#like there just has to be some other element to it and i am very scared to find out what that was

[doomsday-dj]

Yo. Bestie. Do you have any Rizzles author recommendations for me??

You have cruelly seduced me into this teeny-tiny-weeny fandom and now I have galloped my way through (almost) all of your brilliant body of work I am cast adrift and quickly finding out that "sort by kudos" simply does not bring up the goods here...

Help a gay out?

Oh fuck yeah, bestie. Yes. Do I ever!! I am about to WEAR OUT the link function. But before the recommendations: aw shucks and thank you and all that. Your comments this week have been a highlight. I'm sorry to have dragged you into this but hopefully this post makes up for it! I've been dabbling in some other fandoms lately, ones with a LOT of fics, and there's a lot of great writers out there, but I have to say that especially relative to how many fics there are, there's an outrageous amount of good writers who have written Rizzles.

Okay! So disclaimer that I’ve had a really ungodly amount of coffee today so if this is a little on the “un” side of hinged then I apologize. I am definitely gonna be REAL effusive. I was silly and shy about leaving comments and kudos when I first got on AO3 and now I make up for those crimes by being unabashedly keen.

I have gone and sorted by kudos (and, sidenote, discovered that I'm in the top 30????) and before I get to the under-appreciated bangers, I will say that plenty of my faves feature in the first two pages of sort by kudos (though their most kudosed work is almost never my fave one). Here I’m thinking of coolbyrne, @julieverne, DanteBeatrice77. All of these authors are awesome.

Also, amongst the highly kudosed works, Attachment by @performativezippers is a classic for in the fandom for good reason (and their Bachelor AU is a romp) and law of the lever by sharkfights is one of my favourites all time.

As for the other stuff, what do you WANT out of your fic, bestie?

You want the feelings? You want the beautifully written feelings? @ladyriot has got feelings FOR DAYS. If you want some one shots that will take you apart and put you back together, you’ve come to the right place. Good feelings, angsty feelings, all the feelings you need. My favourite is Let Our Hands Tell the Story but I recommend all of them. Mostly it's one shots but the one complete multi-chapter fic, Transference, is CRIMINALLY UNDERRATED. Less than 200 kudos?! Fuck all the way off. I don’t know if it’s because it’s an AU or if it’s because of the doctor/patient element but unless that’s a trigger, I promise you it it’s handled very artfully and also it’s fucking fiction and no patient’s rights were violated in the making of this fic. Oh and put your ink on my skin 'til it comes off on me is both devastating and stupid hot.

Haven’t had enough feelings?? Take your insufficiently battered heart over to @sideadde’s work. I especially like Who Needs Two Kidneys When Another Heart Can Be Had? and Immersion Therapy.

You want a big meaty casefic you can sink your teeth into?? Domini_porter’s CMYK is so goddamn good. The smutty chapters in this one are just...chef's kiss. Among my favourites all time. I am also entirely obsessed with their Victorian AU, which deserves more attention. Also if you want some crack-your-chest-open-and-pull-out-your-guts angst go alllll the way back to their first fics on AO3.

OH. @kurtsvonneslut too. I think and you cooled my mind that burned with longing is probably my favourite post-finale type fic, bit of an AU with some major canon changes. They also have an excellent picking-up-from-the-Jane-and-Maura-season-2/3-break-up casefic, A Crime of Passion, and they wrote a devastating exploration of PTSD that just...oooof.

God, I could really just keep going and going. And this is just on AO3!!! I feel like I could do a whole part two of this that's just flagging all the best stuff that's back on ff.net. I might have to because this is already really long. But I'm stopping for now. Thanks for the BEST ASK.

*dramatic stage whisper* psssst do you want smut? I feel like I could also do a whole post on smut alone. Maybe later.

Note: I’ve tagged authors if their tumblr name is the same as their ao3 name, because I assume they’re okay with being found. If any of you would like to be untagged from the post just DM me and I’ll do that lickety split.

[ididntknowwhattocallthis]

Ok I wanna talk about Ethari's clothing/design over all. His clothes and tattoos are different from every other Moonshadow elf we've seen, and he's one of the few that doesn't wear braids. Like:

The recurring elements are intricate patterning; over layers and under layers; multiple colors in the same garment (or at least same outfit); wraparound construction, color contrast between mediums, lights, and darks; and the dominant color is always the medium, never the lightest or darkest color (usually navy, true black is very rare outside of the assassins). Even arc 2 Rayla follows most of these rules and she's been away from her culture for two years!

But then we have Ethari:

He doesn't have an outer layer, he wears almost solid navy, none of those clothes are wraparound, he has no light color, there's not a lot of contrast, and his dark color is true black despite not being an assassin. He bends all the rules, though he only breaks one completely. He still has that patterning, but it's minimal compared to the others. He has plenty of accent colors, more than anyone else actually, but they show up on him far less. He does have light, medium, and dark colors, but his whole pallet is darker than everyone else's. The only rule he 100% breaks is the wraparound construction

A lot of this probably derives from the fact that he's a metalsmith:

For the most part his clothes quite are practical;

Black/navy hides coal dust/soot very well. It gets everywhere, on your pants and face especially, and is highly visible on just about every other color.

Forging is hot work & you do it next to a fire that needs to be at least 1000° celsius, I never wear more than one layer either.

those sleeves, while a bit looser than I'd be comfortable with, probably aren't going to get in the way. Plus I heard somewhere that they're spelled to repel heat (couldn't find if that's actually canon tho), so if that's true they're much better than my gloves.

