#it's gonna be weird because I'm those type of people who have a strong moral compass even when watching media knowing everyone is grey

[meraki-yao]

I'm in a law lecture, the lecturer is talking about British history because the lecture content is Civil Law System VS Common Law System

And I'm trying so hard not to laugh because all I can fucking think about is George Villiers

Like as a historical figure, I have opinions on the real-life George Villiers, and most of them are very negative

But mix that sentiment with the fact that Nick's playing him, and I can't fucking stop laughing

Oh God, M&G is gonna be a ride for me

[genericpuff]

…Here is something a bit more serious I wanted to ask…

How do feel when it comes the fact that plenty of sexual themes inside LO are being told incorrectly to a young audience (I keep hearing on how most of Webtoon readers are still around 12-16 year old girls)?

Specially with the fact that Rachel keeps on sexualizing Persephone after some scenes showcasing her trauma….

I hope I’m not overstepping my boundaries here…thanks again for listening.

You're not overstepping at all ! This is actually a topic I've gone off about in the past at length on reddit and in chatrooms like Discord so I'm always happy to divulge about it and talk about it. It's a problem that goes way bigger than LO but I'll try my best to keep it focused on LO for the sake of getting to the point.

Before I get into it, obligatory TRIGGER WARNING for discussion surrounding sexual trauma/abuse/etc. and how it's romanticized and marketed in Webtoons media.

There are so many comics in Webtoons library that are just skeevy beyond belief for the stories they're trying to tell. Whether it's gratuitous oversexualization of its characters to the point of being absurd, to the implications of the romances in these stories that often border on non-consensual/toxic, Webtoons seems to be using these types of things as its main draw in a lot of their "big money" series - or at least, the ones they tend to market the most.

Now don't get me wrong, I've got a strong stomach for weird/creepy/dark shit and I'm capable of having suspension of disbelief when reading stories like this. I'm an SA survivor myself but despite this, I'm no stranger to dark romance or stories that 'toe the line' or even overstep it completely between morally acceptable and morally apprehensible, a lot of these kinds of stories have actually helped me overcome and heal from what I've been through. Suspension of disbelief is important and this is, after all, fiction, where we as creators are able to explore taboo or 'forbidden' topics in ways that either interest us or empower us or just feel like fun to write.

But there's still a line to be drawn because I'm an adult person who has literary analysis skills and is capable of picking apart these stories and what they might be consciously - or subconsciously - teaching us or portraying. Kids and teens? They basically are what they eat. This isn't to say teenagers are stupid or anything of the sort, but I was a kid too once and I know I internalized a lot of media that I straight up shouldn't have been consuming at the time. And I do think a lot of webtoons on the WT platform specifically dangerously veer into that territory all for the purpose of money and clout.

Again, don't get me wrong, I love morally questionable or otherwise abrasive characters, I think they're fun to write and fiction is a great way to explore those kinds of dynamics (and I've had pals weirdly thank me for how much suffering I put my characters through LMAO). But I'm also not gonna sit here and bullshit people into thinking my main projects are meant for teens. They're not. My main protagonists are in a shitty toxic relationship that should not be romanticized. My main character is a hyperbolic self-insert reflection of how awful I used to be as a person and how I was at the center of all my own problems for years. You should be 18 at minimum if you want to read my work because the stuff I write about isn't appropriate for or wouldn't be able to be observed and accepted as just fiction the way most mature adults can.

Now I'm not saying my work is "deep" or anything like that, it's stupid fun weeb shit. But it's the kind of stupid fun weeb shit I wouldn't want a teenager internalizing or taking to heart. It's why I'll include plenty of disclaimers to remind people that my stuff is a work of fiction and I simply enjoy exploring these kinds of tropes and dynamics through my characters, but I do not condone their behavior or the things I represent in my work. I fully respect other creators and writers who do the same.

Rachel is not one of those people. Rachel doesn't do this. She tries to claim to be progressive while completely misrepresenting the things she writes. She doesn't actually care about these topics, she just wants you to think she cares about them. Don't get me wrong, there are other series on the platform that are absolutely problematic when it comes to this sort of thing (Webtoons looooves marketing them, blech) but Lore Olympus is the absolute pinnacle of irresponsible, the sum of everything that's wrong with Webtoons.

It gets constant special treatment - often times being put in the banner reel every time it updates and in the prime spots no less that are rarely ever given to other - far more thought-provoking and well-written - series that could really use the ad space.

It markets itself to kids and teens despite having subject matter that either isn't handled responsibly OR should be taken with a level of suspension of disbelief that a lot of teens/kids aren't capable of having.

And the subject matter that it does try to handle responsibly is flubbed entirely because they're leaving it up to the writing 'skills' of a privileged white woman from New Zealand who's either never lived these experiences or, those that she has, couldn't even write them into a narrative when she tries because she still exists with internalized biases that completely miss the mark because she's never tried to look at things with a viewpoint outside of her own.

She's just not a writer, full stop. But because it's Webtoon's golden goose, they market the shit out of it anyways and give it preferential treatment. And of course, they market it to kids and teens because it's cute and colorful, and kids and teens will be more likely to overlook its blatant problems because they don't have the literary analysis skills yet to identify them.

The other side of the coin they market to? The adults who don't think these problems are problems to begin with. These are the same adults who celebrated 50 Shades of Grey and After as if they're masterworks of fiction. Overall very shitty, problematic people. At least the teenagers have the potential to "grow out of it". The adults who defend Rachel like their life depends on it are grown up but not mature or empathetic in the slightest towards those who have found their own stories and experiences trivialized or otherwise misrepresented completely through LO.

I know, that's undoubtedly a lot of hot takes, but this is such a massive problem in romance stories today. I get it, it's "drama", and it's been around since the harlequin novels of old, but the way it's pushed and romanticized and presented as if it's somehow "couple goals" by the people - often women - who write them is getting to be exhausting.

At this point I put Rachel Smythe right up there with Anna Todd and EL James - ego-driven female "writers" who wrote shitty fanfiction that got a lot of views and happened to fail upwards in their success, but when you dig past the subscriber count numbers and the clout, they themselves are not that profound or well-read in any meaning of the word. They're just people with huge deeply-rooted issues who write problematic romances instead of going to therapy.

And that's all I'm gonna say on that.

