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ladyhindsight · 9 months

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So, God definitely exists and Lilith is having her own fashion show whenever she appears. That’s cool. Anyway. It has taken ages to even summon any will power to finish the book, the whole year so far has been personal chaos, but now as the storm has ceased and I had couple days off to just lay down on my sofa to power through this monstrosity, all I am left with is a major what the fuck. Expectations were close to zero and Chain of Thorns still went right under it.

Just minutes before I finally finished Chain of Thorns and I don’t even know what it all was for. The major things holding this story together is everyone’s damn pride and fear of being pitied—obstacles which all of them have to overcome. James and Cordelia are both too proud to be pitied, but narrative-wise there is this perpetual pity party going on. All this ruminating over Things That Never Were and Stuff That Is Forever out of Reach is just whole lot of words for whole lot of nothing, especially when the ending to their relationship is nothing if not predictable. The purple prose doesn’t make me feel anything, doesn’t resonate with me on any level, and I can’t connect to it because in the grand scheme of the story, it is based on false perception created by the unwillingness to be truthful. In the end, all that angst and wondering about the feelings at every turn, it is a waste of time.

Every character is so driven by their self-loathing, seriously bordering on self-pity, and pride that all their motivations blur into the same mess. The unwillingness to be truthful, powered by the pride of each character, is the force for which the plot can even reach the points it wants. Clare truly is a master of creating this endless but absolutely done-to-death emotional circle she just keeps recycling in every trilogy she manages to publish. Writing is the same as ever, dialogue is a pathway to always just tell things, it’s also hand-holding and over-bearing: “It seems the Inquisitor has hurt his right arm.” “He was branded on his arm by Belial.” “So that’s why he was holding it like it hurt!” No shit?! Stop it. On a positive note, I think the series is more emotionally aware and intelligent compared to The Mortal Instruments and even The Infernal Devices, where the emotional awareness only encompassed Clary, Jace, Will, Jem, and Tessa. Not completely without its grievances, but when are these books ever?

The plot served its purpose, I guess. Cordelia becoming a paladin of Lilith served its role in saving James and defeating Belial. Others had their own stories and relationships but were helpful and sometimes integral for the story to progress. It’d be otherwise fine if the book didn’t forget the actual plot for a major part of its duration and exchanged it for useless inter-character dramatics and constant cliffhangers. Additionally, it’s just that the whole Watcher thing (like the Grigori?) was clear from miles away. Whenever Clare introduces a new but a very basic element to the Shadowhunter world THAT SHOULD HAVE EXISTED ALREADY and explains it through a character (this time Cordelia), it’s a dead giveaway. So the tease They wake + the Iron Tombs = waiting two thirds of the book for the characters to catch up with you. The story is so infected with repetitive narrative, drama and self-loathing, pseudo-profound ponderings on love and pride, and I am sick of even thinking about any of it.

Maybe one day I have something else to say about the book in general, but not today. My brain has once again been obliterated. So, as usual, some thoughts and notes and more in-depth grievances:

CORDELIA CARSTAIRS AND JAMES HERONDALE. They come together, because I have no coherent thoughts about James or Cordelia. They were there and did their protagonist duties. Of course there was a love triangle. Blah, blah. I just didn’t like Cordelia in this installment as much as the previous ones. Maybe her pride took so much center stage that her previous kindness and compassion were overshadowed by it and self-righteousness. Her bravery is no longer bravery but same thoughtlessness of every other Clare heroine. James was there, hoorah. No, but seriously. James’ trauma was so in-depth analyzed and told, his feeling of pain and anguish and anger relished in so much that the writing was incapable of coming up with anything new to say instead of regurgitating same things over and over again. Also, Cordelia was constantly aware of James’ bracelet when he wore it, but never mentioned it once he stopped wearing it for good?

THOMAS LIGHTWOOD AND ALASTAIR CARSTAIRS. They worked out, yay. Don’t know why they love each other, but okay. Their romance was a nice and carrying force through some bleak scenes in the book. Alastair becoming more open and comfortable in showing affection was lovely. Turned out great.