The crop top isn't great but he's got that belt to stop most embers. Besides he's probably not the type to yelp every time one lands on him like I am.

if he pulls the scarf over his mouth & nose it'll help delay him getting lung cancer in the death trap of a smithy Wonderstorm designed for him (my problems with it are a post all on their own. I have nothing against the artists, its pretty, but by all rights he should be dead)

There might also be a cultural aspect to his clothing:

I think the navy blue, the arm bands, the boot decorations, and his belt & tabard could all be symbols that mean "I am a metalsmith" in Moonshadow culture. (Quick side note, he's not technically a blacksmith. historically blacksmith means specifically iron workers. If anything he's a whitesmith since he usually works with silver.) We see it with the assassins, why not metalsmiths too?

Plus if you take a look at his forge in the art book, there's a design carved on it that looks almost exactly like the one on his tabard. Elements of it also appear on other parts of his clothing:

I suspect that this is some sort of symbol for metal working or fire protection. If he's in a guild it could be their symbol, or it could just be a wider cultural symbol. Either way it has a meaning that relates to the forge specifically. I couldn't find it anywhere else in the room.

I just realized that I never even brought up the metal hems on his sleeves. Then again what is there to say? It's metal, he's a metalsmith. It's pretty, he likes pretty things.

But what about the rule he completely breaks?

As I said, every moonshadow garment has some sort of wrap-and-secure construction to it-- except Ethari's clothes. I seriously doubt this is a metalsmith thing. Basic garment construction isn't a sensible way to differentiate your group within one culture. I fully believe Ethari is doing this on purpose. But why? That why gets even bigger when you realize that no other moonshadow elves we've met have brown eyes or periwinkle blue tattoos.

Put a pin in all that, I need to explain my interpretation of Moonshadow culture for this to make sense.

"Moon Primal creatures can be private and secretive, and are keenly aware of the power of appearances." - from the official website

"Moonshadow Elves obey a rather rigid, honor-driven culture." - from the wiki

To me this paints a picture of a fairly collectivist culture. They place a heavy emphasis on community and duty, two things that are usually more peaceful/simpler when you have cohesion within the group. Cohesion creates less conflict, less conflict makes your community more peaceful and your duty to it easier to complete.

But they know that this cohesion is- to an extent- only an act, so each person has a sub community where they don't have to act. Your inner self is for family and friends close enough to be family. (I honestly think they might have some sort of ritual to formally adopt friends as family) To everyone else you're supposed to put up a front that makes you seem more like everyone else.

OK back to the pin

Even without his clothes, Ethari is already visually different from everyone else. No other Moonshadow elves we've seen have tattoos or eyes the same color as his. It's a subtle difference but it is noticeable, and in a culture so focused on appearances people would notice. Most people's instinct would be to try to hide or downplay it, to prop up that front as much as they can. Yet Ethari doesn't put up a front, not to the extent that most people seem to. He's even accentuating his differences by dressing in a different style than them- and he's respected.

In my comm class the other day we were talking about groups, and one of the things that came up was that cohesion fosters sameness and diversity fosters innovation. Ethari is an innovator, it's literally his job. He invents the wingalings in bloodmoon huntress, Runaan and Rayla's weapons, and probably a bunch more stuff we haven't seen. Maybe for all they value appearances and fitting in, moonshadow culture still recognizes that people like him are important and they aren't as effective when they have to fit in. They can't be too out there (remember, Ethari only bends the rules rather than breaking them) but as long as they stay within a certain radius of the norm they can gain a lot of respect. I think this is what Ethari has done. The fact that his family (Runaan, Tiadrin, Lain) are all pretty traditional probably helped a lot. They keep him from pushing too hard on the edge of the box and he keeps them flexible.

That they aren't there anymore has probably exacerbated the rift between him and the rest of the silvegrove caused by Rayla's ghosting and whatever news has reached them from the storm spire.

I am so excited to see him in S6. I thought about adding some speculation about what his new design might look like, but I honestly don't think he'll have changed that drastically aside from his hair. My biggest question is honestly whether or not he's still in The Silvergrove.

Bonus:

I bet that some of Ethari's relative weirdness rubbed off on Rayla. She didn't have many friends as a kid so, when she wasn't in school or with the assassins, it makes sense that hung out with Ethari a lot. Since he's less strict than Runaan she was probably only comfortable completely unmasking with him. He heard about all her crushes, fears, and insecurities that Runaan didn't. Which goes a long way to explaining why Ethari was the only one who could see she wouldn't be a good assassin; she was hiding those traits from everyone but him.

This also explains some of why he was so willing to believe that she ran away. Ethari saw all of her vulnerability, but he didn't see all of her strength. While she was out training and facing her fears with Runaan, Ethari was in the smithy and only heard about their exploits after the fact. Neither of them saw all of who Rayla is, but both of them thought they did and had to find out that they were wrong in just about the most heartbreaking way imaginable.

[onesidedradiostatic]

Like- I know we've seen a lot of comedic takes on what might have gone down between Vox and Alastor. But I do like to think that there was a genuine bond and a real affection for each other that meant something to both of them. And then it ended up horribly exploding in both of their faces, and now they're employing very different strategies to ignore the fact that it's a relationship they both miss.

I guess that qualifies as "complicated and sad" lmao... and if nothing else I AM kind of relieved that Viv's answer makes it seem like it won't be treated as a joke or one-sided.

