#it's me hi it's me elizabeth

[doesntseeyourbeauty]

helloooooooooo everyone! i have yet again changed my url because i discovered that no one had claimed this ttwas url!

so for the time being, i'll be @doesntseeyourbeauty <3 (once we get closer to ttpd release, i'll probably change it back to @the-alchemys)

for anyone who knows me - ttwas is one of my top taylor songs and was one of my surprise songs for my eras tour show!

tagging moots so they can find me <3

@ontheoutsides @suburbanlegnd @iknowitwontwork @cottoncandywhispers @felizusnavidad @daenerys-targaryen @deathbyathousandcuts @marianbrook @dearreader @bettysparksfly @columbusswift @wineonmytshirt @mayangelsleadyouin @sadbeautifulttragic @youllalwaysfindyourwaybackhome @aslowmotionlovepotion @munsonsreputation @probablychemical @ohcaroline @iftye @cruellesummer @cruel-style @rapunzeleugene @iwishyouwouid @sadbeautifutragic @parisbytaylorswift @allofmechanged @cows-wearing-my-sweater @gettingoveryoumywholelife @apathologicalpeoplepleaser @midnightslesbian @kitsebastianconnor

to anyone i forgot to tag, i promise i still love you <3333

[chloesimaginationthings]

Abby reminds Michael of someone else in FNAF,,

[mattelektras]

it's a metaphor for capitalism.

[demigods-posts]

canonically, percy isn't aware of the crushes people have on him until it's too obvious to deny — like when annabeth kissed him, or when nico straight up told him. and since percy isn't aware of rachel's crush on him until the beginning of tlo, that means there was a point in time when rachel was actively trying to get with him and he had no idea. and it's not even his fault lol. he just only saw her as his good friend and just thought her advances were her being friendly. i just have to see this in action.

[boltlightning]

i had nothing to do with your father's death. but that does not absolve me of my other sins.

[anghraine]

It's 11 PM, but one of my favorite little Darcy/Elizabeth moments happens while she still hates him and thinks he's a depraved monster, and I find it really entertaining.

It's during the Kent section, when Darcy calls at the parsonage and finds Elizabeth alone. During a longer, awkward conversation in which they both deeply misunderstand each other, they have this tiny interchange:

[Darcy:] “This seems a very comfortable house. Lady Catherine, I believe, did a great deal to it when Mr Collins first came to Hunsford.” “I believe she did—and I am sure she could not have bestowed her kindness on a more grateful object.” “Mr Collins appears very fortunate in his choice of a wife.” “Yes, indeed; his friends may well rejoice in his having met with one of the very few sensible women who would have accepted him, or have made him happy if they had. My friend has an excellent understanding—though I am not certain that I consider her marrying Mr Collins as the wisest thing she ever did."

So: they are in Mr Collins's house. Darcy tries to re-start the conversation with a polite nothing about the house. Elizabeth agrees about Lady Catherine's micro-managing, but can't resist the chance to make a sly jab at Mr Collins (who is not present) to Darcy (a genuine villain, as far as she believes).

Darcy's reply looks a bit like an attempt to redirect the conversation into safer waters (they can agree that Charlotte is cool!). But although his remark is only somewhat related to what Elizabeth said, I think it's a natural follow-up in his mind because he is also insulting Mr Collins, if more subtly.

He could have praised Mr Collins's judgment in choosing Charlotte or just said something nice about Charlotte; he doesn't. Instead, he suggests that Mr Collins's choice of Charlotte was a matter of good fortune—or chance, as Charlotte herself would say!—on Collins's part. Darcy and Elizabeth both know Collins is a fool and that his choice of a woman like Charlotte says nothing about his judgment, only about his good fortune. (Elizabeth has even better reason than Darcy to know how much Collins ending up with Charlotte was lucky for him, but Darcy can see it anyway.)

Darcy's phrasing gives him some plausible deniability, but I think he's generally quite careful with his wording and the implicit insult to Mr Collins is not accidental.

Elizabeth, I think, takes this exactly as intended. She's not at all confused about where this tangent came from or offended by it or anything. She readily seizes on the new line of conversation as encouragement to keep insulting Mr Collins and his appeal to women with functioning brainpower.

