#if a platform wants to stream artists music then they should be paid

[firjii]

I just saw the Spotify might change their royalties model and that it would hit indie artists hardest. Are you posting your music elsewhere? I follow you on Spotify but now I'm looking into other places for music and want to continue supporting your awesome music!!

<3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3

I love you and thanks for asking.

Except for a few covers that are limited by licensing restrictions, my stuff is on all major and some minor platforms (I do sometimes lag in putting things on Bandcamp because lazy). I'm not monetized on Soundcloud because that system is somewhat different and IIRC not as welcoming of truly small artists, so any of my tracks that you find there are either on my "just for fun" accounts or are someone's illegal reupload.

Reminder to the new folks: I'm Firjii everywhere but also started another artist pseudonym as Kathy Warnecke (which should also be on all the same platforms by now).

Tidal and Apple usually have the best royalty payout rates and Spotify is among the worst (but no platform has a guaranteed fixed rate). Youtube is all over the place but usually on the low end. Downloads always pay better than streams, but I know some people can't do this or prefer to continually support with streams over time instead of paying once.

I'm also gonna take a minute to FUCKING RANT explain things to the uninitiated since virtually all my listeners on tungles are freemium Spotify users. From what I understand, this change has been finalized and it's not speculation at this point.

The deal is they'll withhold royalties from a song in a given calendar year unless it's streamed at least 1,000 times ANNUALLY (not lifetime).

Although the change will only consider per-track stats (not social media-like numbers such as followers/listeners or a measurement of how established the artist's presence is), in practice, this will specifically demonetize small/niche artists and have little or no impact on medium and big names. It will also affect the payouts small artists get from distributors because many of those have their own minimum payout thresholds.

I need people to understand just how shitty this is.

Say you're a prolific creator or recorded some live shows from a tour and you released 150 tracks in a year. If each track only got streamed on Spotify 999 times that year, they're pretty much saying you'd get paid for.......yup, exactly zero Spotify streams, not the 149,850 you're otherwise owed. I have no idea if this will impact PRO (performance rights organization) payouts, but I refuse to believe it would be legal to also withhold that share of royalties.

In the Spotify world, 1k streams is a tiny achievement (and still translates to a very small payout, so the concern is: what's to stop them from raising that minimum even more in the future?). But especially when the hurdle is per song per year, this can be a tough goal for indie or specialty genre artists to reach or maintain, including me.

I have a long history of disliking Spotify in particular for many reasons, but I upload there because it's the only way some people will listen. I strongly encourage anyone who is able to use other platforms to explore their options.

I know a lot of folks are too broke to pay for music and Spotify is a notable example of a freemium option, but this change is so, so, SO bad for SO many artists.

[berlinini]

BMG, Beggars Group and Hipgnosis each have strong opinions on streaming. Here are those opinions.

January 21, 2021 / By Tim Ingham

(...) BMG is, obviously, a big deal in the world of music rights. The company generated over $670 million across publishing and records globally last year.

Its DCMS submission sets out a number of changes it wants to see in how the wider music industry pays out from streaming. It’s fair to say that most of them are directed at the three major music companies.

Writes BMG: “A rule of thumb is that streaming services pay around two-thirds of their revenues to the music industry for the music rights they license.

“The problem for artists is that while the recording attracts the largest share (around 80%) of the music rights pot, a traditional record deal may offer them 20% or less of that share, and 20% of 80% of 66% is 10.5%. The problem for songwriters is that while they typically have much higher [royalty rates], around 75%, that percentage is applied to the smaller share (around 20%) of the music rights pot, and 75% of 20% of 66% is 10%.”

BMG continues: “The only realistic way for artists to increase their income from streaming is for them to receive a higher share of the revenue generated by their recordings. The only realistic way for songwriters to increase their income from streaming is for them to receive a greater share of the total pot of money paid by streaming services for the music they use. Both proposals are likely to encounter significant push-back from the traditional music industry. This is understandable since achieving them would entail wholesale changes to working practices, improvements in efficiency and a more robust approach to overhead. None of this is comfortable, but we believe it is necessary.”

BMG is largely very positive about Spotify, Apple Music et al and the impact each has had on the music industry so far. It does, however, raise a couple of key concerns on recent developments regarding SPOT and its fellow platforms.

“[Some streaming services’] attempts to overturn a court-mandated increase in songwriter royalties in the US is an outrage to many songwriters,” notes BMG, which also believes the industry’s “slow progress made towards adopting user-centric licensing is disappointing”.

BMG takes particular issue with “the recent announcement by Spotify that artists may have to trade lower revenues for access to certain playlists” which BMG says “potentially sets a dangerous precedent”.

It adds: “Spotify’s November 2 announcement that it is to offer labels paid-for personalised recommendations which influence algorithmic playlists has been widely criticised by artists as a form of digital age ‘payola’. While it is too early to say whether such language is justified, any mechanism which is seen to rig the market in favour of the biggest and best-funded players will inevitably raise concerns about market manipulation.”

Summing up its position, the company writes: “BMG views artists and songwriters as our clients. Our job is to be a service provider to them. Viewing artists and songwriters as clients changes many of the historic assumptions of the music industry. Since they are clients, it is not their job to keep BMG in business; it is BMG’s job to add value to their businesses.

“Since [artists and songwriters] are the principals, they should receive the lion’s share of revenue, hence while traditional record companies pay royalties of 20% or less, our new recording deals credit recording artists with 70% of revenue or more. We don’t do this because we are do-gooders. We do it because we believe that’s the logic of the streaming revolution and the modern way to do things.”

BMG adds, with a wink and a nudge: “It is a strange business in which ‘We don’t rip off our clients’ is an attractive sales pitch, but it is an indication of how far we believe the music industry lost its way that we identified it as an area of competitive advantage from the outset.”

[thementalshawty]

Hello, sorry for bothering you. But I would like to ask you: Do you have any advice for starting to make music? Since I was a child I have liked it, but it is something that my parents didn't, so I was always away from it, to the point that now I am studying engineering that has nothing to do with music, but I can't take it anymore, seriously, I want to try. 🤧

I do!

Know that it’s what you want to do seriously or just as a hobby

Know how far you want to go with your music and where you want to stop, if you’re doing it for the game find something else it’ll be way to easy to get famous on social media platforms than music of fame is what you striving for.

Know what your brand is, everyone knows the industry will be trying to test you to see what they can bend and make you do. Stay strong in your creativity. Don’t stray from your message or what you stand on, that will help you get ahead! Don’t be afraid to say no.

Don’t just trust everyone! I know talking to your fave artist and asking for help hoping to get their validation, DO NOT DO THAT! Artists don’t help other artists unfortunately it’s a lie they tell to sound humble, plenty of artists including myself have experienced that disappointment of finding out other artists ain’t shit 🤷🏽‍♀️.

