Tumgik
#in that they recieved a bit of development behind the scenes just in case as a backup player character and then that was not necessary
isaacathom · 7 months
Text
my friend pondered a highschool au for their ttrpg ocs, and then i went 'hmm. interesting. what if my ocs?' and then, well,
Tumblr media
#did this need a chart? no#is it necessary? absolutely not#was it fun? only until i realised draw.io doesnt have opacity :(#strictly speaking not every person listed here is a “character” ive played - some of them are family members#some of them are also from one-shots or non-characterful situations where theyre basically Just Names#eg Dean Mohan was a dragonborn ranger in a oneshot about going in an ice cave and killing a dragon#Ms. Sabine Kjelsdottir was a tiefling life cleric in a progressively-leveled arena in which she got killed by axebeaks at lvl2#some of the people listed are people who exist canonically for some characters but have made no tangible showing#eg Olivier Duval is Noelle's younger brother. in canon (as Yivien) he has only been mentioned offhand#as opposed to their sister Marie-Louise (Mariela) who is an npc in the campaign.#Zachary (Zimri) comes from a big family. no member of that family has been named or mentioned in the campaign at all#beyond the vaguest idea about what town zimri grew up in and what they used to do.#so including people like Paz Shani Aviel and Eden is sort of a vibes based thing#that they WOULD be here but are only like. pseudo-canonical almost#Henry (Eike) Wiater is Filip (Florian) Dziedic's cousin. and is based on the explicitly pseudo-canonical cousin of Florian#in that they recieved a bit of development behind the scenes just in case as a backup player character and then that was not necessary#and so theyre in a schrodingers pc situation. does eike really exist? great question#Calliope Desmond's ex husband and two kids are based on a note at the bottom of the word doc for that brief campaign#in which i said she had an ex and two kids. they never factored in at all#theres even another named character in that word doc that i havent included bc im not even sure how#and at some point you gotta go 'do you Need 6 extra characters related just to you'
1 note · View note
bluebamb00 · 4 months
Text
VOLUME 25 COVER HAS BEEN CLEANED UP,
and im here to talk about it. (Major spoilers... if you didn't think of that before)
Tumblr media
First of all, we have 5 different people in the picture:
Fukuchi
Fukuzawa
Dazai
Fyodor
Possibly Atsushi? (The legs behind Dazai)
Analysing the main elements of the picture that stand out the most, we can see that:
Fukuchi and Fukuzawa are side by side; behind them is a coloured background. Fukuzawa's side is white, and Fukuchi's is black. This should represent the good and evil, (I'm going to absolutely reach here) but it could also represent the symbol of Yin and Yang.
Tumblr media
The symbol of Yin and Yang is halved into white and black, with a small amount of white in black, and black in white. So, according to this logic, perhaps Fukuzawa may do something evil in the name of good. This could range from wiping out a good majority of Yokohama to anything. But this could also mean sacrificing someone.
And following that, Fukuchi may help the Armed Detective Agency. As there is a little amount of good, there is a chance Fukuchi will help the Detective Agency with defeating Fyodor. Taking into account the fact that he is most likely dead, it could mean that he has already helped. In the image, the Shintō Amenogozen is stuck into the ground. The Shintō Amenogozen is a sword that belonged to Fukuchi before being merged with the Holy Sword Soluz Levni. When a sword is stuck into the ground, it sort of looks like a cross. And this was actually done in some cases in real life, when headstones couldn't be placed at that moment.
This is one indicator that Fukuchi is not saveable, and might be killed off. And to quote our favourite beauty, Koyo: "A flower that blooms in the dark can survive only within the dark. If you pursue the light, its heat will burn you up in the end." Applying this logic to the fact that Fukuchi looks ashamed in the original cover image, and that he is surrounded by darkness, it is safe to say he may not recieve a spot in the light.
The Shintō Amenogozen is also on Fukuzawa's side of the cover. It sits right under his image.
Tumblr media
This could mean that the sword someday comes into Fukuzawa's possession.
Seperating Fukuzawa and Fukuchi is the demon himself, Fyodor.
Tumblr media
Surrounding Fyodor, there is a dark aura. Just finding some posts on reddit and the general internet, most people tend to say that anyone with a dark aura has secrets deeply hidden. Secrets. Extremely dark secrets, with an additional tie to dark magic or dark powers.
Fyodor's ability has already been revealed, so only God knows what other secrets he could be hiding. But in Fyodor's hands, he holds what appears to be a rook. From an article I found speaking of the symbolism of chess pieces,((https://steemit.com/life/@iamthenerd/the-symbolism-of-chess) Here is the link if you'd like it ^^) the symbolism of a rook is essentially brute force.
"The rook is brute force. It is a disregard to beliefs. It is the equivalent to "Hulk smash!". "
Relating the rook to be a direct use of force is a beautiful analogy for this cover especially. Fyodor revealing the nature of his ability could be one way of using "brute force"; a reveal of one of his secrets. (I call the 'nature' of his ability one of his secrets, as it had not been revealed beforehand and a lot of us had honestly been mislead by that scene of Fyodor and Karma in my humble opinion) Another way this rook could reference brute force is following his ability reveal. When he causes a tripolar singularity.
"Just as in real life, we do not pull out our rooks until the board has developed a bit....There is a time and a place for the rooks where they are highly effective. The only trick is to make sure you keep account of the rest of your board and never "just use" your rooks unless it's all you have left!"
Following what this source says about the rook being a possible last weapon, this tripolar singularity could be the last thing Fyodor has left for him at the moment. As always, the protagonists win in the end, but this could represent the end of Fyodor being a main antagonist and finally bring an end to his cruel antics! Sorry Nikolai.
In all his glory, lays the detective Osamu Dazai.
In the cover, Dazai is laying with his eyes closed, but he carries a determined look on his face. Surrounding him are Japanese Camellias.
Tumblr media
There is a lone camellia right next to his heart, and a camellia stabbed right through with one of the Hunting Dog's swords that sits above his shoulder.
The meaning of the Japanese Camellia can mean a many of things:
Devotion and Undying Loyalty
Bravery and Perseverance
A Symbol of a Noble Death
As I said before, Dazai dons a determind look. This could link into both the Devotion and Perseverance. He is determined, but for what?
Well, my best guess would have to be saving the Detective Agency. The stabbed camellia above his shoulder could represent how the Hunting Dog's had come close to defeating him and his plans behind the scenes, but had not defeated him. However, as the camellia represents loyalty, the stabbed camellia could represent a part of him that has been betrayed or could be betrayed by his loyalty.
We all know about the transfer of one Agency member to the Mafia, and I think it's safe to say a majority of the BSD fandom hates it. (I SURE DO, I DON'T WANT DAZAI TO GO BACK WAAAAHHHH) Dazai could be chosen to transfer to the Port Mafia.
However, although this may seem insignificant, the light is shining on Dazai. In BSD as a series, the ADA is represented as 'The Light' and the PM as 'The Dark'. Dazai is still shining in the light, and the light is also shining on the camellia on his heart. This gives me the small amount of hope needed to say that Dazai will remain in the Armed Detective Agency, and that his devotion to the ADA will truly be seen by all.
Dazai also keeps on his bolo tie, which I have seen mentioned by a lot of people to be a symbol of his connection to the ADA. His bolo tie is in no way damaged or harmed, and it reflects in the light. This would also symbolise him remaining in the ADA.
Although, there is a hefty chance he could be. Mentioned in the part of Fukuzawa and Fukuchi, I say that there could be a sacrifice made by Fukuzawa to maintain good. This could be 'sacrificing' Dazai and putting him down as the transferee.
Also, I'd just like to add, it's most likely to early to be deciding who goes to which faction. Like I said, though, I cannot predict what Asagiri will do.
In the background of the sky Dazai lays in, we can see a pair of legs running.
There is no one else I can think of when I see those high legged trousers. Atsushi. Atsushi not being in the main focus, but being in the background, could insinuate that the rest of the ADA will appear in the story quite soon as support characters in this part of the story.
-
All in all, I have reason to believe that this may be one of the final volumes of the DOA arc. The usage of Fyodor's rook - his final(?) piece- is giving me that impression heavily.
I have never posted any of my theories before. I hope anyone who reads this takes my thoughts into account.
7 notes · View notes
Text
Riverdale 4x18 Review, Analysis and Theories
I’ve finally watched the episode and I’ve got alot of thoughts about it. To be honest it went pretty much the way I thought it would, mostly. We’ve been given some more information and a whole lot more questions. There were four plotlines in the episode, two main ones and two sideplots, so I figured we could go through each one and unpack them to see what clues we’ve been left this time. So if you want to read an analysis of the episode and get my opinions and theories then read on below the tag. As always these are just my own opinions you are welcome to disagree also there are spoilers obviously.
Jughead, Charles and the Video Tapes. 
So the first plotline I want to talk about is the one where Jughead and Charles are invesitgating the tapes. The episode starts out with Jughead showing Betty, Alice and Charles the newest videotape that he found at the end of the last episode. A couple of sidenotes here which aren’t all that relevant but I figured I’d mention anyway. I love how protective everyone was of Jelly Bean. Even Charles who stood up to block the her view of the tv. But also where was FP? I feel like this is something he should be included in so it was a bit odd that he was missing from the scene. They could have at least mentioned him like said he was investigating it from the station or something. Anyway getting back to it. Jughead asks Betty if she wants to help him look into the tape but Betty says she doesn’t want to get pulled into another mystery. This is when Charles decides to suggest that Jughead and he could investigate it together. I loved that Charles called Jug little brother. I just thought it was really sweet. Also I would like to see more of the Jones/Cooper/Smith family interactions. Whilst we’ve gotten a decent amount of Charles/Betty and Charles/Jughead sibling bonding moments we haven’t gotten as many with Charles and his parents and other than this brief one I don’t think we’ve had any with Jelly Bean and Charles so I wouldn’t object to seeing those relationships developed a little more. Also I would like to point out that while it was really nice that Charles is always offering for Betty and Jughead to help him out with the investigation, I can’t help but think that Charles has an ulterior motive for this. I mentioned in my theory post about Charles and the video tapes (which you can read here if you want) that I think Charles sees Betty and Jughead as loose cannons. When they first meet Charles he says something like ‘I hear you two are quite the detective duo.’ Or something along those lines. I actually think Charles keeps asking for their help so that he can keep an eye on what they’re doing and make sure they don’t do anything to mess up the FBI’s own investigation into the tapes. I mean think about it, if Charles gets them working with him then he knows where they are and what they are doing, so he knows they aren’t gallivanting around town getting themselves into all kinds of mischief, classic big brother move.   
