#it's not even as good as the original song

[bbyobbyo]

Ever since you stopped using his Spotify account in the mornings, you find other ways to mess with your boyfriend.

A short continuation of this fic, but can be read as a standalone.

content: fluff, established relationship, idol!Jihoon, banter, reader and jihoon just have a permanent jam session going on, they’re in love i swear

wc: 857

note: ahhh they’re back!! thank you to everyone who read the first part and gave it love😊 this has been rotting my brain for a while and i originally was playing with this concept for the original but couldn’t pull it together but we’re here now! shoutout to @highvern because it was partly inspired by her fic “Between the Titles” which is such a great read that i highly recommend along with literally everything else she writes!! all the songs featured here are real and from an era of kpop I hold near and dear to my heart so if you recognize any of them, you’re a real one 🥰

Jihoon is not a morning person, never has been. As he sits in the dressing room of the filming studio, he can feel his eyelids getting increasingly heavy. Some of his members are actively sleeping, in fact, and Jihoon knows he’ll be joining them soon if Wonwoo takes any longer in that makeup chair.

Blasting in his ears is his usual Bruno Mars playlist, a sad attempt to try to recover his energy before he knocks out next to Mingyu sleeping on a mat on the floor, but to no avail because his mind slowly slips away until a piercing airhorn noise jolts him awake.

SEVENTEEN TEEN TEEN NEOWANA SAI E

Uhh. This was definitely not his Daily Bruno Mars Mix.

He immediately searches his screen to find out what happened when he finds his answer in the form of a text from you.

[8:18 am] good morning sleepyhead :)

[8:18 am] hope I didnt scare you too bad :)

He scrunches his face up in disbelief, half amused that you managed to catch him off guard with possibly the most annoying wake up song on Seventeen’s discography, and half annoyed at the realization that he must’ve forgotten to cancel your Spotify Jam session from yesterday.

He decides to leave your text on read. After all, he has plenty of time to be petty today. Furiously searching through his library, he queues up a song and before Mingyu can finish singing the first chorus, he smashes the next track button in smug anticipation.

Now Playing: Fxxk U • Gain, Bumkey

And he doesn’t have to wait long before he gets your reply.

[8:20 am] oh i see how it is

Now Playing: This is War • MBLAQ

If Jihoon wasn’t awake before, he definitely is now. Even as he gets called in to do his makeup next, he thinks carefully about his next move.

Now Playing: LOSER • BIGBANG

…

Now Playing: WHO, YOU? • G-DRAGON

An audible scoffs escapes from his lips as he involuntarily tilts his head back in amusement, much to the dismay of his makeup artist who had just started on his foundation. He mutters a shy sorry before resuming his search for a reply. Maybe he needs to take a different approach to this if he hopes to continue having Jam sessions with you in the future.

Now Playing: Whatcha Doin’ Today • 4Minute

As Jihoon eventually discovers, his hopes to change the topic of conversation were in vain as two songs were suddenly queued one after another.

Now Playing: Why Don’t You Know • CHUNG HA, Nucksal

Next in Queue: Mind Your Own Business • Ailee

Jihoon thinks he’s met his match, coming to the realization that he could never out sass the love of his life. But he wasn’t willing to back down so easily either.

Now Playing: I’m so sick • Apink

Next in Queue: Because of you • After School

Your next move nearly sends him to tears.

Now Playing: Excuse Me • AOA

Next in Queue: You Don’t Love Me • Spica

Next in Queue: I ain’t going home tonight • Navi, Geeks

Next in Queue: I Don’t Need a Man • miss A

As he chuckles to himself for what seems like the hundredth time this morning, this newfound form of entertainment suddenly becomes incredibly precious. Although you see each other nearly every day, Jihoon realizes just how much he misses you, talking to you about everything and nothing at all, bantering like you’ve known each other for your entire lives.

Now Playing: Am I too easy? • U-KISS

...

