#i'm gonna try to be on here this week!!!

[lucabyte]

i burned the bridges thoroughly but still everyone's trusting me again and i should be relieved but it happened so suddenly (and i know in my heart i haven't earned this, but everyone acts like my concern isn't a problem like nothing is wrong with my very involvement)

but i know how the song ends (x)

[marclef]

a special gift for you guys, for this very important Fake Peppino Friday.... after a week of near-continuous work, i present to you the biggest mess i've posted so far to tumblr:

The Fake Peppino Headcanon/Biology/Anatomy/Whatever the heck this is Post

really just a bunch of headcanons, ideas, and other stuff i've complied together for Fake Peppino, illustrated to the best of my ability. i hope you enjoy! ✨✨✨

(caution: lots of text and assorted Frogs up ahead)

now.... who's ready for walls of text and drawings?

Fake Peppino is a homunculus, made in the shape of Peppino by Pizzahead. He's much taller than the real Peppino, 8 feet tall compared to Peppino's 5 1/2 feet. He was created using the DNA from Peppino (either skin or hair cells), old pizza, and frogs (think Jurassic Park). His entire body, including the hat and "clothes", is comprised of a strange goop, with no flesh organs or bones, though certain areas are made out of specialized goo, meant for an intended purpose.

He can stretch his body to inhuman lengths, though he usually only does this with his legs, mouth, tongue, and arms. His goopy body is extremely strong, able to withstand tearing and most puncture wounds. Attacks from knives or similar weapons are pointless, as it doesn't really harm him, and will likely just lead to him absorbing the knife into himself and retaliating. However, repeated attacks, especially physical blows, can tire him out, and explosives can harm him, splitting his body into pieces if particularly strong. This doesn't kill him, though, since he can reform his body.

If threatened, or trying to get into a tight spot, Fake Peppino can deform his body into a blob-like mass, allowing him to flee, squeeze into small areas, or melt into the floors/walls. He usually keeps his eyes and brain intact, to see his surroundings and act accordingly. The rest of his body, despite deforming and becoming mushy, can still function, meaning he could still eat in this form if he wanted to. He finds tights spaces comfortable, and can often be found squeezed into unlikely places, such as small containers, trash cans, and cabinets.

If greatly threatened, though, or sufficiently angered, Fake Peppino can pool all of the energy into his body into growing larger, by rapidly burning energy into making more goop/cells. This is very tiring, generally only used as a last resort. The process generally makes his head and body much larger, with his limbs, as well as eyes/brain, staying mostly the same size. He is dumber in this state, with all energy and thought going into eliminating the target, something that Fake Peppino doesn't like. He avoids lashing out like this unless he absolutely needs to.

Despite his frog DNA, Fake Peppino doesn't do well with water or other similar liquids. Thanks to his sturdy stomach walls, he can drink most liquids just fine, even fluids that would be dangerous to humans. It's his outside "skin" that's the problem, since it can't absorb liquid properly. Prolonged contact with water or other liquid will quickly cause him to deform, unable to keep his humanoid form, until he's sufficiently dried off/absorbed the liquid properly. He greatly dislikes being wet because of this, and will go to great lengths to avoid it. Warmer liquids are slightly more tolerable, being much more comfortable, so warm, bubbly baths are welcome.

The brain and eyes are connected directly, with the brain protected by Fake's squishy head, and the eyes popping out the widened eye sockets. The brain is made of very specialized goop, and works very similarly to a human brain, sending signals to all parts of Fake Peppino's body.

However, despite it being the central control center of his body, smaller bits of brain cell goop are distributed through the rest of his body, allowing him to control other parts separately. So, even if parts of him are detached or otherwise removed, he can still control them, for a time. After some time, these parts die off though, losing control and deforming into inert goop. He mainly uses this ability to split "clones" off of himself, controlling them to attack perceived threats.

Being made of goop, Fake's brain can withstand damage a normal brain can't, but he still prefers to keep it protected underneath his head. It dries out a bit in the open, too, which he finds uncomfortable.

Fake Peppino's eyes are very strong. Though he's often seen with a cross-eyed look to him, he's constantly watching his surroundings, even if it doesn't seem it. He has excellent night vision, often using this ability to easily stalk and sneak up on prey in the dark without being spotted.

He doesn't need to blink, but he still closes his eyes to sleep, when he's very happy, or during certain actions, such as swallowing. His eyes are one of the most vulnerable parts of his body, though, and attacking them would be a way to easily disorient him.

Fake Peppino's sense of smell is also impressive, being able to smell things long before he sees them. He uses this ability to easily find food, prey, or simply something he wants. The mustache under his nose (which, same as his "hair", is also made of goop) is sensitive, and he doesn't like others touching it.