Never go to the artists for help, go above them. (be a Karen and ask for the manager or the boss). You have to remember this is a business the whole objective of the industry is to create profit, these artists work with certain companies to expand their business, they won’t tell you what they actually did because they don’t want you to succeed, (Hopefully you meet an artist who is really sincere).

Don’t hold grudges. It’s a business. Accept and keep it pushing ALWAYS! People are jerks and they’re hella entitled and snooty in this industry even the ones just starting out. Idk why and idc I just warn other artists.

Be professional! Nobody likes a messy slob who doesn’t know how to conduct themselves.

MARKETING IS KEY! Know where and how to invest your money. Don’t give money away, everything and everyone will sell you stardom and the dream don’t believe it! Use marketing

Know that nothing is organic in this industry EVERYTHING IS FABRICATED! Yes numbers and all, you think an artist has 41M streams, but most of them are fake bots paid for by their label, again this is a business so the bigger numbers are making better send so the payola isn’t something to look down on.

This is a personal opinion of mine well this whole thing is, but MAKE YOUR OWN SHIT! If you can just be innovative original and write your own lyrics the majority of the time that is amazing and it shows how talented and passionate you are about the craft I feel like bigge smalls (number 9 should have been number one to me). I feel this should’ve been the first piece of advice, but here we are.

Practice ignoring what people say, I know people say you need to have tough skin, I say Fucc that! People need to learn how to control themselves like you do, but they don’t cos people are brave esp online, so practice turning your head to it or limiting your social media comment searches. Getting feedback is cool but you must KNOW WHO YOU ARE! Everyone is going to try to make you second guess yourself! This industry is a huge ass mindfucc! PLEASE KNOW WHO YOU ARE AND WHAT YOU WILL AND WILL NOT STAND FOR! Also don’t be afraid to stand up to anyone! You don’t need to get loud or rude but you can stand your ground in the room.

EXPECT NO HELP! The industry really helps those whose already made it to some kind of fame or viral status, you wanna start from the ground up, lots of money coming out and no money returning, lots of rejections and doors slammed, disappointments, frustrations and more sad moments. People are out for themselves and you’ll realize that in this industry.

Accept that the fame that most people see isn’t real and there’s a price to pay that you may or may not be into. Hey if you’re into it then go ahead, many artists including myself have been approached about this offer, and Fucc that it’s not even a choice to make, well not for MY BRAND! Hence why I say KNOW YOUR BRAND! What you’re about the image that you want to put out, how you want to look, say, move, etc.

Be entertaining, I’m not going to say be yourself if it ain’t lit they won’t look your way!

Have a great stage presence!

Uhm I’m trying to think……JUST STAY COMMITTED!!! Trust your instincts!

Get a great dream team! Don’t. Try to do it all, shit there’s nothing wrong with admitting you need help just be cautious about who you get help from.

Don’t try to get signed. Independent artists are hella fire and have so much freedom and they get to keep MAJORITY OF EVERYTHING (after you split with your team).

Learn the ins and outs of the business. Esp with the genre you want to pursue.

Believe in yourself and your craft more than anyone you need to be your biggest fan……..ALWAYS.

There’s more but I didn’t even want this to be that long!

Good luck love!

[squideo]

Have You Considered... Spotify?

There is an overwhelming number of options for individuals and businesses looking to build an online presence. The focus for many remains on the big three: Facebook, Instagram and Twitter. With a combined monthly active user base of 4.29 billion people, an account on each of these platforms puts you in the pocket of half the world’s population (Source: Backlinko 2022).

For businesses, there are huge markets to access through these platforms – if you can be heard over the crowd. These massive platforms attract companies from around the world. From multinational conglomerates to the newsagent at the top of your street, it feels like everyone has an account. 

It is a buyer-seller market that these platforms are geared toward. Each of the big three, and many like them, run paid advertisements and offer additional tools and insights if you switch from a personal account to a business or creator account. Instagram and Facebook also have marketplaces, to facilitate direct sales.

How to Stand Out?

First of all, keep your Facebook, Instagram and Twitter accounts. Nothing can be gained from ignoring these titans of social media! If you want to stand out amongst your competitors, however, it’s time to consider expanding your social presence to other platforms which offer more opportunities to shine.

The obvious secondary choices are the runners-up in the social media rankings – namely TikTok and Snapchat – however, as they surge in popularity they start to mirror their competitors. Both have business account options and deliver advertisement packages. It’s vital to tailor your content to stand out and choose your platforms with care.

To engage your customers and convert new visitors, it is important to identify multiple platforms where they are most active. Find out their location, age range, professions, and any other identifiers you can think of. If you’re operating as a Business to Business (B2B), platforms like LinkedIn and Clubhouse could be ideal. If your market is teachers and educators, use Facebook and Pinterest.

Go where your customers are. You might end up somewhere unexpected!

What is Spotify?

Spotify is the largest music streaming service with 365 million monthly active users tuning in from around the globe.

As well as big title artists, Spotify also hosts over 2.9 million podcast titles. It is free to sign-up and listen with adverts. Premium membership is also available for a monthly or annual subscription.

For a business looking to build brand awareness, Spotify has two key advantages:

1. Prima Podcast

Facebook, Instagram, TikTok, Snapchat… they’re all focused on the visual, whether it’s an image, video or reel. Spotify allows you to reach out to an audience through a different medium: audio. From your Spotify account, you can launch an informal podcast to deliver insights from your industry, chat with customers or service users, or host different team members to discuss company updates.

In education, students have long been grouped into three learning preferences: visual, auditory and kinaesthetic (physical activity). While most people have a preference, the best lessons incorporate all three. So why should your marketing strategy be any different? By incorporating audio into your marketing plan, you can engage a new customer segment.

2. Humanising the Brand

Spotify isn’t only available to businesses as a podcast platform.

Humanising your brand helps your audience build a connection to your business, making them more likely to convert into customers. Form meaningful connections and build a community that wants to work with you, and soon you will stand out amongst your competitors.

Spotify lets you do this by giving you the option to add music to your brand. Curate playlists that align with your services and products, or give team members a chance to create something unique to them. Show your audience that there is a personal element behind the logo.

Below is the playlist that Squideo created for Halloween - each team member picked a track and their personalities really shine through with each selection!

How to Utilise Spotify

It’s easy to promote a Spotify account through your existing social media platforms. Spotify allows you to share music directly to Twitter and Facebook, and embed it on a website. With platforms like Linktree, you can share your Spotify account across all of your social media accounts to encourage your combined audience to visit your business page and follow.

Unlike other social media platforms, Spotify does not offer users the choice to switch to a business account which means there are no statistical insights into the reach and engagement of your account. The prime method to track engagement is through channel followers and user likes on playlists and original content.