[alliterative-albatross]

So, I sent you (@disgruntledspacedad) a pretty long ask a while ago (back when you had anon on) and I'm decently sure Tumblr ate it (or maybe you ignored it, in which case, feel free to ignore this one as well). But then I saw one of those "writers appreciate feedback no matter how long" posts, so I'm back here. Here is my mediocre attempt to rewrite my original review of your work. Bear in mind that English is not my first language, so if at any point my phrasing sounds weird to you, you know why. Mandatory disclaimer/apology: this might get a little too long 😅

RULES OF ENGAGEMENT

I remember being SO mad at myself for not finding this sooner. I binge read it one afternoon with no thoughts for any real life responsibilities I might have had (and no regrets). Javiears is one hell of an unconventional relationship in the beginning, and I really love what you did with them. The whole premise of your story is quite refreshing, and you somehow manage to convey the trust and mutual respect there two feel for one another without explicitly showing us the beginning of their "entanglement".

Also, fuck you for what you did to poor Emilio, that man was a saint and he deserved better! I honestly can't believe that I got so attached to a character that appeared so little in the story, but it happened, and his death kind of broke my heart.

But the Javiears reunion + mild confession was lovely, and felt completely deserved. And of course the sex scene. I won't lie, I expected a bit better from Javi there, but I did like how utterly /human/ it was. Capturing that humanity, the imperfections in each character is something you're really good at (more on that later).

AFTERSHOCKS

Ah, my emotionally constipated babies who really need to work out their communication issues. I do love them, though. And this short series did a really good job of delving a bit deeper into Ears's and Javi's psyche. Kudos to you for dealing with the medical "aftershocks" of living through an explosion AND using that experience to move your emotional plot forward. These two need to grow a lot before they can get to a stable point in their relationship, and you really manage to convey their insecurity and fear of commitment/intimacy while making it clear that they're in it for the long run and that theirs is a relationship that WILL work out so help them God.

IF I FALL

Ouch. Punch me in the gut while you're at it, why don't you?

But seriously, "If I Fall" is SO FUCKING GOOD. Don't get me wrong, it's angstier than an image of Jesus on the cross (don't judge me, it's Holy Week and I just got home from accompanying my grandma to church), but it somehow works beautifully. You, my dear, play heartstrings like they're a fucking guitar and I AM HERE FOR IT.

You're doing an amazing job at making me feel everything these characters are feeling, which is both awful (bc pain) and impressive.

Also, if anything happens to Ana I will cry, because she is adorable and wonderful and has suffered way too much already and really deserves a break and some cookies.

Also also, if anything happens to Ears I will cry, because she is badass and wonderful and has suffered way too much already and really deserves a break and some cookies.

Also also also, if anything happens to Javi I will cry, because he is loving and wonderful and has suffered way too much already and really deserves a break and some cookies.

Basically, I am really invested in the well-being of these characters and can't wait until they're happy and safe again (please tell me they will be, my heart can't handle much more pain).

A quick note on the angst complaints: yes, this story is way angstier than most other fics out there and it can be a bit too much at times, especially considering how many chapters of pain it's been. BUT it's obvious that "If I Fall" NEEDS this amount of angst to get where it's going, to send the message it wants to and to properly develop its characters. The pain is as important to this story as flour is to bread. You may not like eating flour on its own (I don't think anyone does), but you love bread (because bread is amazing) and you must recognize that bread NEEDS flour to work. It wouldn't be bread otherwise. And eating the flour as part of the bread even makes you like the flour because the bread is just DELICIOUS.

I fully understand and sympathize with the people who have elected to table "If I Fall" until it's completed so they can binge read it knowing there's a happy ending in sight, but in case you're feeling a bit self conscious about all the angst, please know that your story is beautiful not in spite of the pain, but rather /because of it/.

PS: No, I'm not high/drunk, I just really like bread

AUTHOR'S NOTES

Silly thing to comment on, I know, but I do feel like it's important that you know how useful your ANs have been. There are many details in the story that I simply wouldn't fully get without reading your comments at the end of each chapter, and I appreciate your writing a hell of a lot more knowing how deeply you understand and care for each one of your characters. Plus, it is obvious how much work you've put into researching a country and a time period that are (from what I gather) unfamiliar to you, and I really do believe you've done an amazing job of it.

JAVIER PEÑA

My boy. I love your characterization of this complicated character, and I have eagerly read each and every one of your headcanons about him. I can't really say if your version is fully faithful to the source material because it's been a while since I saw Narcos, but your Javi most definitely reads like a real person. He's fairly consistent as a character, and I feel like everything he does is perfectly natural for him to do as a character. He makes for an unconventional yet deeply interesting romantic lead, and so far I have thoroughly enjoyed all his POV chapters/scenes.

OCs

I know you've gotten some flack for making her into an OC halfway into the story, and while I get why the sudden change may have felt like a disappointment for some, I don't share that sentiment. I firmly believe that this fandom is unfairly harsh towards Original Characters and their creators, and I don't really understand why. Listen, I love Reader fics, and consume many Reader fics. I have read dozens, maybe even hundreds, and I can safely say that I've only ever "inserted" myself in approximately 10% of those stories. Reader characters are not as blank as their writers may want them to be. They can't be. They're characters, and character have personalities and moral values and senses of humor and a bunch of other things. Reader characters may not have a backstory or a physical description attached (and even that's not guaranteed), but they're still characters.

And on a more personal note, pretending they're actual blank slates is naive at best and insensitive at worst. Reader characters are American coded 99% of the time, and white coded 95% of the time. Not every readers is white nor American, even if that's the predominant demographic on Tumblr. When I read a JavixReader fic about a woman who speaks exactly zero Spanish, I know she's not me. The story may be beautifully written and have an amazing plot and character development, but the Reader *isn't me*. There is absolutely nothing wrong with that, and some of my favorite xReader stories feature a "reader" who couldn't be more different from me, but it's something that enemies of OC fics should take into account. Particularly if they are white and/or American. But I digress.

HANNAH AARONS

Your character is amazing. She's strong, smart, confident, independent and an all-around badass. She gets kidnapped while pregnant and still focuses on problem solving and survival. But she's also overly guarded and mistrustful, and really needs to work on her communication skills. There are times when I absolutely love her and even admire her, and other times when I want to whack her with a slipper. She's no Mary Sue, but remains interesting and likeable throughout the story. She feels wholly human and real, and that's no easy task. I like her, I am invested in her, and I can't wait to see what's next for her. She's a compelling and three dimensional protagonist in a complex story who never fails to draw me in. I love her. She's your baby, and you should be proud of her.

