#incredibl
Explore tagged Tumblr posts
Text

This is it. My only contribution to Keferon's spellbound au.
#not true I have to actually draw something for it because it is INCREDIBL.#IVE BEEN OBSESSED W IT SO BAD#art#my art#transformers#maccadams#macaddams#maccaddam#I DONT KNOW HOW TO SPELL MACADAMS#spellbound au#shockblurr#shockwave#blurr#GO CHECK IT OUT P L E A S E
378 notes
·
View notes
Note
Hiii Gunner I drew you- Hope you like it! ^^
- Drac
"UHMMM UHHH WHUH??? WHAT??? WH- WAWAWAT IS THAT ME?!
Sniff I look so handsome that I'd kiss myself!!!"
+ BY THE WAY!!!! I LOVE HOW U GOT EVERY DETAIL FROM HIM RIGHT, Specially those little off details that'd u would only know if u got to at least see him some time. It's really so pretty, I aprecciate how much efford u putted on it!!!
#sprunki#sprunki incredibox#sprunki tunner#sprunki fanart#sprunki au#sprunki gunner tunner#THANKS#ALOT#YIIIIPEEEE#this is like the 3rd fanart#of him#THIS IS SO INCREDIBL#INCREDIBLE#WAAAAAAAAAAAAA
99 notes
·
View notes
Note
The most employed Lannister ever was Tyland, the rest took a look at him and were like "Nah, I ain't doing all that." until one day Tywin was like "Hey, I'm gonna do that, but completely wrong."
the world told him “being born 5 minutes later than your brother means you inherit nothing and must get a job to be worth more than dirt” and he simply got an economics degree public policy minor and took his ass to work. no cognitive dissonance no second son agony no compensatory hyperambition just. happy little bureaucrat employeemaxxing. no one in westeros has achieved this before or since
490 notes
·
View notes
Text
I’m nasty, but I’m also incredibly shy girl
29 notes
·
View notes
Text
Real talk, I hope Nic and Luke are ok.. only just saw how much Netflix and Bridgerton socials are being flooded with complaints. Yes I have my opinions, but they did incredibly with what they were given.
#tbh no ones blaming them - more the showrunner#which i hope isnt reading this stuff too - its too much - she is human#the petitions are doing crazy numbers too#im so upset this is the outcome of the totalled season#part 1 was incredibl#then maybe the pr between both parts created hype that was never gonna be matched#i know nicolas online a lot - i hope she just moves on#this isnt on her#but yes - the show has been messed with from all sides#i fear the show won't survive as long as I'd hoped if things don't change#polin#bridgerton#nicola coughlan#luke newton#lukola
101 notes
·
View notes
Text
one day you will REALxEYEZ that Life Is Showtime and then? heh. Anything Goes!....
85 notes
·
View notes
Text
listening to the tua soundtrack and god seasons 1 and 2 were so fucking good what happened man. what fucking happened
#tua#season 1 was just incrediblle 10/10 fantastic#season 2 was more lighthearted took itself a little less seriously but that was kinda welcome after the angst of season 1#and then it all fell apart... s3 was like not awful but very messy and like nowhere near the quality of 1 and 2. i blamed covid at the time#(the only reason they made the hotel plot was because of covid; the wanted to be able to film it all in one building with a small cast)#but then s4 happened and it was even worse#so idfk man
10 notes
·
View notes
Text
i feel sick
#interacted w my crush. told her her hairs pretty and agreed w her when she said she thinks she’d look good w auburn hair#i feel like i’m being incredibl obvious and anhhhhh#just jupiter#screaminf sobbing crying etc
2 notes
·
View notes
Text
back from jerking off 10 times and spending too much money
#lagopostic 🐇#unfortunately aliexpress treats have an iron grip on me#but i did need some stuff like organizers and keychain making supplies#i got a nice big organizer off amazon and the keychain stuff#and then i got like. a shirt. pretty pens. stickers. vibrators & a plug. charms. ball jointed doll leggings. chokers. necklace making chord#and a satin bonnet for sleeping with (keep being recommended to sleep w one especially with my thick curly hair that gets tangled incredibl#easily)#all for $50 and i got a few charms and stickers hoho#well the aliexpress stuff not the amazon
4 notes
·
View notes
Note
we all recall the car conversation where nick asked about top and boston proceeded to project like his life depended on it, right?