Through Charles we learn that there are two drop off boxes where people can turn in the tapes they recieve. One at the Sheriff station and one at the FBI office. They are both monitored with cctv cameras but there are hours upon hours of footage so Jughead and Charles decide to make some popcorn and go through all the footage in the hopes they can find some clue as to who left the murder video tape. Also can I just say that this episode made me remember why I love Jughead there were just so many little moments that were, well I don’t know how else to describe them other than they were very Jughead. Like I don’t know what was funnier that Jughead’s response to facing hours of footage seraching for a potential killer is ‘do you have popcorn?’ or the fact that yes the FBI does have popcorn. Maybe its just me but I just got a chuckle out of that. Anyway while going through the footage Jughead does spot someone he knows and decides to follow the lead alone. Of course we learn that Ethel is the person he sees leaving a tape behind. But before we get into that I want to talk about something else I noticed. When Jug is leaving the camera pans down to show us Charles’ laptop with the cctv footage. Now they had to have done this for a reason there had to have been something in that segment of cctv that is important to the plot. The footage is very grainy and sped up but we see a woman enter the building. She walks down the hall, appears to stop briefly to talk to whoever is at the desk at the end of the hall, This person seems to gesture around the corner. The woman disappears around the corner and then a few moments later reappears, walks back towards the camera and leaves. I managed to grab a couple of screenshots of this footage. 
Tumblr media
If you’ve read my last theory post where I talk about theories around both Charles and the Voyeur (the one I linked above) then you will know I have a theory that Donna is the one behind the tapes and also the one who is wearing the Betty mask. Now I know the image is really grainy but to me this looks like a female with long dark hair who is wearing a jacket and trousers very similar in style to what Donna wears. Her build also seems very similar to Donna’s aswell. I mean...
Tumblr media
I’m just saying the woman in the cctv, the woman in the betty mask and Donna all look real similar to me. As for why Charles didn’t recognise her, well as we can see the image isn’t the best, it was sped up and he could have been distracted by Jug saying he saw someone he knew. We don’t see where he is looking so for all we know he might have been watching Jug leave and not at the computer screen, point is he could have just missed it. Also another thing worth noting is that right before the footage is shown Charles asks ‘do you recognise someone?’ Obviously he is directing the question at Jughead but it could also be the writers way of asking us the same question, do we the viewer recognise someone in this footage.
So Jughead goes off and talks to Ethel about the tapes and she says she was just dropping off the tapes that had been left on her doorstep, that they contained the same as all the others, static footage of her home. She gets upset when Jughead tells her that one of the tapes was different and asks if she knows anything about it. One thing I will say is her line ‘I’m just trying to make it out of Riverdale in one piece.’ really resonated. Like it really makes you think how much crap these kids have gone through with all the murders and cults. It is almost like its more of an achievement for them to reach adulthood than normal because so many of them could have been killed by one of the many serial killers that have rampaged through the town. Also I feel like a lot of the kids in Riverdale see college as being a way to escape from Riverdale. 
After talking to Ethel Jughead comes up with the idea that maybe the Voyeur is a film maker, so he and Charles hit the video store. I do love the store owners line when Charles asks if any of his customers were acting suspicious and he replies ‘they all act suspicious.’ I do think the writers might be having a little laugh with us here because its very true for Riverdale as a whole, like every character on this show acts shady as hell most of the time. The store owner gives them their records and they discover that Ethel has rented the horror movie Friday the 13th sixteen times. Charles then tells Jughead that he considers Ethel to be a prime suspect as she has a predilection for horror movies, was seen dropping off a tape and as per Jughead’s admission an obsession with him. But Jughead clearly doesn’t want to upset the progress Ethel seems to have made and points out that he doesn’t think she would have the equipment for it and tells Charles to drop it. When he’s next at school Jughead goes to the office to get info on the AV club, the members of which would have access to the equipment needed to make the video tapes. He not only learns that Ethel is the president of the club but that Charles had already been there asking questions and had already left with Ethel. Jug goes back to the FBI office to find out what happened from Charles and finds out that Ethel had somehow got ahold of the sex tape of him and Betty from Stonewall prep. Now I have seen some comments saying that they think Charles going after Ethel alone was really shady and that it could mean he has something to do with the video tapes. I’m not saying that he doesn’t have something to do with the tapes, its could be a possibilty, but out of all the shady behaviour we’ve seen from Charles in my opinion this wasn’t shady at all. I think because we see everything from Jughead’s point of view its easy to forget that its not a case of Jughead is leading an investigation and Charles is helping out but the other way around. Charles is the lead on the investigation into the tapes, he’s the FBI agent. So if he thinks someone is a suspect he’s not just going to drop that lead just because some teenage kid said he should, even if that kid is his brother. Also can I say that this is such a Jones/Cooper thing to do, they get told not to do something and then the next scene you find out they did the exact thing they were told not to. We see it with Betty and Jughead all the time so it was kinda funny to see the same thing happen to Jughead in a role reversal. It was a good thing he didn’t drop it too as if Charles hadn’t gone and searched Ethel’s home they probably wouldn’t have found out about the Scarlet Room. 
So speaking of the Scarlet Room it shows that there is an even darker side to Riverdale if that was even possible, this is a definitely x rated room in the back of the store where they have home made videos. The store owner says sometimes people sell the videos and sometimes they trade them. But these tapes consist of some sex tapes, rougher ones and weirder ones but also more sinister than that snuff films which Jug finds. I was able to catch some of the titles which could be clues as to which other murders might be re-enacted next. The one of Jason Blossom is called a Maple Murder which is pretty self explanatory. There is one called Black Hood Unmasked which I think could be Mr Svensons death. The Blackhood Diaries is another self-explanatory one. There’s another called Carrie the... I can’t make out the rest of the title but that one is clearly Midge’s death. Then there’s one called Pop’s After Hours which I reckon is from the Halloween episode where Veronica kills that serial killer in self defense. The curious thing about Jason Blossom’s murder being there though is that as far as we know there are only three copies of that footage. Betty has one on her laptop and Cheryl has the other on a USB. The third from what I remember was given to the police, I can’t remember what happened to it after that but I think the Blossoms asked for it to be destroyed? Sorry if I’m wrong about that. So if only those copies existed then how did one end up in the store. Well I do have one theory for that. We know that Betty gave Chic one of her old laptops, now I’m going to assume she wouldn’t have been careless enough to leave that footage on the laptop if it was ever on that one but you never know, we also know that Chic was in the house alot when Betty wasn’t there and he liked to sneak into her room. It’s possible that Chic found the video and took a copy to the store to get some extra cash. But the Scarlet room as a whole is a very creepy idea, that people including Students like Ethel are going in there and renting footage of people being brutally murdered, I mean no wonder there are so many serial killers in Riverdale cause that’s just messed up. On a side note I thought it was absolutley hilarious when the store owner came in and told Jughead that only over 18′s were allowed back there. Like dude you are being invesitgated by the FBI and they’ve just found your highly illegal collection of homemade sex and snuff films and you think telling them that only 18 and overs are allowed in this section is going to save you. So anyway the FBI confiscates all the videos so lets just say the FBI have now got a ridiculous amount of video tapes at that office what between these ones and the ones collected from the town residents. But I do feel like the Scarlet Room tapes are going to be important to the plotline in some way like they’ll find some kind of clue in them. 
The episode ends with Jughead getting a call from Cheryl who says she just got a tape. When he and Betty go over there they find out its the same kind of thing as the one Jughead found. Two people in masks re-enacting Jason Blossom’s murder. There is something I want to cover quickly before we analyse the tape itself but there does seem to be some confusion over whether these tapes are actually real or just acting. I mean Jughead calls the tape he got a faux snuff film and talks about how whoever filmed it went through the trouble of hiring actors. It also does seem like the person wearing Jason’s mask in the newest video is acting along. If they aren’t real it would also explain why there haven’t been any bodies showing up or missing people reported. Yet I get the feeling that these are real, I mean they look very real to me, particualrly the one with Jason. As to why it looks like the one wearing the Jason mask is acting well they either could be under duress told this is the script play along or else, or it could be that they didn’t know what was actually going to happen, maybe they thought that the gun was fake or that the other person wasn’t going to actually pull the trigger which is why they seem so relaxed and calm right before they are shot. I don’t know though maybe it is all fake? What do you think? 
But the discovery of this lastest tape raises some more questions. Once again we have two masked individuals which begs the question who are the people behind the masks? One thing we do know is that its not the same people as the first video. The attacker in the first video was definitely a woman and was much shorter than the attacker in the latest one. Also the murder victims in both are also definitely different people, the one in the first video who was dressed as Jughead was much more muscular than the one in the Jason mask who had a much slimer build. This could also maybe be evidence that its possible these really are murders going on. I mean if the first guy really was killed then obviously he can’t be in the second video. To be honest I don’t have any idea who could behind the Jason mask, at all.  
Ok but who do I think is behind the Cliff mask. Well here I do have a theory and it ties in another of the plotlines from this episode. The tickle ring one. I don’t think its a coincidence that its in this episode that Terry, the one who approached Kevin and who films them, suddenly turned violent. I mean up until now he’s come across as a decent guy by Riverdale standards. Now he’s threatening to break peoples fingers and issuing threats. Also it is worth noting that when Jughead says maybe the voyeur is a film maker the very next scene is the one where Terry comes out the room and pays Kevin, Fangs and Reggie. The writers are being very obvious with the message here I mean its like Jughead: Maybe its a film maker? Riverdale: Look its a film maker! I mean they couldn’t be more obvious if they put a neon sign above Terry’s head that said guilty. So is there anymore evidence to suggest Terry is the one in the Cliff mask? Well I grabbed some more screenshots. 
