#it's still a cool series and it got canon queer characters as soon as season 2

[just-a-little-unionoid]

y'all gay people in my phone aren't obsessed enough with The Visitor From the Future and it displeases me :(

[hard-core-super-star]

I came to the conclusion that we're both cool and mysterious, that's it. that's very specific and right on target because I feel like one little joke would lead to another path with maybe other jokes, which would lead to comments and then a whole conversation revolving around it lmao

okay, on the third star this won't happen again 😔

I'm pretty good (I'm literally not) at getting references, so yeah, it would be funny joke! but since I told my joke first I won

I'm shocked that outside of my bubble hawkeye really didn't do that well either, but sshhh, we can pretend. WHY it's embarrassing to admit this?? this is so cool lmao, I loved the lego batman games and I still do tbh. see?? lego games leaded you to DC, they changed your entire life!!! I'll consider it a crime for you to say you find this embarrassing. I love being dramatic for no reason. do you have other games you like?

I didn't know there were other (canon) queer representations in the arrowverse shows- give me a reason to start watching Batwoman, I just want to start some series but nothing seems very interesting 😶

well, at least avalance got their happy ending... RIGHT?

I stopped at the season (I don't know which one it is) they go to paradise aka a place where there are many Ava clones. legend of tomorrow and batwoman being canceled and flash not? maybe... maybe it has a name? 👀 even though I love flash, I can't, every season being practically the same thing gets tiringhdhjwwk

THEY'RE NOT GIRLFRIENDS?????? The queer baiting needs to stop or I will take matters into my own hands, literally, it's so???? and did this work to boost the show further? It's okay, you deserve to sleep in peace, but iiif one daaaaayy--

–🌟

i think that's a very good conclusion to come to and i’m glad we can leave it at that. our conversations make up the messiest timeline ever and i somehow feel like that's really fitting.

i’ll believe it when i see it 👀

we’re just going to have to wait until i get the chance to make another reference again and see if you get it.

yeah, we can pretend it did well enough to get another season, they just haven't announced it ‘cause of the strike, you know? i don't know, i’ve just never told that story before and it felt kinda lame. it just goes back to young me having a lot of hyperfixations and having enough time to fall down rabbit holes. the Nightwing phase was strong for that very reason lmao. i don't know how well-known this franchise is but i adored Mafia 2 when i was younger which probably says something weird about me lmao. Mafia 3 is pretty amazing too. i also weirdly love the FIFA games even though i have a very basic understanding of soccer. i can't tell you how many times i’ve replayed GTA V for the cars alone. there's probably more but i can't remember 😶

OH MY GOD, don't get me started on batwoman because i love that show to death. the first season is good but not as good as two and three. it sucks that season three is their last season because it's so good. AND GAY! the whole show is queer af and it doesn't shy away from it at all! [hence why it was canceled so soon] and listen, i know she's supposed to be an irredeemable villain or whatever but alice kane is so ajdjjdjdkskaks 🫨 i could write essays on her character, her development, and how well rachel skarsten acts out all the nuances that come with a character like alice.

they did and that's all that matters to me. i just pretend like the cliffhanger doesn't exist and they went right back to causing chaos.

honestly i think that season [season 3] is one of the best ones and it’s definitely not just because of ava and sara but 👀 season 4 is good too except for the light queerbating that happens but since it's Legends of Tomorrow, i just assume it was canon but not shown on-screen, you know? there's honestly something to love about every season, even when it goes very off the rails. i defended the flash until i possibly couldn't anymore. i only kept watching it because of caitlin [AND THEY ALWAYS DID HER SO DIRTY, WTF!!! my girl deserved so much better]

shocking right? they played into it so much but it just never became canon. i think they just managed to string the fans along because no one could look away from that trainwreck. plus, the actresses are amazing, it's not their fault the producers kept queerbating the fans. i’ll think about it…maybe.

[forestlingincorporated]

Bernard Dowd

DC made me do it. Fandom made me do it. So here it is, the character retrospective I never thought I’d ever write. 

Bernard Dowd was introduced on December 17th, 2003, in Robin #121. Tim has recently transferred to Louis E. Grieve Memorial High School, his fourth school since his introduction when he was 13; Tim is 16 now, and was recently forced to drop out of Brentwood due to his father’s bad investments loosing them their upper class status. Jack and Dana Drake are still alive. 

Bernard Dowd is the first person Tim meets when transferring to this new school. Bernard picks him out of the crowd as new, and immediate tries to determine what Tim’s clique is, only to determine, as we all know, Tim is pretty much impossible to cleanly box. 

Bernard thinks very highly of himself. He views himself as also being above cliques, and wants to give Tim the impression that he’s “runs the school.” He thinks of himself as a cool guy, and he doesn’t like to be called “Bernie.” 

His attempts to befriend Tim are rather presumptive in a way that comes off as rude. He treats Tim like a lost little lamb in need of guidance. 

So, Tim ends up casual friends with Bernard. In fact, at this point in time, Tim says he’s his only friend at school. 

Bernard has a crush on fellow classmate and lowkey daughter of a crime boss, Darla Aquista. (Yes, that Darla Aquista, of TimSteph relationship drama fame.) He is the one to introduce Tim to Darla, and Tim embarrasses him by calling his bluff over whether or not he’d actually ask her out if her jock friends were removed from the picture. This is when you start to get the feeling Bernard might be all talk and bravado. He’s not the cool, confident, popular guy he makes himself out to be. 

