#idk how to do anything anymore

[notsocooljess]

it's been so long since i actively used tumblr i am so intimidated being here

[puppyeared]

littlest furth shop

@laikascomet

[circuitcircus]

in defense of kabumisu……..

addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have

listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh

kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?

kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao

he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-

they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"

you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen

mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other

i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name..also saw his face multiple times and didn’t recognize him when they talked for the first time)

mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’

(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)

taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.

that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.

+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.

+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:

also here we have him washing his own body

just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason

kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well

he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back

here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):

there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)

kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲

kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant

you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately

also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:

and this is just when they're first getting to know each other cuz there's a fuckload more

kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely

haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪

also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters

bonus kabru just looking at mithrun:

[sage-nebula]

Sonic fandom, if we could muster enough energy to get Paramount to fix ugly Sonic for his crimes of being ugly, then we can muster that same energy to get them to fire James Marsden from all future Sonic Movie projects after 3 for his crimes of writing a letter defending a self-admitted child rapist and then not bothering to say as much as "I shouldn't have done that, my bad" almost a month after his defense of said child rapist was made public. We can do this. I believe in us.

[stbot]

vintage gays as vintage vinyl

[favoniuscodex]

racer diluc… coach neuvilette..?

and if i wrote a fic abt each racing team trying to win over rookie racer y/n… what then..?

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[ketterdamskaelishprince]

ada's spectre, and why i'll likely always feel sad about it

here is the promised analysis/talk about ada's spectre. going to preface this by saying i obviously don't know the true intent behind everything and her design, i just like to look, giggle and then make sad little observations which just help me love this silly webcomic even more. so if you disagree with me on something– totally ok! i love to learn and i love to see different interpretations.

there's also a few bits i missed out because i wrote this all last night in a bit of a haze, and i cannot be bothered to expand on some of my ideas, especially when it's just stuff like "BROS SO PARANOID AND RAW RIGHT NOW".

anyways, here we go :) @mugcereal this one's for u pookie <3

so i think with ada's spectre, we first need to look at the instance as to how she gets it, because that always makes things way more sad!

to specify, she turns into her spectre at episode 69, and i think it's really sad how she does it. she basically gets a string of roasts from prospero that go along the lines of calling her "conceited" "twadry" and "... and stupid!" – effectively throwing back in ada's face what she believes everyone thinks of her.

(obviously, as a very big and glaring sidenote, i believe prospero is aro/ace or just aromantic so OBVIOUSLY i am not bashing him for this. bros told her so many times that he doesn't want to be with her, let alone to be touched. that is a flaw in ada's character and is a reminder to us on the importance of boundaries!!!!)

so, ada is basically there, collapsed on the floor in a robe– effectively showing the most intimate and private part of herself as an insecure and lonely girl. and that's when she transforms.

i think it's interesting to understand how this most likely links to her life and how she died. so we know she was killed with an axe, most likely by the man she fell in love with and worked for, and how prospero's words in this situation, hurt her just the same as the words before her death. why?

because they remind ada of what she knows and fears she is: just a stupid, fake and cheap person who will never have the same status and respect as the people she pretends to be and surrounds herself by.

i think it's also interesting that she's clutching her stomach/torso here, and correct me if i'm wrong but that could be a potential signal to the part of her that was axed to death (?). no idea if that's a good shout or not but it's what i first thought!

anyways! now we move onto her spectre design!

first of all, her spectre design eats. like just a personal side note, i love it. it's just so gorgeous and i don't care if she's terrifying to some because to ME? to me, she's my gorgeous little pookie who can scream and show people their worst fears and she looks amazing whilst she does it <3

ok anyways, actual design.

to first understand her design, i thought i'd show you what banshee's traditionally in folklore look like!

typically, they are described in two ways. the first way is a youthful women with long black hair, blue eyes and just super pale. this description could also lose the blue eyes and just keep the black hair– either way the first depiction of a banshee is a super young woman.

this is not the one we're focussing on today folks!

we're going to focus on the second depiction. a hag/ old woman, with red cheeks, a grey cloak and a green dress, often seen to be combing her hair. banshee's throughout folklore are known to wail, scream and cry when a family member had died. to most, the banshee was a sign that death was coming to your household and they are known in myths and folklore as a predictor of death.

now, hold onto the green dress and look at ada's design real quick for me.

here we see a lot of green, which yay! definitely shows signs it comes from the second depiction. i think, on top of it being a nod to the second depiction, i think it could also be an allusion to something else: jealousy.

green symbolism in media can often vary, from meaning new life, luck and also jealousy. and i think if we take in the things ada screams whilst in her spectre form, such as this from episode 82:

you see there definitely is some sort of jealousy there, but this isn't something i necessarily want to focus on, it's just an observation i made that may or may not be true!

anyways, to continue, i want to look at ada's outfit when she's a banshee. i'm going to basically be making my notes i took last night look nicer.

(keep in mind that when i wrote these, my ideas were literally bouncing off my brain and sometimes they're a bit contradictory, but i think that's the beauty of my crack theory analysis!)

i think the act of almost showing her bones to the outside, there's a level of rawness to ada we don't usually see. her spectre form essentially gives her the power to scream out her anger, and by seeing her bones it's almost as if to say this is the ada she doesn't show people. this is the ada that she keeps to herself because god forbid anybody love her (because in life and death it's become abundantly apparent to her that nobody does seem to love that ada).

but then, what i thought was also a super cool thing as how the bones almost act like a corset!

then i got sad because i looked at the bows, and because something dawned on me and it made me start to frown. there was a sad realization to me as i looked at ada's spectre design that even in this all powerful form, she hasn't lost her insecurities, they just become more prevellant. because for all of the traditional wrinkles, hag-like appearance a banshee is meant to have, ada barely has any.

