#i've read babel. it was good and she obviously knows what she's talking about because there was so much information in it

[fearandhatred]

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[thegeminisage]

tos ep rewrites/stid rewrite for the wip meme!!!

HIIII ty for asking

this isn't technically a fic per se, it's almost like a half-fic half-meta kind of deal - essentially it's an outline of what could be a fic if i had more time and patience. i did this for the first tos movie here and had a lot of fun doing it, and then i also did a small rewrite of "tholian web" here, and i had SO MUCH FUN DOING THEM but then i got side tracked and haven't done anymore. my plans for other episodes/stid are vaguely as follows:

the enemy within - loved this one conceptually but the crass rape jokes left a real sour taste in my mouth. i'd have less of that (or, if i had it, take it seriously) and more shenanigans where someone can't tell the two kirks apart because. they're both the real kirk!! that's the real point of the episode, right?

the conscience of the king - frankly, there was too much shakespeare here, even though it will always be my fav trek episode of all time. i also thought the lenore thing, while a great twist, could have been a little less "but kirk really secretly loved this woman 20 years younger than him!" and more "man this is crazy fucked up that is trying to honeypot this very young woman and surprise she is doing it back to him." more foreshadowing and drama, you know? the tos version wouldn't have to be gambler's knife but it could be something more than what it was considering the huge effect it had on fandom - i always kinda wished it had the vibes that obsession did.

the galileo seven - i thought this episode treated spock like he was kind of stupid. "why is my first command failing when i've been an asshole to everybody?" he has a human mother! he knows how emotions work! he is not stupid! i also thought there was a missed opportunity: they all talked about how callous it was for him to be picking a man to leave behind to lighten the ship, and he was so obviously going to choose himself, but it never went anywhere. let's do him more justice!

metamorphosis - let's chill with the horrific misogyny and have more fun with the accidental parallel kirk made in his really cool speech. like fuck it this is my edit let's just do spirk

mirror, mirror - this one is actually perfect as it is but i wish we'd had more time to se what the mirror kirk & co were doing in the prime universe.

journey to babel - this one is great but i don't think it takes either of spock's parents to task enough for him turning out like that. also, they tricked us into thinking amanda was the good cop in aos and then have her slap him in tos but then acted like that was just fine? girl, let's get into it

the paradise syndrome - i just want this episode without the heinous racism. please please please. easily easily EASILY my biggest trek disappointment ever

requiem for methuselah/the enterprise incident - these two go together as part of a more complex story based partially on the fact that they originally wanted kirk's breakdown in the latter episode to be a real result of the various um things that happened to him in season 3 and partially by the fact that requiem for methuselah WAS my november 5th and i am being completely serious. i didn't think i would ever feel that way again but i did at the end of that episode. you can read about the general idea here at the end of @maulthots close encounters powerpoint which i helped a little bit with.

honorable mention to episode premises i would have loved in a different context - lights of zetar where spock is the possessed one and an episode totally unrelated to wolf in the fold, the funniest tos ep after tribbles, where an enemy who feeds on fear jumps around the ship possessing people. that could have been great had it been in a serious episode and not been played by piglet's voice actor

and finally, star trek into darkness...everything about this movie was bad, except the warp core thing which was accidentally very very VERY good. so i'd rewrite it from the ground up, starting with recasting khan, because that was just a hateful thing to do. i don't have very many concrete ideas on this yet except you'd HAVE to get assad zaman for khan, right? because he can do that thing where he makes his eyes shake? he would have rocked it.

let people send you an ask with the WIP title that most intrigues them, and then post a little snippet or tell them something about it!

[cosmicrhetoric]

tagged by the incomparable @briarhips to post nine book recs <3 sorry so many of these are classics im going thru smth

Sense and Sensibility, Jane Austen: This is MY Austen of choice. I'm doing a reread atm and it's very Emma in it's social commentary but this is THEE eldest daughter book of all time. Maybe I just like when characters are super repressed but if you want to see a woman (who has spent 200 pages being soooo hinged) have the most cathartic breakdown about it......

Identitti, Mithu Sanyal: For fans of Kuang's Yellowface who want a bit more of an academic lens! Our main character, a 2nd gen Indian-German woman, spends years of her life in the trenches of postcolonial study under a seemingly Indian woman who is then exposed as white. It doesn't give you any easy answers but it provides a lot of scholarly resources and leaves a lot of space to come to your own conclusions. Read it on a plane. Kinda fire.