After Tim looses Robin, he invites Bernard over for dinner with his family. His and Tim’s relationship seems... complicated. On the one hand, Tim likes him enough to invite him over to his house, and he’s probably Tim’s closest friend during a period of time when his other relationships are distant (friends at other schools) or cut entirely (the hero community). That said, Bernard is CLEARLY depicted as... skeezy, and skeezy about people in Tim’s life, in a way Tim doesn’t appreciate. 

Months later, if the passing of seasons is to be believed, Bernard is the person to inform Tim that there’s a new Robin. Tim seems to have a larger friend group at Louis E. Grieve, he’s worked out a friendship with Darla even though she still seems to have a slight crush on him, and seems to be friends with several of the footballers, but he still has time for Bernard. 

Bernard believes wild conspiracies that Batman works for a shadow government and owns secret orphanages full of Robins that only last for about three days before they die and get buried in secret government graveyards. 

We don’t see Bernard for a while after this. Darla Aquista is shot at school, dying in Tim’s arms. Stephanie Brown’s death is faked. Tim’s father dies, and his stepmother is in such mentally bad shape she has to be checked into a special clinic in Bludhaven, so Tim transfers to John Wayne High School, his fifth school since he was 13. 

A lot of shit goes down between the school shooting and the next (and last) time we see Bernard in Robin #140. He’s meeting up with a girl named Linda, when his vehicle is destroyed by none other than Darla Aquista, back from the dead as Warlock’s Daughter, who is looking for Tim. 

After she scares the shit out of him, they go to Gotham Grille for age-appropriate drinks, and Bernard tells her that the high school closed down after the shooting and all the students’ families received settlement money. With that money, Bernard attended an unnamed private school. 

He offers to help her become a superhero, which she turns down. While he’s pretty rude to Linda over the phone, he’s depicted softer here, He seems earnest in his desire to help Darla, even if he still has an underlying bit a selfishness. I personally feel like he comes off a little less like the Annoying Try Hard he started out as, and has a bit more Booster Gold-esque charm to him. 

But, we never see him again, after he helps her track down Tim’s new address with his Fake Uncle, so he was lost to the pile of Tim’s former normal boy friends to be forgotten. 

UNTIL BATMAN: URBAN LEGENDS! 

Right now, everyone is excited because Batman: Urban Legends #4′s been released and Tim Drake has some strong Might End Up Coming Out As MLM Soon? vibes. He’s got this Discovering New Things About Himself arc in this comic that’s framed in a very Gay Coded way. Focusing on a gay male couple with the dialog box “like me” over it, Barbara talking about how he’s afraid looking too deeply at himself might “change” him, stuttering over how his old friend “looks,” and of course this pseudo date he’s goes on with Bernard. 

I cannot actually analyze the whole comic in depth, because I don’t own it; I ordered the trade, so I won’t be receiving it until December. This is what I’ve gathered from screen shots of this comic alone. I don’t think Urban Legends is technically in the main canon, but I would not be surprised if this was a test to see how audiences respond - like Joker shooting Barbara Gordon in The Killing Joke (which isn’t canon) resulting in Barbara Gordon’s very canon paralysis. 

There’s some speculation at the moment that Bernard himself might actually be evil, or working for the bad guys. I think it’s equally possible he might be targeted by the bad guys, and not necessarily evil himself. But neither scenario would particularly surprise me, it seems unlikely he would be reintroduced as solely a potential love interest for Tim, if that is indeed the route they’re going down. Consider old flames of Bruce’s that get reintroduced, they’re often connected to the plot in some way. 

I... have not exactly sugar coated that I don’t like Bernard. Honestly, I AM trying to be fair. THIS Bernard seems lovely, from the screen caps, but my most recent experience with Bernard was a recent reread of the Robin series, and I just don’t find him historically likable. Some people may disagree, but I personally think some of those some people are maybe going back after reading THIS comic and rereading him with rose-tinted glasses he hasn’t quite earned. 

So, I personally am not going to start shipping this, at least not right now, though I am putting on my clown make up getting my hopes up that Tim might come out as gay or bi. I’m personally hoping he’s gay, but that’s just me seeing a lot of myself in Tim, and projecting my own experience with compulsory heterosexuality onto him, and I think it would be interesting to explore that with an established character. I would still be happy with bi/pan Tim Drake, and I think that would probably make the most people happy - fans of Tim’s opposite-sex ships get to win, and fans of Tim’s queer ships get to win, and bi/pan people would get a big name character as representation. What would make the most people angry, is if this ends up as a queerbait during Pride Month of all things. 

I... have no hope they might make him demisexual, I don’t know if DC even knows what that word means. 

[avauntus]

2020 favs: (short) fic recs

I am stealing this idea from @macgyver-sheriff, who has no clue who I am, but whose post I saw go across my dash. Thank you! 👋

Would you like some recs for the holiday season? - I too would like to share love for my favorite things I read that were written this year! <3

I’m going to do this in two parts - the short fics (10k or less, generally one-shot), and another post for the long or series fics I loved this year (it’s 2020, I figure we can use too much of a good thing?)

( @staidwaters - I’m ‘disqualifying’ your works because I’m biased, sorry! Look away! Unless you want recs!) 

