#jatoner

[creweemmaeec11]

Chapter 46 of my main project over on AO3 just went up!!! If you haven't checked it out yet, you should!! It's in a universe completely separate from the fandom, so you don't need to know anything to enjoy it as an outsider!

[redcarpet-streetstyle]

[eryanlainfa]

The explosion of a chemical plant made the zone unlivable for humans and animals. Determined to cure this ecosystem, Mila ventures to the plant. But it is not a warm welcome waiting for her. 

A student short film, promo 2023.

Script by Lea Vidal  Production Team : Julia Arnaudo, Lisa Berton, Margaux Charlin, Eloise Besson, Theo Guyot, Arwenn Nau, Elona Colombier Dit Lavague, Talya Fontanier  Sound Design / Music : Felix Joguet  Voice Acting : Marion Ballansat 

Insta of the short film

We were 8 classmates working on this project with the help of friends and our teachers, go check everyone out :

Julia Arnaudo, Lisa Berton, Margaux Charlin, Eloise Besson, Arwenn Nau, Elona Colombier-Dit-Lavague, Talya Fontanier, Theo Guyot.

Helping hands :  

Swen Jaton, Gary Fall, Majdeline Ajjan, Aurelien Castaldo (I do not know their socials I’m sorry-) 

[anotherhumaninthisworld]

Who is Catherine Théot? .. can you explain her story please ? And what is her connection with robespierre? Because I don't understand her role during the period of robespierre's downfall.

And Thanks a lot.

Catherine Théot was born on March 5 1716, to a peasant family living in Barenton. In a letter written during the revolution, she said that she had been ”given to God from infancy,” and one of her disciples recalled that Théot had stated that, when she was only four years old, ”God had made known to her that he would make an alliance with her.” After having acquired a local reputation for piety, she was sent to Paris by her parish priest, where she was placed under the spiritual direction of Abbé Joseph Grisel. For many years Théot worked as a domestic servant in the Convent of the Miramionnes. At one point she returned to Normandy and sought admission to a convent near her home, but went back to Paris once God told her to, where she would then live out the rest of her austere religious life — taking communion every morning at five o’clock, spending part of each night carrying out penitences she imposed upon herself, and submitting herself to a harch regimen of penitence.

In 1779, Théot was arrested and imprisoned in the Bastille after having come to believe she was the only one who could understand the Scriptures and preaching about it against local priests. Being interrogated, she described herself as ”the virgin who would receive the little Jesus, who would come down from heaven to earth to bring peace to all the earth and to receive all nations.” After six weeks spent in the Bastille, she was moved to a mental hospital, where she remained until 1782. 

Once released, Théot came to live on 20 rue des Rosiers together with the widow Godefroy (Marie Madelaine Amblard), a seamstress who sometimes served as her secretary. A circle began to form around the two that only grew over the following ten years. It was not a secret society in the sense that initiations rites and membership cards were needed, and its sessions consisted only of harmless activities – short sermons by Théot, singing, and readings from the Bible and the missal. In 1793, the wife of one of the people frequenting the circle nevertheless claimed that, within it, Théot was called ”the new Eve, who will redeem the human race,” and that she ”announced the general Happiness and a uniform Religion for all the universe.” The people that came to Théot’s sessions belonged to both the wealthy and poor classes, but most common were artisans, shopkeepers and servants. Women were also more common than men. The circle’s most famous member was the former National Assembly deputy Dom Gerle, who became Théot’s disciple sometime during 1792 and sometimes spoke directly to the group along with the widow Godefroy. Someone else who frequented the circle was none other than Marie-Louise Vaugeois, sister of Robespierre’s host Françoise Duplay, although this didn’t become known until after thermidor.

In 1793, the number of people seen going into Théot’s lodgings proved suspicious for the public prosecutor of the Paris Commune Anaxagoras Chaumette. On January 10,he therefore ordered Théot’s house to be searched, something which was carried out five days later. The file was transmitted to Chaumette on February 10, who, far from closing the case, sought to find out more. Théot and the widow Godefroy were taken in but released soon afterwards, and in June 1793 they moved to the third floor of an apartment on rue de la Contrescrape (today rue Blainville) where they could continue to hold meetings without interference. But less than a year later, May 12 1794, two gendarmes, Jaton and Pidoux, wrote to the Committee of General Security (CGS) to denounce Théot after having asked to be admitted to her circle’s sessions, but, not being known, instead been met with a certain mistrust. The CGS acted quickly, already on the same day it ordered a home visit be made to Théot, participants of her sessions interrogated, and those among them found suspect arrested. Théot was arrested on May 17 along the widow Godefroy, Dom Gerle and twelve others. In the weeks that followed several new arrests were issued against people believed to belong to her ”clique” as well. 