Also, quick question about personality types: I know you've typed Javi as ESFP and Ears as ENTP (100% agree on both, btw), but have you given any thought to their enneagram types? I personally have always seen Ears as being somewhere on the thinking triad, maybe a 7 or even a 6w7, but I'm not too sure about Javi. 9w8 maybe? He could also be a 6w5 🤔

PARTING THOUGHTS

Basically, I love your story, your characters and your writing in general. You are a fantastic storyteller and wordsmith. You get into the heads of incredibly different characters personality-wise (Ears, Javi, Berna...) and manage to capture all of their complexities and quirks every single time. And it doesn't feel like it's something innate for you either. To me, it seems that you have put a lot of work and effort into understanding each and every one of your characters, who they are, why they do what they do and what they want. And let me tell you, all that effort has been more than worth it. "Better Love" is a fanfic, but it wouldn't be out of place in a regular bookstore, if I'm honest. I don't know what you do for a living or if you've ever considered writing professionally, but you clearly have the skills and the drive to create some masterpieces.

You are amazing and your writing is a gift. Thank you for sharing it with us, and have a nice day! ~ 🍪

~

My friend, I apologize for hoarding your first ask. I’ve been sitting on it because I’m not gonna lie, I enjoy going back and rereading it. It gave me a lot of comfort when I was in a pretty dark place, both personally and in regards to my writing, and I was reluctant to send it out into the the abyss of Tumblr where I might never see it again. 

That’s not fair, though. You put just as much effort into sending me that review as I put into my writing, and I apologize for never responding to you.

Okay, anyway, so twice now, you’ve made me cry. In a good way, I promise! 

I absolutely love your bread/flour metaphor. It made perfect sense. I want the emotional release of Javi and Hannah’s reunion to be earned, and in order to do that, the angst has to come first (there are also a few plot “ingredients” that have yet to make their appearances). Thank you very much for understanding that, and for voicing it so eloquently.

I appreciate your comments on my research and characterization. You’re correct that I’ve put a lot of time and effort into crafting a universe. In a lot of ways, I’m doing my best to stay true to the source material (regarding culture and timelines in particular), and in others, I’m branching into my own territory. 

On that note, I’ve never once regretted fully embracing Hannah Aarons’ identity as an OC. She’s stayed consistent in my mind from the beginning, and it was a relief to finally share my vision of her with the audience. And for the record, I totally agree with you regarding “reader” characters. Every reader insert echoes the perspective of their author, no matter how vague the physical description. I can only imagine how grating that must be from the perspective of a non-white, non-american reader. Thank you so much for sharing your insight! I will certainly keep it in mind the next time I write a “reader insert” fic.

Okay, enneagrams! I am much less familiar with enneagram than I am MBTI, but I agree 110% that Javi is a 9 with a strong 8 wing. I waffled back and forth on Ears a little, but eventually landed on 8w7 for her. It came down to the eight’s deepest fear, which is being controlled. That’s Ears all over, and the fact that she and Javi share that eight willfulness means that they might butt heads a little, which also seems very appropriate for them. Big thanks to @remusstark for her insight into the eight frame of mind - our conversations helped solidify my decision on this. :)

Anyway, I’m just rambling now. The big take-away point that I want you to get is that I am so, so grateful to you, both for your insightful feedback and your dedication in making sure that I actually saw it. You are an absolute gem and a deep thinker, Cookie-Anon, and if you ever feel like sliding into my DM’s, I’d welcome the opportunity to get to know you better.

Mad love and soft hugs, 

~ Jay

[pappydaddy]

Obx anon here lmao I hope you're not sick of me. 😭😂

I definitely agree the whole Kie vs her parents arc was very badly handled bc it made her seem more ungrateful than she probably is. I just really couldn't stand her this season, I mean she wasn't my fav character to begin with she definitely already had those moments in S1. I mean she was 80% annoyed with something this season sooo... 💀

I'm kinda surprised that so many ship her with JJ bc I got the impression from her she's rather their friend than be romantically interested in any of them. Like she mostly acts annoyed around JJ, for example in S2ep10 when they both stayed together in the ship container she literally rolled her eyes at him while saying "now it's only us" , so I'm sorry I can't really get on board with this when 85% of their interactions are like this. Or maybe it's just me because I love JJ so much and I think he deserves better idk please don't come for me. 😭 I can totally see her in a relationship outside the friend group plus it's super weird if she would go through every guy in her circle idk. The entire Pope thing was so unnecessary and I still hate her for playing him like that.

Dude I'm way too invested in this show I basically binged the entire thing in two days bc I refused to watch it until this year. I already knew this would happen based on the things I saw on the Internet and I didn't want to add another fictional white boy to my list of characters I'm hopelessly in love with, but here I am daydreaming about JJ Maybank like I predicted a year ago. 🙃🤦🏻‍♀️💀 (might fuck around and start writing fanfics for him bc I can't help myself)

Definitely a highlight of this season was JJ stealing a fucking ambulance bc ofc he would. Like he's so loyal to his friends my heart can't handle this 😭❤️ He definitely has Steve Harrington energy another white boy who stole my heart 😂🙃 I wish both would get more development as normal characters and are not treated as punching bags (literally) and comic relief characters.

I can't wait for season 3 and how this entire thing ends (I heard there will be only three seasons so correct me if I'm wrong). How the fuck will they escape from the island and when will the Camerons finally face the consequences for their actions? 🙃😬

Of course I'm not sick of you lovely! I love when you guys interact with me like this!

I get what you mean, I feel like the situation between Kie and her parents was handled poorly on both their parts, but I feel like Kie's faults were a bit (teeny) more excusable as she is a teen who thought her best friends had died and then had her parents tell her she couldn't hang out with her friends anymore. But overall, aside from her situation with her parents, Kie did annoy me in both seasons. I really hope in season three, there is more character development for her because she is a good character and has strong morals, but I just feel like she's a bit lost in herself. Which is a big reason I don't like her and JJ together. I just feel like they both have such strong personalities and they would only draw out the worst in each other. I also picked up on the things you pointed out about Kie acting annoyed with JJ and that's another reason I feel like they wouldn't be a good match romantically - more like a brother/sister kinda match would be better I feel. For next season, I would love for Kie to find another person outside of the main circle as well, I feel like that would not only be good for her character development, but it would be interesting for the plot since she is usually the person who doesn't like new people joining the group. And I know I said this before, but it would be great if she was LGBTQ+ because I feel like the writers could incorporate her past behaviours and such into the internalized anger she felt towards herself for being part of the LGBTQ+ because I feel like that is something many people in the community still battle internally about even if they are accepting and I know that a lot of bi people still deal with those feelings (spoken from experience).