"Congratulations, Get Rich" (9,238 words) by Attila (The Untamed - modern AU)

Tomorrow is Chinese New Year, which means Wei Wuxian has to get all of his bad decisions out of the way tonight.

Lan Wangji, Lan Xichen, Jiang Cheng, Mianmian are all so screamingly perfect as modern versions of themselves in this, and it is KNOCK DOWN HILLARIOUS. Wei Wuxian is just a screaming queer disaster (affectionate) - as he should be.

Excerpt:

After a long beat, Lan Xichen sinks gracelessly into the chair Lan Wangji had been sitting in earlier. “I just want to be absolutely clear,” he says delicately, “that you are currently under the impression that my brother has no romantic feelings for you. That is what you’re saying to me right now, yes?”

“Yes?” Wei Wuxian says, feeling desperately confused. “Obviously? Why?”

“Because at least one of you is very stupid, and I’m trying to figure out who,” Lan Xichen tells him, sounding distracted. It’s the rudest thing Wei Wuxian has ever heard him say, and his mouth drops open slightly.

“caved to the careless” (6,708 words) by ilgaksu (The Untamed/MDZS - Song Lan/Xiao Xingchen)

Love is a choice you make - like this, and this, and this.

Have you ever read a writer whose work is so distinctly itself that you can feel yourself slipping in time even as you keep going? That’s not very articulate, but it’s the best way I can describe everything of ilgaksu’s I’ve read. Their fics are the same emotional register as having the breath knocked out of you after a fall. This was the first one I read, and I think it ends well-- with what Song Lan and Xiao Xingchen find along the path-- but it’s still heavy. Discussions of canon-compliant character death and grief/mourning here.

Excerpt:

He pauses. Until this very moment, he was unsure who to ask for. He has heard the rumours of the Yiling Patriarch’s ongoing residence here, about Zewu-jun’s seclusion: he’s dead, but even the dead are not free from gossip. But he remembers a courtyard, nearly two decades ago, and the weight of eyes some might have called angry in their intensity. He remembers those same eyes, and how for the wear of the intervening years, they had kept the same essence: longing, yearning, a kind of small unspoken grief.

Song Lan had a dream once. A dream of a sect, bound not by blood, but by a shared belief in the right path. So many things are only an inheritance: shame is one of them.  

Love is a choice. Love is a choice, and you choose until you can’t.

“I am here,” he decides, carving the words into the dirt, every stroke of every character resolute, “To meet with Hanguang-jun. Please show this one the way to go.”  

“Green River Running” (8,169 words) by @rain-hat (Love in the Moonlight - post-canon AU)

5+1: Kim Byeong-yeon returns to the land of the living.

I skimmed through Love in the Moonlight during my quarantine summer (distinguishable from my “quarantine spring” or “quarantine fall” only by fireworks), and immediately upon finishing, thought: “Psht, they killed off their best character.” And then, something happened that never happens -- I went on ao3 and found the exact thing I was looking for, written far  better than I could have imagined. Kim Byeong-yeon is such a quiet yet powerfully subversive presence and the progression here is so masterfully done. This is true of all of rainhat’s work’s I’ve read, but this is a fine example-- I really treasure the warm humanism of them.

Excerpt:

People needed helping hands even more than they needed sympathetic ears, though. Over the last year, Hong Gyeong-rae and Byeong-yeon had built houses and planted crops side by side; negotiating with moneylenders here, helping small-folk secure their stores against bandits there. There was nothing courtly about Byeong-yeon’s capacity for labour, or his expectation of reward. Wherever he went, he worked from dawn to dusk, ate the food he was given, and slept under a roof if he was offered one.

It suited him, Hong Gyeong-rae thought, even though there was something outlandish about his gentle speech and palace manners in the midst of it all. But to behave in any other way would be untrue to his upbringing; nor was he the sort of man to whom it would occur to try. And after all, most people liked to be treated with courtesy; it did not come across as mockery from this solemn, severely dressed young man, who seemed to find no task too big or too small. Hong Gyeong-rae had seen him argue tax law with local councillors and stand up to highwaymen armed with nothing but a knife and staff. But he watched cooking pots for women who had to run to the fields to tide over the day’s labour, too; he wrote letters for them, and tolerated their fractious children and spoon-fed their bedridden elders, if that was what was called for.

“The Veritable Records of King Taejo: Year 2, Entry 208“ (9,857 words) by @sadviper (My Country: the New Age - Nam Seon-ho & Hwang Sung-rok slice-of-life)

Hwang Sung-rok eats his way to the bottom of a real estate scam, and Seon-ho and Yeon help (a little).

No one is out here doing it like SadViper. This is technically part of a series, but they can all be read separately. I did not realize I needed to see more of Nam Seon-ho in all his “type-A government official glory” until Viper started sketching him out for us, and as a bonus, we get to see Yeon, and Sung-rok as the world’s surliest caretaker (but don’t call him that). I have an authorial fallacy where I always think stories have to have some grand “plot” -- a “Maltese Falcon” to pull the reader along-- the genius of Viper’s work is she shows us exactly how interesting and important the day-by-day tiny choices and connections we make are, with an impeccable background of historical research to ground you in the setting.

