i hate you ai art i hate you "unalive" i hate you youtube premium i hate you twitter 8$ checkmark i hate you nfts i hate you therapy app advertisements i hate you non-chronological timelines i hate you instagram reels i hate you subtle tiktok filters that cant be turned off i hate you family bloggers i hate you ads on true crime episodes i hate you facebook i hate you vr glasses on chickens i hate you dystopian social media
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thinking about simon being like a cat. a mean ol' one all teeth and claws, scratching and hissing when you stretch a hand out to him. biting you because that's all he knows how to do - it's all he's ever done - and it's kept him alive.
that's what his whole life's been about - staying alive. surviving. maiming anything he sees before it can get to him first. so he doesn't know how to react when you don't bare your teeth at him but just smile and make him tea. he reacts like a stray cat does when it's offered warmth - he's confused. and his confusion gives way to anger and again he spits fire because what else is he supposed to do? accept your kindness? bah! it's a hoax, he knows that. you'll tire of him and claw at his neck sooner or later so he'd rather not let you close enough to do so.
and when you don't give up, and you keep smiling that gorgeous, dazzling smile at him, he doesn't know what to do. no one's ever done this before - been all soft and sweet and only wanting to be allowed to scratch at his ears in reward. why were you doing this? why didn't you run away when you saw how he scratched at you? why do you look at him with those big, beautiful eyes like he's the only person in the world?
at a complete loss, he lets you pet him and oh that smile he'd let you tear his heart out if you would just keep smiling at him. "hey, simon!" god, he wants to drown in the sound of your lips wrapping around his name. you come close to him and his brain stops working, eyes wide and lost when you wrap your arms around him and pull him to you. warmth. is this what it feels like? he wants to live forever in the crux of your arms, creating a life for himself between them.
he couldn't stop smiling if he tried, if he were a cat he'd spend the rest of his time on this earth, the earth that tried to bury and kill him and is now making amends by sending him you, running between your legs and swishing his tail around you. simon riley who's always had his head on a swivel, who's not gotten a full night's sleep in a decade lest he miss the chance to look his reaper in the eyes, now sleeps with his head on your lap, belly up and purring.
masterlist
please comment/reblog!! i have so many thoughts about this man that need to be talked about
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trying not to talk too much abt the bear s2 but im Really fuckin frustrated that even with everyone demanding that they’re sooo media literate and sooo smart that no one has talked about claire and the way she sparks audience discomfort. like, she feels out of place within the show because CARMY cannot accept that he is getting this good thing—she feels out of place in HIS life. she’s actually crafted to be the ideal girlfriend, with glowy bokeh lighting in a grocery store and beauty shot close ups and a sweet instrumental leitmotif to show to you, an audience member, that she’s too good to be true in carmys eyes. if you’re an audience member, she raises alarm bells in YOUR head because she raises alarm bells in HIS. he literally tells us that—that’s the crux of his final monologue, that he doesn’t believe he can have the life of food and wines best chef and a life of love and human connection. he doesn’t believe he’s deserving of good things because his family has always been so fucked, because nothing he’s ever tried to hold together has held together—except for his cooking. it’s done this way on purpose, to make you feel that anxiety that he feels around this relationship, and to make you question why you feel it too
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I think it genuinely cannot be overstated how important that kiss in season 2 of Good Omens was.
From a plot standpoint, that kiss showed Crowley's desperate attempts to keep Aziraphale, to reel him in and back to the Us that they had built upon.
But from just a show standpoint, they. fucking. kissed.
Obviously their love transcends physicality, and Neil has said that Good Omens is a love story even before season 2, but the outright confirmation of a widely popular queer ship ON SCREEN is just so... Unheard of.
Every fandom or show has their trademark gay couple that aren't-really-gay-but-also-kind-of-are-gay: Merlin and Arthur, Sherlock and John (very heavy offender), Dean and Castiel (okay this one was canon, but we all know what happened IMMEDIATELY afterwards), and I suppose at some point Ineffable Husbands had just been included in the same category as the rest of them.
And to have it be moved from mostly fandom and fan work fuelled to outright canon - like 'they fucking kissed on screen' canon - is just so fucking fantastic.
It's not vague, it's not lines that are blurred for the sake of being on the fence of appealing to two audiences at once, and it's not only canon because the creator just said it's canon without rhyme or reason purely for the sake of appealing to a queer audience (looking at you, Ms J. K. Rowling) - it's undeniable, blatant evidence that Crowley and Aziraphale are in love.
And yes, at the moment it's devastating, but it's also devastatingly real. And that's so important.
Especially with the release of Our Flag Means Death, I really do hope we are entering a new era in mainstream media where queer ships finally aren't treated as some sort of mysterious prize that the writers dangle in front of you like a carrot on a stick, and are just simply treated like any other ship out there.
Because if so, then queer kids will be growing up to these shows, see this new era of unabashedly queer media, and won't have to hide away their ships like some dirty little secret. They won't have to wonder if their representation is even representation. They won't have to get excited over being able to see the small chance of themselves represented in a character only to be let down so incredibly badly, because queerness is good only when it's marketable.
So sure, ending season 2 like that is fucking crazy, but you know what's crazier? Whatever the fuck Neil just did with that kiss.
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