I like to think there were elements of a genuine friendship on both sides yeah, I guess you could say they miss what it used to be but I don't think at this current point they want each other back as a friend (I think vox has changed too much for alastor, there are things about him that he dislikes now and well. vox has too much salt and hatred towards alastor now) but yeah when it comes to their past friendship maybe alastor will finally beat the "he didn't actually care about vox" allegations (usually common in the "vox is the victim" takes), I like to think there was at least something positive there on alastor's side. that the "old pal" comment is a legitimate indication that vox was a friend to him

and whenever I like compare vox to being like alastor's previous charlie I don't even think of that in a "he didn't care" way because I think currently even though he obviously has nefarious intentions, he has some care for charlie and the hotel, even if he doesn't want to be seen as someone legitimately caring for them, I like to apply that to alastor's past relationship with vox

anyways link to a past post of me talking about alastor's side of their past friendship, I think it's just more interesting if alastor saw their friendship as genuine too, it being "complicated" would at least tell us it's not so simple as vox saw alastor as a friend but alastor saw him as nothing. listen, the romantic feelings are one-sided, the friendship was not.

[nothingenoughao3]

Why we wanna transition to Mad Scientist (or, revulsion and queerness in horror)

(Hi, @ash-eats-film! This is the thing I mentioned!)

Horror has a few baseline emotions it tries to inflict on the audience. This has been written about for decades, most famously by Stephen King, but the baseline elements most writers agree on are as follows.

Dread: Anxiety over what is about to happen

Terror: The fear of what is occurring right this second

Revulsion: Being forced to interact directly with what's happening right now

Black comedy: Being tricked into laughing at either the terror or the revulsion

Horror: The trauma response to what just happened

A great example of this can be seen in The Evil Dead II (YT link that doesn't include the full context, but does have the, uh, money shot). There's the dread of realizing there's something in the root cellar; the terror of when the Deadite pops up in the trapdoor; the combined revulsion and black comedy of Ash jumping on the Deadite's skull/the door, popping out its eyeball which shoots into Bobby Joe's mouth, and then the horror of what just went down rolling over Ash and his current companions.

Often, revulsion and black comedy go hand in hand. That's because they're tension relievers. The revolting thing becomes ridiculous, and you laugh at how ridiculous it is. This lets you settle down in the midst of the gore and death, just slightly, just enough to get through it... so the horror can fully set in for you, too, once it's over.

You also, often, question your own stability if you laugh in the middle of a gross-out horror scene: "Am I sick? Is there something wrong with me for laughing at X?" This is even worse if the villain starts laughing--now you're questioning whether you're IDing with the monster. Are you okay? Is something wrong with you?

Revulsion is often framed as the slutty member of the good, proper, morally-upright brigade of horror. We have a name for folks who seek out gross-out horror--they're gore-hounds, a term that is virtually always pejorative when applied to other people. We call certain types of horror "torture porn" or "gore porn", as though it is inherently sleazy and sexual to rely on this specific emotional reaction. (Note that we don't have "black comedy-porn", or "dread hounds", even though a dread hound sounds really fucking cool.)

Not to go off on a huge tangent, but I think the issue with media that overly relies on revulsion is that it's unbalanced, not that it's bad. A movie that's nothing but dread never has any emotional payoff. A movie that's nothing but terror never lets the audience relax back into their seats and, paradoxically, will become boring (imagine two hours of jumpscares).

So forth and so on: all aspects of horror rely on each other to survive. That includes scenes that make you go "Awww, sick" while nervously cackling.

Here's the thing: in previous generations, revulsion was similarly understood to be an essential part of horror, but what led to a revolted reaction was very different.

Lovecraft (boo this man! BOOOOO) understood the power of revulsion, which was the source of a lot of his strangest and most vivid descriptions. It was also the source of some of his most bigoted ideas working into his stories. The undercurrent of "non-WASPs are evil because they are repulsive" is as pervasive in his work as "the universe is incomprehensibly vast". You kind of can't get around that.

But there's another thing Lovecraft did to generate revulsion. He wrote a number of stories where an unhealthy focus on corpses, graveyards, graverobbing, and the like is, indirectly or directly, associated with sexual perversion. 

How many, you may ask? Off the top of my head, there's "The Loved Dead", "In the Vault", "The Disinterment", "Pickman's Model", The Dream-Quest of Unknown Kadath, "The Hound" and "Herbert West: Re-Animator". All of these tales share certain themes, which don't repeat beat-for-beat in each tale but do overlap:

Male character becomes obsessed with dead bodies--whether that's stealing them, having sex with them, desecrating them, or resurrecting them.

He is comfortable around death and the dead to a degree that is unusual, sometimes explicitly stating that he prefers the smells/sights of death to those of life.

Terms like "fiendish", "hellish", "abnormal" and "perverse" are used to describe him; his gaze towards dead bodies or to experiments may be framed as "leering" or "speculative".

He is frequently a twink; often described as being frail, if not noticeably beautiful; he may recall being mocked for being "bookish" or "weak" as a child.

He is superficially charming in a way that gets him by in polite society, but not long-term nor in-depth.

He often ensnares an otherwise "normal" man to share his obsessions, effectively recruiting him as an assistant... until the "normal" guy realizes he's about to go on the chopping block (or, in at least one story, already was on the chopping block).

Their crimes involve a lot of sneaking around late at night, locked doors, whispering so they don't get caught (or they'll be killed), secretiveness, glee at getting away with it, and frequently, sharing the same living space.

The Unrepentant Evil Dude is often killed at the end of his tale in a way that implies vigilante/mob justice is at hand. 