Excerpt:

Nam Seon-ho was his master now. He was a strange one. He was a traitor, for helping the escaped Liaodong soldiers, but not, because he managed to wiggle his way back into Yi Seong-gye’s favor and was now a sixth-ranked inspector with the privilege of having personal audiences with the King. He was temperamental and belligerent from being the son of a slave mother and a lifetime subject of Lord Nam’s fantastic parenting philosophy. He was afflicted with perpetual guilt. And he was also one of the hardest working and most desperate people Sung-rok had ever known.

It was a terrible combination. He was not merely a disaster waiting to happen, but a disaster perambulating on two legs at the edge of a chasm. If Sung-rok intended to stay in service for long, he needed to find a way to cool down some of Seon-ho’s intensity, even though admittedly, it was what drew him to Seon-ho in the first place.

Thoughts like these plagued Sung-rok for a while. It was one thing to know a person; it was quite another thing to try to change them.

“Orison” (4,975 words) by @gravelghosts​ (aeli_kindara) (Supernatural 15x18 coda)

Cas says, I love you.

So! This rips my heart out, every time. All the times Dean imagines himself together with Cas...and then he imagines himself, if not happy, then thriving.

Jack: “What is the point...if everyone I care about is going to leave?”

Castiel: “The point is that they were here at all and you got to know them, you... When they're gone, it will hurt, but that hurt will remind you of how much you loved them.”

Excerpt:

The thing Dean tries to do is: listen.

Happiness isn’t in the having. It’s in just — being. It’s in just saying it, Cas tells him, and Dean’s whole heart is screaming, No, but he shuts his mouth. He listens. He listens like his life fucking depends on it, which it does, in more ways than one.

“Sky Full of Song” (6,632 words) by @drivingsideways (Supernatural, finale 15x20 fix-it, Dean/Cas)

Or: The One in which Cas ghosted Dean.

Look. Look. If Cas(tiel) can yank Dean Winchester out of Hell, celestial-scream at him not once but twice, burn out a woman’s eyes like an utter clown before thinking “Huh, an Earthly vessel, guess that’s not just bullshit, then,” and when they finally work it out, Dean greets them with a knife to the chest and THEN they’ll spend twelve years misunderstanding each other and bickering, you had better believe these two are going to be disasters even in Heaven. Drivingsideways gives us all of that dynamic, with the found family of Jack and Mary as facilitators, and the happy resolution, which of course includes a true form “roughly the size of your Chrysler Building.” <3

Excerpt:

The thing is, Castiel doesn’t want Dean to feel obligated.

Dean has a streak of self-sacrifice that's as wide as the Caspian Sea, and Castiel doesn't want to be any more of a chore or obligation than they have been to Dean for all the long years of their—brotherhood.

Castiel had shocked Dean, to the core of him, with their confession, and Castiel had seen the swirling confusion, the fear, the panic, the shit what do I say, what do I do—how do I stop him—

So, no, Castiel would not be paying a visit anytime soon.

Of course, if Dean evinced an interest in meeting them, then Castiel would not stay away.

Castiel isn't that cruel.

(They have, on occasion, been exactly that cruel, but they are trying to outgrow it.)

Dean is still their friend.

Dean knows how to reach them, if he wants to.

(see? disasters. haha)

“The Rough” (3,267 words) by anactoria (Supernatural, finale -15x20- ‘fix-it’)

 Heaven can absolutely fucking wait.

Rec’ed for the concept more than the style (this is dialogue-heavy, as a lot of 15x20 fix-its tend towards), but I *love* this course-correction: After kicking around Heaven, Dean and Cas return to Earth to take their place as urban legends among the hunter community. Just for a while.

Excerpt:

But it isn’t life. That’s the thing. It’s awesome, but it isn’t life; life’s a hard, painful, infuriating mess, and Dean only got halfway through his own, and he feels cheated. For all he held it together for Sammy at the end, for all he tried to take Cas’s big moment-of-happiness speech on board, he feels cheated.

There’s supposed to be peace at the end. When you’re done.

Dean wasn’t done.

[tuiyla]

She-Ra’s like, really good, people

It’s been over a week since She-Ra season 5 came out and I binged it and this is not going to be coherent but I just want to rant about it a bit before writing some more structured metas. I deffo wanna write about Catradora and how I think SPoP is the true spiritual successor to the Avatar.

But first, let me just scream about how good this show is. I already started rewatching it, pretty much straight after finishing it, and I don’t rewatch tv shows often. The exception is Avatar (seen it like 15 times) and sitcoms. But She-Ra is so layered that I felt like I needed to watch it again just to appreciate the dynamics even more.

I already enjoyed the first season but it kept getting better and better. I’m not in love with the art style and it’s definitely for a younger demographic overall than my other favourite animated shows, but like any good kids’ show it balances tone well. It doesn’t talk down to its target demographic but also includes more traditionally mature themes in a digestible and entertaining way. Not all the jokes landed for me but as the series went on I learned to appreciate the tone and the type of humour She-Ra goes for.

It’s funny to me because this is definitely the type of show I would have rejected as a kid, with all the princesses I would have deemed it “too girly” and therefore not for me because screw gender roles. There’s a degree of internalized sexism to that, for sure, a rejection of the feminine because it’s always been seen as less somehow. But there’s also a truth that, at least in my childhood of the late 90s and early 00s, children’s media targeted at girls often had a poor quality to it, at least when compared to “boys’ stuff”.

