesting twitter thread recently about the intense psychological distinction between wanting to BE the best, and wanting to be TREATED like you’re the best. Epilogues/HS^2 Jane is kind of written as a case study on the pitfalls of leaning on the latter instead of the former.

> (==>)

They brought Yiffy WITH them-!? --Oh right. The hostage exchange was supposed to happen here wasn’t it.

Yiffy definitely looks like a Harley-Lalonde daughter in this shot.

JANE: Gamzee Makara, High Court Jester, exalted saint of the purple veil, has left us to traverse that grand, gay carnival in the sky, where, I am told by various members of the clownly cloth, he will spend the rest of history, honking in grand tribute to the Mirthful Messiah.

SINGULAR???

Weird. Is it because Alt!Callie “won” here?

Or is Jane just forgetting because she’s culturally used to monotheism (ironically) and is insensitive.

JANE: And my first memory of our Purple Prince, was his robust codpiece--

Wow.

> (==>)

JANE: --As he offered me his friendly support, along with the sacred blood of his brethren, the holy sacrament--

He STILL killed trolls??! (EDIT: No, a friend points out that she's talking about when she met him first in Act 6 and he tried selling bottles of troll blood to her. EDIT2: -which may be another inconsistency, since Vriska supposedly overwrote that post-retcon.)

> (==>)

It takes Jake a few seconds of puzzled eye contact before he catches exactly what it is Yiffany is tossing down. In his defense, he is distracted by his wife’s speech, which is doing the emotional equivalent of wringing him out like a wet towel, before using that towel to slap the sweaty buttocks of a large, odorous man. Even if he knows everything she’s saying is a load of horsefeathers, it does nothing for his composure to hear her heap praise on that smelly, homewrecking clown.

Bad things about Gamzee deserve to be said here, yes.

Jake wonders what she’ll say about him, at his own funeral.

Now those are some uncomfortable thoughts.

He narrows his eyes in Yiffany’s direction. She’s a lovely girl, really. He wishes he could have gotten to know her under better circumstances. He’d known she existed, of course--Jane had complained about her often enough--but they’d never had much chance to get acquainted. He rather believes her and Tavvy would have been fast friends.

Then again, perhaps it’s better that she never had much of a chance to get to know his family.

He lets go of the leash.

Yep, there’s a plan to set in motion that he’s probably already discussed with her privately. Gotta unite this four-kid team after all.

> (==>)

Wait, are you ATTACKING?!? --Of course you’re attacking. You would even if the plan was something different, wouldn’t you.

JANE: And I know that at times like these it is easy to want to give in. JANE: To throw in the towel, and turn our faces away from the light of democracy and moral fortitude that we, the citizens of the human kingdom, are blessed with from birth. JANE: God knows I’ve had my own faith tested in the last few weeks.

Jesus Christ, what has she turned the place into, a fucking theocracy?

She sounds like the leader of some screwed-up, fundamentalist country! Like the United States!

*rimshot*

JANE: As many of you know, I did not grow up with the same privileges that all of you enjoy.

Jesus.

JANE: I was born on proto-Earth, that half-finished dystopia mangled by the ravages of foolish leadership and endless war.

Jesus, she really IS a self-evident takedown of hypocritical entitled political figures. With the bonuses having Jasprose explicitly ADDRESS said entitlement to make things even clearer cut.

JANE: And as for Gamzee, well, his upbringing was even worse. JANE: He was born to a violent and uncaring home, a lonely child with few natural gifts.

...Some natural gifts and status.

> (==>)

She’s just, shaking with fury here isn’t she? And about to perform an impressive corpse-lob.

JANE: It would be simple to let this disgusting, vile, SHAMEFUL act of spiteful revenge turn us away from the blinding light of the sword of justice that hangs over us all--

This sentence seems suspicious so I’m quoting it to refer to later if I need to, but is probably just platitudes.

> (==>)

JANE: Poised

> (==>)

JANE: Trembling

Okay maybe the sword’s a dick, but what exactly is Yiffany doing?? I’m finding it difficult as usual to tell between some of these image transitions.

> (==>)

JANE: Ready to burst forth--

Bad PR to shock-collar a kid mid press junket. (Very dicks description.)

> (==>)

Click. (Did they swap the shock function with Jane’s necklace somehow, that’d be fun.)

JANE: I want to give up, at times. I understand your pain.

While shocking a kid? GREAT PR.

> (==>)

JANE: I sympathize with your pain.

Wow, those horrified audience members. She REALLY can’t even see herself anymore can she? Not even hear herself. And they’re making sure this is pointed out to EVERYONE watching. They described this as in large part a PR campaign to defeat her, didn’t they?

> (==>)

Great furious businesswoman-villain look, that art.

JANE: But when that pain! Becomes too hard! To endure! JANE: Remember poor, lifeless Gamzee! Who suffered pain far worse than any of us could ever fathom! JANE: THE PAIN OF BETRAYAL!

Click click click. This is a fun sequence.

> (==>)

DIRK: Dude, didn’t you lower the voltage on that shock collar? DIRK: Little Red isn’t looking so hot. JAKE: Yes of course i did but the damn doohickys got the kick of a donkey! JAKE: I couldnt remove it completely shed know i was the one who did it! DIRK: Well, if that supervillain cuntwaffle doesn’t stop, she’s going to kill her. Not really the best at hostage management, is she.

Decent plan. (And of course Dirk would pull out the word cunt.) When’s the cavalry coming?

> (==>)

JANE: But we cannot allow his memory to be in vain! JANE: For Gamzee Makara taught us that even the most loathsome degenerate can take their place in society. JANE: All they need is the right redemption arc - !

Trying to hammer home some of the Epilogue’s trolly-critical themes a little less bleakly, I take it.

I kind of like the violent vibration in ALL of these gifs in a row. It makes the scene seem small, slow, teeth-clenching but still full of steady action, emphasizing the importance of the relatively small events from panel to panel while giving them the sense with the animation of them being [i]drawn out[/i] and tortuous instead of just “occurring”. It feels that way to me, anyway.

> (==>)

If he got up alive here, that’d be hilarious. (Presumably he’s been treated and done-up like a normal funeral body, not “dormant” and undecaying like a dead god-tier.)

> (==>)

CORPSE PUNT w/ CLEATS

> (==>)

That face is just. I love that face.

> (==>)

SHE MAD

JANE: Young lady, I am just about at the end of my rope with you. JANE: Throw all the dog bowls you want at the walls of my warship. JANE: But don’t you dare act up in front of a JANE: Live JANE: Fucking JANE: Newsfeed! YIFFY: Grrrrrr

What did you expect to happen? Do you expect to shout her down from this, Jane?

JANE: After everything I’ve done for you--paying for your education, helping your parents cover up your existence from the world! JANE: Just imagine what Rose and Jade would say if they could see you now, even dissidents can have a little decorum! JANE: Get down from there at once! YIFFY: Grrrrrr

But this is GAMZEE. --I guess it’s seriously disrespectful to his followers, though. Still. If you wanted civility from her, a shock collar, leash, and food bowl wasn’t the way to go about it.

JANE: Don’t you threaten me, young lady. Not today! YIFFY: GRRRRRRRRR

What is your PLAN even, Jane? You’ve completely disregarded her.

JANE: There’s nowhere for you to go. My agents are swarming this church. Be reasonable, Yiffany. JANE: Ugh. JANE: Disgusting name. JANE: But that’s hardly your fault. You were always just a footnote. Your parents’ little prank. JANE: Honestly, that’s why I helped them all those years ago! I do love a good jape. JANE: But let’s be serious. JANE: You don’t matter. If you did, they would have come for you already.

Can all the press hear her being such an asshole?

Okay, stereotypically, their arrival should be the next couple panels:

> (==>)

Jake, do something useful like hoping harder.

> (==>)

And she knocks the remote away. Excellent.

And she does. Seemingly at the end of her tolerance for insults toward her name, social status, and heritage, Yiffy performs an impressive backflip off the podium and down onto the church floor. One that, if it hadn’t been happening amidst a sea of other newsworthy events, would surely have ended up on someone’s instagram story within thirty seconds. She gives Gamzee’s corpse one last parting kick: a hard, proper kick that proves those cleats aren’t just for fashion. Although they are certainly also for fashion.

Good, good.

He vanishes into the seething crowd, and we are confident that we will never have to deal with this asshole ever again.