ANNA LIGHTWOOD AND ARI BRIDGESTOCK. See the above. Same sentiments. But much like with Thomas and Alastair, most of the development happened in this final instalment and pretty hastily too. And like the above pair, I feel like a lot of the progress came with transforming the characters into unrecognizable version of themselves too quickly. I was happy that Ari was able to connect with her mother again and Flora could flourish (lol) without the stifling presence of her husband, but I also feel like I’ve seen this setting where a bad and homophobic husband and father gets a metaphorical kick to his ass and goes away in order for the life to be better for his family without him.

LUCIE HERONDALE. Lucie was generally great. No hard feelings. It’s a bit contrived that it is precisely the canoodling of Jesse that brings her closer to the dead, but whatever. Love that her weapon of choice is an ax.

MATTHEW FAIRCHILD. Matthew’s story ends on a somber note. While Matthew definitely was not one of my favorite characters, I hoped he could’ve had something more to him than James and Cordelia. His journey to sobriety continues, which was great that it wasn’t over just like that, but the reason for his drinking was such a huge thing that was carried throughout the books, so it was disappointing to see it quickly addressed in the epilogue. Matthew deserved more than a hasty redemption in the end.

CHARLES FAIRCHILD. There are other people that are dying, Charles!! is what I am left with. I am absolutely aghast how Charles’ character was treated. I can’t believe that Clare still managed to write one more let’s push this character out of the closet because it is The Right Thing to Do scenario in her books. Charles has to brave the world and lose what he has to lose because his dreams and aspirations, according to the narrative, are worth nothing because he is more privileged than other people. Charles coming out with his sexuality is set against the choice of standing with or against his family as if there was no other way to solve this but guilt Charles into doing the right thing so he can’t be blackmailed anymore. Nobody cares, your family loves you—then what are the stakes here then, in their homophobic society that time and time again fails to deliver any consequence while existing as this ostracizing boogeyman?

I hoped there was some sort of ploy that Charles intended to execute in order to remove the thorn from his mother’s side and replace the Inquisitor with someone who was more fair and just and capable. At once, when Tessa said that Charles is just misguided, I knew it wouldn’t be because Tessa is never wrong. So all there is this dumb blackmailing plot whose only merit is to have Maurice Bridgestock removed from his position as Inquisitor. It did not serve Charles’ character in any way nor were his story with his family or Matthew in any way concluded.

GRACE BLACKTHORN. While discussing Grace, Christopher says that Grace was just a child when she was forced to act on James. Thomas says it doesn’t matter with anger and fury. Matthew equates Grace’s actions to a murder, as you do. While Will’s actions against Tatiana are in no way comparable to Grace’s, it is strange how Will being twelve is mentioned as if in order to act as an extenuating circumstance, while this doesn’t apply to Grace. It is also weird how everyone else’s torment is mulled over, used as an excuse for some type of behavior, but Grace's abuse and manipulation at the hands of Tatiana and Belial isn’t taken into consideration by anyone else than Jem? Also why did Cordelia get to vanquish Tatiana and not Grace? Grace’s treatment in this book, along with Charles, was just painful.

JESSE BLACKTHORN. Much like James, he is a stale piece of wheat bread. Only thing I have in mind about Jesse is that I found it a bit over the top, out of the little character he had, that he was so angry at Grace so that he left her. Jesse reacted exactly the way I feared Cordelia would react to Alastair. I was hoping for angry but sad and disappointed approach since Jesse knew better than anyone what Grace has lived through. Also, why Jesse (or Grace) wasn’t given time with his uncles who had wanted to get to know him for ages?

CHRISTOPHER LIGHTWOOD. My sweet cheese, my goodtime boy. Characters Clare writes most often only know the strongest of emotions. They always react with anger, defensiveness, and passion; by shouting, by self-righteous fury, by everything that is so exhausting to always read. Most of the characters are that, and am I so happy how Clare stayed true to Christopher’s temperate and serene nature, even when his cousin/best friend has been greatly wronged. And when everyone was so angry at Grace, Christopher was the only one to see reason. So, WHY THE FUCK HE DIED? No one, but most of all Cordelia herself never acknowledge that Kit died protecting her.

