#i'll just rewatch the whole fucking thing

[erraticfairymagic]

yesterday, i looked all over The Real Will Wood for White Knuckle Jerk and failed to find it so i gave up.

today i want to find Cotard's Solution.

i can't.

i did just find White Knuckle Jerk though.

😡

[creature-once-removed]

.

[twig---verginix]

swear to god i'm just gonna stop watching the endings to shows i like. good shows need to get cancelled on cliffhangers forever

[tigersharktheautisticseawing]

WAIT GUYS FUCK I GOTTA TALK ABOUT THIS OR I'LL FUCKING DIE

(spoiler alert: this somehow grew from five talking point to almost 2000 words of Bad Trip symbolism, so buckle up, buttercup, cuz we goin' for a wild ride)

So, I'm rewatching Truth Seekers with a friend, and Moxie's Bad Trip and Blitzø's Bad Trip, and I just noticed some things (this is gonna be heavily Blitzø centered, so prepare for that)

Moxie's Bad Trip

In this, I specifically want to point to four things

So Blitz is very accurate throughout Moxxie's whole segment (read his pegging comments and "Because you my precious little bitchboy are tripping balls!"), but I want to point to one moment specifically

At 10:09 Moxie says

"Cause you're thoughtless and cruel and you'll end up alone!"

And at that point, at exactly 10:11, Blitz makes this face

Up until this point and from this point onward his eye on the mask part of his face is glowing red and undetailed, pupil not visible

This singular frame shows exactly how deep Moxxie hit Blitz with that comment, and foreshadows the fact that he has a massive phobia/obsession on the whole "dying alone" thing. Like, I want to scream, this is so beautifully done. Whoever thought of this frame in this context has my fullest respect

The second thing is what Moxxie says just before the first part of Blitzø's Bad Trip

At 9:02 Moxxie says

"Cause if you're here causing frustration, I'm torturing you in your hallucination!"

Now let's take a look "causing frustration" and "torturing you", because that's exactly what's happening here

In Moxxie's Bad Trip, the worst Blitzø does is call him a bitch/bitchboy and making some comments about the whole M&M pegging thing, but that's about it. It's mostly Moxxie screaming at Blitz and singing with him about becoming better

In Blitzø's Bad Trip, Moxxie brings up Blitz's worst insecurities, calls him basically stupid once, and kinda just rants what Blitz thinks about him

So the words "frustration" and "torturing" definitely fit the respective songs

The third thing is that the mask replaces Blitzø's scar

Under that mask Blitz has a completely normal and unscarred face

Meaning that Moxxie's subconscious straight up erased the physical embodiment of Blitzø's most major trauma and replaced it with a mask, of all things

I saw a theory on here, concerning the people at the Blitzø hate party, that the fact that the Blitzø cake is unscarred means that Blitz hid the vulnerable side of his and showed it off as "tough guy scars", so they stripped him of it as a "fuq u ur not tough", when meanwhile it's exactly what Blitzø would want happening, his scars just straight up disappearing one day.

Well, I think the same happened to Moxxie

I think he doesn't see the scar as a sign of vulnerability and/or physical embodiment of his worst mistake that caused his trauma, but as a tough-guy mask, designed to make him not have to talk about his feelings

(If you think something else's going on here, do tell! I just realised that last one while writing this and I find it very interesting)

And, lastly, Blitz's short line just before the one I talked about in point 1

Aka:

"I don't know, eventually everyone goes"

It feels really self aware of Blitz, but this isn't Blitz, this is Moxxie

So Moxxie, consciously or not, realised that Blitz pushes people away with his behaviour and that it's a genuine problem, but didn't realise the whole scar thing

So I wonder what exactly is Moxxie's image of Blitz. Like, considering what we know that Moxxie knows, he seems to have some elements of the puzzle but not the whole picture, and assumed incorrectly what the full picture is

2.Blitzø's bad trip

Now, here we begin the absolute fucking masterpiece that is the symbolism in this one

For one, let's talk about the spectre's voices

Moxxie and Stolas's voices are pretty on-point, at least to me, and we'll later touch on why I think that's the case, but let's talk about Bad Trip!Verosika, Striker and Fizz first

All three of them don't sound like normal

Instead, they sound like Blitz trying to make their voices

Striker's has an obvious tinge of Brandon Rogers in it, honestly it sound more like Blitz than Striker, as if Blitz hadn't really memorised his voice that well

Fizz's is, in my opinion, more well-balanced. I can hear a bit of Alex Brightman in it but also quite a lot of Blitz

Lastly, we have Verosika. She sound a lot like Blitz, but her manner of speaking is purely Verosika, which imo makes this the most accurate one.

Now, what does the Blitzø-voice mean?

Well, it all has a very specific motif

It's things that Blitz would say as a form of self-hatred

Think about it

"I don't need you, I can do this shit on my own so easily!" "But you don't want to do things alone Blitzo!"

"You tried the solo act, but it didn't work out so well!"

"Yet you still shove away anyone who gets too close until they resent you for being a selfish, shit spittin' snob!"

(the bold parts are the hallucinations, the red is Blitz)

Now, the things they said are very much the stuff Blitz would hate in himself. The fact that he wants someone to care for him, the fact that he can't do what he wants alone even though he tried, and, of course, his inability to get vulnerable with anyone causing him to push people he cares about away until they hate him.

So, I think that these are the thoughts that plague Blitz's brain daily, his self hatred, but it chose to talk through the mouths of the people most affected by said flaw

Striker was literally invited to join IMP. That proves that Blitz didn't want to do this stuff alone

Fizzarolli was his duo act for a while, and his robo version saw him trying the solo act, so it makes sense for him to say, that, on top of the circus vocabulary

Verosika is pretty self-explanatory. He shoved her away when she tried to be vulnerable with him, and she now resents him

So, now that we have that outta the way, let's talk about Moxxie and Stolas

Moxxie does a lot of rambling, but he also roasts him pretty bad

"I simply follow your orders! It's not my fault that your orders are as nonsensical as a suntanning bed left out on the cold rainy porch of a fresh April shower"

"Perhaps you should crack open a dictionary sometimes"

"Admit it, my dear boss. You don't know what you're doing half the time, and you depend on me and the missus to manage your foolish flights of fancy"

"I believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also crave it as well. It’s rather unfortunate sir, considering it’s often how you treat those who stand by you, such as myself"

"Are you worried I might have enough of it one day as well?"

But he also says some rather self-deprecating stuff that he wouldn't say in real life

"And then maybe you can understand half of the frivolous things I carry on and on about on my many rants about upbringings"

So, I think that this is Blitz's opinion of Moxxie. Now, why do he and Stolas keep their normal voices?

Well, I think that it's because, in Truthseekers, they both didn't hate him yet

That wasn't his self-hatred speaking

That wasn't him speaking

Well, at least in Stolas's case

In my opinion Moxxie's voice is altered for one of two reasons

• Moxxie is literally right next to him and high with him, so his voice is fresh in his mind

Not fun, kinda boring, but reasonable

• He hasn't fucked up with Moxxie yet, so his subconscious hasn't created lines that would be repeated so much in his mind that his voice slowly seeps into them

Very fun, also very reasonable

And that second reason is what I think happened in Stolas's case too. His voice is kinda flirty/condescending because that's the Stolas Truthseekers!Blitzø knows. He doesn't know his personality yet. For now he's just a rich, blue-blooded asshole he fucks once a month.

Now, another thing, Blitzø's outfit

He's dressed like a clown here, specifically he looks kinda like in the Loo Loo Land flashback

And his outfit changes when he gets dragged around in chains by Stolas

So this (I think), symbolizes one of three things:

• He fucked up relationships with people in the past

This is his past outfit, so it obviously has something to do with his past, and this is a pretty sound theory, but Striker kinda makes it fall apart

• The people he fucked up relationships with see the past version of him

A bit better, and pretty good overall

• This is himself at the worst point in his life in that outfit he wore in the past

Yeah, his self hatred would *absolutely* exploit him like that, plus he kinda hated himself at that time, so bonus points!!!

Now, the fucking marks on his face

For one, his usual tattoo that looks kinda like an imp/succubus got replaced by a broken heart both in Blitzø and Moxxie's Bad Trips, but in Blitzø's bad Trip at one point the heart (and his outfit) get replaced by his normal self

When does this happen?