My take on the Pope/Kie thing was that Kie knew she didn't like Pope that way. And even if, for a second, she thought she might like him that way, when he stopped her before they had sex expressing how he didn't want to do it if there was a possibility that it would mess up their friendship - she should have respected that and maybe they could have felt the relationship out a bit more before going all in. Especially because it was Pope's first time. I love Kie, I really do, I know it doesn't seem like it from this post, but I feel like the writers aren't doing her character justice. Just like Greys Anatomy destroyed Izzie's character.

Also, don't worry, I binged the entirety of season 2 in one day. Nonstop. I laid in bed for ~10 hours just watching the show because I worked 8 hours the next day and I knew I was gonna be too tired when I got home to watch it and I needed to finish it for my sanity. When I first started watching, I knew JJ was gonna be someone I fell in love with because he is the type I usually fall for, so I tried really hard to fight against it, but I am a white man's whore so I ended up losing. But Pope is my baby, I want to protect him and just save him from everything so it's not just JJ who I am in love with from the show. IF YOU START WRITING FOR JJ PLEASE SEND ME THE FICS I WOULD LOVE TO SUPPORT YOU! I ALSO HAVE A HARD TIME FINDING FICS BECAUSE THEY NEVER COME ACROSS MY DASH SO!

BUT 100%, START WRITING FOR JJ, THERE IS NOT NEARLY ENOUGH OBX CONTENT ANYMORE! YOU WOULD BE AWESOME, TRUST ME, YOU HAVE A REALLY GOOD SENSE ABOUT THE CHARACTERS FOR JUST WATCHING THE ENTIRE SERIES IN TWO DAYS! IF YOU NEED ANY HELP REACH OUT!

And JJ def gives off more chaotic Steve vibes. Loyal, a little dumb sometimes, his heart in the right place, crappy parents, etc. It's pretty much a dead match. Even in between last season and this season, JJ had a lot of character development. He seemed more calm this season, he wasn't getting in fights every episodes. But, I agree, both characters def need more character development and to be beat up less.

I haven't heard anything about them being signed on for more seasons yet, so I'm not sure how many seasons there are going to be. But saying as though it's still in the top 10 and lot of people are streaming it, I feel hopeful that Netflix isn't gonna just cancel it like they love to do. I have a feeling that they might sign on for more than three seasons if the actors are willing (hopefully) since it is such a popular show.

I think they will probably pick up next season with a search being conducted, but I have a sneaking suspicion that Pope will figure a way to get them off or lure help to them. Maybe the coast guard will stumble upon them or Pope will do some cool shit to send a distress signal to them. But since this show is really realistic when it comes to the privileges that rich, powerful, white men hold, I have a sneaking suspicion that Rafe and Ward won't face the consequences for their actions, especially not if Rose continues to help them.

But, please, oh please, start writing for JJ and send me your fics, I would love to read them and support you! I started this blog and writing my fics just because I wanted to try my hand at them, but I also didn't want them cluttering up from drive. I just had so many ideas swirling around my head and I needed a place to put them. I have not regretted the decision to start this blog. It's been the best year. I found so many great people who are supportive, I found followers who are supportive and put up with my randomness and my rants about my life and family. If you need any help getting started, never hesitate to reach out. I would be glad to help you even if you just need a hype man.

[funkymbtifiction]

Hey, so, like, I'm basically incapable of determining whether I'm an ENFP or ENTP. I know I'm Ne dom, but it's the middle I can't figure out. Sometimes the Ti/Fe descriptions resonate, but at other times Fi/Te do. It's weird in that I'm good at debate & analysis, but I rarely play devil's advocate and couldn't give a damn about rigorous logic, but I'm not a dreamy free-spirit and have a hard time knowing what I want. How do you go about figuring out the middle functions when neither really fit?

(Gif: The Master - ENTP, and Missy - ENFP, Doctor Who.)

The other day ENTP and I were having one of those deep, meaningful and highly relevant discussions that involved what we could do if we had the power to reshape the universe to fit our own personal desires. I mentioned that would be useful in dealing with one’s enemies, since we could essentially rewrite their existence. ENTP suggested the best possible punishment would be for them to wake up as a goldfish. In a bowl. So I laughed and shot back, “The best thing about that is goldfish don’t live very long, so sooner rather than later, the enemy is gonna get FLUSHED.” And once he got done spit-taking, he said, “That is COLD. OMG, you and the tert-Te. SO BRUTAL.”

He is always trying to kill my buzz by telling me to be nicer. Whatever.

Anyway, couple of ways to tell.

ENTP looks at the world as a system. He wants to find the code to hack it with, so his life goes as planned – and so, hopefully, people stop being so damn emotionally motivated all the time. Yet, he wants ego strokes thanks to tert Fe. And he more often than not accuses me of being too blunt (oh the irony of THAT) or “too moralizing” because, you know, I have them.

Moi, ENFP, looks at the world in terms of relationship dynamics. I just wish people would get along better – and yes, being less damn emotional would help, but I can’t help BEING emotional. It’s how I roll. I do not care about ego strokes; I want answers, and I want results, and I sometimes hit that Te-mode of “either help me or move aside, because this train is leaving the station, with or without you on it.” I am often blunt and then guilt-ridden and apologetic about it. Also, I WILL cut you if you call me a dreamy free spirit. =P

He accuses me of being too morally judgmental; I accuse him of not having enough respect for people’s feelings; he accuses me of being too harsh; I accuse him of rationalizing his actions; since he lacks Te, he lacks as much follow-through as I do; because I lack Fe, I lack his ability to be ‘charming.’ He hears stuff and has an immediate judgment on how logically consistent or absurd it is; I hear stuff and have an immediate moral judgment on whether it is ‘right’ or ‘wrong.’ He comes to me for emotional support / understanding of what motivates the feelers in his life; I go to him for rational debate and opinions.

If none of that clues you in, ask yourself if you were a super villain, what would you do and why?

The ENTP super villain wants to cause chaos and emotional suffering. Like the Joker in The Dark Knight or the Master in Doctor Who, creating an emotional response (Fe) is something he enjoys doing, because it’s fun to screw with people and their irrational behaviors. See, to the Joker, the world is a … system he can hack; his lower Fe goal is to prove to humanity that it’s not nearly as moral when its life is threatened as it professes to be – it’s you or them, so which one of you will blow up the other one first? This has no purpose, other than to enrich the Joker’s understanding of human nature; it gets him nothing, it gains him nothing but information and personal satisfaction, he does not monetarily gain from it, zip. Aside from causing emotional duress (Fe) and testing his theories for validity (Ti + Ne) … and as a Ne-dom, he really is sort of delighted to be proven wrong because … that’s more fun. He literally robs a bank and then burns all the money, because he just wants chaos.

