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#i'd like to do more of these honestly
dnftopia · 27 days
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dnf + guilty as sin lyric analysis (delusional version)
I was validated by 1 anon so Now i need to do this. Its very crazy (WARNING!)
My boredom's blown deep This cage was once just fine Am I allowed to cry?
this part is soooo pre-meetup dnf. "my boredom's blown deep / this cage was once just fine" reflects so much on both of them -- dream having to watch all his friends meet george from across the world while being stuck in his house for years, and george being bored in london while also barely leaving his flat.
their cage was "once just fine" because we know that before they realized that they wanted to live together and just wanted george to visit, they were fine being across an ocean. But once the visa application started they expressed pretty clearly how much it affected their mental health to be apart from each other -- hence "am i allowed to cry"
I dream of cracking locks Throwing my life to the Wolves or the ocean rocks Crashing into him tonight, he's a paradox I'm seeing visions, never mad or bad or wise
"i dream of cracking locks" might as well be a metaphor for the visa aka their lock to the door keeping them apart. and "throwing my life to the wolves or the ocean rocks" is clearly a metaphor for controversy or the general public (the wolves). at the same time dnf are apart they're also becoming increasingly famous, dealing with newfound controversy and criticism.
"crashing into him tonight, he's a paradox" -- use of the word paradox makes me feel like there's some differing use in the meaning of the word "crashing". like the painful feeling of crashing against ocean rocks (controversy) versus crashing against him being comforting (dnf relying on each other for support and love). and "i'm seeing visions" -- wanting to be with each other sooo badly it encroaches on both their waking thoughts and their dreams
What if he's written mine on my upper thigh only in my mind One slip and falling back into the hedge maze Oh what a way to die
this is pretty clearly a "what if my feelings are unrequited" type thing to me. what if i'm his but he doesn't see me as his? one slip (i.e. a slip of the tongue revealing too much of their inner feelings) could ruin everything. Which like. in any friends to lovers relationship i feel that's a very real fear
I keep recalling things we never did Messy top lip kiss
do i have to say anyhting for this one WE KNOW DREAM THOUGHT ABOUT KISSING GEORGE. MULTIPLE TIMES
How I long for our tryst Without ever touching his skin How can I be guilty as sin?
yeahhh more pre-meetup dnf longing for their eventual meeting. without ever meeting each other, and without george ever seeing dream's face, somehow they still want each other
I keep thesе belongings locked In lower casе inside a vault Someone told me, "There's no such thing as bad fights, only your actions talk" These fatal fantasies given way to labored breath taking all of me
they keep their feelings locked up Ohh my dnfies. "there's no such thing as bad fights, only your actions talk" is like an actions matter more than words thing or alternatively could be flipping the saying "keep fighting the good fight" on its head a bit. again "fatal fantasies" of what could be post-meetup consume both of them so fully it's difficult to focus on anything else
We've already done it in my head If it's make believe Why does it feel like a vow? We'll fold apart somehow
THIS ONEEE. "we've already done it in my head ... / why does it feel like a vow?" Like come on. we know dnf have had many conversations about their future together and they're both fully committed to staying together as long as they can. the question for them is whether the other person feels that platonically or romantically
My bed sheets are a blaze I screamed his name Building up like waves crashing over my grave Without ever touching his skin How can I be guilty as sin?
Yeahh. dont need to go into detail on this one because we all get it. #DNFESEX!
What if I roll the stone away? They're gonna crucify me anyway
aside from the Dresus comparisons. "rolling the stone away" in the context of christianity symbolizes rebirth and an intrinsic change. To me it could be seen as a metaphor for coming out publicly . "they're gonna crucify me anyway" -- we literally saw this happen with dream in real time. he doesn't come out and he's accused of queerbaiting, he comes out and people invalidate him and call him names LIKE. This hurts me
What if the way you hold is actually what's holy? If long suffering propriety is what they want from me They don't know how you've haunted me so stunningly I choose you and me, religiously
even if they face vitriol and public scrutiny DNF WILL ALWAYS CHOOSE EACH OTHER TO THE POINT OF RELIGION!
