#judith ortega

[adribosch-fan]

Ortega consolida su régimen de partido único mientras aprovecha los envíos de dinero desde el exterior

Ortega consolida su régimen de partido único mientras aprovecha los envíos de dinero desde el exterior

REMESAS Y DONACIONES INTERNACIONALES En los fraudulentos comicios del domingo pasado el tirano se adjudicó el 100% de las alcaldías dejando sin “premio” a los micropartidos que colaboran con el régimen sandinista. JUDITH FLORES Daniel Ortega junto a su mujer, Rosario Murillo. Twitter Las remesas se han convertido en uno de los principales ingresos para Nicaragua, un rubro que sigue en alza a…

[read-alert]

Happy Disability Pride Month! 📚📖♿️ Full titles under the cut

I did also consider including House of Leaves by Mark Z Danielewski because it was a 5 star read and had multiple disabled characters, but I wouldn't call it good representation. In fact, I'd call it actively ableist, so it was excluded.

Six of Crows and Crooked Kingdom by Leigh Bardugo

Being Heumann: An Unrepentant Memoir of a Disability Rights Activist by Judith Heumann

Breathe and Count Back from Ten by Natalia Sylvester

The Poppy War, The Dragon Republic, and The Burning God by RF Kuang

A Lady for a Duke by Alexis Hall

The Luis Ortega Survival Club by Sonora Reyes

When it All Syncs Up by Maya Ameyaw

Guards! Guards!, Men at Arms, Feet of Clay, Jingo, and The Fifth Elephant by Terry Pratchett

Ellen Outside the Lines by AJ Sass

[shesthespinstersimmer]

Face off (2)

Previous / Next / Beginning

SUMNER: One celebrity becomes a lawyer and now all of them want to do it. Still, famous representation doesn't always mean effective, Ms. Burgos.

JUDITH: What do you really want, Mr. Monahan?

SUMNER: I want this wrapped up in a nice little bow: we can't exactly have people just shooting up each other whenever they have a disagreement, amirite?

JUDITH: I wouldn't call domestic violence and assault a disagreement, counselor.

SUMNER: We can't say that for sure, because we don't have the proper statements. Correct, detective?

DET. ORTEGA: Getting the proper statements would definitely speak to motive. Which we still don't have.

SUMNER: See? There you have it.

JUDITH: See what? I don't see anything. Speak plain, Sumner. What are you offering?

SUMNER: If your client is willing to give a true accounting, also tell us in detail of what happened to her friend and her friend's daughter, then that'd be a good start.

JUDITH: The minor is her daughter. Fernanda Flores is Ms. Burgos' common law wife. How about we start with that?

SUMNER: No disrespect, Ms. Burgos. That being said, it does give the case a different tone, doesn't it?

JUDITH: Sounds like someone protecting their wife and their home.

SUMNER: Make a statement prior to the hearing telling me exactly what happened. Then we can cut a deal to get you out of here.

JUDITH: Ms. Burgos?

MYRA: Can we talk later? Alone?

JUDITH: Absolutely. My client would like some time to consider it.

SUMNER: I wouldn't take too long, Ms. Burgos. Ms. Ward? A moment?

[neverscreens]

MASTERLIST OF SCREENCAPS, PT2.

Click here to go to part 1.

I hope its useful and helps you find what you need! Don't forget that besides these packs we also have individual posts, from since the beginning of this blog in 2017!

FULL SEASONS SCREENCAPS.

Looking for Alaska, Whole Miniseries.

Heartbreak High, Season One.

Fate: The Winx Saga, Season Two.

Pistol, Miniseries Complete.

Panic, Complete.

The Bear, Season One.

The White Lotus, Season Two.

GAP: The Series, Being updated.

Wednesday, Season One.

Young Royals, Season Two.

Gossip Girl, Season Two.

MOVIES SCREENCAPS.

Passengers, 141 Screencaps.

Red Riding Hood, 334 Screencaps.

Can't Buy Me Love, 240 Screencaps.

Coraline, 780 Screencaps.

Jennifer's Body, 670 Screencaps.

The School for Good and Evil, 896 Screencaps.

The Nightmare Before Christmas, 609 Screencaps.

Monster House, 540 Screencaps.

Fear Street: 1994, 377 Screencaps.

Corpse Bride, 924 Screencaps.