Now Playing: Mystery • Beast

Even though he couldn’t be with you physically, he knew you were enjoying yourself just as much as him on the other side. He could almost picture your smile of satisfaction as you found your next song, knowing that he would appreciate your humor. And appreciate he did, happily tapping away at his screen until his makeup artist puts on his finishing touches and tells him to call the next member.

Now Playing: Gotta Go • CHUNG HA

Next in Queue: I’m Busy • 2NE1

Next in Queue: Plz Don’t Be Sad • HIGHLIGHT

…

Now Playing: Okay Dokey • MINO, ZICO

Little does he know that his members are in the corner snickering at the sight, knowing that only one thing could have their producer smiling like an idiot at his phone the whole morning.

Soon enough, Jihoon and his members get swept up into their schedule involving the filming of various contents for their Youtube Channel, a task that usually takes the entire day if a game is involved. Thankfully, the game allowed for members to go home early, a rare treat considering how competitive his members can get when it comes to shooting content.

After his usual rounds of “good work everyone” to the company staff and his members, he gets ready to see the person who been on his mind (and in his ears) since the morning. Taking out his phone, he queues one last song while exiting the building.

Now Playing: Run to you • SEVENTEEN

[late-draft]

One, two, three... a couple of moments in narrative, or all of them viewed isolated, could be called "misinterpretation" and "an incurable case of shipping goggles" but when the events start piling up and staying consistent between each other, every new one adds context to the previous events.

Zuko keeps Katara's necklace for 10 episodes? Oh it's a plot device so he can track them. Zuko steadies Katara so she doesn't fall off of the shirshu? Oh anyone would fall off of it while paralyzed. Katara jokes about giving a kiss to Zuko for the necklace? Oh she's uh... teasing Aang to whom this completely goes over head? Iroh keeps encouraging annoying love songs during music nights on the ship? Oh it's typical content for sailors. Zuko randomly recites cringe poetry after basically ending a fight in a draw against Katara while he's clearly running out of time? Oh it's the Rule of Cool. Katara randomly defends Zuko's hairstyle when Sokka insults it? She's uhh... defending Sokka's hairstyle even though Sokka didn't insult his own hairstyle (honestly I have no other explanation for this one). Katara is in Zuko's personal space 5 minutes after they started talking without being on opposing sides? She's uhh just that much empathetic. Zuko smiles at her on the very same day they let him stay near them? Uhhh... He waits an entire night awake to apologize to her? Uhh he's just a master manipulator hiding his selfish motives he's really sorry and would do this for anyone. Katara's glued to his side since their hug? Uhh she's empathetic. Zuko plants himself next to Katara during the play and won't budge? Uhh he's just socially unskilled (for now due to abuse) and does't quite understand what Aang wants from him. Zuko intercepts lightning for Katara in slow motion? It's the Rule of Cool again.

All of these things are true, but it's also true that when viewed as a whole... the narrative is portraying something. Reality is everything, the purposeful and the pointless. But theatrical stories pick and choose what to show, and we are taught how to interpret shorthands. Good writing won't have pointless or unconnected events. Neither is it smart to over-animate irrelevant actions.

And I purposefully didn't even list any of the symbolism or outside events that don't "originate" from the characters themselves (other than Iroh's actions because it's hilarious).

[royonninjago]

The Ninja's Roles Within the Team

Something I think the various Ninjago shows do really well is the characterizations of each Ninja. If it was bad, then kids wouldn't wanna watch the show or buy the Lego sets to reenact their favorite moment and create new scenarios for the Ninja to go through.

However, for the past few years a problem I've had with the TV show is that some characters feel more... useful than others. Then there are moments when one character is missing, but the team seems to operate just fine without them, and I think that does a real disservice to the characters.