Thats it the end. Thanks for reading peace and love Please support me and my crazyisms
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poorly-drawn-mdzs · 3 months
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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rottmnt-residuum · 1 year
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Any other LGBTQ+ Headcannons that are canon is the comic??;)
*patiently awaits Cupioromantic Donnie*
hmm... had to think about this for a while and talk about it with co-author, but here's what we got. we mostly base this stuff on how plausible it is in show/if there's evidence for it. with a dash of personal experience. This only applies to residuum, btw. I have different personal headcanons for these characters outside the comic.
april: lesbian. this is mostly based off of the fact that most aprils get with their caseys & the comment she said to dale. which could be taken as disinterest in dale specifically, but she seemed more concerned with impressing that popular girl earlier and that reads as more... saphic, i suppose. or at the very least homoromantic.
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raph: raph is just raph. we look at him and basically just *tv static*. go crazy. all we got is jokes or stuff that has too little evidence to support. so, yeah, he's whatever you want him to be i guess?
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leo: trans. already said my reason in the other post. also, gay. if gay were a power source he could power the entirety of the united states for five months straight without a single power outage. failing power grid notwithstanding (< thats the actual word. its supposed to be mushed together like that. wack.).
donnie: as much as i'd like him to be ace/aro spectrum rep, he just doesn't have the evidence in show for us to apply it to him in this comic. it's funny, for being hc as ace so often he sure is the most outwardly romantic/sexual turtle in the show lmao. one! cherry: "you're so cute, but you're so mean! why do i always go for your type?" two! astrogirl?? (whatever her name is) he is very very romantic with her. he has a type y'all. also just look at those two, he's a leg man lmao (bootyyshaker9000 anyone? ha!) anyway. and with the bromance/instant chemistry he had with that one guy in the purple dragons... Pan. or possibly Omni as he does seem to favor... cute brutal femme... Yeah. Omnisexual.
(you have no idea how fucking bad i want this boy to be ace spectrum. hes got the colors y'all!! The Colors!!!!! but alas... i am bound by my canon plausibility creed for this comic)
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mikey: ace. possibly ace/aro. he shows interest in literally no-one. we're aware that the common hc is pan but... we know a pan 13 year old, and let me tell you ahahahaha, kids going through puberty are very uncomfortable to be around sometimes, especially around their partners. or crushes. and mikey... well, that boy is ace behavior personified lmao. aces in the back you get what we mean right?? right??? anyway commiting to aroace
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#residual asks#rottmnt#i really get a kick out of he/him butch lesbian raph and ghostbear-sexual raph#but i'd never use those seriously. or at least in this comic#co-author says what they get if they really had to choose for raph is ace homoromantic#but otherwise...#he's just raph#like we can't apply any identity to him. and we really mean ANY identity. not even straight or umbrella terms like queer#its a very odd feeling#i also really like trans april but we don't have enough evidence for it#in fact there's actually counter evidence- but don't let that stop your dreams y'all. it just stops ours :P#sorry for stepping on your donnie dreams anon#but honestly i think that label applies more to 2012 donnie imo#i really do personally prefer ace/aro donnie. but i'd make everyone ace if i were able lmao#co-author would also do the same thing ahaah#i just don't like depicting romantic relationships. or attraction ahahaah#with mikey... we get why people hc him as pan... but like its a fandomism stereotype#that literally every fandom applies to optimistic friendly characters. and honestly i really don't like the fandomism stereotypes#i just find them... unenjoyable i guess#cuz like y'alll... your sexuality isn't inherently determined by your personality or vise versa#cuz like i know for sure that in fandom spaces- if i were a character- i'd be stereotyped as pan or a hypersexual cis het#to which i am neither. at all.#and co-author would be stereotyped as the demure femme book lesbian#which they are VERY much not#and i know this because i've been fandomified by people in my life more than once#it is a very uncomfortable experience y'all#whoops rant in the tags#residuum#rottmnt residuum#residuum wb
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iris-drawing-stuff · 4 months
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I made more Mikoto Danganronpa sprites + 1 Fuuta. Some people suggested Ultimate Graphic Designer for Mikoto, which seems more appropriate for him (he literally has a graphic on his shirt). Since Ultimates are at the top of their field, Mikoto must have been so proud of himself (he probably has that independent company he dreamed of). It's so sad that he's in the killing game prison now.