obviously this could be in part to character design and stuff, and yeah probably– but let me be sad!

because ada carries her frills and bows from life here because she doesn't want to be ugly, she doesn't want to be this creeping monster who rips apart people. because if she's not got her intelligence or status or anything going for her, she has her appearance and by god she's not going to let that go to waste. so here her spectre form is, a banshee.

so what must ada do? she must takes her frills and keep her insecurities, her fears and her crippling need to be loved.

another aspect which is super interesting is the stitching on her body. one one hand, it could be an allusion to her violent death, suggesting the man she fell in love with didn't just stop at axing her once, but just kept on fucking going (which, you know: fuck you, whoever you are).

but on the other hand, it could be a metaphor for ada's thinly veiled facade she puts on of being a prim and proper lady (which we actually, interestingly enough, see she looses a lot the more time she spends with montresor– opting to take parts of his language like "ain't" and "beggin'". this sort of leads on from previous ideas people have made of ada willing to change herself to be loved. she swaps civility for the wild wild west all for a bit of love).

ada offers up parts of herself in this metaphor. that's what she always does. she offers herself to the rich man she fell in love with, she offers herself up to prospero (again, look at the. side note. bro wasn't wrong for rejecting her he literally can't like her) and she offers herself up to the acolytes and she fucking barks for them (because i'm not over that).

piece by piece, she strips away everything she is until she literally is just skin and bone. and once she's torn herself apart, she needs to stitch herself back together– because it's against the facade she's put on to look so broken and messy. and so she repeats the cycle again, giving more and more until she is literally hanging on by a thread.

her powers are also super cool. traditionally, as i said, banshees wail when a family member is soon to die/has died, and is often like an omen/predictor of death. so yeah, ada having a banshee scream makes sense. but the whole 'fear itself' is also super cool. i kind of like that she has this– because its sort of satisfying for her, the girl who's been pushed over but still comes running back, to watch as people become paralysed with fear. idk, retribution or whatever.

i'm going to leave you with this not very profound thing i wrote last night (and then just some other mumblings):

i think that although spectres are super powerful and also just a very fantastic concept, they're also fragile. spectres are quite literally the monster inside of you. yet here ada's monster is, and with all her bows and revamped dress of a banshee (or potentially an allusion to her life as a maid) she tries desperately to be anything but that. because to here it's ugly and it's too much of her on display. and with some much of you on display comes the very fear that if you are hated, disliked or something repulsive, you no longer have anything to blame on anybody else. you just have yourself to blame.

(as morella says here in episode 88).

i'm not saying ada isn't deeply flawed, because she is. she has so much fucking baggage and insecurities that they literally forbid her from doing the right thing sometimes. i don't think she's a good person, but i also think that she has the opportunity to be a good person/ do a semi-good/ non-bad thing, and all she has to do is take it. but i also think it's nice how that's shown in her spectre design.

and, you know, if none of this makes sense, that's also fine!

anyways, yeah. somebody tell me never to make a random analysis at night again because it's a bit of a bitch to translate in the morning.

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[harbingersecho]

[townslore]

watching the miraculous movie has done irreversible damage to my brain. hands you miraculous shuake au.

[nuppu-nuppu]

Ignore if you don’t want to read about me being stupid once again

[little-pondhead]

DP x DC idea:

Danny is very familiar with dimension-hopping, and his favorite to visit is the DC universe. It seems he needs to practice his timing, however, because all his new friends there never seem to remember their adventures together. Maybe he should try overshooting the timestream a little?

or

Danny likes visiting the DC universe but is unaware he's visiting a different version of that universe each time. All his adventures with the heroes and villains aren't shared experiences with every counterpart in the multiverse. So to Danny, he's met the Batfam and Supers dozens of times and knows their identities. To them, a slightly eldritch teenage boy who knows more than he should just appears out of the blue one day, talks to them like they're old pals, and is never seen again once his "vacation" is over.

extra:

A few of the multiverses collide by accident, and the heroes get to meet their counterparts that did go on those wacky adventures with Danny. Bonus points if the collision point lands them all in the Ghost Zone.

[opikiquu]

aventurine pl. Plea s e . PLLEEEEEEASE

[storm-driver]

i was trying to describe kingdom hearts to a friend who doesnt like the square enix catalogue that much. and it was a calm discussion, we were chill. but they asked me a question that really made me like... think about my adoration for kh.

they asked me "is it the game you love or the potential of it all?"

i think the obvious answer is a mixture of both. i enjoy kingdom hearts for what it is, flaws and all. the funny gameplay moments of BBS to the wild af lines that they say in DDD.

kh has a glimmer that few games in the current market can give to their active playerbase. nothing in the titles feel soulless or half-baked. these games go ALL OUT with their premise and they deliver 9/10 times. there's moments that make me sigh and shrug, but they're few and far between. the stuff that encapsulated me is still here and it's strung across the christmas tree in a blindingly beautiful glare.

but that being said, how much of my love for kh actually stems from what i wish it could become? i can't argue that the games are flawless and have given me exactly what i wanted. in denial of the blatant only paints you as ignorant. and sometimes, these games fall right back into bad habits. with either gameplay or story, there's rightful criticisms to be spoken of every title.

so, it's only natural for me to think of the potential it all has, yes? to see what was perhaps poor writing choices eventually meet a satisfying end? or maybe a character who i didn't think much about is given new story to play with? perhaps there's a system from previous games that gets refined and optimized for newer consoles.

maybe there's routes the story could take and drives of motivation that im sychronous with and would love to see written out. there's a story unveiling and i have my own theories about it. i wanna see if the writers go down these roads and what kind of choices they make.

then my friend asked.

"is that potential, or are those your expectations?"

and i had to sit there for a moment. and just...think.