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#it would've been nice to see the survivor's from the first movie
helianthus21 · 1 year
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Peninsula resorts to the usual Zombie Movie Message of Humans Are The Real Monsters (people are bad). which isn’t bad in itself, but it doesn’t directly tie in with Train To Busan where the message was We Need To Look After Each Other (people are good) which leaves something to be desired for me
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mtab2260 · 3 years
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Okay, I desperately need to rant about Apocalyptic Natasha Romanoff in this episode of What-If and I've decided to do it here over Reddit. Screw me.
First off...
Holy Fucking Shit! That was bloody AMAZING!
Second, I'm basically going to be explaining my excitement and jumping on the ceiling about each scene she was in, but also pointing out a few things as well.
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(This feels like a Guardians of the Galaxy reference. No?)
I absolutely love this line because it says so much. In the main timeline, Steve had no clue about her Russian Vodka Family (as I've seen someone call it). In that timeline, I don't think she told anyone, not even Clint. But in Peggy's timeline, that Natasha clearly had to have opened up to Peggy which just shows how close those two had become during the year following the Battle of New York. Natasha Romanoff isn't an open person with anyone, in any timeline— even with Clint, the person she literally sacrificed herself for so he could live.
That says a million words I can't explain.
I also love the fact that the filter on Apocolypse Ultron World is dreary and it dulled out all the colour, and the sun's missing too. But in this shot, you can see hints of the sun shining through. It represents the hope Natasha saw when she saw them. The colour on Peggy's face and hair pop out. It automatically feels less dark and hopeless.
Also, I don't care what anyone might say this line is what sold Natasha that Peggy was an ally and that something was going on that she didn't yet understand. At the mention of Alexei, she just knew.
However... I must point out there are a few inaccuracies with this line. Actually, this entire line doesn't work.
Not really.
As because, up until ghosty Red-Skull said it on Vormir, Natasha had no clue what her birth father's name was and Peggy getting the serum instead of Steve wouldn't change that. So if she didn't know, there's no way she could tell Peggy.
And for the second part of that line... up until the events of Black Widow (the movie), Natasha was still lying to herself that their family in Ohio wasn't real— that it was just a mission and they were all just roles, nothing more.
But, I will say, maybe in that universe she and Peggy had a talk about it and Peggy make it clear she was a bloody numpty for thinking that and it was real regardless of the reason they were brought together. That could've happened in that universe. It's been made clear that those two traded stories with each other as her Nat knew about Steve, yet, main-timeline Nat didn't know about Peggy until she saw him staring at her photo. So who really knows.
But regardless, I still let out a jump of joy at this line because the What If series is letting the Russian Vodka Family be real!
Not that it wasn't real, but you get what I mean— anyways, onward!
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This scene... oh my gawd... bloody-hell it's fucking terrific!
I cannot say how fucking overjoyed I am that when it came down to it, fucking Natasha Romanoff and bloody Clint Barton saved the entire bloody-fucking multiverse!
The (and I quote some random asshole) "Useless Avengers", saved everything ever known while also being the only survivors in an entire universe.
Let that sink in.
IT'S FUCKING AWESOME!
Like...
Holy Shit That's Awesome!
(I need more adjectives)
That's Bloody Insane.
I don't care how tacky they may be, I fricken loved these slow-mo arrow shots. And with the mirroring of Clint's (albeit fucking stupid) sacrifice coming full circle and to a close is outstanding.
Which brings me to my next point, that's kinda also this point too.
This point is part II we'll call it.
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I
Am
So
Fucking
Happy
They
Didn't
Forget
About
What
Clint
Meant
To
Nat
And
Also
Just
Plainly
Forget
About
Clint
'Cause that would've sucked. I would've sued Marvel if that happened.
This scene. These two shots.
For someone who hides behind fake smiles and witty remarks, these shots show exactly what she's thinking at that moment and it's amazing. You can literally see the absolute peace on Nat's face that they did it, they ended Ultron, she avenged Clint's death, she avenged everyone's death, it was over. And hey look, Yelena, they didn't even need one of the big ones to do it!