What Spotify lacks in business functions, however, it makes up for through passive engagement.

Traditional advertising has become less engaging for consumers, and curated content is a great way for brands to make an impact on an oversaturated landscape.

People listen to music all day. Offering a curated playlist enables you to passively engage these potential customers throughout their daily activities.

Design playlists that relate to your brand or team. Read on for inspiration!

Location. What is the team in your office listening to, compared to a different branch based in another city? Bring a company together and bridge staff no matter how far apart they are.

Holidays. Squideo kicked off its first Spotify playlist with a compilation for Halloween, with tracks chosen by each member of the team. Make one for every holiday or season, like Valentine’s Day or the Summer Holiday.

Themes. Ideally connected to your brand in some way, the songs in this playlist will connect to one main theme. For a company like Squideo, this could be ocean-themed, film-themed, or Hull-themed (the city where we’re based).

Activities. For people using Spotify, activity playlists might be curated for things like working out, relaxing or cooking. For a business, consider creating playlists for activities connected to your work. If you’re an estate agent, create a playlist that represents the joy of selling a house. If you’re a construction agency, create a playlist for working at a site on a hot day.

Once you’ve made your playlists, add an extra layer of personalisation. Spotify gives its users the option to create a playlist cover. Design this with your branding in mind, so that when people go to play your playlist they think of your business!

Share your playlist across social media and keep it up-to-date (Spotify does remove and add music depending on its arrangements with music record labels). You’ll find your following soon enough.

For more inspiration, check out other leading businesses on Spotify like McDonald’s, Nike, Zara and Lidl.

Get Started with Video Marketing Today!

Hopefully, you found this first installation of Have You Considered useful. Stay tuned over the next two months while we explore other underutilised platforms and find ways to make your brand stand out.

Speaking of standing out, check out our portfolio! And, if you want to discuss how animated explainer videos can benefit your business, get in touch with the Squideo team today.

[music-industry-updates]

Why YouTube Content ID is Key to Monetizing Your Music Online

In the digital age, musicians face both opportunities and challenges when it comes to making a living from their creative work. The internet offers endless possibilities for artists to reach global audiences, but it also presents difficulties in controlling how their music is used. One of the most effective tools to manage these challenges and unlock new revenue streams is YouTube’s Content ID system. This tool allows musicians and rights holders to track, manage, and monetize the use of their music on YouTube, even if the content is used without their explicit permission.

In this article, we will explore what YouTube Content ID is, how it works, and why it’s crucial for musicians looking to boost their revenue. By the end, you’ll understand how you can take control of your music’s use on the platform and start earning from it.

What Is YouTube Content ID?

YouTube Content ID is an automated system that helps copyright holders, including musicians, identify when their work is used in videos uploaded to the platform. When you upload a track or a piece of music to Content ID, YouTube stores a digital fingerprint of that content in its database. Every time someone uploads a video, the system checks it against this database to see if it contains any copyrighted material. If a match is found, the rights holder has several options for how to proceed.

How Does It Work?

The process of using Content ID is simple but powerful. When someone uploads a video containing your music, YouTube’s algorithm identifies your work and takes one of the following actions, based on the settings you’ve chosen:

Monetize the Video: You can claim the video and allow it to remain online, but with advertisements placed on it. The revenue generated from these ads will go to you as the rights holder, even if the uploader didn’t have permission to use your music.

Track the Video: If you’re more interested in seeing how your music is being used, you can choose to track the video’s performance instead of monetizing it. This can provide valuable insights into where your music is gaining traction or becoming popular.

Block the Video: If you don’t want your music to be used without permission, you can block the video from being shown on YouTube altogether. This ensures that your music is not exploited in ways that you don’t approve of.

Why Should Musicians Use YouTube Content ID?

Monetizing music through traditional means such as album sales or paid streaming services is becoming increasingly competitive. As the music industry shifts towards more streaming and digital consumption, artists must look for alternative ways to earn money. YouTube, with its massive global audience and millions of hours of content uploaded daily, offers a unique opportunity for musicians to tap into new revenue streams.

Here are some key reasons why musicians should use YouTube Content ID:

Control Unauthorized Usage While it can be frustrating to find your music used without permission, Content ID allows you to control how your work is used. Rather than simply issuing takedown requests, which can hurt your visibility, you can monetize videos that feature your music. This turns unauthorized usage into a positive financial opportunity.

Generate Passive Income By monetizing videos that use your music, you can earn passive income from YouTube’s advertising revenue. Every time someone watches a video featuring your track, you’ll earn a portion of the ad revenue. This allows you to make money even from videos that you didn’t create or upload yourself. Over time, this can become a significant revenue source, especially if your music is used in multiple videos that gain a large number of views.

Wider Audience Reach When your music is used in user-generated content, it can help you reach new audiences. Viral videos, vlogs, and fan-generated content can bring your music to listeners who might not have discovered it otherwise. With Content ID, you can benefit financially from these videos while expanding your fan base. Instead of seeing these uses as infringements, they become promotional tools that also earn you money.

Insights and Analytics Content ID offers tracking features that allow you to see where your music is being used and how it’s performing across the platform. This data can provide insights into which regions, demographics, or content types are resonating with your music. Such information can be invaluable when planning tours, releases, or marketing campaigns. For example, if you notice that your music is frequently used in a certain type of video (like travel vlogs), you can tailor your future promotional efforts towards that audience.

How to Get Started with YouTube Content ID

If you’re interested in using YouTube Content ID to monetize your music, the first step is to register your tracks. Here’s a simple guide to getting started:

Work with a Distributor Many independent musicians work with digital distributors to get their music on streaming platforms. Several of these distributors, like Deliver My Tune or TuneCore, also offer YouTube Content ID as part of their services. When you register your tracks with them, they handle the process of uploading your music to YouTube’s Content ID system.

Upload Your Music Once registered, your music will be uploaded to YouTube’s database, where it can be fingerprinted and scanned against any new video uploads. This ensures that whenever your music is used, the system can automatically detect it.

Set Your Preferences Decide how you want YouTube to handle cases where your music is found in a video. Do you want to monetize the video, track its usage, or block it altogether? Most musicians choose to monetize, as it allows them to generate income from unauthorized use while keeping the content online.

Monitor and Manage Once your music is in the system, you can regularly check YouTube’s reporting dashboard to see how your music is being used, how much revenue you’re earning, and where your music is trending.

Conclusion

YouTube Content ID is a powerful tool that can help musicians unlock new revenue streams while maintaining control over how their music is used. By leveraging this technology, you can turn unauthorized usage into a steady source of passive income, grow your audience, and gain insights into your music’s impact across YouTube. For any musician looking to maximize their earnings in the digital age, embracing Content ID is a no-brainer.