anyways, i think it would be hysterical if boston's fixation on "mew's not a virgin, him and ray slept together" is also projection. someone lost their virginity to ray and it wasn't mew. (reasonably, boston is so fixated on it because of mew's weird little moral superiority thing regarding boston sleeping around, but this would be so much funnier. bonus points for ray being completely unaware)
i saw someone else say this and i just think that’d be endlessly funny tbh. boston the slut losing his virginity to ray and then being unable to be Normal about him ever again. give it me now jojo
#whatever way bostonray happened it will be hilarious and incredibl#only friends#ofts#bostonray#asks#nonnies
15 notes
·
View notes
Text
writing the best media analysis of my fucking life about this stupid medical malpractice show and literally no one cares or is reading it lmao who would have thought
#yeah some of my txf stuff is good too but it took me so much longer to really get to the heart of the Themes and Implications i think#this stuff is just so blatant from the very beginning but not in your face about it and just ambiguous enough for it to work it's incredibl#also maybe it's easier to write about fucked up relationships than two people who love each other v much but just can't admit it lmao#house md
6 notes
·
View notes
Text
SO UR TELLING ME THAT AZIRAPHALE AND CROWLEY. These beings that possess unlimited and infinite power. who speak unintelligible angelic tongues and have lived for an amount of time that we cant begin to understand and that have infinite MINDS that can carry tons of memories and knowledge and information without breaking a sweat. choose this earth as their home because of its charm and the people and because the human world never fails to SURPRISE THEM ! surprise them!!!! surprise hardly comes naturally to these all knowing beings but suddenly here comes the blessed earth and all of its wonder and mystery and the blessed humans who are completely unpredictable in their emotion and in their minds.. minds who are vastly smaller than the minds of angels and demons, but still manage to think of things ethereal beings hadn't before .. and they keep growing and changing, something angels and demons are incapable of doing!!! they are capable of confusing demons and angels and causing them to feel wonder and bewilderment and amusement … and theyre just watching us dither about across many millennia in awe. and sometimes disgust which is equally as marvelous they r just infinitely intrigued by humans!! its amazing how amazed these creatures can be at the thought of the amazing people of the amazing planet earth..
#good omens#go2#aziraphale#crowley#aziracrow#ineffable husbands#or maybe they are just as simple as humans and just really enjoy a glass of red wine or the velvet underground.. either option is incredibl
12 notes
·
View notes
Text
have you killed yourself. will you kill yourself when wil you kill yourself
#this post dedicated to rhe girl on the serving staff who referred to the liberty lane (memory care) patients as 'a bunch of fucking rworded#dementia idiots' bc one of them asked if they could have cheerios instead of frootloops. and also said that liberty patients are#'too rworded to be able to tell the difference (between cheerios and frootloops)'#like go fucking worj at mcdonalds. same job. why are you working in the fucking senior home if you hate elderly ppl. specifically Incredibl#y vulnerable elder ppl.#especialy bc TWO of our liberty lane patients passed away over the weekend its like. you are going to hell when you die and brother? im#gonna walk you there 👍
4 notes
·
View notes
Text
thinking about 'is jungleboots okay' anonymous on this day...
4 notes
·
View notes
Text
I do seriously believe my body was designed especially to never have sex
#my skin is sooo sensitive shaving is like#absolutely terrible#no matter how many lotions creams aftershaves etc I use#also I bruise incredibl easily#and I am extremely ticklish on the chest
4 notes
·
View notes
Text
I’m actually so in love with this. Going utterly insane by this, actually.
This post translates directly to @musas-sideblog's about how Touchstarved ties with Victorian horror and implicit/metaphorical sex, and I couldn’t stop thinking about it, so here is a lengthy theory. Enjoy :)
Note 1: Victorian era authors used an unholy amount of ways to imply sexual feelings/acts etc, so I here I will include only the ones that are of interest. Note 2: I've highlighted the "most important" parts. Note 3: I'm not an expert at this, so please bear with me and feel free to correct me. Note 4: Do I need to add a TW? I think it's obvious-
Overview: What is Victorian Horror?
Victorian horror refers to the genre of horror literature, art, and culture that flourished during the Victorian era, roughly from the mid-19th century to the early 20th century, coinciding with Queen Victoria's reign from 1837 to 1901. This period was marked by a fascination with the macabre, the supernatural, and the dark aspects of human nature, reflecting the anxieties and societal changes of the time.
