Tumgik
#joe pytka
harrisonarchive · 11 months
Text
Footage from interviews for The Beatles Anthology EPKs, and Today Tonight (Australia), 1995. Courtesy of YouTube. “It’s just some little magic that… you know, when you get certain people together, it produces — you know, it makes fire.” - George Harrison, EPK interview Q: “One of the songs, ‘Free As A Bird,’ that John recorded on mono. He’s playing the piano. How difficult was it melding the three surviving Beatles with John?” George: “Yeah. It was… it just took a little time, really. It was pretty tricky, because what we did was, at first, we took his cassette… because it was only a demo, and it was unfinished, it kind of — he was just plodding along and in some places he’d go quicken up a bit, and some places he’d slow down. And we put all the backing in, did all the singing, and Paul and I wrote some words to the middle part that John had never finished. And we did the totally new record, in fact. And then we just took his voice, and we dropped it in, every line where we needed it, until we built up, you know, the lead vocal part.”Q: “Sean Lennon said it was spooky having a dead guy as lead singer. Did you find it spooky?” George: “It’s not, it’s not spooky, but… if, I don’t know if this has ever happened to you — if you think that, you know, we all, when we’re alive, when you hear our music, you hear our voices, but the moment somebody dies, it’s suddenly eerie, you know. Whether it’s John Lennon or Ayrton Senna. You know, just the idea, when you hear him speak, it suddenly is… is very emotional.” - Today Tonight, 1995 “One of the things that’s a little bit heartbreaking is that the player at the end, the ukulele player, banjo, whatever you want to call it. George wanted to play that part and I resisted, saying that if I put him in I’d have to put some of the other Beatles in. I didn’t think we wanted to see contemporary Beatles in the piece. So I said, ‘No, no, no,’ and he said, ‘Okay.’ Thinking they had sampled an archival piece of music, and it turns out that George had actually performed that on the song. Had I known that, I would have let him do it because you only see him from the back anyway. But I’m heart — actually heartbroken about not letting him do that piece, especially now more than ever.” - Joe Pytka (director of the “Free As A Bird” video), The Beatles Anthology special features (x)
96 notes · View notes
littlequeenies · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
English singer, songwriter and actor and former Beatles drummer Ringo Starr (aka Sir Richard Starkey MBE) is filmed sitting next to his daughter Lee Starr in an Oldsmobile Cutlass on the set of an Oldsmobile commercial at Culver City Studios in July 1989 in Culver City, California.
In the studio were also present Maureen Tigrett (photos 1-3), director Joe Pytka (photo 1, standing in black), and Ringo's stunt double.
Some other photos show that Ringo's birthday (July 7th) was celebrated there.
(Photo by Roxanne McCann/Getty Images.)
31 notes · View notes
90smovies · 10 months
Text
Tumblr media
18 notes · View notes
whynot-movies · 4 months
Text
Space Jam (1996)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
6 notes · View notes
mydarkapron · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
SPACE JAM, 1996
Joe Pytka
2 notes · View notes
cinematitlecards · 2 years
Photo
Tumblr media
"Space Jam" (1996) Directed by Joe Pytka (Animated/Comedy/Sports)
3 notes · View notes
thebutcher-5 · 2 years
Text
Space Jam
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo discusso di fantascienza e l’abbiamo fatto con un film tratto da uno dei miei libri preferiti: Dune, e per la precisione la prima trasposizione cinematografica realizzata da David Lynch, il Dune del 1984. La storia è ambientata nel decimo millennio e l’universo conosciuto è governato dall’Imperium, una sorta di governo feudale…
Tumblr media
View On WordPress
3 notes · View notes
Text
Get ready to jam.
0 notes
coldrubies · 8 months
Text
Grief cinema
My mom died at the end of 2019, right before lockdown. When covid hit, I was still in a foggy state. My reaction to everything delayed. I am supposed to stay home? Not go outside? Fine! Those were precisely what my plans were for the next mumblemumble years anyway.
My brightest, most vivid memories would have been of the movies that I saw anyway, because movies are special to me and I am always watching them. But the way they informed my grieving process surprised me. One does not necessarily expect, in the moment, for anything to really make it better.