[my-music-1460]

Distribution for Spotify: Should You Go Exclusive or Non-Exclusive?

As an independent artist, one of the most important decisions you'll make when releasing your music on Spotify is choosing the right distributor. But beyond simply picking a distributor, you also need to decide whether to go with an exclusive or non-exclusive deal. This choice is critical because it can influence your level of control, the platforms you can distribute to, and even your long-term revenue.

When choosing the right distributor for Spotify, it's essential to consider not only the fees and features but also the type of contract you’ll sign—exclusive or non-exclusive. Both types of deals have their advantages and disadvantages, and your decision will largely depend on your goals as an artist. In this article, we'll dive deep into the differences between exclusive and non-exclusive distribution and guide you on which option might be the best fit for your music career.

What Is Exclusive vs. Non-Exclusive Distribution?

Before we get into the pros and cons, it’s essential to understand what these terms mean in the context of music distribution.

Exclusive Distribution means you’re signing a contract with one distributor, and they have the exclusive rights to distribute your music to streaming platforms like Spotify. You can't use any other distributor for your releases during the contract term. This exclusivity can apply to one project or your entire catalog, depending on the agreement.

Non-Exclusive Distribution allows you to work with multiple distributors simultaneously. You retain the flexibility to distribute some of your releases through one service and others through different distributors. Non-exclusive deals give artists more freedom, but they can come with limitations, depending on the distributor’s offerings.

Benefits of Exclusive Distribution

When considering exclusive distribution deals, one of the most significant advantages is personalized support. Many exclusive deals come with additional perks like priority access to marketing tools, playlist pitching, and sometimes even hands-on assistance from the distributor’s team.

Here are some other benefits of going exclusive:

Priority Playlist Placement: Exclusive distributors often have stronger relationships with Spotify's editorial teams, increasing your chances of landing on popular playlists.

Better Marketing Tools: Exclusive deals may come with advanced marketing features such as email campaigns, social media management, or paid advertising strategies that are exclusive to their platform.

Dedicated Artist Support: With exclusive deals, artists typically receive more dedicated support, meaning you'll have a direct point of contact to help you navigate the distribution process, troubleshoot issues, and potentially leverage marketing opportunities.

Higher Level of Attention: Since the distributor is more invested in your success, they may spend more resources and time helping you grow.

Drawbacks of Exclusive Distribution

While the personalized support and perks sound attractive, exclusive deals come with potential downsides that could limit your flexibility as an independent artist.

Limited Platforms: With an exclusive deal, you are usually restricted to distributing your music only to the platforms supported by that particular distributor. If a distributor doesn’t cover a streaming service you want, you won’t be able to upload your music there.

Loss of Control: You’ll have to give up some control over how and where your music is released. Exclusive distributors may take longer to release your music across multiple platforms because they handle all the logistics.

Revenue Splits: In some cases, exclusive distributors may take a larger cut of your earnings in exchange for their additional support and tools, reducing the amount of revenue you can keep.

Benefits of Non-Exclusive Distribution

On the other side, non-exclusive distribution offers more freedom and flexibility, which is especially attractive to artists who want to maintain control over their music or work with multiple distributors simultaneously.

More Freedom and Flexibility: You have the ability to distribute your music across multiple platforms through various distributors. This is ideal if you're an artist who wants to experiment with different distributors or target specific regions and services.

Control Over Releases: Non-exclusive deals give you more control over your release schedule. You can choose when and where to distribute your music, without needing to rely on a single company to manage everything.

Lower Fees and Royalties: Non-exclusive deals often come with lower upfront fees or more favorable royalty splits. You retain a higher percentage of your earnings, which is crucial for independent artists looking to maximize their revenue.

Ability to Switch Distributors: If you're not satisfied with one distributor's services, you can easily switch to another without being locked into a long-term contract.

Drawbacks of Non-Exclusive Distribution

However, non-exclusive distribution has its own set of limitations that can hinder your ability to grow, particularly when it comes to receiving personalized attention.

Limited Support: Without an exclusive deal, you may not receive as much personalized support from the distributor. You might miss out on crucial opportunities like playlist pitching, and you may need to manage more of the marketing and promotion yourself.

Lower Priority for Playlists: Non-exclusive distributors may not have the same close relationships with Spotify’s editorial team, making it harder to land your tracks on major playlists.

Marketing Limitations: You might not have access to the same advanced marketing tools and campaigns offered by exclusive deals. You may need to rely more on DIY strategies, which can be time-consuming and less effective.

When Should You Choose Exclusive Distribution?

Exclusive distribution is often best suited for artists who are looking for long-term partnerships and support. If you're ready to invest in a serious marketing strategy, playlist pitching, and want to focus on growing your career quickly with significant backing, an exclusive deal could be worth considering.

For artists who prioritize exposure and long-term career planning, the benefits of exclusive deals often outweigh the drawbacks. You can rely on the distributor to handle the more complex elements of getting your music heard, allowing you to focus on your art.

When Is Non-Exclusive Distribution a Better Choice?

Non-exclusive distribution is the better choice if you want to maintain control and flexibility. If you’re testing the waters, releasing music independently, or trying to target a wide range of platforms and markets, a non-exclusive deal will allow you to do so without being tied to one distributor.

This model works well for emerging artists who aren’t ready to commit to a long-term partnership with a distributor, or for artists who want to maximize revenue without giving up too much control.

Conclusion:

When choosing the right distributor for Spotify, deciding between exclusive and non-exclusive distribution is one of the most critical factors that can shape your music career. If you're an artist seeking extensive support, marketing tools, and playlist placements, an exclusive deal might be your best bet. However, if retaining control, flexibility, and independence is more important to you, a non-exclusive arrangement will give you the freedom to distribute your music across multiple platforms without long-term commitment.

Ultimately, choosing the right distributor for Spotify comes down to your personal goals as an artist. Take time to consider your needs, and ensure that your decision aligns with your overall strategy for growth and success in the music industry.

[bandzboy]

I'm curious about something. I'm not a music professional so I'd like to ask for your opinion/knowledge. Is it mandatory to list all the people that produced/arranged/wrote a song/album? I know this may sound stupid but I wonder if some artists hide their credits and get away with it. Your skz post made me think about it and, while I believe it's obvious common sense and legal to credit the people that participated in the process of making the song, I am curious if there is a law that mentions it.