The “false” family tree lead the story on how Kit and Grace would probably become a couple, and would’ve made sense since they bonded over science and their minds were alike while they were so unalike in other ways, but boom. Kit dies, and Grace is left to figure out the fire messages on her own, because otherwise there wouldn’t be that obstacle of not being able to reach the Shadowhunters in Idris. Kit died for a shock value and so that a measly little plot point could work. Also great how the Lightwoods always have their children killed?? We never even see Gabriel and Cecily mourning?? Eugenia was weirdly chipper after just losing another one of her family members?? All these pages dedicated to romance bullshit that will solve itself but not for this.

TATIANA BLACKTHORN. Tatiana is a fiend, a terrible demon-worshipping, toddler-kidnapping fiend, but also a cartoonish one at that. It’s just overdone. She was made uglier and uglier, the machinator of evil things, and then she died. Voilà. There is one narrative aspect that was weird though. The Herondales and the Lightwoods insist on having tried their all to help Tatiana who always refused, but when Jesse confronts his mother, he says:

“I have come to know them by now. There is truth much harsher. One I think you know. They have not tried to ruin you over all these years. They have not plotted your downfall. They have barely even thought of you at all.”

Sick burn, but which is it? Adamantly trying to help her or not thinking about her at all?

MAURICE BRIDGESTOCK. A cartoon character with a cartoon ending. A homophobe bigot who got what he deserved, but a cartoonish character still. He was jealous of the Herondales and thus was an antagonist. Why is everyone obsessed with the Herondales in every damn book?

ESME HARDCASTLE. Esme was shoved in there in order to explain the “found family tree”, which at some point, I have no doubt, was how things were supposed to be, until Clare had more ideas for the Edwardian kids. No other characters in whole of TSC have gone through so many changes as these characters have. And as such, to keep the predictability at minimum—which isn’t a lot—the old family tree is made up by Esme, so Clare can spin this tale why it wasn’t accurate. Grace didn’t marry Christopher, Alastair didn’t have children (probably?). Then Clare had all these surprise babies coming because the way she chose to end the story for the Edwardian kids would mean no Emma, no Clary as we know them. So new Carstairs baby, new Fairchild twins.

i. The beginning of the prologue is over-saturated with flowery prose and similes that the narrative gets buried underneath.

ii. James is worried about Lucie, but more importantly needs to find her so he can go back to worrying about Cordelia and Matthew.

iii. The whole series has been a barrage of period typical social etiquette and decorum fed to you with a spoon. Even The Infernal Devices wasn’t this intent on it. Men did not usually accompany even wives or sisters into a dressmakers shop. What do you care about mundane decorum, you are Shadowhunters! Have some etiquette of your own.

iv. “…one of the modistes attacked the closures at the back of Cordelia’s dress without requiring any instruction—clearly she had done this before—and pushed and pulled at Cordelia as if she was a stuffed mannequin.” CcLeEaRrLy. You just told she didn’t need instruction, the rest is rather obvious. And I hope she knew what she was doing, she works there!!

v. Then there is this ridiculously complicated sentence: “Madame Beausoleil, who kept her salon on the Rue de la Paix, where the most famous dressmakers in the world—the House of Worth, Jeanne Paquin—were situated, was, according to Matthew, well acquainted with the Shadow World.” Like, what. Honey. Darling. “Madame Beausoleil kept her salon on the Rue de la Paix, where the most famous dressmakers in the world—the House of Worth, Jeanne Paquin—were situated. She was, according to Matthew, well acquainted with the Shadow World.” Or does that info about the location have to be there at all? Surely there were plenty other paragraphs where you could’ve stuffed that.

vi. Apparently this, apparently that, apparently everything! Whenever Clare uses such a word, it is a sign that she is unnecessarily feeling the need to justify why she is giving some particular piece of information or why a character is making an observation they could realistically make.

vii. Cordelia’s savings to pay Matthew for the dresses? What savings? From what and where?

viii. There are so many parentheses explaining things

ix. There is not a one scene in Paris where Cordelia doesn’t think how other people might see her and Matthew as a couple. Every time, which is in basically every scene they have in public, someone watches them and admires them and their “young love.”

