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#jughead's the narrator but tabitha is the author of riverdale
mothmanchronicler · 1 year
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at this point jabitha in canon means nothing to me ... jabitha in my time loop fic means everything and has transcended canon idgaf abt whether jabitha has enough on screen chemistry or if bughead will get back together because tabitha tate watched jughead die 1374 times and im just supposed to believe that it didn't drive her insane?? yeah right ! sorry i cant think abt endgames when tabitha is unweaving time and space because riverdale trapped her too
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I posted 2,560 times in 2022
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#and now jughead has hearing loss and that's not really a great time to try and slide your way into a throuple
My Top Posts in 2022:
#5
No but hear me out ...
S6a!Vale!Jughead was able to know about the parallel universes thanks to comics. What if these comics have been (are being) written by S6b!Dale!Jughead?
I’m not saying this is what is going to happen but what a nice little loop would that be! 
Vale!Jughead helps Dale!Jughead & co escape Hiram’s bomb and Dale!Jughead helps Vale!Jughead & co discover the truth and save their world.
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82 notes - Posted April 7, 2022
#4
My emotions! My emotions!
6x14
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1x10
See the full post
82 notes - Posted May 16, 2022
#3
To summarise:
“A new age of wonderment is upon us.”
Cheryl Blossom, 2021(possibly)
6x06 is called Unbelievable. For once, the title is apt.
It’s all about superpowers in the Dale. But don’t be fooled: it’s not an au. Even Jughead couldn’t be bothered to narrate this one.
Other people’s bombs merely explode. Hiram’s also gives you superpowers. A true legend.
All the characters of the show (core and secondary) are informed about the bomb in separate scenes because this episode is 42 min long and has no discernible plot.
Archie’s superpower is becoming dens(er than usual). We’ve been knew.
Betty’s super power is adding visual effects to her already established knack of sensing danger/serial killers.
Jughead’s superpower is suffering. He’s an author after all, and the only artist worth his salt, is the tortured one.
You know you’re down on your luck when your girlfriend didn’t pay her business insurance to take care of her employees but you had already quit working at Pop’s, so now you don’t have health insurance.  
Tabitha’s super power is not being given her own plot line. She was, however, briefly shown without her Pop’s uniform, so points for that at least.
Ironically, Bingo’s superpower is getting a plot line. More trauma for Bingo-of-the-illegal-dog-fighting-ring.
“What is happening to us, Betty?”, asks Archie. “What is happening to me?” he soon after corrects. To the woman with the two cracked ribs spending the night in the hospital for observation. So thoughtful, that Archie lad.
Only Cheryl can string together the phrases “scholarly research” and “for realsies”. And because she can, she does.
She persists that she put Abigail’s curse on her “school chums” *insert eyeroll* although it is clear from the curse’s wording that it pertained to all descendants of Jedediah & co. That is so season 5 though: in season 6 Nana Rose burnt the og curse, so now the wording is open to interpretation.
Kevin takes his remaining kidney to Broadway: part deux. Kevin is flabbergasted by Tangs getting together, probably because this means even less screen time for him.
He later decides to postpone his musical career to play Mrs Doubtfire to baby Anthony. He will guard the baby with his life, says the man who 2 episodes ago was not ready to have a baby at all. Kevin’s superpower is flightiness.
Betty and Veronica talk. It’s not about Archie but it’s about Hiram, so they still don’t pass the Bechdel test.
The FBI is making Hiram’s capture an immediate priority, says Betty i.e. the FBI agent who let Hiram walk away in the previous episode in spite of having condemning evidence of him committing a murder.
Betty acts as if she’s in charge of Riverdale’s F.B.I. office. Having read Glen’s dissertation on the “Varying displays of the serial killer gene in the Cooper family tree”, the rest of the agents decide to play along.
Veronica’s casino must be doing really well in the newly reinstated town of Riverdale. Babylonium opened its doors the previous(?) week and Veronica already has 2 million dollars, that she invests in paying an assassin to off her father. That she let walk away in the previous episode in spite of having condemning evidence of him committing a murder.
Veronica also has a little neon sign spelling “casino” over the wall at her office at the casino. So as not to forget she is at the casino, one presumes?
FP II and FP III might have been Serpent Kings but the real heart of the gangs were the women: Penny, Gladys and, now, Twyla Twist. Did Toni get pregnant solely to join the Milf Club of Southside Gang Wars?
Hospital orderly Trevor Collins, who has been moving around the country, has done time at Shawshank. There IS really only one prison in Riverdale! (well, technically two: there’s Hiram’s prison too – unless they merged behind the scenes?)
Archie takes justice in his own hands, vol. 6.347.289.273. He intervenes at a gang war and makes things worse for the Serpents: A Fresh Story.
When Britta is not playing football, she becomes a whole different person. No, really. She’s now Abigail.
Nana Rose’s superpower is getting up from her wheelchair. You can’t do a banishment sitting down. It lacks gravitas.
Cheryl’s superpower is being possessed.
Percival Pickens, exuding really strong Patrick Bateman vibes and rocking a similar haircut and wardrobe, wants to buy Archie’s blown-up house. He’s offering good money, which is highly suspicious.
See the full post
86 notes - Posted March 23, 2022
#2
Things in Yellowjackets that don’t make sense
-Natalie’s roots not showing after all that time in the wilderness
-no wound getting an infection ever (Van, I’m looking especially at you)
-Van miraculously growing facial muscles (the before and after the wolf attack are just ... no)
-everyone’s clothes being absolutely clean (what are they washing them with besides water? ash? that 10lt bottle of hair shampoo they packed for nationals?)
-their clothes being ironed! (where are the wrinkles?! WHERE?!)
-their clothes fitting them perfectly even after what is several months of malnutrition 
-the football team’s notion of having fun in the wilderness never involving a game of football
92 notes - Posted January 29, 2022
My #1 post of 2022
To summarise:
FBI agent Betty Cooper takes one day off and shit hits the fan.
Jughead publishes an anonymous article that exposes all of Riverdale’s problems. Archie, who, as a teenager, had never bothered to read Jughead’s own articles for the Blue and Gold (likewise exposing all of Riverdale’s problems), is furious.
In fact, the whole town is abuzz because of this article. Published by Jughead. In the school newspaper. Which is now the town’s official source of information.
Never underestimate the power of high school journalism.