Fear Street 1978, 489 Screencaps.

Fear Street 1666, 433 Screencaps.

Scooby-Doo and the Witch's Ghost, 403 Screencaps.

Beyond the Universe, 481 Screencaps.

Clouds, 642 Screencaps.

My Policeman, 810 Screencaps.

Selena Gomez: My Mind & Me, 800 Screencaps.

Holidate, 401 Screencaps.

Last Christmas, 397 Screencaps.

Falling for Christmas, 722 Screencaps.

Pearl, 441 Screencaps.

The Lost Girls, 190 Screencaps.

Disenchanted, 700 Screencaps.

Let it Snow, 370 Screencaps.

20th Century Girl, 403 Screencaps.

Guardians of the Galaxy Holiday, 305 Screencaps.

Dear Zoe, 202 Screencaps.

Something from Tiffany's, 279 Screencaps.

Hotel for the Holidays, 373 Screencaps.

The Princess Switch 2, 580 Screencaps.

Sharp Stick, 228 Screencaps.

Cow Belles, 289 Screencaps.

LOOSE EPISODES.

Only Murders in the Building, 96 Screencaps.

Never Have I Ever S03E01, 109 Screencaps.

Hunters S01E01, 81 Screencaps.

High School Musical TMTS, Season Three Almost Complete.

The Rings of Power. First three eps.

Christmas in 2 Broke Girls, 86 Screencaps.

Christmas in Friends, 109 Screencaps.

Christmas in TVD, 166 Screencaps.

The Addams Family '64, 233 Screencaps.

Pretty Little Liars S05E13, 220 Screencaps.

MISCELLANEOUS: INTERVIEWS, VLOGS, LIVE AND GAMES.

Ross Lynch, 36 Screencaps.

Taylor Swift JIMMYF, 45 Screencaps.

Claudia and Kennedy Walsh Xmas Vlog, 140 Screencaps.

Jenna Ortega in Technicolor, 58 Screencaps.

Jão VEVO Performance, 94 Screencaps.

Xmas w Claudia + Kennedy Walsh, 104 Screencaps.

Olivia Rodrigo MetGala22, 93 Screencaps.

Billie Eilish Beauty Routine, 75 Screencaps.

Billie Same Interview 6th Year, 137 Screencaps.

Millie Bobby Brown Lie Detector, 102 Screencaps.

Elizabeth Olsen for IGN, 33 Screencaps.

Elizabeth Olsen's 5-minute easy radiant skin routine, 113 Screencaps.

Elizabeth Olsen was raised on Musicals and Sitcoms | W Magazine, 77 Screencaps.

Iman Vellani on Ms. Marvel’s POWERS and How The Marvels Fits into the MCU (Exclusive), 45 Screencaps.

MUSIC VIDEOS.

Britney — You Drive Me Crazy, 61 Screencaps.

Taylor Swift — Anti-Hero, 110 Screencaps.

Taylor Swift — Bejeweled, 98 Screencaps.

Sabrina Carpenter — Nonsense, 118 Screencaps.

Hailee Steinfeld — Coast, 87 Screencaps.

Camila Cabello — Havana, 55 Screencaps.

Sabrina Carpenter — Skinny Dipping, 75 Screencaps.

XG — Left Right, 189 Screencaps.

Rosalía — Con Altura, 61 Screencaps.

Twice — Set me free, 131 Screencaps.

Ive — Kitsch, 162 Screencaps.

Jisoo — Flower, 114 Screencaps.

CHARACTERS SCENE PACKS.

Amanda Seyfried in The Dropout, 323 Screencaps.

Robby Keene, S03, 101 Screencaps.

Jules Millin S19E02 — Grey's A., 56 Screencaps.

Isadora Artinan — ELITE, All Scenes in S06.

Judith Grimes — TWD, 118 Screencaps.

JOY in Once Upon a Small Town, All Scenes S01.

Mariana Foster GT S04, 118 Screencaps.

Mariana Foster TF S04, 76 Screencaps.

IU in Persona, 102 Screencaps.

Anita — Bom dia, Veronica S01, 139 Screencaps.

TRAILERS

Elemental (2023), 29 Screencaps.

The Super Mario Bros. Movie, 67 Screencaps.

Emily in Paris S03 Announcement, 43 Screencaps.