Since Fe users feel other people’s feelings, and are ‘fed’ by other people’s emotions, in a lower Fe / TP personality type, it’s often utilized in the sense of wanting to be approved of, of thinking in terms of group consensus, and in ‘rationalizing’ morality (ENTP would argue that morals are rational, but that true morality does not exist outside rationality – I would just say, “Dude, it may be true that society decides what it believes is moral, but there’s right and wrong, and while in some situations wrong may be right, there’s still moral absolutes in the universe”).

The ENFP super villain (of which, tragically, I have only found one – I hate you, writers that write 10,000 NFJ villains and only one ENFP… you suck) wants to cause chaos too, but usually for a purpose and personal gain; it can be on a moral issue (sadly, Missy from Doctor Who has none, which means she DOES the horrible, nasty things that would pop into my lower Te mind in her place) or for a Te purpose, which is to ‘gain’ something – this may be purely to prove her conclusions correct and/or to strong-arm people; but not being a Fe, she/ the super villain does not ‘feed’ off people’s emotions. If she kills someone, it’s to prove a point, it gives her a 5 second high, and then she moves beyond it, since it is meaningless to her, and that person was in her way. Her Te-centric mantra is: gain something from this, and it’s NOT to better understand the ‘system’ because she does not see reality that way; evil Te is more prone to steamrolling people to attain control and/or achieve a desired end; emotional duress is a result of these actions, rather than the intended purpose, since Fi gets ‘nothing’ from others’ pain. In other words: let’s not burn the cash, that’s either why we’re here or part of a much larger plan. :P

More comparisons in this tag.

- ENFP Mod

[elizabethrobertajones]

If you feel like it, I'd be interested in your opinion.... personally I'm getting really tired and hopeless about the way Dean gets angry, blaming and aggressive towards Cas and Sam.... yes, he's worried, he feels abandoned or betrayed - but I feel like I've been making excuses for him for so long.... IDK if it's out of character, it seems so so different from past characterization, where I feel it was more understanding and came with more sweetness and care.... am I wrong?

Answering this properly would probably take an entire walk through Dean’s life history, along with rewatching everything just to form an opinion… Bearing in mind you’re asking someone who would still default to being a Dean girl if I had to pick, even though I think those categories are monstrously unfair to my TFW-loving heart :P

I do think each successive trauma Dean’s had since season 2 has each time made him more depressed, angry and withdrawn, which is the root cause of all this (as usual, start with blaming John when discussing Dean’s personality defects :P) 

He also is usually right about things and has a moral high ground even when the show is making him a demon, so that can’t help :P He’s positioned as the emotional POV and moral centre of the story, and as Mittens keeps calling him, a human lie detector, and that puts him in a LOT of situations where he has to protect his family, or their lies and betrayal and losses all are about his reaction. 

(It’s this that makes me think he has a lawful good D&D alignment, mostly because these are extremely irritating traits in a character if not done right, and clearly irritate people about Dean when he rubs them the wrong way, and like… yeah, it’s a gut feeling about how irritatingly right he is but that’s essentially why. :P)

But yeah, he’s very sympathetic to me without me having to try and these same actions don’t feel that way to me because I’m clinging to Dean and sobbing about how miserable he is, and have been for pretty much my entire adult life >.> Oops. 

I understand though, because it was partially this that made me really fall out of love with him over season 10 (also how gross he was being) and it took a big rewatch intentionally reminding myself of Dean being sweeter that helped ease me back in. I was more concerned about falling back in love with Sam after season 10 though, because Dean not being Mark of Cain Dean was all I needed to like him again. And in season 11, that also was true - without the Mark I found that he was much easier to get on with emotionally, and I was thankfully ready to like him again after watching a great deal of the show over again to remind myself. 

I think he has changed though since then, and in many ways positively, but also he has in a weird way developed ahead of Sam and Cas in positive development but since he hasn’t in other ways, he’s getting narky with them from his IMPROVED moral high ground and they’re not meeting his standards of new character growth and he’s not like, perfect, so he gets snappy with them. :P 

The show ALWAYS give him a moral high ground though - even when he was demon!Dean. In this episode’s case, Cas is gonna steal the Colt and IS acting shifty, and in a way it’s totally Dean’s right to call him out if he knew this, but he just has a gut feeling something’s shifty and is pre-angry about what he’s angry about later in the episode, so he seems not to change, in a way, being angry about Cas for one thing then the other, but really he’s been angry about the same thing all episode, only getting more clarity on WHY and what Cas did later. 

I’m not saying he was right to act the way he did, especially on making Cas feel unwelcome immediately (it reminded me of him lashing out in 8x22 and that really hurts my heart as it was coming from the same place but now 4 years ago - Cas made off with the angel tablet to protect Dean in the abstract (and protect the tablet from Dean because again he was being kind of controlled by it in a way where it messed with his basic programming), instead of sticking with him and them risking all the trouble together as a team)… but between his worry and his suspicion, he tried to call Cas out about it because - and he knows he does this but I guess can’t help himself in the moment - he reverts to anger when he’s worried, and Cas is really really worrying him. Explaining he does it but then carries on doing it doesn’t mean he CAN all the time and ideally he’d try and talk it out before storming off or lashing out, but this is where we are >.> 

But yeah, he does this same thing way back… I can’t think of smaller examples though there’s bound to be some because right from the start he and Sam grated on each other but Dean’s secret in season 1 was he was just so scared for his family and wanted to put it all back together and not be alone and to protect them all - that’s the darkest thing Dean discovers in season 1, how much he’d do to protect his family. So this is still playing off a core trait that was Dean’s darkness in season ONE. But in practice back then that looks like constantly pissing Sam off to the verge of leaving to find John on his own half the time :P 

In 4x04 Dean has a chance for a huge sanctimonious narrative-will-prove-him-right argument with Sam at the start when he finds out he’s still been working with Ruby… He really lets Sam have it but he IS right and his approach really didn’t help anything especially as Ruby WANTED a rift between them, and Dean digs himself a great big hole over, like, everything… Same could be said for Cas, once he’s in the family bracket for sure, with 6x20 and everything Dean says there, especially as Cas going to Dean doesn’t actually seem like it could have helped all that much in averting Apocalypse 2.0 except for dying in the moral high ground together as family, so, yay :P In 4x21 Dean also says he’d rather Sam dies human and is technically right, with the narrative again, that Sam shouldn’t have been drinking more demon blood, or that they should use him as a weapon for the greater good, or let him go kill Lilith, since what seems like the ideal end goal is just how Lucifer gets free and causes even greater evil. (He also yells at and hits Cas in 4x22 but idk if Dean is even sure they’re friends yet until 5x01 when he definitely calls Cas his friend, although of course it IS the same type of argument where Dean is right, knows he’s being lied to and manipulated, and is pissed off and terrified.)