When he's near Stolas

I think this symbolizes how Stolas heals his heart and fixes it, as well as how he sees him for his present instead of his past, which is very sad considering *couch cough* the last two episodes *cough cough*

Now, the tear

The fucking tear

If it was on both sides of his face, this would be maybe about how sad he is

But, it's only on the white side

Only on the scar

So I think this is sort of an opposite to what happened with the scar in Moxxie's Bad Trip

Moxxie's subconscious got rid of the scar and replaced it with a mask, since Moxxie thinks of it as a sort of Tough Guy Personality™ thing

Meanwhile Blitzø's subconscious recognized the scar as a physical reminder of his emotional pain and added a tear, a single tear, that can mean that the scar is something left of a time of sadness and grief, a time of tears

Another thing is that the imps fanning Stolas with those big-ass fans are actually Blitzø's but completely black

So that's Blitz's subconscious telling him that he will end up serving Stolas/is already doing that/is under him, while also trying to tell him that he loves the bird

Also, how the mud on the golden stairs disappears after feathers touch it Again, just like with the heart thing, I believe it's another part of the whole "Stolas heals you" symbolism thingy

Also, notice how he turns from Past!Blitzø to normal Blitzø gradually, and the closer to Stolas he gets the more normal he gets

So I actually just realised that and I'm pretty sure it's part of the whole thing I mention in the (hopefully) las paragraph of this post

And, lastly, how he gets covered up in golden feathers at the end there? I think it's some part of him trying to say "You're gonna end up trapped, tied down, unable to escape, so escape NOW"

So yeah, now I'm interpreting Blitzø's Bad Trip as two parts of his subconscious fighting, with the dead dog of the matter being "Should we trust Stolas?"

(Yes, it did turn really Stolitz in the end there huh? Now I gotta add the tags!)

[love-byers]

mike's weird language when he talks about el and their relationship

part of the equation of stranger things relationships is building the relationship through emotional connection, not physical intimacy and outright saying how you feel. it's a trope in st that the couples refuse to admit their feelings for some time before getting together. "we're just friends", "she's not my girlfriend" etc etc. the denial is super endearing. and even when the couples are finally together, this doesn't change. they're literally just the same duo same friends, but they kiss sometimes. they barely even acknowledge that they're together. it's a great trope in my opinion.

so a couple years ago i was rewatching st and made a list of everytime mike said something weird. meaning, every time mike did not adhere to this formula and stood out from the rest of the couples. i made a tiktok about it too so im basically quoting that in this post. something i stressed in that video was that because we have the other couples as source material, clearly the writers are capable of not doing this. they are capable of writing a good serious relationship, but they're choosing not to with mlvn. so keep in mind, the other couples (besides maybe stancy) do not do this and mike is supposedly, according to his own words, is madly and deeply in love with her throughout all of this and knows it.

Season 3

"Romantic time with my girlfriend."

i'll cut this one some slack, it's just that if you were truly madly in love it would be more like "I'm spending time with el". but thats all he views it as, romantic time with his girlfriend. going to his girlfriends house to make out with her. romantic time with his girlfriend. not bonding with the person he loves.

"Did you think we were never gonna get girlfriends?"

mike is hyperfocused on the word girlfriend. she's not el, the person he loves, she's his girlfriend. he doesn't say "did you think we were never gonna fall in love?" and look i get he's only like 14 here but it's the fact that he later claims he was in love with her the entire time and knew it. he literally claims it was love at first sight.

get girlfriends. he got a girlfriend. he didn't fall in love.

"It's not my fault you don't like girls!"

again the hyperfixation on girls, get a girlfriend, liking girls. mike, why are you more focused on the fact that el is a girl and your girlfriend than the fact that she's el?

"You're the most important thing to me in the world."

finn's delivery of this is so.....

and the fact that el just stares at him blankly afterwards, like she did not buy that lmao

Season 4

"That's because she's my girlfriend, Will!"

it's not "that's because i love her and want to talk to her" or something like that, it's "thats because she's my girlfriend and that's what you're supposed to do when you have a girlfriend" not "because she's el and i love her". that plays into mike's whole charade in lenora, he's just doing things he thinks he's supposed to do when you have a girlfriend.

"You're a superhero!"

that has nothing to do with who el is as a person, especially at that moment because at that time, el didn't have her powers. at the time, everyone believed they were gone, she wouldn't be saving the world anymore. but mike is still saying how incredible she is because she's a superhero.

i hate dr brenner so fucking much, but he did say something i really agree with. el kept going back to the concept monsters and heros, and he says those are things of myth and fairytale. not everything is black and white. this is real life, not a made up story with clear good and evil. and ultimately that helps her accept what happened with 001. he was 100% right there.

then here comes mike talking about monsters and superheros again like WRAP IT UP YA'LL ARE TOO GROWN FOR THIS

"You're the most incredible person in the world!"

again, he says that, but doesn't say why. he just expects her to believe him. it's such a broad statement and doesn't connect to anything about el and her personality/interests/ideas.

"Maybe I should've said something, and if I would've said that thing, maybe she'd want me there with her, wherever she is."

he wishes he'd just said it so she'd be satisfied and want him there and he'd know she's okay, he doesn't wish he'd said it so el would know in her heart that he loves her. "i love you" to mike isn't a geniune confession of his feelings, it's a thing. it's a thing that you say. it's something he thinks he has to say because that's what couples do and it's what el wants. if you fell in love with someone at first sight you do not refer to an expression of your love for them as 'that thing'.

"Maybe I was worrying to much about el. . ."

i really don't know what he meant by this. if she is the most important thing to him in the whole world and is deeply in love with her, why in the mother FUCK would he be apologizing TO WILL for worrying too much about her. there wouldn't be too much worrying when you love someone that much.

"You can fly, you can move mountains I believe that."

she literally can't.

"I love you for exactly who you are. You're my superhero."

the first time i saw this i literally thought "oh thats not..."

because it's.....not. one or the other would've been....fine i guess. but the first preceding the other is just not it. i love you for exactly who you are, and that is my superhero. is that all she is to you, mike? el expresses constant worry of being a monster, a bad person. she's afraid that she's a monster with or without her powers. but dr owens said "I'm willing to bet you're one of the good ones." fucking OWENS said something more reassuring than her boyfriend and supposed love of her life, mike wheeler.

THATS NOT ROMANTIC.

[babyangelsky]

The maids kids know everything

Yeah so I'm not done yapping about expressions this week and ya'll can blame @almayver , @slayerkitty , @prapaiwife , @fallsouthwinter , and @crispywizardtale for enabling me.

I wanted to talk more about Meena in my expressions post because the second I saw her adorable, sweet happy face go from this

to this the second she saw her grandfather waiting for her after school, I knew we were going to be in for a lot.

And boy howdy, were we.

First though, can I say how much I already LOVE Nina? Baby girl is 10 years old and she absolutely blew me away. She's doing a great job. Her expressions as Meena are clear and excellent and telling in the very same way that Tongrak's are. It makes it feel like they're really related and like she's grown up around him her whole life and picked up his mannerisms, it's incredible to see.

Of course, that also meant that she ripped my heart out.

Meena is sweet and cute and intelligent and it's obvious that she's the absolute light of Tongrak's life. She's also very precocious, which means that she knows everything to an extent that no child should.

This baby girl is very aware of how messed up her family is. She knows her grandparents' history, she knows her mother is afraid of her grandfather, she knows her uncle is even more afraid of her grandfather, and even worse than all that, she knows she should be afraid of her grandfather.

When her grandpa shows up at her school, she knows to take a picture and then go in the opposite direction of wherever he is. She knows to tell Tongrak right away. She makes the decision not to tell her mother because she knows it'll stress her out.

She says THIS.

Do you know how fucked up it is for a child to say this so casually?

For all that Tongrak and Kwan have been traumatized and harrowed by their upbringing, it's clear to me that they've done what they can to shield Meena from suffering because of it too. She seems like a bright, happy little girl.

But it's precisely because they're harrowed by it that Meena knows as much as she does. Kids see things. They understand more than they're ever given credit for because so few adults see them as actual people. Even if neither her mother nor her uncle said a word about their family history, Meena would pick up on all the things that are wrong and all the things not being said.

For god's sake, she won't even let her uncle pick her up from school because she knows he's terrified of her grandfather. No child should have the things on their mind that she does.

Yes, it's fucked up that there's even anything for her to be aware of in the first place and that she's having to think about comforting the adults in her life, but being aware of things helps to protect her. There's less of a chance she'll be hurt by her grandfather or anything else if she knows to run away and that she has safe places and people to go to.

And that's why it matters so much that Mahasamut told her the truth about his feelings for and relationship with Tongrak.

No one is ever direct with children. No one dares to be frank with them or meet them on a level they can process and understand because again, children aren't always seen as people. There's always this feeling of "you can't say that to a child" or "that's too much for a child!" and I'll agree that most children don't need to know absolutely everything.