x. “I have never heard anyone sound as if they were in such pain. Jamie, you must talk to us.” Yes, no one has ever been in greater pain than James Herondale, and that has the stamp of approval of Will Herondale so it really means something.

xi. a lot of the gray is gunmetal gray

xii. Having Tatiana comment on Jem’s appearance as Silent Brother and call it privilege for knowing the Lightwoods and Herondales doesn’t take away the fact that it is awfully convenient that Jem isn’t bald or his face isn’t sown shut. Though I get the intent behind this was to elicit such reaction as how awful of Tatiana! She doesn’t know anything Jem has suffered! It was not his choice! and the like. Blah.

xiii. What is it with these YA books in which waiters always give the characters their unsolicited opinions on people’s orders?

xiv. I assume Madame Dorothea of Brooklyn named herself after this famed Madame Dorothea of Paris. Why didn’t Malcolm go to her about Annabelle? I don’t remember if there ever was a mention of it.

xv. When Lucie tells the truth about Jesse and her powers to Magnus and Will, the PoV changes from James to Lucie with no indication of PoV change:

xvi. “James thought of the box of matches in his pocket, each one a sort of signal light that, when struck, summoned Jem to his side. He did not know how the magic worked, nor did he think Jem would tell him even if asked.” Just leave this part out, readers will think it’s just magic and that’s it. Now this just sounds that you couldn’t bother to think about it and just tried to explain possible scrutiny away. This instead just points more to the fact that you have no clue how the magic in your world works.

xvii. “James returned to the house, crawling into bed with his coat still on.” James can’t return to the house and crawl into his bed at the same time.

xviii. Take a shot every time the same steel and temper as Joyeuse and Durendal is said in TSC

xix. It’s annoying how Matthew speaks so lowly of Charles wanting to keep Alastair a secret when their own society supposedly sucks ass and enables shame and discrimination

xx. Cordelia only accepts Matthew’s affections once she thinks she has truly lost James. Why did she want to kiss Matthew if she didn’t even fancy him? She just selfishly used him and his love to forget her own mistakes, which I didn’t like about her at all. But that of course just fed into the love triangle that Clare is so insistent on writing in each one of her series, and the end couple is always obvious.

xxi. “…and James could remember, painfully, what kissing Cordelia was like, hotter and better than any fire.” I don’t think being burned by fire is good?

xxii. It’s torturous—and not in the good giddy way—how Clare finds even the tiniest excuse to prolong James and Cordelia finally getting together. “I should tell her the truth but Cordelia looked so happy with Matthew, so I didn’t.” Good grief.

xxiii. “Pity and kindness were not love. Only free choice was love; if he had learned nothing else from the horror of the bracelet, he had learned that.” Only a free choice to those who are free to love and go for that love and their dreams without having to make a choice between either. So fuck that.

xxiv. Ari didn’t bring any clothes with her when she left her parents. “She’d have to buy new things.” WITH WHAT MONEY? FROM WHERE? HER “STIPENDS” WENT TO LIVING EXPENSES! EXPLAAAIN

xxv. “At the breakfast table sat Anna’s brother Christopher, and, of all people, Eugenia Lightwood.” Yes, out of all the people in this world that is sitting at the table is Anna’s cousin. Truly odd.

xxvi. “The Institute is the safest place in London when it comes to demons; if he did somehow attack, the whole Enclave would retreat here as a matter of policy.” Not when it comes to the Jack the Ripper one in The Whitechapel Fiend.

xxvi. Will discusses Tatiana’s vengeance for being wronged: “Will sighed. “That was me. I read her diary out loud at a Christmas party, long ago. I was twelve. And I was quite severely punished, so in fact, the Enclave was on her side.”’ No, he wasn’t. And the whole Enclave punished Will? Please. There was no culpability, no apology, and no admission of guilt. And he also broke Gabriel’s arm. This is an attempt afterwards to alleviate the guilt on Will’s end when it comes to Tatiana’s madness. More realistic approach, less let’s-make-Will-more-shiny-and-not-at-all-a-participant-in-Tatiana’s-insanity would be something like: “That was me. I read her diary out loud at a Christmas party, long ago. I was twelve, but that’s on me.” And they would’ve gone on that it didn’t matter because in grand scheme of things it was such a miniscule thing.