But the day of my mom's death—maybe the day of, maybe the last day that I saw my mom—I watched MIDSOMMAR for the first time. I didn't know the plot and was a little concerned about it but a lot unable to do anything about the way that I felt; the DVD was already in the DVD player, and I knew my mother was dying/dead. Florence Pugh's portrayal of grief was a real gift. I felt held by it. It was miraculous to me, frankly, how much it lifted me into a state of feeling able to engage with what was going on and how I was feeling. There is a rant in me—and it is in there pretty shallow; you can get at it easily—about how acting is a vital service. I feel about actors the way that THE OFFICE's Dwight Schrute feels about his urologist. It is something I cannot do myself all the time, validate my own feelings about life; I need someone to do it for me, and I am grateful.
Also right around the same proximity to my mom's death, I saw the "Original Cast Album: Co-op" episode of DOCUMENTARY NOW! in the midst of watching that season. It was funny, I loved it, it took me out of my troubles, and the milieu was so novel and fascinating to me—this is how a cast recording (something I had never thought about) is/was made?—that I looked up which real documentary the episode was based on.
Before addressing ORIGINAL CAST ALBUM: COMPANY and all it's done for me, a word on Stephen Sondheim:
I will pick up practically any biography of an artist. An all-time choice was the biography of Wendy Wasserstein by Julie Salamon. I didn't know her or her work, and it was such an absorbing book, I think about returning to it all the time. Ditto Michael Schulman's Meryl Streep biography. I love to get a feeling of people in time. The choice to buy Stephen Sondheim's biography was not totally random, but it happened to be on my person when, immediately after my mother's death, I was hit by a car! It wasn't fatal—here I am—it just tipped me over. But I was in a fragile state, I did cry a lot, and I explained to the driver that my mother had just died, and that was why I was crying, and that would be the only reason I cry about anything for a while, regardless of what it seemed like I ought to be crying about. Eventually, I got to a hospital that night to make sure nothing had happened to me, and I was stranded in a room for more than an hour, and all I had was this book about Stephen Sondheim.
I can't remember—I'm sure I could figure it out—whether I had the book before I saw the documentary, whether I'd already seen it by the time I started reading it—but it all feels like it happened more or less at once that I went from not knowing* who Stephen Sondheim was to knowing, you know, the reams of tedious details that a fan knows (how many lines he preferred to have on his yellow legal pads; his go-to chord structure).
As all of this is going on, I've been writing a novel about musicians since 2018, and I made a promise to myself that, once I finished the first draft, I would prioritize learning about music. I never did when I was in school, I always wanted to, and the novel would never be done if I did not understand what my characters are supposed to be doing. I finished the first draft at the very end of 2019, and how fortuitous for this guide to show up, again, more or less all at once (just in time for me to be truly knocked out when he died two years later, more or less exactly from the time of all of this).
The extent to which I've clung to that gift as a life raft during this time is best demonstrated by the fact that, at the end of 2019, I had no knowledge of anything pertaining to music other than liking it, and now I have been composing music since the spring of 2022 (composing was the very long goal, and I still can't get over the fact that I met it). Have I neglected other parts of my life? Big time. But this is still impressive to me considering I would have liked very much to simply pull a blanket over myself and be sad quite ongoingly.
(*- On the subject of "not knowing who Stephen Sondheim was," my only frame of reference was seeing his name in the credits, mostly on item descriptions online, for, like, CDs of the WEST SIDE STORY, INTO THE WOODS, and ASSASSINS cast recordings, all of which I happened to see randomly over the years, but it is the kind of coincidence that would leave one who doesn't know anything about musical theatre to wonder if, maybe, Stephen Sondheim has written every single musical ever.)
Back to the documentary:
Between my discovery of ORIGINAL CAST ALBUM: COMPANY and now, the Criterion Collection has issued an edition of it on DVD and Blu-ray that is beautiful, a dream come true, and it features the DOCUMENTARY NOW! parody episode—magnificent. At the end of 2019, though, my only option for owning it was as a Quicktime file. This is fine—whether or not I have internet access, I have access to ORIGINAL CAST ALBUM: COMPANY.
I have so much to express about ORIGINAL CAST ALBUM: COMPANY, but I will restrict myself only to how it has intermingled with my grieving process. It is, of course, a pleasure to see people lost in work that is demanding but, compared to grieving a loved one's death, a load of cake. In the moment, the first many times I saw it, it came with a fresh, invigorating spray of curiosity-provocation. I love to be curious. Curiosity can do a lot for me. And there is a lot to be curious about for the completely uninitiated when it comes to the byzantine, idiosyncratic, union-forged business practices of Broadway theatre. Knowing how much he loved rules, watching him in this documentary, I am so moved and so happy for Stephen Sondheim that he was from and dwelled in a land that loved rules so much.