Fake Peppino often sniffs things he's interested in, including strangers, to try to get a sense for them. He never forgets a particular smell, which makes it easy to tell if a familiar person is nearby. He often sniffs others while holding them or being given attention, likely as a form of interaction. Plus, he just thinks most others smell nice.

Despite, like the rest of him, being made of goop, Fake Peppino's teeth can harden to be extremely tough. They soften if he needs them to, such as when he deforms. His bite force is very, very strong, comparable to a hippo's bite. He doesn't chew his food too often, though, and only really chews up food he finds particularly tasty, such as pizza. His frog-like instinct usually compels him to swallow most foods whole. His teeth are more often used to grip things, such as prey items, or to carry things around. He enjoys carrying things he likes around, and will carry smaller friends around gently with his mouth.

The stretchiest part of Fake Peppino's body is his tongue, which can stretch to several times his body length. It is very sticky, coated with a clear, saliva-like goop that fills the inside of his mouth as well. Like a frog, he uses it to grab onto and eat food from afar, or to grab items he doesn't feel like using his arms to. It's very strong, and can drag even very heavy objects. The tongue's extreme flexibility allows him to reach it nearly anywhere, even down his own throat if he really wanted.

Usually, Fake Peppino uses his tongue to snatch fleeing prey items, and he can wrap it around their body to make them easier to eat. He often leaves his tongue dangling slightly out of his mouth, due to its length, but also making it easy to strike with if needed.

Fake Peppino's "stomach" is a very special case. It functions like both an organic stomach, and similarly to a lung as well, constantly moving by pushing air in and out of himself. He can use this to inflate his body, making himself bigger for intimidation (like some frogs do), or to shrink himself down by releasing all air from himself; this is generally used if a prey item is being uncooperative, to cause them to suffocate. To help keep live prey in place as well, he's able to close off his throat with a mass of goop, preventing escape.

The constant movement of the stomach makes digesting meals easier, allowing them to be coated by a specialized goop that absorbs and dissolves what it covers, like stomach acids. Fake Peppino's stomach can digest almost everything, aside from very tough materials, such as most metals, very solid plastics, tough minerals (like rocks), and bones. Anything he can't digest, he simply spits up eventually, generally in a place it can be disposed of, such as the trash.

His stomach is very sturdy and stretchy, able to withstand almost anything, and can stretch as much as needed to fit what's inside. As such, there's not much of a limit to how much Fake Peppino can eat. Eating too much makes him sluggish, though, as his body tries to process it all. Fake Peppino is most content with a reasonably-full stomach, and is generally quite calm and relaxed after a large meal. Belly rubs at this point are greatly appreciated.

If needed to, he can reach his arms back into his own throat, to grab something from inside of his stomach. He doesn't do it often, due to most things he eats being digestible, making carrying stuff around in there fairly pointless. This is only ever really the case if it's something too difficult to spit up, or something that wasn't supposed to be eaten in the first place.

There is no further digestive system, however; all food eaten is 100% absorbed in the stomach. Everything he eats is converted into more goop like him, leaving no trace behind, unless it is undigestible. Bones from eaten prey such as rats get thrown out, or disposed of in an appropriate spot.

and... though I didn't get to drawing them, here's a couple extra unsorted headcanons/dumb little tidbits I just felt like sharing!

He makes lots of strange sounds, communicating more through groans and frog-like croaks than trying to speak. He CAN talk, but not well, mostly in broken, short sentences, and usually speaks "backwards". He can understand others just fine, though he struggles with especially long and complicated words. The sounds he makes when not talking are generally unintelligable, but his mood and tone can indicate how he feels. He uses the ability to inflate his body to produce very loud, aggressive sounds when trying to ward off threats.

His gooey body is what allows him to cling to walls and ceilings with ease. He sticks to walls while trying to stalk prey, or just to play around with friends. Though, in some cases, he'll cling against the walls or ceiling if frightened, finding them a safe vantage point. If you're in the dark and feel something creeping its way towards you, it's likely Fake Peppino, silently stalking you from the walls.

Despite his inhuman traits, Fake Peppino generally doesn't like the idea of eating humans. He still sees himself as somewhat human from his time spent believing he was the real Peppino. Attacking or eating things he doesn't see as prey is kept as a last resort, or if he's extremely angered. As of now in my canon/AU, there is only one person Fake Peppino has killed in this way. He didn't like the taste.