Having failed his SAT, Archie does not know what backstabbing means. This doesn’t stop him from trying to use the word in a sentence.
With Archie so engrossed in saving Riverdale, there’s been no time for Bulldogs practice. At least Cheryl let Britta do some workout in the mines. To pass the time, Britta decides to walk the dreamscape to communicate with Cheryl, who is imprisoned there.
Cheryl is trapped in her worst nightmare i.e. with her mother. Jason is also present. Unlike Trevor Stines, Barcley Hope must have been unavailable, so no daddy Clifford in this dreamscape. Hang it!
During the first of many town meetings (#adultstories), Percival Pickens reveals he’s the writer of the article. He’s mostly concerned about the homeless people of Riverdale, whom he proposes to move out of town. Archie disagrees. “Riverdale takes care of their own” says the man who didn’t seem to think the homeless were an actual problem before Pickens pointed that out.
Jughead Jones, who -as a junior- lived most of the year in the cupboard under the stairs in a janitor’s closet, believes an eight-feet-wide one-room wooden cabin with no heating is an acceptable solution to homelessness. Precious blorbo, no.
Archie Andrews, who never had to go without his two-story Northside house, agrees. In order to demonstrate that he now does know the meaning of the word backstabbing, Archie passes his friend’s idea off as his own.
What the “good liberal” people of Riverdale really want, says Pickens, is for the poor, destitute and smelly to go away, without compromising their own comfort. I’m a little bit perplexed, because last time we saw the Dale, it seemed that everyone *cough!Polly!cough!* was a bit poor, destitute and smelly. #GhouliesHeadquartersOnElmStreet
Archie calling the diner owner who couldn’t pay her business insurance (Tabitha) and the gang bar owner (Toni) “two of the most prominent business owners in Riverdale” kind of further proves this point but whatever!
Archie, who hasn’t worked in construction for quite some time, comes up with a design that doesn’t meet half of the Residential Occupancy Basic Standards. The four council members, who also don’t meet half of the requirements for becoming a city council member, naturally approve of his idea.
We should cut him some slack though: Archie has changed so many professions. He can’t be really expected to remember what he did before the time jump. Not even the writers remember what happened before the time jump.
Case in point: Abigail Blossom, resident of Riverdale in the 1890s (s5 canon) retreats to her bedroom to acquaint herself with the role Pickens played in the shaping of Riverdale i.e killing the Uktena on her family’s money and founding the town she had been living in (s2 canon), which was also founded in 1942 (s1 canon). It’s time for a new origin story, I guess.
Veggie, who have assumed that their casino business would be as crooked as the streets of Riverdale, decide to operate legally. This lasts for all of 10 mins before they realise they cannot turn any profit that way. Instead of finding another business venture, Veronica decides to embrace the legacy of daddykins, which (legacy) -by the way- was the reason she ordered his assassination on the previous episode.
A man is found hanged in Babylonium. Reggie still doesn’t know how to dispose of a body, so Veronica calls Heraldo.
Kevin greets Doc and gets bashed in the head, since his quota of lines for the episode has been met.
In spite of having his brains bashed, Kevin is rapidly recovering, which only proves that he had no brains to begin with.
Guest star Bingo makes another appearance.
Outside Pop’s someone has graffitied the new micro-house. Archie is incensed. Instead of repainting the walls, he punches his truck. He leaves his uncle, the friend who came up with the og idea and his two investors to do the rest of the work.
Pickens has the superpower of persuasion or maybe it’s the power of superpersuasion. Instead of making his main adversaries (town council/core four) capitulate to his demands, and be done with it, he prefers to manipulate everybody else. Got to fill those episodes!
He has convinced the homeless of Sketch Alley to move elsewhere. He invites Archie, uncle Frank, Jughead, Tabitha and Toni to go see for themselves. Our heroes do so but only after the sun has set, for aesthetic reasons.
If Pickens had done this from the beginning, we would have been spared this episode. Alas, it was not meant to be …
It’s the third town meeting this week in the town-that-used-to-hold-no-town-meetings and people are probably beginning to lose patience with Archie. Unlike him, they do have real jobs to tend to. They decide to side with Pickens.
The Lodge name is synonymous with crime and corruption says Alice Smith-Cooper, wife of serial killer Hal Cooper, mother of serial killer Charles Smith and mother-in-law of just killer Chick Smith.
Betty gets back from Maine, where she lost TBK. She reveals that she still sees auras but the light gives her severe headaches. Archie reveals that Jughead can read thoughts. I’m still astounded by the fact that Archie had any thoughts to begin with.
Toffee is on a ladder in front of Archie’s house with a can of spray.
Toffee Wuz Here, M***** F***** !!!
92 notes - Posted April 6, 2022
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campgender · 1 year
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6, 10, 12, and 20 :-) i'm soooo curious for your rvd fic recs if you have any
6) Which musical episode is your favorite?
while i really love when they do something about a fucked-up town (17 at the end of the heathers ep was particularly poignant) i’ve gotta go with my bestie s7e14 Chapter One Hundred Thirty-One: Archie the Musical!! probably my favorite episode of s7 so far (although i wish tabitha was in it but that’s me about all of this season 😔) & it gave us archie going left archie going right + beronica cosmic destiny kiss + more layers of meta about being trapped in the narrative than you can shake a stick at which is what riverdale does best
10) Which episode is your favorite? Why?
s3e05 Chapter Forty the Great Escape!!!!! absolutely no contest she is everything to me. everyone is at their height: archie tragic hero, veronica confident shenanigans, jughead crazed narration, betty on a motorcycle the Suspense the THEMES i’m stimming just thinking about it
12) If you read fanfiction, recommend a fic you love.
i am always happy to receive more riverdale fic recs bc it is a heterosexual wasteland in the tags but here are my favs!
was that us or was that a movie? by HaHaHaHaWhat
meta commentary on the meta show, an absolutely delicious premise. i’ve reread the first chapter several times
Shall the water not remember by ForsythiaRising
been steadily making my way through this author’s catalog & they never miss! loved this perspective & ofc i adore TABITHA <333
loving is easy by ohmygodwhy
another staple author, they do really good slice of life
no one in the world by watchriverdale
quintessential s3 jarchie run away with me
20) What is your favorite quote?
oh god so many, but i’ll highlight this one from the end of 2x17: Well, as far as the lead role's concerned, cancel them. I'm obviously Riverdale High's Carrie White. And this school's gonna burn.