A month later, on June 15, Marc-Guillaume Alexis Vadier, the president of the CGS, read a report regarding Théot to the Convention. In it, Théot’s circle was presented as ”a sect” that was in fact a conspiracy including ”royalists, usurers, fools, egoists, fops, counterrevolutionaries of both sexes” and to which mystics, mesmerists, émigrés, Pitt and Frederick William of Prussia belonged. Vadier wrapped up the report by demanding no clemency for ”scroundel priests” (refractory priests), and ordering Catherine Théot, the widow Godefroy, Dom Gerle and two others brought before the Revolutionary Tribunal. Like with Théot’s arrest, the report was again followed by a wave of new arrests of people believed to have been in associated with her.

However, sometime shortly after Vadier’s report, Robespierre ordered Fouquier-Tinville, the public prosecutor, to leave him the papers concerning the Théot affair and to suspend the investigation of the trial. In his Mémoire de Fouquier-Tinville pour sa défense (1795) Fouquier described the scene as following:

Robespierre told me at the Committee of Public Safety, in the name of said committee, that it was necessary to postpone the Catherine Théot affair. After having observed to him in vain that a decree imposed on me the duty to follow it up and not having been able to make myself heard, I withdrew and went to the General Security Committee where I reported on the facts and my embarrassment, indicating three times "he, he, he, in the name of the Committee of Public Safety, opposes it.” “You mean Robespierre?” replied a member, whom I believe to be Amar or Citizen Vadier. 

The earliest, and perhaps most common interpretation of this affair is that it was a machination of the Committee of General Security in general and Vadier in particular. (for this interpretation, see Albert Mathiez’s L’affair Catherine Théot et le mysticisme chrétien révolutionnaire). They had as their aim to ridicule both Robespierre himself, who many of the committee members were becoming wary of, as well as his deism and Cult of the Supreme Being, which, it is commonly stated, they disliked due to being atheists. This last claim I’m however having a hard time finding any primary source for, but it can nevertheless be observed that Théot’s arrest was ordered just five days after Robespierre had held a speech announcing that ”the French people believe in the existence of the Supreme Being and the immortailty of the soul” and Vadier read his report against Théot just a week after the Festival of the Supreme Being.

Evidence to support this interpretation is first and foremost Vadier’s report. Although he never mentioned Robespierre’s name, or any connection he might have to Théot’s clique in it, he nevertheless managed to cast ridicule on Robespierre’s religious ideas through an exaggerated language, provoking many laughs from the stands.

Another piece that supports this interpretation is Robespierre’s speech on 8 thermidor, where he says the following:

The first attempt the malevolent people made was to seek to debase the great principles that you had proclaimed and to erase the touching memory of the national holiday (the festival of the Supreme Being). Such was the aim of the character and the solemnity which was given to what was called the Catherine Théot affair. Malevolence has taken advantage of the political conspiracy hidden under the name of a few imbecile devotees, and nothing was presented to public attention but a mystical farce and an inexhaustible subject of indecent or childish sarcasm.

On 9 thermidor, Vadier also claimed that a letter (that may or may not actually have existed) proclaiming Robespierre to be the high priest of the new cult had been found under Théot’s matress in order to denounce him, and finally, according to the memoirs of Philarete Chasles, Vadier confirmed in his old age that ridiculing Robespierre had indeed been his intention all along:

[Vadier] continued his story. He told us for the hundredth time how the fools went back to saying mass; how Robespierre himself — the incorruptible! — (and he made this word vibrate with an inimitable southern irony) was going to turn into cagotism; — how the incorruptible aimed at becoming high priest. ”So it was by a terrible chance that it was learned that la petite maman Théot was gathering her little congregation in a Venetian attic; — and that set me to work!… and that made them jump… and…” ”We know it well,” said the honest little Robert Lindet who was growing bored from this. ”You have told us the story one hundred times!” ”Ah! Ah!” continued the voltarian revolutionary, straightening up despite his gout, ”when I gave them my report… you see… fanaticism, he was shot down… He had a long time to get up… and Robespierre! wiped out! finished!… I damaged him!”  And he threw himself into his armchair with an unspeakable joy.