Tumblr media
 So we have that same old problem of the qualtiy of the images in these tapes that are being left aren’t great, it does take me back to the good old days of vcr oh the nostalgia but I’m going off track. Despite the bad quality we can still get some clues from the image. Now it is a little differcult because of the lighting in the video tape is bad but take a look at the top two images in the grid above. As it was with my Donna behind the Betty mask theory its the hair that I think is the biggest clue here. There isn’t really anyone else we’ve seen in the show that has this style of hair where its longer on top and fades at the sides. I mean I don’t know about you guys but I do think the hair of the guy in the Cliff mask is very similar to Terry’s. Now obviously we can’t just convict a man based on his hair style. If we look at the two bottom images. I know it is hard to see the video tape image all that well but I have watched it over and over on slow motion and they do seem to be similar in build and height. The other problem we have comparing the two images is that while its useful that we’ve got a shot of Terry standing next to someone seated like the people in the tape, the sofa that Fangs is sitting on is much lower than the chair the masked Jason is sitting on, plus you have to take the height of the individuals themselves into consideration. But taking all that into consideration lets look at a bigger image...
Tumblr media
As I said the difficulty we have is that Fangs is sitting on a much lower surface than the masked Jason. But lets have a bit of fun and do some estimations. Lets say the blue line on the picture on the right is the approximate height the seat of the chair masked Jason is sitting on. The black line is the length of Fang’s torso from his seat to his head. The green line is the height at which the top of his head would be if he was sitting on a higher surface. Now I know this is very much an estimation and not all that accurate its more just to give us an idea. But I think Fangs and the masked Jason seem to be of similar height so when we compare the two images we can see that the height difference between masked Cliff  and a seated individual is roughly the same height difference as Terry when standing next to a seated individual. Also something else that could suggest Terry might be involved is that he would be able to get the actors who are playing the victims. He already has a client pool he could pull from. It wouldn’t be that much of a leap to think that he might approach one of his tickle boys and say do you want to get a little extra cash? I’m working on another project if you’re interested. 
What if it isn’t Terry though. Who else could it be? Well the other person we are shown acting suspect in this episode is Mr Honey is shown to be someone who visits the Scarlet Room and it seems he does this regularly. I did think there was something about the way the masked Cliff moved that reminded me of Mr Honey but in my opinion I don’t think the hair style or height of the indivdual fits with Mr Honey as well as Terry. Also we know the person in the mask is imitating Cliff and so is mimicing the way Cliff would move which I think just happens to be similar to Mr Honey. However I don’t think that necessarily means Mr Honey is innocent and I’m going to cover my theory on that in a bit. The other person I thought it could potentially be is Bret. As I said in my theory about the Stonies having something to do with the tapes, we don’t know when these tapes were filmed or even where they were filmed. It could be that this was filmed before Bret was arrested. However while I think height wise it could be Bret the hair style is completely different from Bret’s who has much longer hair.   
Now going back to my previous theory post where I said I was pretty certain that it would turn out to be Donna behind the tapes, you could say that this newest tape derails that theory as there is no link between Cheryl and Donna. So why would she bother making a re-enactment of Cheryl’s twin brother’s murder? Donna might have had a motive with the previous video depicting Betty and Jughead its no secret she hates them both. But on the contrary I actually would argue that the appearance of this tape further confirms my theory. While it’s true there is no link between Donna and Cheryl there is a link between Donna and the Jason Blossom murder. When Jughead wrote his first draft for the Baxter Brother novel, the one that originally won him the contract it was based on Jason’s murder, it was called The Boy in the River. Later they tell Jughead that they don’t think its good enough after all and he starts writing one based on the Black Hood instead. But he finds his original draft based on Jason in a envelope saying ready for publish. He discovers that it has been rewritten but that it is the same story. Dupont later tells him that all of his classmates had a go at rewriting it, this includes Donna. This means that Donna became real familiar with Jason’s story. The premise of my original theory was that I believed that Donna was upset that she wasn’t able to commit the perfect murder. Especially as she was so close, I mean Jughead says himself that it would have been perfect if it weren’t for the fact that he didn’t actually die. I think Donna then decided to have another go at the perfect murder. A do over so to speak. Like I said we don’t know when that first copy cat murder video was filmed. If it was quite a while ago then its possible that Donna believed she had got away with it and so she looked at other imperfect murders that she could make perfect. I mean if you think about it like Jughead’s attempted murder Jason’s murder was very nearly perfect. Cliff so very nearly got away with it, from killing Jason after he was already reported missing by Cheryl, to having FP clean up and then take the wrap for it. The only reason he didn’t get away with it was because of one tiny detail, the fact that the footage of the actual murder was out there and the USB was found. If my theory is right then I think Donna is only going to continue looking for murders to redo. I think she’s going to become addicted to it and we’ll start to see more and more of these copycat murders. Also I had a thought about why if these are real murders there aren’t any bodies. We’ve been told on a couple of occasions that you can dissolve a body with Lye. As Donna says to Betty ‘No body, No crime.’ It’s possible she’s been dissolving the bodies with lye so there isn’t anything to find. Also if she is picking the victims right then there won’t be any missing person reports espicially if she is choosing people from out of town and then releasing the videos in Riverdale. The authorities might not be making the connection. 
So if I’m sticking with my its Donna theory how do I explain that it definitely wasn’t Donna in the latest video. I mean it was without a doubt a male right? Well we know that Donna works with a group. She’s the mastermind but she needs her disciples. I think she started this with the Stonies where they released the videos of peoples houses, most likely this started out as a prank. We know that the Stonies liked to pull some pretty crazy pranks like locking people in coffins overnight, we also know there seemed to be a little bit of a rivalry between Stonewall and Riverdale high schools. We also know that they were filming their fellow classmates, it wasn’t just Betty and Jughead and Moose. There were tons of illegally recorded tapes it seemed like quite the extensive operation. We also know that some of those tapes ended up in the Scarlet Room. But Donna’s got a problem now. Her disciples have either left the country are dead or are in jail. So she needs to find new ones. I think she’s formed a new group and I think this group consists of Terry and Mr Honey. I think Terry helps out by getting the victims. He’s got a wide pool of employee’s who do films for him, he could easily get people from out of town who would sit down in a chair and be tied up and think nothing of it just assuming its part of some weird kink, because I refuse to believe innocent tickle porn is that only kind of video that man shoots. I also think that he was the one in the Cliff mask. As for Mr Honey I’m not as sure on what his role could be. But we do know that Donna has worked with a teacher for nefarious reasons in the past so it wouldn’t be unreasonable to say that she could be doing it again. He could possibly be the delivery guy. Maybe he’s the one going around putting the tapes on doorsteps now. It would be much less suspicious for someone to see Mr Honey about Riverdale than Donna or Terry. He could also be dropping some off at the Scarlet Room. Speaking of I do think this could be where they all met/ connected. I mean as a film maker it wouldn’t be unusual for Terry to sell some videos to the store. We know Mr Honey visits the Scarlet Room. As for Donna while Jughead assumes the tape of him and Betty was put there by Bret, Donna had admitted to seeing the tape so its just as likely that it could have been her that put it there. 
Maple Rum Snoosefest.
So I figured I’d cover Veronica’s and Cheryl’s Maple Rum storyline here as to be honest I don’t have alot to say about it. Unlike the tickle ring stroyline which could potentially have some relevance to the main plot, I just don’t see how this one fits in. To be honest I find the whole thing boring. I mean its just another plotline with Veronica being at war with her Father. Plus the whole Veronica thinks her dad has changed because he spared someone only for us to find out he had murdered someone. Like we get it Hiram is a horrible, manipulative git you don’t need to keep showing us that at this point. I suppose the purpose of it was also to show that Hiram’s illness is really starting to have an effect on him because he never would have been beat up like that before, its this idea that Hiram is finally starting to get weaker so we might be coming up to his downfall. Also I found the whole scene after the thugs break into the Maple Club and Cheryl is all like poor momsie and Veronica is all apologetic to Penelope absolutely hilarious. Like this woman is a murderer, you had her on trial a few episodes ago and then you locked her up and now have her in forced labour as punishment but all of a sudden we’re suppose to be concerned for her. We’re suppose to believe that these two girls are concerned for her? Really? Being brutally honest here I kinda feel the same way about Penelope as I do Hiram which is I just don’t care. I don’t care about the rum storyline, I don’t care that Hiram is ill and I don’t care if Penelope nearly gets beat up by thugs, I just don’t have any sympathy for either of those characters seeing as they’ve been painted as truly terrible people and parents so far so why is the show trying to get me to care about them now. Sorry but its just not going to happen.
Barchie 
Ok so the other main plotline and the one I think its the one most people are talking about. Now let me start out by saying that I don’t think for one second that Barchie is over. In fact I think this is just the beginning. The episode in regards to Barchie pretty much went the way we all thought it was going to go with Archie being much more willing to persue something than Betty. So lets go through all their scenes and analyse every little moment of them because you know its fun. 
We first see Barchie away from each other. Betty is refusing to get caught up in another mystery and while some of this might be because she’s got too much else on her mind with what happened with Archie, I do think some of it is that she is just tired of it all, she’s going to Yale in a few months and I think she wants to just leave all that murder stuff behind her and focus on her future outside of Riverdale. When we first see Archie we see him playing his guitar and it looks like he might already possibly be working on the song for Betty. While he is playing he flashes back to the kiss. He then walks over and looks at the form for the Naval Academy and then out the window towards Betty’s room. I do think this is suppose to show that Archie is torn. He’s torn about whether to go to the Navy and hes torn about what to do about his feelings for Betty. I also think the two are linked, he unsure of whether to join the Navy because of Betty. Also I think the writers have left another little clue for us in this scene. When Archie picks up the form underneath it are some dominoes. I do think this is symbolic of the situation they find themselves in now. That kiss was the first domino and  they’ve knocked it over, now thanks to the domino effect all the others are going to come crashing down too, its only a matter of time. 