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riverdale-retread · 2 years
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Riverdale S6B Ep. #106 (“Angels in America”)
“Every town has that place that the community comes together” is how Jughead Jones opens the narration for this episode.  A lot of what Jughead says about Pop’s over the years could sort of amount to a college application essay opener.   He also calls it “Home away from Home.”  Since he doesn’t qualify it with pablum about the community and so on, he’s really speaking for himself, with this one.  Home in place of home, more like, for him. 
Pop Tate, Tabitha and Jughead, during what must be an exceptionally slow day at the diner, are watching Alice Cooper’s TV show - “Riverdale Today,” and today’s special guest is Percival Pickens.  Alice Cooper giggles at him because he’s given her head (my headcanon, pun fully intended, ignore me, sorry).
Alice Cooper’s career cracks me up. How is she this untouchable? She has the most Teflon of reputations and careers.  Granted, she has a valid-seeming, patiently-built up journalism career.  She ran the Riverdale Register for a long time,  transitioned successfully into tv journalism, and now she’s this major (small town) authority with her own talk show kinda like the Fox News desk anchors who walk the line between reading the news and proselytizing their own opinions.  On the other hand, she was too dumb and self absorbed to realize that her husband was a (very underperforming) serial killer, that Gladys Jones’ daughter who lived with her at the time was the one making and leaving terrorizing VHS movies, not to mention that time she fully became inculcated into a cult despite the intensive efforts of Betty Cooper.  Unobservant, dense, and of poor judgment, but full of ambition and delusional righteousness = TV journalists, according to Riverdale. 
Percival announces that he’s going to build a railway ‘through the heart of Riverdale’ which puts Tabitha immediately on alert but Jughead doesn’t immediately catch on.  “Progress demands” that Pop’s be replaced with a train station which will bring revenue and tourism and etc.  This entire proposal was also very funny.   In the indeterminate forever 2020 but not really time that Riverdale exists in, they have / had smartphones with apps which to me implies uber/lyfts and by long-distance association, eventually self-driving cars, but A TRAIN STATION  is Percival’s idea of progress.  
Tabitha moves fast. She literally runs over to Percival’s residence inside Babylonium (I assume?) with her black leather biker jacket thrown on over her cute Pop’s uniform, to declare her firm intention to never sell the diner.  He’s very sneery about the diner (“past its heyday”) and his way of being smarmy, like continually calling Riverdale “our town,” is laid on very thick, so I admire Tabitha not getting sidetracked with irritation. He tries using “the voice” on her but she doesn’t even seem to feel it.  First (and) un-PC thought - Does British mind-control intimidation only work on white people?
Tabitha’s tries to rally the troops, in a very curious order and in a way that shows what she thinks are that person’s biggest priorities.  And their responses reveal something terribly unflattering about each of them. 
The sequence is Archie → Betty → Toni → Veronica → Cheryl before giving up and talking to Jughead.
Tabitha thinks this is what the others care about the most. 
- Archie:  Family legacy & Important Riverdale landmarks (first black owned business in Riverdale).
- Betty:  ABSOLUTELY NO INFORMATION and it’s not clear that Tabitha actually gets to say anything before Betty rudely interrupts to say what she says to Tabitha.
- Toni:  The Whyte Wyrm.
- Veronica:  No direct dialogue is heard but given context clues it appears that Tabitha went with an ‘entrepreneur -to- entrepreneur’ heart to heart approach with Veronica. 
- Cheryl:  Longstanding blood-feuds of a historic nature.
- Jughead:  He loves the diner possibly a bit more than Tabitha herself does, so she can take his support for granted.
And this is what we learn about each “main” Riverdale person:
- Archie is not the heroic brave person that Jughead Jones keeps making him out to be. He’s cowering because he is not physically invulnerable anymore.  Oh, and Archie is a terrible boxer.  (Personally I’m starting to think they picked this activity for him because it’s one of the sports where the male torso is routinely revealed.)  He’s willing to go punch the Ghoulies bloody when he has superpowers, but without them he is going to hide.  Aren’t these the basic instincts of a bully??
- Betty projects all her issues on to other people.  She can’t imagine that someone else doesn’t have a weakness she absolutely does.  Tabitha was just now safely in a room with Percival, but Betty doesn’t actually care to ask about that. She just says no person should EVER be alone in a room with Pickens because Betty Cooper has no capacity to resist his mind control and she must perforce assume nobody else can withstand it either.  Oh and whenever Betty is caught in a weakness she lies by omission, compulsively.  Very consistent.
- Toni is a person of limited vision and not a leader. As long as her little business is fine, as assured to her by a person who successfully engineered a near massacre against her, she is not going to stand with Tabitha.  This may appear to be inconsistent writing as the characters of Riverdale often don’t remember what happened in the previous episode any more than I do, but it isn’t.  Toni is someone who will talk about her individual accomplishments and awesomeness when her identity as a Serpent is denigrated.  She tends to miss the point, you see.
- Veronica says the right things (“I’ll support you in whatever way you need”) but in essence she’s a true daughter of capitalism.  She has no time or room for sentiment. The Pop’s brand and formula works in more than one location, so Veronica doesn’t see how Tabitha’s business is threatened so much as the location that she’s sentimentally attached to.  One can always make a venture newer, bigger, improved.  Like a lot of us half-assed/ former Catholics, Veronica is uninterested in the spiritual side of things.
- Cheryl is without obvious flaws beyond going through uncontrollable hot flashes that force her to keep her home icy cold.  Why Riverdale is making menopause jokes like this is beyond me, but I am actually having the best time.  If my menopause is going to be anything like my mother’s, I will be uncontrollably melting down with no warning (yay?) so I am taking notes about how I’m going to wander around my house in a red bathing suit with a gauzy white robe, wielding a fan.   I guess if I had to reach for it, Cheryl’s flaw is that she has such a hard time escaping her childhood home.
- Jughead’s flaw is that he’s loyal to Barchie beyond all reason, prioritizing their needs to have their weaknesses covered up above all other priorities.  He will lie to Tabitha to protect Archie and Betty, even though they have not been shown to make a priority of Jughead whatsoever since they all returned to Riverdale. 
By the way, Kevin is working for Percival as his spy and really, Kevin can catch no breaks on this show.  Why is he like this?