[thisfuckingdeadlife]

'must haVe' (V) for dicon

[johnslittlespoon]

tas john's havin the best day of his life in ch8 btw

[essektheylyss]

concept: gamechanger masks that say "I'VE BEEN MASKING THE WHOLE TIME"

[bloodofgrapes]

I would have posted this as a request response, but I had SO many requests for both Gumshoe being happy and von Karma siblings bonding

... well, this is a type of bonding, right?

[grinchwrapsupreme]

any other character I might not have noticed, but the way Roman holds his arms in front of him when he's crying at the funeral like a shield... like he might get hit...

[poorly-drawn-mdzs]

For your consideration.

(Reminder to vote in the poll)

[osamusriceballs]

The Accident - Part XVII

Atsumu x fem reader

Warnings: Making out

Words: 1,5 k

About: Back to Onigiri Miya <3

Part I II -> Next Part

"Finally. Took ya long enough."

Osamu rolls his eyes when you both enter the shop. You apologetically smile and wave while uttering a greeting. "Hey, Osamu. Sorry for being late." Atsumu grins widely, simply ignoring Osamu's comment while you both move to the counter, where Osamu is working. You notice that he looks a bit tired after moving closer, the bags under his eyes proof that he probably only slept a few hours before he had to open up the shop again. Yet, he still professionally forms Onigiri with his hands, everything looking as flawless and clean as the last time you had been there.

Osamu finally looks up to you both when you reach him and suddenly raises his brows when he sees how tightly your hand is held by Atsumu's. His mouth opens slightly, as if to comment on it, but he closes it silently without saying anything before he diverts his attention back to the Onigiri in his hands, now with a small smile adorning his lips. Your face warms up and you mentally thank every deity for making Osamu the more tactful and considerate twin. You're quite certain that Atsumu would have commented on that, if he had been in Osamu's place. Such a tease.

You clear your throat and let go of Atsumu's hand, but his grip around yours is so tight that it doesn't make any visible difference. "Samu, I'm starvin'—could eat the whole menu today. Gimme that please." Atsumu points towards the filled plate in front of Osamu, who just groans as a response and rolls his eyes. "Yer only here for five seconds and I already wanna kick ya out."

You blink in surprise when Osamu simply pushes the plate towards Atsumu and then turns around to open the fridge. "I prepared somethin' for ya. Take it before I change my mind." He hands you another plate with dishes that you remember from the last time you had been there, and you hastily pull your hand out of Atsumu's death grip to take it. "That's—amazing! Thank you." Your stomach clenches at the sight of the food, and you become painfully aware of the fact that you haven't eaten anything since last night, and it's around 4 pm at this point.

"I'll make sure to tag ya in an Instagram post, Samu." Atsumu grins and places one hand at the small of your back to direct you towards a free table. "Here." He quickly places his plate on the table and moves back to the counter. "I'll get us something to drink." You smile and nod while you try to calm yourself down. Your heart starts beating faster when you think about what has just happened with him in his apartment. How he had kissed you and held you. How he was laying on top of you and grinding against you- so needily and desperate. How your hands had been buried into his hair, desperate for him to deepen the kiss—and he did.

But it all came to an end when you had moaned against his lips, the sound so breathless and lewd that your eyes shot open—and he pulled away with a curse. "God, y/n. I can't—we shouldn't—gosh, fuck. I want you so badly." You could see his clenched jaw, his flushed cheeks, and feel the hardness in his pants without a doubt. You knew he wants to go further- but the wetness between your legs was also evidence of how much you wanted him, and you were quite certain that he could feel your warmth and wetness through his pants at this point. But you knew it's not right. Not now, not so shortly after all that.

You had taken a deep breath and then untangled your legs around his body. "It's probably for the best if we stop right now." You smiled a bit strained, your body wanting nothing more but to stay here forever and let him have his way with you, but your mind told you to slow down. You didn't want to ruin this by starting something like this too soon. He had simply nodded but still leaned down to press a longing kiss against your lips. You had melted into the feeling of his lips against yours and reached out for him, only to have him grab your wrists a little clumsily while he pulled back from the kiss and pinned your hands to the bed. Your eyes widened at your vulnerable position under him—and a throb of need rushed through your body.

His eyebrows shot up and his lips curled into a smug grin at your reaction. "Oh? Ya like that? Seems like we're in for a good time then." You swore you could have exploded any second, especially if he kept looking at you like that, and you simply released a shallow huff at his words. "Yer really testin' me here, wifey." He closed his eyes for a second and then pulled back. "Imma take a quick shower and then we can grab somethin' to eat at Samu's. Is that alright with ya?" You had simply nodded, too flustered to form words, and he pecked your cheek one last time before he headed to the bathroom.