She-Ra is not only a clever, heartfelt, complex story, it also transcends that binary of having to be either for girls or boys. I know most of modern animation rejects that as well, but She-Ra embraces so many traditionally feminine qualities while also going beyond gender roles and even the gender binary. This show is so queer, man, and I love it. It’s especially impressive when you consider the source material that was literally just the girly version of He-Man. I have no beef with 80s She-Ra, haven’t seen much of it, but this is such an upgrade.

That being said, I would have loved to watch She-Ra as a kid. I’m so incredibly envious of kids, aged around 10, who get to watch this show as they’re growing up. But I am so, so, so happy for them and for the future of animation that shows like She-Ra can be made now, that they’re being made. I’m going to go into spoilers soon, but just before that: She-Ra’s a perfectly enjoyable show in many aspects. I think the worldbuilding’s pretty cool, the story feels coherent and planned out, it’s lighthearted and so genuine. That’s the word that I ultimately choose to describe the series: genuine.

I feel like so much of TV aims to be dark and gritty nowadays, animation included, and though that’s slowly turning to dark comedy or a balance between fun and serious, it’s still the norm. At some point in the last decade, creators became terrified of being judged as cheesy. Even something like the MCU bathes in bathos to avoid being cheesy. But She-Ra proves that creators shouldn’t be afraid of being genuine, of basing characters and storylines on the simple power of love. Like, it’s such a cliché trope but I think that’s mostly because it has become stale.

Noelle Stevenson has talked about the importance of love in her story and I’m so grateful for that. Through, She-Ra, she’s truly proven how powerful love can be in a story and how it doesn’t have to be cheesy. It’s just so unabashedly genuine. The power of love and friendship literally saves the day several times but it’s always so genuine and more importantly it always makes sense that it doesn’t get boring. If the foundation wasn’t there, then I’d say “well this is just super cheesy”. But the show makes a point of building relationships and making them the focal point of the story.

Alright, so, spoilers because I need to talk about character arcs and THAT KISS and just everything. I really need to write more in depth about Adora and Catra and their relationship but for now I feel like it’s so important to appreciate how they’re developed. Everything from their shared childhood to their trauma with Shadow Weaver and the finding their way back to each other, it’s just *chef’s kiss*. It’s so well-written and believable. Ngl, I do have some minor issues with Catra’s redemption arc. Let’s just say that on a scale from Kylo Ren to Zuko, she’s definitely closer to Zuko. I also appreciate Shadow Weaver’s death scene and how it allows them to move on. I didn’t see that one as Death as Redemption and it shouldn’t be. Again and again the show made it clear that she was abuse towards both girls and nothing will negate that.

From what I can tell, the fandom really latched onto Catra, even when it wasn’t clear whether she’d get a redemption arc. I think that’s important, because unlike some characters in animation, Catra’s actions were almost always framed appropriately. There was always an understanding as to where she’s coming from, how she’s acting from a place of hurt, and yet her actions weren’t justified. They weren’t suddenly all okay just because she’s hurt, too. I especially loved in the season 3 finale when Adora was allowed to finally say no, to say that Catra’s actions were not her fault. That season as a whole was beautiful, like, episode three when Adora’s struggling so much and Catra has the opportunity for a better life but she still fails to choose her own happiness because she’s too bitter over SW and Adora? It’s poetic cinema. I love that angst, so well done.

It would be so easy to misfire in Catra’s storyline and either a) write off all the awful things she does because she’s just “misunderstood” or b) irredeemably stuck in her abusive environment with no hope of escape. They balanced quite well there and managed to handle such a complex character with delicacy. I’m quite happy with how Catra was portrayed because on the one hand, she’s painfully relatable to me and I assume to many others. The audience can see their own mistakes reflected in her character because we’ve all been too stubborn, done things out of spite, refused to acknowledge that we were wrong because we were hurting so much. At the same time, I always felt like the show gave me enough space to judge Catra’s actions and acknowledge that she was in the wrong. I honestly think I would have been a better adjusted teenager is if saw this show just before my angsty years, lol.

I’m going to write more about Adora at some other point but I love how vulnerable she’s allowed to be. Protagonists never used to be my favourite characters because they all seemed the same, with two major categories: the stereotypical male hero who can do no wrong or the angsty boi who can be shitty and the text still frames him as awesome. It’s only recently with series like The Legend of Korra and She-Ra that I go “damn, protagonists can be like that, huh.” Adora is a dumb jock who tries so hard and she deserves all the hugs in the world.

Also, Catradora? Breathtaking, amazing, groundbreaking. No doubt She-Ra needed shows like Adventure Time, LoK, Steven Universe and the likes to pave the way but still, it went there. I saw people be anxious about whether they were gonna be queerbaited, but I always, idk, knew? Trusted? That She-Ra would follow through. I didn’t wait six years for Bubbline to happen for Catradora to not get their big damn kiss. The series has been so effortlessly queer from the get-go that it just made sense that they were always heading there. I did see a gif of the kiss before watching s5 and ngl, that spoiler kind of bummed me out in a way that I wanted to be surprised. But even before I saw that I wasn’t worried. And the context of their journey in season 5? That cannot be spoiled by a simple gif. You have to experience that to fully appreciate it and that is the marker of good storytelling.