But also look, see what I said about the filter— Natasha's hair actually looks fiery red instead of vibrant brown. Also, SUN!
Moving on...
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I don't really have much to say about this line, but I fucking loved it, and serves the dude right.
She Has A Very Valid Point.
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The pure amazement and life in Natasha's eyes and face is everything.
She saw everything she ever knew nuked and murdered because a robot spent five seconds on the internet and yet here she was now in a clusterfuck war full of life. Life that was at war with each other. But an alive war nonetheless and that's all she cares about at that moment.
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Natasha and Clint being best buds part threeeeeeee........
On come on we all know what was going through Natasha's mind at this moment.
PAYBACK BIATCH!
Seriously I just love this short little bit. And the fact that Loki took over the world in a week, yet, this Natasha took him out with a kick and a small poke says things.
It's awesome.
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As heartwarming as this scene was, I was hoping for more and truthfully it's a load of bullshit.
I don't care whatever the fuck Nick Fury has seen in his days, he did not know about the multiverse and if he wasn't happy as hell to see her on that Helicarrier then he was suspicious as hell as to who was this Natasha Romanoff imposter was. I'm sorry, I refuse to believe otherwise. No one's first thought after they've seen an alive version of someone they buried in the ground is—
"Oh, you must be Natasha just not my Natasha. Yeah, that makes sense."
Yeah, no.
Also... might I again remind you EVERYONE ON HER PLANET WAS FUCKING NUKED TO DEATH?! Did everyone seem to forget about this?
The first time we've seen Natasha Romanoff cry (almost cry) was Fury's death in The Winter Soldier. That's proof enough for how much Fury meant to her.
So the first person in like over a year (probably) she sees that she recognizes (besides Thor) who she also knew for a fact was dead— her reaction should've been more than a smirk. Especially if it was someone she cried over when they died. The line the two Natasha's share after Peggy's "I've got the shield. You've got the sword." line proves that different universes don't change a person's personality. So her seeing Fury again should've been a helluva lot more emotional for her, hell, for the both of them.
It probably should've gone something more like...
"Natasha...?" A very familiar voice behind her breathed. It wasn't one she's heard for over a year but she recognized it immediately. She froze— which was not a thing she did, ever, but it was only truly hitting her now that not everyone she knew was dead anymore. That the Steve Rogers over there was, in fact, alive. That the Nick Fury behind her was alive. That hundreds, millions, billions of other people were alive.
Natasha turned around slowly like her limbs were stuck in the gallons of maple syrup Cooper put on his pancakes.
"Fury—" She choked, honestly too overwhelmed to say anything else coherent. The tears in her eyes stung as she didn't let them fall.
Nick's one eye narrowed, he was pissed. "Who the hell are you?" He questioned, voice threatening. "I know you ain't Natasha Romanoff 'cause she's dead. So who are you?"
She was sure she just stared at his face probably for a full minute but she didn't really care. It was really nice to see and hear another face and voice.
Nat took a much-needed breath. "I know your Natasha is gone, the giant baby-man cape dude said so. I'm not her. I'm from somewhere else. But I am Natasha Romanoff... and it is really good to see you, Nick..."
Ah, shit the tears fell.
But maybe it was worth it as his eye widened and some form of recognition or some sliver of understanding set in. It was honestly hard to tell through her blurry eyes.
"You're aware none of that makes any sense, right?" He asked, voice much gentler now. Fury looked over her outfit and very dirty/beat-up appearance. "And I take it wherever you're from didn't have showers either? Because I can smell you from here." His nose wrinkled as he smirked.
She knew he was trying not to gag.
Natasha choked out a wet laugh. "Not for like a year, they kinda got all nuked from a psychopathic robot."
She was pretty sure that was the first time she'd ever seen Nick Fury actually shocked.
Okay, yeah so basically something like that.