The other may be allowed to live if he's very sorry and frames the whole story as being the fault of the other guy, or he may die too while affirming his horrible demise as just, even if it terrifies him.

(One could make an argument that Wilbur Whateley fits into some of these tropes. It's me I'm one)

If this all sounds very gay, Lovecraft probably would have agreed. He had as dim a view of homosexuality as he did on most other things that were Outside The Norm. In other words, we were supposed to see Richard Upton Pickman with his ghouls and think, "Ah, yes, this is a metaphor for queerness", only we were supposed to be revolted by that revelation.

This same attempt at revulsion can be easily read into Victor Frankenstein, and probably more Mad Scientists than I can name offhand (but feel free to in reblogs). Frankenstein's "crimes against nature" were connected to dead bodies as well, and likewise involved a lot of sneaking around, locked doors, and worry about what would happen were he caught with this naked man-thing he's keeping in his dorm. His crime, as with his parody character Herbert West, is creating life outside the bounds of heterosexual cisgender sex. This was meant to revolt readers' sensibilities as much as the whole cutting-up-corpses-and-stitching-them-back-together thing would.

This is why, if we're being honest, "Re-Animator" and "Bride of Re-Animator" are not necessarily gay… they're homophobic. This might be controversial, but stick with me.

I feel like Gordon and Yuzna were tapping into that old-fashioned Revulsion Handbook, including from the source material, which thematically linked Herbert West with queerness. (I'm using "queer" a lot here, but I would personally include trans-friendly readings under that rubric; I'm using "queer" in the analytical sense and not solely in the identity sense.) This means that, ironically, a lot of what we could point to as queer subtext is actually homophobic text.

This is reinforced by the novelization of the first film, written by a homophobe who got Trumpist brainworms later in life. He wanted to make West repulsive to the reader, and therefore, he tried to make West more gay. And IT WORKED. 

To be clear, I'm not accusing anybody, other than the novelist, of being a homophobe. There's a difference between possessing internalized bigoted beliefs which express themselves in writing, versus utilizing tropes originating in bigotry because That's What's Done Around Here. (I can understand why others might not perceive a meaningful difference.) Like the Cuzco lizards, this queerness-as-villainy is definitely a stupid thing ported in from the source material.

I do think that this is why everybody but Our Queen Barbara Crampton seems embarrassed or nonplussed by all the transfags pestering them about fellatio tapes. It's because they don't get why this thing appeals so much to us. It shouldn't. If anything, they should be canceled for having yet another queer-coded villain, along with a number of other plot choices of questionable taste (I'm looking at you, The Head Scene, and I don't like what I see).

Only, uh, it didn't work out that way long-term, did it?

I thank Cronenberg and venereal horror for this, in part. Brutally queer despite not being explicitly gay, venereal horror is what happens when the characters should be revolted, but aren't. 

This kind of thing is horrifying for crossing the line twice: first by being disgusting, then by having characters respond as though it is exciting, or sexually stimulating, or if nothing else, normal. They are perverse. They leer at the dead and the subjects of their experiments. And the disgusting monsters at the center of these narratives are celebrated. Their twisted sexualities are explored with the same brave frankness other filmmakers give to milquetoast cishet missionary nonsense. Their political views are given life and air, and usually, they're right. Their deaths, if they come at all, are framed as tragedies brought on by society's sick rejection of the flesh their brave experimentation.

Cronenberg's the dude who unironically thinks that Shivers (trigger warning for literally everything) has a happy ending. My man David's got subscriptions where others have issues.

Venereal horror has given us a new metaframework for looking at the repulsive, the monstrous, and the problematic and responding to it… differently.

Now here's another thing: Lovecraft likewise provided a structure for embracing the grotesque and the queer.

Pickman, the Decadent artist, paints photorealistic, enormous portraits of ghouls. Literal flesh-eaters. He is fascinated by them, comfortable with them. "Model" heavily implies that Pickman is a ghoul changeling--switched at birth with a human child. This leans into Lovecraft's ideas about heritability being a major source of horror, of course, and seems run of the mill until you get to The Dream-Quest of Unknown Kadath.

In there, Pickman appears again, but this time as a ghoul. He has cast off his human social shackles and joined the beings he loves, beings who understand him and support him. Kadath is notable in that the ghouls are actually... like... reliable, loyal, and morally good? Carter's opinion pretty much is, "They do eat human corpses and they smell awful, but they're all very nice and want to help me on my quest, so maybe they're not so bad (if not as good as the cat army)".

This feels like Lovecraft acknowledging that his entire approach of linking queerness, death, and revulsion is fundamentally flawed. Once you become familiar with the repulsive, it becomes not-really-that-repulsive-at-all. You can find beauty in it, and amusement, and love. Pickman embracing his ghoulish nature isn't all that different from Seth Brundle's overall lack of revulsion at his body's transformation. And it's not that different from what a lot of transmasculine folks go through, either.

It's not that transmascs, trans men, and/or transfags don't see what West does as crimes against nature. It's that we're all very fucking tired of being accused of crimes against nature. We're tired of not being able to look at socmed without finding accusations that we're disgusting perverts who sneak around behind closed doors to corrupt innocent, promising people to be our lackeys and partners in crime.

Hell, I refer to my wife as "my partner in crime" not because it's a cute way of acknowledging how well and how much we work together both in life and creativity. It's also because we could have been arrested for our relationship when we got together.

We were illegal.

