#in which me and Stede are one and the same

[lyxchen]

Crying because a while ago I found these amazing amazing shoes in a TK Maxx and I didn't buy them and I've been regretting that so much because look at how gorgeous those shoes are!!!!

[ourflagmeansgayrights]

crew of the revenge halloween party where everyone goes as a different flavor of captain bonnet:

wee john goes as stede’s fancy party powdered wig 1.05 look (but with more glitter)

frenchie replicates the cursed red suit (it’s only a replica tho so it’s fine, it’s not cursed, don’t worry you guys)

jim goes as all-white gut-stabbed 1.03 stede complete with a loosely tied piece of rope around their neck. remember in 1.06 when they fake tortured a dummy during the fuckery? imagine that much gusto being put into pretending to be stede getting hanged to death at random intervals throughout the party

olu goes as leather pants + slutty blue shirt stede and honestly? he kinda wears it better than stede does

zheng goes as the same stede but with a wooden board tied to the back of her pants to commemorate the time she publicly spanked planked him

fang goes as stede wearing ed’s leathers. this costume involves putting flour on his face to simulate how stede was suffering from severe blood loss in that episode

the swede goes as classic pilot episode teal suit stede and does a dead-on stede impression (picture stede in the background huffing “i don’t sound like that!” and ed kissing his cheek and lovingly saying “yes you do, babe”)

roach goes as 2.01 broke era stede. this costume also involves a pillow and a blanket and occasionally moaning “ed, oh ed” out loud

lucius goes as 1.08 stede pulling an all-nighter to stare at ed and jack through a telescope. nightgown, pink robe, makeup to emulate the bags under stede’s eyes, gripping a telescope for dear life (stede tries to argue “it wasn’t all night” but olu is like “no i was there, it was literally the entire night”)

black pete goes as 1.02 stede with his shirt all ripped up (ed voice: man it’s a good thing he’s already dead bc i could literally kill izzy for not telling me about this)

ed goes shirtless and wears an orange skirt. the crew is like “that’s not a stede costume” and ed’s like “no listen ok. one time i had a dream where stede was a mermaid.” the crew is understandably confused and ed’s just like “had to be there ig” and they’re like “had to be there… in your dream?” and he’s like “yeah.”

archie panics bc she hasn’t known stede for long and everyone took all the good ones that she was actually there for. jim offers suggestions but it’s all s1 stuff and archie’s like “i can’t do the treasure hunt look, i wasn’t there.” eventually she gives up and just shows up fully nude and is like “im stede on the night of calypso’s birthday”

about halfway through the halloween party buttons shows up and de-birds himself, at which point archie sees that buttons is there and is also naked and is like “bro no fair, i called dibs on this stede costume!”

[babykittenteach]

Re: Theft

You ever watch a crime drama where a detective is going around trying to talk to witnesses and everyone's too scared to say anything?

Okay, imagine basically a year of that.

Last April is when I noticed first that he'd basically yoinked some tags I left on another person's post to make his own post. Then I saw him do something like that to someone else that I didn't know and couldn't talk to.

Then I saw someone post about their fic idea they were working on, people reblogged all excited, including me. Then about an hour or so later PCCP began his own fic with the same idea.

The general post yoinking kept on for a while, and then I assume people know at this point that the fic thing happened to [a writer] I talked to [a writer] privately about it and encouraged blocking. They worked it out privately and I was asked to not pursue. Out of respect, I did not, but I kept paying attention, and I especially was not fond of the guilt tripping way PCCP talked about this.

This was roughly around the time bizarrelittlemew noticed he'd basically rewritten a post from someone else and reblogged the original so they were doing the rounds at the same time. A screenshot of that "coincidence" made the rounds as a funny post? Which was baffling to me.

I talked to at least two other authors who also didn't want to do any kind of confrontation. Add to that a couple other people who'd noticed he was taking post ideas. Still, no one wanted to go anywhere with it. Meanwhile, random fics happened that sounded similar to others --spaceship plots, BDSM clubs, etc. You can probably find these.

Last summer, I posted my first major fic for this fandom, on an account I actually had not intended to link to this art account. (I sort of wanted the writing to stand on its own, and also, I usually post fluffy things for art while writing can get messier.) That made me a no name, and the fic wasn't immediately noticed, but shortly after, I got a kudos from PCCP. And knowing what he had done to other people, I decided to own the fic on this relatively large account so that if he did anything he'd know it was me. And he did. The next day after kudosing the fic, he took a joke from it about Stede falling through the roof to make his own short tumblr fic. A little after that he messaged me to say he really loved my fic and was working on leaving a comment. That never happened, and I was unwilling to talk to him further privately because I have had experience with manipulators that will threaten you with their mental health. If I were going to confront him, I'd prefer witnesses.

This messed me up pretty bad, btw; I was previously in a fandom where someone just search and replaced my entire fic to be about a different ship. That was September.

In October, I was posting my own personal rewatch of S2, and I made a joke about a misheard lyric in part of my large post. A few hours later, PCCP made the same joke its own post. I lost my temper and tried again to talk to people. No one was particularly willing, and I didn't think at that point that any of the examples I personally had the right to share with people, since I'd been asked to drop it by others, would convince anyone.

So, I blocked him outright. The only reason I hadn't before then was because I was still trying to keep track of when he did this shit to people, and like motherfucking clockwork I get a message alerting me that he was posting a Woe Is Me spiel about getting blocked. Also, he was apparently soliciting donations in exchange for fic. Which is, you know, bad.

You'll notice I'm still being vague about examples, because I was asked to leave people out of it. Repeatedly. So I am. If you want more, you'll have to hope other writers come forward.

And basically none of this matters compared to racefaking and tumorfaking, but maybe it gives you a picture of someone with no fucking respect for other people who is willing to manipulate them to avoid consequences.

[edwardteachswombtattoo]

So when we talk about Ed being infantilized, in a lot of ways it's functionally the same discussion we've been having about Ed being referred to as an "aggressive violent angry monster". The key takeaway from both discussions is that Ed is a complex nuanced character whose personality can be broken down and examined piece by piece. The show, as I've said before, doesn't hide its premise and characterization under ten layers of metaphor. If the show wanted us to see Ed as an irredeemable violent monster (for some reason???) the show would have simply given us at least one scene where Ed does something irredeemably violent against a character we're supposed to care about.