Emily in Paris S03 Trailer, 122 Screencaps.

Scream 6, 30 Screencaps.

Barbie Teaser, 44 Screencaps.

Renfield, 108 Screencaps.

You S04, 97 Screencaps.

[pkalunge]

BLOG 7: POLITICS-Diversity, Inclusion and Theories of Race and Gender

Campaign Challenging a Gender-Race stereotype. 

The "Play Until They Can't Look Away" campaign for the FIFA Women's World Cup 2023 by Adidas has resonated deeply with me. It's more than just a campaign; it's a powerful statement challenging gender norms and advocating for equality in football. In this groundbreaking initiative, renowned figures such as Jenna Ortega, David Beckham, and Lionel Messi stand shoulder-to-shoulder with emerging talents like Alessia Russo (English footballer), Lena Oberdorf (German footballer), and Mary Fowler (Australian footballer). The campaign's core message underscores the urgency of spotlighting women's football on a global stage.

As I delve into the campaign's core, I find it remarkably inspiring. Its objective goes beyond breaking barriers and challenging stereotypes; it aspires to ignite a transformative shift, demanding recognition and respect for female athletes while also empowering future generations. This resonates with Judith Butler's assertion that 'If the immutable character of sex is contested, perhaps this construct called sex is as culturally constructed as gender; indeed, perhaps it was always already gender, with the consequence that the distinction between sex and gender turns out to be no distinction at all' (Butler, 1990, p. 8).

Butler further argues that 'Sex' is an ideal construct forcibly materialized through time, not a simple fact or static condition of a body. It is a process whereby regulatory norms materialize 'sex' and achieve this materialization through a forcible reiteration of those norms (Butler, 1999, p. 236). Butler's theory about the performative aspect of gender and the cultural construction of sex is consistent with the campaign's demands to reconsider women's roles in football and to challenge traditional standards.

The celebration surrounding the campaign is well-deserved, particularly for its unyielding message. It seeks to inspire the next generation, encouraging them to pursue their dreams on the football field. The campaign strategically weaves subtle references to football history, incorporating iconic figures' shirt numbers and tournament balls, fostering a strong connection with the audience. It's not just a campaign; it's a narrative that intertwines with the memories of passionate football enthusiasts.

"Play Until They Can't Look Away" doesn't just stop at challenging gender bias; it actively promotes inclusivity and empowerment. The creative approach, filled with uplifting elements, has garnered recognition for its ability to captivate attention and combat stereotypes. Aligned with the central themes of the tournament, gender equality and empowerment. The campaign is a beacon/inspiration of storytelling, humour, and creativity.

In the grander scheme of things, the campaign deserves commendation for its unwavering dedication to challenging stereotypes and bringing positive/constructive change within the football realm. Contributing to a more inclusive and equitable representation of women in sports stands as a testament to the potential for transformative impact through the lens of football.

As I reflect on the 'Play Until They Can't Look Away' campaign for the FIFA Women's World Cup 2023, it emerges as a powerful advocate for gender equality in football, resonating with Judith Butler's insights on the cultural construction of sex and gender. This celebration, skillfully blending history and inspiration, deserves commendation for its role in challenging stereotypes and fostering a more inclusive representation of women in sports.

References:

Butler, J. (1990). Gender Trouble: Feminism and the Subversion of Identity. Routledge.

Butler, J. (1999). Gender Trouble: Feminism and the Subversion of Identity. Routledge, p. 236.

adidas Celebrates Next Gen Icons of the Game, Alessia Russo, Lena Oberdorf and Mary Fowler, Ahead of the FIFA Women’s World Cup Australia & New ZealandTM (2023). https://news.adidas.com/football/adidas-celebrates-next-gen-icons-of-the-game--alessia-russo--lena-oberdorf-and-mary-fowler--ahead-of/s/556db4f2-941f-4319-b2f3-d29d1a5cc09a.

[xeyesofstardust]

If they ever do a reboot of the TVDU I demand that they cast Jenna Ortega as Elena Gilbert/Katherine Pierce.

The only thing that I would change is:

Have a Elena be from somewhere else. Like her parents dying in the car, crash and her having to move to Mystic Falls to live with her aunt Judith.

And her not have a brother, but a sister, like it was in the books. 

I think it would be nice for a change to add an aura of mystery to Elena.