I could go on and on and on about how cathartic it is to watch someone be difficult, a ruthless artist, rigid, upholding a high standard as a method of care. I could introduce the subject of Stephen Sondheim and mother issues and we would be here all day. One of the conditions of my loving a thing is that I just go on about it. But when I first saw ORIGINAL CAST ALBUM: COMPANY right around the time that my mother died, the big thing that it did for me was show me, in case I felt like allowing my grief to interfere with my plans, that working on music was going to be good, nice, and right, which in this case were all the same thing.
It's been comforting to rewatch MIDSOMMAR since the end of 2019 and, to be honest with you, I rewatch ORIGINAL CAST ALBUM: COMPANY on a basis so routine that, on second thought, to be honest with you about it would embarrass me too greatly, but the other movie that did something for me in the bewildering swirl that was right-around-the-time-my-mother died, maybe the day it happened, isn't one I revisit, but it is worth noting. I was not going to prepare any food that day, which I barely incentivize myself to do when I'm not pulverized by the cruelty of fate, so I bought, I think, a poké bowl (spicy tuna, etc.) and a Mediterranean-style grain bowl (ancient grains, spicy feta cheese, etc.), and ate them both promptly and simultaneously. I felt sick. I could not do anything lest I risk throwing up. I watched SPACE JAM (I did not throw up! A small miracle).
I am I-saw-SPACE-JAM-in-the-theatre-and-it-was-age-appropriate years old. The soundtrack was a presence in my home. I have no tender feelings about it, but, watching it for the first time as an adult, its ludicrousness did completely take me out of what was happening to my soul and body. That's not nothing!
Maybe more happened then and it isn't coming to me now, but this is how I remember it.
1 note · View note
nbasource · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
MICHAEL JORDAN Space Jam (1996), dir. Joe Pytka
289 notes · View notes
Text
#57 — 08/03/2022 12:03 AM
Space Jam movies are movies that toons can watch in this world.
Space Jam 1 follows the looney tunes who, in meta, are acting in the movie. Lola was added in as a one time character.
Space Jam 2 is another movie the looney tunes do. But the story’s weirdly inconsistent. Lola’s personality had a jump to what’s commercially sound at the time of early 2020s. But it’s possible it doesn’t speak to her character out of set.
Back in Action is slightly more true to the character portrayals of the looney tunes and their state out of set. But some level is fictitious due to it being technically Bugs’ movie…
Present day thoughts:
Properly addressing this, I stand by my interpretation that Space Jam is regarded as an acting gig to the tunes, mostly corroborated by an obscure "live commentary track" where Bugs and Daffy live react to the movie alongside their vas Billy West and Dee Bradley Baker, as well as the director, Joe Pytka.
Their commentary mainly operates like any regular commentary track where actors/director(s) react to the movie they made, with Bugs and Daffy watching it as actors. So I treat it as proof that the looney tunes regard Space Jam as an acting gig, rather than some "canonical" event where they competed against aliens in a basketball match.
For more accessible proof that Space Jam was an acting gig to them, check out the Looney Tunes' Elvis tribute album:
youtube
At 10:06, Bugs remarks on Pepe's melodramatic ballad of heartbreak, saying: "Oh brother, I never seen this many tears since he lost a lead in Space Jam"
And in 37:25, where Bugs goes: "One more for the king! And uhh Lola Bunny, if she's listening..."
As for Space Jam 2, there's enough promotional material treating the tunes as actors, to the point of not actually putting the vas' names in promotional art, aside from Lola Bunny's va, Zendaya -- which was pretty infamous back then. So I don't feel like I need to make a deep case for why SJ2 shouldn't be considered as non-performance, than any other film featuring the looney tunes.
And I stand by my stance on Back in Action.
5 notes · View notes
hannahleah · 2 years
Text
Tumblr media
Joe Pytka's 1992 Pepsi Ad with Cindy Crawford. David Yarrow photography
49 notes · View notes
90smovies · 2 years
Photo
Tumblr media
92 notes · View notes
eumoniquebalan · 13 days
Text
Explorando o Universo do Basquete: Os Momentos Decisivos dos Playoffs da NBA
Mesmo se você não acompanha ou não é fã de basquete, provavelmente já ouviu falar em Los Angeles Lakers, Chicago Bulls e Michael Jordan. O basquete, com o surgimento da NBA, alcançou milhares de pessoas espalhadas pelo mundo todo, tornando-se cada vez mais popular. Vamos explorar o que faz os playoffs serem um marco na história do esporte e por que você precisa assistir.  