"But what about Izzy--" you start to protest. Yeah, what about Izzy? I think people who are deep into the Izzy fandom forget that the average viewer has either a negative or neutral reaction to Izzy. People watching the show for the first time without interacting in fandom spaces usually dislike Izzy immediately, find him mildly interesting but are more invested in what Stede/Ed have going on, or think of him as a somewhat entertaining antagonist and a little sorry for him in Season 2. I think people in fandom forget that 99% of people who know nothing about the show or the fandom itself are not developing an extreme fanatical obsession with this one character. And even people who are critically analyzing certain aspects of this show while viewing for the first time are usually not on Izzy's side. Sometimes when you're deeply entrenched in fandom shit you forget that the average new viewer is not treating Izzy like he's the best character in the show who can do no wrong.

Okay, I'm putting the rest of this under a Read More. Because this got super fucking long. I won't apologize because anybody whose been following me for a while must have realized this by now. Give me a platform and I will yammer.

Ed does not physically harm anyone other than Izzy....after Izzy yells at and threatens him. If the writers wanted to at least imply Ed was physically harming other members of the crew off-screen, they could have done that in a billion different ways. But we only see him threatening them with a gun, then later forcing them to kill him...which are pretty bad, but he never actually hurts them physically. Yeah, he waves a gun at them but he also sticks the gun under his own chin, so...???

We also have several scenes where the crew could mention off-hand that Ed has been hurting them. Surely if that was happening, they would want to talk about it when Ed isn't around! Instead some of them express concern for Ed (Fang's comment about how he's never seen Ed like this before, implying that Ed's behavior, especially having zero reaction to Ivan's death, is out of the ordinary) and also concern for Ed and Izzy's "unhealthy relationship" (again, none of the crew are expressing concern for what Ed is doing to them, they're just complaining about having to go on so many raids and throw away treasure). We can draw the obvious conclusion: the show does not want us to think Ed is being violent towards other members of the crew, only that he's cut off more of Izzy's toes. And as I said before, the average viewer isn't centering Izzy as the most important best guy in the show and Ed as some kind of evil monster for harming him. In other words, Ed's behavior towards Izzy is clearly not meant to be taken as an indicator for what he's doing to the rest of the crew. It's only Izzy, the guy who directly antagonized him.

And, just as a reminder, Ed finds out they've been hiding Izzy, that Frenchie didn't kill Izzy like Ed ordered him to and Ed does absolutely jack shit?? They ignored a direct order from their captain and nothing happens?? Ed doesn't even kill Izzy himself! He doesn't punish anyone for directly ignoring his orders! Again, this would have been a perfect chance for the writers to imply Ed was physically harming the crew in some way...but they didn't, so we have to assume he's not. It's not even implied Ed did this before his breakup era! It's apparently unusual (unusual enough for Fang to remark on it) for Ed to not care about Ivan's death!

Ed very rarely hurts people unless they deserve it. He doesn't even defend himself when the fisherman guy pushes him to the ground and yells at him! And even when they deserve it, sometimes he doesn't! He decided not to kill Ned Low and, as stated before, he didn't even defend himself against the fisherman! If the show wanted us to think Ed was an angry irrational monster, they had so many fucking chances to show that. So I think it's pretty fair to assume we are not supposed to think Ed is an irrational angry monster. Most of his anger is very rational, actually. Even when he has a big outburst (smashing the chair) it's calculated and he immediately removes himself from the situation to calm down. And when Stede talks to him a moment after? Ed is just pouty and rightfully angry, he's not violent or threatening.

The infantilization of Edward Teach, rather than running counter to this, often incorporates some aspects of it. Fanon of this kind often depicts Ed as a violent adult-sized toddler with emotional regulation issues who needs to be "managed" (often by Izzy or Stede, sometimes both) and attacks/kills the people he cares about at the slightest provocation. And even when Ed isn't depicted as a violent toddler in this kind of fanon, he is instead depicted as someone who can't take care of himself/basic tasks without a white man's help.

And I just wanna say, it's not inherently racist to depict a POC as an abuser or as an evil horrible person. That's literally fucking fine.

Spoilers for The Locked Tomb book series

I absolutely love The Locked Tomb, a book series filled with lots of deeply nuanced and complex characters, most of which are POC. And one of the central and most important characters in the series is an indigenous Maori man called John Gaius who literally killed billions of innocent people and has a problematic relationship with almost every other character he interacts with, mostly because of the whole "killing everybody on Earth and becoming God" thing. He's a very nuanced complex fucked up person with trauma and mommy issues and there's no way around that in the narrative.

Okay no more spoilers for The Locked Tomb

I'm mostly pulling this out as an example of like, yeah you can write characters (including indigenous Maori men) as being fucked up people who do fucked up things. It's literally fine.

But...that's not what's happening with Edward Teach in OFMD. You know all that stuff I just said about (REDACTED) from The Locked Tomb? Yeah, those are all things he canonically did. If you're writing fanon about a POC (especially if you're treating it as canon) and it runs completely counter to how they are depicted in canon and it's heavily centralized on racist stereotypes usually aimed at indigenous men....yeah, that's not just "having fun with fanon". I don't need to tell you guys why Twilight and its depiction of werewolves was problematic about Native Americans, do I? I don't need to explain to you guys how depicting indigenous men as angry violent murderers needing to be "controlled" by civilized white men is deeply fucking racist, do I? I don't need to explain that it's racist even if you're doing it in a work of fiction, right? I don't need to explain that constructing an entire fanon based partially or entirely around the concept of an indigenous man being a violent adult-sized toddler who abuses his white boyfriend especially when he's not depicted like that in canon is extremely fucking racist, right? Right? RIGHT?

For the record, I'm not saying you can't write fic or make art about Stede taking care of Ed. Write about Stede braiding Ed's hair and painting his nails and soft domming him into oblivion, I don't fucking care. But you can write fic about Stede braiding Ed's hair without implying/stating that Ed can't take care of himself. You can write fic where Stede comforts Ed after a long day without implying/stating Ed can't take care of himself. You can write fic/make art about Ed being a beautiful pampered princess without implying/stating he needs to be "managed". Why does it need to be "Ed can't do this for himself, he needs Stede and/or Izzy to do it for him?" as opposed to "Ed can do these things himself, he's just choosing to let Stede do them because he trusts and loves Stede so so so much?"