After Archie looks out his window we switch over to see Betty in her room reading her diary. This entry is talking about the day she first fell in love with Archie and we get a flashback to Mini Barchie waving at each other through their windows so know we’ve got another iconic window scene to add to our gif sets. It’s worth noting that while reading this entry she is smiling so we know she is thinking of the memory fondly. Howver when Alice comes in and they start talking about the future and getting teary eyed, Alice asks what Betty could have to cry about it Betty flashes back to the kiss and gets teary. It shows that while Betty might be looking back on the past fonly she has lot of guilt and uncertainty about the more recent kiss. She’s very confused about her feelings. 
The next time we see them is the first Bunker scene. Here we see them laying on the bed together and they start out by telling the other where their significant other is at. Betty tells Archie that Jugead is with Charles and Archie replies that Veronica is with Cheryl. I think in this moment wher ethey are lying close together and its intimate and all these feelings for each other are welling up they bring up Jughead and Veronica to remind each other that there are two other people involved in this, who are going to be affected by this. It’s at this moment that Betty asks what they are doing there? She is trying to figure out her feelings and what all of it means, whether its real, she’s despesrately trying to find the answers. But Archie doesn’t have an answer for her as he as just as confused by situation as she is, there is one thing he is sure of though and that’s this feels nice. Betty then admits that yes it is but that they can’t do anything more than this. This is very telling because it tells us that not only is Betty thinking about doing more with Archie she clearly wants to. It almost like shes saying it as a caution to Archie and herself, she saying this is nice I like this but we have to be careful because it would be far to easy to get lost in each other and go further. I did think Archie’s response to this was kinda funny, he’s like we’re just hanging out. It is a typical Archie/ teenage boy response and again its very telling because it actually shows that one Archie is a little in denial here, there is obviously more going on here than them ‘just hanging out’. It also seems like Archie is trying to find a reason for them to keep doing it by painting it as being more innocent than it actually is. He trying to justify them being alone together by thinking well we’re not doing anything romantic or anything. But while it may seem fairly innocent, I mean they are just laying on a bed, on top of the covers, with their clothes on, the reality is they are both having romantic thoughts about each other and this moment is actually a very intimate moment on an emotional level. The might not be physically cheating but they are being emotionally unfaithful and deep down they both know it. I think this is why Betty says she loves Jughead at this moment. She needs to say it out loud because she’s getting overwhelmed by her feelings for Archie, she needs to remind herself of Jughead who she could really hurt. Archie’s reply is actually really interesting firstly because he pauses for quite a while before answering, his response doesn’t come automatically to him but also because all though he also says he loves Veronica he adds a but. Have you ever heard that saying that nothing a person says before the word but really counts? I think its from Game of thrones. I think that is relevant here Archie says he loves Veronica but this feels nice. So if we’re saying nothing before the word but counts then what Archie is really saying is this feels nice. He also adds a question to the end of it. This feels nice, right? Again this is important because it is telling us that Archie needs that confirmation from Betty. He needs to know she feels the same that he’s not in it alone. Although Betty doesn’t give a verbal response to this I do think we can safely say she does feel the same as we see her turn to look at him and they spend some time staring into each others eyes before taking each others hands. I think in this moment they needed to make some kind of physical contact with each other, their feelings are drowning them but they know that at any moment they could knock some more dominoes and cross the line. But handholding is safe right? I mean they’re just hanging out right?
The next time we see Archie he has gone to his Father’s grave. Like I said I do get this feeling that Archie is just really confused and at a loss. He talks about how he wonders what advice his father would give him. That it would probably something like follow your heart. Archie admits that he doesn’t know which way it is pointing and he doesn’t want to hurt anyone. He is at a crossroads right now. He’s got several paths in front of him that he could take and he doesn’t know which one is the right one, and even scarier than that he doesn’t know where any of them lead, what could be hidden round the bend? Does he stay with Veronica, something he is familiar with and a person he loves and has a lot of history with? Does he stay in Riverdale after high school and focus on the center and his dad’s business? Does he persue his feelings for Betty another person who he has alot of history with but who he now has new romantic feelings for? Does he join the Naval Academy and get an education? There are so many possibilties in front of him but so many unknowns too. Its no wonder why he’s really missing his dad right now as thats the person he would ordinarily talk this all out with. 
And then we were back with Betty. Again she is reading her diary, this time its about the proposal. She describes this day as the happiest day of her life, which is just super adorable. She again flashbacks to Mini Barchie and the proposal and can I just say that red heart ring is so cute and I do think it might pop up at some point again, they did take special effort to give us a close up of it and I can’t help but wonder what happened to it. Did Archie still give it to Betty anyway as a kind of promise ring? Did he keep and its in a draw somewhere? Who knows but I do think itll eventually end up with Betty. Kevin interrupts Betty’s thoughts when he asks if she ok and when she answers yes she was just thinking, he asks if she was thinking about simpler times to which Betty agrees. The thing is if we look at it from Betty’s point of view it really was a simpler time. Back then she was certain about what she wanted. She wrote in her diary ‘I know I want to marry Archie but I know we’re too young.’ Little Betty knew exactly how she felt and exactly what she wanted. There was no boyfriend whose heart she could break, there was no best friend who she could utterly destroy with her betrayal. There was only her and Archie. Fast forward ten years and shes in a very different situation then what her younger self thought. As a child she believed this was the time when she and Archie would be getting engaged, when they were 18 and in high school. Now all those feelings she felt then are back but its far from a simple situation. 
I don’t think its at all surprising that when we return to Archie he is working on a song. Archie has always tried to work his feelings out through songwriting and music. We can see him smiling throughout the entire process of wrinting this song. Now I was going to wait and talk about the meaning of the song later when going through the second bunker scene but I actually think we should cover it now. I mean if Archie has written a song for Betty then obviously we need to study every single line in great detail just because what else would we do with it? So lets first start with the title. According to the video I found on youtube its called ‘Carry the Torch’. Now if this is the official title then this is very intersting as the phase means to love something for a long period of time. Us Barchie shippers have been saying all along that Barchie never lost their feelings for each other and I do think this confirms that. The first line of the song is ‘There’s no warning when everything changes’, pretty obvious that Archie is talking about the sudden emergence of their feelings for each other here. I also think its interesting that for Archie everything has changed. Literally nothing is the same for him anymore, not his feelings for Veronica, not his plans for the future, his feelings for Betty, literally everything is up in the air. 
‘You let down your guard and I saw something strange, I thought she’s not made for this world and neither am I.’ The part about her letting down her guard I think is in reference to how previously in season 1 after he broke her heart she became more guarded with Archie to the point where when he tried to talk about his feelings with her in the season 1 finale she shut him down. Now though she’s let that guard down, she’s kissed him and she’s met with him in the bunker, she admitted she was feeling something for him. As for the part about seeing something strange and thinking she’s not made for this world I again think this is a throw back to how he used to see her. I’ve said before that I always thought a huge part of the reason why Archie rejected Betty in season 1 is because of how he saw her as this perfect girl next door and so much more than he ever would be. I think he’s now realised thats not true. That she’s not the same person anymore and neither is he. The line about not being made for this world is a little more ambiguos to me but I think he means they aren’t made to fit into a box, they both a little different. I mean I think they have had similar paths, they both have struggled with a dark side that was brought into exisitence by the same man, the black hood. Archie’s anger at the black hood lead him down some pretty dark paths, Betty got the calls from the black hood that also took her down a dark path.They were both manipulated by someone they thought they could trust. Archie was manipulated by Hiram and Betty was manipulated by Chic. They have both lost their Fathers suddenly. I think Archie is trying to say that whereas before he saw them on different levels now he recognises that they are on the same, that they match. It could also mean that they aren’t meant for the world of Riverdale, this world that’s steeped in blood and violence, Archie has always seen their relationship as being something pure, that childhood innocence, maybe he’s saying that their love is being blocked because of this world where they can so easily be corrupted. How he feels for Betty is so pure that it doesn’t belong in this world of evil and corruption its on another level it doesn’t fit in with this world, its just too good if I’m making sense here. 
‘Cause you make me wanna be stronger than I am.’ Another fairly obvious one Archie wants to be good enough for Betty he wants to be worthy of her. She inspires him to better himself and again we this alot throughout their relationship. She supports his music and encourages him to persue it, we know that story of how she helped him get caught up as children so he wouldn’t have to repeat a grade, we also know that she helped him with his schoolwork when he got out of prison. She always believes in him and he always listens to her advice and lets her guide him. The next line is ‘Maybe I’m reaching, misplacing a feeling. There’s no way to know but to try.’  This line is really showing Archie’s confusion. But it also tells us alot about how Archie is thinking. He recognises that isn’t certain of his feelings that he just be mistaking nostalgia but he also says the only way they can know is to try. This is kinda what I’ve been saying myself. The only way Barchie are going to get closure is if they explore their relationship otherwise they are always going to wonder, they’ll always be a what if. It seems from these lyrics that Archie thinks this too that he wants to try and see what they could be. 
Ok I do want to point something out real quick here. We know that Archie didn’t sit down and write this song all in one session. This song was written over a couple of days and as I said I do think Archie uses music to sort through his feelings. All of the lines above come from the first verse of two. Here’s the thing there is a huge change between the two verses. In the first it is very much about new, tentative and unsure feelings. However as you will see as we go through the second verse it is much more sure and certain. Archie has made up his mind about what he wants and its reflected in this second verse. “So give me tonight, I don’t know much but I knoww this feels right.’ Archie might be a bit clueless most of the time, he might make mistakes and he might not have all the answers but in all that uncertainty one thing he does know, beyond a shadow of doubt that what he feels for Betty is right. I mean if you compare the line ‘maybe I’m reaching mistaking a feeling’ with this line ‘but I know this feels right.’ This is such a huge turn around. Those lines couldn’t be more different. From the line give me tonight it does make me think that the first verse was written sometime after the first bunker visit but before he goes to see Betty and arranges to meet her at the bunker tomorrow evening. I think the second was written the next day when he knew that evening he was going to sing the song for Betty. In that time he had recgnised that his feeling were real and that they felt right. 