I understand that, though this should be the norm by now, Noelle Stevenson still had to be smart about how she approached the execs and she wasn’t sure this could happen. I cannot tell you how happy I am about what she said regarding how Catradora was so integral to the story that the execs couldn’t not allow it. That’s so brilliant, and it feels so natural in the story. Queer love saves the day and it’s not ambiguous, it cannot be censored because you lose a part of the story without it. You did it, Noelle, you funky little lesbian, what an icon. I can’t wait to see more stuff from her.

In other news, I appreciated other characters as well, like how all the princesses got to be different and awesome in their own unique way. Season 5 was great for so many characters, Mermista got so much to work with and Spinnerella and Netossa got so much more characterization than in previous seasons. Glimmer continued to be the third most important character in the story and I’m happy about all the relationships that also got to be canon. Good characters and dynamics all around, no wonder since the show is built on that.

Such a satisfying conclusion and one that makes you feel like this is just part one of a much bigger story. Such genuine, heartfelt moments, well-developed characters, complex themes explored in a respectful and digestible way, and such an unapologetically fun show. Melissa Fumero as a side character? Yes please. Catra’s new haircut? Heck yeah! She-Ra’s new design? Oh my.

I’m not even like, super into She-Ra, and I usually don’t write so much about things I only watch casually. But this show is so good and important that I had to rant. And I will write more about it eventually, but for now I needed to get all of this out. I’d give it a better structure but if I really get into I might never end up posting it so for now here, have this ramble of love. She-Ra, of all shows, deserves that.

[lainahastoomuchsparetime]

So that’s what I’m gonna do.

Let’s get the Night Vale presents stuff out of the way because I think those are the most well-known things, and, while good podcasts, probably the least interesting for a rec list.

  Welcome to Night Vale is probably the podcast that got a ton of people, including myself, into podcasts in the first place. If you don’t know, WTNV is a fictional radio show about a little desert town and the strange things that happen it. It’s super queer, quirky, and has some really good creepy moments. Librarians scare me because of this show.

I don’t really keep caught-up on this, but I do listen to a bunch at once every so often and catch up. With 154 episodes, a couple bonus episodes, and a bunch of live-shows, you’ve got a lot of backlog to keep you busy. Start at the beginning, though.

Alice Isn’t Dead is a horror podcast about a woman who sees her supposedly dead wife on a news broadcast and sets off to try and find her. And it only gets weirder from there. This series has an episode that has creeped me out more than anything else I’ve probably ever listened to. There are three seasons with ten episodes each, plus some bonus episodes. The series has been completed.

Within the Wires is a dystopian science fiction series about a strange alternate reality world. Season One is told through a series of relaxation tapes. Season Two is a set of art museum tour tapes. Season Three is a collected group of audio notations from a man to his secretary.

I’m a pretty big fan of this one, honestly. I don’t love the second season, but it’s still very solid and the third is super interesting. This is a very strange world, and I really like it.

Each season tells a separate story, but they do all take place in the same world. Very queer, as expected from Night Vale Presents, honestly, with a neat bonus being season 3 being narrated by a trans narrator. Ten episodes each season, and season four started September 2019.

Let’s talk about some of my other favourite things!

The Black Tapes was one of the first non-Night Vale podcasts I listened to and it’s still one of my favourites. Funny story, I thought this was going to be a non-fiction podcast. I mixed it up in my head with… Lore! It was totally Lore. Oh, I forgot I listened to a bit of that. So, in my head, this become a non-fiction podcast about urban lengends the way Lore is non-fiction about scary stories/historical events/whatever Lore’s deal is, I didn’t actually listen to that much of it.

And, boy, was I confused after the first episode. Or two. Eventually I realized this is a fiction horror podcast about journalist Alex Reagan’s research into Dr. Richard Strand’s work debunking paranormal activity – specifically the cases he has not been able to debunk. (Strand is basically a fictional version of James Randi, who’s an interesting dude.)

It begins as kind of a Monster of the Week story, but eventually expands from that into bigger arcs in a very natural way. It’s one that manages to balance telling the story without losing sight of where they started out. The third season is a little underwhelming, which sucks as it’s currently also the last season, but I suspect they might be working on things behind the scenes. There’s rumours about NBC working on a TV series, and also rumours about a fourth season. I would support that. It’s one of my favourites.

There’s also a series that takes place in the same universe called TANIS, and I think RABBITS is in the same universe too, but I wasn’t really super into either of those. This, however, is a big favourite.

The Bright Sessions is a science fiction podcast about therapy for people with psychic powers, or as the podcasts says, the strange and unusual. I am also strange and unusual, so I liked this. This is a very positive podcast. It does go a whole lot into a strange world and has some really exciting plotpoints, but a lot of it is just about healing and growth. It made my heart do things a bunch. Not a scary one.

Relevant to my book people, there is a YA book featuring two of the characters coming out (whenever) and I have an eARC of it so you might be seeing a review of that soon. Hopefully.

This also has a ton of queer rep, including an explictly ace character. It also has a musical episode. Yes, that’s as cool as it sounds. There are 64 episodes, plus a bunch of bonus episodes. There’s also a spin-off series but it���s behind a paywall so I haven’t checked it out. This is a satisfying complete series without it.

ars PARADOXICA is a science fiction podcast about Sally Grissom, a physicist who accidentally invents time travel and sends herself back to 1943. And then it gets really weird. If you really like science fiction, this is the one I’d recommend the most. It’s very important to listen to this one in order, as it’s very plot heavy.