And yeah, let's be real here. There are people (including POC) who need/want to be taken care of or helped with basic tasks. There are high support needs and low functioning autistic people, for example, who happen to be POC and need that kind of help. But we all know that's not what fic writers and fan artists who depict Ed as some kind of helpless toddler have in mind.

[amuseoffyre]

Oh! OHHHHHHH! AN EPIPHANY.

We've known for months about the official logo for S2. The two mermaids symbolising Ed, their hands forming his name, one the Blackbeard side, the other the Ed-side with the broken heart.

But when I was watching the teaser for the [redacted] time, it was this shot that caught me and made me yell and remember things:

OKAY. SO.

Season one had Stede's journey echoed in the story of Pinocchio. He reads from the book, there's the journey from being a puppet (controlled by the world and circumstances around him) to being a real boy. There's a gorgeous parallel between little Stede tied to the rowboat in terror and adult Stede who has cut all his strings in another rowboat, free at last.

Season two is Ed's story. But Ed isn't Pinocchio. Ed is the little mermaid and aaaaaa! I am rolling around in all the layers and layers of it that have been set up from S1 already.

The biggest thing is Ed giving up his metaphorical voice and going on land for the man he loves. He signed the act of grace and gave up the world where he had security, power and allies. Only Stede didn't come with him and aaaaaah the tragedy of the original little mermaid story is that the Prince who the mermaid sacrificed everything for didn't want her.

(also so much subtext for Hans Christian Andersen's yearning)

And it hit me tonight that Ed is on wedding ships and I had somehow forgotten that the big final arc of the Little Mermaid is that she is on the wedding ship. The man she loves is there, marrying someone else, and she has the choice of killing him and rejoining the world she knows or dying herself and aaaaaaa. I AM HAVING THOUGHTS AND FEELINGS.

I will leave you with this quote, which seems incredibly relevant given the first lines in the teaser:

She knew this was the last evening she should ever see the prince for whom she had forsaken her kindred and her home. She had given up her beautiful voice and suffered unheard-of pain daily for him, while he knew nothing of it. This was the last evening that she should breathe the same air with him or gaze on the starry sky and the deep sea.

[ofmd-ann]

I was just watching David's video for Behind Our Flag on VOD

Some of my highlights ✨

- David is looking good! 😍 🔥

- He has Ricky noses in a framed box behind him (quotes might not be exact) Quotes ----------

“Pirates are macho, it was fun to look at something as an action genre, and not do that at all.”

“I'm flattered people feel that way. I'm in awe” (on the fandom reaction)

“They are pirates because whatever happened to them on land wasn't working. It's looking at a bunch of people who don't technically fit, and they are finding a way to fit. And make life fit them.”

“We knew we were making something special.”

“When the show came out it was crickets, and they didn't push it very hard.”

“The scene in the bathtub, that was a beautiful scene. We hadn't seen them play much together. Just watching them play off each other, and how beautiful the acting was.”

“I thought we are going to get 3 seasons. I bet we could do it, the fanbase is there.”

“Dangerous Dave, Salty Dan, something dumb. You don’t choose it someone has to give you your pirate name” (What would be your pirate moniker be?)

“Immediately.” (When did you decide they should kiss?)

“There was no resistance to the kiss from the network or Rhys and Taika.”

“There was a moment where they are at the lighthouse and they hold hands.”

“My favourite moment in the entire show is the you wear fine things well moment. There was so much beauty in the way they played it. Him taking the scarf out and putting it back in that's a kiss, its not a literal kiss, but its a kiss. And them looking back at each other and actually wanting to kiss and not doing it, that's a kiss.”

“I told Taika and Rhys about the kiss. Taika said ‘oh yeah okay.’ and Rhys says 'Which one kisses which?'”

“Rhys Darby is pound for pound one of my favourite actors.”

“They were nervous because its weird your kissing your friend of 20 years, and you're feeling things for this platonic friend of 20 years, and when you do this your body doesn't know its a play. You're falling in love with your mate, that's the job you're gonna do for 4 months”

“Cats are witches, they have knives in their feet.”

“They are amazing improvisers. Rhys can improvise and can bring it home in a way that very few people can.”

"It was 100 degrees and Taika's in that leather thing, and Rhys is dressed in all his stuff. They did 3 takes and Rhys did the thing and he was like "That's me". And it was like they're incredible, world class athletes. The 'this is happening' moment was scripted, Lucius witnessing these guys coming together and realising their falling in love." (on Blackbeards bar n grill scene)

"I think it just happened. It's definitely there. I don't think anyone was aware of it until people started noticing it. And then it was like oh yeah that makes a lot of sense. That was another nice coincidence." (was it intentional to have the characters display neurodivergent traits?)

“I'm working on something now that feels like the neurodivergent x-files.”

“It’s fun and its easier, trying to get everyone to do the same accent. When people don’t talk in their natural voices, you lose a lot of 'them'.” (On cast using their own accents)

"Blackbeard. In the first season i was imagining him as Sofia Coppolas Blackbeard. He's like lost in translation Blackbeard. He's famous and he's bitter and lost. And he's looking for something to believe in. He doesn't think he’s gonna find anything cool. And then the dorkiest, most amateurish manic pixie dream guy comes along. It's his amateur status that makes him fall in love with this man. Watching Blackbeard be seduced in the first season and tracking that and why it would happen, and why he would fall for this guy was the most fun for me." (Which character was the most fun to write for?)

"He'd want something badass. I think he'd do his favourite book something like that, but it would end up being really cool. You write him off, you make fun of him, he does something goofy and then he wins." (What would Stede's first tattoo be?)

"City mouse and country mouse go to a thing, and they invert. It's first time we see Blackbeard out of his depth. Where he's gotta go pretend to be a fancy man. I love that because Stede rescues him for the first time. He doesn't like that they hurt his friend. Rest of the series Stede is a fish out of water being a pirate, and to flip it and have him be in Stede's world. I love the idea of that and how it came together." (On The Best Revenge is Dressing Well)

“Blackbeard and Stede switching outfits, the innocent kinkiness of it.”

"Blackbeard went on a bender, everyone's unhappy. They are all eating cake and they all have PTSD" (What happened between season 1/2?)

“A third season would start in the Inn and you only live twice playing. Blackbeard's unfurling fabric/cloth, and the Inn is now a thing. We don't know how they got to this point. Life happened in between the seasons. The 3rd season that would be a longer time jump.”

“Whatever you guys think is as valid as I think.”