Meena isn't most children, however.

I didn't pick up on it the first time for my expressions post, but when I went back and rewatched the scene in Tongrak's living room, I clocked this expression from Mahasamut.

He makes this face the second Meena brings up her grandfather. He wasn't really paying that much attention to the conversation before this but after? He zeroes in because he knows it's important.

There is no world in which Mahasamut wasn't going to offer--insist even--to pick Meena up from school. Ain't no way. He's just learned exactly how cruel and fucked up Tongrak's father is and now here this child is telling her uncle about how she saw that same man was waiting for her after school. In this exact moment he set himself up as one of those safe people for Meena to go to.

And I really think Mut realizes that in order to be that for her, he has to be honest with her. He tells her and she understands because she is intimately familiar with what it means for one person to pay another for their company. Once he's honest with her, he can then reassure her that he isn't with Tongrak for the money and that he sincerely cares about him.

Meena wants a happily ever after for her uncle. She can pick up on the sadness and loneliness in his novels. She sees that Tongrak takes care of everyone but that no one takes care of him.

When Mut asks her to root for him to get to be the one to take care of Tongrak and that he's confident that he can be, her whole face lights up and she has fight back her smile.

Maybe most kids don't need this level of frankness, but Meena does. I can only imagine how betrayed and hurt she would feel if she were to find out later from someone else that her beloved uncle's relationship began with money like her grandparents' relationship did because she has already seen how that ended.

Mahasamut has known this child for like an hour and already he's treating her and her feelings with the same respect and consideration that he shows to Tongrak. And that is exactly what she and any child deserve from the adults in their life.

[narrativelysignificantturtleduck]

rewatching the southern raiders and like. so much discourse about whether katara should've killed yon rha or whether aang was right or whether katara is a terrible person for that admittedly very mean "you didn't love her like i did" line and not enough discussion of how this whole fucking thing was zuko's idea. like he's not ride or die supporting his bestie on her murder quest he's straight up like "hey why don't you kill the guy who killed your mom i'll help you find him" and katara's just like "you make a great point" and aang and sokka are over here like what the FUCK

[arcanesea]

143 candies

PAIRING: moon junhui x reader GENRE: established relationship, fluff WC: 501 WARNING: reader is having period cramps (no pronouns used), one curse word

"Do you still love me?" Jun asks, stopping you from your endless scrolling. You look up to him in slow motion, wondering if you did something that caused him to ask such a question. Truth is, he just doesn't know how to properly express his love to you. Saying I love you is as easy as blinking, yet he finds himself unsatisfied with his own effort.

It's not like you demand anything from him, though, but that's what sends him on a frenzy; that you never asked him of anything (except kisses when he's in the middle of finishing a game, and he always provides them for you).

"Of course, I still love you, what are you talking about Junnie?" you ask back, walking to where he was sitting. You take the empty spot next to him on the sofa, leaning closer so you can rest your head on his shoulder. In turn, he brings his arm around your waist.

"I don't know, just feeling like I can't show you enough," he said. "I guess I'm just a little bit insecure..." he hesitates a bit, before continuing, "Honestly I don't fucking know."

"Junnie, you always keep spare pads on your car, you carry my bags when we're going out, you buy a reading lamp just for me, you take care of me during my period, you bookmark stuff that you think I would like to see, you send cat pictures and memes every day--"

"That's the bare minimum," he complained.

"No, well, yes, you consider it the bare minimum because you love me, for me it's everything because I love you," you said. "I'm sorry for not appreciating them enough, but those little things... They made me fall in love with you more each day."

"Is that so?" he asks again, voice small.

"Let's not forget when you bought coffee for my whole department, or when you joined me on my overseas trip, or last week when you sent 143 packs of candies..."

"That's a bit overkill, isn't it?" Jun laughs heartily, pressing a kiss on the top of your head. That was during one of your period cycles when you felt cramps and took the day off. He was away for work so he couldn't physically be there. You had told him that you're craving for some candies and the next minute you know, there's a delivery on your door.

"I almost thought you wanted me to have diabetes or something," you smile. It's the fact that he doesn't have to do all that for you, but he chooses to that makes you feel loved. You tried to reassure him that he's done enough, time and time again because he expresses his love in a different way. In a way that amazed you, and never not. He's creative with his declaration of love and you always point it out that makes him shy.

"Thank you, baobei," he said, "I'll continue to think out of the box to make you happy."

a/n. is it time to rewatch exclusive fairytale?

[nipuni]

OHHHHHHHHH MY GOD ARE YOU KIDDING ME!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I'LL NEVER BE THE SAME AFTER THIS!!!!!! THIS ENDING?? THIS WHOLE EVERYTHING!!!!! WHERE DO I EVEN START I'M SO STUNNED!!!! WHAT!!!!!

"The end of time" was the most incredible ending I could have asked for!!! We finished watching it all at 3am last night and we spent all of today yelling about it, I can't believe just how good this was!!! I'm so glad we've never watched this show before while this was airing so that we get to watch it all fresh for the first time because we are having the time of our lives now

It was completely devastating and so so inspiring, just exactly how I was hoping for it to be, I already want to rewatch S1 to S4 all over again 😭 the sheer comfort I get from the character of the doctor is insane, I've never rooted for a character so hard and wholeheartedly in my life, he really is the most wonderful being in the universe I'm in tears I'm Wilfred rn what the fuck man I'll never recover from this!!! I feel like a ten year old kid with a new superhero GOD IT WAS ALL SO GOOD I CAN'T ARTICULATE I'd yell about each scene but I'm aware that pretty much everyone has watched this ages ago so you know and I still wouldn't want to spoil anyone that hasn't just in case because going into this unspoiled and knowing nothing about it has been the most satisfying experience ever and I hope more people get to have it too!!! please if you haven't watched this before go do that!! and if you have and it's been a while do it again!!! the acting?? INSANE!! the writing!! incredible!! I have only good things to say!!! I only wish we had 1000 more seasons with RTD and David Tennant I really love this man, I'm so sad to see him go!!! and so happy to get him back for the 60 special!!

When we got to the last episodes of season 4 I was expecting pain and instead I got an unexpected fix-it device that was rather strange but cute so I was somewhat relieved and confused, then the holidays specials were pretty standard and lighthearted AND THEN THE WATERS OF MARS? INSANE EPISODE, I loved it so much, that whole part at the end FANTASTIC they went there and I LOVE them for it!! another favourite episode for sure, and THEN THE END OF TIME?? by this point Nicolas and I were twisted into a single pretzel on the couch bracing ourselves, it went from extremely intense to SO FUNNY to heartbreaking and just...amazing!!! AAAAAA anyway!! I had to get all that out of my system, now onwards to S5!!! I'm curious to meet Matt Smith's doctor 😊

[weebsinstash]

so the screenshots are kinda janky but I was rewatching the whole scene with Ozzie and Fizz's morning routine and I remembered there were those shots of like, the imp staff who work for Asmodeus and

is she helping do the laundry in platform thigh high boots, an apron, and a thong 😅 is that her UNIF0RM? Does she pick that out herself??? Is Lust just SO HORNY that it's totally normal that Ozzie's housekeeper is half-naked? Is he banging the housekeeper? Are Fizz and Ozzie exclusive or is it an open relationship? their other imp staff member was literally fully dressed so is this an optionally slutty, pro slut dress code idk

Like I'm sorry I'm just sitting here thinking of Reader who, Sinner or otherwise, is down in the Greed Ring as another performer for Mammon and Fizz is eventually like, "look, working this job is my dream, but it isn't yours. you shouldn't be attaching yourself to Mammon if all you need is a paycheck. I've got a... close friend who always needs extra hands; let me introduce you!!" and you have no idea that he's literally organizing a meeting with The Actually Fucking Cardinal Sin Of Lust until you're standing right in front of Asmodeus himself and he's just so goddamn CHARMING like he'd have me SWEATING AND GIGGLING I'd be straight up embarrassing myself like "o-oh that's not what I expected your voice to sound like hahaha 🥴"

Ozzie assures you the ultra sexy type uniforms are totally optional, and you could be bringing him papers in an oversized t-shirt and crocs and he'd still think you're as cute as can be. But. LORD if you ever decide, "I wanna feel sexy and confident and everyone else is having fun" and wear something sexy. It has him WEAK. Him? Them? Prolly both of them tbh. Like. Ugh I KNOW these two can go from having the freakiest loudest horniest sex imaginable to like giggling and tickling each other in bed and I can just SEE them being SO SOFT for a Reader darling. All your jokes make them laugh or affectionately roll their eyes. They DEVOUR your cooking (I think personal chef/PA Reader would be cute, the boys wake up and you have breakfast ready for them and everything), they're always sending you memes and things that made them think of you, they have a special group chat (of just them) SPECIFICALLY for sharing photos of you or things about you or just, talking about you period. Gosh. Would there be cameras suddenly installed where there wasn't previously just so they can see all the cute things you get up to when they're not around. All the little improv dances and songs... all the times you bend over...