So anyway in show terms it’s old as dirt (aka anything that happened in Kripke era) and Dean’s always been angry-concerned and it’s so much a part of his character it doesn’t bother me in a way, even if I think he should change long term and not yell at and upset his family like that, it doesn’t upset or grind me down. 

I can see how season 10 could break you on that point though because it NEARLY did me, and kind of did for a little while (like… a couple of weeks. Which is a very long time to not like Dean in my personal timeline :P) - these days Dean is comparatively happier and in a better place than he was in season 10 and so every day he’s not Mark of Cain Dean is a little victory to me, and his behaviour and treatment of his family is accordingly more balanced and mature than it obviously would have been then, but I also think he has been working hard on trying to talk things out and addressing feelings. 

So in 12x19 he yells at Cas in one scene, but when Cas comes to talk to him again, Dean is open and calmer. He only gets angry again later when Cas betrays his trust, and I think that would be in part BECAUSE he opened up so much to Cas so it’s not just a general trust, it was a “I thought we were working on things and communicating better” trust of the immediate conversation he’d just had with Cas. I think he HAS been more well-rounded with emotional stuff and trying to get it right and not fuck up like he has in the past since season 11, and he genuinely had character development over that season that’s been very obviously applied THIS season. But he’s not magically become someone else other than Dean, and this is a core reaction for him and a core character trait when WRITING him, so it’s going to be a slow process to demolish it even though he’s addressed back in 12x10 that he does it and he knows it can be harsh, especially when he only really means to show his concern. 

I definitely don’t think it’s a thing to be hopeless about, especially when the story called Dean out for doing it - it’s called him out a few times over stuff, like in 11x23 making him say he put Sam and his own troubles ahead of everything including Cas, as well as 12x10 and apologising to Cas that he is too harsh because he’s concerned, not angry. Having Dean express these things out loud is not just Dean running his mouth, it’s dialogue that’s put in for the reason of SHOWING they know he has character flaws, and Dean genuinely has been trying to be aware he does it and to make up for it when he does. He can’t say, this time, that he forgot about Cas, because rather than wait for the ominous news, like it took until “Dean, that’s not Cas!!” for him to express more than passing concern, as soon as Cas stops picking up, Dean starts bombarding his phone and searching to see if he turned up dead in a ditch. He even got concerned and annoyed when Cas was working with Crowley at the start of the season and was keeping a grumpy eye on that scenario. He knew something was up before it even was this episode, and he might not have approached it well because he’s working on “concerned not angry”, but forgetting Cas is something he never wants to do again and the wake up call about it with Casifer has clearly had a profound effect on how he behaves about Cas - again it might seem like he’s being over-concerned and it might even be controlling behaviour but the narrative is determined to prove him right, and he has a strong basis for his gut feeling, because his gut feeling is very very accurate in many cases. 

But it has been 12 years and change is slow, so I can see why and understand it might not feel like enough, or that he’s getting worse… I don’t think you’d be wrong for thinking it, even if I don’t see it that way, because it’s so subtle and usually only shows up as positive development BY showing us the negative side of his behaviour so seeming to reinforce that it’s still there while we’re waiting for the change, and if you start to feel like you’re apologising rather than seeing those excuses as explanations for change, because it keeps on coming without seeming to change to you… It’s just a viewpoint and interpretation and  especially while we don’t have any big pay off, all it really is is that I have a more positive interpretation that’s making me much happier about where Dean is and how the show’s treating him that makes me really chill to see him angry at his family.

I think the point is that it feels to me at the moment that it IS in focus and they’re addressing it, we get MORE scenarios where this sort of thing happens because Dean is being tested on his character development over and over again - like how he had to deal with consecutive discoveries in only a few episodes of Mary and Sam and Cas working with the BMoL and then Heaven. Did he handle them perfectly? No, but he showed his development in different ways each time by expressing how he feels, or trying to go along with things instead of falling out, or to try and bridge gaps after falling out, and it shows each time that Dean is a work in progress and they’re slowly affecting him and helping him to grow as a person. But it means lots of scenes where Dean is pissy with the people around him, and falling into the traits the show feels like addressing, which is maybe why you’re now seeing them a lot and getting upset by it and thinking he’s never changed. They might not HAVE a moment where anyone ever points out he’s actually changed, and it becomes something that’s changed in him by omission that we don’t see it again after a while, and we have to remember he used to be this way.

I feel like a lot of his change, at least escalating to the Mark of Cain stuff, has been for the worse (as in, like I said, making him more and more depressed and angry and withdrawn), season 5 aside (season 5 fixed him and Sam somewhat before they unravelled the sweater again for another take at it all :P) and only in season 11 does he start getting positive character development, so we’re also in the middle of Dean’s positive change, and the show has all the time in the world, with a season 13 waiting and all these promises of it ends when we want it to end, that they don’t have to rush it, frustrating as that may be while WE wait for pay off on any of these long character arcs.

As an example of a finished one, though, Sam also has had lasting character development that had a profound change on the way he reacts/is written between season 5-7, and part of why he’s now more of a peaceful mediator in these things (although tending towards being too passive sometimes, and obviously has a lot of work he still needs doing especially as he still knee-jerk over-corrects and bottles things up) but in season 7 he really genuinely seemed to have grown and become more zen and peaceful with himself, and loses a LOT of his anger and over-confidence (… to the point of lack of confidence, which is where season 8 onwards escalated it >.>) which is a process he’s been on since season 5 but becomes more and more obvious through that chunk of the show, until Carver era starts messing with him badly, in a way where he also accumulates more trauma and changes his behaviour notably and over an extended period of time with lasting effects away from that and into seriously messing him up - but from a baseline of the zen Sam who emerged in season 5, not the angry Sam from season 1-4. 

