#tvwriting

[writergeekrhw]

There's been a lot of talk over the years about whether Ferengi are a antisemitic stereotyoe. Given that DS9 had more Jewish actors and creative staff, what do you think of that discourse?

Was this something that was kept in mind when reinventing the Ferengi from how they were in TNG?

I can tell you the INTENTION of the Ferengi was to satirize capitalism and the West. Ferengi derives from the Persian "Farangi," i.e. Franks, people from France. More broadly, it came to mean "Western European." Hence "Farangistan" = Europe. Farang/i spread to other languages, notably Thai where it now means "foreigner."

Farang - Wikipedia

So, the Ferengi are intended to be us. Westerners, even more specifically Americans. The original TNG bible compares them to 18th and 19th century Yankee traders. Sexist and greedy, patriarchal and dishonest.

I'm pretty sure this was the intention of their look too, especially the noses. Big noses are common in Asian caricatures of Westerners. Check out the Thai sculpture in the link above. According to my father, for example, the Rhade tribe from the Vietnamese Highlands called Americans "big noses" and when he was their military advisor, he was Captain Big Nose.

And then TNG cast a ton of Jewish actors as early Ferengi, and a lot of people saw them completely differently. (Aside, I've heard from some Asian fans that they perceive Ferengi as caricatures of the Cantonese, which speaks to how different cultures see them.)

We were definitely aware of this issue when DS9 came along, and I largely followed the lead of our Jewish-American showrunners on how to handle it. Generally, by digging deep into three different main Ferengi characters and several recurring, I hope we transcended the stereotypes.

We showed Ferengi not as whip-wielding pirate/raiders (not a Jewish trope btw, see Yankee traders), but as a small business owner, a handyman/engineer, and an aspiring Starfleet officer, all struggling with issues of cultural assimilation and grappling with their own culture's shortcomings when it comes to women and greed.

When writing the Ferengi, I drew from my own (white bread, Catholic, Army brat) background, so for example, I saw the Rules of Acquisition not as some kind of take on the Talmud, but as a satire of Western self-help business books, a kind of "How to Win Friends and Influence People," meets "The Devil's Dictionary." The Ferengi afterlife is based on my vague understanding of Chinese traditions I grew up around in San Francisco, etc.

I'm not sure we fully separated the Ferengi from the baggage they came to us with, but we definitely tried.

[x-files-scripts]

The X-Files - “Detour”

Written by Frank Spotnitz

September 11, 1997 (WHITE)

This early draft featured a lot of alternate dialogue...

Who’s stronger, Mulder or Scully...?

In this draft, Scully sings a different song...

Mulder is keen to see Scully in uniform...

[bardo1129]

#willienelson #jimmycarter #screenwriting #writing #tvwriting #amwriting #film #television #nycgratitude. (at Manhattan, New York) https://www.instagram.com/p/CqF9CSyrCQ3/?igshid=NGJjMDIxMWI=

[noneed2callmesirprofessor]

I am my own worst enemy

[tvdoes]

Zonnia Pokedex: Mega Beakaiser, Mega Gelogeist, and Mega Dij'igenesis

The third and final set of Mega Evolutions has been added to the Zonnia Pokedex, completing it! It is now done. You can use the source link on this post to find it on ao3. Thank you for reading.

[amglorious]

Title: Breaking Through as a Screenwriter: Unleashing Your Creative Potential

Introduction:

Becoming a successful screenwriter in the highly competitive film industry may seem like an elusive dream. However, with determination, perseverance, and a solid understanding of the craft, you can break through and make your mark in the world of screenwriting. In this blog post, we will explore key strategies and tips that will help you unlock your creative potential and increase your chances of success as a screenwriter.

1. Master the Basics:

Before diving into the world of screenwriting, it's crucial to understand the fundamentals. Familiarize yourself with screenplay format, structure, and storytelling techniques. Study successful screenplays across different genres to gain insights into what works on the big screen. Consider enrolling in screenwriting courses or workshops to refine your skills and learn from industry professionals.