xxvii. Take a shot every time the writing tries to stealthily prop up Will and Tessa as good and kind. Clare is really adamant at making the Herondales victims at every turn.

xxviii. “Benedict Lightwood brought down vileness upon his family, and Tatiana could not accept either his culpability or her own.” True, yet funny how the same does not apply to the ones who are on the right side of things. Accepting culpability on all that…

xxix. “He thrust the hand at James, who slashed an iratze across Matthew’s palm, followed by two Energy runes. He would not normally give Matthew, or anyone, more than one, but they would act as knives, cutting through any fog in Matthew’s brain.” One very profound problem (which I will bring up with TMI in time) is that this excerpt reveals that Clare thinks we know how runes work, when she has in actuality laid no groundwork for it. Is there a limit how many runes one can bear at once? What are the adverse effects of too many energy runes? What if you use iratze when you don’t need one? Are there runes that, when used at the same time, might hinder the effect of one another?

xxx. Take a shot every time a character narrates other characters on how much they have changed.

xxxi. “Now, Thomas has lost a sister and a friend as close as his brother, all in one year.” Weird way to say a cousin. You surely mean his cousin as close as his brother??

xxxii. “Grace said, not unkindly, “I’ve come to know Lucie quite well, you know, the last months. She was probably as close to a friend as I ever had.”’ Christopher was her friend, hellooo???

xxxiii. There seems to be a theme that whenever things are getting hot and heavy, something abrupt happens and interrupts the scene. Not that I am complaining, interrupt that awkward shit.

xxxiv. The bodies of the Iron Sisters and Silent Brothers don’t decay, but so what? Everyone else gets burned after dying, why not them also? Are they not inflammable? Also, what a great opportunity to mention Abigail Shadowhunter and David the Silent, but did we just once again wave at that opportunity as it passed by? Yes, we did.

xxxv. “Alastair waved his hand. “Yes, yes. It has been Roman and Saxon and now it will be demon. It has survived plague and pestilence and fire—”’ Best quote.

xxxvi. “It is easy to confuse monstrousness and power,” said Cordelia. “Especially when one is a woman, as one is not supposed to possess either quality.” Again, a weird fucking take for people whose numbers are dwindling and need all the fighting power they can get and half of that power are women

xxxvii. “he had been sure, somehow, that Cordelia would come after him, would find a way. And it did not surprise him at all that Lucie had not left her side.” James sure has faith in his sister to rescue him in dire need. No, Lucie came because Cordelia came. Whatever, what do I care.

What, in the end, was the true purpose of this trilogy? What merit is to it that it exists? How has The Wicked Powers become richer for having The Last Hours precede it? It’s actually devastating how inconsequential all of this is. The true Belial has been vanquished, but another demon has taken his place as Belial. Is this new Belial even a fallen angel or just some demon? Because otherwise he is not like the rest of the Princes at all. I would’ve hoped that at least one thing, like Emma getting to finish Belial with Cortana, would’ve given this trilogy even a little bit more purpose. 700+ pages and all is still left rather unfinished. Nothing at least feels concluded other than James and Cordelia’s love for each other being stronger than a Prince of Hell is capable of breaking. Blergh.

[Additional notes]

#Cordelia Carstairs #James Herondale #Matthew Failchild #Thomas Lightwood #Christopher Lightwood #Alastair Carstairs #Anna Lightwood #Charles Fairchild #Grace Blackthorn #Jesse Blackthorn #Lucie Herondale #Chain of Thorns #The Last Hours #Anti CC #Anti Cassandra Clare

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croc-odette · 9 months

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the way it took less episodes for tng to begin to humanize the borg the most inhuman trek villains who were actively built up as literally like faceless drones there wasnt much of an ethical implication about killing but literally their second appearance in best of both worlds already trying to imagine what it would be like to be a borg drone from picards perspective and next they show up in i borg where its like ok we take the normal star trek approach of seeing every living being as worthwhile and not inherently monstrous and so on that was fewer episodes than what theyre doing with the gorn its like crazy