In contrast, take the ATLA episode "Sokka's Master". It's one of my favorites because it separates Sokka, the only non-bender in Team Avatar, from the rest of the team. The episode demonstrates to both us and the rest of Team Avatar why Sokka is essential to their team. Without him, they're bored, can't figure out where they are or where they're headed on a map, and are overall completely directionless. Its like the precursor to those dime a dozen fantasy mangas where the weak member of a dungeon divers gets fired and the rest of the party ends up deeply regretting it.

I want the Ninjago TV show to demonstrate to us why each member is essential to the Ninja Team, and why without one of them the Ninja Team is worse off or have to work twice as hard to compensate.

Dragons Rising had such a good opportunity to explore this, but unfortunately it seems like the biggest problem the Team faces from being separated across the merged realms is lack of manpower and not much else. In lieu of this, here are some of my ideas as to how each character could prove to be essential to the Ninja.

Lloyd - The Leader. This one is definitely the most obvious. He's had a very clear leadership role since he became the Green Ninja, and ever since Wu left this distinction has only gotten more pronounced. However, I do find myself wishing to see a bit more of a dark streak with him. He was originally introduced as an antagonist, and I don't know about y'all but I still find myself enjoying Three Days Grace ever since I played the Halo 3 campaign at a friend's house while listening to AMVs of their songs.

Kai - The Weapon Master. Although there was never anything to support this, I always thought that Kai made the weapons that the Ninja used in the pilots. He is a blacksmith, after all. I think it would be cool if this aspect was more leaned into and not only make him the guy that creates all the swords and throwing stars and whatever other simple weapons the Ninja use, but to also be the best one at using those weapons. A sword is obviously his go to, but put any kind of simple weapon in his hands and I think he'd be able to use it very well. Imagine how much cooler it would have been in season 11 if Kai managed to defeat Aspheera's sheer power with his incredible swordsmanship skills. It'd certainly tie into his arc that season much better than what we actually got.

Jay - The Scout. Remember that scene in the pilots where the Skulkin cars were trying to reach 88 mph or whatever and Jay was gaining on them just by running? The writers sure don't! Though in all seriousness, whenever the Ninja need to learn a new technique to do something, Jay always picks up on it really quickly. First to perform Spinjitzu and summon his Golden Weapon Vehicle, second to unlock his true potential, third to summon his Elemental Dragon, he managed to surprise Ronin when practicing Airjitzu, not to mention his laundry list of hobbies. If they really leaned into his speed, combining that with his skills as a Ninja would make him perfect for running ahead and reporting back on the enemy forces. In my own little world, I like to imagine him as a PG version of the Scout from TF2 (Jay even had a slight Boston accent in the pilots!).

Cole - The Muscle. This one is also fairly obvious due to Cole's signature Earth Punch, but I feel as though it should be noticed more when he's not around, especially in Master of the Mountain. If I'm remembering correctly, they don't fully acknowledge his absence until they're locked up in the Vengestone cage about to be executed. If I regularly hung out with a dude that could lift a car over his head, I'd be lamenting about his absence whenever I needed to lift a heavy box.

Zane - The Information Officer. Another obvious one, but in this case I feel as though they lean a bit too heavily into it. Yes, he's a robot and yes, it's his job to know things, but I want to see his more dorky and silly side from time to time. Give us more Zane following a bird because it danced and him just chilling (literally) in the fridge at midnight for no reason type of stuff. After all, his greatest fear is losing his humanity.

Nya - The Strategist. I feel as though on a 'don't judge a fish by it's ability to climb a tree' level, Nya is just as smart as Zane. Due to his physiology, Zane can hold much more raw information many times over Nya, but I feel as though Nya is much better at putting that information to use. Going back to Master of the Mountain (I realize I'm referencing it a lot, its still fresh in my mind), when Kai and Zane were lost, they relied entirely on the raw data from Zane's internal compass, and because of that they got lost and had to rely on Geckles capturing them to reach their settlement. On the other hand, when Lloyd, Jay, and Nya were lost, Nya was able to determine the location of the Munce settlement by searching for signs of life and finding footprints. Also, I think this characterization fits the Master of Water really well considering water adapts to whatever environment it resides in.