Eros the Bittersweet, Anne Carson: We all know Carson. But I'm picking a nonfiction essay instead of Autobiography of Red or her translations mostly because this one takes you behind the curtain of a lot of her famous translations when it comes to the aspect of love. I'm not really nonfiction girl in general but this was worth it

Chain Gang All Stars, Nana Kwame Adjei-Brenyah: Speculative abolitionist fiction! Set in a near future where prisoners can compete in death matches to try and win their freedom. I've honestly read nothing like this...ever, like it's in a league of it's own but if you're a fan of the way footnotes were used in something like Babel you're gonna wanna check this out. Multiple povs (really interesting pov switching from a craft perspective actually) overlap to paint a stark and realistic depiction of American prisons.

The Devourers, Indrapramit Das: This was described to me as "IWTV but with werewolves and in Mughal India and actually really good" and while that's a pretty comprehensive plot summary it does not even begin to cover the shit this novel goes through. This is a book about transformation and stories and what letting a story live in you can do for you. The werewolves are kinda obviously a genderqueer allegory as well (as they often are in sff lmao) but when the interviewer himself starts talking about gender in his experiences you can see how that changes the story he's transcribing and it's just very cool. Heavy trigger warnings on this one though. Don't read if you can't handle a bit of piss (they are wolves). Writing style wise feels very similar to the magical realism of The Hungry Tide if that's ur bag

The Mill on the Floss, George Eliot: In the way that s&s is my Austen, this is MY Eliot. A classic story about women of this era who cannot fit into the boxes society lays out for them. A failed romance brands the main character an outcast in their town in a way that is. Hear me out. Fucking Utenaesque. Follow for some classic tragedy and themes of water....I would compare this more with like Dickens Bleak House than Austen though.

Villette, Charlotte Bronte: Once again. MY Bronte. Maybe it's just cause I read this before Jane Eyre but literally I do not understand why Miss Eyre gets so much more love than my girl Lucy. In broad strokes the story is about an English girl who ends up having to support herself by moving to France and becoming an English teacher at a girls boarding school. She's also plagued by a terrifying apparition of a nun, because this is Charlotte we're talking about and there's a bit of Catholic v Protestant thing going on. I read this during the very early pandemic and let me tell you some of the descriptions of isolation and loneliness are soooooo. yeah.

Monstrous Regiment, Terry Pratchett: Listen. Like, listen. It's that good. I wouldn't put a discworld novel up against fucking chain gang all stars unless it was THAT good. This is a classic 'girl dresses up as a boy and goes to war to find her brother' story. It definitely started as a commentary on folk songs/stories but it is at it's heart a novel long criticism of imperialism, nationalism, and organized religion (there's jokes though it's funny). Also not to be that guy when it comes to LGBTQ book recs but the thing came out in 2002 and it's surprisingly thoughtful when it comes to both gender and sexuality. You do not have to be a fantasy fan or a discworld fan to read this. If you gave Pratchett a try and didn't like it i STILL insist you give MR a shot. It is in a league of it's own.

Wives and Daughters, Elizabeth Gaskell: Do not be scared off by the sheer length of this one. It's fucking silly. This is one of my faaaaaaaave 1800s novels about class. We have juxtaposition between Molly's family (her father is a gentleman but a working doctor) and the landed gentry but also this divide between the uneducated Squire and his Cambridge bound sons and another one with the 'new money' gentry. There's also quite a lot of early science and anthropology documented in this (Gaskell and Darwin were besties) if that's interesting to you. WARNING: SHE DIED BEFORE SHE FINISHED THIS. ITS LIKE 99% DONE THOUGH

This was a hard list to narrow down but I have to include (at least as honorable mentions): Ling Ma's Severance/Bliss Orange, Cixin Liu's Three Body Problem and the SFF POC anthology New Suns

tagging: @weltonreject @bronskibeet @gaymersrights @orchidreign @brechtian + any and all mutuals i know ive forgotten <3

[belle-keys]

Ngl your review of yellowface really made me not want to read it and has made me sort of reconsider my opinion on rfk. I mean, I certainly don't want to say POC are at a disadvantage in the publishing industry (because I don't have the necessary information to either prove or disprove that claim nor the time to acquire it) but in her particular case I find it hard to believe that discrimination is really notable, if there is any? Rich people who've had the privilege of being educated at the best of schools are hardly someone agencies are likely to do 'dirty', usually that's something reserved for people with less resources imo. This isn't to say I'm against rfk, I liked tpw and have bought Babel, it's only that I've seen how privileged rich guys are regardless of race, and how usually they get away with a lot (in my school a black guy got away with assaulting girls because his dad was filthy rich). Just like, yk, white rich people. So it's strange that Athena is made to be a victim (I think?) and the paragon of POC being done dirty when she was probably so incredibly privileged.