There was a lot of sneaking around and whispering and trying not to get caught and "what if they call the cops on us if we're clocked". Can I tell my friends about this? Will they reject me or rat me out? Where am I safe? Nowhere. Best to lock the door and then check it again to be sure. Best to be very quiet.

Best to act like a graverobber trying to get their grisly wares back home before good, decent, Christian folk see them.

So when I hear "Blasphemy? Before what God?!", I read it as (whether he's ace or aro, gay or achillean, trans man or transmasc or genderfucked) a queer slogan of defiance, instead of a defense of graverobbing, corpse desecration, and non-consensual resurrection.

We're told we and our bodies are repulsive, so being told that Herbert is also repulsive makes him more relatable. Instead of wondering what the hell's wrong with him for shooting up reagent, we all theorize that it's actually T or has similar effects--because we're all told that T is a toxin that will horribly change and disfigure our bodies. He dresses in a three-piece suit for school, and instead of reading him as a stiff and overly-formal little freak, we assume he's layering up because he hasn't found a hoodie he likes yet. 

He cackles at his horrific creations, and instead of saying "What a fucking freak (anguished)", we say "What a fucking freak (affectionate)" and laugh along with him. Who among us hasn't taken apart our Barbies and tried to combine their parts with the Kens? What is a doll, or a human, but a collection of parts to be rearranged? Haven't we also been told we're freaks for rearranging our own parts?

We've already been told by society at large that we are Herbert West. We're just embracing it, in the proud tradition of venereal horror fans who are not revolted when they ought to be, and I think that's delightful.

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[icewindandboringhorror]

I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?

(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)

Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c

[marklikely]

and i have zero answers about this but i feel like we as a collective need to figure some stuff out bc we cannot keep having these constant threads about how all lgbt media is sanitized and boring these days in between callout posts for how every new lgbt media that isn't sanitized and boring is irredeemable problematic media you can't blog about

[thedevotionaltour]

in terms of art alone im sorry. im a jrjr defender to my last breath you be fucking nice to him. i dont wanna hear shit❗️❗️❗️

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION HAVE ISSUED AN APOLOGY AND A RE-INVITATION. HERE IS MY STATEMENT

hello buckaroos. the TEXAS LIBRARY ASSOCIATION have issued a formal statement and apology which you can read at the attached link.

while i find the language used to discuss what was done a little unsatisfying, i would like to start by saying i appreciate anyone taking steps to prove love is real and make things right. the genuine feeling of ‘realizing you have made a mistake and hurt someone else’ is a terrible one, and i have so much empathy for this group as they reckon with their choices causing harm. i appreciate their apology.

i also think more good than bad has come from this situation. i am so thankful this happened to me (someone with a large social media presence) and not a smaller buckaroo author without the means to stand up for themselves. i think the next time someone comes to the TXLA with an accommodation need, they will hopefully be taken more seriously

lets trot down to business about specifics now. the TXLA has re-invited chuck to the original panel and even offered to take a moment at the top of the panel to talk about what happened. this is very kind of them and i will say THANK YOU. 

unfortunately i will also have to decline.

the fact that it took this much effort, social media backlash, and discussion to let me simply EXIST PHYSICALLY in a way that is authentic to myself is not a good sign. if this organization immediately questions an authors chosen presentation in this manner, i cannot imagine what my other accommodations would be met with.

sometimes i am at an event and i very quickly need extra space to breathe. sometimes i am at an event and i need special guides to help me along from place to place. these are not ‘big asks’ and every other conference has gladly provided them, but if the TXLA had this kind of initial reaction to my physical appearance, i cannot imagine them readily helping with my other needs without ‘proof’.

this is clearly not a safe place to trot for those who require additional accommodations. regardless of any apology, their ACTIONS have shown that people who appear unusual or unique are not welcome at this event on a subconscious level. i believe the TXLA have some serious inner work to do beyond this apology, and i believe this inner work will involve actions more than words.

but even more importantly i would like to make this very important point: IT DOES NOT MATTER IF MY MASK IS A DISABILITY AID OR NOT. i appreciate the way this discussion has allowed us to trot out some deep talks on autism and proved love in this way, but i think there is a much more important point at hand.

regardless of WHAT someone looks like, it is not the job of an event or conference to pick apart WHY. physical presentation can be a part of someones neurodivergence, or gender, or sexuality, but i can also just exist as a nebulous undefined part of their inner self. it can be a piece they are not ready to openly discuss yet. the guests at TXLA are authors (aka ARTISTS) and the idea that a conference dedicated to an ART is going to deny people with unique and unusual presentations for ANY reason is absurd. since when are we applying a ‘dress code’ to our artists?

without knowing it, i personally believe there is an element of the ‘good queer, bad queer’ phenomenon going on here. there is a push to say ‘LOOK we accept these marginalized groups and cultures’ but behind the scenes that means ‘we accept these marginalized groups and cultures who are quiet and speak in turn and wear the metaphorical suit and tie’. it is easy to show diversity when you only take on the voices that arent too ‘strange’.

to prove my point i ask you this: do you think orville peck would have FOR ONE SECOND been asked to perform at the texas library association event without his mask?

so with that i say ‘very sincerely, thank you, but i will have to decline the re-invitation. maybe next year’

[crustaceousfaggot]

An outsider's knowledge of The Locked Tomb series, based on what I've seen from Tumblr.

So it's a series of books. Idk how many they are (at least 3? And they're still coming out) but I'm pretty sure they all have the suffix "the ninth". Idk what this means.