Elizabeth is pretty scrupulously polite in general, so I kind of love that she just starts venting about her absolute contempt for Mr Collins and the Collins/Charlotte marriage to Darcy in the middle of a tense and weird conversation in Mr Collins's house. And I love that Darcy, who is otherwise more or less dog-paddling his way through this conversation, is like "yeah, your friend seems really cool, that dumbass is lucky he accidentally chose someone with a brain."

Elizabeth: "Right? And, let me add-"

(Is it a bit of an asshole move on both their parts in the context of that scene? Yeah, I think a little. I also love it! Please trash-talk obnoxious hosts in their own parlours for the rest of your lives.)

[fandom-geek]

btw, the violinist in tmp 4? he's probably james smithson, of "founder of the smithsonian institute" fame

so what do we know about our violinist? he grew up in alnwick abbey, he was illegitimate and had legitimate full siblings, a father "certain of his celestial significance", and he has a nephew to whom he leaves his violin

and smithson? well, his father restored alnwick abbey in the 1750s, which was in ruins up until then. smithson was the only illegitimate child of any of the dukes there in the 1700s, which is when the statement is set

smithson also left his estate to his nephew after his death, with the condition that his fortune would establish the smithsonian institute if his nephew died without any children.

here's a point of divergence, however. in our timeline, smithson was a chemist and mineralogist. in tmagp's timeline, he was a violinist. however, as u/New_Helicopter836 pointed out to me on reddit, when smithson's body was disinterred by andrew graham bell, his right little finger was such that it suggests he played "the harpsichord, the piano, or a stringed instrument such as a violin"

looking at smithson's life, he left for university in 1782, so it's likely that tmagp 4 is set around the same time. it might be a bit earlier since the royal court orchestra moved from mannheim to munich in 1778 (putting smithson at about 13), it might be another point of divergence, or smithson is describing it this way to call back to its earlier significance. i'm not sure, but it's weird either way.

all that said, i'm not terribly sure why smithson describes his father (sir hugh smithson/percy, duke of northumberland) as "certain of his celestial significance", especially when the only other time he says celestial is to describe the violin's music. the user i mentioned before found that sir hugh, a major patron of architectural projects, had an observatory built, but i find smithson's language too specific. is his father an avatar too? mannheim is only a bit north of schwartzwald, after all, and this is about thirty years before tmag 23 where albrecht writes to jonah magnus.

let's look a little at smithson's bequest to found the smithsonian institute in the first place. smithson asked for it to be "an establishment for the increase and diffusion of knowledge among men". the magnus institute, notably, is described in the arg as a place of education, and it was founded in 1818. although smithson died in 1829 and his nephew in 1835, the original smithsonian (the columbian institute) was granted a charter by the us government in 1818.

the letter is strangely absent of any names for the violinist or his family, and i can't help but wonder if this is why. and if it is because this is smithson - is this related to why the magnus institute exists instead of the magnus archives? the smithsonian, before it was renamed, was originally granted a charter by the us govt in 1818 - the same year that the magnus institute was founded in tmagp.

this is set 30 years before we know anything of jonah magnus, at least in tmag, so is it possible that he persuaded smithson to fund his educational institute focusing on the supernatural? the changed course of smithson's life from scientist to supernatural violinist would certainly be conducive for that, not least to mention the strange absence of his fortune from his letter to his nephew.

[anewp0tat0]

Black Butler Amino, Black Arts Magazine - Holiday Party

it doesn't quite look like a holiday party from here, but what I imagined as a humble little piece is~~ Ciel and Lizzy sneak away from the big bustling midford Christmas party and raid the kitchen desserts, like they did when they were kids(it was Lizzy's idea, Ciel clearly hasn't been himself since he returned, and she wanted to bring him back).