God damnit.

> (==>)

Jake watches this from a safe distance, poised on the edge of intervening to pull Yiffy out of there. But in the end he doesn’t have to. Instead he watches in admiration as she tears the place to utter shreds. An echoing sympathy swells inside of him as she rends apart the funeral flowers and punts Gamzee into the shrieking congregation. Here is a girl who felt the cold, indecent hand of fate wrapping around her, and instead of submitting to it and slowly sublimating down into morasse of boiled doormat, she slapped it away from her with a lively oh, no thank you.

All at once, Jake feels immense affection for his granddaughter. He hopes the two of them can make up for lost time.

Lessons belatedly learned, but learned nonetheless.

> (==>)

JANE: Enough of this. JANE: Seize her!

Kind of Red Queen of you. (Are those stained glass windows in back of the frame about to burst?)

> (==>)

Yep.

The stained glass window shatters inward, obliterated to stardust. The war is knocking.

Even attacking a disgusting faith’s church is pretty bad form, though.

Tired and busy, seeya next upd8. <3

#Homestuck #hs2 #Homestuck Liveblog #upd8 #Homestuck^2 #spoiler #spoilers

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liskantope · 4 years

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Some briefer(?) reactions to major Disney films 1989-1998

I consider the Disney Renaissance (around the period I refer to in the above title) to have been the last official leg of my chronological journey through major Disney features through Disney+ (for this one I need to mention that I’m excluding CGI animated ones on this journey, except when I feel like watching them on the side). I logged some thoughts on the films I watched in the two earlier legs of the journey here and here, where honestly I intended my notes to be short and not turn into full-blown mini-essays for each movie. Those posts turned out to be major timesucks and I can’t afford that now, but I thought I’d jot down a hodgepodge of reactions and just be briefer and sloppier about it. I feel like I have overall less to say about this set of films anyway, since they’re pretty much all very high-quality and are talked about extensively in the cultural discourse much more than films from Disney’s earlier eras.

As I was still trying to stick to taking one day for each year in the Disney Studios timeline and major film production by Disney picked up pace a lot at the start of this era, I wound up doing a rather intense marathon of one full Disney movie each evening: over ten evenings (corresponding to the years 1989 through 1998), I watched the ten movies The Little Mermaid, The Rescuers Down Under, Beauty and the Beast, Aladdin, The Nightmare Before Christmas, The Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, and Mulan. I would have watched Tarzan the following evening, but I had very recently sort of re-seen it when it came on Netflix -- I didn’t see it for the first time until an outdoor event near the end of grad school not that many years ago; I didn’t bother paying full attention on seeing it the second time a couple of months ago and couldn’t much get into it on the second viewing.

The thing about the ten major animated Disney movies on this list is that, while I can’t say I love all of them, the uptick in quality is dramatic right from the start and never wavers. Every single one of these films just seems objectively better than Pete’s Dragon, The Fox and the Hound, or Oliver and Company. This will help me be a little shorter-written when talking about them, as it’s easier to expand on specific criticisms than to wax on about how great something is.

[EDIT: Okay, these still turned out pretty long and more on the polished side. Guess I’m just not that capable of being brief and sloppy.]

The Little Mermaid, 1989

Although we didn’t have the video at my house growing up, I somehow knew The Little Mermaid quite well; I guess I watched it quite a few times. I went a gap of many years before seeing it again in college (I’m fairly certain that my college girlfriend and I watched it together, in fact). My reaction at the time was that although it was well enough done with good music, the story was terrible. This was right around the time I watched a performance of Once on This Island, a musical based on Hans Christian Anderson’s “The Little Mermaid” on which, of course, the Disney movie was based. I thought the tragic tale told in Once on This Island was beautiful and scorned The Little Mermaid for cheapening it. In fact, my opinion was quite scathing in the way that my opinions more often were when I was younger. So I was a little wary on watching it again.

I’ve mellowed out since my college days and don’t hate the story quite as much now -- in particular, I can’t really blame Disney for Disnifying a mature tragedy into a more lighthearted tale with a happy ending -- but I still think it’s kind of bad. We’re back to Disney princesses (I think for the first time since my first round of Disney films?), this time with a Disney princess who had goals that didn’t involve meeting her prince, until she actually meets him and every other interest, including staying in the world she grew up with where to which all the people who ever loved her or knew her are confined, giving up her voice, and drastically changing her physical form. And this is all for a prince character of flatly generic personality who is superficial and dim-witted enough that he only knows his true love by her voice. (I don’t understand why this isn’t the Disney Renaissance-era film that routinely gets criticized for being anti-feminist rather than... a certain other one also on this list.) Also, while King Triton isn’t by any means a flat character, his sudden turnaround at the end and almost lightheartedness at saying goodbye to his daughter presumably forever doesn’t quite feel right.

I was very surprised at how much I’d completely forgotten among plot events and certain scenes in the movie. For instance, as the action neared the climax, I really had no memory of how Ursula would be defeated and watching it didn’t jog my memory.

This is the first of several films on this list where I noticed a sample of what I’m starting to think of a set of 90′s sitcom/romcom tropes, in this case the situation of the romantic leads courting very publicly with all the other characters watching and cheering it on and working behind the scenes to help it happen. This shows up again in Beauty and the Beast and (to a slight degree) Aladdin below.

Great music of course, even slightly better than what I remembered. Fun fact: you know that “Part of Your World” song, almost certainly the most widely popular in the film, the one that musical theater kids at my (and maybe your) middle school always used for auditions? Apparently it was almost cut from the film, mainly because it was shown to a test audience of little kids who all fidgeted and got visibly distracted.

The Rescuers Down Under, 1990

I don’t have too much to say about this one, the first Disney sequel ever. I had only ever seen the first Rescuers before and, as my previous set of reviews indicates, didn’t particularly like it, but came in to this one a little more optimistic since some consider it better than its predecessor. They aren’t wrong -- this movie was similar to The Rescuers but better, I think. Although the villain was just as forgettable, the setting was far more enticing (at least to someone like me who has never been to Australia and thinks of it as exotic), and the dynamic between the main mouse characters was more engaging. Here we have another subplot that somehow reminds me of a 90′s-ish sitcom/romcom, with the aborted marriage proposals and a love triangle -- not that love triangles hadn’t featured in movies for decades, but something about how this one was done felt distinctly more modern.

Beauty and the Beast, 1991

Ah, this is not only one of the Disney movies I saw the most as a kid but one which has only grown on me as I’ve gotten older -- I consider it one of the most groundbreakingly beautiful of the animated classics ever made, one of my very favorite Disney productions of all time. We got the video when I was only five or so; I remember distinctly that it came out on home video (right after coming out in theaters) right around the same time that 101 Dalmatians came out on home video and that my mom explained to me that she was choosing to buy Beauty and the Beast instead because of its superior music. She was right about this -- not that 101 Dalmatians has bad music, but it’s hard to measure up to Alan Mencken’s masterful compositions for Beauty and the Beast. For me it solidly ranks in the top three Disney movie soundtracks ever, one of the others being that of Mary Poppins and the third being from an easily-predictable film later on this list.

I’m pretty sure I remember watching portions of this movie every morning for weeks before leaving for kindergarten (this is what makes me think we got it when I was five), and I continued to enjoy it throughout childhood. I next watched it when I was much older, but I can’t remember exactly when. During college I got hold of the soundtrack of the musical, which since has been one of my favorite musical soundtracks to listen to. I never actually got to see the musical until last December when it was showing in my hometown, and I thought it was excellent. Interestingly, there were a number of scenes that I assumed had been added for the musical but I had actually forgotten were in the movie -- unlike with certain Disney musical films *ahemMaryPoppinsahem*, they didn’t take many liberties with the musical except to add a number of new (very good) songs.

Leaving aside the top-notch music and exquisite animation, the story in my opinion is one of the most beautiful and distinctively memorable stories Disney has ever told, not to mention entertaining without every being silly or over-the-top. It speaks of compassion, drawing out core goodness from an ugly exterior, and the fact that, to quote the enchantress from the start of the tale, “beauty comes from within”. Belle is also, to my mind, the most feminist Disney protagonist ever to be seen up to that time, which is why I get super super annoyed that so many people point to this movie loftily shouting “Stockholm Syndrome!” I feel it’s kind of inevitable that I quickly address that here, even though I’ve brought it up on this blog several times before. (Also, for an excellent takedown of the “Beauty and the Beast is a sexist story because Belle has Stockholm’s Syndrome” take, see this video essay of Lindsay Ellis.)