One of the books is called "Nona the ninth" but I feel like I never hear people talking about a character named Nona so idk what that's about

The two protagonists are Harrowhark and Gideon. They're very much in love but also I think there's some elements of Toxic Yuri at play. Not like enemies to lovers but more of like a codependency thing I think?

At some point one of them eats someone I think?

Harrow is the little goth one and she's like. Angry and bitey and very wetpathetic like a gutter cat.

Gideon is the taller ginger one who's a bit more butch. She's also angry and bitey but less so? I am attracted to her.

Harrowhark and Gideon are part of like... An order of space nuns who do necromancy. It seems like Harrow takes this responsibility more seriously and Gideon just wants to fuck around and look at tits.

That's why they have the skull makeup. Because they're Necro Nuns

Idk why Harrow is always drawn with the Bone Corset thing but Gideon isn't. Idk if this is just because she's Like That or if it's like... A separate uniform she has for whatever reason.

There's a lot of angst derived from how Harrow is like... Indoctrinated and controlled and lacks agency in her own life.

Harrow and Gideon are separated at some point and fans are very keen to see them reunited. Maybe. I might be making that part uo

There's a blonde woman named Ianthe? Idk what she does though. That's the only other character I know about.

As far as I know there are no men. Or at least no men worth talking about.

I'm not sure what the titular Locked Tomb is all about. Presumably something to do with necromancy.

You know for a series that people call the "lesbian necromancer series" I feel like I rarely hear people discussing the necromancy parts.

I'm also unclear on the time period and setting. I think it's set in space but idk if it's like a far-future thing or an alternate universe or...?

There's a lot of perspective-hopping. I think it also switches between 1st and 3rd person POV which is neat I suppose

I heard somewhere that it's loosely based off of a Homestuck fanfic but idk if that's true

[kafus]

beginner’s guide to the indie web

“i miss the old internet” “we’ll never have websites like the ones from the 90s and early 2000s ever again” “i’m tired of social media but there’s nowhere to go”

HOLD ON!

personal websites and indie web development still very much exist! it may be out of the way to access and may not be the default internet experience anymore, but if you want to look and read through someone’s personally crafted site, or even make your own, you can still do it! here’s how:

use NEOCITIES! neocities has a built in search and browse tools to let you discover websites, and most importantly, lets you build your own website from scratch for free! (there are other ways to host websites for free, but neocities is a really good hub for beginners!)

need help getting started with coding your website? sadgrl online has a section on her website dedicated to providing resources for newbie webmasters!

HTML (HyperText Markup Language) and CSS (Cascading Style Sheets) are the core of what all websites are built on. many websites also use JS (JavaScript) to add interactive elements to their pages. w3schools is a useful directory of quick reference for pretty much every HTML/CSS/JS topic you can think of.

there is also this well written and lengthy guide on dragonfly cave that will put you step by step through the basics of HTML/CSS (what webpages are made from), if that’s your sort of thing!

stack overflow is every programmer’s hub for asking questions and getting help, so if you’re struggling with getting something to look how you want or can’t fix a bug, you may be able to get your answer here! you can even ask if no one’s asked the same question before.

websites like codepen and jsfiddle let you test HTML/CSS/JS in your browser as you tinker with small edits and bugfixing.

want to find indie websites outside the scope of neocities? use the search engine marginalia to find results you actually want that google won’t show you!

you can also use directory sites like yesterweb’s link section to find websites in all sorts of places.

if you are going to browse the indie web or make your own website, i also have some more personal tips as a webmaster myself (i am not an expert and i am just a small hobbyist, so take me with a grain of salt!)

if you are making your own site:

get expressive! truly make whatever you want! customize your corner of the internet to your heart’s content! you have left the constrains of social media where every page looks the same. you have no character limit, image limit, or design limit. want to make an entire page or even a whole website dedicated to your one niche interest that no one seems to be into but you? go for it! want to keep a public journal where you can express your thoughts without worry? do it! want to keep an art gallery that looks exactly how you want? heck yeah! you are free now! you will enjoy the indie web so much more if you actually use it for the things you can’t do on websites like twitter, instead of just using it as a carrd bio alternative or a place to dump nostalgic geocities gifs.

don’t overwhelm yourself! if you’ve never worked with HTML/CSS or JS before, it may look really intimidating. start slow, use some guides, and don’t bite off more than you can chew. even if your site doesn’t look how you want quite yet, be proud of your work! you’re learning a skill that most people don’t have or care to have, and that’s pretty cool.

keep a personal copy of your website downloaded to your computer and don’t just edit it on neocities (or your host of choice) and call it a day. if for some reason your host were to ever go down, you would lose all your hard work! and besides, by editing locally and offline, you can use editors like vscode (very robust) or notepad++ (on the simpler side), which have more features and is more intuitive than editing a site in-browser.

you can use ctrl+shift+i on most browsers to inspect the HTML/CSS and other components of the website you’re currently viewing. it’ll even notify you of errors! this is useful for bugfixing your own site if you have a problem, as well as looking at the code of sites you like and learning from it. don’t use this to steal other people’s code! it would be like art theft to just copy/paste an entire website layout. learn, don’t steal.

don’t hotlink images from other sites, unless the resource you’re taking from says it’s okay! it’s common courtesy to download images and host them on your own site instead of linking to someone else’s site to display them. by hotlinking, every time someone views your site, you’re taking up someone else’s bandwidth.