[silverview]

🥧

[ofswordsandpens]

I love just how blatant and embarrassingly obvious Darcy’s affection for Elizabeth is on your second watch through of p&p 2005. I love him describing an accomplished woman as someone who “must improve her mind by extensive reading” and immediately eyeing Elizabeth with her book. I love him asking Elizabeth to dance at the Netherfield ball when, at the previous ball, Elizabeth had told him that dancing was the best way to encourage affection. I love piecing together the shots and realizing that Darcy is almost always looking in her direction. I love realizing the reason Darcy is walking through the crowd at the Netherfield Ball is because he’s searching for Elizabeth. I love him coming over to hear Elizabeth play piano and I love him telling her that he has trouble conversing easily with people he’s just met and knowing he’s attempting to be open and vulnerable with her.

His first proposal is so jarring and unexpected for Elizabeth but damn girl this idiot has been openly pining after you this whole time

[linusbenjamin]

And now my bitter hands    Cradle broken glass       Of what was everything          All the pictures have             All been washed in black                Tattooed everything.

[chloesimaginationthings]

Sister location: movie vs game

[rugwurm]

worlds most normal kids

[generalmoony]

They… didn’t recognise me at first, but then, they thought I was you… hah…

[ilovemesomevincentprice]

Vincent Price - The Pit And The Pendulum (1961) dir. Roger Corman

[anghraine]

It's kind of fascinating to me that towards the end of P&P, Elizabeth has become protective of Darcy and either a) actively tries to insulate him from Situations or b) wishes that she could and gets stressed that she can't.

Darcy deeply loves her and is very ready to do whatever he can to secure her happiness, but narratively, I think the emphasis at the end is very much more on Elizabeth's protectiveness towards him.

It's like:

When Bingley and Darcy first come back to Hertfordshire, Darcy is very quiet and Elizabeth can barely bring herself to say anything—until Mrs Bennet insults Darcy. Then Elizabeth speaks up.

Mrs Bennet enlists Elizabeth to separate Darcy from Bingley with another insult to Darcy. Elizabeth finds this both convenient and enraging.

That day, Elizabeth decides to privately tell Mrs Bennet about her engagement to Darcy, specifically so that Darcy will be spared Mrs Bennet's first unfiltered response.

Elizabeth fiercely defends Darcy's character and love for her, as well as hers for him, to Mr Bennet. She not only says she loves Darcy but that it upsets her to hear Mr Bennet's criticisms of him.

Elizabeth is both relieved by Mrs Bennet's ecstatic reception of the engagement and a bit disappointed by how completely shallow she's being about it, and 100% sure she made the right call in keeping Darcy away.

Elizabeth defends Darcy against Darcy himself, repeatedly.

There's a period where Elizabeth seems to unwind and laugh, but this passes, especially after Charlotte and Mr Collins show up. Darcy manages to stay calm around Mr Collins (I think this is framed as a significant and admirable achievement for him), but Elizabeth does not like him being in a situation where he has to deal with Mr Collins in the first place.

Elizabeth tries to shield Darcy from being noticed by Mrs Phillips and Mrs Bennet, who do seem to make him pretty excruciatingly uncomfortable.

Ultimately, Elizabeth ends up trying to keep Darcy to herself or to shepherd him around to relatives he can handle more easily, and is so stressed at this point that she just wants to get married and escape to Pemberley.

After their marriage, things are actually great at Pemberley and in their married life, despite the occasional complication.

Lydia writes a congratulatory letter to Elizabeth, asking for Darcy to get Wickham a promotion unless Elizabeth would rather not bring it up with him. Elizabeth really does not want Darcy to have to deal with this and handles it by privately setting aside a Lydia fund out of her personal expenses. (IIRC, it's not clear if Darcy even knows about this.)

Elizabeth also is the driving force behind Darcy's reconciliation with Lady Catherine.

This could read as an unsettling, unbalanced dynamic and a very odd ending point for the arc of a woman like Elizabeth, but in the context of the overall novel, it doesn't feel that way. Or maybe I'd see it more that way if I interpreted Darcy (and for that matter, Elizabeth) + their arcs differently? But as it is, I do think that by this point in the story they are genuinely doing the best they can, independently and for each other, and they've both come a long way. They shine in different contexts and support each other as much as they can in the circumstances that do arise.

It seems very them, in terms of their temperament and abilities, that Elizabeth would put all this effort into shielding Darcy, while at the same time, Darcy completely cuts off Lady Catherine for insulting Elizabeth and only ever speaks to her again because Elizabeth wants him to.