#janbruegheltheelder

[met-european-paintings]

A Woodland Road with Travelers, Jan Brueghel the Elder, 1607, European Paintings

Purchase, Fletcher, Rogers, Pfeiffer, Dodge, Harris Brisbane Dick, and Louis V. Bell Funds, and Joseph Pulitzer Bequest, 1974 Size: 18 1/8 x 32 3/4 in. (46 x 83.2 cm) Medium: Oil on wood

https://www.metmuseum.org/art/collection/search/435810

[harvard-art-museums-drawings]

Three Windmills, Jan Brueghel the Elder, 16th-17th century, Harvard Art Museums: Drawings

The irregular strip along the entire upper edge is a later addition, and measures approximately 6.2 to 2 cm in height. Harvard Art Museums/Fogg Museum, Gift of Ian Woodner Size: irregular: 18.7 x 15.4 cm (7 3/8 x 6 1/16 in.) inclusive repair at upper edge: 20.8 x 15.4 cm (8 3/16 x 6 1/16 in.) Medium: Brown ink over touches of black chalk on off-white antique laid paper, framing line in brown ink.

https://www.harvardartmuseums.org/collections/object/295137

[mia-paintings]

Landscape with Peasants, Jan Brueghel the Elder, c. 1604, Minneapolis Institute of Art: Paintings

Landscape panorama with figures. Jan Brueghel the Elder was the son of Pieter Bruegel the Elder and the father of Jan Breughel the Younger—all prolific and talented landscape painters, each with his own particular skill and legacy. Jan Brueghel the Elder earned the name “Velvet Brueghel” for adroitly painting rich and delicate textures. Here, the lush landscape is illuminated by a brilliant sun, and the trees, city, and hills in the background are a hazy blue, creating a sense of distance and depth within the scene. Size: 14 1/8 x 22 3/8 in. (35.9 x 56.8 cm) Medium: Oil on hardwood

https://collections.artsmia.org/art/1372/

[simon-martin]

TOUCH ME NOT: in a world of social distancing somehow the words uttered by Christ to Mary Magdalen, in the Gospel of St John seem more poignant than ever. According to Gospel, after she and Mary had gone to the tomb and found it bare, she mistook him for a gardener. He uttered the words ‘touch me not, for I am not yet descended to the father’. In Art History, scenes of the Resurrection are quite rare, but the scene known as ‘Noli me tangere’ has still been depicted by a range of artists, from Duccio and Giotto onwards. Each has created works which spoke to their own times, not least Graham Sutherland (first pic) in the @pallanthousegallery collection. This was painted in 1961 for the Chapel of St Magdalen in @chicathedral and conveyed in an entirely modern style, bright complementary colours of green and flame-orange: which mean it can be seen all the way down the south aisle of the Cathedral. The setting was probably based on Sutherland’s garden in the South of France and the staircase device conveys the notion of ascension. In the version in the cathedral (pic 10) it is more literal and Christ wears a gardener’s hat. In order here are 2) Giotto 3) Duccio 4) Fra Angelico 5) Fra Bartolomeo 6)Titian 7)Tintoretto 8) Correggio 9) Jan Bruegel the Elder. Both Pallant House Gallery and the Cathedral may be closed, and indeed all the other museums with these works, but these works remain as poignant and thought-provoking as ever. Happy Easter! #marymagdalen #easter #gospelofstjohn #nolimetangere #pallanthousegallery #grahamsutherland #arthistory #giotto #duccio #titian #correggio #tintoretto #fraangelico #frabartolomeo #janbruegheltheelder (at Pallant House Gallery) https://www.instagram.com/p/B-3zQE9F9no/?igshid=jiajiavym22k

[simplement-artistique]

✨ Vase of flowers ✨ Jan Brueghel the Elder - 1620 #picoftheday #art #painting #janbruegheltheelder #artsy https://www.instagram.com/p/B61dC0Dhm-V/?igshid=1bwpr4d0jypss