I saw candyckirby's post suggesting what Ultimates everyone would have, and I think they're all interesting choices. I think Fuuta would specifically be the Ultimate Gaming Influencer, and the rest of the Dark Triad would be the other influencers he makes content with. He still does his cyberbullying on the side.
I feel like if Mikoto were to become blackened, his situation would probably be that someone plotted to kill him and John killed them to protect him. I just have this image in my head of John being so distressed when he gets exposed because Mikoto is going to die. He's not concerned about himself, only Mikoto, and he desperately pleads with everyone that it shouldn't count because Mikoto himself didn't do the murder. Jackalope isn't convinced, so he gets executed anyway.
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Dakota Doodle Page
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seiwas · 15 days
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instagram dump with your selfship! (model/actor!au sel x satoru ver.)
seltoru behind-the-scenes dump — work days and winding down~
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liked by sstoru and others
sellybelly last week's shenanigans ✨ 1: shoot day! 📸 2: nails sponsored by mr. gojo satoru 💅 3. loved our outfits for the awards 🥺 (thank you dior! 💫) 4. that feeling when you change into home clothes tho >> 5. maybe he's pretty sometimes 🙄 6. caught him in the act (texting me during a meeting 😭) 7. satoru in hair & makeup (some good sleep he's had there 🤧) 8. our lil treat to end the week 🍓😋 9. phone hijacked by mr. gojo satoru 🧿🧿 👁️👁️
sstoru knew you were obsessed with me 😌
thanks for the tag my love @tteokdoroki this was so so fun 🥺 tagging: anyone else who wants to do this!! it's so pretty and so fun 🥺
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kirby-the-gorb · 1 month
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bethanydelleman · 1 year
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Sometimes you just don't communicate well online and what you said is taken very negatively. I would delete this but it was re-blogged too much and I don't want it to have zero context, so I'll edit instead. All the original text remains.
I love you Fanny Price (Mansfield Park) for wanting to look the best in your ballgown.
Explanation: Fanny really cares about looking good for a ball. This is never mocked, it's taken as a real and sympathetic concern. So often I feel like women are dismissed for even caring about their appearance.
I love you Elle Woods (Legally Blonde) for going to court in a pink dress.
Pink often is seen as girly and infantile. Also, I love that we actually see the effort that Elle puts into being pretty. She cares about it and it's an investment. What we seem to get now is instant make-up and fashion from characters who don't actually care about it. Like you have to look the best at all times but it should also be effortless.
I love you Beth Harmon (The Queen's Gambit) for using your winnings to buy nice clothes.
I thought they would throw Beth Harmon into the frump category (ie: A woman only has brain cells to be smart OR pretty, not both, think Amy from The Big Bang Theory). Also she's not shamed for spending her money on clothing and not more important stuff.
I love you Joan Harris (Mad Men) for showing a woman can be both sexy and very good at her job.
This one has probably been taken the worst. Joan's character is fascinating to me because she falls into a bunch of "sleep your way to the top" stereotypes but they subverted those expectations. She is sexy, she does use it or attempt to use it to her advantage (it mostly ends up hurting her), but she is also very smart and very good at her job. It makes me so angry that most characters, even Peggy at first, dismiss her as just trading on her looks. I loved how complex a character she was and that she wasn't just a "bimbo"
I wish there were more of you, instead of an endless trope of Strong Women TM acting and dressing like men.
Edit: This post was taken as an insult by people I did not intend to offend. I would be more than happy to see women of all types in media. What makes me sad is that it's still rare to see a woman enjoying being feminine without being portrayed as stupid.