When watching the musical last winter I kept an eye out for justification for the Stockholm’s Syndrome take that I might not have remembered and couldn’t find any, but it pains me to admit that I did find a smidgen of justification, for someone determined to be a bit uncharitable, in a particular bit of dialog from the movie. I don’t recall it appearing with quite that wording in the musical, although it’s entirely possible that the musical has those exact same lines and I just wasn’t being observant. Here it is:

BELLE: What did you say?

BEAST: I release you. You’re no longer my prisoner.

BELLE: You mean... I’m free?

BEAST: Yes.

BELLE: Oh, thank you. Hold on, Papa. I’m on my way. [tries to hand mirror to BEAST]

BEAST: Take it with you. So you’ll always have a way to look back... and remember me.

BELLE: [in sweet, deeply moved tone] Thank you for understanding how much he needs me.

So okay, maybe Belle comes off as showing just a bit too much unqualified gratitude here, an oversight that the writers circa 1990 clearly should have avoided in case diagnosing female characters with Stockholm’s should ever become trendy twenty-something years later. But this could be remedied by a quick rewrite of the dialog in that one scene; it’s not as though the whole plot has to be changed away from its inherently misogynistic nature.

And that’s all I want to say on that one aspect of this absolute gem of a Disney production. Despite a few minor issues I noticed, such as Maurice being a little too innocent and helpless, and it lacking my very favorite line from the musical (“Belle don’t you recognize the beast within the man who’s now before you?” at the end), Beauty and the Beast comes about as close to perfection as it gets.

Aladdin, 1992

Although I didn’t see this major blockbuster hit when it first came out -- it was probably considered a bit too intense for me at kindergarten age -- this is the first time that I was aware on some level that a particular Disney movie was a new release. (One of my few sharp memories of kindergarten recess was a boy standing on a stump or low piece of playground equipment making proclamations to passersby for minutes at a time that alternated between, “You are a street rat!”, “You were born a street rat!”, and “You will die a street rat!”, and how this made me consciously contemplate the concept of present/past/future tenses for the first time.) When I saw it, I loved it -- it was clearly the most exciting animated movie out there. At some point in childhood I thought it was bested by its sequel, but a few years later as a teenager I decided that the tightly resonant plot of the original Aladdin made it the best Disney movie ever. I’ve definitely mellowed out my opinion on this, as Aladdin certainly has flaws and some other features are more deeply meaningful to me as an adult, but I still hold up Aladdin as one of the greats. I saw at least parts of it as an adult on TV and saw it very recently prior to getting Disney+ when it appeared briefly on Netflix, but I was perfectly happy to rewatch it yet again on Disney+ the evening after watching its predecessor as Aladdin is fun and entertaining every time.

In this animated production we have finally topped The Great Mouse Detective in terms of animated action. We have topped most movies that ever came out prior in terms of a manically funny yet also soulful character in Robin Williams’ role as the genie. The story is excellent, apart from having only one female character, and my being bothered just a little by the slough of magic tricks dominating the action towards the end -- I tend to prefer universes where magic requires scholarly study and careful training (e.g. The Black Cauldron) rather than “genie points his finger at you and now you have the ability to point your own finger and make anything happen that pops into your head”. The sultan continues the trend of old man characters who are portrayed as helpless and infantile -- in this case, even more intensely, since the sultan has none of Maurice’s brilliant smarts. But I’m mostly nitpicking here -- Aladdin is well deserving of its high status in the history of Disney.

The Nightmare Before Christmas, 1993

I was very glad to finally get a chance to see this movie, because I clearly remember knowing about it from the time it was being advertised back in 1993, and I heard about it during my entire childhood, adolescence, and early adulthood. Although it seemed that most of my friends had seen it growing up, it didn’t look much like my conception at the time of a “normal movie” or even normal content, and so I don’t recall ever asking to watch it. But my recent-day self recognized that it’s quite a classic and was curious to see it.

I don’t regard The Nightmare Before Christmas as one of the really great Disney productions, but I strongly admire how original it was (particularly for its time) in every single aspect, including use of claymation, overall aesthetic, intriguing characters, and story. It was also fun to see what seems to be the only Disney musical that is done in the style of opera, that is, where the entire story is told in songs without any extended non-musical dialogs. And the songs are quite good in their own way, too. I don’t particularly want to see the film again, but I might not mind getting a soundtrack of it.

The Lion King, 1994

This is the first Disney movie -- and I believe the first movie of any kind, in fact -- that I went to see in the theater. I remember it as a powerful and sometimes overwhelming experience, but as a movie I overall liked even as young as I was. This is remarkable especially considering that much of the story feels more adult in nature than almost any other Disney animated feature.

What can I even say about this one? I think the general reaction to watching it is almost unanimously shared. My impression is that what its creators were going for, more than anything else, was epicness, and they succeeded in a way that had never been done through animation before. Apparently the entire (incredibly epic) opening number was shown as the trailer -- a questionable move, but understandably it got people very excited about The Lion King’s release.

One of many particular things that makes The Lion King stand out is the profound darkness of its main villain, perhaps the most chilling that has ever appeared in Disney. An argument can be made that not only murdering a major protagonist halfway through the movie but convincing the child that he’s to blame is the most evil act we’ve ever seen from a Disney villain. I’ve seen it pointed out that it’s vaguely ableist to give the villain an ugly scar and even make it his name. Some have suggested that they should have made the villain the handsome and strong one and given the scar to one of the heroes -- Simba or Mufasa -- instead. I’m definitely sympathetic to this point of view, and I totally agree that Scar shouldn’t actually have been someone’s name. However, without getting bogged down into something that could be a lengthy post all on its own, I strongly feel that in a way it adds to the depth of our villain’s depravity through the backstory that it implies. And by the way, his ending is probably my favorite out of the fates of all Disney villains.

The music also follows the film’s ethos of being as epic as possible (well, with the exception of a couple of the songs, but they were still fine songs). “The Circle of Life” and the instrumental music propel The Lion King’s soundtrack to possibly the very best in all of Disney.

To be sure, this movie does have more flaws than I remembered. As I said, Scar is a terrible name to give any of the characters, especially in a story where everyone else’s name comes from Swahili. Pumbaa is basically just one big fart joke. (Although, I give the writers major credit for managing to switch the tone to accommodate fart jokes within like five minutes of Scar confronting Simba over Mufasa’s death.) The video essayist Big Joel has pointed out interesting things about the story and made some rather troubling points about it, although to me that almost just makes the film deeper and more thought-provoking rather than actually worse (I see the Chronicles of Narnia this way). But overall, The Lion King has well earned its high rank on the list of highest grossing films of all time.

----------

At this point in Disney’s history and my childhood, apparently I decided that I didn’t care to see new Disney films coming out because I was content with watching my old favorites over and over, and anyway I was getting older and discovering that non-Disney movies could be quite entertaining as well. Therefore, I didn’t see any of these last four until adulthood, even though they all came out when I was still a kid.

Pocahontas, 1995

I was glad for the chance to finally see Pocahontas for the first time, unfortunately not before hearing countless references to it as being Problematic while I would have preferred to go into it completely uninfluenced by popular opinion. I had actually seen songs from it and Disney books of it as a child and it didn’t interest me at all. On finally watching the film, I found that I got what I expected on both counts: it wasn’t terribly interesting or gripping, and it doesn’t really pass the muster of today’s higher standards of responsible storytelling about colonialism.

All that really sticks out at me looking back (after some delay in writing this post, so that it was over a month ago that I watched this) is that the plot felt a bit atypical in two ways. One, a character, who is neither a protagonist really nor a villain, is killed off around halfway through -- a daring move that The Fox and the Hound chickened out of doing, but I shouldn’t have been all that surprised given that Pocahontas’ very predecessor did this with a protagonist in a much bigger way. And two, the story ends sort of anticlimactically: I can’t help feeling a bit disappointed when a big Disney animated feature doesn’t end with a lot of action, despite realizing that this more peaceful kind of ending being a reasonable alternative is basically the entire point the story wants to make.

The songs are sort of meh, at least by the high standards of Disney movies of this period. Nothing more really to say on this one.