Key Themes and Characteristics
Supernatural Elements:
Ghosts and Spirits: Tales of haunted houses and spectral apparitions were central to Victorian horror. Charles Dickens's "A Christmas Carol" (1843) and Henry James's "The Turn of the Screw" (1898) are notable examples.
Monsters and the Gothic: The era's literature is filled with monstrous creations and gothic settings, such as in Mary Shelley's "Frankenstein" (1818), Bram Stoker's "Dracula" (1897), and Robert Louis Stevenson's "Strange Case of Dr Jekyll and Mr Hyde" (1886).
Science and the Unknown:
The Victorian period was a time of great scientific advancement, but also of fear about the implications of these discoveries. This is evident in works that explore the dangers of unchecked scientific experimentation, like "Frankenstein" and H.G. Wells's "The Island of Doctor Moreau" (1896).
Exploration of the Human Psyche:
Victorian horror often delved into the darker aspects of the human mind, including themes of duality, madness, and the hidden, sinister side of human nature. This is seen in "Dr Jekyll and Mr Hyde" and Edgar Allan Poe’s works, such as "The Tell-Tale Heart" (1843).
Social and Moral Anxieties:
The literature frequently reflected Victorian society's fears and anxieties, including issues related to sexuality, class, and the role of women. Gothic novels often contained subtexts about societal norms and the consequences of transgressing them.
Urban Fear and Isolation:
The rapid urbanisation of the Victorian era contributed to themes of isolation, alienation, and fear of the crowded yet lonely cityscape. This is evident in the settings of many horror stories, such as Arthur Machen's "The Great God Pan" (1894).
Sexual Content: Victorian literature is renowned for its strict moral codes and conservative views on sexuality. Explicit depictions of sexual activity were considered taboo and were subject to censorship. Consequently, authors developed subtle and nuanced methods to imply sexual scenes or themes.
Literary Techniques for Implying Sexual Scenes
✧ Symbolism and Imagery:
Sexuality was often conveyed through symbolic imagery. Objects, actions, or natural phenomena could serve as metaphors for sexual activity or desire. For example, in "Dracula" by Bram Stoker, blood and biting symbolise sexual penetration and the exchange of bodily fluids, infusing the act with a sense of forbidden desire and eroticism.
Clothing and Undress:
Gloves: In Victorian culture, gloves were highly symbolic. The act of a woman removing her gloves in the presence of a man, or a man assisting her in this act, could signify a moment of intimacy or vulnerability. Similarly, a man giving a woman his gloves could be a sign of affection or a deeper connection.
Hats and Bonnets:
Corsets
Objects and Personal Items:
Locks of Hair
Jewellery
Books and Letters
Touch and Physical Contact:
Kissing Hands
Hand-Holding
Food and Drink:
Wine: Sharing wine or a meal in an intimate setting often suggested a prelude to deeper connection. Descriptions of characters drinking wine together in private could imply a romantic or sexual undertone.
Fruit: Certain fruits, like apples, grapes, or peaches, were laden with sexual symbolism. Eating or sharing fruit could represent temptation or indulgence. For instance, in Christina Rossetti’s poem "Goblin Market", the act of eating the goblin fruit is rich with sexual symbolism.
Flora and Fauna
Flowers and Gardens:
Roses: Roses were often used to symbolise love and passion. A red rose might suggest romantic or sexual attraction, while a wilted rose could imply lost innocence or sexual ruin.
Lilies: Lilies, especially white ones, represented purity but could also suggest a contrasting theme when associated with a fallen or tarnished character.
Garden Settings: Scenes set in secluded gardens or amongst lush, overgrown vegetation often hinted at secret or forbidden encounters. Descriptions of characters wandering through or tending to gardens could imply sexual exploration or awakening.
Flowers Blooming or Opening: The blooming of flowers often represented sexual awakening or the act of losing one's virginity.
Nature Imagery:
Rivers and Water: Flowing water and rivers often symbolised sexual desire and the act of lovemaking. For instance, in "Tess of the d'Urbervilles" by Thomas Hardy, Tess's encounter with Alec d'Urberville is often described with metaphors of nature and fluidity.
Storms and Weather: Storms, with their intense energy and sudden outbursts, were frequently used to symbolise sexual passion or climactic moments.
Birds and Beasts:
Animals, especially those that are wild or predatory, often symbolised primal sexual instincts and desires. The taming or interaction with these animals could imply a character’s grappling with their own sexuality.