Even just from a style perspective, the borg spent a few episodes like ‘oh no, scary!’ And then bc that would have been boring to just keep doing, they started to do eps like ‘what if we captured a borg, could we ethically send it back with a disease to kill all of them’ or even just some pure drama of ‘what if captain picard…. BECAME a borg???’ And then an episode following up on the guilt of that. And even then, I was surprised how few tng episodes were about the borg. Snw is hamstrung by having half the eps in a season, but instead of really packing new stuff in, they keep wasting time on ‘what if we had cool guns to kill gorn monsters with’. Which while fun or silly in its own self-aware genre, feels really out of place and boring in Star Trek.

I think it also is just an incoherent view of the gorn as a species. They’re instinct-driven violent predators with no intelligence; but they’re also smart enough to build ships and space suits? They’re cannibalistic, but they’re also able to work together to command ships. They’re animals who are just trying to eat; but actually they’re intelligent enough to be ‘pure evil’. It’s whatever is convenient in the moment to justify unexamined thrill in murdering them.

If they were animals with instinctive behavior, then I think the Star Trek precedent would be: let’s defend ourselves and get the fuck out of here, but also these are just animals trying to survive and reproduce (ie: picard wouldn’t develop a bloodthirsty vengeful hatred against all bears if a bear killed a crew member). There is no ethical behavior behind animals eating and surviving. A wasp is kind of gross when it reproduces by injecting its eggs into another insect, but it’s not ‘evil’.

But that would mean the gorn wouldn’t be intelligent enough to have spaceships, which creates the convenient problem that our brave heroes HAVE to keep killing them without debate bc the gorn are able to pursue them! So somehow the gorn are smart enough to build spaceships capable of pursuing starfleet ships. They are smart enough for their actions to be considered ‘evil’. But not smart enough to be considered a race with a culture or intellect.

I’ve already talked about how the ep where they say the gorn block telepathy, meaning spock can’t talk to them, is a deliberate way of writing off diplomacy as a possibility. Those nasty gorn are just so mean and violent (and capable enough) that they block telepathy! It’s their fault! Which prevents a devil in the dark Horta solution, and allows the show to shrug and keep using guns as a solution.

I say all of this crap not because I really care about the integrity of the gorn. Who cares, it’s a fun alien. But in a franchise that wants to claim political awareness and goodness, its unsettling to dissect repeated writing choices over and over again (not just about the gorn) that support classic conservative and jingoistic talking points. “The enemy isn’t human or even intelligent, it’s an animal operating on base instincts; except when it’s so smart it can outwit our brave soldiers. And when you kill them, you can ENJOY killing them, because it’s one more dead enemy.”

The borg, changelings, jem hedar, Klingons, romulans— they were handled, some more than others, in ways that should invite criticism and skepticism about the intentions of the show. But they were humanized and explored further than ‘excuse to hand everyone an assault rifle and swat armor.’ A new show would ideally be improving or challenging past shows’ failures or missteps, not taking a huge step back. The gorn problem is even more glaring because it’s a sharp and bleak turn from the themes of trek shows that precede SNW, and from the actual episode the gorn come from.

#I know people hate me on this website for talking about the gorn so much #and I do think it’s funny. I also wish I wasn’t thinking about the gorn this much but alas #it’s bad tv and I’ll do it Gandalf. I’ll take the ring to mordor #Star Trek blogging #snw negativity

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alastairstom · 5 months

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My reasons for not liking tessa and will but tessa and jem. I only went through the last hours and the dark artifices. This is partly so I wont spend forever writing this out and partly because I have no idea where to find the short stories that feature will and tessa though I know its at least one. i really like jessa in the short stories so i would have liked to include those.

I should probably first disclaim that in tlh I don’t like how shadowhuntery and not warlocky tessa is. I think its because ive become so used to warlock tessa seeing her not be a warlock is strange, it makes sense in tid and in a way it does make sense in tlh as well but it doesn’t sit right with me. I did my best to make sure this doesn’t impact the comparisons but I thought to let you know for fairness sake.