The new Ninja from Dragons Rising are still very inexperienced and still haven't really found their grooves within the team, but I'm still gonna try and analyze them here.

Arin - ???. Right now, Arin's main skills are his unique Spinjitzu skills and his talent with a grappling hook. Its still so early in his Ninja training that he hasn't really carved out a distinct role for himself, though I hope this changes as time goes on. Not too long ago I proposed a cool idea for his future if any of y'all wanna take a look at that here.

Sora - The Technical Specialist. While I don't enjoy the idea of PIXAL being replaced as the Ninja's primary vehicle builder, with Sora being the Elemental Master of Tech it seems very possible that this is where things are headed. Instead of that, I think it better for her to either focus on using her skills in the field or to specialize in Mechs. Both of these ideas come from the Elemental Mech mini-series. I thought the idea of switching up parts on a mech in the middle of a battle to be a fun concept and one giving credence to her being a Field Tech, and whenever she uses her Elemental Powers its for the purpose of creating or altering or fixing a mech about half of the time.

Wyldfyre - The Dragon Expert. Even before the Merge, the Ninja encountered Dragons a lot. Now that there are dragons seemingly everywhere, Wyldfyre seems like the perfect liaison for communicating with these dragons, assuming she can learn to cool off when its needed. She also seems to know a good amount about dragons, considering that she was easily able to identify the Wasting Sickness and make a soup to help ease the pain it caused. There's still a lot she needs to learn before anyone can consider her an expert, but with her love of dragons and the belief that she is one, I think she'd be more than willing to learn.

And there you have it. If you have any ideas or head cannons or questions surrounding this topic, I'd love to hear them!

[writingquestionsanswered]

I have a small question where I would like to hear your opinion on. My MC died in her original world and was reborn into a new one. So she died at 27 and started back again at 2 years old from the body she took over. She is mentally at the original age. So my hiccup is that the story take place when she is 25 in the new world and I'm having a bit of a hard time figuring out how to have her carry herself. Theoretically, she is mentally in her 50's but 25 physically. How should I go on to write her personality? I don't want to say I want her to "act old", but what are some things that might be different between a 25 year old and a 50 year old and how could I best make her more mature? Should I make her more immature in the beginning (pre-death) So that change could be put in place?

Character is Mentally Older Due to Reincarnation

Here's the problem... there are two things needed in order for someone to mature: physical development and emotional development through experience. If your character died at 27, not only is that about the time that brains stop physically developing anyway, she also does not go through any further emotional development through experience.

Even if she is "mentally 27" when she is transported to the body of the two-year old, and even if we say her mental age somehow overrides the physical capabilities of a two-year-old brain, the kinds of experiences she's having over the 23 years in her second body aren't the kinds of experiences that are going to add significantly to her emotional experience. These are all things she has already experienced and learned in her first life. As a 2 to 25-year-old, she's not gaining a lot of experience in things like career, marriage, parenting, layoffs, career changes, divorce, single parenting, dating after divorce, caring for aging parents, etc. Instead, she's experiencing some of the things (again) that are natural for 2 to 25-year-olds to experience, like going to school, making friends, trying to get good grades, social drama, first kiss, first love, learning to drive, first job, graduation, going to college, first-time independence, getting to vote, serious relationships and serious break-ups, perhaps even getting married and having a kid or two, though not getting very far into that.

So, my point is, your character has to live the life of a 25 to 50-year-old in order to gain the experience and maturity of a 25 to 50-year-old brain.

BUT... having said that, I am speaking to you as a person who has lived the life of a 25 to 50-year-old, and I don't feel mentally different from who I was when I was 25. Maybe a little, but not significantly. I have certainly experienced a lot of things during those 25 years, but I still like a lot of the same things, still do a lot of the same things, still think and feel a lot of the same things. I still wear clothes (sweaters, jackets, and coats, mostly) I wore when I was 25. I still watch a lot of the same TV shows and movies, and like a lot of the same music. But also... I'm sitting over here singing to songs that are popular on the radio, watching TV shows that are popular with the 15 to 30 crowd, and comfortably conversing with family members who are in their teens and 20s.