Ps: You don't have to answer if you don't want to. I know this week is made to focus on uplifting palestinian voices and I wanted to thank you for your unwavering support for the cause (that should be the case for everyone but alas...). You are truly an inspiration to me :)

yeah it is mandatory! obviously in this case it's just a tracklist (in like a teaser format you might say) they don't exactly have to show you the credits but it's odd when it's the first time it happened. credits are important for myriad of reasons. someone participates on a song they have to be credited no matter how small the contribution was because at the end of day, they contributed regardless and also it's important in terms of getting paid like royalty wise. i am not entirely sure if they are laws around it i'm sure there might be something that labels are obligated to do it's mostly about integrity tbh. but there has been controversies surrounding artists not being credited when they should have been it's unfortunately something that happens but it is important to list everyone! on spotify and apple music for example you can see the credits which are the main ones (songwriting and producing) but if you ever bought an album you can see like an extended version of the credits which includes who played certain instruments and who did background vocals or if there was a choir or an orchestra involved and so on! i honestly have to dig deeper on this subject because i know that it is an obligation to give credits because i mean music is an art form and like you know a lot art forms we like to be credited for the things we do. and i don't think it's for money it's because it's about pride most of the time! a lot of people on tumblr that content creation hate when their works get reposted with no credit and so do artists when their art gets reposted and they are given no credit for it... it's a shitty feeling because you take so much time to do whatever the creation is and some people think it's okay for them to wtv they want with it and like the creation is theirs! i could go on this text is becoming long (don't ask me about music or art because i will write an essay about it 😭) but yeah all i can say it is important! this was a very weird move from jype idk what their intentions are. someone told me it was maybe because they maybe didn't wanna spoil a possible collab with tablo but even then, there are ways to work around that and still make it a surprise while showing the credits anyways! either way, jype will have to show the credits on streaming platforms and also the physical album so it's not like they will be able to keep a secret

[atikdm]

Unlocking Infinite Music: Exploring Spotify Premium Mod APK with Offline Download

In today's digital age, music has become more accessible than ever. With the rise of streaming platforms like Spotify, millions of songs are just a click away, revolutionizing how we discover, listen to, and share music. Among the various offerings, Spotify Premium stands out for its ad-free experience, high-quality audio, and the ability to download music for offline listening. However, for some users, the subscription cost might be a barrier.

Enter Spotify Premium Mod APK – a modified version of the Spotify Premium app that offers all the premium features for free, including offline download capabilities. But what exactly is this modded version, and how does it work?

For more information click here-  spotify premium mod apk with offline download

Understanding Spotify Premium Mod APK:

Spotify Premium Mod APK is essentially a cracked version of the official Spotify app, developed by third-party developers. It grants users access to Spotify Premium features without the need for a paid subscription. These features include ad-free listening, unlimited skips, and offline download functionality.

Features of Spotify Premium Mod APK:

Ad-Free Experience: One of the most significant advantages of Spotify Premium Mod APK is the absence of advertisements. Unlike the free version of Spotify, users can enjoy uninterrupted music playback without any annoying interruptions.

High-Quality Audio: Another appealing aspect of Spotify Premium Mod APK is the ability to stream music in high-quality audio formats, delivering a superior listening experience compared to standard streaming quality.

Unlimited Skips: With Spotify Premium Mod APK, users can skip as many tracks as they want, allowing them to explore different artists, albums, and playlists without restrictions.

Offline Download: Perhaps the most coveted feature of Spotify Premium, offline download functionality, is also available in the modded version. Users can download their favorite songs, albums, or playlists to their device for offline listening, making it convenient for situations where an internet connection is unavailable or limited.

How Does Offline Download Work in Spotify Premium Mod APK?

Offline download functionality in Spotify Premium Mod APK operates similarly to the official Spotify Premium app. Users can simply navigate to their desired song, album, or playlist, and with a few taps, download the content to their device. Once downloaded, the music can be accessed offline through the "Downloads" section of the app, allowing users to enjoy their favorite tracks without using mobile data or Wi-Fi.

Is Spotify Premium Mod APK Legal?

It's essential to address the legality of using Spotify Premium Mod APK. While the modded version offers enticing features for free, it operates in a legal gray area. Since it bypasses Spotify's subscription system, it violates the platform's terms of service. Moreover, downloading and using modified apps from unofficial sources pose potential security risks, including malware and data breaches.

Conclusion:

Spotify Premium Mod APK with offline download capabilities opens up a world of unlimited music for users who are unwilling or unable to pay for a subscription. With features like ad-free listening, high-quality audio, unlimited skips, and offline download, it provides a compelling alternative to the official Spotify Premium service. However, users should proceed with caution, considering the legal and security implications associated with the use of modded apps. Ultimately, the choice to use Spotify Premium Mod APK rests with the individual user, weighing the benefits against the risks.

[joylinda-hawks]

The entertainment industry in CN does not particularly stand out from other industries. But connections between certain groups are important in this industry. This is especially important because you can earn a lot of money in this industry - as well as lose a lot of money. This industry also has its dark side, it can easily be used to launder dirty money. Simply put, all entities - acting agencies, recording studios, music publishing houses, film/series publishing houses, and streaming platforms - are interconnected in a more or less clear way. For all this to work, there must be an "emperor", someone who will ensure that the profits go to the right people or entities, and that rebellious people are punished appropriately. Most often, it is an organization that has a name related to the entertainment industry and suggests that it is the official entity that supervises this industry. An organization like CA/PA. It is this seemingly small organization that most depends on in C-ent, it is the one that deals the cards and decides who is at the top and who is to be pushed down. Its orders are carried out directly or indirectly by all entities related to the entertainment industry. In August 2021, CA/PA imposed an unjustified ban on ZZH. Consequently, thanks to her influence, ZZH was erased not only from the entertainment industry, but this boycott also had an impact on other aspects of ZZH’s life. From one day to the next, he was deprived of his job and the ability to even make purchases online. Could such a person, without clearing his name in court, rent a recording studio to record songs? A recording studio that is certainly subject to CA/PA, because without this dependence it could not exist and make money. The same situation applies to the label that distributes Imposter's new songs. Also, this label is certainly related to CA/PA and would the owners of this label take the risk of broadcasting songs by a person who has been banned by CA/PA. One might wonder whether these entities are not only used to launder dirty money. And when everything comes to light, it will turn out that in these companies there are only figureheads, paid people who will be scapegoats. Looking at it from the side, each of us should wonder whether, with such connections in c-ent, any CN label would take the risk of cooperating with ZZH. Does anyone here believe in the good heart of CA/PA that allows a banned artist to make money? The real ZZH, if he wants, will release his songs and perform them publicly on government television after regaining his good name. He won't do it secretly on foreign platforms. Because he is a citizen of CN who believes in the justice of his own country, not a shallow person counting on quick money.

[cathartikablogs]

How to make your audience buy your music online?

Independent artists trying to break into music may not have the financial or marketing resources that major label artists do. But thanks to social media and digital distribution, indie artists are equipped with the tools they need to promote their music and expand their fan base — worldwide. 