Índice 
O que é o playoffs da NBA
Destaques mundiais na temporada de 2024 
Cultura POP
Por que assistir 
1. O que é o playoffs da NBA 
A NBA (National Baseball Association), liga profissional de basquete, é conhecida mundialmente e desfruta de fãs em diversos países. A liga é composta por 30 equipes que são divididas em duas conferências: Leste e Oeste, cada uma com 15 times. Na temporada regular, cada time disputa 82 partidas pelo sistema de pontos corridos e a equipe que obtiver mais vitórias conquista a vantagem de quadra para os playoffs. Em formato de mata-mata, os playoffs são o momento mais decisivo da Liga, contando com apenas 8 vagas para cada conferência. Cada rodada de playoffs é decidida por jogos de “melhor de 7” entre os times, ou seja, o primeiro time que vencer 4 partidas passa para a próxima fase de disputa. O time vencedor da Liga, aquele que conquista o título da NBA, precisa passar por quatro fases no total: 1ª rodada, 2ª rodada, Final de Conferência e Final da NBA. 
2. Destaques mundiais na temporada de 2024
Os playoffs de 2024 contou com o seguintes times: Boston Celtics, Minnesota Timberwolves, Dallas Mavericks, Indiana Pacers, Milwaukee Bucks, New York Knicks, Cleveland Cavaliers, Denver Nuggets, Oklahoma City Thunder, Los Angeles Clippers, Los Angeles Lakers, Miami Heat, Philadelphia 76ers, Orlando Magic, Phoenix Suns e New Orleans Pelicans. Diferentemente dos anos anteriores, esse ano, a NBA contará com um 6º campeão diferente dos últimos 6 anos. A tendência é que as equipes estejam cada vez mais equilibradas durante os anos, já que as “grandes estrelas”, graças aos acordos de milhões que têm assinado com suas respectivas franquias, não têm se aventurado em diferentes times, evitando formar “panelinhas”. 
Dos 4 finalistas dos playoffs, apenas o Celtics chegou à final de Conferência no ano passado, Minnesota Timberwolves, Dallas Mavericks e o Indiana Pacers não foram muito longe na temporada passada. Por um lado, teremos novos grandes rostos na pós-temporada, disseminando outros times, por outro, sem a presença de rostos tão conhecidos — como LeBron James e Stephen Curry —, a audiência do público tem caído bastante. Por fim, outra novidade inédita dessa temporada de 2024 é a ausência do MVP da temporada regular nas finais de Conferência. 
3. Cultura POP
Você já ouviu falar em cultura pop? De forma breve, o termo é derivado da expressão “cultura popular”, que foi traçada por volta do século XIX e associava-se à autenticidade cultural do povo. A partir do final da década de 50, a cultura popular passou a ser associada à cultura de consumo e à cultura de mídia. Mais adiante, na geração dos baby boomers, a cultura pop, ainda associada ao consumo e às mídias, ganhou potencial para influenciar comportamentos e estilos de vida. E onde entra o basquete nisso? Desde a década de 90, o basquete virou um fenômeno no cinema, na TV, na moda e na música — contribuindo, dessa forma, para a cultura pop. Isso graças ao ícone Michael Jordan, que se tornou uma lenda no esporte e fora dele também. 
Com Space Jam, filme de 1996 dirigido por Joe Pytka, Jordan fez com que o basquete e a NBA, principalmente o time Chicago Bulls, ficassem conhecidos para além do nicho esportivo. Para mais, pode-se observar seu legado até hoje em outras esferas sociais; o Air Jordan, por exemplo, continua sendo um dos modelos mais icônicos de tênis desde a década de 80 e seu nome segue sendo citado em diversas músicas de rappers prestigiados, como o Drake e o Jay-Z.
4. Por que assistir 
O basquete é um esporte carregado de importantes marcas sociais, especialmente do streetstyle — a moda de shapes largos, calças de moletom, grandes correntes e brincos —, que é usado como forma de expressão de uma cultura própria, envolvendo músicas de hip hop e R&B, gírias, grafite e modos de agir. Além disso, as quadras de basquete foram (e são) pontos de lutas da comunidade negra nos Estados Unidos. Em suma, na década de 50, Earl Lloyd lutou para que os negros pudessem fazer parte da NBA e, na década de 70, o “basquete de rua”, também conhecido por 3×3, surgiu como uma forma de protesto contra o racismo e as injustiças sociais em Nova Iorque. 