This isn't a snipe at rfk's writing abilities, wealth/academic privileges (if that's a word), etc. She's obviously incredibly intelligent, and I don't know her personally to impose any sort of moral judgement on her person, but yeah.

Also, you said she was criticised for speaking over mainland Chinese voices? Would you mind telling me why?

Okay, so regarding your first points about rich POC not really suffering from discrimination in various industries: that's actually not true. No matter how rich a person of colour is, if you're in America or a predominantly-white Western culture, wealth helps you, sure, but it doesn't actually put a dent in white supremacy. Wealthy POC most definitely have an advantage over poor POC, and maybe (on the individual level) over some white people, but on the systemic level, the wealth doesn't actually prevent publishers from discriminating against them in a notable way on a racial and an ethnic basis. There are publishing diversity quotas and micro-aggressions and subtle racism and all sorts of awful things that happen to wealthier POC in white industries such mainstream publishing. I wanna #eattherich and that includes classist and billionaire POC (looking at Rishi Sunak) (and from my West Indian perspective, anyway), but the novel isn't entirely about wealth and Kuang actually does a good job at explaining how racism still severely affected Athena despite her wealth and success. I'm no expert on the stratification of race and class as it pertains specifically to America, but in giving the concept an intersectional outlook, I imagine that white supremacy still is harmful to rich POC. I have no idea what her personal, individual experience is like either in terms of her publishing journey, to talk about it in a quantifiable way at least. But she published TPW at 22 when she graduated, so. But I digress, cus that isn't even the point of Yellowface, tbh.

It's just that I'm still basically steeped in weird feelings about it, because it just lacks refinement right now. It feels like an enraged diary entry and not in the good way. Mind you, 3.5 stars is a very high rating, but I still can't get the few aspects about the book that I had an issue with out of my mind. (See: my review, for those of you who haven't read it).

As for the whole criticism about speaking over mainland Chinese people, it's a long-running discourse about diasporic authors profiting off of the suffering of persons from the "motherland" in the name of representation. It's not a topic specific to Kuang at all, but she's been mentioned in this conversation several times (online at least). And at least one other Yellowface ARC reviewer brought it up too on GR. The debate goes like: "What do you as a privately-educated and successful diasporic person know about the suffering of the people in a land across the world that you are most definitely disconnected from? Why should you be seen as any 'voice' in matters there, those that don't and won't ever affect you anyway?". Again, not anything specific to RFK at all, not at all, but she's been invoked in this discussion multiple times, and then fricking Juniper Hayward uses this same exact rhetoric to justify being generally evil and racist and a bitch. It's awkward. (See: another review on Yellowface that mentions these things).

[inkedmango]

omg are you liking babel?? i've heard some people say they hated it but also it sounds SO GOOD

omg hey!! i literally love your work, this is so surreal <3 i've admittedly only read the first chapter, but it legitimately feels like it's going to become one of my favorite books of all time leading up to this, i read the secret history by donna tart because i heard r.f. kuang drew a lot of inspiration from that book. so, now i have that as kind of a loose template in my mind, and i'm very excited to see how babel adapts to the dark academia genre. especially since this is obviously kuang's spin on dark academia if it...you know...didn't just have white people at the center LOL

i also listened to a bit of this podcast episode, which has kuang talking about the book (pretty spoiler free as well!) and hearing how passionate she was about this and also learning how her mind works a little bit really made me pumped to read it i'm sure you know this if you've researched the book, but from what i've gathered, it is centered a lot on translation, and the issue of remaining true to one's culture while living in colonial england. without giving too much away, the first chapter alone shows robin (the mc) struggling with translations and how they affect the lives of his countrymen. it's such a small interaction but it really sets the tone of how (i assume) the rest of the book will go i've also heard that a lot of people didn't like it, but i'm going into it with an open mind and i truly have been enjoying it so far! i literally speed through my work during the day so i can chill and read this, if that's anything to go by <3

[valerianka-97]

Twisted, tangled, wicked, sick.

... That is how I felt when I actually finished that article. Heaven help me...

The 12th of July is the beginning of a new era for gothic rock trio from Massachusetts - PVRIS.