Making money from songs provides the artist a possibility of investing even more into their work. You can buy new instruments, hire more staff, produce videos and recordings with higher quality, and a lot of other opportunities. 

Making a profit 

Musicians can choose different possibilities to be paid and boost their incomes online. Web stores are the first window that comes to mind. You can also trade exclusive content for die-hard fans and organize live-streams for donations and subscribers. Or even physically sell your singles, EPs or albums - just like in the old days. But without doubt one of the most smart ways to invest your cash is hiring a distributor to put your music on streaming platforms. Now let's get to know better the best ways to earn money with your music on the internet! 

Online stores 

After recording a new project, you should sell music online in as many places as possible to reach a larger percentage of listeners. And that includes online stores! Many fans can choose to buy your new music from a store they already use and trust, that is compatible to sync with their library, and even have their credit card on file. 

Share exclusive content 

What is more exciting for a fan than having a video or audio of their idol specially for them? There are plenty of platforms that intermediate this process. For example, the American crowdfunding website Patreon. The platform offers tools for creators to manage subscription content services, as well as ways for artists to build relationships with their audience and provide unique experiences for subscribers. You can record a video singing the favorite song of the fan who requested, interact with them, share backstages, lyrics, and more. 

Live-streams 

Live-streams are another great way to make profit. You can go live with exclusive content or even use mechanisms that allow people to donate during the presentation. And you can use these moments for more than money: this is an opportunity to bond with your public, share a little bit about yourself, sing, play instruments, talk about your creative process, and so much more. Doing interesting live-streams stimulates the interest of fans to pay to see more and can help you to sell music online. 

Physical copies are not dead 

Yes, physical copies are not the top resource for artists nowadays. But it's unwise to think this kind of product is over. CDs and vinyl are conquering collectors, it is not strange to see people sharing about it on social media like TikTok and Instagram. According to the last IFPI Global Music report, physical copy revenue rose by 4% in 2022. And you do not have to be a famous name to sell it. You can set up a merch stall and commercialize CDs at shows, for example. Maybe even sign them! 

Share your knowledge 

Have you ever thought about giving classes? For real, teaching is a good way to earn money as an artist! You can offer one-on-one instrument lessons to add to your income while honing your skills. If you like the idea, you can also become a certified music teacher and work in public or private schools. It is a steady job that allows the artist to immerse in their songs. The musician can share knowledge with online music lessons too. Course platforms like Podia and Thinkific support you launching web courses. A practical aspect is that you just have to give the lessons once and sell again and again as many times as you want.  

Artist website 

It is important for a musician to have its own website. A personalized space where they can publish a biography, contact information, jobs, concert schedule and, mainly, sell music online. Keep a space on your site dedicated especially to the sale of concert tickets and your products. 

Customized merch store 

Another way to increase your income is to sell personalized products, your merch. It's normal for fans to want a shirt with the band's logo or the singer's photo, excerpts from the lyrics of their favorite song... In addition to clothes, mugs, backpacks, key chains and much more are also successful. Create your own online store and be the official source for selling these goods to your audience. 

Social media 

To build the hype of a release and turn it popular and profitable, social media is an indispensable tool. Today, almost everyone is found in these places. Musicians should have an account in all main social media - like TikTok, Instagram, Twitter, and Facebook. Think carefully about the kind of content each space asks for, and take this opportunity to get closer to the fans. Actually, not just to the fans but also to a new public who may stumble upon your profile. It is the time to be creative and go for your music promotion. 

[wordtowords]

Chris, Mick, and the Art of Artifice

artifice - noun - clever devices used to trick or deceive (Google).

Let's face the music and accept that for whatever reason(s), human beings embrace the concept of deception. And now that the Internet (via social media) has opened the backstage door for endless opportunities for a little or a lot of artifice, no one is safe from scammers, or in my case, ordinary people pretending to be rock stars.

Because I am in the music business along with just about everyone else, I have to spend time on social media just advertise my original songs and get them circulating among listeners throughout the globe. Although I am a minuscule presence on TikTok, Instagram, Pinterest, Twitter, Linked-In, Facebook, I try to post at least three times a week to generate a following, which isn't easy as there are 100,000 songs released on the music streaming channels daily and 100,000 artists promoting them. Apparently as FB is the medium of choice for celebrities, more grifters use it to impersonate them than any other platform. I am lucky because the con artists who hit on me generally do not want money; they just want to take me to bed. Case in point, one man, who just happens to have the name Christopher Cross like the musician (who is actually the real imposter since his surname isn't actually Cross) tried to impersonate him in order to trick me into meeting him. Fortunately, I was onto him right from the start. Just in case this should ever happen to you (maybe on YouTube in the comments section), an authentic celebrity would never ask you when you became his or her fan. And most likely as an icebreaker, he or she would never thank you for being his or her fan. I know from experience that unless they are extreme narcissists, celebrated people tend to want to step away from themselves for a few and come across as being average. So it was clear that Chris wasn't the celebrated Chris since he made the mistake of doing what all trolls do initially: he asked, "How long have you been my fan?" (I replied, "I've never been your fan." Oh, well. You can fool some of the people some of the time, but not all of the people all of the time.)

Of course, it is true that there are famous types out there who do interface with fans and do use artifice (such as different names) so that they don't attract attention. I am contending with someone right now who claims to be Micheal Philip Jagger, which is Mick Jagger's full name. Even though he has the blue checkmark verifying his identity, my daughter claims that he is in no way real, mainly because eighty-year-old men don't know how to navigate FB. Sensible, smart she contends that Mick no doubt has troops of well-paid assistants assigned to connect with the public on social media. The real Mick, romantically linked to a thirty-six-year-old dancer, would not have a second to reach out to me. Which all makes sense, yet this inchoate swindler is atypical so far. Like Macbeth and most politicians after him, Micheal could just be quite good at duplicity until some day, his artifice is exposed as such, and he is uncovered and cancelled (the beauty of social media).

On the other hand, I did read an article on the web stating that you can never truly be sure whether or not you are being hoodwinked. It is possible that the person is indeed the person he or she says he or she is. Just make sure you don't wire any money to him or her and you don't friend him or her. As far as my Micheal, I am playing his game, pretending I don't realize that he is attempting to be Mick. And I am acting as though I am the bigger celeb whose privacy is kept private. In the end, the greater pretender will win, I suppose, if there can be a winner at shenanigans. Let's put it this way, if the actual Mick should die, and Micheal keeps liking my posts, I'll have my answer. (I hope it doesn't come down to that, though, because I am Mick's fan.)

The obvious paradoxical takeaway here is that sometimes you have to be deceptive in order to expose deception. Truth doesn't come easily.