if you want to make your website easily editable in the future (or even for it to have multiple themes), you will find it useful to not use inline CSS (putting CSS in your HTML document, which holds your website’s content) and instead put it in a separate CSS file. this way, you can also use the same theme for multiple pages on your site by simply linking the CSS file to it. if this sounds overwhelming or foreign to you, don’t sweat it, but if you are interested in the difference between inline CSS and using separate stylesheets, w3schools has a useful, quick guide on the subject.

visit other people’s sites sometimes! you may gain new ideas or find links to more cool websites or resources just by browsing.

if you are browsing sites:

if the page you’re viewing has a guestbook or cbox and you enjoyed looking at the site, leave a comment! there is nothing better as a webmaster than for someone to take the time to even just say “love your site” in their guestbook.

that being said, if there’s something on a website you don’t like, simply move on to something else and don’t leave hate comments. this should be self explanatory, but it is really not the norm to start discourse in indie web spaces, and you will likely not even be responded to. it’s not worth it when you could be spending your time on stuff you love somewhere else.

take your time! indie web doesn’t prioritize fast content consumption the way social media does. you’ll get a lot more out of indie websites if you really read what’s in front of you, or take a little while to notice the details in someone’s art gallery instead of just moving on to the next thing. the person who put labor into presenting this information to you would also love to know that someone is truly looking and listening.

explore! by clicking links on a website, it’s easy to go down rabbitholes of more and more websites that you can get lost in for hours.

seeking out fansites or pages for the stuff you love is great and fulfilling, but reading someone’s site about a topic you’ve never even heard of before can be fun, too. i encourage you to branch out and really look for all the indie web has to offer.

i hope this post helps you get started with using and browsing the indie web! feel free to shoot me an ask if you have any questions or want any advice. <3

[alpaca-clouds]

The history of Solarpunk

Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.

Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.

And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.

The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.

At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".

Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.

These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).

In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.

Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.

And all of that was happening in 2012, where the term really started to take off.

And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.

Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.

The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.

And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.

Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.

So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.

Thanks for coming to my TED Talk, I guess.

[inbarfink]

Okay, so here’s the thing….

We are still at a very early point in the narrative of ‘Fionna and Cake’ and therefore at a very early point in Simon’s character arc. It’s pretty clear that “I need to become Ice King again” is not the end point by any meaning of the word. But I am wondering where we’re going to go with this, cause… The series has yet to really tackle how miserable Ice King himself was a lot of the time. And how often he hurt people. 

Like, yes, I was an advent advocates for 'trying to bring back Simon Petrikov was a really really Bad Idea on Betty's part, it was more healthy to focus on making sure Ice King was as happy and healthy and harmless as he could be', but I am also fully aware that he started the show being both extremely lonely and extremely sad and also a serial kidnapper who was very much a danger to those around him. And as much progress as he made during the show, getting Ice King to that point was a very serious struggle with a lot of backslidings and problems.

'Friends Forever' is, for example, an episode that stuck with me for a long time as a really heart-wrenching demonstration how even in that late stage, when he has buddies and people trying to seriously take care of him - Ice King was still very capable of seriously sabotaging his own relationships and hurting others and himself.

And it does make sense narratively that, like, characters like Astrid and Fionna and Cake, all of whom lack the full context of what Ice King's life was like (Fionna and Cake really just saw Simon at his worst and only got snippets of clips of Ice King and since Astrid was born after Humans came to Ooo that means she was also born after the events of ‘Come Along With Me’) all see Simon as a downgrade. Because they really don’t understand how bad Ice King was beforehand. 

And thus is does make sense that with Simon's current mental state, and how he is surrounded lately with these kinda people who never really knew Ice King and don’t really understand how terrible and miserable he could be, and now hearing that his ‘sanity’ just took away magic and whimsy from some else’s whole universe, and how it feels like the actual gods of the multiverse are telling him that he should be Ice King, that he's supposed to be Ice King....

It makes sense that he might start kinda... romanticizing that time in his life again. 

You know, the big thing about the outlook that Betty should’ve accepted Ice King as who he is rather than basically destroy herself to bring Simon back wasn't about whatever Ice King or Simon Petrikov were better or 'cooler' than the other. It was about, like, embracing change. Not obsessing about a past where things were ‘Better’ but seeing what is the best you can do with things as they are. Moving forwards.

And we all know how Simon feels about moving forwards right now…

And obviously that's a pretty bad mindset, even if it's understandable how he got there...

And honestly, if we do explicitly acknowledge that, hey! Ice King’s life was often just as much of a depressive spiral as Simon's is right now! There might be an element of… resignation in Simon’s decision. 

Because Simon's downward spiral since getting cured is not a demonstration that he was better off under the Ice Crown's curse.... But, to him, more a demonstration that he doesn't need the Crown to screw up his own life anymore.

‘Cause as both as Ice King and as good ol’ ‘sane’ Simon Petrikov he is just as capable of being lonely and depressed.

And just as capable of losing his own identity.

And just as capable of pushing his loved ones away and ruining his own life.

And just as capable of becoming a weirdo obsessive.

And just as capable of making little girls cry.

He even started kidnapping people again! That’s the Ice King Classic!

So on some level, maybe Simon is resigned to the fact he’s always going to be SOME sort of screwed up lonely sadman who hurts others. And if that is his fate, he might as well be the screwed up lonely sadman who is mostly oblivious to how sad he really is and can shoot ice from his fingertips. And his arc is going to be about realizing that, whether he is Ice King or Simon Petrikov, healing and change ARE always possible for him.