Like the hilarity of Valentino getting absolutely fucking CUCKED when "his" Reader suddenly disappears, and it's because you can travel through the Rings and you work for Ozzie now and Valentino had no idea until he saw a trending photo of you and Ozzie where you guys did a HOT HOT photo shoot together to advertise something, where you're either almost completely naked OR actually ARE completely naked, and it's because Ozzie made you feel safe and protected and unlike Valentino, Asmodeus knows what an intimacy coordinator is-

You can actually go to clubs in those booty shorts with your ass hanging out and wearing whatever else makes you feel sexy and confident now because the second some creep is coming up to you and not taking 'no' for an answer, the creep suddenly has a massive looming shadow over them as an ancient demon turns to you and respectfully asks. "Is this guy bothering you queen?" and then steps on him. In a BAD way :)

GOD ALSO I TOTALLY FORGOT ABOUT THIA INTERACTION UNTIL I SAW THIS GIF AND. Asmodeus' VA previously described his type as "everyone" and he has a BBW on that fountain like 😩❤️ now I'm thinking of chubby reader who's gotten bullied and bodyshamed by Valentino (who is negging you and is actually down SO BAD) and then you run off to Ozzie who's like. "Baby you are GORGEOUS and if anyone ever says or does anything like that to you again, just let me know and I'll break their legs ok ^w^"

((Also. Non yandere related thing im seeing. He's one of the Cardinal Sins and imps are considered the lowest Hellborns and Ozzie not only has an imp lover but TONS of imp staff, like he is a pro body positivity anti racism fucking 👏 K I N G 👏 BANISHED FROM HEAVEN'S DISCORD SERVER FOR BEING TOO HORNY ON MAIN. i bet he would DESPISE that Heaven is discriminating and choosing who's hot, just, ugh i want him carnally (edit: i noticed they're actually all succubi/incubi and not imps but the point still stands lol))

[zoe-oneesama]

On a serious note, why do you not like Derision? I mean, I can guess why, but I’m genuinely curious to hear your thoughts (if you want to).

What have they done to my boy?!

I guess we'll start with the whole "trauma" thing since that's how the episode starts - with Marinette going on a date with Adrien at the pool but constantly getting heart palpitations at the very idea of it. And not good lovey-dovey crush ones like Sabine thinks. The Actual Panic Attack kind.

This just feels unnecessary AND too late. Unnecessary because there are plenty of pre-established reasons why Marinette could be hesitant to go all in with Adrien (Being Ladybug, the 354th other times going for Adrien has failed or left her humiliated, Being Ladybug). So I don't know why they invented a trauma for her in the final hour and didn't think it was worth talking about before now?

They really came up with this whole scheme to explain why Marinette does Marinette things, like learning Adrien's schedule, planning out everything before she tries to make a move, needing to know everything about him, as if the show hasn't been mocking her for these exact traits and allowing them to blow up in her face over and over again. But NOW it's due to her TRAUMA. So...retroactively when her friends laughed at her or slapped their foreheads in frustration or the show framed her failures as a joke...we know it's actually from a tragic place and can't laugh anymore.

I mean, I was never laughing, but you get what I mean. They framed it like it was part of the comedy and now they're pulling the rug out from under themselves. How are you supposed to laugh when Adrien brings Marinette constipation medicine, or when her pictures of him are blasted all over Paris Television, or the *ugh* Statue Scene plays out and now you know that this is just adding to her pre-existing trauma? They have shot the show's rewatch value.

I never thought Marinette needed a "reason" act the way she was because those were always just kinda The Things Teenage Girls Do when they have a crush. I've admitted in the past to learning my crush's class schedule just to orchestrate running into each other in the hallways more often, and if their crush had public interviews and magazine pictures, I'm pretty sure most kids would also cut out their pictures to keep and would read and remember the interviews. I never really saw her behavior as that weird for a girl her age with a crush and recognize some cartoon exaggeration.

...Stealing his phone was a little weird, though, I'll give them that though Alya is the one who suggested it first...

SO, we enter a long flashback to One Year Ago (with Marinette now on her third Almost-Akumatization, good lord) and learn what life was like for Marinette pre-Origins, and oh boy. It's hell. She's making up illnesses to avoid school, avoiding all contact with anyone in the courtyard, having cockroaches put in her locker, having the Principal catch her "late" for class (after she had to clean herself up from a water prank), gets yelled at by the teacher for being late, sits in paint, mocked in class and then yelled at again by the teacher for pointing out the person mocking her probably planted it, and gets Saturday detention. All in one day. And when anyone tries to talk to her or even glares at the person responsible, they get threatened too.

The main reason this is hell is because Marinette is being let down by every single adult in her life. Sabine just laughs and tells Marinette that she only has a few weeks left with Chloe and it's not like she'll be in the same class as her next year.🙃 Well, why don't you make SURE she doesn't?! Maybe this is just an American vs French school thing, but where I come from, it's totally within your rights to request that your child not be put in the same class as someone else, they could at least put in a throw away line about her parents TRYING to move her, but Chloe's not allowing it JUST to keep Marinette close to her. And maybe take this a little more seriously, Sabine- your daughter is faking illness to avoid One. Girl. That should be concerning, not "lol my daughter is so silly for trying to get out of class."

Damocles finds Marinette and yells at her for being "constantly late" and praising the "anonymous notes" (signed by Chloe -_-) for always alerting him when she's behind, and then later gives her Saturday detention for...someone clearly planting paint on her desk chair? He sees a victim of bullying and punishes her for it. At the end of the episode he even suspends Socqueline for something that happened outside of school, yet in "Jubilation" she's pumping him up as The Best Principal?! Does this show thinks we're stupid or something?!

Mendeleiev also yells at Marinette for being late. She allows Chloe to make fun of Marinette for looking depressed when she comes in and allows Chloe to mock Marinette for sitting in paint, but when Marinette doesn't even stand up for herself but just accuses Chloe of putting the paint there, THEN Mendeleiev has something to say, and it's to Marinette? For "groundlessly" accusing the only person in the room laughing at Marinette, the one who was just making fun of her, the one who kept her eyes on Marinette so she could watch her sit in the paint?

Marinette tells Socqueline that all the adults are scared of Chloe, but that's not what I saw. Sure, at the end of the episode Damocles is afraid when Chloe pulls a "Lady Wifi" to force him to punish Socqueline for smashing Sabrina's phone, but the sequence of events played out more like the adults participating in the bullying. It wasn't like Damocles was sympathetic to Marinette and then Chloe cleared her throat, so he straightened up nervously and started berating Marinette. It wasn't like Marinette accused Chloe and then Chloe glared at Mendeleiev, forcing her to finally intervene. All the adults see what's going on and are either completely oblivious or don't care.

Also, Chloe totally unprompted says this:

GET A LIFE, what is your PROBLEM?! Like, why have a flashback episode and not have it explain what Chloe's fixation on Marinette even is?! It doesn't have to be big or anything! Like, have Marinette trip and spill something on Chloe in art class! Just do something!

And like, I totally get that irl bullies just choose their targets for no real reason and this is just another example of that, but to this level?! Just...get a hobby!

And then there's the big thing they did in this stupid episode. The unforgivable. The reprehensible.

This fucking guy.

It's been so long since we've seen Bully Kim that I was pretty sure he was left behind entirely on the draft floor. Sure, Kim is still capable of being insensitive or not thinking long-term, but he was a good kid. He roots for his friends and wants everyone to have a good time.

Hell, I could even buy that Kim was dumb enough to believe Chloe when she claims what he did was a funny practical joke that they'd all laugh about later...until Socqueline came up and yelled at him that he should be ashamed of himself.

And Ondine yelled at him in the present that he should be ashamed of himself.

And it's a year later and he should have realized by now that he should be ashamed of himself.

Kim is dumb, that's just a fact, but the way he doubles down and is so sure of himself that NO it's everyone ELSE who has a problem because they can't take a JOKE? Like...why?! Why did they co-sign on this character assassination?!