And the reason I kept saying over a year is because Clint lost an arm and was honestly ready to die. He did die. After a year of being almost the only person on an entire planet and losing Laura and the kids, he hit his breaking point. In the five years of the blip he definitely became close to his breaking point, probably was about to hit it before Nat showed up, and that was with half the universe gone and he was alone without Nat. It could honestly be longer than a year, it probably was much longer, but then I started thinking about food and how much food would actually be safe to eat— or actually there. It was a matter of time really until both starved to death honestly.
And the shower thing, it's honestly impressive anyone could stand near here and not pass out. Like seriously if everyone is dead, I doubt any showers still worked— let alone be standing.
Anyways, I do have a couple problems with this episode despite how much I loved it.
Going back to the "EVERYONE ON HER PLANET WAS FUCKING NUKED TO DEATH?! Did everyone seem to forget about this?" part I mentioned earlier.
It seems no one outside of Nat actually seemed to acknowledge that everyone was dead. That Natasha, previous to their arrival, was the only living thing in that universe and that was it. You would think even Peggy would show some care or sympathy or some consoling words to her so-called BFF. If not that at least recognize the truly apocalyptic scene around her and look at it with disbelieving eyes. For someone who has so much compassion, she seems to have none in this case. Or at least she didn't outwardly show it. Which is completely fine. But it just bothered me no one seemed to really think about it all.
Another thing:
This isn't really towards the episode per-say but I'm just really fucking pissed about it.
It's great— no sorry— it's absolutely amazing that Apocalyptic Natasha is now in a universe that was thriving with life. It's awesome and she deserves it.
HOWEVER....
Are you fucking serious that out of all the universes that Natasha died in, you put her in a one that ALSO has a STILL DEAD Clint Barton???
SERIOUSLY?!??!?
I've said this what, three, four times now— Natasha Romanoff and Clint Barton are more cursed than FitzSimmons. Because at least FitzSimmons always find their way back to each other in the end, Nat and Clint always just find the other fucking dead.
I swear, how the other doesn't have PTSD from heights now is a bloody miracle.
Anywho:
That's my entire rant on this week's episode. If you actually read this all, one, I'm so sorry for wasting your time, two, wow— congrats.
Also, I really need to see someone make a fic about Apocalyptic Nat seeing Laura and the kids for the first time again, and also for Coulson too.
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omegangrins · 3 years
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A Rant on the End of Tremors 7: Shrieker Island
As the main man said,
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Throwing caution to the wind because this blew up elsewhere.
If you can do it with Justice League, fuck it, let's do it for every shitty movie we've got.
While we're at it, can we change the ending of the 7th Tremors movie so *MAJOR FUCKING SPOILERS* Burt Gummer doesn't die or at least bring Jamie Kennedy back, or Marvel style recast Jon Heder, so he dies saving his son instead of a random-ass person who could have easily saved themselves. Or cut the forced montage of Burt clips at the end so his death is at least ambiguous. Seriously beyond pissed about that one. THAT is no way for him to go.
I would also like to point out that the next Tremors *HAS* to be titled Tremors 8: Ouroboros and bring everyone back for Burt's funeral . Otherwise, what's the fucking point?
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I have feelings about it, people. *FEELINGS!!!*
One of my favourite childhood memories is picking out Tremors 2 from the local gas station's movie rentals and forcing my parents to watch it. I was probably 5-6 at the time.
Let's say that it's been a lifelong love affair ever since. It took me another 10 years before I even watched the 1st. Probably why I hold good sequels in such high regard.
I didn't even know about the 1st until it played as a trailer in front of 2 and never thought to watch until years later. That's a testament to its filmmaking if I ever knew one.
So seriously, that's how they chose to kill off one of the most well known and prolific characters in a movie/TV series known around the globe? With an unnecessaryily needed death and a montage of clips from all the other movies that are obviously better than this one.
And I'm saying that as someone who defends Chibnall/13th Doctor...