Dessa maneira, as raízes político-sociais do basquete se manifestam até hoje no esporte. Outra questão interessante relacionada à NBA, mas principalmente aos playoffs, é a presença das divas pop, como torcedoras, nas quadras de basquete. A Rihanna, por exemplo, torce fielmente para Miami Heat por se identificar com a presença forte do “sangue latino” na cidade; a Selena Gomez torce para o San Antonio Spurs, exaltando um espírito nacionalista, já que os dois são do Texas. Esses foram poucos exemplos dos quais você pode encontrar na ESPN.  
| Leia mais sobre esportes no blog da Idioma Independente, por exemplo, sobre Fórmula 1.   
Versão em inglês:
Exploring the Basketball Universe: The Defining Moments of the NBA Playoffs 
Even if you don’t follow or aren’t a basketball fan, you’ve probably heard of the Los Angeles Lakers, Chicago Bulls, and Michael Jordan. Basketball, with the emergence of the NBA, reached thousands of people around the world, becoming more and more popular. Let’s explore what makes the playoffs such a milestone in sports history and why you need to watch them. 
Index 
What is the NBA Playoffs 
World highlights in the 2024 season 
POP Culture 
Why watch 
1. What is the NBA Playoffs 
The NBA (National Baseball Association), a professional basketball league, is known worldwide and enjoys fans in several countries. The league consists of 30 teams that are divided into two conferences: East and West, each with 15 teams. In the regular season, each team plays 82 games by the round-robin system and the team that gets the most wins wins the home court advantage for the playoffs. In a knockout format, the playoffs are the most decisive moment in the League, with only 8 spots for each conference. Each round of playoffs is decided by “best-of-7” games between the teams, i.e. the first team to win 4 matches moves on to the next round of play. The winning team of the League, the one that wins the NBA title, needs to go through four phases in total: 1st round, 2nd round, Conference Finals, and Finals of the NBA.
2. World highlights in the 2024 season
The 2024 playoffs featured the following teams: Boston Celtics, Minnesota Timberwolves, Dallas Mavericks, Indiana Pacers, Milwaukee Bucks, New York Knicks, Cleveland Cavaliers, Denver Nuggets, Oklahoma City Thunder, Los Angeles Clippers, Los Angeles Lakers, Miami Heat, Philadelphia 76ers, Orlando Magic, Phoenix Suns, and New Orleans Pelicans. Unlike previous years, this year, the NBA will feature a 6th champion different from the last 6 years. The tendency is for the teams to be more and more balanced over the years, since the “big stars”, thanks to the agreements of millions who have signed with their respective franchises, have not ventured into different teams, avoiding forming “cliques”. Of the 4 playoff finalists, only the Celtics made it to the Conference Finals last year, Minnesota Timberwolves, Dallas Mavericks and Indiana Pacers didn’t get very far last season. On the one hand, we will have new big faces in the postseason, spreading to other teams, on the other hand, without the presence of such well-known faces — such as LeBron James and Stephen Curry — the audience has dropped a lot. Finally, another new feature of this 2024 season is the absence of the regular season MVP in the Conference Finals. 
3. POP Culture
Have you ever heard of pop culture? Briefly, the term is derived from the expression “popular culture”, which was traced around the nineteenth century and was associated with the cultural authenticity of the people. From the end of the 1950s, popular culture came to be associated with consumer culture and media culture. Later on, in the baby boomer generation, pop culture, still associated with consumption and media, gained the potential to influence behaviors and lifestyles. And where does basketball come into this? Since the 1990s, basketball has become a phenomenon in film, TV, fashion, and music—thus contributing to pop culture. That’s thanks to icon Michael Jordan, who has become a legend in the sport and outside of it as well. With Space Jam, a 1996 film directed by Joe Pytka, Jordan made basketball and the NBA, especially the Chicago Bulls, known beyond the sports niche. Moreover, one can observe his legacy to this day in other social spheres; The Air Jordan, for example, has remained one of the most iconic sneaker models since the 80s and its name continues to be mentioned in several songs by prestigious rappers, such as Drake and Jay-Z.