In his account of the affair, Mathiez goes further than what the above pieces tell us, and adds that the CGS had sought Théot out before being informed about her on May 12, no doubt learning about her through the papers gathered when her house had first been searched in early 1793. Mathiez writes that the CGS had been infiltrating the Théot sessions before arresting her, citing the imprisoned Dom Gerle who said that, since a month back, two men that he found suspicious had come to attend Théot’s sessions — men that Mathiez identify as the CGS agents Senar and Heron. Speaking of Gerle, Mathiez also writes that, when his apartment was searched after his arrest, the gendarmes found a note written by Robespierre, certifying Dom Gerle to be a good patriot. But if that is so, they never appeared to have gotten the chance to use it as a weapon against Robespierre.

As for Robespierre’s motivation for acting as he did, Mathiez means he intervened to put a stop to the affair both because it would prove humiliating for him, and because he wished to save people he conceived to just be a harmless group of religious zealots without political importance. Mathiez also argues that Robespierre tried (and failed) to remove Fouquier-Tinville as public prosecutor right after the Théot affair, judging him to be too close with the CGS (Fouquier Tinville et Robespierre (1917)).

In his Points de vue sur l’affaire Catherine Théot (1969), Michel Eude has however concluded that, although it’s clear Vadier & co seized the opportunity to humiliate Robespierre with the affair, it’s also possible they actually saw a real threat in it. This considering the fact similar cases regarding ”fanatical gatherings” had attracted the CGS’s attention already before Théot’s arrest, and would continue to do so after it as well (without there being any indication they saw these plots as being connected to the Théot affair). Since any confabulation, at that time, was considered suspect by definition, Eude argues there is nothing to suggest that the concern of the CGS was feigned in the Théot case. Humiliating Robespierre was just a bonus.

Eude observes that though Vadier’s report invoked laughter in the Convention (as he most likely meant for it to do) it was the cause of just as many applauds, suggesting the affair was taken seriously by the members of the Convention. And Vadier made sure to underline that the gatherings at Théot’s place was ”only a primary school of fanaticism, the real instigators are much higher up.” Something he might not have done if the goal was simply to slander Robespierre.

Eude likewise challanges Mathiez’s idea that Robespierre tried getting rid of Fouquier-Tinville (Robespierre a-t-il voulu faire destituer Fouquier-Tinville ? (1965)) as well as the idea that the reason he imposed a reprieve was because he realized Théot & co were harmless and the affair would prove embarrassing for him. It was instead because he wanted to take it out of the hands of the CGS and let investigation be run by the CPS’s Police Bureau, which was under the thumb of Couthon, Saint-Just and Robespierre personally. Robespierre was already suspicious of many of the CGS members, and felt the investigation conducted by them hadn’t implicated all people actually involved in the conspiracy. This is proven through a letter dated June 26 from Dumas (president of the Revolutionary Tribunal, ally of Robespierre) to Lejeune (president of the police bureau, him too an ally of Robespierre) — ”If citizen Lejeune received from the Committee (of Public Safety) documents relating to the conspiracy under the cloak of fanaticism, especially those which concern declarations and interrogations of arrested peddlers, it is the intention of Robespierre that these documents be given to us during the day.” The next day, Dumas sent Robespierre documents regarding twenty people, half of which concerned the Catherine Théot affair, and the other half the affair of one Pierre-Guillaume Ducy, who had been arrested a month after Théot. Like her, Ducy had come under suspicion for ”fanatical gatherings,” but while the CGS who had arrested him didn’t seem to have believed there was a connection between him and Théot, the letter shows us Robespierre did, and that further research would lead to the head of the joint conspiracy. When Robespierre spoke about the Théot affair the very same day at the Jacobins, he too appeared to treat Vadier’s report seriously, saying that ”a faithful representative made a report whose purpose was to enlighten the people on a new plot. It was about unveiling a deep conspiracy, hidden under a veneer of fanaticism and mysticism,” and only regretting ”the culpable activity taken to diminish the importance of Vadier's report by making it disappear under a cloud of brochures in the style of Father Duchêne, and which are nothing but an indecent parody of this same report.”Finally, on July 1, Lejeune sent Dumas, on behalf of Robespierre, documents relating to Catherine Théot and six of her followers, and, on the 15th, he passed on to him the report of the interrogation that the revolutionary committee of the Social Contract section had subjected a woman "accused of complicity with the Théot woman, known as the Mother of God."