The Hunchback of Notre Dame, 1996

Here is another movie that I had never gotten around to seeing before, despite having been somewhat more interested in it than I ever was in Pocahontas. And this turned out to be the main breakout attraction on this list, as I found it nothing short of spectacular (save, perhaps, the music, which was “only” quite solid, maybe not spectacular).

I would nominate this for the award of most mature movie among all the animated features included in this journey. I would almost say its ideal audience is adults, not children. It showcases an abusive relationship with enough intricate care to be worthy of analysis through abuse discourse on Tumblr. It displays lust and sexuality in a way that I don’t think I’ve never seen anywhere else in Disney animation. Its violence and political undertones are quite dark. It examines religion deeply (which is as far as I know unique in Disney), and the capacity of religion to bring out both the best and the worst impulses in humanity is exposed. Its main villain is one of the more multi-layered ones. It treats physical handicaps and deformities in quite an honest way and subverts expectations with its love plot.

Perhaps the only thing one might reasonably criticize this movie for is the characters of the gargoyles, which are clearly present to lighten the tone a bit so that the film isn’t entirely heavy and austere. But I have to say, I was pleasantly surprised -- I think the gargoyle stuff could have been executed in such a way that may have made the whole film sag, but instead they were done just right: the gargoyles are depicted as being animated only in the mind of Quasimodo. This means in fact that in a way, they actually implicitly add some gravity to his situation. (Consider that in a more typical Disney film there would have been some sort of cheesy sentient animal friend instead whose existence would not have been confined to the protagonist’s imagination.) Here I’m going to choose to ignore the fact that the gargoyles do seem to interfere in the final battle with some explosives, a possible inconsistency which is minor enough to be glossed over.

Anyway, I think before I unsubscribe from Disney+, I might just give this one a second watching.

Hercules, 1997

Although I never saw this one growing up, I did get talked into watching it by my college girlfriend who had been fond of it growing up. I distinctly remember not caring much for it when I saw it with her. My reaction at this later stage of my life is basically the same. There’s something about the animation style that I find subtly grating and distracting. And there’s something about the story itself that feels like way too light and cartoony a take on ancient Greek mythology (although it’s not like the ancient Greeks had a particularly heavy or dark mythology, and what else could I expect from Disney, really?). I guess that stories that are so explicitly centered around a young man’s quest for hero-hood and being godlike just don’t speak to me that well, and I didn’t find any of the characters that appeared to be especially memorable or engaging.

I did like the muses and enjoyed their singing but can’t say I love any of the musical numbers. So, I respect the effort and earnestness and general respect for ancient Greek culture that went into Hercules, but my overall reaction is still meh.

Mulan, 1998

I had only seen this movie once before, during a trip with some grad school friends back some years ago. One of my best friends at the time, who was with us on the trip, highly recommended it as pretty much her favorite Disney movie as she especially liked father-daughter stories. At the time, the film didn’t make a particularly strong impression on me, although I could recognize its quality. Watching it again on Disney+ has given me a deeper respect for it as having quite a good story and characterization, fine animation, and pretty decent music. I like both Mulan and Mushu as characters, and I enjoyed their dynamic.

I guess it’s telling, though, that I don’t really have all that much more to say about it. Maybe I don’t relate closely enough, maybe the movie didn’t imprint itself on me at an early enough time in my life, maybe I don’t engage that well with any plot that involves organized warfare, I don’t know. But I think I can only really like this film on a more dispassionate, intellectual level, rather than feeling touched in any kind of resonant way by it.

I think it’s interesting to note that Mulan is actually pretty rare among Disney protagonists in having two parents who survive through the entire story. And that moreover, despite it being billed as a father-daughter story to me (and I’m not denying that it is somewhere at its core), Mulan never directly interacts with her father except at the beginning and the very end.

Anyway... since watching all of these, I’ve been watching the more recent major films sort of sporadically: The Return of Jafar (a favorite of mine at some point in childhood, but with maturity I can now see why it was direct-to-video), The Emperor’s New Groove (quite good, better than expected), the first half of Home on the Range (about as bad as I expected, hence my quitting halfway through), WALL-E (as good as I remembered from when it came out when I was in college), Enchanted (one of my favorites, not on Disney+ so I got it through... other means), The Princess and the Frog (a real treat, slathered with Louisiana flavor), Tangled (sweet but nothing outstanding), Frozen (one of my favorites from seeing it in the theater; however I had never seen the first ten minutes which makes a major difference!), and Frozen II (which I had been sorry to miss in theaters last winter, a bit of a weird story but not bad and absolutely the most stunning animation I’ve ever seen). And, of course, Belle’s Magical World, the infamous mid-quel to Beauty and the Beast; this was not a major film but I just had to see if it was as legendarily bad as people say and, yes, it was.

I’m very glad to have been able to get a break from Netflix by taking a tour through the main history of Disney -- including many childhood memories, would-be childhood experiences, and more modern things from my adulthood -- thanks to Disney+.

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blurrypetals · 4 years

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Queen of Air and Darkness by Cassandra Clare - blurrypetals review

originally posted dec. 9, 2018 - ★★★★★

A-T. L-A-S-T.