Jughead slips up in his conversation with Tabitha, answering her thought (“how can I fight him if I don’t have anyone’s support?”) out loud. I suppose you could read the exchange they have - she says she doesn’t have anyone’s support and Jughead insisting that he supports her - in a negative way towards their relationship:  Why doesn’t Jughead count as anyone?  Or you can read it in a way that condemns Archie & Betty, Toni & Veronica for the way they treat Jughead as being so very unimportant. That is to say, the people who have known Jughead the longest and deepest that Tabitha knows about treat him so poorly that she has no recourse but to assume Jughead Jones is not (ahem) an influencer.
Once Jughead has explained the recent developments that have happened to the survivors of the explosion plus Cheryl, Tabitha summarizes for those of us in the back, and to her left on the wall is an interesting painting of a black woman shedding a single tear into her palm.  Is this a well known painting?   I laughed because it just looked to me like a comment that went something like: Oh These White People.
By the way: IS JUGHEAD STILL DEAF?  Or did his deafness just ‘go away’ like some alleged doctor allegedly told him a couple episodes back?
In any case, Jughead wants to try to get a place he loves declared a historic landmark, and hence untouchable, recalling that he had been unable to do this with the Drive-In back in the day. And it turns out that Pop Tate has a box filled with historic memorabilia about the diner!   
Oh Jabitha are so cute, doing a little research project together, going from afternoon to evening.  Pop’s was in the Green Book!  The box contains a photo of Eisenhower at the counter (I guess if Nixon or Reagan ate there, it would be a no no?) as well as the diner being transformed into a polio vaccine distribution center.  Jughead is so excited to realize that the place he loves for personal reasons (granted, important ones - he may have literally starved to death without Pop’s) is also historically significant. He’s composing the application he’s going to draft out loud (“Moral crises, national tragedies, they all took place inside these booths!”) when some blank faced white man comes in and shoots Tabitha. 
Tabitha comes to on X-mas Eve, 1944, standing in the same place (behind the counter at Pop’s) wearing almost the same uniform but with very different hair, and someone calls her Teresa.  She’s shown the same issue of the Green Book she and Jughead found in the ‘historic items’ box, except it’s fresh off the press this time.
When she sees Jughead in a booth, Tabitha runs over to ask him what is going on.  And Jughead explains, then says:
“Also, I’m not Jughead. I’m an angel. Your guardian angel.”
Turns out, Tabitha is in a coma at the hospital, with Jughead at her side.  According to Raphael-as-Jughead, guardian angels are always nearby but only show themselves for cataclysmic or cosmic events.  He gives her a book that might explain things - Milan Elliott’s “The Enigma of Time Travel”  (quick google reveals an actual book exists called The Enigma of Time, published in 1983).  Through it, Tabitha figures out that she’s a ‘chrono kinetic’ - a time traveler.  She speculates that this ability may be trauma-triggered like her boyfriend’s and the other’s special powers.
“Why to 1944?” she asks, which made me blurt out, very rudely, ‘Cuz you’re not white?  I mean, if I had time travel abilities, I’m not sure I’d go to any time before 1980 for various reasons. 
Raphael thinks she has a mission, but Tabitha is really only interested in finding a totem (an item of “symbolic, mythic or religious power”) so she can return to her immediate present.  Raphael seems to get the upper hand because Titus invites Tabitha to a very important meeting, about whether to turn Riverdale into a “Sundown Town.’ 
A Keller ancestor is Mayor, with a very strange way of doing air-quotes: palm to the ceiling, fingers curling towards his face.  Is this historical accuracy?    Tabitha is alarmed to discover that a Perkins is Sheriff, who very much wants this Sundown Town ordinance. Artie (not Archie!) Andrews stands up as the lone white voice against this discrimination right on the heels of Tabitha’s fearless objection and confronts Sheriff Perkins.  Thanks to their efforts, the attempt to railroad (ahem) this ordinance does not pass and will be reconsidered in the new year.
In the middle of Tabitha talking over the events of the evening with Angel Jughead, Toni and Fang’s 1944 versions come banging at the door for help, their car having run out of gas just as they are passing through Centerville, a Sundown town. I need to do more research about this because I just don’t know a lot about it - but would a POC family with a little baby actually run out of gas traveling through an area they know are Sundown Towns without vigilantly checking the gas nonstop? This seems more like, We got hunted down by white supremacists.  So if that’s what happened, why would Fangs & Toni tell their story in this way to Tabitha of all people?   In any case, ‘44 Toni begs refuge from Tabitha-Teresa. She says of course they can stay.
Sheriff Perkins and Kevin Keller ‘44 (Oh heavens, baby, WHY?) as his deputy (once a deputy, always a deputy?) show up to arrest the ‘trespassers.’  When the Tates put up a brave and united front, Sheriff Perkins opts to get a warrant sent from Centerville.  Any plan to go on a run for it is impossible with the baby.  When Titus Tate says they need a miracle, Tabitha gets a great brainwave and gets Angel Jughead to agree to show his true form to the villains, which causes both eye-rupture and brain-breakage while a heavenly chorus sings Amen Amen.
Then we never see Angel Jughead for the rest of the episode, which means that the ‘revelation’ of the true form of Raphael results in the total destruction (through immolation?) of the Jughead body.  So, basically, Jughead even in an embodied angel form dies to fulfill someone else’s needs once again? 
Tabitha then summons Artie Andrews to go with her, to make the impassioned case to Mayor Keller that he should reject the Sundown Law, because it would “cost Riverdale its soul.”  And miraculously (this is the real miracle), this works! 
Percival Pickens will not give up though, so just as Tabitha is trying to wrap up this story with Titus he bursts in, having escaped from the insane asylum (complete with frayed strait-jacket) to shoot her himself, this time making her push herself into April 3, 1968.  She tries to stop MLK’s assassination, starting with directly going to Memphis herself.  (So sorry to be shallow about this but her 1960s coat with the big black buttons is gorgeous and I love it).  The bus breaks down just outside the city limits.
In the form of Toni, Angel Raphael tries to talk her out of it.  Tabitha runs to the FBI office (her knowledge of exact dates and memory for stray bits of information astounds me) but it’s manned by a Percival and a Kevin Keller, so she leaves immediately.   MLK’s assassination is a fixed event that can never, ever be changed, by any time traveler trying anything.  Angel Toni says she will keep Tabitha company as she waits for the terrible news. They hear RFK make the announcement, making Pop Tate collapse. (I love young Pop Tate.)  They decide to keep the diner open to give people a place to go.