‘So give me tonight, If you carry the torch, I’d follow the light, I’d follow the light.’ Here again Archie repeats give me tonight. I think he understands that Betty is unsure and so he’s asking her to hear him out, to keep an open mind to come to this conversation he wants to have. It seems to me like Archie very much wants to talk about how they are feeling and have that conversation that lets be honest they should have had the last time they kissed. When he says ‘if you carry the torch I’ll follow the ligh’t this is huge. He is literally saying that if she says that she has feelings for him, if she wants him too then he’s all in. He wants to be with her, its as plain as day in those lyrics. Like without a doubt if she had said she wanted to be with him he would break up with Veronica and be with Betty and does come across as what he wants. 
One thing I will say real quick is that I do think Archie needs to break up with Veronica anyway. Irregardless of whether Betty is willing to be in a relationship with him or not if he is having feelings as strong as what he is portraying in this song that its not right for him to continue with Veronica. As much as it would suck for her and as much as I’d hate to see her hurting, I think Veronica is an amazing woman and person and deserves a heck of a lot better than to have someone settle for her.
When we go back to Betty the diary entry of the day is talking about how they used to listen to records together. Again I don’t think its a coincidence that right after we see Archie working on a song Betty flashes back to them listening to music, music has always been a predominant part of their relationship. Again child Betty describes it as the best day ever. Betty seems to be trying to work through her feelings by looking back at old memories everytime we see her shes got one of her diaries in her hand. What I do think is interesting is that while Archie seems to be looking forward, looking to their furture Betty has chosen to look backwards. I kinda get the sense that Betty is frightened of the future and so her tactic for dealing with that is to just not think about all the much. So she’s getting lost in the past. Archie then shows up and can I just say I love Archie he’s so adorable, like he literally spent the entire episode writing songs and trying to think of ways to hang out with Betty. When he says that he’s there to help her with the year book it is so obvious that he is looking for any excuse to be around her. Definitely had th esame vibe about it as ‘we’re just hanging out.’ Bless ya cotton socks Arch. Anyway Betty sees right through Archie and points out that he’s not there for the yearbook. This is when Archie confesses that he can’t stop thinking about her. She says that they can’t do this but then after looking at him for a moment continues with ‘not here’. Naturally Archie gets very excited at this little bit of hope and Betty admits she can’t stop thinking about him either. Now the next couple of lines of dialogue I think are very important. They arrange to meet at the Bunker but Betty doesn’t want to meet that night but the next. The reasoning she gives for this is so that they have time to think about it and ‘make sure this is what we really want.’ The reason why this is such a big deal is because of the implications behind it. Betty is basically saying that in this moment at least she wants to be with Archie, this means that in this moment she had pretty much decided she was going to leave Jughead for Archie. The intersting thing is that she asks for that delay. I think some of it is yes so that she herself can be sure that it is what she wants and that she isn’t going to change her mind. But more than that I think she wants to make sure Archie won’t change is mind. I mean look at it from her perspective he has broken her heart before. Not only that but after they kissed last time when she next sees him after that night he is kissing Veronica and its obvious their back together, we know that Barchie hadn’t talked about the kiss at this point and they shared a look when Archie spotted her and realised she had seen him kiss Veronica. This must have hurt Betty too its possible she hadn’t spoken to Archie yet because she was working up the courage, unfortunately Archie could have seen the fact that she hadn’t tried to talk about it with him as indifference on her part which is part of the reason why he goes back to Veronica. I think Betty is thinking ok he says he can’t stop thinking about me now but lets wait a bit and see if that cools off and it changes because if we start something up for real then not only have they hurt the people they care about for nothing but Betty’s heart will be broken again. 
Betty continues to read her diaries in the meantime and the next entry we get is acutally really telling given what comes next. In this entry Betty is talking about how much she hates Cheryl for kissing Archie. This is relevant because unlike the others this isn’t some happy memory of childhood love, in this memory she is remembering what it feels like to see someone you love kiss someone else. I suspect she is then recognising that this feeling is what Jughead and Veronica will go through if she does persue things with Archie. These thoughts and feelings are fresh in her mind when Cheryl comes in. This part of the episode does seem to have split some opinions in the fandom and caused a bit of a stir. Alot of people feel like it was really out of character for Cheryl to say that what Betty feels for Archie isn’t real and that she is in love with the idea of him considering she was the one saying that it looked pretty real to her just a few episodes ago. I agree with that I was very confuse myself by it when I first watched the episode. But since then I’ve gone back and watched the scene again and I’ve got a few things I think we should think about with this scene. Firstly we need to remember that Cheryl unlike the audience, doesn’t have all the facts. She doesn’t know about the kiss, she doesn’t know that Betty fantasized that dance, she doesn’t know about them meeting in the bunker. Betty straight up denied anything had happened between them when Cheryl asks. I think in these instances its really important that we look at it from the character’s pov. We can actually learn alot from studying Cheryl’s facial expressions during this scene. They are very subtle but if you look closely enough it can make you understand Cheryl’s thought process also it gives us an excuse to look at Cheryl’s beautiful face so its win win. This is Cheryl’s face when she first realises that she was right and Betty is having real feelings for Archie. 
Tumblr media
She is clearly excited and happy at the news. This is much more in line with what you’d expect from Cheryl after her comments about it looking real. However her demenour changes after Betty says she thinks a part of her had been in love with Archie for the last ten years and she suddenly looks alot more sombre and well sad to be honest... 
Tumblr media
  So why the sudden change? Well her expression also seems really sympathetic to me as well as sad and her expression makes alot more sense when you see what she is seeing. She is looking at Betty in this moment and this is how Betty is looking at that moment. 
Tumblr media
I mean look at her, she is so devastated, she is clearly hurting and struggling. Now again we have to look at this from Cheryl’s pov. While she might put on an act alot of the time and while its true she seems to enjoy chaos, she isn’t a heartless person. In fact on many occasions we have seen a softer side to her an example of this with Betty is when Betty suspected that her dad was a serial killer she went to Cheryl and she was supportive of Betty and gave her some really good advice. Well they might not be bosom buds Betty is still Cheryl’s cousin, her family. Again if we look at it from her point of view not knowing about the kiss or any of that then Cheryl likely sees it as Betty has started to have feelings and the idea of it is really upsetting Betty. If Cheryl did know about the kiss she might have given different advice but she doesn’t. It’s also possible that Cheryl may be feeling some level of responisibilty for Betty feeling upset now because she was the one who put the idea in her head that she had real feelings for Archie. I actually think Cheryl is trying to find a way to cheer Betty up, to comfort her when she gives this explanation that she’s just in love with the idea of Archie. 
Tumblr media
I went to a body language class once and the guy told us that when a person lies or is trying to tap into their imagination they look up and to the right because its the creative side of our brians. If a person looks up and to the left they are trying to tap into the memory side of their brains. The interesting thing about Cheryl in this scen is she actually does both, her eyes flick from one side to another. Now I’m not an expert in body language I only ever went to the one workshop that covered the basics but to me this would suggest that Cheryl was searching for something to say here whether it comes from her imagination or a memory doesn’t matter she just wants to think of something to say that will cheer Betty up that will make it better. 
Tumblr media
If you look at Cheryl’s face right before she says false and then goes on to explain that she’s in love with the idea and that what she has with jughead is real, to me it has that lightbulb look. You know the one I mean, when you’ve just had an idea pop into your head? Yeah I think this is Cheryl’s that’s it, that’s the solution to the problem moment. You can see it alot better when you watch the scene you can see the moment where it pops into her head. So I do think this was more Cheryl’s miguided way of cheering Betty up. I mean like I said she doesn’t even have all the information about the situation all she knows is that Betty is feeling hella upset right now. I think Cheryl meant well but that she didn’t give the best advice at this moment. Also there’ another much simpler reason for why Cheryl said this. The writers. I think they want to draw this Barchie storyline out and play on the angst a bit and so they are using Cheryl here to throw a spanner in the works and delay Barchie getting together. 
However that doesn’t mean that what Cheryl said doesn’t have some merit. In particular I think the line about being in love with the idea of the perfect romance is important. You know I actually half agree with Cheryl here. Only half though because I think this used to be true in the past. I think back in season 1 when Betty was more innocent and naive she was in love with the idea of the perfect romance with Archie. However now, when you think about it, it’s not possible for her to be. Mostly because she can’t have the perfect romance with Archie. By this point Archie has already broken her heart once, what’s perfect about that? They have already kissed and then hidden it from their significant others while pretending it didn’t happen in season 2, again what’s perfect about that? Now they’ve kissed again only this time its worse because they’ve actually cheated and now they know that if they do decide to be together alot of people are going to get hurt, yeah there’s definitely nothing perfect about that. My point is their relationship is already flawed, its already gone through the wringer and they already bear the scars from it, its not perfect so how can she be in love with the idea of a perfect love story with Archie? It not perfect but it is real. I need to point out as well that in this scene Betty admits that she has been in love with Archie the whole time. Yet when she talks about Jughead she says ‘I love Jughead’ not in love, love. I do think they’ve done this deliberately, this difference between the two phrases but I haven’t figured out what the significance of it is yet.
So now we’ve gotten to the second bunker scene. It starts off with Archie playing the song for Betty. What I do think is significant here is that whilst he is playing she flashes back to that scene where he was playing for them all and she gets overwhelmed and runs off. Like before when she was reading the diary entry about Cheryl she has remembered a time when she felt hurt and in pain because the person she loved had kissed someone else (Veronica in the cupboard this time) again she is thinking about how much that hurt her and how that’s how Jughead and Veronica are going to feel on top of that she’s got everything Cheryl said spinning through her mind and all just overwhelms her and she was to stop Archie. Another thing worth pointing out is when Archie asks if she doesn’t like the song she replies ‘it’s us, it’s us’ again here she is admitting that they are real, they are right because that’s what the song is about, so if she thinks the song is them that she must believe that. Yet I think in the end as she says she doesn’t want to hurt or lose Jughead. Ultimately that’s what it comes down to. It’s not that she doesn’t have feelings for Archie, its not that she doesn’t think they are right for each other, it not even that she doesn’t want to be with Archie, she just doesn’t want to hurt Jughead. She doesn’t want to face the consequences and so instead she just ends instead trying to convince them both that its just nostalgia and fear of things changing. 
