#jay auborn

[13melekradyo]

Güncel modern kompozisyon kayıtlarından bir seçki // A selection of recent modern composition recordings. Download.

01 – Garreth Broke – Hiding (Clariloops Rework) 02 – Kalia Vandever – Temper The Wound 03 – Eldbjørg Hemsing – Aurora 04 – ABBOTT ft. Canea Quartet – Father 05 – Avawaves – Fractured Light 06 – Neil Cowley – Ticker Tape 07 – John Matthias & Jay Auborn – Vodka & Coke 08 – Julia  Gjertsen & Juha Mäki-Patola – Dive 09 – Andrew Land – A Warning 10 – Philip G Anderson & Shawn Williams – Familiar 11 – Violetta Vicci – Caralin 12 – SubtractiveLAD – Better Than We Are 13 – Julius Aglinskas – Blue Dusk II (excerpt)

[resistance765]

“Soma Vapour” - John Matthias & Jay Auborn

[la-isla]

LA ISLA #039

01 - korla pandit - turkish dance 02 - george shearing quintet - drume negrita 03 - humberto morales y su mambo de la selva - guili guili 04 - jimmie mc griff - jungle cat 05 - jay abbott - la tanya

06 - joann auborn andt her ays - tanganyika 07 - jimmy briggs with willie moores quintet - spanish guitar 08 - hrachy acoubian - harem twist 09 - james arr septette - congo elegy 10 - jack medell and his orchestra - umbe

[placerdiario]

#7 OBLIVION from Blink on Vimeo.

Noah Harris and Andy Biddle take us on a voyage through time, exploring the virtues and vices of mankind in this mesmerising series for record label, Village Green. This surreal sequence of interconnecting films tells the epic story of evolution playfully through the detritus of mankind. The birth of a planet in ELEMENT, the growth of the human race in SENTIENCE, and its descent towards the inevitable in OBLIVION, are all created from a multitude of found objects salvaged from car-boot sales and flea markets around london. Animated entirely in camera, the films are a showcase of Noah’s unwavering attention to detail and love of physical objects. Premiering as part of Channel 4’s Random Acts, the Salvation series is a collaboration between Blinkink & Village Green and showcases highlights from the label’s 2017 catalogue. Production Company: Blinkink Directors: Noah Harris & Andy Biddle Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios Featured music 1 - Snow Palms ‘Rite’ 2 - Thomas William Hill ‘Tyranny Of The Frame’ 3 - Angele David Guillou ‘V For Visconti’ 4 - John Matthias & Jay Auborn ‘Every Word A Mask’ 5 - Soft Error ‘Bad Habits’ 6 - Jim Copperthwaite ‘The History Of Cubes’ 7- Ben Chatwin ‘Helix’ 8 - Matt Dunkley ‘Cycle 7’ With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.

[igorbotelhobernardes]

SALVATION from noah harris on Vimeo.

The story of man, told through the detritus of mankind.

A series of 8 interconnected films set to music by artists from villagegreenrecording.co.uk/

This piece brings the 8 films together to tell the whole story and was supported by randomacts.channel4.com/

All objects sourced from car boot sales and flea markets.

See the full series here salvation-project.tv

Full Credits -

Directors: Noah Harris & Andy Biddle

Production Company: Blinkink Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion

Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley

Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson, Simone Ghilardotti, Rob Ward, Elliot Dear. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios

Featured music

Snow Palms ‘Rite’ Thomas William Hill ‘Tyranny Of The Frame’ Angele David Guillou ‘V For Visconti’ John Matthias & Jay Auborn ‘Every Word A Mask’ Soft Error ‘Bad Habits’ Jim Copperthwaite ‘The History Of Cubes’ Ben Chatwin ‘Helix’ Matt Dunkley ‘Cycle 7’

With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.

[polskicityavenue-blog]

Updating Album Themes and Narratives (Week 1)

Firstly, upon completion of the proposal, it is worth highlighting some of the difficulties faced at the start of the production stage. Between the proposal and first weeks back there was a real struggle finding enjoyment and compassion towards the project. In the previous semester the concepts for the artwork and music tried to encapsulate a wide number of issues regarding homelessness. The album proposal placed a strong sense of political and cultural meanings, and the whole process did not feel natural. The way the ideas were presented and conveyed had made it seem overwhelming, and much like trying to sell this project as a charitable project more than it is an artistic one. It became non-enjoyable, simply trying to fulfil the nature of the assignment, rather than using this as an opportunity for personal development.