FBI Perkins and FBI Kevin show up to tell her to clear out the diner at 6 p.m. because of riots in the three nearby towns. So there are actual Black Panther looking people in the Diner, which makes me wonder if the one guy in just the black jacket is supposed to be a Southside Serpent of this era?  (I really want better lore for the Southside Serpents, who are implied to have had a long history).  Tabitha calls - and reaches! - J Edgar Hoover to threaten him with blackmail, and uses the force of all this to muzzle FBI Percival.  Operation Turkey Shoot was canceled in addition to firing FBI Percival for good measure. 
They play Mahalia Jackson over the segment where Tabitha grieves MLK.  That asshole FBI Percival does a very scary drive by because he just can’t let it go. In fact, he planted a BOMB.  Tabitha takes it outside and lets it blow her into the future.
November 1999 is the new time. A white kid was caught spray painting hate symbols on the diner.  He did it for a baseball card depicting Riverdale’s only major league player.  The kid got it at the new shop that opened on the outskirts of town, owned by one Paul Prince, who is Percival, of course.  She goes to the “Curious Items” shop, where she’s visited by Raphael Betty.  Raphael Betty is the most activist and criminal minded (Go Betty!) so she just hands Tabitha the key to break into Percival’s shop.  
Tabitha relying on intuition and an apparently vast knowledge of history, takes polaroids of items that look significant to her.  Back at the diner, Angel Betty tells her that one of these things is the Spear of Longinus, “said to have pierced the side of Jesus at his crucifixion.”   Oh and Percival also has the Holy Grail. Just, casually, he just does.   So  naturally Angel Betty tells Tabitha to go get the Holy Grail. 
What follows is a really AMAZING segment that I wish was both longer and brighter lit.  Percival creepily dresses up in one of his items for sale, an old military uniform (blue coats are Union, though, right?) to assault Tabitha with a saber.  Tabitha engages in a sword fight (using the Spear of Longinus) with the (a??) devil, which doesn’t faze her one bit, handily winning based on college Varsity fencing skills.  Percival just poofs out of existence.   Later, Tabitha tells Angel Betty that she then burned the whole shop down, because she shares this arsonist tendency with Jughead.
OK so this is awesome, like I said, that Tabitha gets to win this fight against Evil / Darkness Incarnate. But now I’m wondering if this is really Riverdale.  This seems so like the kind of twisted Valentine that Jughead would write for his girlfriend, don’t you think?  The Holy Grail may be her talisman so she drinks a milkshake from it, hoping to get back to her real timeline.
Except with all the knowledge she now has!  So Tabitha alters her future by chucking the giant can of tomato soup at the would-be assailant with deadly accuracy, knocking him out cold in front of the big yellow Dead End sign affixed to the counter.
Tabitha then gives Jughead an exposition dump, saying they need to gather everyone with powers to fight against Percival Pickens, who is continually obsessed with destroying Riverdale in a very Hiram-Lodge fashion in every major era.  Jughead wants to know why he didn’t get an angel, which I thought was very cute of him.  (Your angel, if you got one, would probably tell you that you have to die, Jughead.).
When the Riverdale Powers Gang has assembled, Tabitha announces that she has seen the future.  Riverdale is currently destined to be decimated, and ground zero is Pop’s Chocklit Shoppe, which is also her talisman through time (not the Holy Grail).   So wow Riverdale the Show has some ego  - the 24 hr diner > The Holy Grail.  All righty!  The railroad is still being pushed forward, and Tabitha gets the final close up of determination.
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alaffy · 3 years
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Riverdale 5x14 - Midnight Gallery (Spoilers)
During one of his interviews, Roberto said that this season is about trauma and tonight they really doubled down on it.  Three horrific stories: Archie; Betty; and Jughead.  I think that the reason why Veronica was left out of this is because, while she also has experienced trauma, her’s was a story that was more easily explained.  Also, they probably didn’t want to deal with faking a helicopter crash. 
Spoilers
 Archie’s story starts with him actually getting some help (maybe).  Also, Archie is contacted by Cheryl to start digging up the Palladium under her property (because it’s not like mining takes any sort of professional crew or anything).  The thing is Archie is starting to see dead people and while that may seem like a joke, it’s not.  Turns out Bingo isn’t the only man Archie lost and his mind is no loner suppressing that information.  So, look, clearly Archie is not ok and clearly being in this mine is setting off some of his issues (something Frank seemed to realize).  Archie asks his therapist for medication, but it seems to make things worse.  And Archie barges into her office, claiming she’s working for Hiram.  She denies knowing who that is (which is hard to believe) and Archie is told to leave.  Archie stops taking the medication and tells Jackson to also stop seeing the therapist.  However, a few days later, all of the miners start acting crazy and they realize that the tunnel is filling with carbon monoxide (why you need professionals).  Archie goes back to the therapist and explains about the carbon monoxide and the fact he’s seeing more dead officers.  She says she’s afraid to be alone with him and thinks he’s not safe around anyone.  Honestly, I don’t know if I trust this therapist.  Is she military?  And does she work at that base that Hiram is also working with?
Also, I think Cheryl might be becoming a villain. 
 Betty is seen at the beginning of her story talking to Tabitha.  Tabitha is trying to get Betty to turn the trucker over to the authorities.  Betty refuses, but also tells Tabitha that Tabitha should no longer be involved.  So, Betty tries to get the trucker to talk and it’s obvious he’s a murder, but other then that she’s getting nothing from him.  Except one PTSD flashback to being in the hole.  She even tries to humanize the victims, by having Alice talk to the killer about Polly (Betty may be good at finding killers, not so great with interrogations).  Of course that fails and the trucker says horrible things about Polly’s death, which sets Alice off.  Later, Betty tells her mom that she’s going to try something else, but Alice is just like, nah, kill him.  And on the one hand, I can understand a grieving mother wanting the man she believes to have killed her daughter dead, on the other hand…is she trying to loose all her children?  I mean, why tell Betty to kill him?  Anyway, Betty goes back and threatens to torcher him with a chainsaw.  And she goes into this very creepy explanation of what she plans to do to him.  At this point, he gives very specific information about Polly and then pretends he doesn’t know anything about her.  Betty goes to get the chainsaw.  Here’s the thing, as she gets the chainsaw, she flashes back to being in the hole.  And the thing she told the trucker?  Apparently, she was quoting TBK.  That’s what TBK told her as she was begging him to kill her.  Somebody who cares about Betty needs to find out about her capture!  Anyway, she returns to the trucker with the chainsaw and finds him dead.  He had bitten through and swallowed his tongue.  Now, was Betty really going to kill him?  Eh, they leave it pretty ambiguous.  You’re supposed to question.  Although, when Alice made it clear she was glad the trucker was dead, Betty says that she’s fine with it, but it’s obvious she’s not.  But one thing is clear now, from what the trucker said, there isn’t just one killer.