“It's a joy to have anything to do with this show.”

[marionthegeek]

Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

[lightbluetown]

i saw some people say ed and zheng are master strategists while stede is just some guy with ridiculous luck, but i think that's unfair. sure stede's ideas are insane, but they fit the looney tunes ass universe of ofmd perfectly. they're mostly well-thought-out, well-executed and they showcase stede's strengths and growth! so allow me to talk about them:

1- ghost of the forest - 1x02

a fuckery™ before stede even knows what a fuckery™ is! this is amateurish and stupid in every way. he's not even threatening izzy with a real dagger-- that's a letter opener. does izzy actually believe that stede has a huge crew hiding behind the bushes? doubt it! but this weird little act is enough to establish stede as a (ridiculous) pirate figure to the legendary izzy hands and to accomplish his goal of taking a hostage back

2- lighthouse - 1x04

imagine coming up with the exact same idea at the exact same time as the most brilliant tactician of the seven seas! we don't know who came up with which parts of the plan (honestly it was probably mostly ed) but this is still bloody impressive

3- stark revelations - 1x05

stede's first big success! he uses his knowledge of the aristocratic world to get a shipful of rich assholes to destroy each other, but he's also showcasing what sets him apart from them: this plan only comes to fruition because stede talks to frenchie, olu and abshir as equals. as people he can learn from, as sources of inspiration

4- duel with izzy - 1x06

this one was absolutely unhinged, but its success was far from dumb luck. only stede could think of using a brazillian cherry wood mast and ed's weird stabbing lesson to win a duel, and that's what makes this plan so undeniably stede and brilliant

5- faking his death - 1x10

i love that he just had to "die" in the most dramatic way possible. a heroic fight (tiger), a realistic accident (carriage) and the most cartoony death in the book (piano)... not only is his triple-death able to convince everyone in barbados that he's dead for good, it also allows him to have closure with his family. it's filled with stede's ridiculous unique flair, but it's designed to be a fuckery™ through and through. ed would be SO proud

6- stealing jackie's indigo dye - 2x01

quick little stealth mission. did ricky manipulate stede into trying this out? sure. did ricky also ruin it? absolutely. but it was working until then! the swede isn't part of stede's crew at this point, but his respect for stede is what gets him to cooperate and risk his relationship with his beautiful wife. also, it's thanks to his love for fine things that stede immediately recognizes the value of "blue dirt"

7- prison break - 2x03

in my eyes no scene depicts stede's growth better than this one. knocking zheng's entire crew out with tea is the most stede thing out there, and this plan uses the cherry wood mast as well! this plan relies on stede's (unrealistic) tea knowledge, overly-fancy ship and ability to coordinate his crew. what makes it breathtaking is that he secretly sets this plan into motion while actively mourning the "death" of the love of his life. he's putting his life on the line to rescue ed's "killers" because he's emotionally mature enough to look at things from their perspective and forgive them

8- inciting a mutiny - 2x06

yet another brilliant plan that could only be executed by stede. this entire episode revolves around his idea of "turning poison into positivity" and here he, well, fights poison with positivity. stede captains his pirates with respect and care (best he can) which just so happens to be the opposite of ned. he exploits this and gently gets ned's crew to turn on him. he singlehandedly saves himself and his entire crew from a notorious pirate! oh he also literally invents walking the plank right after this

9- "it's only suicide if we die" - 2x08

okay, yes, this one didn't go that well (sorry iz). but it's not like ed, zheng or anyone else had any other ideas! stede's weird suicide mission, for the most part, worked. they needed to get through british soldiers to reach their ship and they did exactly that. if only they'd remembered to check if ricky had his gun... oh well, you live and you learn

sure, ed and zheng are legends and stede is a silly newbie with wild luck. but he's also quick-witted, creative, confident and brave! he's a damn good captain and he deserves to be recognized as a good strategist!

[follows-the-bees]

The symbolism of light and lanterns (and lighthouses) has probably been talked about ad nauseam at this point (I know I've done tons of meta on it myself) but it still scratches at a part of my brain.

So I want to talk specifically about the use of candles in this show.

For the most part, lanterns are shown on the ship, held or sat near the crew (but that's another topic.) This is mainly for safety of course, you wouldn't want a particularly strong wave to rock the ship and knock over the open flame. (The Revenge already has a fireplace! Madness!)

Let's look at a few times on the ship where candles are used specifically with Stede.

Specifically during two of Ed and Stede's deepest moments: the bathtub scene and cocaptains.

During these two moments the lights are not just used as mere lighting but as symbolism.

In 1x6, during Ed's panic attack, he crawls into the tub and covers himself with Stede's robe. The low lighting of the candles gives the scene an air of intimacy. When Stede first joins Ed in the tub, the two of them are shown in separate mirrors and two candles are present, which both physically symbolize where they are at the moment. Two mirrors, two candles.

But then the cinematography changes after Ed tells his darkest secret, Stede accepts it no questions, no judgement, and then declares that he is Ed's friend. They are now closer to becoming one: a unit, they are friends. And to symbolize that physically they are both shown in the same mirror. The blocking has Stede in front of the second candle, cause just like the mirror, only one candle is needed. This is a positive use of candles and lighting used as hope and love.

Next up is the cocaptains scene. There is one bright candle in front of them, like a beacon that casts light on both of their faces. In the background the two round lights that touch each other, two becoming one: Cocaptains.

The last positive use of the candle is the one in the background during the "I love everything about you" scene. I've written an entire analysis of the movement and meaning of that candle and scene.

The progression of the candle getting closer to Ed the more Stede talks during this scene gets me every time. It starts behind Stede, only shining on him, then moves between them: they are sharing the hope and love, and then next to and touching Ed. Stede's love, hope, and light shines symbolically through and onto Ed, while Ed opens up, looking at Stede, and taking the words to heart, letting the light soak in.

Now let's move on to the other times Stede is shown with a candle.

The only other time we see candles really used on the ship is during a meal. In the pilot, they cover the table when the British Navy is there. Stede and the rest of the crew are forced to perform during this part (it's wonderful in episode six that their performance switches to who they want to play, basically putting on a scary play for another ship.) candles on the table with the British and some of the crew, lanterns with the rest of the crew in the background.

This is not a positive moment like the previous instances, instead it is during moments of repression and hiding ones true self.

Speaking of that...the rest of the time candles are used with Stede during his time at home.