Robespierre, Lejeune and Dumas were all executed before the affair really went anywhere, but it’s possible that, had they remained in charge of it, even more people would have appeared before the Revolutionary Tribunal than Vadier had originally intended (as already stated, Vadier ended his report by ordering the transfer of only five people to the Revolutionary Tribunal). However, thermidor ended up putting a stop to the whole story, and by the spring of 1795, all those arrested as Théot’s disciples had been released from their captivity. The only one who didn’t get out with her life intact was Théot herself, who died in prison on September 1 1794, just a month after Robespierre’s execution.

I don’t know just how essential this affair really is for Robespierre’s downfall, but the fact that Robespierre’s influence was big enough for him to single-handedly (if we’re to believe Fouquier-Tinville’s account) take away an affair from the CGS surely must have concerned the deputies already worried that he was aiming at dictatorship. Robespierre in his turn can’t have improved his opinion on the CGS as a whole from the affair. It can probably also be concluded that, had not the Théot case existed, the resentment of Robespierre’s enemies would have just found other opportunities to manifest itself.

Sources:

Popular Piety in the French Revolution: Catherine Théot (1974) by Clarke Garrett

L’affair Catherine Théot et le mysticisme chrétien révolutionnaire in Contributions à l’histoire religieuse de la Révolution française (1907) by Albert Mathiez

Robespierre et le procès de Catherine Théot (1929) by Albert Mathiez

Fouquier Tinville et Robespierre (1917) by Albert Mathiez

Robespierre a-t-il voulu faire destituer Fouquier-Tinville ?(1965) by Michel Eude

Points de vue sur l’affaire Catherine Théot (1969) by Michel Eude

Rapport de Vadier, au nom des comités de salut public et de sûreté générale, sur la découverte d’une nouvelle conspiration (June 15 1794)

[spaceintruderdetector]

TRASH N' TANTRUM vol1 (circuit bending compilation)

1 - Conrad Massie - of radio and modulation (00:00) 2 - Nakateem  - khaladooba gero (06:12) 3 - Rodrigo Constanzo - drums (13:25) 4 - Shoï Extrasystole - ben dot hello (15:31) 5 - Juan Matos Capote   - añaso (20:21) 6 - Marc Bascougnano - integrity of light (24:25) 7 - Brian Mcnamara  - twelve  (28:53) 8 - Devgon Ash  - live @ goethe institut, kyoto (32:17) 9 - Psychiceyeclix / Damian Lintell-Smith  - barbecued angels (42:07) 10 - Pi Mark - the first transmition from telstar (44:50) 11 - Jean-Brice Godet -  transition (46:44) 12 - Tostarra / Kevin Siegel  - anyone svar (48:29) 13 - Banappletoy (Andrea Bui / Vanessa Tripi) - live @ MEFF2017 (49:49) 14 - Andreas Monopolis - knot (58:35) 15 - Circo Bazooko (Nacho & Mos) - your shoes (1.03:32) 16 - Toy Death / Nik Nak - ruok6 (1.06:50) 17 - Bob Kickflip - endangered species  (1.09:48) 18 - Antoine Hubineau & Gael Jaton - Jaensch Stroop (1.13:01) 19 - Tasos Tarafel Stamou - circuit chant (1.14:56) 20 - La Loca de Hojalata - tu eres droga yo soy droga (1.19:11) 21 - BBDKK feat Hanareevab - whirl (1.21:32) 22 - Angel Marcloid - window voice (1.24:02) 23- Fabio Cortez - psycho synths circuit bent tape recorder #1 (1.26:14) 24 - Circuit Bending Starship - just like heaven (1.28:11) 25 - Joao Orecchia - live @ espacio fundacion telefonica (1.31:14)

[darius-cordell-custom-dresses]

Style C2017hurst - Strapless fit-and-flare wedding dress inspired by Jaton Couture

Style C2017hurst - Strapless fit-and-flare wedding dress inspired by Jaton Couture https://ift.tt/R3DSw0F Style C2017hurst - Strapless fit-and-flare wedding dress inspired by Jaton Couture via THE DARIUS COLLECTION https://ift.tt/Y8HE36j May 25, 2024 at 06:43PM https://ift.tt/GhIiDmY Style C2017hurst - Strapless fit-and-flare wedding dress inspired by Jaton Couture

[cosmicanger]

Noémie Degen / Simon Jaton, Untitled, 2023, silk screen ink on paper mounted on plywood 21 x 43 inches, 53.34 x 109.22 cm

[woodchalk]

Girl and Flowers.