[motherfuck-greene]

↯ ۬ jenna ortega αs: rosalía sanchez.

a adorável rosalía, uma jovem que cresceu no reuno liderado pelo carismático rei ezekiel e sua imponente tigresa, uma figura que inicialmente a amedrontava. ela cresceu em um ambiente de arte e criatividade, já que sua família era composta de talentosos artistas antes do mundo cair. essas herança artística moldou sua perspectiva de ver o mundo, transformando situações cinzas e desafiadoras em cenas coloridas e cheias de esperança. aos dezessete anos, enquanto seu lar parecia desmoronar aos poucos devido às crescentes adversidades, rosalía encontrou inspiração em seus amigos, que a influenciaram a se unir à missão liderada por judith. embora não seja a mais habilidosa em se virar sozinha no mundo além dos portões, sua disposição em fazer o que for preciso para ajudar a garantir a segurança do grupo é notável.

rosalía traz consigo uma aura de criatividade e positividade, proporcionando um toque de cor e otimismo em um mundo repleto de desafios. sua presença é uma prova de que, mesmo nas circunstâncias mais difíceis, a arte e a amizade podem iluminar o caminho em direção a um futuro melhor.

[dybdahlsvisitportugalspainfrance]

Ubeda, Spain

August 12-14 2023

After having our minds blown in Cordeba, we headed to Ubeda - a tiny village located in the "Mer de Olives" - the sea of olives. Spain has 300 MILLION plus olive trees and I'm not kidding. One can travel miles and miles and miles and see only olive groves.

We are in the region (think “state”) of Andalusia and we have been here for most of our time in Spain, so far.

Úbeda is a municipality of Spain of 35,000 people located in the region of Andalusia. The town lies on the southern ridge of the Sierra Nevada's so-called Loma de Úbeda, a table sandwiched in between the Guadalquivir and the Guadalimar river beds.

The Parador de Úbeda was the first palace converted into a Parador in Spain in 1910 and is located in a former palace which belonged to the dean of the Sacred chapel of El Salvador.  It was built in the 16th century and altered in the 17th century. It is beautiful.

Our room:

And the view from both our balconies:

The beautiful Church of San Salvador! The photo below shows are parador to the left of the church and in the shade. Our room is in the upper corner by the church.

From the website:

The building, of Renaissance architecture, stands out for its façade and the splendid central patio, one of the most beautiful in Úbeda. The large windows on the façade flood the interior with light, where the elegant rooms and majestic halls are fully equipped for holding meetings and events.

Úbeda was declared a World Heritage City for its Renaissance monumental complex. A walk through its historic center explains this title granted by the heritage and historical wealth found in its streets, palaces, churches and museums. The city is also rich in crafts, gastronomy and Andalusian folklore. The title is shared with the city of Baeza, also notable for its Renaissance monumental complex and located a few kilometers from Úbeda.

The Parador Ubeda is the former palace of Don Fernando Ortega Salido.  Originally a Moorish palace – he had it rebuilt to his liking – then had the chapel built right next to it.  Hemingway, Pio Baroja, Garcia Lorca, and Paul Bowles have all stayed here at the Parador, so it has attracted a particularly literary crowd!

We took a little walk around the place town and then had dinner and went to bed. We had a big day the next day exploring the olive oil process. This begins with us going into the groves and picking the olives.

Below is Ken, olive gatherer extraordinaire, holding his high tech olive harvesting tool and his trusted assistant, Judith.

Next lay out the net...

And get some instructions on what to do and what to pick and not pick...

Then the "combing" begins...

Lots of people used the high tech tool - but Mark just used the walking sticks - Amateur!

Lots of people got into the action and we got a pretty good crop. Then we gathered up our olives

And I snapped this. I have entitled it "Spanish Gothic"

We also visited an olive tree that was 200 years old and still producing olives. I'm impressed!

This might look - to the untrained eye - liike it is 4 trees - but nope - one root. Next step - take the booty to the factory to turn those olive into olive oil.

George is the designated "pourer" and the process begins. We didn't just go so some ol' olive oil producer, we visited the producer that won the grand prize for the best Olive Oil for 2023, Oleícola San Francisco Olive Oil Factory.