Fire and Heat
✧ Phrases and Sayings
Euphemistic Language
Descriptive Phrasing
Dialogue and Confessions
Private Spaces:
Secluded or Dimly Lit Rooms: Scenes set in private, darkened rooms often suggested clandestine sexual encounters. The privacy of the setting allows authors to imply what could not be explicitly stated. In Wilkie Collins’s "The Woman in White", many key interactions happen in secluded spaces, hinting at secrets and hidden desires.
Dreams and Fantasies:
Dream Sequences:
Dreams and fantasies were used to explore a character’s subconscious desires and fears, often revealing their suppressed sexual longings. These sequences provided a socially acceptable way to delve into erotic themes.
Hallucinations and Madness:
Moments of madness or hallucination could serve as a metaphor for overwhelming passion or uncontrollable sexual desire. These states allowed characters to express forbidden feelings in a way that was metaphorically safe.
Physical Interactions and Horror
Touch and Proximity as Menace:
Unwanted or Forced Touch: In horror, touch that is typically a sign of affection or intimacy becomes a source of fear.
Physical Closeness in Horror Settings: Close proximity in dark, secluded places amplifies the sense of claustrophobia and vulnerability, turning what could be an intimate setting into one fraught with terror.
Undress and Exposure in Horror:
Loosening Corsets and Vulnerability: The act of undressing or loosening clothing, which can be a prelude to intimacy, in horror often leaves characters vulnerable to attack or exposure of their deepest fears.
Food and Consumption in Horror
Cannibalism and Vampirism:
Blood as Sexual and Vital Fluid: The act of consuming blood, as in vampirism, blends the themes of sustenance and sexual exchange. The vampire's bite becomes a metaphor for both sexual penetration and the transfer of life force.
Example: "Dracula" is a prime example where blood consumption is deeply eroticized, with Dracula’s victims often portrayed in a state of ecstatic submission as he drains their blood.
Food as a Lure: Food and feasting, typically symbols of pleasure and indulgence, in horror contexts can be used to lure victims into dangerous situations.
Example: In "Goblin Market" by Christina Rossetti, the goblins’ fruit is both irresistibly tempting and dangerous, representing a forbidden and potentially fatal indulgence.
Plot and Character Dynamics in Horror
Power and Domination:
Common Dynamics with a Dark Twist
Predators and Victims: Characters who prey on others are often literal monsters in horror, representing the loss of control or innocence.
Secrecy and Concealment:
Hidden Desires and Monstrous Revelations: Characters who conceal their true identities or desires often find these hidden aspects manifesting as monstrous or terrifying in horror narratives, suggesting that repression can lead to dire consequences.
Clandestine Meetings and Forbidden Encounters: Secret meetings and forbidden relationships, often tinged with sexual implications, add an element of danger and fear, suggesting that transgressing social norms leads to horror.
Common Themes in Victorian Horror
Duality and the Doppelgänger:
Theme: The concept of duality, where a character has a hidden, darker side, or encounters a double (doppelgänger), often symbolises the internal conflict between good and evil within individuals.
Connection: This theme reflects Victorian anxieties about identity, morality, and the consequences of repressing one’s darker impulses.
Gothic and Supernatural Elements:
Theme: Victorian horror is rich with Gothic elements such as haunted houses, dark landscapes, and supernatural beings. These elements create a sense of dread and evoke the mysteries of the unknown.
Connection: The Gothic setting often serves as a backdrop for exploring human fears, isolation, and the impact of the supernatural on everyday life.
Decay and Degeneration:
Theme: The fear of decay and degeneration, both physical and moral, is a recurring motif. This theme often examines the decline of individuals, families, or societies and the consequences of corruption and vice.
Connection: This theme mirrors Victorian concerns about the erosion of social and moral values amidst rapid industrial and social changes.
Madness and Psychological Horror:
Theme: The exploration of madness and psychological horror delves into the fragility of the human mind and the terror of losing one's sanity. This often includes hallucinations, obsessions, and the thin line between reality and delusion.
Connection: This theme resonates with Victorian fears of mental illness, the limitations of medical knowledge, and the impact of societal pressures on mental health.
Forbidden Knowledge and the Faustian Bargain:
Theme: The pursuit of forbidden knowledge and the resulting consequences is a central theme. Characters who seek power, immortality, or forbidden truths often pay a heavy price, reminiscent of the Faustian bargain.