Drawn away from the project, words from Jay Auborn have helped to take a look at the project from a different perspective. In a guest lecture, Jay explained that the concept should not take over the project but help drive it in the direction to make good music, acting as inspiration rather than be seen as a guideline to follow. The core of the concept should flourish with creative ideas, whereas here, the whole project was beginning to feel like a manifesto with no creative freedom, drawing the focus away from the music. To reflect upon this, and overcome feeling constrained by the detailed narratives, the artwork and themes were revisited into less complex and political narratives (see weeks 2-5). The changes have shifted the dynamic of the album, placing less importance on the personal goals set out, to do with the message and trying to make a wider cultural impact. Instead it was boiled down towards more of the professional goals, by structuring the album for the purpose of developing a portfolio, gaining some following and making connections to slowly set foot in the music industry.

“The whole point of art is about telling a story and raising awareness of something that you’re passionate about.” (Tovey cited in Medium, 2018)

Medium. (2019). How artist David Tovey is raising awareness of homelessness with The One Festival of Homeless Arts, [Online] Available at: https://medium.com/@eustontown/how-artist-david-tovey-is-raising-awareness-of-homelessness-with-the-one-festival-of-homeless-arts-7f436b3b9ba [Accessed 10 May 2019].

[manukyan]

SALVATION from noah harris on Vimeo.

The story of man, told through the detritus of mankind.

A series of 8 interconnected films set to music by artists from villagegreenrecording.co.uk/

This piece brings the 8 films together to tell the whole story and was supported by randomacts.channel4.com/

All objects sourced from car boot sales and flea markets.

See the full series here salvation-project.tv

Full Credits -

Directors: Noah Harris & Andy Biddle

Production Company: Blinkink Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion

Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley

Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson, Simone Ghilardotti, Rob Ward, Elliot Dear. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios

Featured music

Snow Palms ‘Rite’ Thomas William Hill ‘Tyranny Of The Frame’ Angele David Guillou ‘V For Visconti’ John Matthias & Jay Auborn ‘Every Word A Mask’ Soft Error ‘Bad Habits’ Jim Copperthwaite ‘The History Of Cubes’ Ben Chatwin ‘Helix’ Matt Dunkley ‘Cycle 7’

With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.

[artwalktv]

The story of man, told through the detritus of mankind. A series of 8 interconnected films set to music by artists from http://bit.ly/2taklu9 This piece brings the 8 films together to tell the whole story and was supported by http://bit.ly/2tTc36W All objects sourced from car boot sales and flea markets. See the full series here http://bit.ly/2taZAOL Full Credits - Directors: Noah Harris & Andy Biddle Production Company: Blinkink Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson, Simone Ghilardotti, Rob Ward, Elliot Dear. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios Featured music Snow Palms ‘Rite’ Thomas William Hill ‘Tyranny Of The Frame’ Angele David Guillou ‘V For Visconti’ John Matthias & Jay Auborn ‘Every Word A Mask’ Soft Error ‘Bad Habits’ Jim Copperthwaite ‘The History Of Cubes’ Ben Chatwin ‘Helix’ Matt Dunkley ‘Cycle 7’ With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.

[libromundoes]

All Alone Online: Iggy Pop y Jeremy Irons realizan una lectura masiva de Ancient Mariner | Samuel Taylor Coleridge

"Solo, solo, todo, completamente solo". El grito del Viejo Marinero, inmortalizado por Samuel Taylor Coleridge, es particularmente relevante hoy cuando el mundo se aísla. Ahora, el poema del siglo XVIII está a punto de ser rediseñado, en una lectura diaria en línea de estrellas de Marianne Faithfull a Iggy Pop, Jeremy Irons y Tilda Swinton para una audiencia global bloqueada.

The Ancient Mariner Big Read, que se lanzará el sábado y comisionado por el Instituto de las Artes de la Universidad de Plymouth, verá el poema de 150 líneas divididas en 40 lecturas, con lectores de Faithfull a Irons cada uno grabando tres o cuatro líneas para transmitido diariamente gratis. (Faithfull lo grabó antes de ser hospitalizado con el coronavirus). El proyecto combinará lecturas con obras de artistas importantes, incluida Marina Abramović, y se centrará nuevamente en el "mensaje ecológico urgente" del poema

"No sabíamos que íbamos a armar todo durante todo esto", dijo el co-curador Philip Hoare, autor de Leviathan o, The Whale, ganador del premio Samuel Johnson 2009, pero Hoare dijo que Elder Mariner Big Read ofrecería "una obra de arte digital completamente nueva para vivir en casa, en un viaje salvaje al mundo desconocido y acuático".

El poema de Coleridge se abre cuando el Viejo Marinero le pone un collar a un invitado de boda reacio y comienza a contarle sobre un desastroso viaje por mar. Después de que el Marinero mata a un albatros, su barco está atascado. Como escribe Coleridge, en algunas de las líneas de poesía más famosas, el barco se sienta "tan inactivo como un barco pintado / En un océano pintado", con "Agua, agua" # 39; agua, en todas partes, / No hay gotas para beber ".