A candelabra sits behind Stede as he presents Mary with the model of the ship. The ship was built as an escape, Stede's last attempt to make the life that was killing him work. The hope of a different future behind him as Mary (rightfully) chastises him about the ship.

The narrative shows us that Mary and Stede do not have a happy marriage. They circle each other, which leaves them living together but not being together. We see this in the blocking of the shot in bed, Mary lays flat on her back, hands on her lap while Stede lays on his side, facing away from Mary and hugging himself. A single candle shines on Stede's side, that hope (aka the Revenge) off in the distance. Mary's side is dark, she didn't know about the plan, currently doesn't have that hope.

When Stede returns back to Bridgetown, candles are used to shine the light onto the situation: Stede no longer (did he ever?) fits into this life.

The candlelight illuminates the darkness — the space he once existed as the patriarch of the family now painted over by black paint. (What I love about this is Mary is a painter, the subtext of that she is the one who painted him out, taking control of her own narrative, just like Stede leaving was him taking control of his.)

Not only are there tons of candles around him, but one particularly one he holds up that both shines on the void and his current face, it is literally illuminating the knowledge of the situation with light. (Like the classic lightbulb lighting up moment.)

Next, Stede carries around a candle on a single holder. He holds it up in front of his face, once again illuminating the knowledge of Mary moving on.

Both of these moments offer a literal sense of Stede realizing that he does not fit in the old life anymore. But it also shows how both Mary and Stede have moved on, have embraced their true selves and are now happy in this new life.

Mary and Stede talk to each other, truly talk to each other for the first time. There are no more hard feelings, but rather an understanding of each other that comes from finally understanding and embracing their own selves.

As Stede sits in his old seat candles surround him. We saw in an earlier scene that his family sat at the other end of the table, but this time he places the petrified orange at that end. This symbolism of Ed sits directly next to Ed that symbol of hope and light in Stede's life. All the other candles behind him show Stede hope on the back burner at the moment, that lone beacon of hope.

Overall, candles are used as a representation of hope and enlightenment for Stede. When the candles are behind him is when Stede's hope is at his lowest. But once Ed and Stede are together, have found each other from the dark, candles reflect that hope and light the one brings to the other.

[hexcrystals]

republic of pirates dashboard simulator part 2

thanks to @sherlockig for the screencaps 💕

part 1

⚓️pirate-tats-tournament

and the winner is...

BLACKBEARD'S SNAKE TATTOO with 78.6% of the vote

thanks for voting!

#pirate tattoo tournament #poll result #next time i'm gonna seed it properly so we don't end up with the final 8 tattoos all being on the same guy smh

1,520 notes

🐶saltyseadog

hi everyone i'm fang/kevin and my pronouns are he/him 🥰 looking for more people to follow so like or reblog if you post about:

cute dogs

goats

leather

piracy

art

fishing

stories about demon boys

3 notes

🍖knivesareknives

#if you picked 2 or more let's be friends

29 notes

🌊keeptheseaclean Follow

friends don't let friends throw rubbish into the sea. THINK before you THROW

🎣managainstbeast

can everyone report this account for harassment please. i know the guy in the photo and he is lovely and has really nice hair and he hasn't given his permission for this image to be used.

#posts from the fishing boat #also one man's foul projectile is another man's lovely letter. just saying. broaden your horizons #there's only one thoughtless dipshit here and it isn't stede

448 notes

🦈sharkinfested

who the fuck is 'anti ship'. i didn't even know that was a thing. this website is something else

🌴palmtreeappreciationclub Follow

people who don't support incest. it's that simple

🦈sharkinfested

that doesn't make any sense. i literally live on the same island as every generation of my family. if i was against ships i'd have a much harder time finding someone to fuck who isn't related to me

#how am i supposed to get anywhere else without a ship? fucking swim?? i don't think so #but sure keep virtue signalling i guess #💿🐴

801 notes

🔪notafuckingmermaid

reblog this if you ARE POLYAMOROUS, SUPPORT POLYAMOROUS PEOPLE, or ARE CURRENTLY COVERED IN THE BLOOD OF YOUR ENEMIES 🩸

#3/3 😌

11,873 notes

🕊️see-which-sea-witch Follow

To love the sea as she must be loved requires change.

🌊keeptheseaclean Follow

to love the sea as she must be loved requires NO MORE THROWING RUBBISH INTO HER

🐙krakenmyjoints

bro you're literally replying to a bird

2,432 notes

🐳calicojackwhippedmyballs

you'll see a post that's like 'HRRRHRNESDGJNKDFG I NEEEEED HIM I NEED HIM SO BADLY HE'S SOOOOOOOOO HE'S HGURIESGHDKLJG' and then it'll be a picture of the soggiest white guy you've ever seen

7,230 notes

⛵️gentlemanprivates

hrresrgjerskdghklgjfdgdkl i need to get him PREGNANT he's EVERYTHING he's SOO ASDJHGKLFJSDG

359 notes

[saltpepperbeard]

so, hastiness of the sex and the literal and figurative distance that follows aside, something was really bugging me about the morning after. i couldn’t put my finger on it for a while, but now that i’ve sat with things, i think it’s finally clicked in my head:

stede’s reactions to ed’s sweetness. or lack thereof, really.

because goodness, they just slept together. they just bared body and soul to each other. they just survived a dangerous situation and made it to see the sun rise once again. they’ve been through so much, and faced so much adversity.

and despite all they’ve been through, ed is kind. ed is thoughtful, and soft, and sweet. he brings stede breakfast in bed. he tries to make it as pretty as he can. and then weaves beautiful gratitude and admiration in the form of his goldfish tale.

something that should make anyone sigh with fondness, really. something that make eyes flutter with hearts to match.