The immediate scene after shows that Archie is still playing the song and his mother comments how it must have been written for someone special, she assumes that its for Veronica. This is the moment when Archie says that he wants to join the Naval Academy and says he thinks it’ll be best to just have a fresh start. I mean this poor guy is so heartbroken that he’s decided that the only thing left to do is join the Navy. I do think being in the Navy is going to drastically change Archie in some ways it might be good for him as it will give him more control over his emotions and discipline but it also might make him a much harder person. We won’t know for sure until after the time jump but I do feel like we should prepare ourselves for seeing a very different Archie. Again though we are being shown Archie looking forwards to the future as a way of dealing with his current situation. 
In contrast Betty is still focussed on the past, mainly on burning it away. But I do think its interesting that while one of them is obsessing over the future as an escape the other is losing themselves in the past in an attempt to deal. The thing is though neither one of them is focussing on the present on what’s going on right in the moment and so I feel like they are missing out. Its obvious that in this scene Betty still trying to convince herself that her feelings for Archie aren’t real. When her mother asks what shes doing she says she’s ‘exorcising her demons’ and then later after Alice points out that they are her childhood memories and that they are precious, Betty replies that they are just memories. I do think she is trying really hard to convince herself that what Cheryl said was true. I do think its interesting that its Alice in this scene that saves the last diary. I do think this diary is going to be an important plot point. I am very curious about whats in it. But I do find it ironic that Alice was the one in 3x01 who was trying to convince Betty to burn all her diaries but now shes the one trying to save them. Also it could be significant that Alice is the one to do this considering her past. When she was Betty’s age she too was in love with someone, FP. She too, like Betty is now, decided to not face these feelings and instead went for the safer option in Hal. As a result alot of bad things happened to her. While her life wasn’t necessarily terrible there was still something missing for her, the same can be said of FP. That decision to not face there feelings for each other had a direct impact on there lives. It had a domino effect. Like Betty and Archie Alice and FP had other opportunities to be honest with themselves and each other but didn’t. 
As I said before I don’t think that Barchie’s story is over yet. There are too many things left undone. We still haven’t heard the whole song in the show yet. I do think its possible that Veronica will somehow discover the song, whether because she hears a recording of it, or hears Archie playing it or becuse Mary asks her what she thought about it. Then one of two things will happen. Either Archie will be faced with the awkward situation where he either has to admit the song isn’t about her or pretend it is and play it for her. Or when she hears it Veronica realises right away that it isn’t about her. Maybe Jughead also hears the song and also gets suspicious. I also think that diary is going to come back into it, maybe Betty reads something in it that makes her realise Archie is the one she wants and so she rushes over to see him and tell him only to find that he has already left, she gets to his room and there is a letter for her on his desk. Inside the envelope is an explanation that he’s left for the Navy, a loves confession and the heart ring is in there too. Then we’ll have the 5 year time jump where we find out they’ve been longing for each other the entire time. Oh the angst. The other thing is that Jughead and Veronica still haven’t found out about the kiss and with these video tapes popping up all over the place its only a matter of time before that one comes out. Also its worth saying that technically Archie and Betty still haven’t had a proper conversation about their feelings. While they were better this time around and they did touch on the fact they couldn’t stop thinking about each other their conversations were more about what they didn’t want then what they did. They don’t want to hurt Jughead and Veronica. So at the moment they are kinda at a stalmate.   
Well thank you to everyone who read all the way to the end of this. I know it got real long, like I said a lot of thoughts about everything. Again I can’t wait to see what’s going to happen next. I’m not sure how much information we are going to get from the next episode as its going to be a revenge fantasy from a story Jughead is writing but you never know, either way I’m still excited for the episode. So until next time.                         
30 notes · View notes
entomancy · 5 years
Text
Fic: A Dawning realisation
Another worldbuilding one-shot. A different night, and another incident for Denis Joplin, Sheriff of Vegas Below - but this time it’s much worse than mutant vampiric housecats.
Title: A Dawning realisation   (Wattpad) Setting: VTM-with-the-serial-numbers-filed-off. Also, Vegas. Warnings: Gore. Words: 1912 Summary: It’s three in the morning, and there have been at least two murders. You’d think that would be the worst part of the night.
-
There certainly was an impressive amount of blood.
Ducking under the hastily-installed barrier of crime tape – and feeling a shiver in his fingertips mirrored behind his eyelids as the glamour fell away – Denis Joplin found himself stopping short at the revealed scene.  This far into Fremont and two alleys deep behind a derelict convenience store, it’d be reasonable to expect at least something nasty lurking around the dumpsters.  But this was way beyond even cynical assumptions.
The alleyway itself was less of a single passage than a collision of other spaces – one leading north, half-blocked off by the rusting carcass of a long-fallen fire escape; one going west that seemed to be where pallets came to die; and a sagging hole in the southern wall that opened into more rat-runs beyond. Garbage was ankle-deep, except for on the pathways newly torn by desperate footfalls and scrabbling fingers.  One body – still at least roughly the shape it should be, except for its angles – lay cradled by the bashed-in side of a dumpster; a gory, inverted waterfall of crimson splattered up the wall behind it. The head lolled against its uneven chest, barely held on by naked tendons and raw flesh, and the jaw had been torn clear away.  
The second body was more… dispersed.
Yet even that wasn’t the strangest part.  Sure, it looked like somebody had tried to pressure-wash the walls with arterial spray, but what really drew the eye were the weird, congealed blobs of black-scarlet scattered for a storey up the walls. They looked like something out of a particularly nasty fungus documentary: glistening and swollen with half-solid bubbles of wet scab.  There were a lot of them, too.
Je-sus.  It had been one of the bike-lads that called this in, and Joplin made a mental note to check in on the kid later.  Hell of a thing for someone to walk in on.
Of course, some of them were more used to this kind of shit than others.
“Bad night,” he said, partly in greeting, as his attention shifted to the other upright figure on the scene: clad in baggy forensics white, squatting down over a scattering of viscera with a camera in her gloved hands.  She took the picture and made a note before straightening up and turning to him.  One neat eyebrow arched as she pulled her mask down, revealing pale lips set into a tight line.
“Worse for some,” Dawn replied, sweeping a disapproving gesture around at the alley. “Honestly.  I have fourteen active cases right now; the last thing I need is someone breaching like a Screamfest wet dream all over my Thursday night.”
Joplin hesitated – but this was Dawn, after all.  Dawn Miller: Senior Forensic Investigator for the City of Las Vegas (Above and Below), five foot three of permanently-caffeinated brunette; most usually found within a baffling subterranean lair of sterile worktops and extremely expensive scientific equipment that just so happened to have no external windows whatsoever.
“Definitely not just someone with delusions of Dahmer?” he asked carefully.  Dawn sighed as she placed her camera back down then pulled out a small laser pointer, with a hint of dramatic flourish.  The tiny red light danced like a forensic firefly across the stained walls, sketching and circling in after-images.
“It’d be very difficult to get this sort of pattern any other way.  Now, tearing open an artery will do that.”  She gestured towards the crimson mark that was a bit higher than the dumpster-corpse’s head would have been.  Then she jabbed a latex-cased finger further up, towards one of the dripping clots wedged against a drainpipe.
"That? Not so much. I mean, I’ve got my suspicions about your blood pressure, Sheriff, but I figure even you’d have difficulty getting that far up on irritation alone.”
Joplin looked back down to the neatly-circled sections of corpse, tilting his head this way and that as he tried to work out what each bit had been.
“Any clear weapons?”
“Not lying around.” Dawn pointed at a piece of arm. “I need to get this all cleaned up to be sure of anything.”
“Thinking teeth or claws?” Joplin pushed, and recieved a cold stare in return.
“All I’ll say before he’s on the slab is that it took significant force to do some of this.  Arms don’t pop off Barbie-style for just anyone – present company notwithstanding.”
Joplin snorted.
“I ain’t a wookie, y’know.”
Finally, a flash of amusement made it onto Dawn’s face.  It was probably possible to be a science type without being able to spot a Star Wars reference at forty feet, but Joplin sure hadn’t met many.  Hell, she’d probably seen them on release.
“Yub-nub, Sheriff.  Anyway,” she continued, and her brows dipped again as she pulled a fresh swab out of her pocket. “I’ve put this off for long enough.”
She uncapped the plastic tube and Joplin caught The change in her eyes.  It wasn’t in anything so crass as pigment or reflection, but nonetheless the sheen there had altered, struck through now with very familiar sharpness.  She undid her mask, placing it carefully down on top of her kit, and moved over to the bloody wall with the swab raised.
When he’d first heard they had a vampire in forensics, Joplin had imagined she would employ a much more gruesome methodology.  He hadn’t figured that maybe she’d want to lick an alleyway wall about as much as he did.  
Dawn swiped the blood, then brought it back and pressed the stained cotton tip into the roof of her mouth, accompanied by an expression of contemplative disgust.  It had to go past the teeth, she’d told him once.  Something about how the whole vitae situation actually worked.
After a moment she withdrew the swab, slotted it into her clinical waste pot, and spat in after it.
“Yup, that was live when it hit. Initial attack either non-feeding, or the idiot’s never tried to drink a shaken soda.  But that…” she trailed off, looking up at the weird blobs overhead, and her lips twisted again.  “Give me a leg up, will you Sheriff?”
Joplin obliged, cupping his big hands together into a platform, and Dawn hoisted herself up onto a level with one of the congealed lumps.  Swab – suck – and this time she gagged, clapping the back of her hand over her mouth as she did so.  Joplin quickly put her down.  She threw the swab away like it had burned and began aggressively gargling bottled water. Once the dry heaves had stopped she looked back up at him, wiping at her eyes.