4. Why watch
Basketball is a sport loaded with important social brands, especially street style – the fashion of wide shapes, sweatpants, large chains and earrings – which is used as a form of expression of its own culture, involving hip hop and R&B music, slang, graffiti and ways of acting. In addition, basketball courts were (and are) points of struggle for the black community in the United States. In short, in the 50s, Earl Lloyd fought for blacks to be part of the NBA, and in the 70s, “street basketball”, also known as 3×3, emerged as a form of protest against racism and social injustices in New York. In this way, the socio-political roots of basketball are manifested to this day in the sport. Another interesting issue related to the NBA, but especially to the playoffs, is the presence of pop divas, as fans, on the basketball courts. Rihanna, for example, faithfully supports the Miami Heat because she identifies with the strong presence of “Latino blood” in the city; Selena Gomez cheers for the San Antonio Spurs, extolling a nationalistic spirit, since they are both from Texas. These were just a few examples of what you can find on ESPN.  
Escrito por: Monique Balan Sobreira, professora de Inglês, Português e Japonês (N5 – básico) da Idioma Independente. 
Instagram: @profmoniquebs 
0 notes
jogallice · 2 months
Text
Tumblr media
Aujourd’hui, samedi 20/07/24,  Journée mondiale de la poutine 👌et Journée mondiale du jeu d'échecs ♟️ Le jour de mon anniversaire, je vous souhaite à toutes et à tous un bon, un très bon, que dis-je, un excellent week-end à Annecy ou ailleurs 🏖️
Le grand déballage 2024 (manifestation commerciale des Vitrines d’Annecy) : toute la journée, ce samedi 20 juillet de 9h à 19h, vous pouvez venir flâner, déambuler et profiter des stands des commerçant·es dans la zone piétonne de la vieille ville (7 rues participent à cette braderie) 🛒
Festival Clermont en Scène(S) 2024 : tous les samedis jusqu’au 3 août 🤩 Ce 20/07 ➡️ The Bongo Hop (musique afro-caribéenne) à 19h (1h15) puis Les mamans du Congo et Rrobin (musique afro beat électronique) à 21h (1h10) 🎶 En préambule : poussez les portes du château à partir de 17h30 🏰
Miellée publique : une performance contée et chantée où tous les sens seront en éveil pour découvrir le monde fascinant des abeilles et des pollinisateurs. Ce samedi 20 juillet 2024 de 18h à 22h à la Chapelle des forges de Cran (tarif : accès libre) 🐝
Pour les amateurs et amatrices de parquet, bal et soirée dansante en accès libre, annulé en cas de mauvais temps ➡️ Ce samedi 20 juillet 2024 de 18h à 22h à l’espace guinguette des Jardins de l'Europe : danse afrovibe / waacking avec Feel Up 🕺
Space Jam (film d'animation étasunien réalisé par Joe Pytka) : ciné gratuit en plein air ce soir (samedi 20/07/24) de 22h à 23h30 au Mas des Jacobins 📽️ Pour votre confort, pensez à apporter vos chaises, plaids et pique nique. Site accessible 30 mn avant la projection 🎬
L’opération Vital’été a repris du service dans la cité lacustre le lundi 8 juillet (jusqu’au samedi 24/08/24) : aujourd’hui (samedi 20 juillet), Taiji Quan et tennis de table 👌 Activités gratuites et ouvertes aux adultes proposées et encadrées par 11 associations locales, profitez-en 🤩
Les conditions météorologiques seront encore favorables à la formation d’ozone. Les niveaux d’ozone devraient être élevés avant l’arrivée d'orages en fin de journée 🌩 La situation pourrait se détériorer un peu dans l’ensemble et les indices ATMO être dégradés à globalement mauvais 💨
L’indice de risque pollinique dans la cité lacustre est moyen, au niveau 2 en ce qui concerne les graminées (indice communal valable du 13 au vendredi 26/07/2024 inclus) 🤧 Personnes allergiques : évitez de tondre la pelouse, pour ne pas aggraver les symptômes 😷
Tout comme hier et avant-hier, deux dictons du jour, un acheté, un offert (pour la petite histoire, cette pratique est désormais illégale) : « Soleil à la sainte Marina, deux glaçons et un quinquina. » 🌞 et « Pluie à la sainte Marina, le beau temps n’arrêtera. » 🌧
Bon sixième jour de la semaine à tous et à toutes 🛼
Bonne fête aux Marina et demain aux Victor 😘
📷 JamesO PhotO à Annecy le vendredi 19/07/24 📸
1 note · View note
chrisshields18 · 7 months
Text
0 notes