…and yet.

and yet stede reacts almost…casually to it all. not glittery how he was at the end of episode 5, for example—so warm and so bright and so very clearly in love. it all felt a bit more…stunted? reserved? unnecessarily curt?

and upon sitting with it as i said, i have two lines of thought, two theories.

one, it’s a sort of look into the heightening poison in his system, the good ol’ villain that is toxic masculinity. he feels the need to perform around ed, to be a man worthy of his love. he feels the need to be more than just “adequate,” more than just an “amateur.” and so he feels the need to be more masculine as a result. he’s not quite at his peak of course, not quite in the absolute thick of it—he still has moments closer to himself throughout the day. but the more poisonous seeds have been planted.

and what does that sort of masculinity often lead to? reserved emotions. stunted reactions. you’re not allowed to show vulnerability, or softness, or anything of the sort; you’re expected to be just a wall of strength and flat composure.

which, also, would align with the show: ed actively tries to combat that mentality in the morning. he straight up tells stede that the man who saved him was a fantastic, orange, sparkly mermaid. not some swashbuckling hero. not some colder, mysterious, more reserved man. but a beautiful, soft, dazzling goldfish.

and stede sort of just shrugs it off—turns it into a “well i hope we’ll both get through the violence” as opposed to realizing that ed is complimenting his true character.

but that brings me to my second theory: maybe stede reacts the way he does simply because…he’s never been loved like that before. he doesn’t know what to do with it. he’s never been brought breakfast in bed before, and now there ed goes doing so for him.

he seems to be fine when he's the one in the driver's seat. like, he's very romantic when he's dealing out the romance. but the second it's turned back on him, he can't seem to conceptualize it, even when it's coming from a man he knows he's in love with. like, ed complimenting his shirt led to a more incredulous reaction. ed saying that stede wears fine things well also led to a more incredulous reaction. and like...

"then you shaved your beard off...for me?"

he just can't grasp it. he can't grasp something so new and foreign to him quite yet. and it's of course also wrapped up in a lot of self-worth issues, because how can anyone love him when he really doesn't love himself (which i think is also the same for ed. help them. HELP THEM)

you just...can't catch a fish unless the fish wants to be caught.

[fuckyeahisawthat]

So, this is shot in a mirror, right? Specifically, this mirror--

--although they might have cheated the angle to get the kiss shot.

It goes by super fast, but you can see a bit of the gold frame, out of focus on the right edge of the screen:

Cool trick! But why?

I think there's a few things this shot achieves.

One, it creates the sense that something is just slightly off. Even if we don't clock that this is a mirror shot (it took me a bunch of watches to figure out that was what was going on) your brain is going to register the flipped image as slightly not what you expected. The screen direction of their movement is wrong--in the shot where Stede pulls Ed into the room, they're moving from screen right to screen left, so we expect them to continue that motion, but because we're seeing it in a mirror they're now moving screen left to screen right. All this adds up to make the moment seem slightly off-kilter. It's a bit of visual foreshadowing: while this is a passionate, intimate moment that they both want, Stede and Ed are not on the same page, and that becomes an issue in the next episode.

Two, a visual trick like this often has the effect of calling attention to our position as the audience. It can create a slightly voyeuristic effect that reminds us that we are outside viewers, looking in on the narrative the characters are experiencing.

I think this shot has much the same effect:

It's an unexpected framing choice that makes us feel like we are catching a glimpse of something not set up for the audience to see, lit only incidentally by the fireworks, and it ends with Stede literally drawing the curtain between the characters and the audience.

There's another notable place where a mirror shot is used in the show, and it's here:

I don't think this is a coincidence (and not just because both episodes were directed by Fernando Frias). This is a very intimate scene between Ed and Stede--maybe more intimate than their actual kiss later in the season. And while it's mostly shot in a fairly conventional manner, this shot almost makes it feel like we're spying on them while they have a very vulnerable conversation.

There are TONS of parallels between 1.06 and 2.06, which I may make a separate post about, but this one is a particularly striking visual callback. In both cases, the effect is to make us feel like we are peeking in on a private moment between the characters that is not set up for our consumption.

[ourflagmeansgayrights]

so part of me wants to blame this entirely on wbd, right? bloys said he was cool with the show getting shopped around, so assuming he was telling the truth (not that im abt to start blindly trusting anything a CEO says lol), that means it’s not an hbo problem. and we already know wbd has an awful track record with refusing to sell their properties—altho unlike coyote v acme, s3 of ofmd isn’t a completed work and therefore there isn’t the same tax writeoff incentive to bury the thing. i just can’t see any reason to hold on to ofmd except for worrying about image, bc it would be embarrassing if they let this show go with such a devoted fanbase and recognizable celebrities and it went somewhere else and did really well (which it would undoubtedly do really well, we’ve long since proven that). it feels kinda tinfoil hat of me to making assumptions abt what’s going on in wbd behind the scenes, but i also feel like there are hints that i’m onto something w my suspicions: suddenly cracking down on fan merch on etsy doesn’t seem like something a studio looking to sell their property would bother with, and we know someone was paying to track the viewing stats on ofmd’s bbc airing, which isn’t finished yet, so i’d expect whoever is monitoring that to not make a decision abt buying ofmd until the s2 finale dropped.

but also i think part of me just wants there to be a clear villain in the situation. it’s kinda comforting to have a face to blame, a clear target to shake my fist at. but the truth is that the entire streaming industry is in the shitter. streaming is not pulling in the kind of profit that investors were promised, and we’re seeing the bubble that was propped up w investor money finally start to pop. studios aren’t leaving much room in their budgets for acquiring new properties, and they’re whittling down what they already have. especially w the strikes last year, they’re all penny pinching like hell. and that’s much a much harder thing to rage against than just one studio or one CEO being shitty. that’s disheartening in a way that’s much bigger and more frightening than if there was just one guy to blame.

my guess is that the truth of the situation is probably somewhere in the middle. wbd is following the same shitty pattern they’ve been following since the merger, and it’s just a hard time for anyone trying to get their story picked up by any studio. ofmd is just one of many shows that are unlucky enough to exist at this very unstable time for the tv/streaming industry.

when i think abt it that way, tho, i’m struck by how lucky we are that ofmd even got to exist at all. if the wbd merger had happened a year earlier, or if djenks and tw tried to pitch this show a year later, there’s no way this show would’ve been made. s1 was given the runtime and the creative freedom needed to tell the story the way the showrunners wanted to, and the final product benefited from it so much that it became a huge hit from sheer gay word of mouth. and for all the imperfections with s2—the shorter episode order, the hard 30 minute per episode limit, the last-minute script changes, the finale a butchered mess of the intended creative vision—the team behind ofmd managed to tell a beautiful story despite the uphill battle they undoubtedly were up against. they ended the season with the main characters in a happy place. ed and stede are together, and our last shot of ed isn’t of him sobbing uncontrollably (like i rlly can’t stress enough how much i would have never been able to acknowledge the existence of this show again if s1 was all we got)

like. y’all. we were this close to a world where ofmd never got to exist. for me, at least, the pain of an undue cancellation is worth getting to have this story at all. so rather than taking my comfort in the form of righteous anger at david zaslav or at wbd or at the entire streaming industry as a whole, i’m trying to focus on how lucky i am to get to have the show in the first place.