So, a part of it, too, is that once you get past a certain age (mid-20s, really, when the brain stops developing), there's not always this catastrophic difference between who a person is at 25 and who they are at 50 or 70. I mean, there can be... there are definitely those adults who turn into weird adulty robots who feel like they can only drink wine, eat salmon, play golf, and throw wine and cheese parties, but not everyone is like that. Most people aren't. You'll get into your fifties and laugh that you thought you'd be so significantly different from 25-year-old you. :)

Another issue to consider is this: if your character is a 27-year-old trapped in a 2-year-old's body, does that make her like Stewie Griffin, except that's the way she actually sounds to everyone around her. Do you have a two-year-old sitting in the baby seat in the shopping cart at Target, looking at her "new" mother and literally saying out loud, "Oh, Diane... please tell me you're not thinking about buying that. You know how gluten wrecks your stomach. Put it back and get the gluten free one, would you?" Or, do you have a 27-year-old woman who has to pretend to be a two-year-old, and has to sit there making baby talk and saying things like, "Ma-ma... can get cookie? Pwweeeease?" It's really awkward, to be honest, and I can't imagine how mentally taxing, frustrating, and demeaning it would be for your character.

So... what to do? There are two options that I can see, but keep an eye on the reblogs in case anyone else has a suggestion:

1 - Compartmentalize her adult consciousness from her two-year-old consciousness until she's maybe ten or twelve. So, almost like she's a prisoner inside the body of a child, but she doesn't know what it's thinking and can't control what it says or does. Like they're two independent beings and she's just along for the ride, silently commentating and even trying to get through to the kid to little or no avail. Maybe sometimes, if she mentally screams loud enough, she pops into the child's consciousness as a subconscious thought. Then, for whatever reason, as the child ages, her voice gets through more and more, and she gains control of what the child says and does little by little, until finally she has fully become the child when it's maybe 12 or 15 or whatever age you think makes sense. So, that might look something like this:

Childhood: I'm dressed in my--rather, Bella's--favorite Bluey shirt and a pair of shorts. The birthday party is at an indoor play area called Bounce, and I can almost feel Bella's excitement as she drops her gift off at the table and runs to join the other kids on a giant trampoline. They didn't really have places like this when I was a kid--the first time, I mean. My next door neighbors--the Andersons--they had a trampoline in their backyard, the kind with the net cage around it, but my parents wouldn't let me jump on it except during neighborhood parties when there were lots of parents watching. At least I... Bella... will sleep well tonight.

Teens: "Hey, Bella!" Maxine said as I joined her at the lockers. "Are you going to Brant's party tomorrow night?" Ugh, Brant's party. I had forgotten about that. What an absolute turd. He reminds me too much of this guy Jared I dated briefly in college, in my first life. I'm obviously not going to tell Maxine that. "Nah," I say at last. "I don't like that guy enough to go to his party." "Why don't you like him? I think he's cool!" "Oh, he just reminds me of someone I used to know. Wanna head to lunch?"

2 - Give the adult consciousness a bit of amnesia and have her start to remember things over time. In this sense, there would still be some compartmentalization early on as far as being a separate consciousness from the child's, but in this sense she would be less like an adult imprisoned in a child's body, along for the ride and commenting from the peanut gallery, and more like a faint awareness that is more distant, but becomes more aware and close as time goes on. That might look something like this:

Child: Bella is wears her favorite Bluey shirt to the birthday party. She is such a happy, friendly child. The other kids welcome her with smiles and open arms as she joins them on the trampoline. I wonder if I went to parties like this in my first life?