I am so absolutely overwhelmed by everything that I've experienced in the last few days while listening to this. As Cassandra Clare's longest book to date, a whole dang fuckin' lot happens in this book. To sort my way through this review, the following paragraphs are gonna be chock full of a whole dang fuckin' lot of untagged spoilers, so continue at your own risk. I do think you're doing yourself a huge disservice if you do read this review before you've read the book, though. It's also incredibly likely I'll drop a spoiler or two on every Shadowhunters book so, if you're here and you have not, for some reason, read The Mortal Instruments, The Infernal Devices, the other two books in The Dark Artifices trilogy, and all of the short stories in The Bane Chronicles, Tales from the Shadowhunter Academy, and Ghosts of the Shadow Market, I implore you to amend that, to go and read those fourteen books and this fifteenth book before reading this review, just in case I ruin anything for you by accident. Okay, now that's out of the way, let's talk about sequels and how to finish a grand, epic fantasy story. It was difficult for me to not compare this book to three other books. The first two are, of course, Cassandra Clare's other finales, City of Heavenly Fire and Clockwork Princess. This handily bowls City of Heavenly Fire straight under the table because, even though City of Heavenly Fire is still a 5-star book, it's the weakest of The Mortal Instruments hexalogy and, other than perhaps The Bane Chronicles, it's also maybe the weakest in The Shadowhunter Chronicles in its current entirety. Clockwork Princess, by contrast, however, is, in my opinion, the best of the entire series. As a finale, Queen of Air and Darkness here sits comfortably as the second best Shadowhunters finale yet. So much happens in this book. It's split into three different parts which could have easily been split into three shorter books with near-perfect three act structures in place for each of them, making this book a nine act book with two "false" climaxes that would have made for quite the cliffhangers if they had been split up for any reason. The first act deals with the aftermath of Livia's death and, because it has a lot of rising action, it's actually a little frustrating in some ways, even if it was frustrating in an incredibly enjoyable way. One of my absolute favorite scenes in the whole book is Julian running to Magnus for help in the middle of the night because it so perfectly mirrors the scene in Clockwork Prince when another blue eyed boy named Will Herondale was at the end of his rope, desperate not to love a girl he was cursed not to be with. I loved the contrast between a Herondale's plea for salvation and a Blackthorn's last hope to avoid damnation, separated by a hundred years yet tied by the same plight and the same warlock's magic. Emotionless-Julian was a really compelling read, even if I was almost as angry and frustrated with him and Magnus as Emma was. I loved to hate how cold and calculating he became without his love and compassion around to guide his moral compass. I hated his betrayal of Emma so fucking much it hurt but I've always loved Julian's ruses, schemes, and plans, and his dealings with the Seelie Queen, the Black Volume, and a skilled calligrapher and wizard called OfficeMax. Damn. So fucking good. Also, speaking of Julian's plans and schemes, his war council and Livia's Watch is one of the most satisfying scenes in The Shadowhunter Chronicles as it currently exists; I'm so proud of my son. He is so great. Hot diggity. Speaking of reminders from past stories, we get the entire cast of The Mortal Instruments during a lot of this book. I was really excited anytime we ran into anyone from The Mortal Instruments, especially the part when Julian and Emma ended up being thrown in the same Unseelie prison as Jace and Clary were and that was Jace and Clary's first appearance in the whole novel. It could have easily gotten overwhelming; I was, in fact, rather worried that Jace and Clary would steal the spotlight for a good spell in the final act of the book, but they didn't, since Emma and Julian were, eh...too big to ignore, and the book even ends with the long-awaited Bane-Lightwood wedding of the centuries, but the story proper closes on Julian and Emma on the beach together. Even though The Wicked Powers is still yet to come, this book felt like a huge culmination of all fourteen of the prior books in a huge way. We had Jem and Tessa from The Infernal Devices, we had Jace, Clary, Simon, Isabelle, Alec, and Magnus from The Mortal Instruments, and we had Emma, the Blackthorns, and all their friends and allies from this series and it felt huge. I also felt the weight of what's to come in a super hardcore manner when it came to Kit and Ty, Dru and Jaime, and, of course, Ash. I genuinely feel as though I can't wait any longer to see how Kit and Ty's stories turn out. I'm especially pleased by the fact that Jem and Tessa decided to adopt Kit and that Kit will have the family he's longed for his whole life and, not only will he have two capable people parenting him through the rest of his adolescence, but he'll also have that younger sibling he's been longing for, someone he can teach and take care of in the way he wasn't when he was small. I really hope at least one of the two forthcoming Ghosts of the Shadow Market stories focuses on Kit and his new life and new home with Jem, Tessa, and hopefully their new precious tiny one. Thoughts of the future of The Shadowhunter Chronicles in Drusilla, Kit, Ty, and, specifically, Ash, bring me back around to the second section of the book, which is the most absolutely bananas thing Cassandra Clare has ever written but is also actually incredibly compelling. I fucking loved the alternate universe stuff, everything to do with the exciting return of not-Jace, the introduction of alterna-Livia, other-Cameron, and living-Raphael (especially the part where he begged Emma and Julian to tell Magnus and Alec to rename Rafael; I was in tears laughing about all of that biz), and the temporary absence of emotionless-Julian and how he and Emma ended up healing so much of their relationship there. I also am so totally down with not-Jace being the main villain of The Wicked Powers, or at least a main villain. I am really impressed with Cassie—which, when am I not, honestly?—in the way that second section of the book was written. It felt like a huge love letter to me as a longtime and dedicated fan of The Shadowhunter Chronicles in general because we got to see these, for lack of a better term, a fanfiction AU turned canon that doesn't read like a fanfiction in the least bit because it remains relevant, interesting, tense, and important the whole way through, even though it's literally a gigantic non-sequitur that some could argue is "pointless." I am not one who would argue that, though, because I loved it so damn much. It gave me what is probably my favorite Emma and Julian scene in all of The Dark Artifices, just after they return to the resistance stronghold. You know the scene. Okay, rapid fire because I could honestly go on forever about this book; I pinned 108 different clips throughout this book, which is the most pins or post-its I've ever put in one single book before. I adored the fact that Simon gave Julian his iron Lord Montgomery figurine before he and Emma left Idris. Michael Wayland's ghost showing up for Robert Lightwood's funeral fucked me up in a super hardcore way and the fact that Kit was the only one who could see him or even sense his presence really got to me and I really teared up because Bitter of Tongue from Tales from the Shadowhunter Academy absolutely wrecked me and this poked at that wound. Everything in regards to Mark, Cristina, and Kieran was incredibly sweet, sex positive, loving, trusting, and healthy and I just...gah they are perfect. A most excellent thruple, one for the ages. A great many of my pins have something to do with Kit growing into his inborn Herondale talent of being a master in snark (think candy gram and "Alas, poor Yorick,"). Everyone in the alternate realm being grossed out by endarkened-Emma's and endarkened-Julian's PDA was hilarious. Julian realizing art requires pain and morality about snapped my sad tiny bird heart clean in half. Feline death on a massive scale. Anytime Jace's more playful, youthful side showed because he's a happy boi now was delightful, especially the parts where he wanted to get to hold the mortal sword and when he declared, "We're the bait!" Magnus hallucinating was great, but my favorite hallucination was when he was flirting with a vase like it was Alec and then very seriously offering to buy it from the Institute. I also loved it when Magnus called Clary "biscuit". It made my heart all soft and nostalgic. Julian's smile at Emma when he got his emotions back tot me emotional, dammit! Caterina meeting Kit for the first time made my heart feel like it was too large for my body. Jace using finger guns, because finger guns are always hilarious. Dru realizing she was looking at the face of a parent when she looked at Julian. Kit responding to being called "Herondale," when Magnus said, "Stay away from my children, Herondale." Emma telling Diana that she showed her the kind of woman she wanted to be. Emma's terrible pun about Manuel being tied up. "Ragnor Lives." An old lady accidentally complimenting Julian on being tall. Emma and Julian deciding to go to the other at the exact same time. Alec would look better on the money. Mark trying (and failing) to make balloon animals and accidentally making them all snakes. That's not even a third of them all. Near the beginning of the review, I said I was having a difficult time avoiding comparing this book to three other books, two of which were past Shadowhunters books. The third book, however, is Kingdom of Ash by Sarah J. Maas, which is another very long final book in a series, one that somehow managed to get voted as the best YA fantasy of 2018 and, because of that slap in the face, I couldn't help but wonder how this book, technically the fifteenth in a series, managed to feel fresh, new, fun, and lovable from minute one to hour thirty of the audiobook even though this is the fifteenth time I've experienced a book in The Shadowhunter Chronicles for the first time and I've never come close to feeling the same sort of apathy or anger as I do for Sarah J. Maas and Throne of Glass. This is how you end a series. This is how you end one part of your series. This is how it's done. Take notes, everyone else. Get on Cassie's level.

#queen of air and darkness #the dark artifices #the shadowhunter chronicles #cassandra clare #2018 #goodreads mirror #blurrypetals

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littlemisssquiggles · 5 years

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So, Squiggles :) What do you think of the newest episode?

Hey Mizu. I’m not sure if you’re asking me for an overall review of theepisode or one that’s more in depth which potentially goes into more spoiler territory. Just to be safe, I’m going to do it both ways. I’ll give my generalspoiler-free thoughts on the episode before I go into the specifics of somethings I liked and didn’t like about the episode. But undercut for obvious spoilers.Cool?

Overall, chapter 3 was another solid episode. Similar to how V6 started off, CRWBY Writers really aren’t giving any room for downtime with these episodes as we’re immediately chucked into the meat of the episode— the mission with the Aces. I figured we would have at least gotten to seeing our heroes settling into Atlas and adjusting to their new surroundings before the big mission but…NOPE! Mission time! So I’ll at least give you that bit about the episode since it was highlighted in the synopsis for this episode.

Overall, I enjoyed CH3. It was cool and it showed everyone in action. However there were some specific things that stood out to me that I wanted to give my opinion undercut.

[Spoilers Ahead! Nuff Said!]

Rosebuds:

First off, the brief conversation between Ruby and Oscar. With theway how the episode chucked us straight into the mission, ya girl was worriedthat Oscar wasn’t even going to be in this episode since his absence from themission has been highlighted since as early as the V7 Trailer. But thankfully,the little barn prince shared one scene with Ruby.

Turns out we were all right about Oscar confronting Ruby about her stunt in Ironwood’s office. It was a little shorter than I expected but… then again, it wasn’t the key focus of the episode so I gave it a pass.Still it is noteworthy that Ruby entrusted the Relic of Knowledge back to Oscar. This is interesting to me since it brings to light a point of concern I made in my very last theory post from this week. With Oscar now having the Relic back in his possession, I wonder if history will repeat itself with the roles reversed.

Could this moment from the episode be a possible foreshadow to Oscar using the Relic to out Ruby in a similar fashion to how she used the Relic on Oz last season?

Could Oscar simply just threaten Ruby with the Relic leading to the two having a big fight or…could Oscar potentially end up using Jinn to show Ironwood the truth behind Ruby’s back?

All of these are possibilities now to add to the table of events brought to you by this small exchange. It’s quite fascinating really. I don’t want Oscar to come tothis point. But for now, it’s definitely a probability with the Relic in his hands.

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Aces:

The Ace Ops were all very, very cool in this episode. I loved their comradery with each other. I especially wanted to point out Vine and Elm’s dynamic. While I’m still unsure if they’re a legit couple, I did like how the chapter paired them off to work with JNR while Bunny Bites—Harriet and Marrow—worked with RWBY.