bc really, even as i’m reeling in grief to know this is the end of the road for ofmd, a part of me still can’t quite wrap my head around that this show is real. a queer romcom about middle-aged men, a rejection of washboard abs and facetuned beauty standards, a masterful deconstruction and criticism of toxic masculinity, well-written female characters who get to shine despite being in a show that is primarily about manhood and masculinity, diverse characters whose stories never center around oppression and bigotry, a casually nonbinary character, violent revenge fantasies against oppressors that are cathartic but at the same time are not what brings the characters healing and joy, a queer found family, a strong theme of anti colonialism throughout the entire show. a diverse writers room that got to use their perspectives and experiences to inform the story. the fact that above all else, this show is about the love story between ed and stede, which means the character arcs, the thoughts, the feelings, the motivations, the backstories, and everything else that make up the characters of ed and stede are given the most focus and the most care.

bc there rlly aren’t a lot of shows where a character like stede—a flamboyant and overtly gay middle-aged man who abandoned his family to live his life authentically—gets to be the main character of a romcom, gets to be the hero who the show is rooting for.

and god, there definitely aren’t a lot of shows where a character like ed—a queer indigenous man who is famous, successful, hyper-competent, who feels trapped by rigid standards of toxic hypermasculinity, who yearns for softness and gentleness and genuine interpersonal connection and vulnerability, whose mental health struggles and suicidal intentions are given such a huge degree of attention and delicate care in their depiction, who messes up and hurts people when he’s in pain but who the show is still endlessly sympathetic towards—gets to exist at all, much less as the romantic lead and the second protagonist of the show.

so fuck the studios, fuck capitalism, fuck everything that brought the show to an end before the story was told all the way through. because the forces that are keeping s3 from being made are the same forces that would’ve seen the entire show canceled before it even began. s3 is canceled, and s2 suffered from studio meddling, but we still won. we got to have this show. we got to have these characters. there’s been so much working against this show from the very beginning but here we are, two years later, lives changed bc despite all odds, ofmd exists. they can’t take that away from us. they can’t make us stop talking abt or stop caring abt this show. i’m gonna be a fan of this show til the day i die, and the studios hate that. they hate that we care about things that don’t fit into their business strategy, they hate that not everyone will blindly consume endless IP reboots and spin-offs and cheap reality tv.

anyway i dont rlly have a neat way to end this post. sorta just rambling abt my feelings. idk, i know this sucks but im not rlly feeling like wallowing in it. i think my gratitude for the show is outweighing my grief and anger, at least for right now. most important thing tho is im not going anywhere. and my love for this show is certainly not fucking going anywhere.

[amuseoffyre]

Fyre's convention adventures - Day 1

I've never done a con before, but for the chance to meet 5 of the folk from my favourite little pirate show, of course I was going to break that streak. Especially since it was a convention entirely focused on them and the show.

And since this is liable to get long, lemme put a lil snip

Since it was a hotel con and only focused on the one show, it was a lot smaller and more intimate than the more intimidating scale (to me) of Comiccons and things like that. Plus loads of people I knew already from fan meet-ups and things were going, which made it sound a lot more fun.

It was also the time for the wider OFMD fan community to meet the OFMD muppets :D My priority was to take down all of the characters of the cast who would be attending, so 5 in all: my latest Stede, Izzy, a new Calypso, Lucius and Jim. And two extras on commission - a second Stede and a full-body Ed in his Penitence Onesie. Seven in all 😅

I had three of them shipped down special delivery and the other four filled my case. Thank goodness for a generous hand-luggage allowance is all I can say. It also turned out to be the best decision of my life to bring them because they cause chaotic joy all over the place.

Did a bunch of mingling and scheming (more details on the Elusive Birthday Scroll later) and then the opening night and got to say it never stops being surreal seeing people off the telly in the same room as you.

Since I was treating myself to the gold ticket, I got to go along to the fanmeet which is basically a group of 8 at a table get a few minutes with each of the guests, speed-dating style (we also did chair rotation so everyone got a chance to sit beside the guests). Since we had enough muppets for nearly everyone, lo, we had them arrayed around the table on peoples' laps :)

I'm gonna do a brief summary of each, pulling in from my notes made the morning after as well.

First up was Vico when I was sitting by the guest seat and I got exactly the "OMG!" reaction I had hoped for when they saw the puppets❤️ Turns out they're super into puppetry (as is their partner) and have been incorporating it into their drag routines and have been planning to do a lot more with it with mention of an N'Sync style puppet routine for themself as well.

They also talked about an actor they've been compared to for years - Roberta Colindrez - and that they have recently done some work together and it made Vico realise that they are the muppet version of Colindrez in human form XD They are so animated as well, all hands all moving all the time :D I also said if I could arrange it, I'd try and get the puppet to them if they wanted it (Con rules are that you can't hand gifts directly to guests)

Nathan was second and went "ooooh those are all so creepy... except that one. He's gorgeous" about the Lucius puppet :D He chatted a bit about the show and adamantly insisted that he is a professional actor no matter what the sandwich to the head scene tells you.

Kristian was our third and for the first time in my life, someone recognised my accent as Scottish 🥹 Turns out we both have family from similar parts over here :D We had a nice chat about the places people were all from around the table.

And, of course, he got to see and hold Calypso :) Unlike all my other muppets, I redesigned her specifically for him. My usual design, the neck would be too small, so instead, I left the back of her head open and scaled up the body with a flat base.Course, he didn't know this and went a-seeking the hole 🤣 I explained she'd been redesigned and he had a chuckle about the fact "I went straight under the skirt there" :D "She's got better make-up than me" as well :D

And when I told him she was for him, his eyes went as big as Puss in Boots. And of course, then started pondering what would happen if he crossed her with his furry Calypso muppet and what kind of babies they would have. Probably furry XD

Next up was Con and with the most perfect timing, he arrived at the table just as one of our gang was shoving their hand right up the Izzy muppet 🤣 "Blooooody hell," says he and just has a good look around at all the mups. Asks who made them and all fingers point my way and he was out of his chair in an instant and around the table to give me the biggest hug and tell me "these are genius".

There may have been a bit of blue-screening in that moment and mental declarations of fealty.