We see them on screen so much sometimes you need a rewatch and to watch them evolve as if you hit the fast forward button on their lives, because going a season at a time and not looking back, it’s hard to keep a picture of how they were and how they’ve changed in our minds, especially when some behavioural changes are quite organic or not called out until they’re a long way down the line… It takes the start of season 7 to change and grow before Dean and Bobby start giving him “who are you and what have you done with Sam” faces as they realise, and tbh I only really noticed that after a rewatch where I already knew Dean and Bobby had called it out in the middle of season 7, to really appreciate this arc where Sam changes in season 5, 6 and 7…

… I think that is about as concise as I can get my very lengthy opinion, having deleted large tangents which probably were 3 times the length of this, all added up XD

[taz-writes]

Since I'm biased towards Slytherins and Gryffindor-Slytherins, could you tell us more about Suenya, Talxin and Nyrene?

Ooh! Yeah I can, but be warned, I could write a whole essay on any one of these characters. This is gonna be LONG, so I’m putting it under a cut for the sake of everyone’s feeds. (Also I’m sorry I didn’t get to this sooner, I don’t know when you sent it but tungle is eating my inbox notifications I guess...) 

Nyrene is.... kooky. In the words of the immortal TVTropes, she’s a cloudcuckoolander. Ny is weird and unabashedly so, partially because she’s actually Like That and partially as a tactic to unnerve and disarm the people around her. That’s why I think she’s a Slytherin, her entire gimmick is deception. People don’t lie well when they’re faced with something (or someone) that completely contradicts their understanding of reality. Ny’s one of my oldest non-fairy OCs and her original characterization was a direct manifestation of my most infamous ADHD-fueled manic episodes, if that gives you any idea of what we’re working with here. She probably does have actual ADHD but there’s more to her weirdness than that, she’s deliberately exaggerating stuff and she’s also just a super dramatic person. Very smart, surprisingly emotionally mature, but sometimes flips out over random stuff. Her ethics are questionable. 

Underneath the kookiness, Nyrene’s incredibly clever. Her main power as purple paladin is the ability to manipulate time, typically by traveling through closed loops. This takes a ton of coordination, memory, and clever improvisation. She’s constantly keeping a record of everywhere she goes, everything she touches, everything she sees and hears, so that she doesn’t overlap herself by mistake. Paradoxes are potentially lethal, after all. As a result, she can be a bit spacey, which reinforces how weird she is... but you can’t underestimate her. She’s paying attention to everything. Like, she’ll miss being spoken to or miss random information for the sole reason that she’s too busy memorizing everything else. The proof of her intelligence is the fact that she does this successfully and hasn’t broken reality yet. No dead timelines allowed here. In theory, she could jump forward through time or even pause it, but she’s never tried--it’s not safe to mess around with that stuff, the consequences could be even more devastating than those of the closed loops she currently works in. 

Way back in the day when I first made these characters, Nyrene and Syzyga had a really close relationship--sometimes I shipped them romantically, sometimes they were just platonic BFFs, but they were always stuck together as a duo. In the current iteration of the story they’re still very close, I think Syz is the only person who really gets what Nyrene’s deal is. Anlied knows in theory that Nyrene’s smarter than she looks, but Syzyga gets it. Syz is also pretty good at making Nyrene calm down when Ny loses her temper or just freaks out about something. They play well together. 

Another big part of why Nyrene’s Like That is her origin story, she’s from Nemmonay. Nemmonay is the weirdest setting in the Nymiaverse, it’s basically just one island off the coast of Kelrie, but it’s walled up and has survived attacks by all three of the other realms on the continent. Nemmonay’s  home to a lot of pirates and criminals, anyone fleeing the law in another country or who just doesn’t buy into the “system” of normal society. There’s a whole little hierarchy and social order to it, but the Nemmonese system grows out of pure anarchy and things could tip over at any time. Nyrene grew up there as the daughter of a major Nemmonese power family. Her mom is even smarter and more ruthless than she is, Pagala Enkeli is on another level of badass. Pagala also raised Nyrene with um.... with a really questionable set of ethics. I mean, they’re anarchist pirate gangsters, some of that’s just to be expected. Nyrene got her goofball act from her mother and took it up to 11, Nyrene also got her intelligence from Pagala--Pagala’s a chessmaster type and Nyrene is chessmaster junior. Ny knows a ton of different ways to kill people, pick pockets, manipulate a fight, and just generally get what she wants. What she’s lacking in is a sense of social awareness. She reads people like a book but doesn’t understand that she shouldn’t always do that, she has strong battlefield instincts but doesn’t always realize that she can’t punch or time-loop all her problems away. that’s why Syz is good for her. Pagala tried to teach Nyrene manipulation and social savvy, but Ny’s just not that good at it. Everyone’s bad at something. 

Soenya’s different...so she comes from a pretty remote area up in northern Sapir. The Sapiran Empire is the biggest realm of Nymia by far, but most of it is very sparsely populated because of how barren and cold it is. Sapir’s got a lot of mountains, a lot of tundra, and only a small handful of places where people could reasonably expect to live the year in one place. I want to take inspiration from IRL northern cultures to start building these remote settlements, I’m still deciding if I want to lean more towards Siberian cultures or American indigenous groups in terms of reference. Either way, the point is, Soenya’s from a tiny place up on the northern Sapiran coast that’s very small and close-knit and cold. Before the Academy she had very little exposure to anything beyond her village/group, and she was one of the only magic users she knew. 

She’s uh... she’s enthusiastic about people. Soenya’s a constant flirt, wants to get in everyone’s pants, and if she’s not attracted to you then she’s peppering you with random questions about whatever’s on her mind. She’s nosy and can’t mind her own business. She and Nyrene butt heads a lot because they’re both very strange people, but in different ways--Nyrene is reclusive and likes to be enigmatic for effect, where Soenya is nearly impossible to unnerve, at least not in the way Nyrene likes to unnerve people. Ny doesn’t know what to do when she genuinely can’t freak someone out? And of course Soenya’s noticed this and uses it to mess with Nyrene right back... Soenya’s pretty clever. She’s not that book smart (for reasons explained) but she’s good with people and has strong intuition. She’s got that good good folksy knowledge. She’s also pretty competitive, and she tends to provoke Nyrene’s competitive instincts whenever she gets going, because they just cannot STAND each other. Nyrene doesn’t like that Soenya won’t react to her weirdo act, Nyrene doesn’t like that Soenya keeps flirting with her (and everyone else). Soenya doesn’t like that Nyrene won’t give her a straight answer, and Soenya thinks Nyrene’s behavior means she’s a medical oddity--who’s ever heard of a person going senile by the age of 20? 