But we’re gonna have to see where it goes…

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[writingsonsaturn]

Tim having a younger girlfriend who gets princess treatment from him, she very obviously in love with Tim, and nobody at the station believes he has a girlfriend, so one day she shows up and work and everyone gets to see and meet her and see just how much she has Tim wrapped around her finger <3

Sorry if it doesn't make sense

puppy love - tim bradford

{ masterlist }

🪐: hopefully this lives up to what you were thinking!! i did my best to capture all the main elements that you wanted in the story <33

word count: 1039

⭒☆━━━━━━━━━━━━━━━☆⭒

Tim was notorious for being a hardass, his rough demeanor and strict ways of teaching made him seem like a total douchebag, for lack of a better word.

However, for you, he was a ball of sunshine, just don't let anyone else know that. 

Tim was awoken to the deafening sound of his alarm clock, he looked over at the red numbers, the clock reading “6:00am”, he sighed and reached a hand over to turn the blaring sound off. He turned over at the movement of your sleeping body, his hand now brushing through your hair with a small smile on his lips, waking up wasn't so bad when he got to see your face every morning.

You woke up gently at the new warmth that was on your head, “do you have to leave today?” you whispered with annoyance, one eye looking at him while the other stayed shut hoping to retain some sleep “unfortunately i do, baby, but i'll be home in time for our date” he responds, leaning over and kissing your forehead. 

He gets out of bed and heads for the closet putting on his uniform, once he’s done getting ready he reaches for his duty belt and gun that he keeps in his nightstand. Finally he leans over to give you one last kiss goodbye, “i love you, i’ll text you on break” you felt his lips move, “i love you too, be safe and come home to me” you respond as he walks out of the room gently shutting the door.

You shortly go back to sleep to get extra shuteye before having to go to your 9:00 am psychology class.

===

Tim made it to work early, going into the locker room and putting his duffle bag full of extra clothes and little snacks that you had snuck in there “just in case”, once he left the locker room he made his way to the debriefing room. “Hey Tim, you still owe me the 13 bucks for that burrito i bought you last week” Angela points out, while walking in behind him “ah right” he groans pulling out his wallet simply forgetting the little photo he kept of you in there.

The photo fell on the ground as Tim pulled out the cash, Angela reached down holding the picture “who is that?” she wonders while looking at the piece of paper “my girlfriend” he responds while holding out the $13, “you? You have a girlfriend?” she jokes “yeah, and i'm a millionaire” she finished sarcastically and walked away to sit down in her seat.

Tim just silently rolled his eyes and put your photo back in the safety of his wallet, after Grey gave his briefing, Angela and Nyla both started talking about Tim’s “girlfriend” the others overheard and suddenly everyone knew about Tim’s private life. 

“Tim has a girlfriend?” Lucy questioned, while walking over the group and grinning. “That’s what he claims, when he was paying me back a photo slipped out of his wallet and when i asked who it was he said it was his girlfriend, but i don't know who would torture themselves like that” she explained, Nolan had his eyebrows raised “come on guys, Tim can’t be that bad” Nolan continued “he probably just doesn't like us” he smiled making the others laugh. 

“Okay! Are you guys ready to stop being a bunch of highschoolers and gossiping about my love life so we can, I don't know, do our job?” Tim dead panned, they all quietly snickered, and some started getting ready to head out.

Tim heard the faint call of his name, and fast feet, “Tim! you forgot your lunch!” you spoke quickly while softly jogging towards him. “That’s what i forgot, thank you baby” Tim mentally smacked himself for forgetting the meal you had prepared for him the night before. You smiled at him, rushing as you had to get back to the campus as you had a final in 45 minutes.

Everyone looked slightly gobsmacked, realizing that Tim was in fact not lying about having a girlfriend, Angela came up to the love sick couple, “so you’re the pretty lady Tim keeps in his wallet” she spoke with playfulness, “you must be Angela! Tim talks about you all the time, im (Y/N)” you introduced yourself with a big smile. Tim smiled at you with all the love in the world, looking at you while you introduced yourself to his friends and colleagues. 

“As much as i would absolutely love talking to you guys more, i have a really important test i have to go take” you explained with haste, everyone was extremely understanding and wished you good lucks, “One last thing, Tim, before you come home will you please pick up milk from the store? I used it all this morning” everyone looked at Tim awaiting his response “Yes ma’am” he complied, you kissed his cheek and gave everyone a last goodbye before leaving.

“Man she has you utterly whipped” Aaron spoke, while shaking his head, “yeah, you are so done for sir” Celina giggled. Tim looked at both of them with a stern face immediately making them shut up and get back to doing whatever they were doing. 

“I'm glad you found someone Tim, you deserve a good person” Lucy quietly mentioned, Tim gave a silent nod of acknowledgement letting Lucy know that what she said meant a lot to him as she left and continued on with her duties.

Tim carried on with his day, doing paperwork, and counting the minutes until he came home to you.

Once he got off of work, he made sure he picked up milk and even got you you're favorite snack, as soon as he got home you two made dinner together and sat at the kitchen table, you told him how you’re very sure you passed your final with flying colors, and he told you about the mountains of paperwork that made him wish he was in bed watching a stupid reality show with you instead. 

When it was time for bed you and Tim continued to talk about random thoughts, and your futures together before you both drifted into a peaceful sleep.

[icewindandboringhorror]

Very strange outfit that is sort of like.. a mix of my current style (pattern mixing, pom poms, fun sandals) combined with how I dressed when I was like 10 years old. The stereotypical skelanimals hoodie vest and the skull t-shirt lol..