El marinero se ve obligado a usar el albatros alrededor de su cuello, y es el único sobreviviente cuando el barco es visitado por un barco que transporta la muerte, lo que provoca su famoso grito: "Solo, solo, todo, solo, / Solo en un mar ancho, ancho! "- una sección que es atendida dramáticamente por Faithfull para la Gran Lectura.

The Shallow End de Glenn Brown, una de las 40 imágenes de artistas que se presentarán en cada una de las 40 lecturas. Fotografía: Glenn Brown

"Es la primera obra moderna de literatura que aborda la idea del aislamiento, de la manera más intensa, visceral y aterradora pero extrañamente estimulante", dijo Hoare. "El llanto del corazón del Marinero" solo, solo "ahora es parte de nosotros".

La rima del ex marinero es "una fábula fundadora de nuestra era moderna", dijo. "Somos los invitados a la boda, y el albatros alrededor del cuello del Marinero es un emblema de la desesperación humana y nuestro abuso del mundo natural. Sin embargo, en su hermoso terror, hay una solución maravillosa: que podamos despierta y sé salvo ".

Hoare está organizando el proyecto con la artista Angela Cockayne y Sarah Chapman, directora del Instituto de las Artes. Los tres trabajaron juntos en la Gran lectura de Moby-Dick, que ha visto a figuras como David Cameron y Stephen Fry unir fuerzas para leer la novela completa en voz alta. Ha recogido más de 10 millones de visitas desde su primera emisión en 2013.

Otros contribuyentes a la lectura de Coleridge incluyen a Hilary Mantel y Lemn Sissay, cada uno elegido porque tienen antecedentes que reaccionan con el poema, dijo Hoare.

Iggy Pop, por ejemplo, pronunció una lectura "rugiente, gráfica y gruñona": "Es el antiguo marinero moderno. Incluso parece que ha estado en una balsa en el Pacífico durante seis meses. Y él trae su propia historia: seamos sinceros, tenía sus propios problemas con las drogas, como lo hizo Coleridge. "Otros nombres importantes serán revelados a medida que avance el proyecto.

Medusa West de Yinka Shonibare, otra de las obras del proyecto. Fotografía: Yinka Shonibare

Las lecturas irán acompañadas de obras de artistas, incluido Yinka Shonibare, y se asociarán con investigaciones científicas relevantes en áreas como las ciencias marinas y la degradación del clima. Una vez que el poema haya terminado, irá acompañado de un paisaje sonoro del músico electrónico Jay Auborn, que incluirá grabaciones de campo de albatros y hielo crujiente de la Antártida.

"Aunque escrito hace 200 años, el Mariner es más relevante que nunca, advirtiéndonos bajo nuestro propio riesgo del abuso de la naturaleza y la forma en que todos estamos interconectados", dijo Cockayne, profesora en la Universidad Bath Spa.

Señaló el final del poema "profético pero eternamente optimista", utilizado más tarde en el conocido himno, en el que el navegante aconseja al invitado de la boda: "Ora bien, quien ama muy bien / L & # 39; hombre y pájaro y bestia. // Ora mejor, el que ama mejor / Todas las cosas grandes y pequeñas. "

"Este viaje contemporáneo reúne a un talentoso equipo interdisciplinario que trabaja en cine, fotografía, dibujo, pintura y escultura", dijo Cockayne. "El resultado es impresionante, un viaje circular de pérdida, dolor y represalias, pero también de esperanza para nuestros tiempos difíciles".

The post All Alone Online: Iggy Pop y Jeremy Irons realizan una lectura masiva de Ancient Mariner | Samuel Taylor Coleridge appeared first on Libro Mundo.

from WordPress http://libromundo.es/2020/04/17/all-alone-online-iggy-pop-y-jeremy-irons-realizan-una-lectura-masiva-de-ancient-mariner-samuel-taylor-coleridge/

[zkty1006]

Salvation from Andy Biddle on Vimeo.

A short film that both myself and Noah Harris directed. It was shot by Toby Howell and produced by Blink Ink in conjunction with Village Green.

The story of man, told through the detritus of mankind. A series of 8 interconnected films set to music by artists from villagegreenrecording.co.uk/ This piece brings the 8 films together to tell the whole story and was supported by randomacts.channel4.com All objects sourced from car boot sales and flea markets. See the full series here salvation-project.tv

Full Credits - Directors: Noah Harris & Andy Biddle Production Company: Blinkink Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios Featured music Snow Palms ‘Rite’ Thomas William Hill ‘Tyranny Of The Frame’ Angele David Guillou ‘V For Visconti’ John Matthias & Jay Auborn ‘Every Word A Mask’ Soft Error ‘Bad Habits’ Jim Copperthwaite ‘The History Of Cubes’ Ben Chatwin ‘Helix’ Matt Dunkley ‘Cycle 7’ With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.