I don't even remember how he ended up holding the Izzy muppet (or why he ended up giving it a snog 🤣), but he happily cradled it for the rest of the chat and looked very thrilled when I said that he could have it after the con if he wanted. Topic moved on and led to discussions of the boyfriend of one of the attendees, who made an... impression on him. Relating to size. And proportion. And how bits... fit 🤣

When asked about cars, he said he likes something sturdy and reliable and a bit like him and someone said, "what? A mini?" XD He also would like to go back to theatre, but says it would absolutely have to be the right piece. There have been discussions but they fell through, and he's off back to America to do some filming this week.

And lastly, with me back in the guest-neighbour-seat, it was our captain, who is very excited about getting back on the road with his stand-up tour and has lots of other bits of work coming his way.

He also talked about the fact that OFMD isn't going anywhere. He compared it to shows like Fawlty Towers, where there's the kind of humour and character stuff in there that was good and funny and loved for years, despite not running long at all.

The Star Trek stuff wot he can't talk about has him all excited but he would also love to do Doctor Who, ideally as some kind of helpful alien, though he wouldn't mind playing a bad guy.

He'd also like to do Star Wars at some point, but after they've stopped doing this oversaturation stuff, because there is so much of it all pouring out all of the time and they've lost sight of the heart of it. He loved Rogue One, though, so more like that :)

They were all so lovely and attentive and enthusiastic and it genuinely did just feel like sitting down for a chat with a bunch of friends. And so. frigging. funny in such different and fantastic ways :D It was definitely a great start to the weekend and it only escalated from there :)

There was some music and discoing, but after early travel and much dashing about, honk-shu time was calling and day one of the Fyre's first con experience was done :)

[iamadequate1717]

Stede's Strange Day

I want to talk about Stede Bonnet's very strange day. Let's look at the progression of just what Stede sees.

He spends the night with his boyfriend for the first time, and his boyfriend brings him breakfast in bed like Doug did for Mary. They talk about their reunion. Stede is very happy right now!

His boyfriend tells him that he envisioned him as a beautiful merperson and that he thinks he saved his life.

They get dressed, and they go out on a breakfast date on the town. Stede tells Ed about the letters he wrote, and Ed loved that!

Stede then discovers he has a fanclub! Ed laughs and is happy for him! They're going to go down to Jackie's so Stede can enjoy this some more!

Ed throws in some light banter/teasing about this turn of events, and Stede literally squeals before they run off giggling together.

They get to Jackie's, and Ed continues to encourage Stede!

Ed leaves him to it! "Enjoy the night" are his parting words.

So Stede enjoys the night!

He's being accepted! And he still talks about his boyfriend while being fawned over!

Everyone tells him he's awesome! He offs an assassin while saying something cool! No one is making fun of him!

After a bit, he goes to find Ed to share in his fun! He's had a great day.

Only, he's immediately met with this with no context: Ed regrets being with him! Ed is leaving immediately!

Remember: Ed's last words to him were "Enjoy the night!" This is complete emotional whiplash. Stede knows right away what the problem is, but Ed shuts it down.

Ed wants to be a fisherman! A proclamation completely out of the blue! Stede tries to talk him down. That fish wasn't so awesome that it should completely change Ed's life trajectory, casting Stede out of the way.

Ed disagrees and abandons Stede with no real explanation or listening to what Stede was trying to say, which isn't a great move for a healthy relationship.

Basically, Stede spent a few hours (only a few hours!) enjoying himself (in a manner that Ed encouraged him to!). He did nothing awful (because murder is cool in this show), and was a lot tamer than what Ed and company were doing in 1x8 (turtle vs crab is mean!).

I'm going to go more into Stede defense in another post. "Last night was a mistake" is an egregious phrasing to use with the man you love who has self esteem and trauma issues (we know what he means but it can be interpreted much worse), but Stede took it in stride. But for some reason people act like Stede committed war crimes with the fish comment? Ed sharing his day and Ed excising himself from Stede's life are different contexts and the fish is viewed differently in each lens. It was an OK fish, and Stede did nothing wrong. Stede is right that Ed is a coward, and I don't think Stede saying a few slightly harsh things in the heat of the moment when being blindsided like this is a character flaw.

Ed behaved appallingly in shutting down the conversation and refusing to even give context to what was going on. With 1x9&10 and Stede deciding Ed was better off without him, I saw plenty of comments about how Stede couldn't make a major life decision for Ed like that. With this, Ed has made a major life decision for Stede (I'm going to dump him and remove myself before he can choose piracy over me!), but I have yet to see the same comments, and I know exactly why that is.

...

More Stede defense!:

[butch-pyrate]

I've noticed that a lot of folks think, "Izzy thought Stede and Edward were fucking on the deck" during the "run me through" scene.

Which isn't something I even considered until I saw people talking about it, as if that was what had happened.

I don't think Izzy would have been nearly as upset (or to be exact, the type of upset that he was - scared, confused, horrified, crying and then storming off) if he had seen them fucking. I think we would have got a reaction similar to the ones where he walked in on Lucius and Pete/Fang (frustrated, annoyed, confused, pissed off and vocal about it).

Izzy is a queer codded "villain" in a gay rom/com. He's not functioning on the same rules as eveyone else, becouse he's playing a different genre.

In Izzy's genre/world, sex isn't an ultimate expression of romance - violence is.

Homoerotic sword stabbing is a part of his world, not Bonnet's. Edward is sharing something far more intimate than an orgasm with Stede, he's sharing his mortality with him, his blood, his life. Stede is incapable of understanding this action, in fact he's disturbed and unsettled by it. In Stede's world there isn't anything romantic or sexual about impaling another man with a sword, becouse in Stede's world/genre, he can kiss Edward softly and (at least make plans to) run away with him to live happily ever after.

However, for Izzy - Violence is Love. Being pinned to a wall and choked is beautiful, having your toe cut off and forcibly autocannablized is euphoric. Of course, these things are also traumatizing, becouse love for the Hays Code queer is traumatizing.

So, I don't think Izzy thought Stede and Ed were having sex. I think he was aware that Ed was being stabbed, which for Israel Hands, is a form of intimacy far more meaningful and he was emotionally devastated by this, to the point of crying becouse he felt betrayed. Violence (and specificly homoerotic violence) is supposed to be his thing, their thing, a part of Blackbeard's world, that Bonnet isn't supposed to be privy to.