We learned that a black olive and a green olive are the same - just in different stages of ripening. The are more than 700 varieties of olives but we picked Picual Olives. There are only three types of olive oil - 1. Extra Virgin. 2. Virgin and 3 Lambaste (DO NOT EAT THIS!!). Extra Virgin must be perfect in lots of categories and have no chemical and process with no heat. Virgin is just not quite Extra Virgin and the last is used for lots of things - but is low quality and should not be eaten. I wrote "should" because while it is illegal to sell for consumption in the EU - it is not illegal in the lots of other places - like the US. If the bottle says "Olive Oil" you are getting Lambaste. Or CRAP! We also learned they harvest from October to January - but depending on weather it may be September to February. They went through every step which was fascinating - BUT I found this YouTube that can tell you much better than I can. Two things... She begins the video right outside our parador AND she doesn't know that in Spain - you do NOT say "hasta la vista" (as in the Terminator.). I'm sure you say many other farewell greetings - but all I can think of now is "Adios." But despite those things - this video is great!

After the process was explained to us - we tasted some oil, (spoiler alert - the one in the blue glass is the best in the world.)

Next, we went to work making lunch. It was so much fun!

We made a delicious salad - but I took no pics of that. :(

Lunch was great and then with our newly found knowledge and some olive oil, we headed back to Ubeda. After our seista - i could get real use to this - FYI - we took a nice walk around the city stopping at a a potters shop who is bringing back pottery of the past - like this birthing pot.

The midwife is there to catch the baby - but this cuts down on the mess. Used centuries ago - this potter is bringing back the vessel. I'll get back you on how I feel about this.

We continued our walk until Carolina had another edible discovery, churros and hot chocolate. Both the churros and hot chocolate were different for the things we know in the states.

The churros in the US are covered with cinnamon and sugar - but not here. The hot chocolate here is like a warm chocolate pudding. I heard rave review.

For dinner, Joe, Daphne, Mark and I did a supermarket run and did wine, cheese and jamon in the room. We didn't START in the room, we started in the courtyard after I made sure it was OK - but then - when we were almost done - the guy who told me it was OK - came toward us waving his hands - saying "FORBIDDEN!!! No big deal - be packed up and went to our room. You can't scare us!

Ubeda was a wonderful place and we loved our time there - but tomorrow we leave for Toledo.

We are loving Spain.

Stay tuned.

[muutosarchive]

between her strict religious upbringing, & wanting to break free of her parents... it’s hard, not to crave something bigger in turn. something organized! however - without the strict, smothering nature of zealots & catholicism. she wants to find herself! wear what she wants. listen to what she wants... be what she wants! though, there’s a fine line between wanting something - & being able to break away from what’s holding you back. when she’d found santiago’s order, it wasn’t exactly pretty - though, she’s come to understand that they were doing these ugly things to make the world a better place for their children. it’s a godly idea, in theory. needs of the many outweighing the needs of the few, & she’s learned to appreciate it, for what it is. especially when factoring in her retained religion -- & the things she’s seen.

there’s not supposed to be a god here, but he still lives in her heart. hidden away... yet, her chin is low as she approaches. fidgeting with her fingers, wide doe eyes widening further still, now that she’s looks up at the imposing figure. the leader... their leader. a little plaid skirt on. green tartan, with soft ivory knee socks. capped with an anthrax t-shirt, she used to have to hide under coats when she went out to gigs. though still, she appears innocent as a lamb. “excuse me ---” she starts - mousy, as ever. smile small, & shy. brows narrowing softly, sweetly. cringing at herself, truly. “-- mister ortega?”

@ithirial​    /  /     asked for judith, to santiago <3 

[elmartillosinmetre]

Un portugués en Madrid

[Trifolium. De izquierda a derecha, Sergio Suárez, Carlos Gallifa, Javier Aguirre y Juan Mesana. La foto es de Ignacio Evangelista]

Trifolium, cuarteto de cuerda madrileño que toca con instrumentos de época, rescata tres piezas del hispano-portugués Joao Pedro de Almeida Mota

El de João Pedro de Almeida Mota (Lisboa, 1744 – Madrid, c.1817) es uno de esos casos en los que el nacionalismo puede llegar a arruinar la fama de un artista. Nacido y formado en Portugal, pero con una carrera desarrollada casi por completo en España ni la musicología portuguesa ni la española prestaron durante mucho tiempo el interés que sin duda merecía un músico que trabajó como cantor y maestro de capilla en catedrales de relieve (Santiago de Compostela, Mondoñedo, Lugo, Astorga) y terminó sus días en Madrid, muy vinculado a la corte, aunque nunca tuvo un puesto oficial en la cámara de Carlos IV.