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harrowing-of-hell · 1 month
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it's interesting to see people getting into tlt because i do think you're either gonna get through gtn and go on to htn or you're not. and then once you get to htn you're either going to stop reading out of confusion or you're gonna trust that you eventually won't be confused.
but also it's funny to see people be like "tlt doesn't take itself seriously," after only having read gtn.
like, no. that's just gideon's narrative voice. gideon doesn't take things seriously and it's a coping mechanism for her. however, that only really becomes apparent after reading htn and ntn because the narration and tone of the story changes so much between each book.
muir, for better or worse, is just really committed to writing from the pov we're currently in.
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tradingjack · 4 months
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having fun with colors for once :P
thanks @creepycoffins for the awesome dtiys :D
#creepycoffinsdtiys#trigun#millions knives#vash the stampede#i haven't drawn nearly enough knives. posted him even less#him and vash are so fun to draw :P ik they have the same face but it's like. fun to experiment with how different i can make them look yk#also admittedly. did most of this at work during downtime so if it looks funky..... my bad#the lighting isn't the greatest aight?? it's night shift and there's no windows but they do dim the lights#i did do the limited coloring i did at home lol. wasnt gon bring more art supplies to work#trying to get back into the swing of things with my drawing. i got myself a huion display for my birthday this year!#on top of my traditional i wanna do more animated stuff#primarily animated bc honestly i don't really wanna learn digital painting or whatever. im not interested in that and i like my harsh style#i'd also like to do more original work. i think last year was literally just trigun fanart lmfaoo#we'll see how things turn out ig#i'm not really holding myself to doing anything bc i don't see that turning out well. i am applying myself to more fan projects at the leas#tho those i'm applying more as a writer lmfao#well anyway. enough about me. i actually really like the drawing this was based off of! i didn't include the full body designs#and tbh vash's design is almost entirely cut out just cuz how the pose worked out :(#so i would highly suggest checking out the original art by the person i tagged!#and their other art's pretty banging as well :D
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couple of mello + near doodles
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ssaalexblake · 1 year
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it’s also baffling to me that tumblr, home of the ‘why are white men Still being cast as the doctor’ for So many years now (For you know, like over a decade.) is somehow not appalled that they hired a white dude to be the next Doctor because look okay it’s okay if it’s This white man. 
I mean, I do not consent to acknowledge that they’ve shoved him in there under any circumstance, but my Only need for the casting of the next person was that it was Not a white man, otherwise i didn’t care who it was, so when they “announced” Gatwa I was satisfied (i am hesitant to say they announced it bc it was more like a tiny footnote than an announcement, oh the disrespect) and it took a whole seven days (it was literally seven days. Yes i counted. it was easy since it was only seven days) it was ‘actually sorry no it’s this white dude we’ve already had before did we forget to mention that???’ and it’s steadily gotten worse and worse. 
That This site of all places is not up in arms about both the situation and how it specifically played out is depressing, but also massively and darkly hilarious.  
Especially since i Also remember nobody on this site thought casting Whittaker was good enough but literally going backward to a previous white man is?? This is not even a metaphor about diversity getting worse, they literally looked backwards. 
But, yeah,  tenn/ant with the ‘what the future looks like’ headline is uh... Good???? Not super worrying and ominous? 
I feel like i’ve been dumped in some weird parallel universe by reactions to all of this on here like??? the whole way this was done was appalling, the situation is appalling, but i guess the bbc/disney should get a rousing round of applause for accurately judging that nobody would care about their poor actions if the specific white guy they cast was popular enough that next to nobody would care. 
( and to the ‘it’s an anniversary ep’ thing, they legit could have just set a couple of eps in the past. i don’t mean they travel to the past. i mean just say ‘hey this ep is set during s4!’ and nobody would care. this show does weirder stuff than this every second episode. and it would still be bad, but how they did it is so much Worse.)
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hephaestuscrew · 6 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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skeletoninthemelonland · 11 months
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😭😭
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megah3rz · 4 months
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ripplefields · 1 year
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who are these queer looking robots in my ds game .
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