...and I'm fucking fuming because THIS is how you *actually* destroy something people love and hold dear to their hearts. It's like the ending of Game of Thrones. His shitty ass death has made it a loooooot harder to rewatch. And they are one of my favourite series!!! Not flawless but fun. But I will defend every other movie and all the episodes except this. Honestly I'll still defend 7/8ths of this one as well.
Like I said, it's easily fixed too. Fucking vice versa swap out Jon Heder for Jamie Kennedy, who the movies have been building up for the last two, and have Burt save his son in front of his old flame. Boom, you won't even need the montage of clips cause you can just have Travis and his mom reminisce about Burt instead. Show not tell. I don't even care he died by Graboid (although in all honesty, I've allways wanted El Blanco to take him down or Burt kills himself from the PTSD. It would have AT LEAST MADE SENSE. Hell, the best would be a heart attack to callback Val's "Yeah, Burt, the way you worry, you're gonna have a heart attack before you get a chance to survive World War Three.". But none of us ever get the best death.). And it's not even about Burt sacrificing himself to save a nobody. Cause that could work too. BUT YOU NEED TO BUILD THAT SHIT UP. Not just fucking drop it like it's hot.
Like I said too, the first 7/8ths ain't bad but it's an entirely different story than a swansong for a hero.
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It's all about some billionaire scientist/cowboy hunter dude who likes to get his jollies off hunting the biggest and the baddest who ends up inviting people to this island so they can hunt down Super-Graboids he designed for shits and giggles. But then some Shrieker-fy....
And the pretentious douches come and die one by beautiful one while Burt tries to save them anyway and it's all spectacularly dumb fun until it comes crashing down in the final 10 minutes. Fuck, they should just cut the last 10 minutes. Then it's a perfect little Tremors ditty.
#RELEASETHE7THTREMORSWITH10MINUTESFROMTHEENDCUT
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This isn't even about Jon Heder either. He's just doing his job. Hell, do what /u/VoiceofRonHoward pointed out.
"It is clear that Jon's character was just pasted in over Jamie's, the artifacts of the father-son relationship are all over it. They should have gone full Marvel and just replaced Jamie with Jon and acted like nothing happened."
CAUSE FUCK YES!! The only time a story sucks is when they don't commit. Commitment makes all the difference. Now, I'm pissed double-pissed they didn't do that instead since Heder and Kennedy are similar in terms of white-boy-ness.
Even Michael Gross agrees:
"Yes, yes. Now I can't presume to speak for Jamie [Kennedy]. My understanding was they asked him and he said no. And so that's why they went with somebody else. So I had nothing to do with that decision. I just heard the stories. I missed him for that reason. You begin a relationship with the character, and you want to continue it....
...As you build a relationship with this son, we had two, it would've been nice to have three, but that was the hand I was dealt."
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One of my favourite bits of Tremors lore comes from the 5th too so it's not like I hate sequel changes out of hand:
"This is a warrior dance. Our ancestors hunting the lnkanyamba and the Impundulu.
"What's that?
"Impundulu. It's what you call the Ass Blaster.
"Ass Blaster.
"Yes.
"Yes.
"Hey, you know, you make Ass Blaster sound good.
Primitive cultures fighting Graboids, Shriekers and Assblasters. I just love that thought.
Hilariously, my meta opening to the 8th movie would be a flashback to 10,000 years ago and a Neanderthal-like Burt Gummer teaching others how to drive Graboids off cliffs like they did with mammoths.
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Thank you for giving me the space to rant. Cause fuuuuuuhhhhhhhhuuccck!!!
Here's Michael Gross' own words from his AMA that prove the people making Shrieker Island didn't know their shit.
"The Tremors series is one very close to my heart and I want you to know how appreciated your continued effort is for your core fan base.
My only question would be were there ever any studio decisions made for Burt that you refused to comply with? Or was everybody pretty much always on the same page on what to do with the character?
Thanks again for your dedication.
