You know that Chris Fleming line that goes "Call yourself a community organizer even though you're not on speaking terms with your roommates"?
I honestly think every leftist who talks about the "revolution" like Christians talk about the rapture needs to spend a year trying to organize their workplace. Anyone who sincerely talks about building a movement so vast and all-encompassing that it overwhelms all existing power structures needs the dose of humility that comes with realizing they can't even build a movement to get people paid better at a badly run AMC Theaters where everyone already hates the manager.
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Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.
They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.
So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.
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I finally watched breaking bad (all within the past week or so while I worked, finished it and watched el camino last night) and I'm confident this isn't a new thought I'm expressing or anything but genuinely how DID an entire generation of dudes convince themselves Walter White was cool and admirable and intended to be sympathetic. I know ppl just lack media literacy sometimes but I'm still so confused
I don't think I've EVER watched a piece of media that so blatantly depicts a guy making the worst possible decisions at every turn and having his life ruined for it and not being redeemed or made sympathetic in any significant or lasting way. the kinds of justifications villains USUALLY give that make people consider them "morally grey" or "tragic" or whatever (everything I did was for my loved ones, I did what I had to to survive, once I was in this I couldn't get out, I just needed you to trust me so I could keep you safe, etc etc) is ALWAYS framed as complete self-serving bullshit when Walt says it, and one of the only shreds of personal growth he ever exhibits in the whole series is when he finally fucking admits that. every time he does something even remotely cool or drops a quotable one-liner, something terrible immediately happens that makes everything worse and makes him look like an unreasonable idiot asshole again. by the end of the series the ONLY characters they can still contrast as being morally "worse" than him are literally a bunch of bloodthirsty neonazis who kept a guy in a cage for several months. this show is practically SCREAMING at you the entire time not to admire Walt. why did every dude I knew in highschool have his face on tshirts and Facebook pfps.
I just don't get it. at least with The Dark Knight's Joker it was like, a feature-length movie and that's it. you spend a lot less time with the Joker and it has a lot less time to delve into his motivations, so there's way more room for flanderization and misinterpretation as people extrapolate the few cool/interesting/sad things they saw into a whole nuanced misunderstood guy in their heads and online. Walter White has 5 seasons' worth of 45min episodes to convince you beyond a shadow of a doubt that he is a miserable fucking loser who ruins everything he touches because of greed and selfishness. if you weren't watching it for that, what WERE you getting out of this. what DID you think this show was about. am I just missing some key piece of context from 2012 or whatever that would help me understand this
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Chiho Saito's Illustration Collection artbook is the highest-quality visual media in the Utenaverse. Oversized, single-sided, heavy pages with extremely high quality printing. It is the first artbook I ever scanned.
In 2001, the average screen resolution was 800x600, and I delivered a 1250px wide collection that for a while, took $60 A MONTH to host, because no normal website was hosting images of this ludicrous size. It took my scanner almost an hour to capture a third of each page. I spent months piecing the scans together in Photoshop. It was one of my first true Utena labors of love, and the result is that for decades, these copies have been the definitive copies of Chiho Saito's artwork on the internet. For a very long time, even kinda now, if you see these images, they're probably my scans.
But decades have passed, and I've never been happy with these results, because they couldn't capture the fine details, the paint spills, the sketch beneath poking out, the brilliant use of gradients of dark color to pop the image but drive me insane. What I am finishing up now is a true, archival copy of the artbook. One that delivers such high resolution, that these can print posters larger than the originals, and thanks to some truly brilliant descreening tech, (Thank you Sattva) I've been able to dig up fine details in the work that the printing obscured, but undeniably included.
It's been over 20 years, and it shows. 1250px? Nah, my archive copies are 15,000px wide. I can't wait to finish this and share it with the world. <3
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You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.
Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?
When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.
'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.
Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.
So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.
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People who still think Infinity Train got cancelled because they, sanded a character to bits, cremated a conscious white man, and okayed a monster with severed arms make me laugh because Owen, the man, Dennis has already confirmed that CN & HBO had no problem with their insane deadly ideas. If anything they were pretty quick to approve them.
Yah wanna know what didn't get approved so quickly/approved begrudgingly? Jesse's American Indian/Native heritage and the Rymin's heartfelt conversation about how it isn't easy to be Asian American/Asian Canadian in any creative industry. Why did Jesse being himself take 7 months to be approved? What did Dennis mean when he said a similar thing happened with Min and Ryan?
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It is my sincerest and unironic belief that we must invest in preserving "old technology." The more we move to a hegemonic, easily-surveilled way of living, the worse we will find this world to be.
Letters, public phones and transport, cash, and so much more are key to ensuring both freedom of movement and information, but also to combat the surveillance state. We need to preserve the ability to both access the world but also to be untraceable. I truly hope more people start to recognize this. It isn't about nostalgia for the past. It is about ensuring that we are actually afforded freedom, from the richest person to the person who lives on the sidewalk.
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