Last Friday the band introduced to the world their debut single "Death Of Me" from an upcoming third album. They also released a thrilling music video for the song.

New sound, same energy.

Death Of Me was supposed to be a new rock hit but surprisingly turned out to be the dance hit instead. Many fans were confused, some were in panic that the band switched to another genre, others were slightly shocked. But everyone agreed that the song with the video alongside are something out of this world.

Evolution of sound isn't surprising, the frontwoman Lynn Gunn is known to collaborate with pop and dance artists such as Seven Lions, TBMA and some others, so the electronics that fully replased live instruments is something we could see coming.

Anyways, the band is staying true to themselves, judging by the themes and overall vibe of their new song.

Death Of Me definitely has strong old-PVRIS vibes: the lyrics are still dark and sinister and the video is moody and ominous.

In the song Lynn tells us the story of obsessive love. Obsessive, passionate and dangerous love. Or dedication. It's still a mystery whether she's referring to her love relationship or to something else. Gunn likes to hide things in plane sight, so her love life would've been too easy to refer. The song kinda reminds me of Florence & The machine's Pure Feeling, in which Florence Welch speaks about her dedication to fans and vice versa. The metaphor fits just right to that theory.

Let's speak straightforward here, fans are the best promotion machine of any artist. We can suffocate or let them breath, we can literally be the death of them, because fans are the ones who put an artist on a pedestal and fans can kick them back down. It also reminds me of something else. Something more important and global. But I will leave that thoughts for later in the article.

The music video here is another story but also is an adding to that theory. I'll talk about it more below.

First, let's take a closer look at all the mysteries in the vid.

The biblical theme is the one we notice first of all, it's very simple, and there is a reason of that obviousness. While fans are building logical connections with the first visual metaphor of the seduction of Eve by the devil in a snake's appearance with the song lyrics and then enjoying passionate sequences and the cult initiation, the most interesting metaphors are carefully hidden. The devil is in the details, guys.

The storyline of the video is built on hidden metaphors. Some of them may or may not be intentional, maybe I just built logical connections where there is none but you surely will find my observations interesting.

The seduction and the forbidden fruit are not the only symbols from the Bible. We can see the new members of cult going through initiation. But have you noticed that all of them are of different races? There are black people, asians and white people. It got to me when I wondered about the symbolism of the pyramid formed by the cultists with our trio in the heart of it - which is also may be symbolic and may represent the three ascendants of Noah (or is it too complicated? It may be unintentional). Here we've got the Tower of Babel metaphor.

Next on - the red aquarium. I've already said in a comment section for the video on YouTube that aquarium represents the falling of Adam and Eve from heaven. It's a small piece but key one, keep that in mind.

Now, remember the line in the song "I'm falling, fading, and seeing angels". This line is not just the reference to Demon Limbs. Everyone has noticed that the band made a colorful music video. And the colors in it were not chosen randomly. The band and everyone in the sequence dressed in white instead of classical culty black wearing. Knowing of the falling from heaven metaphor in the video and connecting it to the line from the song we've got our "angels" Lynn talks about. And that's not all of it.

The Tower of Babel in the Bible is known to represent a kind of an act of rebellion against God. The whole cult sequense symbolizes that at some point. The initiation almost completely recreates the holy communion. This, overall, may represent the creation of the alternative religion as a counterweight to the original one and creating their own kind of heaven on Earth, which for some may look more like hell. But that's, my friends, is parallax. Another reference to song lyrics.

And my favorite metaphor, which is also pretty simple but hidden in plain sight. The whole song with its dark, seductive, even erotic, at some poin, vibes is a hint, not to count pretty obvious visualisations in the video.

Lust. The most pleasant one of all deadly sins. Tangled bodies moving rhythmically to the heartbeat and everyone's in rapture. Passionate, isn't it? I mentioned hell lately on purpose. "One man's hell is another's God, it's all about perspective, a parallax". Lynn Gunn surely knows how to play with words and the visuals.

The storyline starts at the actual end of the music video. Why not the snake sequence? You may ask. In fact, it all begun with a snake and an apple, right?

Like I've said, the colors chosen for the video are not accidental. Red color symbolizes not only passion but also hell. And it is known that Eve was in heaven at the moment of seduction. Which led me to conclusion where the story actually begins. And the pyramid sequence is an actual end (which is to be continued).

The ones, who were fallen and forbidden to come back to heaven gardens for they've sinned, united and built their own garden on Earth and they rule it like God rules heavens.