“Yuck.  I mean, yes, obviously, but – yuck.  No, that was dead on impact.  I’d say refractory emesis, but that’s – ” she hesitated again, glancing between each blob “- a lot.  Even if they were trying to dry them out, just eyeballing it, I’d say there’s enough blood mass here for a minimum of two victims.  And this guy might be a jigsaw, but I’d say we’ve got all the bits for him.”
Joplin sighed, and leaned back against a cleanish piece of wall.  So there might be another body to find tonight.  Which meant someone on a frenzy, because nobody needed two-and-a-post-spray-remainer’s worth of blood in one night for any sort of legal reason.  And someone with their faculties intact wouldn’t be out massacring by the bins.
Dawn pulled out her second kit: the much smaller, black metal box that had neither insignia or visible method of opening, and blew gently on its surface.  Faint patterns swirled under her breath before the lid popped and she drew out a different set of vials, and a set of small, oddly-shaped tools.
“Taking the specialist samples,” she muttered, half to herself as she selected one and crouched back over the remains. “Because of course, developing anything field ready that isn’t ‘suck on the corpse’ is never at the top of the funding lists, is it?”
Joplin shrugged.
“Don’t ask me.  I ain’t sure what any of you lab goblins do with half the stuff you collect; I ain’t gonna notice if you take a few more weird prints.”
“Liar.” She didn’t look up from whatever she was doing at the head end, but Joplin could hear a smile around her words.  He let her get on with it, instead returning his attention to the utter mess of a scene.  There was a time when this would have upset him a lot more – and he knew this sort of thing tended to get to Mitch in ways the cheery lad was crap at dealing with – but this wasn’t just the normal revulsion and muted horror that settled on him now.  Something about the sheer splatter of the scene was unpleasantly familiar.
He waited until Dawn had clicked the lid back on her little box of vampire tricks before he spoke again.
“Got a theory for me?”
“Always have a theory, Sheriff,” Dawn replied, stowing the box. “The trick is finding evidence.”
“So… if I were to say ‘Bel–’” Joplin started, but cut off as Dawn held up a finger warningly.  The look she gave him was old; far, far older than the ever-stilled thirty-ish of her face.
“I’ve confirmed a potential breach. I’ve got samples.  You’ve got another body to find, and I’ve got analysis to do.  Then, and only then, will I stick my neck out over that block.  Clear?”
“Y’always are,” Joplin conceded, and let out a long breath as he felt some of the sudden tension drop. “Want the rest of the crew in?”
“Oh hell yes.  I’m not scraping this all up by myself.”
Joplin left her to it.  He gave the nod as he passed the glamoured tape, signalling to the waiting figures that they could go in.  Dawn had finished the secret-squirrel bit of her work, and the crew understood enough about trouble Below to know what they were dealing with.  He made his way back to the car and slid in, resting his head back against the seat as he let out a long sigh.
Dawn was cagey – had to be, given who was not-breathing down her neck – but she’d said enough.  Frenzy either meant an orphan, a bastard or a break, and none of them were exactly appealing prospects.  Joplin drummed his fingers together, considering.  Orphan was unlikely – the clan-pires were real careful these days about their new bloods, and the loony market was still depleted from last time someone tried something Big And Stupid.  Bastard seemed most likely, since there was always some little fucker unable to keep it in their gums.
The idea of it being a break…
Joplin felt the hairs on the back of his neck rise, and tried to shake off the unease.  Okay, so there had been a familiarity to the scene, but it wasn’t like a signature.  Brutal, sure, but too messy.  Too much feeding. Any feeding, really.  But the way the bodies had been torn apart like that – that, that was setting off unpleasant shivers of recognition.
Not a break, then.  Not that particular potential nightmare and the shattering Breach it would entail, but… something related?
Bastard’s the most likely.  Jesus-Christmas; can he even sire anymore?
Joplin stared out through the windshield, at the distant fever-dream glitter of Vegas’ early morning, and felt the ghost of a few old wounds twinge.
“Fuck me,” he muttered.
He was going to have to question fucking Belton.
-
2 notes · View notes
sanjiafsincedayone · 6 years
Text
One Piece 902 - Review/Thoughts
Chapter 902 – End Roll - What an emotional chapter… I really liked most of it, but I think it was a little bit weird. I’ll just jump in and give my main thoughts about what happened this chapter.
Tumblr media
First, I loved the scene with Sanji thinking about Pedro and the kind of solemn expression Oda drew. I am so glad for all the serious moments we have gotten with Sanji this arc.
Tumblr media
Then Carrot coming along to comfort him. It is probably the sweetest moment we’ve seen this whole arc and I think it says a lot that Sanji doesn’t keep on blaming himself after Carrot talks to him. It feels like progress to me, even though Sanji does blame himself, he still understands that it’s not really his fault so to speak. 
Tumblr media
Carrot crying after trying to comfort Sanji just went straight to my heart. It’s also really cute with them patting each others heads for comfort. A genuine moment that just makes me wish for two things; 1. That Carrot stays with the crew, if not forever at least in a similar manner to Vivi or Law. 2. That Sanji could act like this more often, especially with women. I love his soft side, and I think we have gotten to see it more often this arc due to the seriousness of the situations that Sanji has been in.
Either way I really loved their interaction and both characters are so soft and sweet it makes my heart ache. The scene is really emotional and it was probably my favorite part of the chapter if I’m being honest.
Then we get to hear Big Mom and her homies sing a song, as we see an overview of what’s going on. 
Tumblr media
Amongst others we get this´scene of Sanji and Purin, which is mostly build-up for later, it’s all very bittersweet actually. Especially since we have Sanji with Carrot seemingly having mentally left Purin behind, while she obviously is still thinking a lot about him. It’s a weird kind of romantic angst for Oda to write, but more on that later.
Tumblr media
I’m not going to lie but I am so tired of Big Mom at this point… She’s back to normal and nothing changed, they’re still going after the strawhats and basically Oda spent years of the manga writing a plot that only delayed Big Mom. Of course I think Oda has some purpose left with Big Mom, and it’s possible the whole divine cake thing will be relevant again then, but at this point I feel like we spent a lof ot time dragging a plot that didn’t make much of a difference. Honestly, things changed so fast between last chapter and this chapter I almost got whiplash. Is the crew suddenly all safe and ok now since they are out of the territory? I can’t be that easy right?
Tumblr media
Not to mention both Germa and the Sun Pirates are still fighting, so it feels off to see the strawhats being all content and happy at the same time.
Tumblr media
Anyways, moving on to emotional scene part 2 in this chapter. Purin gets a flashback, and we see some of her inner struggles throughout the arc. I genuinely feel bad for her, but I still wish Oda would have played things a bit differently for her. I understand that she was bullied and felt horrible about herself, and I do sympathize with her, but some of Oda’s decisions when it comes Purin’s story actually feels a bit rushed and forced. I think Oda wrote some scenes for her that mostly just complicated things without any real purpuse in the end... Especially with her doing unnecessary damage to Reiju just for a dramatic effect when it didn’t really lead anywhere in the end, and also how long the time of the readers not being able to trust her was. I don’t know, I really like how Oda has written her after a certain point, but it was so much harder to enjoy her character when I didn’t know where to place her. Personally I wish Oda wouldn’t have used her so much for shock value so that I instead could have developed a better understanding and bond with her sooner. I understand her switch, but it all happened really fast and especially if this is supposed to be genuine romantic development it’s been way too rushed for it to develop a strong foundation.
Either way I think Oda has written Purin and Sanji’s relationship with some odd decisions. I still don’t know where this is going, or if it’s now the end of it all together. Somehow this really feels like an end, but at the same time it would be weird for Purin to just disappear crying like this. I like how Sanji’s kindness was highlighted again, to make a change in Purin, just like it did in Gin so many years ago. But at the same time if Oda truly wants Sanji and Purin to happen I think he should have handled it differently, mainly because Sanji has been so strangely detached and unresponsive to a lot of Purin’s interest in him. I don’t really know why Oda would do that if he really wanted to develop Sanji and Purin as a true romance. So, that leaves two options, either Purin’s part in Sanji’s life is over and she will now go on a journey of her own to discover the world isn’t as cruel as she might have thought. Or two, she will come back, but to me a setup for Purin to come back and perhaps be Sanji’s true love-interest in the series I think Oda should have handled a lot of things differently. But enough about general Sanji and Purin discussion and back to the chapter.
Tumblr media
I feel the kiss was pretty obvious, and also Purin taking away the memory of it, since Sanji had no reaction earlier. I feel bad for Purin, but that being said, it really does feel like the end for this plot… At least for now.
Also, just a small side-note… I really hate the nickname “Jiji”. It’s what Sanji usually call Zeff (only with shitty added before it), so I don’t see why Oda would pick that name for Purin to call Sanji. Unless it’s with the intention to draw some strange parallel to Zeff, but that in itself is such an odd idea… It’s basically her calling Sanji “Old man”. No, I’m kind of hoping there is something wonky with the translation on this one. Moving on to emotional part nr. 3!
Tumblr media
Now, I did not expect this scene with Katakuri and Brulee, but I really liked it a lot. It’s a sweet moment between them and I loved the quiet support and understanding from Brulee and the highlighting of their bond. Seems like yet another case of enemies possibly turning into allies of the strawhats later on too.
Tumblr media
The flashback was nice too, though I think we already recieved the message of “being loved for who you are” both in Katakuri’s and Purin’s story even prior to this chapter and even though it was unexpected to be shown their childhood like this, I did like Oda’s inclusion of it. Oda deciding to develop these characters more now when it’s seemingly the end of the arc just makes it all the more likely that they have future roles to play.
Tumblr media
And then we are back to Big Mom’s song again and showing the battle still going on… Seriously Oda, it makes me feel really uneasy to end an arc like this. Big Mom is still a huge threat and their allies are fighting for them, so it’s just weird to have the strawhats really be out of the picture when everything isn’t over… The jump to the strawhats on the next page makes it even worse.