And then we have Jughead’s story.  Think Hunter S. Thompson.  The fact is, Jughead’s story is well, it shows the story of the human condition.  And it is tragic, but…look, people want to make Jughead’s story all about Betty.  She’s a part of it, but she’s not the reason.  In fact, it turns out they were on, what seems to be, good speaking terms.  The reality is, Jughead had a hard time transitioning from his life from Riverdale out into the real world.  He went to Iowa, but he didn’t make any friends and he started drinking.  Then, he sent part of his book off and got himself an agent.  The first thing he does is call Betty.  Betty makes a comment about hoping his Iowa friends take him out that night and…he lies and tells her they will.  However, what happens is Jughead leaves school and moves to New York.  At some point he meets Jessica, who becomes his girlfriend.  But it sounds like, I don’t know how to say it, his interest in Jessica was more about what she could get him.  Like she had access to the drugs that helped him do his writing and that’s why they became a couple.  Anyway, what is made clear is that while he was with Jessica, he was also in contact with Betty (and it is heavily implied that he was contacting Betty behind Jessica’s back).  It should be said if your significant other is contacting his ex behind your back, they aren’t your significant other.  Meanwhile, it sounds like when he talks to Betty he’s telling her his life if great, when it’s not.  So, it is easy to see that maybe Betty thinks he’s moving on in his life, when in fact he’s not.  Also, what is interesting is that there are two flashbacks to Betty in this.  However, this is in Jughead’s narration.  So, are those scenes actual flashback or what he thinks Betty’s life is like at the time?  I guess will find out.  Anyway, it turns out that he does invite her to the book launch and she says she’ll go.  However, she cancels at the last minute (at the moment we don’t know why).  Jughead, drunk and on the way to his party, calls her and leaves the message.  And why did he leave that message?  Because the reality is, he knows deep down inside that (if Betty were at the party), she would be the only one there who actually cared.  And the fact she couldn't make it, sets him off. So, does Betty deserve the message?  No.  The fact is, Jughead is upset with the way his life has turned out and is taking it out on her.  And there was no way for her to have known how important it was for her to be there, because she was under the impression that things where going good for Jughead.  Anyway, right after the call he falls into a hole and is trapped for underground for a few days with rats crawling all over him.  During those days, Jughead learns during his trip to New York, he had a bunch of hallucinations (also he got rabies) of a Rat King who wanted him to stay in the tunnels.  However, Jughead is rescued by a hallucination of Betty, who gets him out of the tunnels.  But learning what happened to him in New York has made him realize how alone he is in his life and he wants to get better.  Again, quick warning, not interested in fighting about ships, just discussing the show.  Look, the fact that it’s Betty “saving” him, the fact that she’s the first person he calls about the book…he’s not over her.  Does that mean they’ll get back together?  Well, at the moment, Betty thinks he doesn’t want her in his life and she’s got her own issues.  So, that may be where they're heading, maybe not. After all, seven years have passed. But we'll see. At the very least, it looks like Jughead is starting to work through his problems.
Quick edit: One other thing I forgot to mention, I like the fact this it is Jughead himself that decided to get help. So many stories have the trope that if the emo boy just falls for the right girl...nope. Sorry. People can help you get better, but only you can choose to get help.
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arsenicpanda · 3 years
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Hey! You seem to ship fairly similar Riverdale pairings to me, so do you have any fanfic ideas? Unfortunately, I have writers block and I don't have access to any maple mushrooms to get through this one.
So, I do have a few that don't fall under "I actually want to write this myself", you are correct, and I am a wordy bitch, so let's put this under a cut
-Jabitha + Jughead and Veronica friendship post-college au: so, we diverge from canon in 5x03. Betty still leaves Riverdale, but Veronica stays, and she and Jughead slowly bond over film, pretentious references, criminal fathers, and the whole getting cheated on thing. Maybe throw in Reggie and the other Serpents too if you want to. When Jughead becomes homeless (again), Veronica eventually notices and invites him to stay with her, and it's awkward at first, but then they get used to it. They develop a brother-sister bond. So, then when they go off to college, they keep in touch and stay friends. Their friendship keeps Jughead from being supes lonely at college, which means he stays and learns how to actually fucking write, so his book is actually good and not just successful, and also he doesn't take up drinking and drugs. And their friendship also keeps Veronica from dating assholes like Chad, so she never even gets close to that terrible marriage. But after they graduate, Jughead moves to NYC and they live together and she becomes the she-wolf of Wall Street and he becomes a successful author (genre undetermined) and maybe also journalist (look, I am just too fond of this headcanon, and most authors need second jobs anyway), and neither of them pine over their exes. Veronica can settle down with Reggie, Josie, Katy Keene, or someone else or no one else, but she is successful and happy. Also, Tabitha goes to school in NYC, settles down there, works a six-figure job for a while, and then opens a Pop's franchise. Now, it can go two ways from here:
Veronica and Tabitha become friends in college. Veronica keeps trying to set Jughead and Tabitha up with different people she knows to no success (she keeps trying to set both of them up with intimidating women (partial success and bi Tabitha 4 life) and himbos (zero success, they both prefer smart people, and also bi Jughead 4 life), until one day she's complaining about it to Katy Keene or Reggie or Josie or someone and the other person is like "V, why don't you just set them up with each other?" And she's like "ohhhhh" and she does, and they either hit it off pretty quickly or Tabitha is like "wait, are you the guy who mooched off my grandpa for years??" And he's like "pardon??" And she dislikes him until he proves himself/Veronica explains the situation (Jughead was neglected and poor and Pop helped him out). But then they get along and swap stories about Pop and fall into some weird investigation and fall in love, and Veronica is like "Victory is mine!"