After that, you wobbly made it to the other bathroom, quickly washing your face and getting dressed again, trying to distract yourself from the fact that you were this close to giving in and begging him to sleep with you. You have never felt like this with someone else; Atsumu just elicits feelings and actions from your body that you would never have thought were possible. He's a great kisser, and judging from the way he had been grinding his hips against yours, you were quite certain that he will be equally as good in bed. Your face had heated up again at the thought of sleeping with him, and you had quickly grabbed your stuff and go back to the bedroom. You both quickly took your things and made your way towards Onigiri Miya, but not without making out heavily in the elevator.

"Here ya go." Atsumu places two drinks on the table, and you get pulled out of your thoughts. You try to look calm and composed with a smile and thank him while he takes his seat, shortly admiring him in his simple, yet very attractive outfit. A white shirt and a pair of jeans—nothing special, but when Atsumu wears it, it just looks that appealing.

"Don't worry, these are alcohol-free. I'll stop drinking for a while for sure." He scratches the back of his head bashfully, and you laugh softly. "I figured so. But aren't you training like crazy now? Isn't it bad for you to drink anyway?"

A faint pink hue covers his cheeks at your words. "True that. I'm gonna stay away from alcohol for a long time." He shakes his head and then looks away. "Can't believe it's just a few more weeks till the Olympics. Time is running but- oh, let's start with the food already. Can't wait any longer, I'm sorry." He takes an Onigiri off his plate and eagerly digs in, and you're quick to join him, amused by his cute expression while he's chewing. He must have been starving for sure.

"I feel so much better already." He grins, and you nod while you eat a spoonful of your meal, enjoying the taste of fried rice. "Me too. I love Osamu's food." Atsumu nods and pretends to think for a second and then smugly grins. "Seems like yer fallin' for all the Miya's. We're a talented family after all."

"I'm not falling for all the Miyas!" You weakly protest, but the food could definitely make you consider Osamu as a possible partner. "Just kiddin'." He chuckles but suddenly yawns while he reaches for another Onigiri. "I'll drive ya home after that. I'm way too tired for anything more." He does look exhausted now. You don't know how he manages to even hold a proper conversation in his state, his eyes closing every few seconds before he almost violently pulls them open again.

"That's okay." You smile sympathetically and reach for your drink. He got your favorite, and you feel a sudden warmth running though your body at this realization. "I'm also exhausted after last night. But uhm..." You hesitantly fish for your phone and unlock it. "Do you maybe want to give me your new number?" You feel a faint blush creeping up your cheeks, but you're too afraid that you'll forget about it later- especially when he can barely keep his eyes open. "Oh? Sure." His eyes light up, and he quickly wipes his fingers on his tissue before he takes your phone. "Here ya go. I'll make sure to text ya every day."

"You don't have to text me every day." You snort but smile at the thought of always waking up to messages of Atsumu. "I will. Don't worry." Something about the way he says that makes you believe him, and break the intense eye contact when you take the phone with slightly shaky hands and look at the screen.

There it is, your new contact:

Husband

[cordeliawhohung]

[karoiseka]

A secret rendezvous. <3

[kindahoping4forever]

x

[drugsforaddicts]

I see this fucking school really is trying to get on my nerves and kill me

[redstringraven]

work morning's been slow, so i read an essay on faerie folklore and i am once again chomping at the bit to sweep together my scattered mess of notes on liáfsini and continue my dumb worldbuilding, soft redesigns, creature design, and... rework of s5? my soft-iteration of it? whatever.

between tmnt4p commissions, i've been slowly moving my writings out of google docs and into more localized programs that allow me to move files between my desktop and my ipad, as well as rebuilding the original scrivener file from the ground up. i've also got a bunch of scattered thoughts in sketchbooks that i need to relocate, so everything's closer to being in one place.

maybe it's silly to work this hard on something more closely associated to fandom than to "my own works", but eh. it continues to make me happy. and i think there's merit to expanding existing things, anyway, whether you're doing it "canonically/officially" or not.

[hzrnvm]

i'm drowning in sadness for no reason

[thinkin-bout-milgram]

Triage: Initial Thoughts

Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage! 

I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico​! 

Alright, let’s do this!

Shidou’s kids died immediately, but his wife had a chance to live.

I’m basically just going to give a quick play by play of what I think happened in the video.

Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.

He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.

Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.

I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references. 

I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death. 

This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.

NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.

Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.

Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.

He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.) 

He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.

In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth. 

Shidou is constantly plagued by the guilt of what happened.

The simplest way to explain this is with this image: 

When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image: 

Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.

Triage takes place almost entirely before and after Throwdown.

That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.

Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.

In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).

He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.

VOTE: INNOCENT

Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.

Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.

I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.