I feel like in tlh when tessa and will are together tessa sort of becomes secondary to will or like an extension of him like he will be the main one talking and she will only either just agree with him or come with small comments. That’s also what I mean by muted that’s she’s not really her own character with him but an accessory to his. Meanwhile with jem I feel like she is separate to him, she talks for herself and isn’t only there to prop him up. And also more generally I think the jem and tessa dynamic is more fun than the will and tessa one, like I have a better time reading jessa than wessa. I hope you think this wasn’t too aggressive and I want you to know that I don’t hate will and wessa either, they are quite nice its just I have some problems with them and prefer jessa way more.

You didn't come across as aggressive at all! I asked. Needless to say, I strongly disagree with most of this - but I think that we also perhaps like different traits in Tessa as well.

I don't find Tessa to feel like her own character at all around Jem, and I feel like she just becomes a prop to him. It's interesting that we see this so much differently, because I don't see any fun/fire/chemistry in that dynamic. They feel like friends to me, and I find that Tessa (in the modern day especially) just goes along with whatever Jem wants. Conversely, I find that she stands up more to Will, gives him a lot of lip and disagrees with and clashes with him a lot. I can't think of a single instance that she's voiced her opinions/needs to Jem outside of his own, while I can point to a million instances where she's bantered with Will or stood up to him when he was wrong.

I do think this is in part a writing problem. Cassie transparently loves Jem and thinks he can do no wrong, so of course no one is really going to clash with him.

I also really like those "small comments," I think, and I find that to be when Tessa is very much herself. She's so snarky and sassy there, which is one of my favourite traits in her and why I love her so much. To me, those little comments referencing books or giving will lip are such an integral part of building her character, and I'm not sure I would love her so much without them.

I also want to address this, because I think it's a huge reason why we view things a lot differently:

Also for fairness' sake, I don't really read or reread the content with "warlocky Tessa" a lot, because I treat TID and especially TLH as the axis of my TSC experience. This is of course not something everyone does or even should do - TMI is objectively the "main series." But I like how "Shadowhuntery" she is because that's the core of my interests and hyperfixation. But I also feel like it's sort of fair to do this with Tessa in TID (not commenting on TLH here) because that's when we see the most of her. So my Tessa, the one I write/engage with, is that "Shadowhuntery Tessa" - because that's who she is in TLH, and I'm a TLH girlie.

Again, thank you for this. You weren't aggressive at all, and I think the beauty of fandom is in large part how two people can read something and interpret it totally differently. That's why I was curious. I hope I wasn't too aggressive, either. My main takeaway from this is that we like and prioritize different traits in Tessa and that makes us prefer one dynamic over the other.

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fashiondolloftheday · 8 months

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today's fashion doll is: JEM and the Holograms Perfect Match JEM (2020)

#jem and the holograms #integrity toys #dollblogging #dollblr #fashion doll #fashion doll of the day #doll #fashion dolls #2020

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bridgertonbabe · 5 months

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Edwina's Children

For @edwinaweek I thought I'd share my headcanon for Edwina and Matthew Bagwell's children as part of my Bridgerton: The Next Generation series.

Jeremy Bagwell is born the day before his cousin Edmund's first birthday, and throughout their childhood the Bridgerton and Bagwell families would celebrate the birthdays together at Aubrey Hall, which was always an anticipated highlight of Jeremy's year. He was a very easy baby and rather quiet much to his parents curious disbelief, especially in comparison to the energetic chaos his cousins wreaked on a daily basis. But as he grew, it became apparent that Jeremy was simply a boy of a quieter nature, who was more than content with his own company and much preferred the peace and tranquility of his parents' library than the rough and tumble of the great outdoors. His favourite pastime was being read to by his parents, an activity which he didn't want to limit to just bedtime alone and he would eagerly run up to either parent throughout the day with books in hand requesting to be read to. When he was old enough to read himself he permanently had his head buried in a book, and he could often be found alongside his father in the library as they separately studied their favoured texts. Much like is father, Jeremy would go on to be a scholar, but instead of philosophy, Jeremy opted to become a professor of his lifelong passion; history. So engrossed was he with his educational role, he never showed much interest in settling down or even courting any of the eligible young ladies of the Ton. He never much cared for balls and parties, with the only social events he ever made an effort to attend being those hosted by his Aunt Kate. While he tended to stick close to his relatives, at one particular ball he slipped away to the library of Bridgerton House in search of a textbook he hadn't reread in several years; only to find the season's diamond tucked away reading the exact book he was after. Miss Theodosia Barrington was a reluctant diamond and had been shocked to named as the season's incomparable, especially when she hadn't wanted to take her bow in society in the first place. Much to his surprise Jeremy felt an instant bond with her, and then to his even greater surprise by the end of the season he had married a diamond of the first water, just like his father had before him.