Tumblr media
I mean, it’s nice to have some lighthearted crew interaction again, I’ve really missed it. And it’s also nice to have Sanji be truly happy again and the parallel with Zeff was a nice addition and I loved the line of father and son. It’s just a little out of place in my opinion. The ending of this arc was just too rushed, especially compared to how Oda has really dragged some portions of the story this arc. To me Oda is making it seem like the arc is over when it can’t be over. I am looking forward to Wano and not having to deal with Big Mom for a while though (hopefully).
So, all in all lots of great moments this chapter, and plenty of emotional scenes, some of which truly touched me a lot. But the timing just seems off, and with the sweet and touching scenes being mixed with crazy Big Mom and the fight still continuing this chapter is just and odd mix which leaves me feeling a bit uneasy about the development and pacing. 
So, an ok chapter with some really great moments is probably my final verdict. Thanks for reading, hope you had fun and feel free to discuss further and explain your thoughts on the chapter!
162 notes · View notes
onlineuni-blog · 7 years
Text
Audit: Sony's Xperia ZL battles to emerge from the group One not-awful 1080p Android telephone in an ocean of not-awful 1080p Android phones.
Since we checked on Sony's Xperia Ion not as much as a year prior, we've had a feeling that Sony has been playing make up for lost time to whatever is left of the Android handset producers. The Xperia TL "Bond Phone" just fortified this thought. Nothing's fundamentally amiss with the telephone, however the reality remains that it accompanied equipment and programming fundamentally the same as the Galaxy S III, exactly six months after the S III came to advertise.
Today we're investigating the Xperia ZL, the marginally less expensive, non-waterproof variant of the Xperia Z that we took care of at CES and dunked in a fish tank at Mobile World Congress. While you won't have any desire to bring it swimming with you, the ZL runs a similar Android 4.1-construct programming in light of a similar quad-center Qualcomm equipment and 5-inch, 1080p show as the Z.
In that capacity, this ought to be a truly decent window into the condition of Sony's top of the line telephones. So is Sony still in make up for lost time mode, or is the ZL a telephone that stands its ground against any semblance of the HTC One and Galaxy S 4?Body and assemble quality
A few organizations' gadgets simply have a specific vibe to them. Samsung's telephones and tablets are normally some mix of light, plasticky, and tricky. Sony's regularly have a pleasant heave to them, a difficult to-characterize feeling suggestive of a well-manufactured purchaser electronic gadget. Taking care of a PSP or PS Vita (or the Xperia Z and Tablet Z) feels a similar path, and amongst that and the daintily bended, finished plastic back, the telephone feels great to hold in spite of its generally extensive screen.
The telephone is likewise a bit smaller and shorter than some of its 5-inch countrymen (2.7" wide and 5.18" tall, where the S 4 is 2.75" wide and 5.38" tall), and has smaller bezels all around the screen than numerous different telephones do. This doesn't exactly give it the "smaller than expected handheld feel" that Sony publicizes on the telephone's item page, yet it makes the handset more agreeable to utilize.
The telephone's je ne sais quoi has a heartbreaking effect on its weight and thickness: it weighs 5.33 ounces (contrasted with 4.06 for the S 4) and is 0.39" thick (contrasted with 0.31"). Both contrasts are just recognizable as opposed to awkward, yet in the event that you're particularly delicate to your telephone's weight, the ZL is heavier than a large portion of its counterparts (and the Xperia Z, which weighs 5.15 ounces and is 0.31" thick).The telephone has a solitary back confronting speaker that sounds like most telephone speakers do: sufficiently uproarious for taking a gander at YouTube recordings in gatherings, however excessively tinny for much else. It's contiguous the telephone's camera focal point, which projects from the back of the telephone and shields the speaker from being stifled when set on a work area or table. The sound is in reality better when it's being bobbed off of a hard surface.
Like the development of the telephone itself, the 5-inch 1080p show is a blended gift. Similarly as with the other high-thickness screens we've seen of late, content and (enhanced) design are incredibly (and maybe senselessly) fresh. The issues begin when you start to tilt this screen far from you—some shading and shine move is ordinary in LCD screens, yet the ZL's review edges are much more awful than what we're accustomed to finding in smartphones.It's actual that you're regularly taking a gander at a cell phone head-on, and when you do, these survey edges don't present a genuine issue. The issues emerge when the telephone is lying around your work area or table, or in case you're sliding it out of your pocket for a minute to sneak a brisk pinnacle. The issue doesn't make the telephone unusable, yet it's one drawback that different telephones in this value go don't typically have.
Cameras
The cameras in Android telephones are just once in a while worth thinking of home about. They more often than not slap a high megapixel depend on something that takes appropriate for-Facebook depictions and abandon it at that. Sony, be that as it may, has a built up notoriety as a creator of truly great versatile camera sensors—they've provided the parts for the last couple of iPhones—and the ZL's 13MP camera is really justified regardless of a moment look.
Analyze these three scenes from the ZL and an iPhone 5, one brought inside with overhead lighting, one taken outside on a cloudy day, and one taken inside in low lighting—there are slight contrasts in white adjust and presentation, and to my eye the Xperia ZL's photos are slightly gentler than the iPhone's, however they're playing in a similar ballpark. The low-light pictures are entirely bit superior to those taken by the iPhone. They're both boisterous, however it's less demanding to make out a few protests in the ZL's shot.I found the telephone's "unrivaled auto" mode to be somewhat flaky. It some of the time settled on odd introduction decisions, however as a rule it took usable snappy previews. In the event that you don't care for the photos the camera is taking, Sony has given many manual settings for more experienced shutterbugs. At the point when in the "typical" shooting mode, you have full control of ISO, white adjust, and introduction; you can turn the picture stabilizer on and off; and you can pick between one of a few concentration modes, among a couple of different things.
The camera programming likewise has a couple of different comforts—HDR and display shooting modes are here, obviously, close by burst and coordinated giving modes, a gathering of dubiously Instagram-esque picture channels, and something many refer to as "Grin Shutter" that will secure regarding your matters' countenances and naturally snap the shade when they're making a sufficiently major grin (maybe helpful in case you're attempting to record a tricky infant grin in pictures).All of this is to state that the Xperia ZL has a shockingly decent and valuable camera, particularly with regards to regular Android telephone cameras, however you may need to plunge into the manual settings to get the absolute best chances. On the off chance that you do much photography, this may not come as a shock to you, but rather a brilliant programmed shooting mode is the most imperative thing for me in a telephone camera (or in any camera where brisk depictions are of prime significance). More often than not, I'm quite sure that Apple's product (barebones however it might be) is taking nice looking pictures in everything except the most minimal light; in my time with the ZL, its full-auto mode didn't move a similar certainty.
The 2MP front-confronting camera is serviceable for video visiting. It's situated in the lower-right corner of the handset as opposed to close to the speaker at the highest point of the telephone, which makes it more usable in scene mode and more ungainly in representation mode (in any event in case you're utilized to over the-screen cameras).
Programming and additional items
The Xperia runs Android 4.1.2, which isn't the most recent variant of Android, however it's as new as you can get on by far most of top of the line Android telephones (as of this written work, form 4.2 is limited to the present Nexus telephones and the Galaxy S 4, and in addition a sprinkling of tablets).
The telephone utilizes the product route catches of stock Android as opposed to equipment catches, and there are a couple of brisk settings accessible in the notice focus, however by and large the application launcher isn't radically unique in relation to stock Android. Sony's default console bolsters motion based writing as in the Swype, SwiftKey, or stock Android 4.2 consoles, and a line over the console offers writing proposals.
By and large, execution in the OS and in many applications is as smooth as befits a Jelly Bean telephone with this much equipment behind it. There are at times particular gadgets or livelinesss that are uneven—Sony's Quick Settings gadget is one—and we don't know whether to accuse the high-determination show or unoptimized programming (or some mix of the two) for the incidental falters.
Whatever is left of the telephone's product and Android changes all fall into three essential gatherings:
Applications that either re-skin or supplant center Android applications. The "Collection" application for review photographs generally copies the usefulness of the stock Gallery application, for example, while the Walkman-marked music player does likewise for the stock Play Music application (however with the fascinating added capacity to both play documents from and serve records to different gadgets by means of DLNA).
Endeavors at merchant secure and additionally vertical combination. The Sony Select store serves up a restricted determination of applications and diversions close by the Google Play stock, while Xperia Link will give you a chance to tie your Sony-marked tablet or PC to the telephone (which is likewise conceivable by means of Bluetooth, not surprisingly).
Truly valuable increases. In this class, you have a FM radio application that uses your earphones as a recieving wire; an IR blaster that will enable you to control your TV remotely regardless of the possibility that Sony didn't make it; a Sony auto application that interfaces with your auto's stimulation framework by means of Bluetooth or NFC; and a couple of "little applications" that can rapidly be propelled and rejected without shutting your fundamental application (illustrations incorporate a clock, a scratch pad, and a voice recorder).
Sony hasn't taken Samsung's beginning and end including-the-kitchen-sink approach here, and the vast majority of the included non-stock applications run from really helpful to generally innocuous. As usual, in the event that you couldn't care less for Sony's application launcher or console, Android's adaptability will give you a chance to supplant them in short request.
Internals, execution, and battery life
The Xperia ZL is controlled by a quad-center 1.5GHz Qualcomm Snapdragon S4 Pro SoC and an Adreno 320 GPU, a similar blend utilized as a part of the Nexus 4, LG Optimus G, and Droid DNA before the end of last year. You additionally get 2GB of RAM; 16GB of capacity that is expandable by means of the microSD card space; double band 802.11n Wi-Fi; Bluetooth 4.0; NFC; and LTE, all of which round out the real equipment highlights. What stands out to us is that this telephone is utilizing the S4 Pro, while other top of the line Android telephones have proceeded onward to the more up to date, speedier Snapdragon 600, which has a higher-timed CPU that uses a more proficient rendition of Qualcomm's "Krait" CPU engineering.
0 notes