They've sinned at God's perspective, yet they see it as holy communion from theirs.

Now let's come back to my theory of the song's meaning. Why I think it may be about the fans and something more global.

The first time I've watched and listened to the music video, it kinda reminded me of Britney Spears. Let me explain this absurd. Britney's fame became hell for her in mid-2000's. We all remember that.

That's one piece.

In 2011 Spears released a music video for the song Till The World Ends.

The sequences in that video at some point are repeated in Death Of Me: it caught my attention the second I've seen tangled bodies in a rhytmic movement. In Britney's video the storyline's mostly situated underground, where everyone is dying of the hell of a heat, and the colors in both videos are similar, also the dance-y vibe in the darkness of the underground kinda the same. That's the piece no2.

And the dance with a snake was Britney's most iconic performance back in 200(5?). That's the 3rd one.

Not only the music video led me here. Lynn's "You're a cold-blooded killer only after dark but I don't mind" also reminded me of Britney's song Criminal.

Yes, that all may be just coincidence, because "why the fck Britney Spears? Nothin' in common".

And that's when the song lyrics come up and make sense of all of it. Again, the line about hell in perspective, the line about a noose around Lynn's neck or a poison, the line about danger. I've thought about Britney Spears because she is the best example of what the pressure of huge responsibility for fanbase and fame in general can do to people. Break them, suffocate and be the death of them.

We know that coincidences are not accidental, not with PVRIS. Lynn's metaphors have always been much deeper than it has seemed, so I guess that's a good and well argumented theory.

And don't you think that it's finished. There's more.

Death Of Me also wasn't chosen to be the debut single by accident. From all written above, the song is a perfect metaphor itself for the band's prevous album. All We Know Of Heaven, All We Need Of Hell. Which makes it a great bridge between what we already know and what is soon to be released. My guess is we're about to find out more about heaven and get something else from hell.

I've done pretty heavy work in analyzing everything, and trust me, it was hell. But I enjoyed every hour of it. Twisted, huh?

P. S. While writing a draft to the article I couldn't decide whose name to place in a metaphor with the snake, so at first I wrote "devil's seduction of Eve/Lynn" and accidentally found this strange reference. EVELYNN. Two names, Eve and Lynn, in one Evelynn. And Lynn as Eve in the video. And Evelynn short names are both Eve and Lynn.. Damn, I confused it even more.

Update:

My brain almost exploded yesterday while writing all this. The article is so loaded with information, so I desided not to mention some symbols. Today, as I had a good night of sleep (after very brutal insomnia issues) I realized that the analysis can't be completed without those little details.

The names puzzle above is one of them but I mannaged to put it somehow anyway.

There are several more things to say about symbolism though. One of the them is obvious and everyone noticed it from the start but not everyone is aware of the meaning of that metaphor.

Not all of us know how to read tarot cards, me included. The representation of a tarot card "Three of Swords" - the knives Lynn, Brian and Alex pierced an apple with.

The card's meaning is a heartbreak, sorrow, grief, pain caused by someone's words or actions. It also has a meaning of emotional release and a reminder that the dark clouds building above your head will disappear and take the pain away with it.

The scene of stabbing the apple by the trio most likely symbolizes their expression of that pain and releasing it the moment the apple is pierced.

There is also a colorful symbol which is not that easy to acknowledge but is also put right in front of our sight. I had this thought since the first time I watched the video but didn't bring much attention to it. I came back to it after looking in to flowers handbook.

The flowers on the table in the music video are white lenagolds. Why lenagolds? Why not roses or lilies?

The christian legends say that lenagolds turned up on Earth with the walking of messiah. The Mother's tears that fallen when Jesus carried his cross turned into lenagolds.

Basic meaning of lenagolds is love and devotion. The definition of white lenagolds is sincerity and purity of feelings, loyalty, gratitude and luck.

Note that the flowers laying on the cult's joint table, which also may symbolize the band's devotion and love for the fanbase.

There is another hidden symbol I noticed but didn't manage to solve. Maybe some of you have thoughts on that?

When the cultists stand in two rows facing one another, at first I thought they carried flowers, this scene was really glimpse, so I played it in slow motion. They carried busts.

Not sure what that means, because I can't see whose busts there are, what I'm sure of is that this scene is related to a short shot of a woman's head with bloody tear streaking. Maybe that also reffers to that legend with lenagolds?

Anyways, thank you for reading! I hope you made it down here and I didn't waste your time

If you liked it, please reblog. Would be much appreciated!