Just make him become akumatized because he's A S H A M E D of what he did now that he's finally sitting down and thinking about it a year later! He can keep the same look and motif, just have Monarch stroke the part of him that doesn't want him to be the jerk, the old Kim! It's totally normal, especially for a kid, to want to believe that they're not the bad guy even with all the evidence pointing to it, so I could even see the akuma being exactly the same.

But naur, it's KIM who talks like a right-wing podcast douche bag, complaining that you can't just speak your mind these days and everyone needs to get a sense of humor, they just don't GET it man, this is just how he IS brah, take it or leave it! His akuma's even named "Dark Humor", like edgy losers on reddit who make racist/sexist jokes and then get mad when he's downvoted and boo'd out of a forum. God, we just CAN'T TAKE A JOKE I guess.

I'm glad this is resolved by Ladybug gluing a toilet to his head.

I just...I feel like this could've worked in Season 1, or Season 2. Like...put it before Dark Cupid or before Syren or something. That way, Kim being a total douche is the starting point of his character arc, not the Season 5 Post-Hero Run point, ugh.

It'd also make this stupid line make more sense:

I'm sorry, the girl who got you akumatized after she humiliated you in nearly the same way you humiliated Marinette? I guess that was "just a prank bro" too, right?

Establish Marinette's problems with romance early, so she can overcome them or at least give them the proper context. It'd at least make the show look better if they hadn't made fun of her for 4 Seasons only to drop this bombshell on us at the end. You know...the thing that they just did.

This episode just isn't fun. I hated "Illusion" because all you get to see is the bad guys winning and outsmarting the heroes, but "Derision" is a marathon of seeing the absolute misery Marinette was put through, just to jump forward to the present to destroy a character that I really liked.

Would a kid even like this episode?

[missvelvetsstuff]

As per usual, I'm a bit stuck on my current story, No Benefits(don't worry, I'm working on it but progress is slow.) And this idea popped into my head. Well, the truth is I rewatched the Newsroom and it gave me an idea. If you've seen the show you might see the similarities but it's not identical.

If you haven't seen the show, you really should.

Here's a draft of the prologue, LMK what you think and if you want more.

The Situation Room

Bucky Barnes x Reader

Summary: After a mission almost gone wrong, Tony brings back Bucky's former assistant, who is also Bucky's ex. Can they work together without hurting each other? Will the whole truth about their break up finally come out?

Avengers AU where Thanos never happened.

Prologue

Warnings: Swearing, angst, cannabis usage

Buckys motorcycle roared up the driveway of the Avengers compound, returning from a two week vacation after a mission fiasco. Tony had sent him to his house on Loon Lake, upstate. It was bigger and fancier than Bucky ever needed but secluded, quiet and on the water. Very relaxing. Pretty girls at the bar down the road helped pass the time.

He felt himself tensing as he parked and turned his bike off. Flashes of the drama went through his mind and he shook his head in an attempt to clear it.

His goddamn assistant had risked the mission when she didn't make sure he was fully  equipped. She was cute and not bad in the sack but had only lasted a few weeks before forgetting his favorite knife and guns, causing him to be unarmed and unable to protect the civilians he was trying to rush from the building. Thankfully Sam had been close by and able to get them to safety.

Bucky was lucky no one was killed. Well, no innocents were killed but a couple were seriously hurt, including a young girl, maybe 10 years old. He was shot as well but that was healed before he had headed upstate.

The press had a field day and the anti Avengers crowd went nuts. It didn't help that he lost his temper at a reporter who pushed a camera into his face, which he grabbed with his vibranium hand and crushed before returning it to the reporter with a big grin.

Bucky strode into the building, nodding at security as he passed, and went straight for his room to drop his backpack. Then he headed to the common room, just in time for dinner. Most of the team was there and Tony reminded him they needed to meet about the assistant situation.

Obviously his old assistant had been fired but a new one would need to be hired and Bucky hated that whole process. Tony expected him to at least sit in on the interviews since the first three he had were only interviewed by Pepper and washed out within the first week.

After he ate Bucky cleared his plate, confirmed he would meet up with Tony first thing in the morning, and went to bed.

His sleep was interrupted by nightmares of that mission, they had eased while he was gone but were back now that he was home. In his dreams, he failed and innocent people died, he watched that young girl bleed out in his arms before he woke up yelling.

Bucky was up at 5am, worked out, showered, ate and headed to Tony's office. When he arrived Tony's secretary waved him into the office.

Bucky sat across from Tony and waited for him to finish his phone call "Perfect, I really appreciate your help on this. I'll see you in a few minutes?" He paused, listening "No, that's no problem, I'll keep him here."

Tony hung up the call and looked at Bucky with a big grin on his face. "I believe I have solved your assistant problem. I found the perfect person and she'll be here any minute."

Bucky nodded "Great, so I can go now, right." Standing up from his seat, Bucky turned around and saw her. He did a double take, then glared at Tony

"NO! Hell no. No fucking way, this isn't happening Stark. I'm not working with her! Not after what happened. What she did."

Y/N smirked and winked at him while her gut wrenched at the hate in his eyes, she wouldn't let him see her pain. "Nice seeing you again too, Barnes."

Tony shook his head "Sorry pal, you don't get a vote in this. You've gone through 13 assistants in 6 months, not to mention the dozens in the 2 years before that. Y/N was the last one who knew what she was doing. The rest just wanted to get in your bed."

Y/N chuckled "That won't be a problem with me. I wouldn't have even come but I could use a break. Madripoor has been worse than usual since the Power Broker showed up"

Bucky flinched at the mention of Sharon Carter but pushed it aside then smirked "Well we agree on that, you're not getting anywhere near my bed." He looked at Tony "Can I go now?"

Tony nodded. Once Bucky was gone Tony hugged Y/N "Sorry about that but you know how he is better than anyone."

She shrugged sadly "It's fine. I mean he could have gone violent. I'm gonna go get my room unpacked. I'll see you at the team meeting tomorrow morning."

Bucky stalked to his room where he paced angrily for a few minutes before yelling into a pillow then changing and heading to the gym to work it out.

He started on a punching bag and his mind wandered. Why did Tony have to bring her back? There had to be other people out there that could do the job, the rest of the team all had long time assistants and didn't go through all the drama he seemed to. He was so wrapped up in his thoughts that he didn't hear the door opening.

Steve walked up to him at the same time he broke the punching bag which slid across the room and threw sand everywhere. "You alright there punk?"

Bucky glared at him "Do you know what Tony has done? Did you know?"

Steve sighed "Tony told me this morning. Said he didn't want me tipping you off. I know you're not happy about it but she was the last competent assistant you had. Your mission gear, appointments and paperwork were under control so no goofs like with every assistant you've had since, you know." He rubbed the back of his neck uncomfortably, not wanting to open any old wounds.

Bucky scoffed "How am I supposed to deal with her every fucking day. After everything that happened. I don't know if I can do this without losing it."

Steve nodded "I know but maybe it won't be so bad. Maybe you two can talk and find some kind of closure, even be friends again."

Bucky snorted "Thor been visiting with his fancy liquor? You can't possibly say that and be sober. How can I be friends after she-" he couldn't say it.

"I know jerk but just give it a shot. If it's awful then we'll make changes but at least you'll have tried."

Bucky sighed "I was gonna marry her."

Y/N went to her bedroom, Tony was kind enough to find her a place far from Bucky's quarters, where she had practically lived before everything blew up. She sighed and looked at the boxes stacked up next to the sofa, in her little seating area, before falling into the sofa.

Being in Bucky's presence for just moments was exhausting, forcing her to wade through all the heartache from two years ago. For a long moment she questioned her ability to deal with seeing him again, every day and still so pissed at her. Obviously he still hadn't learned the truth about that day but she wasn't going to try to tell him. She already did that, tried to get to him before anyone else could spin what happened but she was too late and what she found when she tried to go home had blown her life up. She had no reason to expect him to be open to hearing anything from her.

She shook her head to clear the negative thoughts. Bucky might hate her but he needed her, even if he would never admit it. Once his life was back in order and his reputation polished she would disappear back to Madripoor.

When she was done unpacking and organizing her room, Y/N grabbed a sandwich and iced tea from the cooler on the coffee table and sat back to enjoy her dinner. As she cleaned up, she ate a special brownie hoping it would help her sleep but knowing that it wouldn't be enough to stop the nightmares.

Tomorrows meeting would be interesting.