Jaton Edmoreton.

[shaddad]

do trabalho de noémie degen e simon jaton

[valloninfo]

L’édition 2023 signait le grand retour de Carnavallon sous la patinoire. Le succès de Carna’Circus permet ainsi au comité de se rengager pour l’édition 2024 ! L’assemblée générale annuelle s’est déroulée le vendredi 30 juin 2023. Lors de cette soirée, le comité d’organisation a été élu. Le thème a, quant à lui, été voté lors d’une réunion du CO. Carnavallon est le dernier carnaval encore vivant au canton de Neuchâtel. C’est donc avec une motivation à toute épreuve que le comité d’organisation du carnaval du Val-de-Travers travaillera d’arrache-pied, tout au long de l’année à venir, pour organiser une 46ème édition en 2024. Bien évidemment le programme complet sera communiqué en temps voulu, mais il est d’ores et déjà clair que Carnavallon ouvrira ses portes, comme le veut la tradition, sous la patinoire de Fleurier du vendredi 26 avril 2024 à 17h31 au dimanche 28 avril 2024 à 22h01 sous le thème « CARNAVALLON VOUS EMMENE DANS LES ETOILES » Le 30 juin dernier dans la salle du grenier, à Fleurier, s’est tenue l’annuelle assemblée générale. Les membres présents de l’association ont ainsi pu élire le comité d’organisation pour la 46ème édition du Carnavallon, bien qu’un petit nombre de postes se trouvaient encore vacants à ce moment-là. Le comité a définitivement été élu le jeudi 17 août 2023. Nous souhaitons la bienvenue aux entrants : Johnny Dubois ; Samuel Durrenberger ; David Guillois ; Vincent Huguenin ; Laura Magnin ; Stéphanie Mottet ; Audrey Perriard ; Joël Petitpierre, Marika Sorrenti, et un bon retour à Gisèle Margot et François Margot, qui ont déjà été membres du comité d’organisation par le passé. Le comité est déterminé comme suit : Co-Présidents Sarah Pham et Florian Margot Bars Joël Petitpierre et Vincent Huguenin Infrastructure Johnny Dubois et Joël Berset Trésorier David Guillois Programmation Marika Sorrenti et Joël Berset Cliques et cortèges Séverine Petitpierre Sécurité & Sanitaire Yoan Margot et Samuel Durrenberger Secrétariat Cindy Schaller Décors Cindy Schaller Logistique Stéphanie Mottet, épaulée par Gisèle Margot et François Margot Sponsoring & Communication Audrey Perriard et Laura Magnin Bien entendu, lorsque de nouveaux membres entrent au comité d’autres s’en vont, ayant tout donné depuis plusieurs années, ils ont choisi de nouveaux projets ou un peu de calme pour les éditions suivantes. Nous leur souhaitons à tous les sept « bonne route » et remercions infiniment : Elsa Cochand; Simon Degrugillier; Léa Jaton; Alexandre Macherel; Christelle Pythoud ; Sophie Renaud et Valentin Renaud pour leur dévouement durant ces nombreuses années de comité où ils ont œuvré pour vous offrir, cette magnifique manifestation qu’est le carnaval du Val-de-Travers. Pour vous tenir informé en tout temps, retrouvez, tout au long de l’année les infos sur nos réseaux sociaux, Facebook, Instagram et TikTok, mais aussi sur notre site internet www.carnavallon.ch.

[www-thomasvino-ch]

Un sauvignon blanc champion vaudois

Lundi 3 juillet, à Montreux, les résultats de la Sélection des vins vaudois ont été proclamés, pour tirer profit du Montreux Jazz Festival, dont le directeur, Mathieu Jaton, a été fait commandeur des vins vaudois par la conseillère d’Etat Valérie Dittli. Lors de cette soirée, 35 vins ont été récompensés. Selon un communiqué de presse, la meilleure note du concours (92,4 points), soit le Trophée…

[creweemmaeec11]

THE NEXT CHAPTER OF JATON IS UP!!!!