Tabitha starts franchising Pop's in NYC, and when Jughead finds out he's like "sus, very sus" and goes there and eats and is like ".....this is actually pretty spot-on". And he becomes a regular (who actually orders food and pays because he can now), and Tabitha is supervising the diner for a time, and they start to chat on late nights when he's the only customer left but the diner isn't scheduled to close for another two hours, so Tabitha could use the company. Jughead doesn't realize she's Pop's granddaughter, and Tabitha doesn't realize he's her grandpa's favorite customer (and known moocher, in her opinion), and when they find out, they're both very shocked. They clear up the moocher thing and keep falling in love, and it's beautiful, and Veronica spends some her spare time prying into Jughead's newest late-night haunt and then teasing him about his crush on the owner and later "of course you fell for Pop's granddaughter, of course".
-Jabitha or bugabitha: Jughead cooks his tired (future?) girlfriend(s) dinner because yes, he does know how to cook because he loves food, so obviously he learned how to cook, and also he notices how much his girlfriend(s) work and wants to take care of them.
-Jabitha: Tabitha teaching Jughead how to cook some of Pop's recipes one late, slow night, and yes, they kiss at the end and/or when he makes her something on another late, slow night or slow afternoon or one morning when he opens and she shows up later
-Bugabitha: Tabitha needs help with a mystery/situation and goes to Betty and Jughead's PI agency to hire them (whether Betty and Jughead are together is up for grabs), and they are both charmed as fuck by her, and Tabitha tags along on the investigation for idk reasons, and they all fall in love and also solve a mystery
-Jabitha: smut/pwp of Jughead eating Tabitha out in Pop's while they're both still in uniform
-Jabith or Bugabith: like three students trip and fall into being way too invested in their teacher's/teachers' love life/lives and become convinced that something is going on between Jughead and Tabitha (and maybe also Betty) and start snooping while also documenting it on a popular "my English teacher is dating his other boss (and also my shop teacher)" or "my English teacher is two-timing his boss with my shop teacher" TikTok series that Jughead and Tabitha (and Betty) don't know about it until it goes viral after the kids finally get proof they're together / find out that it's not that Jughead's cheating with Betty and/or Tabitha's cheating with Betty but that the three of them are dating (see: that one fanart I commissioned of the Elite meme). Told from the kids' pov, very comedy-heavy (more comedy than ship fluff, tbh), includes replies to the TikToks and other social media stuff. Still considering writing this myself, but I don't know if I'm funny enough, tbh
-Bugabitha: how they do or do not celebrate holidays and birthdays, especially if the holidays involving shuffling between/avoiding their families and Betty recounts the disaster that was Jughead's birthday in 1x10, right down to (lovingly) roasting him for the "I'm weird, I'm a weirdo" speech (she will be kind by including how sweet he was in the diner, of course)
-Bugabitha: Alice finally finds out that Betty, Jughead, and Tabitha are all dating when Betty moves out of the Cooper house and into an apartment with Jughead and Tabitha. It includes something like the following exchange, Alice's last-ditch effort to convince Betty not to do this:
"Elizabeth, you cannot think that moving in with your ex-boyfriend and his new girlfriend is wise."
"Mom, I'm not moving in with my ex and his girlfriend, I'm moving in with my boyfriend and my girlfriend, and you're making me late for lunch with them, bye." And then Betty leaves before Alice can respond
And then it's very important that Alice freaks out. If you want, you can also include FP and Gladys finding out (v chill) and Pop finding out (the most wholesome and supportive)
-Jabitha: Pop playing matchmaker with Jughead and Tabitha at any age, could be in an au where Tabitha comes to visit Pop every summer and Jughead kinda falls for her from afar as a teen, could be Jughead gets a job post-senior year at Pop’s during the summer when Tabitha is working there that summer, could be during the canon s5 or an au s5, could be any time, idk
- Jabitha, bughead, or bugabitha: Jughead's editor says that his novel needs a sex scene for whatever reason, idk, idc, but his POV character/narrator is a woman, and he's like "how do I write this without finding myself on one of those lists of 'men who can't write women?'" and bemoans this one day, and, idk, somehow his friend(s) Tabitha and/or Betty trip and fall into ~helping~ him by being very explicit and descriptive of how it feels while they bone
I think that’s it? Let’s say that’s it for now.
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joneswuzhere · 3 years
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hello join me in thinking about some books and authors that are, or might be, part of s5′s intertextuality
5.10 in particular offered specific shout outs, and also u know i’m always wondering what might be ahead so i have some ideas on that:
- first, as mentioned in a previous ask post, i know i wasn’t alone in keeping an eye out for 5.10 parallels to the lost weekend (1945) the film that gave episode 1.10 its name and several themes - or to the 1944 book by charles r jackson which the film is based on
- s5 has not been shy about revisiting earlier seasons, especially s1. altho i feel that 1.10′s parallels to the lost weekend centered characters other than jughead (mostly betty), a 1.10-5.10 connection involving jughead and themes from jackson’s story (addiction, writers block, self reflection) seemed v possible if not inevitable
- but like,, , for a hot minute after the ep, i was really stumped on understanding how anything from the book or film could apply, even tho the pieces were almost all there
- jackson’s protagonist don birnam goes thru and comes out the other side of a harrowing days-long drinking binge that could be compared to jughead’s one-night hallucinogenic writing retreat
- but jughead is struggling primarily with traumatic memories, not addiction and self control like birnam. and tho drinking activates birnam’s creativity, it paralyzes his writing as he gets lost in fantasies; he’s never published anything. jughead’s drug trip recreates circumstances that already helped him write one successful book. even the rat that startles him mid-high doesn’t line up with birnam’s withdrawal vision of a dying mouse, symbolic of his horror at his own self-destruction thru alcohol
- and maybe the most visible discordance: in the film there’s a romantic motif around a typewriter. first it’s an object of shame; birnam’s failure to write, tied up with his drinking, makes him flee his relationship. he tries to pawn the typewriter for booze money and finally a gun when shooting himself feels easier than getting sober. but with the help of relentless encouragement from girlfriend helen, he quits drinking, commits to her, and focuses on typing out the story he’s dreamt of writing. rd goes so far to avoid setting any comparable scenario that jughead has brought a wholeass printer into the bunker so there can still be a physical manuscript to cover in blood by the end, even without his own typewriter. the subtle detail of his laptop bg image is a little less noticeable than his avoidance of betty’s gift
- tabitha might be closer to a parallel than jughead is, but she’s still no helen. both refuse to take advantage of the inebriated men in their care, but birnam takes advantage of helen, financially and emotionally. jughead refused a loan from the tate family and now has resolved to deal with his shit before he considers a relationship with tabitha. instead of helen’s relentless and unwelcomed attempts to get birnam sober, tabitha reluctantly agrees to help jughead trip safely bondage escape notwithstanding. she even helps him get the drugs.