Para Carlos Gallifa, primer violín de Trifolium, que acaba de grabar tres de sus cuartetos de la Op.4, “en realidad no sabemos con certeza si estos cuartetos llegaron a ser interpretados en el entorno del rey, aunque algunos le estaban dedicados”. Gallifa se sorprende de que sea “un músico tan desconocido en España, porque en las catedrales del norte del país hay muchas obras suyas. La música de cámara es en realidad una excepción en su catálogo”.

Un antiguo registro de un cuarteto portugués es todo lo que había hasta que el Cuarteto Quiroga incluyó en su álbum Heritage el Op.6 nº2, “pero discos completos dedicados a Almeida y con instrumentos originales no había, y nos pareció una oportunidad interesante”.

Creado hace diez años a partir de un trío de cuerda (“la riqueza del repertorio cuartetístico es mucho mayor, por eso nos reconvertimos”), Trifolium había registrado ya en el mismo sello Lindoro sendos álbumes dedicados a Boccherini y Brunetti. “Los cuatro teníamos formación en centros españoles y europeos de música antigua y queríamos hacer el acercamiento a este repertorio con instrumentos de época. No es fácil, porque el cuarteto es un género complicado y con el añadido de la cuerda de tripa y los arcos antiguos se hacía más complicado, pero estamos contentos. Seguimos colaborando con otros artistas, abiertos a todo tipo de repertorios, pero nuestra base es ya el cuarteto de cuerda, que requiere mucha dedicación.”

El descubrimiento de Almeida les llegó por el musicólogo jiennense Miguel Ángel Marín, uno de los grandes especialistas españoles en la música del Clasicismo, “y luego trabajamos muy estrechamente con el equipo de Judith Ortega en el ICCMU (Instituto Complutense de Ciencias Musicales)”. Se conservan 25 cuartetos de cuerda de Almeida, aunque según algunos datos pudo llegar a escribir hasta 60. “Teniendo en cuenta que empieza a escribir cuartetos cuando llega a Madrid en 1793 y que en los últimos años de su vida, tras el abrupto final del reinado de Carlos IV en 1808, parece que pasó por serios problemas vitales, son muchos”.

Boccherini, que fue en buena medida su mentor frente a los editores, vinculaba los cuartetos de Almeida con los de Haydn, Pleyel y los suyos propios. “No es fácil hablar de modelos, pero sabemos que la música de Haydn circuló muchísimo por Madrid y que llegaba muy rápido. En Almeida hay más rasgos del cuarteto vienés a lo Haydn que del cuarteto concertante que se practicaba sobre todo en París y en el que el primer violín tenía una relevancia especial. En Brunetti hay más rasgos de este tipo de cuartetos”.

[Trifolium. La foto es de Ignacio Evangelista]

Aunque se conocen hasta siete colecciones con números de opus, los cuartetos de Almeida que han llegado a nosotros son manuscritos, preservados en la colección del Palacio Real de Madrid y algunos en el Archivo de Parma, vinculado también a la corte de Carlos IV. Trifolium ha incluido en su registro los dos cuartetos en modo menor de la Op.4 (el nº3 en sol y el nº5 en si) además del nº2, escrito en do mayor. “En Brunetti encontramos bastantes menos cuartetos en menor. Nos pareció interesante grabar los dos en tonalidad menor que Almeida incluyó en su Op.4, porque tienen un espíritu que vaticina ya el mundo del Romanticismo”.

Para Carlos Gallifa, “es difícil que nos encontremos ya con muchas sorpresas en este repertorio, algo parecido a Brunetti o Almeida, que aunque se sabía que estaban ahí habían sido poco difundidos. Quedan más cuartetos españoles de la época, como los de Ataide y Portugal, que son cuartetos concertantes, con mucho virtuosismo del primer violín. Y a lo mejor puede aparecer algo aislado, pero grandes colecciones, pienso que ya no”.