This is also way more queer than you’d expect a podcast set in the 40s to be. Sally is explictly asexual and heavily aro-coded, and there are several other major queer characters. Honestly this just has decent representation in general, and most of it is handled in a very sensitive way. A lot of things like racism or antisemitism aren’t just brushed aside as being “Well, it’s the 40s”.

Partway through this, there is a plot involving gun violence. The creators talk about their decision whether to include it or not, and they begin to give content warnings before each episode when needed. I really appreciated that.

This series is complete at thirty-six episodes, with a couple bonus episodes. There’s also a crossover episode between this and the Bright Sessions.

Now, if you’ve never listened to a podcast before and you’re a little intimidated by the idea of getting into something really long and involved, I’d recommend this next podcast.

The Message is basically a mini-series. It’s a science-fiction podcast that, and no one is going to get this reference, kind of reminded me of the movie Scooby-Doo and the Alien Invasion. My brain makes weird leaps sometimes. We all kind of just need to run with it.

Produced by GE, it tells the story of a college student making a podcast following the team tasked with decoding a message sent to earth by aliens seventy years ago. There are only 8 episodes, and most of them are only about 10 minutes, so this is a very good beginner podcast.

Not a super queer podcast, but there is a nonbinary character among the main cast.

I also listened to GE’s second podcast, Life-After, but I wasn’t as big a fan of that. The two are not related storywise.

The Far Meridian is another one I think is pretty approachable for beginners. The episodes tend to be under twenty minutes. And this one is more of a fantasy podcast than science-fiction like a lot of the others have been. I would almost say this has a bit of a magical realism theme, and the writer has talked about being influenced by that genre.

The main character of this, Peri, is an agrophobe who wakes up one morning to find her lighthouse has begun traveling the world. Over the course of the show, you begin to realize how weird the world she’s exploring actually is. The second season especially does some things I personally found super creepy, and I loved it.

It deals with a lot of trauma and anxiety, especially in the second season, but it’s handled so well. They end every episode with “May you always find your way”, and I find that really fitting and also comforting. It’s not a fake Instagram type of positivity. It feels hopeful.

Peri is a Latina woman and I believe most of the cast are people of colour. Peri is also queer, but generally does not want labels put on her yet. She’s okay not knowing. This, also, happens in a scene where another character defines her own bisexuality as being attracted to “cool girls and people who don’t really subscribe to that whole gender thing” which is great.

Overall, I’m a big fan of this one and I can’t wait for the third season in January 2020. Oh, hey, pro-tip: The Google Play feed for this doesn’t have the full second season for some reason, so you have to switch to iTunes or Spotify for the rest of it if you listen to your podcasts there.

Now this one I just finished listening to!

The Bridge is a science fiction podcast set in an alternate-world 2016 where a giant bridge (shocker) has been built across the Atlantic Ocean, taking place within one of the watchtowers on said giant bridge, which has been mostly abandoned and left to rot by the mainland.

Okay don’t make fun of me, but I’m kind of a new introductee to the idea of Lovecraftian lore/mythology? For some reason I kind of missed that whole thing until pretty recently. I only got semi-familiar with it because a Let’s Player I watch played a Cthulhu game, and then a youtube channel that talks about book adaptations I also watch did an episode about one of Lovecraft’s books.

So I’m gonna say this is kind of based on Lovecraftian stuff, but I don’t know enough to say if it’s inspired by it, or actually based on a specific work, but it has that kind of feel. The world in this is really interesting, with things like haunted houses and possessed puppets. They also do a great job with world-building of the way things were back in the heyday of the bridge.

One of the main characters, Bertie, is canonically queer, and talks about his fiance who passed away, and others have been confirmed queer by word of God, but I can’t find said word of God, so I don’t know who they mean and therefore can’t really talk about that. There’s been basically no focus on romance, though, so it not coming up hasn’t felt unnatural.

This has 14 episodes and a bunch of mini-episodes, and while there hasn’t been an update since October 2018, their twitter leads me to be it will be soon. I really like the world of this one, and can’t wait for there to be more.

Parts of it actually reminded me of:

Girl in Space, which is a science fiction podcast about a girl (duh) in space (duh) with only an artificial intelligence system, various birds, and a goat to keep her company… until she sees something on the horizon.

This is still a baby podcast, with only one season (the last episode of which I still need to listen to) but it’s interesting. There’s some things they’re hinting at that I am super excited about seeing explored in season two, and the worldbuilding is really fun. The sun is probably alive, y’all. And I mean, like, it might be sentient.

I have a couple of minor gripes with a similar thing to the Bridge, where characters have only been said to be queer outside of the actual show, but if the words “Cheese is delicious science” appeal to you, check this one out.

And speaking of mixed feelings:

The Box! The Box is a horror podcast about a college drop-out that finds a strange box (again, shocker) in the bookstore she works in, her discovery that it’s full of strange journals, and her search to uncover the truth about them.

There’s a lot I actually like in this. When I started listening to it, I was really missing the Black Tapes and they have the same sort of feeling at the beginning. I like this kind of podcast where a narrator tells you a story every episode, and then the world builds on top of that. It’s not everyone’s thing, but I’m into it. It’s a good premise, and for quite some time into the show, I enjoyed it.