[backstagepassmusic]

@matthias_auborn [John Matthias & Jay Auborn] "Pretoria Remixed" [@villagegreenrecordings] John Matthias & Jay Auborn joined forces beforehand and now they bring a remix to the track Pretoria including Bristolian producer CUTS, Will Young’s (not that one) Moon Gangs project, and former Mogwai guitarist John Cummings. via Instagram https://ift.tt/2qCi5Yt

[newsandmediarepublic]

New film starring Gabriel Byrne features soundtrack made in Plymouth

New film starring Gabriel Byrne features soundtrack made in Plymouth

Hollywood stars dazzle against a sonic backdrop made in Plymouth in a new film scored by the University of Plymouth’s Dr John Matthias and Jay Auborn from dBs Music.

(more…)

[danimal]

#6 DECADENCE from Blink on Vimeo.

Noah Harris and Andy Biddle take us on a voyage through time, exploring the virtues and vices of mankind in this mesmerising series for record label, Village Green. This surreal sequence of interconnecting films tells the epic story of evolution playfully through the detritus of mankind. The birth of a planet in ELEMENT, the growth of the human race in SENTIENCE, and its descent towards the inevitable in OBLIVION, are all created from a multitude of found objects salvaged from car-boot sales and flea markets around london. Animated entirely in camera, the films are a showcase of Noah’s unwavering attention to detail and love of physical objects. Premiering as part of Channel 4’s Random Acts, the Salvation series is a collaboration between Blinkink & Village Green and showcases highlights from the label’s 2017 catalogue. Production Company: Blinkink Directors: Noah Harris & Andy Biddle Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios Featured music 1 - Snow Palms ‘Rite’ 2 - Thomas William Hill ‘Tyranny Of The Frame’ 3 - Angele David Guillou ‘V For Visconti’ 4 - John Matthias & Jay Auborn ‘Every Word A Mask’ 5 - Soft Error ‘Bad Habits’ 6 - Jim Copperthwaite ‘The History Of Cubes’ 7- Ben Chatwin ‘Helix’ 8 - Matt Dunkley ‘Cycle 7’ With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.

[lostconversation]

Noah Harris and Andy Biddle take us on a voyage through time, exploring the virtues and vices of mankind in this mesmerising series for record label, Village Green. This surreal sequence of interconnecting films tells the epic story of evolution playfully through the detritus of mankind. The birth of a planet in ELEMENT, the growth of the human race in SENTIENCE, and its descent towards the inevitable in OBLIVION, are all created from a multitude of found objects salvaged from car-boot sales and flea markets around london. Animated entirely in camera, the films are a showcase of Noah’s unwavering attention to detail and love of physical objects. Premiering as part of Channel 4’s Random Acts, the Salvation series is a collaboration between Blinkink & Village Green and showcases highlights from the label’s 2017 catalogue. Production Company: Blinkink Directors: Noah Harris & Andy Biddle Executive Producer: Bart Yates Producer: Hugo Donkin Production Assistant: Alli Albion Director of Photography: Toby Howell Lead Animator: Andy Biddle Rigger: Craig Atkinson Additional Animator & Model Maker: Luke George Gaffer: Aldo Camilleri Gaffer/Motion Control: Max Halstead Spark: William Kay Art Director: Noah Harris & Robin Crowley Set Builder & Model Maker: Will Vincent Art Dept. Assistant: Jack Needell Art Dept. Runner: Adam Williams Art Dept. Runner: Ruby Smith Art Dept. Runner: Ella Keogan-Harris Runner: Emilie Forey Runner: Alice Lindley Editor: Max Windows @ Stitch Post Production: Nineteen Twenty VFX Supervisor: Ludo Fealy VFX Artists: Adam McHale, Rob Lilley, Graeme Eglin, Adrian Monroy Diaz, Chris King, Joe Lawrenson. Data Management: Kurt Bailey Grade: Duncan Russell @ Freefolk Sound: Tony Rappaccioli @ Wave Studios Featured music 1 - Snow Palms ‘Rite’ 2 - Thomas William Hill ‘Tyranny Of The Frame’ 3 - Angele David Guillou ‘V For Visconti’ 4 - John Matthias & Jay Auborn ‘Every Word A Mask’ 5 - Soft Error ‘Bad Habits’ 6 - Jim Copperthwaite ‘The History Of Cubes’ 7- Ben Chatwin ‘Helix’ 8 - Matt Dunkley ‘Cycle 7’ With thanks to... Harry Barber, Sam Davis, Rebecca Boswell, Charles Gillett, Scott Griffin, Angela Hart.