Trifolium, que pasó este verano por el ciclo del Alcázar de Sevilla y estará en noviembre en el Festival de Música Española de Cádiz, está pensando en dedicar su próximo disco a un compositor no español, “pero no a Beethoven; queremos llegar a él, pero aún no”.

[Diario de Sevilla. 21-09-2020]

----------

EL CD EN SPOTIFY

[adribosch-fan]

Sandinismo, experto en infiltración y espionaje con apoyo de Cuba

El reconocido comunicador y expreso político, Jaime Arellano, dijo que el Frente Sandinista siempre ha sido muy hábil para espiar, no duda que entre los expresos políticos enviaron infiltrados El dictador sandinista Daniel Ortega y su consuegro y jefe de la policía, Francisco Díaz. Portal oficialista 19 digital Por JUDITH FLORES MIAMI — Confusión y desconfianza ha generado la posibilidad de…

[read-alert]

September TBR! Full titles under the cut!

Captive Genders: Trans Embodiment and the Prison Industrial Complex ed by Nat Smith and Eric A Stanley

King of the Rising by Kacen Callender

Dawn by Octavia Butler

The Queen of the Damned by Anne Rice

Self Made Boys: A Great Gatsby Remix by AM McLemore

Dreaming of You by Melissa Lozada-Olivia

Open Veins of Latin America: Five Centuries of Pillage of a Continent by Eduardo Galeano

The Immortals by Makenzy Orcel trans by Nathan H Dize

Relit: 16 Latinx Remixes of Classic Stories ed by Sandra Proudman

BDS: Boycott, Divestment, Sanctions: The Global Struggle for Palestinian Rights by Omar Barghouti

The Name-Bearer by Natalia Hernandez

Racism Without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States by Eduardo Bonilla-Silva

Fat Chance, Charlie Vega by Crystal Maldanado

Hestia Strikes a Match by Christine Grillo

King and the Dragonflies by Kacen Callender

Speculative Fiction for Dreamers: A Latinx Anthology ed by Sarah Rafael García, Matthew David Goodwin, and Alex Hernandez

Ghost Squad by Claribel A Ortega

The Poet X by Elizabeth Acevedo

Nineteen Claws and a Black Bird by Agustina Bacteria trans by Sarah Moses

Witch of Wild Things by Raquel Vasquez Gilliland

You Dreamed of Empires by Álvaro Enrigue trans by Natasha Wimmer

Ander and Santi Were Here by Johnny Garza Villa

Our Shadows Have Claws: 15 Latin American Monster Stories ed by Amparo Ortiz and Yamile Saied Mendez

Never Whistle at Night: An Indigenous Dark Fiction Anthology ed by Shane Hawk and Theodore C Van Alst Jr

The Art of Star Trek by Judith and Garfield Reeves-Stevens

Teen Titans vol 2: Family Lost by Geoff Johns et al

Batman: Gates of Gotham by Scott Snyder et al

The Old Guard Book Three: Tales Through Time by Greg Rucka et al

[shesthespinstersimmer]

The caper (4)

Previous / Next / Beginning

DET. ORTEGA: Oh, y'all wanna play? I can look you up too - you better hope I don't find anything.

BABS: All I have to do is click "send"; after that, it won't matter what you do.

DET. ORTEGA: What do you want?

BABS: Know this - should you feel the need to keep destroying families, I'll feel the need to send my receipts to Judith Ward and Sumner Monahan, as well as the Honorable Sabrina Brussard.

TURK: Not for nothing, but maybe you should take your little freakum dress and find someone who's actually available before you lose your career.

BABS: By the way, I have that CO's number on speed dial. Have a good night, now.

( Det. Ortega leaves, dejected )

( To Turk: )

What are you doing?

TURK:

Trying to call Lo; best to get ahead of this and get it over with.

Voicemail. You know my nerves, Babs.

BABS:

We're fine. Don't worry. At worst, she'll be irritated for a second, then forgive us.

Besides... this gives us the rest of the night to ourselves... if you know what I mean.

TURK: You're the cutest little evil genius I know. You know that, right?

[sleazy-art]

Arts with NET theme in original setting for now.

+Eden (24.09)

[georgcfan]

the roses

queen leah (judith maxie)

princess audrey (sarah jeffery)

princess aurora (lauren ridloff)

prince phillip (joshua jackson)

*bonus*

ariana rose (alycia pascual peña)

king stefan (cheech marin)