And then it gets weird. And obviously it starts weird, most of these podcasts get weird at one point, but it starts to be strange in a way that I wasn’t enjoying. I started to find it more silly than scary.

There’s also a romance that I found dull as doorknobs, and there’s a thing that I would like to complain about, but I can’t confirm it exactly, and there are not transcripts so I can’t check something without re-listening to the whole podcast. As there are forty episodes and bonus episodes, I’m not about to just jump into that. So I’ll just complain about a lack of transcripts instead.

The Box also has times where the sound design is just terrible. There’s one episode where, in-world, it’s being recorded on a broken recorder, parts of it from another room. And, yes, it makes sense in-world. But to actually listen to it, I had it on full blast as high as I could and I still could barely hear it and missed a lot of the episode. And, again, no transcripts to read with it. And my hearing is okay. If you have any kind of auditory processing issues, that episode basically just says “screw you”.

However, I do like how they work social topics into the stories. At times it can be a bit clumsy, but I give them kudos for trying, at least. There’s an episode that includes real-life audio from something related to a real death of a black person by police brutality. I believe it’s in the episode Strange Fruit but I don’t remember and again, no transcripts. I find this especially frustrating when it comes to potentially triggering material.

This one’s currently on hiatus and I’ll probably check it out whenever it returns (it’s a show prone to long hiatus), but I wouldn’t recommend it unhesitantly. It does a lot of things I like, but I definitely have mixed feelings overall.

Palimpsest is another horror podcast. It tells a new, standalone story each season, with all their stories relating to memory and things that haunt us. I liked both, but especially the second season.

Season one is about loss and memory and forgiveness, and what it means to be haunted by something. It’s largely about the relationship between the MC and her sister and the romance is very minimal, but there’s some (what I call) incidental queerness. It’s not in a way like a Night Vale Presents thing is, or the Bright Sessions, or something like that, but it’s nice not to have it ignored.

GIANT trigger warning for gun violence and child death. Also, there’s thing on-going theme about the creepy sound of a wooden swing in the backyard and, as I was listening to this when I went for walks, I realized I walk past three different wooden swings.

Season two is set in the late 19th or early 20th century or so, and is based in Irish fae mythology which is totally up my alley. This is also the series where the idea of immigrants and people being raised by immigrants having accents confused someone so much I almost didn’t listen to it based on their review. I’m not salty about that, obviously.

Season two is also really freaking queer. Overall this isn’t a really scary horror podcast – it’s more eerie and a little sad. And eerie and a little sad is my favourite mood for ghost stories. My only real complaint is this also doesn’t have transcripts available.

Spines is a pretty recent listen for me, one I really enjoyed. This is kind of like a mash up of all the things I liked about The Box and Darkest Night and Archive 81 without any of the things I didn’t like in any of those. It’s definitely horror, with some body horror elements, and some… is tasteful gore a thing? Body horror and gore elements are used very tastefully and sparingly, and to great effect.

It’s the story of Wren, who wakes up in an attic covered in blood, with no memory at all, and some weird cult ritual surrounding her. She runs, and starts the podcast in an attempt to find her friends, who she’s sure were in the attic with her, and her other half, Zachary, the only name she can remember.

It’s weird but good weird. Solid world-building and really good character building. There’s a particular message that I appreciated that being someone’s “soulmate” didn’t mean you didn’t have a choice in whether or not you wanted to be romantically or sexually involved with them. It’s subtle but again well-handled.

Also, Wren is queer and this is really trans inclusive. There are several times where the show goes against the usual cisnormative thing most media would say in a similar situation, which honestly makes sense as it’s written by a trans writer. There’s also a very significant canonically intersex and nonbinary character, voiced by the writer of the show.

This is a creepy, weird little podcast that made my heart very happy. It’s complete at three seasons of eight episodes each and honestly quite underrated. Big recommend.

Finally, let’s talk about my favourite podcast.

I recently learned that the term “weird fiction” exists as a genre label. Mabel is very much weird fiction. In Mabel, Anna Limon begins a new job as a home health caretaker to an elderly woman named Sally. The house is… strange, and Sally is strange, and Anna probably shouldn’t look too deeply at any of that, but of course she does.

It is a horror podcast with deep folklore/mythology roots, possibly also somewhat Celtic/fae based, but it’s such a blend of things that I can’t draw any hard lines of things I specifically recognize besides one or two things, and that makes it so unique.

Listen to Mabel in the fall. Listen to Mabel when it might rain, when it’s a little windy, when the leaves are crunchy under your feet. When the air smells just a little like decay. Or, you know, whenever, because it’s great, but it is an amazing fall podcast. It’s also super queer, fyi.

Mabel has forty seasons currently, with I think five seasons? There is also a five-part bonus series. It’s really cool. If you don’t listen to anything else I recommend, listen to this.

I also listened to Limetown but I feel like everyone’s heard of that one, and I’m currently listening to Ghosts in the Burbs which so far is kind of interesting, but I’m only like two episodes in.

Alright! Have you listened to any of these? What did you think? What podcasts would you recommend for me? Did you enjoy this post at all? Comment and let me know!

Peace and cookies, Laina

I kinda just wanna talk about podcasts So that's what I'm gonna do. Let's get the Night Vale presents stuff out of the way because I think those are the most well-known things, and, while good podcasts, probably the least interesting for a rec list.