#word-to-words, #slice-of-life,  #blog, #blogging, #editorial, #reading, #vocabulary, #ReadersMagnet, #spilled thoughts, #good advice, #personal-essay, #writing community, #writing, #philosophy, #truth, #social media, #deception, #human nature

[androsamo]

Online Music Promotion: Strategies for Boosting Your Exposure and Success

At one-submit.com, we understand how challenging it can be to get your music out into the world. As a musician, you pour your heart and soul into your work, and you want it to be heard by as many people as possible. However, with so much competition out there, it can be difficult to stand out and get the exposure you deserve.

That's why we've put together this comprehensive guide to online music promotion. We want to help you boost your visibility, increase your fan base, and ultimately, achieve success in the music industry.

In this guide, we'll cover a range of strategies for promoting your music online, including:

Utilizing Social Media

Social media platforms like Facebook, Twitter, and Instagram are essential tools for promoting your music online. These platforms allow you to connect with fans, share your music, and build a following.

When using social media, it's important to be consistent and engaging. Post regularly, respond to comments and messages, and interact with your fans. You can also use paid advertising on these platforms to target specific audiences and reach new fans.

Creating a Website

Having a website is crucial for any musician looking to promote their music online. Your website should include a bio, music samples, tour dates, and links to your social media profiles.

You can also use your website to sell merchandise and tickets to shows, as well as collect email addresses for your mailing list. Having a mailing list is an excellent way to stay in touch with your fans and promote your music directly to them.

Using Streaming Services

Streaming services like Spotify, Apple Music, and Tidal are essential for getting your music heard by a wider audience. These platforms allow you to reach listeners all over the world and build a fan base.

When using streaming services, it's important to optimize your profile and use relevant keywords in your descriptions. You can also use paid advertising on these platforms to target specific audiences and increase your visibility.

Collaborating with Other Musicians

Collaborating with other musicians is an excellent way to expand your fan base and increase your exposure. You can collaborate on new music, do joint shows, and promote each other's work on social media.

When collaborating with other musicians, it's important to choose artists who share your style and audience. This will ensure that your collaboration is successful and reaches the right people.

Submitting Your Music to Blogs and Playlists

Blogs and playlists are an excellent way to get your music heard by new audiences. There are many music blogs and playlists out there, covering a wide range of genres and styles.

When submitting your music to blogs and playlists, it's important to research the outlets and make sure they are a good fit for your music. You should also personalize your submissions and follow up with the outlets to ensure that your music is being heard.

Conclusion

Promoting your music online can be a challenging and time-consuming process, but it's essential for achieving success in the music industry. By utilizing social media, creating a website, using streaming services, collaborating with other musicians, and submitting your music to blogs and playlists, you can increase your exposure and build a dedicated fan base.

At one-submit.com, we're dedicated to helping musicians succeed. If you're looking for more information on online music promotion, be sure to check out our blog and resources section. We offer a wide range of tips, tricks, and strategies for boosting your exposure and achieving success in the music industry.

[siaeentertainment]

Siae Entertainment

Welcome to Project Siae. This project is going to be officially launched in June of 2023. The objective of this project is to create an entertainment hub for all kinds of “idols”. We will be hosting oe groups, dance cover groups, and original artists. Because this project is so ambitious, we will only be accepting “original idols” 18 and up. If idols want to be in one of our oe groups they must be a minimum of 15. Idols that want to be original artists must wait until they are 18 to debut, but they can act as trainees until they turn 18. At 17, it will be determined if they are going to be a solo artist or in a group and they can begin training for their debut. You will be required to audition for the company.

Right now we are looking for Managers, editors, producers, mentors, and lyricists who will be willing to put a lot of their time into helping this company run. None of these positions will be paid as this is all just for fun but you will be expected to work hard and their will be a lot of responsibilities.

Siae entertainment will also be holding a produce style show in order to put together a group that will promote for a year. Trainees interested in debuting in this temporary group must be 17 or up. After the year promotion trainees can opt to either stay in the group or disband. If even one person decides not to stay in the group the whole group will disband and members can decide to stay in Siae entertainment as trainees to debut in different groups or as a solo artist. We will start looking for participants June 10, 2023

OE artists

As an OE artist you will only be doing vocal covers omitting your face which means you can be as young as 15. You will be placed as either groups or solo artists. Groups will be fixed and you will be required to use stage names to protect your identity.

Trainees

Anyone 15 and up can act as a trainee until they turn 18 if they wish. They will be able to do vocal and dance covers. They are able to do covers with other trainees but that doesn’t mean they will end up in the same group when they turn 18. Siae entertainment will pair you for different covers based on strengths and weaknesses so we can see who you best work with for debut.

Original Artists

As an original artist you will be acting as an idol group or solo artist. We have producers and lyricists on standby so we will all be working together with you as idols to come up with your debut single. Basically you will be making original content including music videos, actual songs on streaming platforms, and dance videos. As a group you will be allowed to do covers (both group and solo) at the companies approval. This will all likely be long distance, so it will all be virtual. You probably won’t become international superstars but it will be a way to make music with others so it should be fun!

This company will communicate through discord and be mostly advertised on Instagram

[elizabethcheong]

NM3217 Assignment 3

Assignment 3 centred around information design, and required us to find a data source and design a visual representation that was clear and easy to understand. My initial research found that the most readily available data was usage data from large platforms such as Spotify. As a daily user, I felt that a visual representation of this would be both relevant and interesting. However, I wanted to use the visual data to illustrate a greater point, so I did further research into Spotify’s ongoing feud with artists, and the far-reaching effects of streaming on the livelihoods of musicians.

My first introduction to this issue was when Taylor Swift removed her music from Spotify as a protest to Spotify’s royalty rate, which is 0.004 cents per stream. More recent articles showed that this was not nearly enough for most artists to make music as a viable career, especially when the COVID-19 pandemic hit and live shows, their main source of revenue, was cut off. One of the most compelling arguments was made by a British singer-songwriter Nadine Shah in the article I chose, where she shared that she had been “financially crippled” by the pandemic.

Design process

Using the information I compiled from my research, my first step was to write out a coherent narrative flow for the infographic.

Then, I sketched out a few ideas for how to represent the numerical data I had researched from multiple sources, while staying in theme. Above are some of those sketches.

First Drafts

From these sketches, I moved to Illustrator. The sketches I chose to follow through on were the cassette tape pie charts, the record player with a vinyl and the penny cut up to represent the amount musicians were paid per stream.

Pulling the font, logo and colours from Spotify’s brand style guide, I made three palettes complementary to Spotify’s distinctive green. From there, I experimented with different combinations of colours along with a variety of sans serif and serif fonts! The Spotify brand style guide specified that the green should be used mainly on black and white, so I settled on these two main colours. The secondary blue and yellow were only used in the pie chart for greater contrast.