2. Find Your Voice:

Developing a unique voice is essential for standing out in a sea of screenwriters. Discover what makes your storytelling perspective distinct and authentic. Explore different genres, themes, and styles to find the ones that resonate with you the most. Finding your voice takes time and experimentation, so be patient with yourself and allow your creativity to flourish.

3. Write Consistently:

Consistency is key in any creative endeavor. Set aside dedicated time each day or week to write, even if it's just for a short period. Treat screenwriting as a disciplined practice, honing your skills through regular exercises and projects. Embrace the rewriting process as an opportunity for growth and refinement. Remember, the more you write, the better you become.

4. Network and Collaborate:

Building a strong network of industry professionals is crucial for breaking through as a screenwriter. Attend film festivals, industry events, and screenwriting conferences to meet like-minded individuals and establish meaningful connections. Join writing groups or online communities where you can share your work, receive feedback, and collaborate with fellow writers. Collaborations can lead to new opportunities and help you expand your creative horizons.

5. Embrace Feedback:

Constructive criticism is invaluable for growth as a screenwriter. Seek feedback from trusted peers, mentors, and professionals in the industry. Listen carefully to their insights and suggestions, and use them to improve your scripts. Remember, not all feedback will align with your vision, but learning to discern valuable feedback from subjective opinions is essential. Embrace the opportunity to refine your work based on constructive criticism.

6. Enter Screenwriting Competitions:

Screenwriting competitions provide a platform for exposure and recognition. Submitting your work to reputable competitions can open doors to industry professionals and potentially lead to production opportunities. Research and select competitions that align with your genre and style, and carefully follow their submission guidelines. Even if you don't win, the process of entering competitions helps you refine your work and gain exposure.

7. Adapt and Evolve:

The film industry is constantly evolving, and as a screenwriter, it's essential to stay adaptable and open to change. Keep up with industry trends, watch films and TV shows, and stay informed about emerging platforms and distribution channels. Embrace new storytelling formats and technologies, such as streaming platforms and virtual reality, to expand your creative possibilities and increase your chances of breaking through.

Conclusion:

Breaking through as a screenwriter requires a combination of talent, hard work, and perseverance. By mastering the basics, finding your unique voice, writing consistently, networking, embracing feedback, entering competitions, and staying adaptable, you can.

[sampersandman]

Could I solicit one of you to @ Brendon on Twitter and ask him to upload more scripts to archive.org or tvwriting? :-)

[jazzfordshire]

Jazz! I’m posting here to you because you’re one of my fave SC accounts and you reblog all my other fave accounts.

Wanted to see if you know of this site which just posted some Supergirl scripts including House of L. (https://sites.google.com/site/tvwriting/)

And holy acting choices Batman but nowhere in the script does Red Daughter’s eyes follow Lena’s every move like a fascinated Kryptonian puppy looking for a new master :)

Anyways, thanks for all your great work, and since my fanfic idea has stalled (apparently I gotta actually type it down? Rude.) thought I might share some reading with you

Acting choices got us all where we are today, lmao because those scripts also never said that Kara should look at Lena like she’s a beautiful puzzle just waiting to be solved or that Lena should look at Kara like she’s the only good and precious thing in the universe and yet HERE WE ARE

[lets-steal-an-archive]

Anyone Interested in Charmed (1998) Scripts?

Charmed (1998) 1x01 - Something Wicca This Way Comes (READ NOW)

Charmed (1998) 1x02 - I've Got You Under My Skin (READ NOW)

Charmed (1998) 1x20 - Power of Two (READ NOW)

Charmed (1998) 2x01 - Witch Trial (READ NOW)

Charmed (1998) 2x03 - Painted World (READ NOW)

Charmed (1998) 2x09 - Ms. Hellfire (READ NOW)

Charmed (1998) 2x13 - Animal Pragmatism (READ NOW)

Charmed (1998) 2x14 - Pardon My Past (READ NOW)

Charmed (1998) 2x20 - Astral Monkey (READ NOW)

Charmed (1998) 2x21 - Apocalypse Not (READ NOW)

Charmed (1998) 3x05 - Sight Unseen (READ NOW)

Charmed (1998) 3x12 - Wrestling with Demons (READ NOW)

Charmed (1998) 4x20 - Long Live The Queen (READ NOW)

Charmed (1998) 4x22 - Witch Way Now (READ NOW)

Source: https://sites.google.com/site/tvwriting/us-drama/show-collections/charmed-1998

[teamfreewill2pointo]

(2/2) Does script hunt look for drafts of TW yet? Walker? GK? I really do like crawling into the minds of these people.