Chapter 1

[raayllum]

ok quick actual thoughts run down (spoilers for all 8 episodes)

The pacing of this season was interesting with certain episodes having almost no B plots and being largely A plots with some smatterings. 6x02 I think is the first and only episode that neither Callum nor Rayla appear in in the whole show. Sometimes this meant wondering when we'd get back to certain plots but I overall really liked it and I think I'm just gonna like it more and more on rewatches

Immediate standout episodes were 6x03 and 6x06 for me. Loved all of them of course

The season in some ways wasn't as heavy as I expected esp in the first half BUT things definitely ramped up in the 2nd half and I still cried

also Janai's early season breakdown + the Katolis story lore made me feel many things about her (and about future Rayllum set up maybe of course)

Zubeia going "your brother Ezran" to Zym killed me automatic tears thinking about it for days

Loved how Astrid and Kosmo were characterized and developed. And siblings!!

The characters I was most worried about dying (Aanya, Opeli) didn't and I am very happy

Knew Claudia would free Aaravos the second we knew we'd brought the wrong pearl, but was pleasantly surprised my prediction of "Callum and Claudia doing the same spell simultaneously in different locations" came true

There were also certain lines and concepts (like the quasar diamonds issue) that I was gobsmacked I got almost beat for beat. Also that damn staff - thank you!

6x08 unexpected win as a Sorpeli shipper I'll never ask for anything more what the Fuck

Gonna be chewing over Ezran and Karim's convo / end of Ezran feelings and throughout for a while

Loved all the Viren Soren stuff though outside of 6x05 nothing really got me Emotional there but maybe that'll change on rewatches

cannot Believe i'm going into season goddamn seven with CHET still on the table they need to free me from my misery I'm begging

Watching Karim not get the one W i was sure he'd get while having nothing but Ls was Funnier than it should've been

Very pleased if surprised to see Lujanne again

Aaravos' backstory was fucked up and I got it ("I cried for 100 years" plus her confusion really hurt)

The scene of Terry helping Claudia wash up left me like 😳 holy shit

also yes obviously loved all the Rayllum and "you're bad at doing things for yourself" (paraphrasing) and their reconciliation, felt very earned and natural. Also feels like we still have progress to be made for them and their dynamic which is nice

On that note Moon arcanum Callum didn't happen literally but the spirit of it that I always wanted (Rayla as his Constant Truth) DID happen so I'm taking that win so hard

The Orphan Queen totally has the Nova Blade in her tomb huh

Mutual salvation Rayllum theory I love you So Much

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 3.1

I thank my lucky stars every night that Yoko eventually got sick of playing secret-keeper.

Paul: I didn't leave the Beatles. The Beatles have left the Beatles . . . John said he wanted a divorce. Alright, so do I. See how they say “Beatles” and they mean each other sometimes?

Derek Taylor on John's position on the break-up: if Paul were to approach him and say “let's do it together again” he probably would; with no more words, he would probably do it. Which is an insane claim to make to a world full of people grieving the greatest band to ever exist unless you are very very sure of that probability. But if it's true that that's all it would have taken, and Paul didn't do it? That hurts my head a little. Do we think he was just hurt too bad to want it back? Do we think he didn't know he had that kind of power? Do we think he was glad to be free of the group?

Ugh my heart can't take it. I'd cry too, John, watching that. I mean look at how they are looking at each other. Look at everything they've lost in a year. I'd bawl like a baby too.

Paul sends John a long, thorough letter, begging for them to legally end their partnership outside of a court. John's run out of cards at this point, but he still doesn't want to lose Paul, so he's just going to play dumb.

This is how bad he doesn't want to lose him, actually: he goes along with Klein in tricking Paul this time. Calls him up and asks him to come to the studio for a jam session, because it'll hurt his case in court. But for multiple reasons – the Eastmans were knowledgeable lawyers, and Paul might not have even wanted to be in a room with John at the time anyway – Paul doesn't come. Which John would've been hurt and angry over, no matter his motives.

"They tell you to stop crying at about age twelve. Be a man. What the hell's that?" I'm so proud of John for his (albeit long and backsliding) journey out of his toxic masculinity and violence. Something I honestly don't see him achieving without Yoko.

And from that quote it transitions to Paul in Scotland, looking like the embodiment of depression, as the opening of “Isolation” plays. It's perfect.

“And don't try to come over here. Or you might get in some trouble.” The way he just froze when he saw them filming him and then the next thing we see is him threatening them? Get ‘em, babe!

John sounds so giddy about this one-upping competition with Paul. I'll scare him and then he'll scare me!

The whole Lennon Remembers era is such a terrible case of diarrhea of the mouth in general, but the amount of homophobic language is quite striking compared to how John talked before and after.

John, talking about George in Rolling Stone: "he was working with two fucking brilliant songwriters and he learned a lot from us." People read that quote and just parrot it like they do with everything John said in this period and act like George had nothing to be angry over. He had every right to be much angrier and hold a much bigger grudge than he did.

And about George's new record, which was phenomenal and brilliant, John is transparently jealous and so cruel. If he'd said that about me and then asked me to play on his new record I'd tell him to go to hell. Why did George do it?

See and everyone who knows John knows how much he loved Brian and to hear him speaking so crassly and cruelly about Brian must've been a sure indication to them to just take the entire interview through that lense of “oh he's just saying shit”. But that's only the people who knew him. Everyone else for the rest of time took this shit as constitutional. And it pisses me off. It should be locked away in a vault somewhere and no one is allowed to listen to it until they've passed some kind of Beatles and emotional intelligence tests.

This crushes my soul. How warped must his definition of love have been by that point that he genuinely believed Phil Spector and Allen Klein loved him more than Paul and George did? It's bonkers.

John in 1967: all you need is love! John in 1971: the point of life is to manipulate people. . . . What the hell happened to you, buddy?

I go back and forth as to who's the smarter PR person: John or Yoko? Because maybe she's right. Maybe they shouldn't divulge that they're master manipulators. But is this one of those times when it's good to be all “look how honest we are about this! We're not hiding anything! We're saying bad things about ourselves too! So you should believe us about everything else!”

Really this documentarian should be hired to make all the music videos for all the Beatles and solo songs. This one for “Too Many People” is perfect. Paul walking into court with a full beard and a confident stride, John and Yoko in bed, Paul horse riding overlayed on Linda's gorgeous face like she's some goddess, designing his fate. All of it is just pure brilliance.

I'm forever laughing at just the title of the song, too. Because to John and Yoko it was so important that they were Weird and Off-putting. Different. Revolutionary. And to say “no. You're not special. There's actually an excess of people like you.” Is so funny to me.

“When she wants an A side, that's when we start fighting.” Oh gosh. Remember how I said he backslides a lot in his feminism journey? Yeah…

Insanity quote Hall of Fame. Yeah, I know he meant to say it's weird to be best friends with a woman. But it sounds like he's saying it's weird to fuck a woman. Which maybe he subconsciously means both idk.

Paul: we need to legally dissolve the partnership because it's the only way we're attached anymore. Ouch. Okay it's true. It's deserved. But that must've stung for the guy who was terrified of losing people. Must've sent him into fight or flight.

I think the point of this framing is to say that if they'd had facetime back then, instead of just crackly phone lines, HDYS would not have been written. Not with those puppy eyes staring him down like that.

Interviewer: the song wasn't even funny though. John: well I think it's hilarious. Interviewer: hmm. Lol I love hearing interviewers talk to John about his lyrics like he's a real guy doing a real job, though. Imagine a music critic now saying John Lennon wasn't clever in his lyrics. You can't, yeah. Me either.

What a slap in the face to Cynthia. Guess she wasn't Cool Girl enough. Should've gone girled him. That would be an excellent fic. Cyn and Jane gone girl their idiot bfs and John and Paul realize they're in love on death row. But anyway, yeah. If Paul would've just pet John's head . . .

Another absolutely bonkers thing to say. That's something the Rockstar’s ex wife says in a documentary ten years after he's dead, not something a songwriting partner says, completely unprompted, in an exiting the band interview.

And then he goes off on what I see as a self-soothing diatribe on Paul the family man. You can see the hoops he jumped through to get himself there. What did Paul want that I couldn't give him? A family. And is that justified? Absolutely not, only pussies and conservatives want families.

Allan Klein: were you and Paul ever really close, then? John: no. John: not that I didn't love him. I did. It's just that every time I let my guard down, he hurt me. Holy shit. At this point, after getting hit in the face with so much of John's Paul-made pain with nothing from the other side but pictures of the happy McCartney family, I'm genuinely feeling quite angry at Paul. Me. An extremely biased Paul girl who knows it's far more complicated and multi-dimensional than this. No wonder the uninformed public fucking hated his guts.