[realitajayasaktigroup]

Tahun Depan, Pohuwato Jadi Tuan Rumah Festival Budaya Jaton se-Indonesia Timur

Kabardaerah.or.id, Pohuwato – Tahun 2024, Kabupaten Pohuwato siap menjadi tuan rumah pada Festival Seni Budaya Jawa-Tondano XVIII se-Indonesia Timur Tahun 2024 mendatang. Hal itu disampaikan Bupati Pohuwato, Saipul A. Mbuinga usai menerima pataka dari Wakil Wali Kota Kotamobagu, Nayodo Koerniawan, SH pada acara Festival Seni Budaya Jaton XVII se-Indonesia Timur, di Lapangan Olahraga, Kelurahan…

[isvicreninsesi]

Montrö Caz Festivali en büyük uluslararası canlı müzik ödülünü kazandı

VAUD- Montrö Caz festivali, Avrupa canlı müzik endüstrisinin Oscar'ları olarak kabul edilen Uluslararası Canlı Müzik Konferansı'nda (ILMC) “favori festival” ödülüne layık görüldü. Montrö Caz Festivali, halk ve sektör profesyonelleri tarafından verilen prestijli ILMC Arthur Ödülü'nü Londra'da düzenlenen törenle aldı. Montrö Caz Festivali ödülü ikinci kez kazanırken, ilk ödülünü 2011 yılında almıştı. Montreux Jazz'ın direktörü Mathieu Jaton, Instagram'da halka ve kendilerine oy veren canlı müzik endüstrisindeki meslektaşlarına teşekkür etti. Bir müzik festivalinin sınırlarını zorlamaya devam edeceğiz ve bu yaz 30 Haziran'dan 15 Temmuz'a kadar hepinizi Montrö'de ağırlamayı dört gözle bekliyoruz" dedi. Bu yılki Montrö Caz Festivali, 250 bin fazla kişinin katılımıyla Covid öncesi yılların büyük kalabalığa dönüşünü gördü. Montrö Caz Festivali, 1967 yazında caz sevgisini Cenevre Gölü kıyılarında küresel bir fenomenin tohumuna dönüştüren İsviçreli şef ve turizm organizatörü Claude Nobs tarafından kuruldu. Read the full article

[swissforextrading]

Montreux Jazz Festival wins top international live music prize

The Montreux Jazz festival has received a “favourite festival” award at the International Live Music Conference (ILMC), considered the Oscars of Europe’s live music industry. The Montreux Jazz Festival received the prestigious ILMC Arthur Award, given by the public and industry professionals, at a ceremony in London. It is the second time it has won the prize: the last was in 2011. The organisers of the Swiss festival, which has been running for 55 years, said they were proud to have fought off competition from other big name events such as Reading & Leeds (UK), British Summer Time Hyde Park (UK), Primavera Sound (Spain), Hurricane (Germany) and Roskilde (Denmark). + Half a century of Montreux Jazz On Instagram, Mathieu Jaton, director of Montreux Jazz, thanked the public and his peers in the live music industry who voted for them. “We will continue to push the boundaries of what a music festival can be and we look forward to welcoming you all to Montreux this summer, from... https://www.swissinfo.ch/eng/culture/montreux-jazz-festival-wins-top-international-live-music-prize/48336082?utm_campaign=swi-rss&utm_source=multiple&utm_medium=rss&utm_content=o (Source of the original content)

[theruggedhuman]

Écran vert 30s from qolab on Vimeo.

Fizz Mobile & Internet - Écran Vert - 30s - FR

La couleur de Fizz, c’est vert. Puisqu’avec le vert (et un écran vert), on peut faire tout ce que l’on veut, regardez cette cliente vivre sa meilleure vie, à sa façon.

CRÉDITS : Directeur de création : Jocelyn Goyer Concepteurs rédacteurs : Andrew Lord, Laurent Tremblay Direction artistique : Pamela Jaton, Simon Provencher-Allard Service conseil : Meggie Lavoie, Annie Alix-Paré Stratégie : Alexandra Papineau, Ouiam Didane Chargée de projet : Maxime Bouffard, Laurence Vézina Production : Matthieu Dorion, Vicky Painchaud Réalisation : Louis Delisle, Olivier Bouchard Montage : Lucie Casez Postproduction : Mels Motion design : Vincent Girard Coloration : Karim El Katari Musique : Clay and Friends