- Josh"
"Thanks for the kind words, Josh. As regards the first four films, with Wilson and Maddock as the writers, we were very much on the same page. 5,6, and 7 were a bit different, because there was a 13-year hiatus between 4 and 5, and we had to refresh our memories while "reinventing" the franchise for a new audience. I will give you one example: in an early draft of Shrieker Island, a new writer wrote a draft where Burt threatened to shoot one of the bad dudes, and I had to tell him—this is true—"Burt never intentionally points his gun at another human being."
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And his own thoughts on Burt's "death" and how to bring it all back together again.
Universal and the director [came] to me with this idea, and they said, 'This could be emotionally very powerful, if we have to say goodbye to this man after 30 years. And I hemmed and hawed, and I thought about it a little bit. And I said, 'You're absolutely right about the emotional gut punch this can be.' And I said, 'You're going to hurt a lot of people's feelings.' And I said, 'But I thought this franchise was over after four. So I could certainly live with it being over after seven.'
"What we negotiated -- well, it wasn't really a negotiation, we all agreed on this -- is that we kind of left the door open. >!Because although Burt is gone, we never see a corpse. We never see his remains. Everybody assumes he's gone. Is he buried somewhere? Is he unconscious somewhere? We never see Burt dead. We see Burt gone. We see Burt not returning. What does that mean? Has he been knocked out? Does he have amnesia somewhere? Does he wander off? Is he in a kind of coma? So yes, the way it ends is pretty profound."
"As regards to the end of Tremors 7, let me just say that while people ASSUME Burt is gone, we never see his remains, do we? Just sayin.'
"The only reason he has become the main character is that everyone else in the original cast moved on to other things. I NEVER thought of him as the central figure, but it just worked out that Michael Gross, like Burt Gummer, was a "survivor." :0) "
"No one would like to see it more than I!!! One of my greatest regrets is that so many other cast members fell away over time. Reba was on to other things, Kevin said no to a second, Fred said no to a third. I would LOVE one last go with all of them, but it is not up to me. :0( "
"There are no guarantees, but for those who wonder aloud if this is the final film, I will say what I have said before: SALES drive sequels, Show biz is 5% show and 95% business, so if this latest addition to the Tremors franchise, sells well, [Universal] will follow the money, and Universal Pictures Home Entertainment may will be back for more."
/u/ActorMichaelGross, the bell has been rung and the song sung. Get the producers on this ASAP!!
I was also the first person to discover the symbolic foreshadowing of Stumpy's end with Earl's sleeping bag in the original movie.
Let's just say, I really *really* love these movies. So if anyone knows anyone, hook me up to the producers of this series and I'll Justin Lin in the Fast and Furious out of this shit.
Since I don't think it's good to critique without proposing either, I say we can make up for this fuck up with the next movie. We'll call it Tremors 8: Ouroboros. After the snake which eats its own tail.
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We find out Burt faked his death to get the Proudfoot Corporation to let down their guard and when everyone from the previous series comes back for Burt's fake funeral they give him ever loving shit for being such a paranoid whack-job that he would fake his death to fool a government agency. Why would he do this? He found an old photo of Hiram Gummer with a Graboid warning on the back and asks himself why this valley, why these things, why allways me? And we find out, it's not Burt. It's that lifestyles of extremes will end up in places of extremes. Burt and the Graboids are survivors of different species. Sure the Proudfoot Corporation IS using Mixmaster to combine Graboids, Shriekers, and Ass-Blasters into one super creature for the military but it pales in comparison to Burt looking at his life and wondering in shame how many ancient giants like himself he has killed. And with that, he actually dies, and we keep the ball rolling with the rest of the characters trying to stop what they allways thought was just another one of Burt's crazy conspiracies.
That's why it's Ouroboros. Everything comes back around. We could end/start the movie with Grady, Earl, and Jodi opening a Monster World in Perfection Valley a la Desert Jack's Graboid Adventure. I don't know. I'm fucking trying harder than the people they paid to do this already.
It ain't perfect but I'm building on sand here so changes are gonna get made.
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Like if the makers of Tremors notice this,
Then DM me because fucking A you guys need some help.
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