[met-drawings-prints]

Second View of the Environs of Antwerp (Seconde Vue des Environs d'Anvers) by Jan Brueghel the Elder, Drawings and Prints

Medium: Etching and engraving

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/415894

[anita-panizzolo]

Abbondanza! Omaggio a Jan Brueghel Il Vecchio. (Bruxelles 1568 - Anversa 1625) #janbrueghel #janbruegheltheelder #accademiacarraradibergamo #naturamortadiciliegie #artefiamminga #ifiamminghi #lemieciliegie🍒 #ciliegiesottograppa #cherries #cherriesstilllife #stilllifephotography #cerisesdemonjardin https://www.instagram.com/p/CCGB6zGIohI/?igshid=1giv2cc7wv6h7

[the-met-art]

A Woodland Road with Travelers by Jan Brueghel the Elder, European Paintings

Medium: Oil on wood

Purchase, Fletcher, Rogers, Pfeiffer, Dodge, Harris Brisbane Dick, and Louis V. Bell Funds, and Joseph Pulitzer Bequest, 1974 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/435810

[marellagiovannelli]

Sempre affascinata dal mondo in una stanza, paradiso dei collezionisti: Wunderkammer, Naturalia, Mirabilia e Artificialia. #marellagiovannelli #wunderkammer #naturalia #mirabilia #artificialia #collector #cabinet #painting #janbruegheltheelder #hieronymusfrancken #flemish #fiammingo

[bardo1129]

#janbruegheltheelder #christ in #limbo #amwriting #tvwriting #screenwriting #nycgratitude #painting #songwriting #freecaleo (at New York, New York)

[met-european-paintings]

Landscape with Travelers on a Woodland Path by Jan Brueghel the Elder, European Paintings

Bequest of Hertha Katz, 2000 Metropolitan Museum of Art, New York, NY Medium: Oil on copper

http://www.metmuseum.org/art/collection/search/438465

[harvard-art-museums-drawings]

Two Studies of an Ostrich, Jan Brueghel the Elder, 17th century, Harvard Art Museums: Drawings

Harvard Art Museums/Fogg Museum, The Kate, Maurice R. and Melvin R. Seiden Special Purchase Fund in honor of Virginia Deknatel Size: 20.4 x 14.1 cm (8 1/16 x 5 9/16 in.) mount: 25 x 18.3 cm (9 13/16 x 7 3/16 in.) Medium: Blue, green, pink and brown washes and brown ink on cream antique laid paper, framing line in brown ink

https://www.harvardartmuseums.org/collections/object/312359

[mia-paintings]

Landscape with Peasants, Jan Brueghel the Elder, c. 1604, Minneapolis Institute of Art: Paintings

Landscape panorama with figures. Jan Brueghel the Elder was the son of Pieter Bruegel the Elder and the father of Jan Breughel the Younger—all prolific and talented landscape painters, each with his own particular skill and legacy. Jan Brueghel the Elder earned the name “Velvet Brueghel” for adroitly painting rich and delicate textures. Here, the lush landscape is illuminated by a brilliant sun, and the trees, city, and hills in the background are a hazy blue, creating a sense of distance and depth within the scene. Size: 14 1/8 x 22 3/8 in. (35.9 x 56.8 cm) Medium: Oil on hardwood

https://collections.artsmia.org/art/1372/

[agatesansh]

#JanBrueghelTheElder "Diana and Actaeon", c. 1600 @mfahouston #JanBrueghel (à The Museum of Fine Arts, Houston)

[tags-auvergne-rhone-alpes]

#MuséedesBeauxArts #museedesbeauarteslyon #lyonmuseedesbeauxarts #lyon #france #francia #lione #janbruegheltheelder #Del... https://ift.tt/2CcU6VD , https://fr.tags.world

[met-drawings-prints]

Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul by Jan Brueghel the Elder, Drawings and Prints

Medium: Etching and engraving

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/415978