We share with TVwriting, which has the Pilots for a ton of series.

[writergeekrhw]

Why all the O'brien torture?

Three reasons:

Colm was really, really good in those episodes. When writers know an actor will nail a certain type of episode, it inspires us to write more stuff like that.

O'Brien is an everyman character, a regular Joe, and we believed (I think correctly) that his suffering would resonate more with the audience than if we were to do a similar story with, say, Dax.

We did other character suffering episodes on DS9 too, but people just don't fixate on them the way they do with the O'Brien ones. For example, there are several Kira Must Suffer episodes, including "Second Skin" and "Heart of Stone." "The Visitor" is arguably a Sisko Must Suffer. So why are there no Kira Must Suffer or Sisko Must Suffer memes? See answer 2.

[x-files-scripts]

The X-Files - “Detour”

Written by Frank Spotnitz

September 11, 1997 (WHITE)

Alternate ending:

[bardo1129]

#warm #kind #gentle #screenwriting #writing #tvwriting #amwriting #film #television #nycgratitude. (at Manhattan, New York) https://www.instagram.com/p/CqYedM9vnBH/?igshid=NGJjMDIxMWI=

[ricardotomasz]

Such is life! Behold, a new Post published on Greater And Grander about Joelle Sellner, Super Women; S2 E14

See into my soul, as a new Post has been published on https://greaterandgrander.com/joelle-sellner-super-women-s2-e14

Joelle Sellner, Super Women; S2 E14

Joelle began her writing career as an advertising copywriter, creating award-winning campaigns for brands like In-N-Out Burger, Kleenex and Lexus. Since making the jump to screenwriting, she's written several romantic comedy and family telefilms including Hallmark Channel's Paris, Wine and Romance. An experienced animation writer, Joelle's series credits include Avengers: Earth's Mightiest Heroes, Ben 10: Omniverse, DC Super Hero Girls and LEGO Friends. She also created the adult animated series Superslackers for 420TV.

She is also a graduate of the Warner Bros. Sitcom Writers Workshop and Best Screenplay winner at the La Femme Film Festival.

Check out Joelle's latest movie, Saving Christmas Spirit.  

Check out Joelle's latest graphic novel, Werewoofs.

Credits Include...

Saving Christmas Spirit starring Ashley Newbrough

The Avengers: Earth's Mightiest Heroes starring Dawn Olivieri

Teen Titans starring Judge Reinhold

Jackie Chan Adventures starring Jackie Chan

Please like and subscribe, it helps us out a lot.

Music is Julianne (The Night We Met) by Evan Hodges.

Episode still image is from DC Superhero Girls, a production of DC Comics, and Warner Brothers.

Please like and subscribe, it helps us out a lot.

Follow Us on Social Media!

Greater & Grander on YouTube – https://www.youtube.com/c/GreaterGrander  

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Register and Get a Free List of Special Info on Jobs in Hollywood – http://greaterandgrander.com/special-job-openings-giveaways  

Check out past episodes and bonus content on the Greater & Grander website – http://greaterandgrander.com/tag/producers-lounge-podcast 

#AnimationWriting, #BreakingIntoTheFilmIndustry, #DCTelevision, #Filmmaking, #Inspiration, #Misogyny, #PodcastCommunity, #PodcastEpisode, #PodcastInterview, #PodcastAndChill, #ProducersLoungePodcast, #TeenTitans, #TelevisionSeries, #TVWriting, #UCLA

[tvdoes]

Zonnia Pokedex: Mega Evolution

I’m happy to announce the opening of the Mega Evolution poll for Zonnia!

By following the source link to AO3, you will find details of how to nominate up to six Zonnian Pokemon to receive Mega Evolutions! Once the poll closes, the top six most nominated will gain these new forms!

If you can and are interested, please head along to Zonnia and cast your vote!

[writerofscreen]

When People Ask How My Screenwriting is Going