Soenya’s the paladin of yellow and that gives her some serious trickster instincts. She can control weather (within reason), talk to animals once in a blue moon (elk/deer and rabbits are the easiest bc she grew up around them), and she gets a power boost when somebody underestimates her or doesn’t take her seriously. She’s super annoying in a fight. 

I’m still developing Soenya as a character, because her role in the story has changed a lot since her creation--originally she was an antagonist, being mind controlled by the villain from the very beginning and fucking with the heroes all the time. she was also banging the villain (which given the context and character ages is gross and creepy, @past me WTF!!!), and then I deleted her entirely from the story for a while because I didn’t want to deal with the baggage of that original character dynamic. I’ve brought her back because she’s a really fun character and I like her, I want her to be part of the good guy team now, but I’m still figuring out who she is. You know? So pretty much everything I’ve said here could change. All I’m sure about is that she’s still a flirt, just with people worth flirting with, and she really hates Nyrene. (It’s mutual.)

Of the three you asked about, Talxin’s probably the most thoroughly developed, just because he’s a little more straightforward? He’s a beaten-down guy who’s been through shit and who’s fighting to make sure nobody else has to suffer the way he did. Archetypal antihero stuff. He’s brave, and stubborn, and smarter than he looks. He’s also impulsive and reckless, leaving him vulnerable to the darker side of his powers. Talxin’s what you get when I rewatch the Star Wars prequels and get pissed about how cool and morally ambiguous Anakin deserved to be. 

Talxin’s small, and for most of these characters’ early development he stays that way in his friends’ minds. Fair warning, his backstory is HEAVY and really dark, and one of the things I’m most worried about in terms of actually executing this story well. He grew up basically enslaved--Elcrin has a really really broken system of generational punishment. Talxin’s grandfather committed a crime, what he did is irrelevant, and so the family line got stuck as “indentured servants” to pay for the crime. Talxin’s dad Temerius was supposed to earn his freedom at age 20, but the owner of the farm where they all worked framed Temerius for another offense to lengthen the sentence and trap his children with him. So Talxin grew up in a horribly broken system, being told that this was justice, while his parents raised him worshiping the colorgod Red as a champion of true justice--all things equal in death. That later became Talxin’s mantra as a paladin. When Talxin was chosen as the red paladin in early childhood, he was attacked by the lord of the farm for having heathen magic, and he panicked and caused a ton of destruction. He got arrested and taken to an actual jail (this all when he was like four years old), escaped a few years later, and he’s been in and out of prison. Being called to the Academy for formal paladin training was a respite, and in his eyes, a chance for a fresh start and the tools to free his family. And then the Academy fell apart and he got sent right back to where he came from.

So what you end up with, after all of this, is a kid with a horribly fucked up traumatic history and a massive amount of power at his disposal. Because redmages are rare and persecuted, Talxin proportionally has a LOT more magic than the other paladins, he’s the strongest one of the lot. He’s got a strong sense of justice and he’s very much willing to kill to make things right--all things are equal in death, after all, and his patron deity is a god of plague and decay as well as justice. And he’s fixated on getting vengeance for the cruel and unjust treatment of his family, who’ve been scattered on the winds during the few years he was at the Academy. 

Talxin’s... really, really brave. Brave enough that when he’s sent back to Elcrin after the Academy falls apart he goes right back to the system and starts breaking it apart, rescuing people from the law and stealing shit from the corrupt government and making a big loud mess. In a demon AU I once nicknamed him “frog Robin Hood.” He’s also smart enough to get away with it. He’s a minor antagonist for a little bit, even... he winds up losing control of his magic and going way too far. All of the colors have minds of their own to some degree, and Red is vengeful and destructive and bent towards revenge. Talxin goes on a killing spree, which is fine when he’s killing people who deserve to burn in hell, but he starts hurting innocents too in the process. He loses sight of why he’s fighting, the ideals and morals and drive for justice that led Red to choose him above anyone else. Plagues don’t just stop spreading once they’ve done away with your targets, famines hit the people he wants to protect so much harder than the people he wants to hurt. The other paladins have to step in and talk him down before he starts something he can’t stop. I feel like he’s stuck between Gryffindor and Slytherin in my head because although he’s so daring and brave, he’s also ambitious and willing to do some very unchivalrous things when pushed to the line. He’s got a difficult goal to reach but nothing’s gonna stop him. 

As you’d expect from a character with this kind of life story, he’s pretty serious. He’s quiet and keeps to himself, he’s always watching and listening... the main word I’d describe him with is intense. But at the same time, he’s got a great sense of humor when he feels safe enough to express it! He’s sweet and goofy, and he cares so so much about his family and friends and acquaintances and any random stranger on the street who looks sad enough. He also plays fantastic elaborate tricks on people who fuck with him, like, in a modern AU he’s the one who sneaks into your nasty ex’s house just to steal all their toilet paper and the batteries from the TV remotes. And then he leaves the doors open so they waste money on heating. He’s the god of April Fools’. When it comes to his primary objective, he takes himself and everything else very seriously, he’s willing to put aside minor moral issues for the greater good. But if you get him to come out of his angst shell and just be a person for a little while, he’s a genuinely good guy. He’s not quite at Batman levels, there’s still hope for him yet. He’s just lonely and angry and desperate for affection. 

Talxin’s very close with Nyrene and Syzyga, out of everyone at the Academy he probably trusts those two the most, but he gets along great with Pariya too once she shows up. He wants to like Soenya but he doesn’t trust her, something about her sets off his internal alarm bells. Anlied scares the living shit out of him. He may or may not have dated Syzyga at some point in the past, they were a couple in past versions of this story but I’m not sure their current iterations are compatible. He’s got an older sister named Elysia, Lyss for short, whom he hasn’t seen since he was very small. He’s been trying to reconnect with her ever since the Academy caved in but she’s nowhere to be found. Nyrene actually finds her first. 

So yeah! Those three! They’re a LOT, Talxin in particular is really fascinating to me. Nymia doesn’t really have a protagonist in the traditional sense, but I think Talxin’s the closest to playing that role, as his personal arc drives so much of the story so far. Whether he’s the hero or not, he exerts a major force of change on the world of Nymia, and everything he does is important. The others influence things, sure, but Talxin’s.... he’s that. He’s a big deal. He’s a symbol. 

Nyrene’s arguably the most fun to write, though, just because she’s so delightfully weird. It’s entirely in character for Nyrene to do something just because it’s funny, or just to see what happens next. She thrives on other people’s confusion.