And as they're showing this quote, “I didn't want to hurt you,” plays mournfully in the background. They really are so twisted up in each other there's no separating individual identities.

Okay so he's a psychopath. So what? He's the sexiest man that ever was or ever will be. He's allowed to be a horrible person. No, but really. He's Get Back Paul but healthier. He's done with his depression drinking and he's been spending a lot of time proving he's still useful enough to exist by building fences and shearing sheep.

And this is how Paul talks about George to interviews. John said Klein made ATMP a success but Paul disagrees. "George recorded it all, wrote it all, did it all, wasn't anything to do with [Klein]. It was George's victory, wasn't it?" Compare that to how John does it and tell me again why the hell George is Team John?

What is Paul's obsession with daddies? Actually I know exactly what the obsession with daddies comes from, but we won't get into that here. I do find it interesting that in ‘69 he's saying “we do need a sort of central daddy figure.” And in ‘71 he's deriding John needing one and won't let John's daddy of choice touch him with a hundred foot pole.

I tend to think Paul chafes against authority in general, but that's actually not right. He never had a problem with George Martin. I think it's just abusive authority or authority he doesn't trust yet.

[trillscienceofficer]

I made myself rewatch “Blood Fever” and, in the spirit of analyzing all the times B'Elanna was under the influence of alien crap as the only times in which she shows overt interest in men, this dialogue really caught my attention:

Tom: Sorry. Try to stay calm. I know it's hard. B'Elanna: You don't know anything. I feel like I'm crawling out of my skin. I need to do something. I can't take this. (She pushes Paris to the ground and straddles him. He pushes her off.) B'Elanna: You've never been hard to get, Tom. Tom: Well, I'm making an exception. I can't let you do this. B'Elanna: Oh, I'll bet you wish you could. All those invitations to dinner. And on the holodeck, the way you would stare at me when you thought I wasn't looking, and get jealous when I'm with someone else. You can't tell me you're not interested in me. Tom: You're right. I can't. B'Elanna Then don't push me away. Tom: Oh, believe me, I'd like to, but I know this isn't really you. You've made it clear that you're not interested, and I have to accept that's how you feel, even now. B'Elanna: No. No, it isn't. I was, I was just afraid to admit it. You see, I've wanted this for so long. (She kisses him.) B'Elanna Just let it happen. (More kisses.) Tom: I hope someday you'll say that to me and mean it.

So obviously this is B'Elanna almost at the end of her rope (the way she says that she feel like she's crawling out of her skin...) and the whole talk she gives about how she's seen the way Tom acts towards her is undoubtedly an act of desperation. B'Elanna is trying to wear his ethical concerns thin by pointing out that she knows what he's been doing, she's aware of his interest in her, so he could give in to his desires and have sex with her. Also obviously, that's fucked up!

But what I find most interesting in this scene is the fact that B'Elanna can explain so vividly how she knows Tom is attracted to her (the part I highlighted in purple), even in her state. She can recall precisely the instances in which she has observed Tom's interest. Now compare it with how she tries to talk about her own feelings towards Tom (in orange). It's much more perfunctory, a convenient explanation rather than a precise description of when and how her attraction developed. Even Tom seems rather unconvinced by the ‘I was afraid to admit it’ explanation, in addition to his obvious worry about her current state.

Now, I'm aware that B'Elanna is actually afraid of admitting any kind of feeling because she's so scared of letting go and letting people see her whole self, something Tom also points out to her at the end of the episode. So it is certainly a good interpretation to see B'Elanna's previous rejection of Tom as her being simply afraid of getting too close, especially to a human who might not be able to ‘handle her Klingon side’ just like her father wasn't able to deal with her mother and her (ie, afraid she'll be at the receiving end of more racial harassment).

Yet, I keep returning to the fact that B'Elanna was so precise when describing Tom's attraction to her but not vice-versa. I realize that in general women find it difficult to untangle their attraction to men from the attention they get from men. The latter is usually a strong component of the former for many women, and learning to separate the two things is often a long and difficult process. This is, I believe, part and parcel of the reality of living in a sexist society. With this perspective it's not surprising, imho, that B'Elanna finds it much easier to tell Tom about the way she's noticed his attention on her, rather than make a convincing case for her own feelings, even thinking of B'Elanna as completely straight.

But, but. As I've said at the beginning of this post, “Blood Fever” is part of a trend where B'Elanna is shown being attracted to men when under the influence of alien weirdness (the other episodes where this happens are “Persistence of Vision”, “Remember” and “Scientific Method”). It's probably the most obvious example of the whole trend, actually. The ‘sex pollen’ that makes B'Elanna act so irrationally is a strange offshoot of the Vulcan Pon Farr, something she only caught because Vorik (also not in his right mind) attacked her. (I think it's particularly fraught that all this is happening to her because she was essentially assaulted!!) And the dialogue above is so revealing to me, in the context of this trend—she knows of Tom's attraction to her, she's known for a long a time, but when it comes to her own desires her thoughts are much more nebulous and vague.

And it's not just in that particular scene I quoted, either. For example, earlier in the episode she bites Tom, but she doesn't seem super sure of why she did that (because again, she is not thinking very clearly):

Tom: [...] If I remember my Klingon customs, biting someone on the face means... B'Elanna: I know what it means. All right, so maybe I do feel something, some kind of instinct. What am I supposed to do about it?

And when pressed, she defaults to old Klingon wisdom:

Tom: B'Elanna, stop it! This isn't about the gun. This is about sex. But that's not gonna happen right now. B'Elanna: I think it is. See, I have picked up your scent, Tom. I've tasted your blood.

Part of it is Trek being always super weird about Klingon sex (this episode is certainly a prime example of that weirdness), and not having anything to say about it except for formulaic references. But also, taken all together, it's clear that B'Elanna is going through the motions of (Klingon) heterosexual practices because she has no other recourse, and Tom is just conveniently there, and conveniently already interested in her.

I think Tom calling her out on her pretense is already an obvious indicator that we shouldn't be taking what B'Elanna says of her own feelings at face value, but I would go even further and say that the way she acts is also hardly revealing of ‘true feelings’, much like her dreams in “Remember” were not her own. I'd say that seeing this episode as another example of B'Elanna being closeted is in fact just as viable an interpretation as the one that the episode puts forward (her being afraid of getting close to Tom); the two things aren't even mutually exclusive, in fact.

I've said before that the way Voyager puts B'Elanna in these situations where she has little to no control is an attempt to break her open and have her finally admit her feelings, because she's generally so closed off. So I'm aware of the narrative devices at play here. And yet, when these devices are being used so consistently when it comes to her relationship to Tom, I think it's interesting to look into it more deeply. B'Elanna and Tom were already playfully bickering and flirting even before “Blood Fever”, but it's only afterwards that it becomes really overt. I think part of it is because B'Elanna is now sure that he's interested in her (he admitted it to her), and he's shown himself to be a honorable man. It is honest attention; it's safe to reciprocate, and he won't take advantage of her. Yet the only way she's able to confess any feelings to him it's in the moments right before certain death in “Day of Honor”—her ambivalence never ceases to be there. It's even present all the way up to “Scientific Method”, where yet another instance of alien interference finally lets (?) her enjoy being close to Tom.

Again, I don't think it's at all a stretch to interpret all of this from the lens of a closeted B'Elanna—and “Blood Fever” unwittingly brings another argument in its favor, by having B'Elanna so clearly aware of Tom's feelings but not her own towards him.

[scoobydoodean]

I was wondering if you, as a Dean fan have opinions about the different writers? Mostly because I see a lot of Dean fans really strongly dislike Dabb for some reason and I don’t really understand why. I’ve never seen a concrete explanation beyond “he can’t write Dean/doesn’t understand Dean/actively hates Dean” but with no examples as to what he does that’s so bad. And I see this in every shipping lane. I don’t have a strong opinion about him as a writer one way or the other.

I'm exploring this more as I rewatch the show (currently on season 6) so I'll speak mainly from that perspective on my most recent thoughts. I am not a big fan of Dabb or Loflin, but have tried to be fair about things so far when talking through each episode. I am a fan of "Alpha and Omega"—it's my favorite finale (it's also... a finale for a season Carver started as showrunner? So I don't know what the implications are there as far as storyboarding). Also points for having demon Dean stab a guy through in 10.02.

I'll focus on the negatives you asked about in this post, but in the links you'll find me moving the narrative this way and that toward much more charitable readings... I think. (I do have a tag #dabb disk horse which you can either peruse or blacklist at your leisure). What I can tell you is something almost always strikes me as a off about Dabb/Loflin episodes so far in this rewatch in terms of character work.