Teen: Bella's friend--my friend--Maxine greets me as I join her by the lockers. "Are you going to Brant's party tonight?" My stomach sours at the thought of that guy, though I don't know why. Perhaps I knew someone like him in my past life. The name Jared suddenly pops into my head, and I briefly wonder what this guy did to past life me that I carried dislike for him into my second life. Not wanting to get into all that, I make an excuse about having to help my mom wallpaper the guest room. "See you on Sunday, though, so we can study for the test?" "Yeah, see you then," Maxine says, closing her locker. She smiles, but I can tell she's a little salty. She knows social gatherings exhaust me, though. Sometimes I wish I could tell her why--that I've been through all of this before, not even that long ago. But she wouldn't understand.

So, in either case, you're not really worrying too much about the nuances of maturity, but rather a general "adult" perspective as it relates to this child whose body it's inhabiting.

Anyway, I hope that helps! Edited to add: see a related question here.

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[taylortruther]

is it still unpopular opinion time?

- chloe et al is a beautifully written song, but the production is SO boring. like give it some life or something. someone on TikTok made a mashup of the song with cowboy like me, which isn’t exactly sonically exciting either, but it made a world of a difference. the lyrics are stunning, though.

- I think it’s pretty easy to tell who each song on ttpd is about. loml and peter are the only ones that feel mixed to me (other than fots, fortnight, and gas, which explicitly mention two different people). other than that I don’t really see a ton of the mixed muse thing. the relationships are similar, which makes it confusing, but there’s still a tonal difference between something like so long london and down bad to me.

- imgonnagetyouback would also benefit from livelier production. I also really don’t love the chorus even though the song is otherwise great lyrically

- I think ttpd doesn’t have as many clear standouts as her previous albums. they’re there, but I don’t see anything like yoyok or wcs that takes her songwriting to a new level. that said, I think one of the most impressive qualities of the album is just how consistent it is in quality. it’s very hard to make a 31-song album where every single one is well-written.

- idk if this is an unpopular opinion, but I had to say it. one of my favorite things about ttpd is actually the fact that she’s soooo affected by everything. like she’s on top of the world, she feels untouchable, and yet she is still unashamed to tell us just how much these two men broke her down. that’s pretty admirable imo. also, her relationship with fame affected her a lot differently than I originally thought. midnights paints a much simpler picture of that than ttpd does imo

i agree that cososom, while lyrically super interesting, is sonically... flat. it makes sense to me why that song was given more "bonus track" treatment.

i agree even if it causes a stir. like, joe is the cause, matty is the effect, but i do think she wrote several of them with a specific person in mind as you said.

i love imgonnagetyouback but i wish it had more of a traditional big chorus! much like lavender haze, i kinda wish someone would release a really good poppy remix that gives us that. it reminds me of the archer, in a way, that i feel like i'm just waiting for the sonic payoff. but it made sense in the archer, not sure why it's like that in this one.

i agree. i'm not sure which ones will have a lot of longevity with the fandom except the manuscript.

i would LOVE for you to speak more about your thoughts on how she was affected by fame!

[pirateboy]

i do realise i talk ab the rebirth era a lot for someone who purportedly dislikes it, but tbh i can't help but be fascinated by emo wayne and i don't think i can be blamed for that

[scales-n-art]

If this world is wearing thin

And you're thinking of escape

I'll go anywhere with you

Just wrap me up in chains

But if you try to go alone

Don't think I'll understand

Stay with me

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[amaliatheartist]

You got a hollow-point smile

[synthshenanigans]

someone had to do it

[ramenwithbroccoli]

guess who finally made a fanbot after 2 years in the musical robot fandom

meet Janka!

above: Janka in to versions - a bare mechanism and a 'friendlier' folk attire

created in 1921 and commercialy released in 1936, named after a character in a famous song, Janka was intended to be the first fully inteligent record-playing machine for personal use. With her creator, Stanisław Lasota, basing its design on popular barrel organs, she was equipped with many different accesories to make her blend in with the enviroment. The most popular one was a folk-based look, inspired by traditional clothing of people of Łowicz, but many different options were available, with some owners even sewing it clothes of its own.