Three years after their first, Edwina and Matthew welcomed baby number two, Francis, into the world. From very early on Francis was an incredibly smiley baby who adored every show of affection he was spoiled with. While his brother was happy to be independent and do his own thing, Francis loved being surrounded by others and would trail after his Mama, Papa, his brother Jem, the household staff, and any guests that came to visit. Someone he adored in particular was his dear Grandmama Mary, who he always ecstatically greeted with a great big hug and whose lap was his most favourite seat. In turn (as much as she claimed not to have favourites among her grandchildren), Mary couldn't help but possess a special fondness for Francis, not just in the way he loved her abundantly, but how his smile and shining eyes were the most reminiscent of her late husband out of her four grandsons. Francis thoroughly enjoyed his stays at Aubrey Hall throughout the years and loved running after his older cousins Edmund and Miles, as well as his cousins' cousins too, happily integrating himself among them as they played games together and hurtled around from one end of the estate to the other. His outgoing and personable nature carried on into adulthood, making plenty of friends along the way during his years abroad, as well as befriending perfect strangers in any ballroom and assembly room he stepped foot into. As delightfully affable and pleasing as Francis was, there were two weaknesses he possessed; pretty girls and suggestibility. With the former he often tended to fall hard and fast for ladies with winsome smiles and sweet temperaments, and had ended up suffering from a string of heartbreaks as a result. The latter was arguably the bigger flaw for him because as confident a young man as he was, he still relied on the approval of those in his life who he looked up to the most and would end up swaying to agree with whatever his role models advised of him in spite of his own thoughts and feelings on the respective matter at hand.

After another three year gap, the Bagwells welcomed their little girl, Maryam, born a month after her Cousin Charlotte. Edwina and Kate loved having daughters so close in age and much to Mary's amusement, Maryam was practically identical to Edwina as Charlotte was to Kate, and watching her granddaughters play and spend time together was just like watching Kate and Edwina twenty odd years before them. Maryam loved her big brothers and copied them both despite their contrasting natures; she'd lark and dance about with Francis as often as she would take a seat next to Jeremy and read a book alongside him (which she adorably did even before she had learnt how to read). She also loved to copy her Mama and enjoyed playing dress up in her mother's gowns and having her Mama style her hair to match hers. From a young age she adored bedtime stories of handsome princes and falling in love after a single dance, and naturally Edwina couldn't help bracing herself for the day her daughter wanted to make her debut into society and all the hopeless romantic antics it may bring - however Edwina was surprised when Maryam came to her about her debut and made the odd request to spend as little money on her gowns as possible. When Edwina asked why, Maryam expressed her worry of impressing the Queen too much and potentially ending up as diamond of the season just like her, not wanting to suffer the same pressures as Edwina had during her season. Sympathetic to her woes, Edwina assured her daughter that regardless if she was the diamond or not, she shouldn't feel burdened by any pressures of securing a prosperous match for the sake of bettering their family; all she wanted for her daughter was to find a love match and secure her happiness. With the reassurance that she would only be expected to marry for love, Maryam enjoyed her debut season alongside her Cousin Charlotte. Sure, not all the suitors she danced with or who called upon her impressed her much, but she was in no real rush to find her perfect match just yet - that is, until she attended David Basset's wedding and was introduced to the bride's brother, Mr. Benedict Woodson.

#edwina week #edwina x mr bagwell #matthew bagwell #jeremy bagwell #francis bagwell #maryam bagwell #bridgerton the next generation #bng series #edwina sharma

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