Clover was also placed to work with Qrow and might I say this—I’m strangely fighting the urge to ship Qrow and Clover now.

There is a moment in this episode where Qrow explains his semblance to Clover only for Clover to confirm what us RWBY theorists predicted. His semblance is good fortune which is excellent.

Clover complements Qrow in a good way. Not to mention that look Qrow gives Clover after he told him his semblance while the camera literally lingers on him for a couple of frames made me wonder.

I couldn’t help but feel as it this moment sparked Qrow potentially being infatuated with Clover or…it could just simply be a respectable man-crush. Y’know a bromance. Nothing really gay about. Not that there’s anything wrong with Qrow being gay (technically bisexual). For all we know, Qrow just loves Clover…in the very heterosexual way. If you caught the reference then y’know what I’m talking about.

Anyways as I was saying about Elm and Vine, this episode definitely highlighted their strong teamwork. These two complement each other so well and the way they bounce off of one another really shines in their pair dynamic. Love it and love these two. This is, however, the least I can say for our favourite little Flower Power pair. This unfortunately which brings to light one of the things I didn’t like so much about the episode.

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Wilted Flower Power:

Ren’s sudden change in attitude with Nora—what the f***? I mean he isn’tbeing cold or rude to her. He just feels oddly closed off from her this episodewhich leaves me, as the viewer, asking the obvious question: Where is this coming from?

Sure we caught a glimpse of it in the first episode when Ren suddenly took off in battle while Nora sulked in the background. And while I was correct in this development in their rapport returning in a later episode; regardless, where isRen’s sudden mood change with Nora coming from?

It’s not to say that it’s been built up since V6? I mean I got the feeling that the Writers might introduce some tension between Ren and Nora given that we’re supposed to be learning more about her. But this still doesn’t give any rationale to this behaviour. If the Writers plan to have Ren and Nora break up temporarily due to Ren acting differently with Nora only to have them learn a lesson through observing Elm and Vine and come back stronger than ever as both a couple and a team partnership then…. that’s fine. Ijust wished they had done a better job at introducing this ‘issue’ inthe Flower Power teamwork if you know what I mean. Cause it feels very out of the blue; at least in my opinion.

I just didn’t enjoy seeing Nora being her usual self with Ren only for him to reply in a way that feels so uncharacteristic for him. Yes, Ren has shown exasperation at times with Nora but it’s never been to a level where he comes off annoyed with her. In spite of Nora’s big animated personality, that might tire some people, Ren has always been very patient with Nora often finding her behaviour amusing which was a big reason why I fell in love with shipping Renora.

In spite of their different personalities, the two have always complimented each other and worked well together. Having Ren be like this with her…I’m sorry. If this is how the Writers are going to do things with Renora then I’m already disliking the execution of it. It’s not terrible. Just seems a little forced to me.

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Dem Bees:

Another thing that occurred for this episode that I sadly did not care for was the moment between Yang and Blake in this episode where Yang complimented Blake’s new hairstyle.

Some context for the scene: Blake notices Yang staring at her from afar. Yang reacts awkwardly and says, “Sorry. Not used to the new hair yet.”

Blake then asks, while blushing, “Is it bad?” only for Yang to respond many times “No” while fumbling over her words.

This moment. Y’see this moment right here, folks. Do you know what this immediately reminded me of?

It’s like the Legend of Korra Book 4, after Korra reunited with Mako and Asami. In that series, Asami and Korra shared a moment where Asami noticed that Korra had cut her hair and our Avatar blushed at this acknowledgement.

It is literally the same energy. While admittedly an adorable exchange, as I said, I didn’t care for it. As a matter of fact, this moment confirmed my biggest concern for the development of the Bumblebee pair going forward. I was hoping the Writers would’ve taken the time to show these two’s friendship growing a bit more before introducing the potential of romance. Some fans complained about the blatant pandering in favour of actually showing Yang and Blake bettering their friendship last season and it seems like the Writers are adamant on continuing this trend.

Who would’ve expected the CRWBY Writers to take a page from Bryke—the two creative minds who practically created the first most shoehorned LGBT couple I’ve ever seen in an animated series while having the chops to puppet it around as ‘good representation’. While Bryke was praised for what they did with Korrasami since Korrasami was said to be the first LGBT couple in an animated series targeted at children, I didn’t buy into it and didn’t think Bryke deserved their praise at all since Korrasami, in my opinion, was weakly written from the start.

As you can probably tell, this squiggle meister didn’t buy into the Korrasami romance. Not because it was LBGT (as I’ve said before—I have no issue with that at all) but purely because the showrunners didn’t develop the relationship between these two lead girls in a way that felt natural.

Rather than watching a beautiful friendship that grew into a sweet romance over the course of the series runtime, culminating in the birth of a great couple by the show’s finale, instead I watched two characters who were barely friends for two full seasons since they were involved in a ridiculous love triangle only to suddenly become quick besties in the third season. Fast forward 5 years for the show’s final season and now these two girls are in love with each other with their love not being apparent until the final shot of the very last episode. Good shit, right?

Korrasami felt so forced to me in the end which was made even more apparent by the finale. It seems like Bumblebee will be heading in the same direction as Korrasami.

I’m probably digging my own grave here by even talking about the Bees since it’s practically blasphemy now given all the discourse still surrounding this pair and I can only imagine how it is now after today’s episode. But still wanted to give my views on that moment given what it reminded me of.

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Marrow’s Semblance:

Getting back on track with things I liked from this episode—Marrow’s semblance man. As I said on Twitter, I really loved the take on Marrow’s unique skill. It’s perfect. He’s a wolf Faunus with a semblance that causes others to listen to his every command. A trained dog treating his opponents to be subservient to him. That is freaking neat as hell. Forget all the other Ace Ops, Marrow’s semblance is the most interesting to me.

What I’m curious about is what the extent of Marrow’s powers are? Does it only work on the Creatures of Grimm since they’re technically mindless monsters acting mostly on instinct or…can it work on people too?

Can Marrow use his semblance to get make another person obey his command? That’s what I want to know. I’m guessing that there is a limit to Marrow’s powers since, we see him using his semblance on the Sentinels earlier in the episode who were probably young Grimm given how easily the group took them down.

However I’m surprised Marrow didn’t use his power on the Geist Grimm. Clover did mention that the Geist they were targeting was an older Grimm. So I figured Marrow’s power wouldn’t work on it even if he tried.

Either way, this episode just made Marrow ten times cooler to me now. The Good Boy continues to impress and he’s definitely the one that stood out to me the most from the Aces.

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No Run Forrest, Run:

Whelp, if you saw the episode, y’know what this point means. Forrest, the dreadlocked Robyn supporter we met last episode died by the end of this episode. He was killed off by Tyrian so…RIP Forrest.

I feel so sorry for MurderofBirds since in his last Livestream Discussion on YouTube, he said he was hoping to see more of Forrest.

But in spite of his short time in the story, Forrest’s murder did help me to realize something about Tyrian’s tactics. Since last episode, it was shown by the end that Tyrian has been killing certain people in Mantle. However I couldn’t quite put my finger on a possible pattern in Tyrian’s targets. Now I think I have an idea. I think Tyrian might be targeting Robyn Hill supporters specifically.

On orders from Watts, I think the Scorpion Fauns might be singling out those folks from Mantle who were known to be heavily involved in rallying support for Robyn as another means of turning votes away fromher.

After all, if the supporters of Robyn are suddenly being found murdered thenit could force the People of Mantle from rallying behind Robyn and tank her chances of winning against Jacques.

Now this is just a theory for now. Either way, it’s very, very interesting how the audience receives more and more pieces to the plot with Watts and Tyrian as the episodes go back and it’s only been three chapters.

Very interesting indeed and I’m looking forward to seeing what the next episode drops.

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And yeah, those my thoughts on the episode. I hope I answered you well enough Mizu. Thank you for your question.

And as an added point, I pray that my honest thoughts on the Bumblebee scene from this episode didn’t upset or worst offend anyone. My opinion is NOT meant to insult the RWBY ship or anyone who likes it. It’s just my opinion.

If you love the Bees and you were absolutely over the moon with that little scene from this episode, then that’s perfectly fine, fam. Just don’t mind me with where I stand on this pairing and how the show continues to portray the development of their ‘potential romance’.