Critique

As I had COVID during this week, I was unable to make it to the critique session, and also could not make the deadline to submit it for feedback. Instead, I ran it past a few friends to see whether they could understand the information presented.

One friend commented that the information was mostly numerical, from the music industry statistics to the amount each artist was paid for streams. While the data had been communicated, the overarching point of how this was bad for independent music did not come through. To correct this, I looked up other infographics to see how they communicated an overall point, and many added a humanist point of view to allow the audience to relate to the issue. Thus, I chose to add a quote from a British artist interviewed in the article in a prominent location, as I felt this humanised the issue and made it resonate with audiences.

Another piece of feedback I received was that the information was very cramped and did not flow well in the landscape mode. I agreed with this, however I could not find a way to fit all the information I wanted to convey in a portrait layout. I added some black line dividers to emulate the layout of the book and encourage audiences to read the left side first, but I believe it might flow better in a longer portrait format than A4.

Final Piece

This is the final product! I enjoyed this process a lot, as well as the extra challenge of using the data to communicate a bigger point. I learned to work numerical data into clear visuals and use fonts and colours to focus on more important information.

[my-music-1460]

A Transparent Guide to Deliver My Tune's Pricing and Fees

As an independent musician, navigating the maze of digital music distribution can be tricky, especially when it comes to understanding pricing models. One common question artists ask is: Does Deliver My Tune charge an annual fee for keeping my music on streaming platforms? Knowing the answer to this question can have a significant impact on your budgeting and long-term music career decisions. Whether you're an emerging artist or an established one, transparency in fees is crucial for ensuring that you can focus on your art without being bogged down by hidden costs.

In this article, we'll provide a comprehensive guide to Deliver My Tune’s pricing structure. We will dive into the specifics of their fee system, compare it to competitors like TuneCore, DistroKid, and RouteNote, and explore why Deliver My Tune’s model may offer the best deal for artists who don’t want to worry about annual charges. For musicians looking to maintain control over their work without constant financial pressures, this guide will help you determine if Deliver My Tune is the right choice for your distribution needs.

1. Why Transparency in Music Distribution Fees Matters

When distributing your music on streaming platforms like Spotify, Apple Music, and Amazon Music, understanding the full spectrum of fees is essential. Many platforms advertise low initial costs but later charge recurring fees, which can add up over time. Artists, especially those who are just starting, may not have the budget to keep up with recurring expenses and could end up losing access to their music on these platforms if they fail to pay annual fees.

Music distribution companies typically charge either a one-time fee, an annual subscription, or a percentage of your revenue. Each of these models comes with its own set of pros and cons. However, transparency in these charges is crucial for musicians because unexpected fees can impact your ability to budget effectively for marketing, production, and future projects.

2. Deliver My Tune’s Fee Structure: What You Should Know

Now, onto the key question: Does Deliver My Tune charge an annual fee for keeping your music on streaming platforms? The answer is no, Deliver My Tune does not charge an annual fee, which sets it apart from many competitors. Unlike platforms like TuneCore, which charge artists every year to keep their music on streaming services, Deliver My Tune operates on a different business model that avoids this recurring charge.

Deliver My Tune provides a one-time fee for distribution, allowing artists to upload their music and keep it on platforms indefinitely without having to worry about annual renewals. This means that once you pay the initial cost to distribute your music, you won’t be required to make additional payments to keep your tracks live on platforms like Spotify, Apple Music, Deezer, and others.

This approach is especially beneficial for artists who want to distribute multiple tracks or albums without having to track and pay yearly fees. It also offers peace of mind because your music remains available globally, regardless of how much revenue you generate or how long it has been on these platforms.

3. Comparing Deliver My Tune to Competitors

Let’s take a closer look at how Deliver My Tune’s fee structure compares to other major music distribution services:

TuneCore: TuneCore charges artists an annual fee for each album or single they distribute. For instance, artists must pay $29.99 annually for each album and $9.99 for each single. If you fail to pay the fee, your music will be removed from streaming platforms, making it difficult to manage multiple releases over time.

DistroKid: DistroKid offers a low-cost annual fee of $19.99 for unlimited uploads. While this seems appealing, artists must remember that the cost will recur every year. Additionally, if the annual fee isn’t paid, all music is removed from streaming platforms.

CD Baby: CD Baby operates on a one-time fee for each release (around $9.95 for a single and $29 for an album), but they also take a percentage of your revenue. While this can be more affordable for some, it means that artists will be paying a portion of their hard-earned revenue back to the distributor.

RouteNote and Amuse: These platforms offer free tiers with revenue splits. While the free model might seem attractive, it’s important to note that you’ll be sharing your earnings with the platform, which could become less desirable as you gain more streams and revenue.

In comparison, Deliver My Tune’s no-annual-fee approach provides long-term savings, as you pay a one-time fee and keep 100% of your revenue, allowing you to maximize your earnings over time. This is particularly beneficial for artists who are in it for the long haul and don’t want to deal with recurring costs.

4. Benefits of No-Annual-Fee Distribution for Artists

For independent musicians, not having to pay an annual fee is more than just a financial perk. It’s a way to focus on your craft without worrying about logistical hassles. Here are the key benefits of Deliver My Tune’s no-annual-fee model:

Long-Term Savings: Without an annual charge, artists can save significantly, especially those with multiple releases.

No Pressure to Recoup Costs: With no recurring fees, there’s less pressure to make immediate revenue from your music to cover future payments.

Music Always Available: Even if you take a break from producing new music, your past tracks will remain available on streaming platforms without requiring additional payments.

Flexibility for New Releases: Artists can release singles, albums, or EPs without the financial stress of annual renewals piling up.

5. Choosing the Right Distribution Model for Your Music

While Deliver My Tune’s no-annual-fee model is appealing, it’s important to understand your unique needs as an artist. If you plan to release numerous tracks in the short term and want to prioritize revenue retention, Deliver My Tune offers a clear advantage. On the other hand, platforms that take a percentage of revenue might be better for artists who prefer a smaller upfront cost but are willing to give up some earnings.

Ultimately, the best distribution service is the one that aligns with your goals, budget, and release strategy. However, for musicians who want to maximize their control over revenue and avoid long-term financial obligations, Deliver My Tune’s fee structure stands out as a compelling option.

Conclusion: Deliver My Tune’s pricing model is a breath of fresh air in the music distribution world. With no annual fee for keeping your music on streaming platforms, artists can rest easy knowing that their tracks will stay live without additional recurring costs. This transparency in fees not only benefits your wallet but also gives you the freedom to focus entirely on your music without worrying about keeping up with payments year after year.

If you’re an independent artist looking for a distribution platform that doesn’t burden you with ongoing fees, Deliver My Tune may be the ideal choice. Understanding how the service operates ensures you can make an informed decision that aligns with your long-term musical goals.