Dabb/Loflin's first ever episode was 4.06 "Yellow Fever". In the aftermath, Kripke felt the need to release a definitive interpretation of their episode to the public, stating, "Dean is not a dick... he's a hero." The whole episode toyed with, to an extent, the idea that all the victims of the MotW were bullies. You can take this other directions—for example, queer meta, or meta about Sam as the real bully. However, the story a lot of fandom latched onto was that "Dean is a jerk and deserves to be humiliated and punished for that" which obviously didn't make Dean fans watching live in season 4 happy—and this theme of Jerk!Dean continues into their next episode, "After School Special", where they once again parallel Dean with a bully literally nicknamed "Dirk the Jerk" by Sam, and throw what I think is transparent shade at Kripke's issued statement from before the Christmas break (post here)... or maybe they mean to throw shade at the Dean fans who got angry. In this episode, they also make illusions to Dean wanting to have sex with barely legal high school cheerleaders, which also did not ingratiate them to Deanfans at the time. I said on my last rewatch, "In After School Special, Dean seems more unlike himself than any episode ever in the history of Supernatural up to this point" (post explaining that here). I carry similar sentiments about portions of 5.06 "I Believe The Children Are Our Future". Yes—I am aware of performing Dean meta. I just... feel like they try a little too hard. It feels hamfisted—desperate. To the point it doesn't feel like Dean anymore sometimes. In 5.06, they also have Dean (guy who is generally very protective of kids) suggest to Jesse that he'd be good to have in a fight???? I can see how they got there, but again—it just feels... off. The last episode I rewatched that they authored, 6.04 "Weekend At Bobby's", also leaves a bad taste in my mouth—not in what it's trying to do with Bobby or what it's trying to do on a meta level—but once again, with dialogue from Dean that just makes me think "he would not fucking say that" (post here). I think looking at all of these, you can probably see deangirl ire toward Dabb has a long history. It's been around as long as he's been around, whether he deserves as much ire as he gets or not.

I haven't circled back yet on this rewatch, but Dabb and Loflin also penned season 7's "The Girl Next Door"... do I need to say anything specific? Maybe I'll just link my entire #amy tag. What narrative did they want you to get from that episode? Who the fuck knows. And that's often the problem:

When you watch various episodes I've mentioned, you can work around to a meta that tells you something different than you might at first think the page conveys—something hidden and maybe contradictory. The thing is... you could also... not do that? And that wouldn't be so bad, except that sometimes the two narratives you can most easily grasp completely contradict each other. "After School Special" can be an episode that points to Sam's envy of Dean and John deep down and foreshadows Sam becoming a bully, but on a meta level, it also just as easily says Sam becoming a bully is somehow Dean's fault, and Sam is some poor captive baby. Dean is a creep and a bully and a cheater but we should all coddle him because he saw his mom die when he was a child and he's sooo sad. "Yellow Fever" can be a queer meta story and might also foreshadow approaching Bully!Sam in 4.14, but it also very much does call Dean a jerk (should we take that seriously? should we not?) and implies Dean should be punished for the outcome of three decades of reality-bending torture. Even if it's a queer meta underneath... it's just as easily one about how closeted men should be humiliated for cowardice or how being closeted turns you into an asshole.

Jumping way ahead, I have to mention 15.10 "The Hero's Journey" just because. Yes, it is full of jokes and Garth goodness, but also tries to sell you the story that nothing about Sam and Dean is real, to a degree that feels like you are being flipped the bird for ever watching this show. And again—you can make meta that it's all a ruse! But is it? Or is Dabb actually just telling you to go fuck yourself? Like he totally wasn't when, after the SPN finale when fans were Not Happy™️, he tweeted a sign reading, "Don't feed the baboons"? Yet again—we play into the motif of the "hero" who isn't a hero at all but some pathetic loser who deserves to be publicly humiliated, bookended with Dabb's opening episode in his opening season. I'm not saying that's what it is on purpose—but I am saying you can make these arguments easily, and that leaves me consistently annoyed with Dabb for being fucking sloppy and leaving me to deal with some of the most insufferable meta imaginable that carries little support outside of episodes written by Dabb or the Dabb/Loflin writing team.... Yes—I am in fact saying that Dabb and Loflin's hamfisted episodes (regardless of their intentions) are largely responsible for some of the most insufferable, loathesome fandom metas about Sam and Dean's relationship around.

Look at 5.16 "Dark Side Of The Moon", and 7.08 "Time for A Wedding!" and 8.14 "Trial and Error", 11.17 "Red Meat", and 15.20 "Carry On". Along with 4.13, while they might or might not say something deeper or contradictory on a meta level, on a surface level, every single one of these episodes sows the narrative that Dean is needy and clingy and needs Sam more than Sam needs him—something I intensely disagree with for a multitude of reasons... but I'll just link this. Many of these episodes also follow a surface level narrative of "normal life obsessed Sam" (and here I'll link my entire #sam the hunter tag and #in which sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea). When I look at this episode list, I also don't find it at all difficult to believe that Dabb wanted Dean to die in the finale. There is nothing at all shocking about that. And yes—you can argue he's pointing to the opposite—that this fate should be subverted and that's what makes 15.20 the dark ending, but I think you can just as easily argue that yes it's a dark ending and yes Dabb has always dreamed of this ending. A "tragic" ending where Dean dies and Sam goes on to have a white picket fence... while also leaving you little hints along the way that maybe it's all a big ruse because how could he not? He never has to explain anything. Someone else will pick up the story and make it make sense. He's already fucked off to piss all over fans of Resident Evil.

That said, when I mention what I feel is off character work, I mainly mention Dabb/Loflin episodes from my recent rewatch, which suffer from the two of them being newer to the series (coming onto the writing team in season 4) and also leave questions about whether, perhaps, they had conflicting ideas about characterization. Was Dabb the one penning these lines? Was it Loflin? Was it both? Did they trade out who took the lead? I didn't really say anything negative about "Sam, Interrupted" or "Jump the Shark"... (though "Sam, Interrupted" also calls Dean "codependent") who wrote those? Is it possible that the messiness of the meta comes down to two writers at war? I have to imagine though, that they got along, or else they wouldn't have written together for four fucking years. If they didn't get along...? My mind always comes back to their first solo episodes, right after splitting up in season 8. Dabb's first solo episode is "Hunteri Heroici"—the only episode to lend any perspective to season 8 Sam's reasons for abandoning everyone—paralleling him checking out with Fred's catatonia, which Sam has to save Fred from. It is the only episode that lends Sam sympathy in the early part of the season. He follows it up with "Trial and Error"—where Sam promises to save Dean from suicidal thoughts. Loflin's first solo episode is what I would regard as the most scathing solo episode commentary on Sam in the entire series—"Citizen Fang". Then he writes again right after Dabb's "Trial and Error"—penning "Remember The Titans" where Sam tells Dean to get over the promise Sam so passionately made in Dabb's episode and face reality.

This is why we're exploring this rewatch.

DISCLAIMER: Now I just devolve into bitching because I'm writing at 3AM. Proceed at your own risk.

It seems like these days, everyone demands an explanation for disliking Dabb (something about some sort of destiel battle... I don't know what that flamewar is and I don't give a damn tbqh.) I guess I've just been wondering what's actually so great about him. Because it feels like people have overcorrected to basically acting like he's god's greatest gift to mankind. People point to how meta his episodes can be, but I think other writers easily best him on that front on multiple occasions (particularly enjoyed by me so far on this rewatch: 3.10 "Dream A Little Dream Of Me", 4.04 "Monster Movie", 4.12 "Criss Angel Is A Douchebag"), and without leaving their meaning so up in the air that you don't even know what the hell they were actually trying to tell you because there are two different completely incongruous narratives you could just as justifiably claim were the intended one. Some people may find that duality praise-worthy. I don't. I find it sloppy—and when I add in mediocre character work, I just land on the side of him being, at the very best, mid.

Add him in as showrunner, you have... at least two of my least favorite seasons (13 and 15). Add that he's a one-trick pony in terms of the Sam and Dean conflicts mentioned above that he continuously rehashes rather than come up with anything new or fresh, and the same conflicts between Dean and Cas being played out until they both die (shut UP I'm not talking about canon destiel as the alternative—I am literally just asking for more diverse conflicts). I can't say I understand what I''m supposed to find so impressive.

(Before anyone so much as breathes this near me, Berens also sucks and I am going to tear off your nose hairs if you start bringing him up as if disliking Dabb for some reason means wearing rose colored glasses about Berens. Berens can eat a whole cactus raw over "The Trap" alone.)