And please refrain from leaving any disrespectful comments in my post just for sharing my opinion. As I’ll say again, I mean no disrespect and will not tolerate any thrown at me. With that said, that’s all folks!

~LittleMissSquiggles (2019)

#mizuike #squiggles answers: rwby #oscar pine #rwby volume 7 spoilers #rwby renora #rwby marrow amin #rwby volume 7

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writedreamlie · 7 years

Text

@zsaszmatazz tagged me to do the “six movies I can watch any time” meme (LIKE 10 YEARS AGO I’M SORRY) so here goes!

1. Road to El Dorado

Don’t tell me you can’t also watch this whenever. It’s lolzy, it’s feelsy, and it’s the source of one of my three OT3s. If Miguel/Tulio wasn’t allowed to be canon, I’m making Miguel/Chel/Tulio my headcanon dammit. Fight me.

The story is a fantastic adventure every time. The music is amazing, the animation is GORGEOUS. The jokes are funny no matter how many times I hear them. “Stars.” “Holy ship.” “Apparently ‘El Dorado’ is native for GREAT... BIG... ROCK.”

And don’t get me started on the armadillo. Is that thing a spirit guide? A god? Probably. I’m for it.

2. Chicken Run

I consider this one a guilty pleasure. Again, always a funny, fun adventure. Just serious enough to balance out the lolz. And Ginger is one hell of a snarky character. I love that she’s simultaneously mom friend and rebel friend.

Also, it’s that claymation Wallace and Gromit animation, which is just... nifty! I always find myself watching certain characters move, checking out different textures, especially with Babs and her knitting. Just... excellent.

Also, also this:

3. Stardust

What can I say about this movie? Well...

I was based on a book written by my favorite author, Neil Gaiman, is a fantastic adventure that addresses the line between magic and non-magic worlds and includes such fun things as evil witches, falling in love, warring princes, falling stars, unicorns, ghosts, and sky pirates in drag (which Neil said he’s pretty sure he didn’t write, but it’s such a good scene you guys).

I am always happy by the end of it. The growing-up story is so good. And Tristan kind of bumbles through it like I totally believe I would were I thrown into a story like that. It’s just... such a satisfyingly complete and fun story, and I love it every single time.

4. Megamind

Shut the hell your mouth this is the best villain-to-hero story I know. I am always so proud of Megamind. Like, real talk, how often does our favorite adorable villain get the girl? How often do we get to see the bumbling bad guy actually get a cool-ass happy ending? And the emotional journey he goes on gets just serious enough without killing the funny vibe the whole movie carries.

The writing is tropey, but in a way that totally plays on those tropes while making fun of them. Trope-ception is my favorite trope. And I love, love, LOVE the design choices. This movie is so colorful, and the proportions are so over the top. It’s just a visual salad.

And, as always, the jokes are good no matter what. I don’t think I’ll ever get over, “And I love you, random citizen!” This movie is such a fun time, please go watch it.

5. Strange Magic

Have you heard of this movie? Well, now you have. Please go watch it.

Much like Megamind, Strange Magic got pushed to the back burner by more popular movies coming out at the same time. And that’s just a shame, because it’s just so good.

It’s a jukebox musical with reenactments of all sorts of songs, all of which are brilliant (half the time because Evan Rachel Wood My Queen is singing them, but also Alan Cumming, and sometimes they sing together and I die). The story is predictable, but the characters are what make it for me. They’re fun enough that even though I saw the end coming a mile away, it was nothing but enjoyable watching them get there.

This fandom is also dear to my heart. It’s full of some of the sweetest people with some of the most interesting fan fiction that I’ve ever read. When I think good writing, I think @abutterflyobsession who has made me cry on more than one occasion, and @jaegereska whose lore and OCs add so much to the world beyond the movie.

Major draws: good music, lovely animation, self-confidence story, princess with a sword, SWEET SWEET VENGEANCE, and did I mention singing by Evan Rachel Wood, Alan Cumming, and Kristin Chenoweth? Bruh.

6. Labyrinth

My favorite movie for now and always. Set it at the bottom for full effect. Get ready.

First off, music by David Bowie that is fuckin’ catchy as heck. If you don’t want to at least tap your foot along to ‘Dance Magic Dance’ you’re lying. ‘As the World Falls Down’ was the first song I remember wanting to know the lyrics to.

Side note: If you didn’t think the Fireys were creepy as fuck, you’re also lying.

There has never been so much glitter in one place ever. The visual gags are always funny. Like, there are Bowie faces I still can’t find to this day hidden in the scenery??? The muppets are all adorable because Brian Froud is amazing, and I want a pet goblin. Everything is just so much fun to look at. Don’t even get me started on the ridiculous fantasy fulfillment that is the ballroom scene. I just.

The jokes are always funny because they run on a dry sense of humor like mine. “Well, come on feet.” One I missed for years. “No, that’s the dead end, behind you!” Ha, hubris. “It’s a piece of cake!” Shut up, Sarah...

But you also can’t not love the characters? Like, come on, who doesn’t wanna hug Ludo just a little. And Didymus, the fox knight that rides a fuckin’ tiny dog into battle?? And Hoggle who collects jewelry and pretends to be bitter as hell but cares so much??? Heck off, they’re all awesome.

Fave movie. Always.

Honorable Mention: Big Fish

Added this one because I can watch this any time, but it always makes me cry, so I usually save it for when I need a good cry. (Srsly, @may10baby can vouch, I once tried to explain the end to her and started sobbing in the car).

It’s just such a cool story. We get to see the life of the father as told through his own hyperbolic stories, which include a star-studded cast playing funny scenes in between serious family time. And the end... christ, it’s just such a satisfying ending. Such a good play on storytelling and what it can mean to people. Which, as a writer, means a lot to me.

Also, it’s the only Tim Burton movie I’ve seen that doesn’t look like... that. You know. How Burton movies look. Helena Bonham Carter plays like 3 different people, and none of them are Mrs. Lovett. That’s a feat, honestly.

I’ve said this about a few of these, but please watch this movie.

Ummm I guess I’m gonna send this along to the people I already tagged, @abutterflyobsession @jaegereska @may10baby and also @fandomizedwonderland @thetrendywitch @pkmndaisuki for shits and giggles.

#Labyrinth #Strange Magic #Big Fish #Megamind #Stardust #Chicken Run #Road to El Dorado #Movie Meme #Please watch all of these movies #They're good for your soul

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networkingdefinition · 5 years

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Jasmine Quotes

Official Website: Jasmine Quotes

• A summer rain had left the night clean and sparkling with drops of water. I leaned against the end pillar of the gallery, my head touching the soft tendrils of a jasmine which grew there in a constant battle with a wisteria, and I thought of what lay before me throughout the world and throughout time, and resolved to go about it delicately and reverently, learning that from each thing which would take me best to another. – Anne Rice

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'Jasmine', orderby: 'rand', order: 'DESC', template: '1', limit: '68', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_jasmine').html(obj); jQuery('#thelovesof_jasmine img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); ); • Cultivate night-blooming jasmine near your bedroom window, and dream of men you’ve always longed for. – Gwen Davis • Do not sit long with a sad friend. When you go to a garden do you look at the weeds? Spend more time with the roses and jasmines. – Rumi • From plants that wake when others sleep, from timid jasmine buds that keep their odour to themselves all day, but when the sunlight dies away let the delicious secret out to every breeze that roams about. – Thomas Moore • I always have SK-II face masks in the fridge – they are excellent especially if you’ve been on a plane and your skin is puffy. I also love Rodin face oil with jasmine – it’s delicious and gives you a real glow. I always use Chanel eye cream. I go to have my eyebrows waxed and lashes tinted, and then I always curl my eyelashes. – Cat Deeley