above: bare mechanisms, the mask sold to make Janka less 'intimidating', the most popular folk variant, a "night out" variant personally crafted by one of the owners

Although the company producing record players promised all of them would be able to change the songs by the voice command, it seems that only the original prototype of Janka retained that function. That's why, while the other copies went on to become just a fancy gimmick, Janka's value skyrocketed, providing Lasota with a great sum of money that allowed him to retire early and comfortably. After his death in 1937, the original designs were found. It seemed that there were no differences between the commercial versions and the prototype - except for the material that the top of the table was made of. In the original, an undefinable green matter has been used, that studies have not been able to replicate. It is suspected that the substance, mixed in with molten glass, was a gift Lasota brought back from one of his travels.

above: diagram of the functions of certain parts

Once an unique antique, original Janka lost value over time. The amazement over her ability to change music at request and memorising entire symphonies after playing them once disappeared, replaced with annoyance, and sometimes even horror, as it seemed the machine gained a mind of its own.

Owners reported music playing in the middle of the night, suspicious movement and the needle skipping over certain words in song, forming a new message altogether. After the last owner, Jerzy Sójka, claimed "the goddamn machine, [it] has a mind of its own, [it's] the devil! devil is speaking to me!", the fate of Janka had become unknown. Many suspect that it has been abandoned in a basement or an attic, with some even claiming they still hear her song being played at night.

[thatonedemonnamedlucifer]

ngl, as much as i love the horror/grimdark/creepypasta(?) era/genre of MLP fan media, I'll never forgive bronies for what they did to the song "Smile".

[writingquestionsanswered]

I have trouble with writing in general. Can you help me? English isn't my first language, but I really want to write a story in English someday. However, both I and my English teacher have noticed a problem. He says he can tell I haven't cheated on my assignments because I write like I speak. That comment broke my heart a bit and made me feel pressured because there's a recurring joke in fanfiction that all stories starting with "English is not my mother tongue / I'm not fluent in English" are masterpieces, haha. I'm very disappointed in myself because I don't feel as good as other non-native speakers. Do you have any tips for improving my writing?

Improving Writing as Non-Native Speaker

First, I'm so sorry that your English teacher or anyone else has ever made you (or anyone) feel bad about your speaking or writing. Anyone who tries to learn a language other than their native language should be commended, no matter the skill level they reach. Many people who have the ability and access to learn another language never even bother, so kudos to you for learning. If it helps, I wouldn't have known you were a non-native speaker if you hadn't told me.

Any time you want to learn to write stories in a non-native language, there are four things you can do to improve your skills:

1 - Watch movies, TV shows, videos, and listen to audiobooks and podcasts in that language. Not dubbed or with captions in that language... movies, TV shows, and videos where the people are actually speaking the language you want to learn. This type of immersion can really help you get a feel for how native speakers actually sound, which can help you with writing and with creating authentic dialogue.

2 - Read stories, books, magazines, blogs, poems, and posts in that language. Again, nothing that has been translated into that language, but things that were originally written in the language you want to learn. This helps to reinforce the visual of the language in your mind's eye as you write, and quite often, seeing things in text can stick out more to you than they do when only hearing them. Also, some people just learn better one way over the other, so both hearing and seeing the language makes sure you're covering both bases.

3 - Practice speaking in that language. Even if speaking isn't your issue, it's still helpful to practice speaking the language, because it helps to reinforce it in your mind. Try reading news articles, stories, chapters of books, and social media posts out loud. It can also be helpful to look up movie and play scripts and speak the lines out loud.

