genuinely though show louis not killing lestat is completely unforgivable. book louis just, you know, doesn't particularly want to kill lestat and so he doesn't. deliberately deluded himself into believing it would never come to this. nevertheless participates in swamp motion, and also arson. show louis knows that lestat cuts him slack that is not afforded to claudia, agrees with claudia that lestat needs to die if they're going to be free, commits to the plan, and then goes "nah" at the last second?? they are immortal. the reprieve louis offers lestat is a probable death sentence for claudia. that is your daughter-sister louis!!! unfortunately i am in the business of forgiving the unforgivable and he seems very sad. however when the armandening comes i'm going to be furious.
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yeah okay skimming both novelizations for reasons(tm) and it’s really obvious that they originally meant for Harrow to have been swapped with Pip, then changed their minds
and like… I get it, if Harrow was revealed to be alive it would honestly cheapen and even regress Ezran’s arc in particular, and muddy the themes of the story in general
it’s just a bummer because it leaves a huge-ass hole where everything points very clearly to a particular conclusion—that a big chunk of the fanbase picked up on—and then we’re told that actually none of that meant anything… like I recognize that this is extremely petty, but I deeply resent that they just pretend it’s a wild fan theory when they put all the clues there, themselves, not even slightly by accident
like, it’s frankly fucking insulting to tell me I’ve somehow misinterpreted you when you very clearly said one thing and then arbitrarily decided you meant something else
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somewhat vent but I feel like my sword spirit au (damage control specifically as it is a ghiralink issue) isn't taken seriously as a dark end because it doesn't follow the typical sws bad end au with noncon so when I do post this final chapter I'm afraid people are going to be disappointed that it does in fact. end badly
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I still think that there's one bit of A Winter's Tale that a lot of meta and fanfics neatly skip past:
The funny bit is that when I use this in my own fics it's basically the bargain basement level of textual analysis and when I lay it out you'll see why. Because the Endless, after all, are anthropomorphic personifications defined by their jobs, ultimately, that take a physical and metaphorical form as their realms and the nature of their being. Dream and Destruction struggle with it in ways not unlike Death, but here it gets into the interrelated but that I will also bring up.
As per A Winter's Tale and the (slightly modified) version of it in the show, Death has a vision of her job/function unlike any of her siblings. In the comics, the harder version that I prefer to use over the show, she outright walked out because her job wore her down and she had, essentially, a nervous breakdown because of a deep depression that a careful reading of A Winter's Tale shows she's in denial about never addressing. Naturally my stories tend to hit her with this Negan Bat with great gusto.
Now factor this is in from a canonical POV and a family of beings who are defined by tasks, where Dream and Destiny are the most rigid....and then equally factor in the irony that Dream, one of the two most rigid, is at his closest with the one who's ultimately one of the least and the most flighty about aspects of details of her job. Factor in that this family of immortals who date from the dawn of time have one person in the family who completely cracked and walked out and broke reality in the process.
From their POV it would no doubt be a thing that hung over their sister and her decisions and a thing that they and those old enough to have been there would long remember. From the perspective of job-defined inhuman immortals, the very thing that would make Death the most appealing to humans are a mark of permanent failure on her part, while her becoming mortal and taking her mortal days might well anchor her in mortal affairs in a way only Destruction comes close to.....but it can easily be read in a much darker fashion than I usually would be inclined to take it because I've struggled with those thoughts myself and writing that into fiction is playing with fire when soaked with gasoline.
A human would see the events of A Winter's Tale as 'the job got to you and it was hard' and understand that. Would the Endless? Even Destruction? Ultimately no, I don't think any of them really could understand that even if they tried, and there are some careful looks at Destruction's actions in Brief Lives and Song of Orpheus that both strengthen the parallel with Death and where they differ.
Death is willing to fully yield her power for 24 hours a century to live among mortals without any of the sorcery and the responsibility and the nature of the Endless. None of her siblings are willing to go so far, or to truly experience life within the worlds they govern in that way.
And then combine this with the knowledge that unlike the rest she will outlive the universe, and without the universe Death of the Endless is but a title and a moment in time, a true job that will one day end....at the price that all her siblings go into something she cannot see and she alone cannot. And then take another look at the mortal days and as much as it anchors her in the mortal world and in being able to relate to mortals it can be seen in that darker sense as both an escape hatch and a deeply necessary one because she is ultimately still chasing the same outlet she tried to get and failed and only returned to because well....
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