Connection: This theme highlights Victorian anxieties about scientific progress, moral boundaries, and the potential hubris of human ambition.
The Uncanny and the Unknown:
Theme: The uncanny involves the strange and unfamiliar becoming eerily familiar, often unsettling the reader and characters. It blurs the lines between reality and the supernatural, invoking fear and discomfort.
Connection: This theme taps into Victorian fears of the unknown, the foreign, and the otherworldly, reflecting broader anxieties about social and cultural boundaries.
Death and the Afterlife:
Theme: Victorian horror frequently grapples with themes of death and the afterlife, exploring the fear of mortality, the possibility of an afterlife, and encounters with the dead or undead.
Connection: These themes reflect Victorian preoccupations with death, the spiritual realm, and the possibility of life beyond death, often intensified by the era's high mortality rates and interest in spiritualism.
Isolation and Alienation:
Theme: Isolation and alienation are prevalent themes, often highlighting characters who are physically or emotionally detached from society, leading to their vulnerability and descent into despair or madness.
Connection: This theme resonates with the Victorian experience of industrialization and urbanization, which often led to feelings of disconnection and loneliness.
Class and Social Anxiety:
Theme: Victorian horror often explores themes of class and social anxiety, including the fear of losing social status, the consequences of poverty, and the tension between different social classes.
Connection: This theme reflects the rigid class structures of Victorian society and the fears and tensions that arose from social mobility and economic disparity.
Moral Corruption and Hypocrisy:
Theme: Victorian horror frequently critiques the era’s moral standards and exposes the hypocrisy of societal norms. Characters who appear virtuous often harbor dark secrets or engage in morally dubious activities.
Connection: This theme mirrors the Victorian concern with appearances and the underlying tension between public propriety and private desires.
The Five Pillars of Victorian Horror & The Five Love Interests
The Supernatural and the Gothic (Ais)
Essence: Victorian horror often revolves around the supernatural, blending Gothic elements to evoke a sense of dread and otherworldly terror. This includes ghosts, vampires, haunted houses, and curses, which create an atmosphere where the boundaries between the natural and the supernatural blur.
Impact: The use of Gothic settings and supernatural phenomena provides a backdrop for exploring deeper themes of fear, mortality, and the unknown.
Psychological Depth and Madness (Vere)
Essence: Victorian horror delves into the complexities of the human mind, exploring themes of madness, obsession, and the psychological effects of fear and trauma. Characters often grapple with their sanity, facing inner demons as terrifying as any external threat.
Impact: This focus on psychological horror allows for a deeper exploration of character motivations and the impact of societal pressures.
Moral Corruption and the Double Life (Leander)
Essence: Themes of moral corruption and the duality of human nature are central to Victorian horror. Characters often lead double lives, presenting a veneer of respectability while concealing dark, sinful secrets. This tension between outward appearances and hidden truths reflects the era’s social hypocrisy and fear of scandal.
Impact: These themes critique Victorian society’s emphasis on propriety and the dangerous consequences of repressing one’s true nature. The idea of a double life or hidden self adds to the horror by suggesting that evil can reside within anyone, masked by a facade of normalcy.
Decay, Degeneration, and Disease (Kuras)
Essence: The themes of physical and moral decay, societal degeneration, and disease permeate Victorian horror. These motifs symbolise the fragility of human life and the inevitability of decline, reflecting the anxieties of a society grappling with rapid change and uncertain futures.
Impact: By focusing on decay and degeneration, Victorian horror underscores the transient nature of life and the ever-present threat of corruption and decline, whether through ageing, moral compromise, or societal breakdown.
Isolation and Alienation (Mhin)
Essence: Isolation and alienation are pervasive themes in Victorian horror, often depicted through characters who are physically or emotionally cut off from society. This separation heightens their vulnerability to external threats and internal fears.
Impact: Isolation serves to intensify the psychological tension and sense of dread, as characters confront their fears alone. It also reflects the era’s social and existential anxieties, including the fear of being disconnected or outcast from society.
Generally, I believe each LI connects with a pillair (as seen above). Perhaps by looking at the archetypes we could deduce propable endings and route elements.
Forgive me, for the following part is MESSY;
Ais
Vere
Leander
Kuras
Mhin
#vereletters#red spring studios#op your mind goes beyond the threads of this world#this goes incredibl hard#ts#touchstarved game
229 notes
·
View notes