4 - Practice writing in that language. If you wanted to learn a concerto for a piano recital, you might practice by watching other people play it, listening to it, reading the sheet music over and over, and practicing the tune with your voice, but nothing would help you improve more than actually playing the song over and over again yourself. You would get better with each performance, and writing works the same way. The number one thing you can do to improve your writing in another language is to write a lot of stories in that language. It's okay if you're not perfect. Even native speakers don't write perfect stories without practice. ♥

Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[mispronouncing-michaelangelo]

"It was always stuck on the happy color," he gave a dry chuckle. "Even at the hospital. That's how we knew it was all bullshit." 

okay but like,, what is he WAS happy,, what then huh xue yang,, what if he was able to find peace and happiness knowing that his family was there with him,,, what about that??

based on the fic the thread that binds us by @wifiwuxians

[good-beanswrites]

My lyrics for Double!! I really loved this song and became like a thousand times more impressed by Deco27 and Natsuki Hanae after working with it for so long 😅 I chickened out of recording this one in the apartment but if anyone wants to cover it... lmk.... 👀 I can definitely put something together to help hear how the rhythms work, because I got it all to line up very nicely! (Lyrics under the cut and my little commentary in the tags)

(I’ve got you, leave it to me!)

Welcome home, it's another day, keeping things at bay, you see no change

Not a smile in this mess, you're doing your best, you say (wake up)

"Don't need a break" as you proceed to start breaking, both sleeping and waking makes you bleed

And now, reborn anew -- I'll take in on for you

Not your plan? Who gives a damn, I'm here and here is where I'll stay

It's just the two of us, nothing left to run from. You're safe now, your hero's come.

All I did was dream, is that a crime? Is that enough to name me guilty by?

"He can't be trusted, he lied," you cried. Made me out as the bad guy. But why?

Ah, I'm the one that saved you, don't you see? So tell me why the hell you cry to me!

Let me hear you revel, grateful, cling to me with "savior," "adore" -- oh, sing to me.

Welcome home, it's another day, keeping things at bay, you see no change

Too late, your limits passed. Too late, yourself has cracked (goodnight)

If you persist I'll assist with releasing, keeping your peace is why I exist

And now reborn anew -- I'll take it on for you

(Oh, hello? Mom? It’s been a while. Yeah.. well, I mean, some days are hard but I’m doing alright, don’t worry. How’ve you been? I’ll go home next time I get some time off...)

The reason I'm alive, must be making sure that you survive

"He can't be trusted, he lied," you cried. Made me out as the bad guy. But why?

All I did was dream, did you forget? Go on and forgive me, I'm no threat.

Listen to me confess, honest. Eat your words and I bet, regret

Ah, I just tried to help, tried to be strong. So tell me why the hell it's all gone wrong

Let me hear you revel, grateful, cling to me with "savior," "adore" -- don't sing me this song

Lost my memory

I'm double, it was unavoidable

Living painfully

I'm trying, as hard as possible

Tell me, tell me.

If I wasn't born, maybe this trouble --

Tell me, tell me.

It's all my fault

[zeb-z]

man. sometimes I just remember Gillion’s Last Sin monologue is set to Via Purifico from FFX. and it’s so perfect. I haven’t played FFX for quite a few years, mind, but the fact that it’s the theme to the prison where you’re left, without help or hope for escape - but manage to push on with what strength you have found for yourself. playing as Yuna, alone, without the rest of the party - easily the least trained, seemingly most vulnerable - and going through these fights alone. Gillion admitting his final sin against this council of elders, facing what he is sure to damn him but facing it anyways. trapped in both the prison of his own guilt, and the very real donjon prison inside the pearl. it’s at a turning point, a moment of loss of faith, where the battles fought are ones faced alone, until friends can finally come and help with whatever is next around the corner - in both FFX and Riptide, for Yuna and for Gillion. a set of trials for them to overcome, finding the answers not from anyone else, just themselves. and the feeling of isolation, being alone against the world, matching Gillion alone in the pearl against his past. it’s just such a good fit, both thematically and musically.

[riosnecktattoo]

I've been randomly rewatching the vampire diaries fast forwarding through all the boring stuff and Delena still hits so good truly theeee best ship back in the day