[clickbank-storefront-bestselling] • I didn’t mean to interupt you if you were looking for your friends Miss–‘ ‘Callihan,’ but you can call my Jasmine. Or Jas.’ Or Snookums. Honeybunch. Hotsie Totsie Cowgirl. My Little– ‘It’s nice to meet you Jasmine, I’m Jack. – Michele Jaffe • I do not feel like writing verses; but as I light my perfume burner with myrrh and jasmine incense, they suddenly burgeon from my heart, like flowers in a garden. – Hafez • I don’t know what’s happened to me. I’ve got a bit more sophisticated in my old age. I like a bit of jasmine tea. I love it. – Danny Dyer • I kept my arms around Joi and my face buried deep in her hair while I waited for Peter Pan to slip through the window. I thought I needed him to tell me what I should do. But he never showed up. He left me alone with a girl who smelled of jasmine and cocoa butter. And before I fell asleep, I finally realized that was more than enough. – Kirsten Miller • I love perfumes. Every morning when my girlfriend and I come down to the courtyard in our block of flats we’re assailed by the most delicious scent – jasmine round a doorway. It almost makes me swoon. – Alan Rickman • If there were as great a scarcity of soil as of jewels or precious metals, there would not be a prince who would not spend a bushel of diamonds and rubies and a cartload of gold just to have enough earth to plant a jasmine in a little pot, or to sow an orange seed and watch it sprout, grow, and produce its handsome leaves, its fragrant flowers, and fine fruit. – Galileo Galilei • I’m just being practial. I knew someday I might have to bare my throat to you. Pete and I discussed that very possibility. As for the danger and risk taking, that’s what Pete pays me to do. And you and I both know he inteneds to get his money’s worth.” Jasmine, I cannot-” Why not!” Because you are not food!” I stared at him for a minute; the I started to grin. I couldn’t help it. Vayl”-I tried to keep my face straight- “I’m not asking you to eat me. – Jennifer Rardin • I’m thankful for a pair of shoes that feel really good on my feet; I like my shoes. I’m thankful for the birds; I feel like they’re singing just for me when I get up in the morning… Saying, ‘Good morning, John. You made it, John.’ I’m thankful for the sea breeze that feels so good right now, and the scent of jasmine when the sun starts going down. I’m thankful. – Johnny Cash • I’m thankful for the sea breeze that feels so good right now, and the scent of jasmine when the sun starts going down. – Johnny Cash • In the spring of 1988, I returned to New Orleans, and as soon as I smelled the air, I knew I was home. It was rich, almost sweet, like the scent of jasmine and roses around our old courtyard. I walked the streets, savoring that long lost perfume. – Anne Rice • Jasmine apologized and said she was sorry and said she loved me, she couldn’t believe it and said she thought it would be her. All of them were really, really sorry that it happened to me. – LaToya London • Jasmine is just the most delicate and beautiful scent. – Natalie Portman • Jasmine is sweet, and has many loves. – Thomas Hood • Jasmine smirke at the weapon in my hand. “That little toothpick won’t save you, Gypsy.” “Touthpick?” Vic muttered in an indignant voice. “Did she just call me a bleeding toothpick? Kill her! Kill her now! – Jennifer Estep • Listen,” F. Jasmine said. “What I’ve been trying to say is this. Doesn’t it strike you as strange that I am I, and you are you? I am F. Jasmine Addams. And you are Berenice Sadie Brown. And we can look at each other, and touch each other, and stay together year in and year out in the same room. Yet always I am I, and you are you. And I can’t ever be anything else but me, and you can ever be anything else but you. Have you ever thought of that? And does it seem to you strange? – Carson McCullers • Long strands of drool stretched from between his fangs and dripped on the pavement, sending a heady scent of jasmine to swirl through the air. Perfumed monster spit. What was the world coming to? – Ilona Andrews

• Mexico admits you through an arched stone orifice into the tree-filled courtyard of its heart, where a dog pisses against a wall and a waiter hustles through a curtain of jasmine to bring a bowl of tortilla soup, steaming with cilantro and lime. Cats stalk lizards among the clay pots around the fountain, doves settle into the flowering vines and coo their prayers, thankful for the existence of lizards. The potted plants silently exhale, outgrowing their clay pots. Like Mexico’s children they stand pinched and patient in last year’s too-small shoes. – Barbara Kingsolver • Not bombs nor my broken heart can take away from me walking barefoot with you in jasmine June through the Field of Mars. – Paullina Simons • Now hoppin’-john was F. Jasmine’s very favorite food. She had always warned them to wave a plate of rice and peas before her nose when she was in her coffin, to make certain there was no mistake; for if a breath of life was left in her, she would sit up and eat, but if she smelled the hopping-john, and did not stir, then they could just nail down the coffin and be certain she was truly dead. – Carson McCullers • Out in the lonely woods the jasmine burns Its fragrant lamps, and turns Into a royal court with green festoons The banks of dark lagoons. – Henry Timrod • Roses by the head, jasmine at the feet so appear the longings that have passed without being satisfied, not one of them granted a night of sensual pleasure, or one of its radiant mornings. – C.P. Cavafy • Sandalwood, tagara, lotus, jasmine – the fragrance of virtue is unrivalled by such kinds of perfume. – Gautama Buddha • Somebody comes to your house. You know they’re coming, so it’s not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn’t really know what it was about. – Alden Ehrenreich • The secret weapon is cucumber.’ Solange sat all the way up. ‘Jasmine, cover your ears.’ MaryAnn, Juliette and Jasmine burst out laughing. ‘Sheesh, Solange. Get your mind out of the gutter.’ ‘MY mind is just fine, thank you. It’s MaryAnn’s I’m concerned about.’ ‘You put them on your eyes,’ MaryAnn said, laughing even harder. – Christine Feehan • The sound of her laughter was sticky as sap, the smell of night-blooming jasmine soft as a milk bath. – Janet Fitch • The surrealist thinks he has outstripped the whole of literary history when he has written (here a word that there is no need to write) where others have written “jasmines, swans and fauns.” But what he has really done has been simply to bring to light another form of rhetoric which hitherto lay hidden in the latrines. – Jose Ortega y Gasset • The wind, one brilliant day, called to my soul with an odor of jasmine. “In return for the odor of my jasmine, I’d like all the odor of your roses.” “I have no roses; all the flowers in my garden are dead.” “Well then, I’ll take the withered petals and the yellow leaves and the waters of the fountain.” the wind left. And I wept. And I said to myself: “What have you done with the garden that was entrusted to you? – Antonio Machado • This dress makes me look fat,” I told Jasmine as we stood near the back of the crowd and watched the last minute preperations fall into place. She glanced over at me and my efforts to rearrange the folds of my long, gauzy dress. “Your pregnant,” she stated. “Everything’s supposed to make you look fat.” I Scowled. “I think the correct reponse was ‘No it doesn’t. – Richelle Mead • To really love Joan Didion—to have been blown over by things like the smell of jasmine and the packing list she kept by her suitcase—you have to be female. – Caitlin Flanagan • True love is night jasmine, a diamond in darkness, the heartbeat no cardiologist has ever heard. It is the most common of miracles, fashioned of fleecy clouds – a handful of stars tossed into the night sky. – Jim Bishop • We spent the first night of our honeymoon in a country hotel, with Tudor architecture oak beams, and floors which sloped, of the Queen-Elizabeth-Slept-Here variety. There were old tennis-courts – the Tudor kind where Henry VIII was said to have played; and gardens filled with winter heather, jasmine and yellow chrysanthemums. […] So that first night together was spent in the ancient bedroom with the tiny leaded paned windows, through which shafts of moonlight touched the room with a dreamlike radiance […] – Jean Plaidy • We went to the door and I let Asha in. I expected an uberawkward moment when he and Vayl met. But Asha took care of that problem right away. “So you belong to Jasmine,” he said in his melancholy voice. It somehow delivered Vayl his deepest condolences without bearing a trace of malice toward me. – Jennifer Rardin • We’ll meet again in Lvov, my love and I…” Tatiana hums, eating her ice cream, in our Leningrad, in jasmine June, near Fontanka, the Neva, the Summer Garden, where we are forever young. – Paullina Simons • Whether I’m making a recipe or a piece of jewelry or a white-rose-and-jasmine tea or the perfume, I like to think of myself as a happy little sorceress, and if I could just have a little general store with all that stuff and give people a sense of my taste, that would be lovely. – Padma Lakshmi

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'a', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_a').html(obj); jQuery('#thelovesof_a img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'e', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_e').html(obj); jQuery('#thelovesof_e img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'i', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_i').html(obj); jQuery('#thelovesof_i img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'o', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_o').html(obj); jQuery('#thelovesof_o img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'u', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_u').html(obj); jQuery('#thelovesof_u img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

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equitiesstocks · 5 years

Text

Jasmine Quotes

Official Website: Jasmine Quotes

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