- whatever potentials exist for parallels to jackson’s story, they were not explored for this episode. ok so why tf am i even talking about this? what was there instead?
-  i have arrived at the point
- s5 has been revisiting s1, not directly but with a twist. and jughead’s agent samm pansky is back. u may recall, pansky is named for sam lansky
- jughead’s trip-thru-trauma is a story device tapped straight from lansky’s book ‘broken people’
- lansky is like if a millenial john rechy wrote extremely LA-flavored meta but just about himself no jk very like a modern successor to charles r jackson. both play with the boundary between memoir and fiction. lansky is gay; jackson wrote his lost weekend counterpart as closeted and remained closeted himself until only a few years before his death. both write with emotional clarity and self-scrutiny on the experiences of addiction, sobriety, and the surrounding issues of shame and self worth
- i feel like a fool bc after this ep i had been thinking about de quincey and his early writings on addiction (c.1800s), but i failed to carry the thought in the other direction, to contemporary writers in the genre, to make this connection sooner
- lansky’s second book, broken people, follows narrator ‘sam’, mid-20s, super depressed, hastled by his agent to write a decent follow-up to his first book, but too busy struggling with his self-worth and baggage from several past relationships. desperate, he takes up an offer to visit a new age shaman who promises to fix everything wrong with him in a matter of days. not to over simplify it but he literally spends a weekend doing psychedelics and hallucinating about his exes. jughead took note
- unless u want me to hurl myself into yet another dissertation about queer jughead, i think his parallel to sam - who, unlike jughead, has considerable financial privilege and whose anxieties center on body dysmorphia, hiv scares, and his own self-centeredness - pretty much ends there
- But,, the gist of the book could not be more harmonius with a major theme shared by the 2 films that inform the actual hallucination part of jughead’s bunker scene: mentally reframing past relationships to get closure + confronting trauma head-on in order to move forward
- so that’s neat. what other book and author stuff was in 5.10?
- stephen king and raymond carver get name dropped. i’m passingly familiar with them both but u bet i just skimmed their wiki bios in case anything relevant jumped out
- like jughead, carver was a student (later a lecturer) at the iowa writers workshop. also the son of an alcoholic and one himself
- i recall carver’s ‘what we talk about when we talk about love’ is what jughead was reading in 2.14 ‘the hills have eyes’ after he finds out about the first time betty kissed archie (at that time he does not respond as would any of carver’s characters)
- this collection of carver stories deals especially with infidelity, failings of communication, and the complexities and destructiveness of love. to unashamedly quote the resource that is course hero, ‘carver renders love as an experience that is inherently violent bc it produces psychic and emotional wounds.’ very fun to wonder about the significance of this collection within the s2 episode and in jughead’s thoughts. and maybe now in the context of the s5 state of relationships. or, at least, the state of jughead’s writing as seen by his agent
- anyway pansky doesn’t want carver, he wants stephen king
- i have too much to say about gerald’s game in 5.10, that’s getting its own post someday soon
- lol wait king’s wife is named tabitha uhhh king’s wiki reminded me of his childhood experience that possibly inspired his short story ‘the body’ (+1986 movie ‘stand by me’) when he ‘apparently witnessed one of his friends being struck and killed by a train tho he has no memory of the event’
- no mention of that in this rd episode but memories of a train could be interesting to consider with the imagery that intrudes on jughead’s hallucination. i still feel like it was a truck but the lights and sounds he experiences may be a train
- ok now we’re in the speculation part of today’s segment
- if jughead’s traumatic memory involves trains, then it’s possible this plot will take influence from la bête humaine <- this 1938 movie is based on the 1890 novel by french writer émile zola. this story deals with alcoholism and possessive jealousy in relationships, sometimes leading to murder. huh, kind of like carver. zola def comes down on the nature side of the nature-vs-nuture bad seed question (tho i should say he approaches this with great or maybe just v french compassion). also i can’t tell if this is me reaching but, something about la bête humaine reminds me of king’s ‘secret window’ which we’ve observed to be at least a style influence on jughead post time jump
- but wow a late-19th century french writer would be a random thing to drop into this season, right? then again zola also wrote about miners, which we’ve learned are an important part of this town’s history + whatever hiram is up to this time.  and most notably, zola wrote ‘j’accuse...!’ an open letter in defense of a soldier falsely accused and unlawfully jailed for treason: alfred dreyfus. archie’s recent army trouble comes to mind.
- since the introduction of old man dreyfuss (plausibly Just a nod to close encounters actor richard dreyfuss, but also when is anything in this show Just one thing) i’ve been wondering if these little things could add up to a season-long reference to zola’s writings. but i had doubts and didn’t want to speak on it too soon bc, u know, it’s weird but is it weird enough for riverdale??
- however,,,
- (come on, u knew where i was going with this)
- a24′s film zola just came out. absolutely no relation to the french writer, it’s not based on a book but an insane and explicit twitter thread by aziah ‘zola’ wells about stripping and? human trafficking?? this feels ripe for rd even outside the potentials here for the lonely highway/missing girls plot.
- that would add up to a combination of homage that feels natural to this show
- anyway pls understand i’m just having fun speculating, most of this is based on nothing more concrete than the torturous mental tendril ras has hooked into my skull pls let go ras pls let go
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aion-rsa · 3 years
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Josie and The Pussycats is the Spinoff Riverdale Deserves
https://ift.tt/eA8V8J
This RIVERDALE review contains spoilers.
Riverdale Season 5 Episode 15
“Our story is about three young women bursting with talent.”
When last we saw Josie McCoy (Ashleigh Murray), she was in New York City trying to make her dreams come true on the ill-fated (and gone-too-soon) Riverdale spin-off Katy Keene. Often when characters are spun-off and their subsequent shows fail, they vanish into the pop culture ether — The Ropers from Three’s Company being the textbook case of this phenomenon. But not so for Josie. This latest episode debuts a new iteration of the character, one who has achieved her dreams but still finds herself wanting more. It is a decidedly more mature take on the previously underwritten character, and one that allows Murray’s considerable acting and musical abilities to shine.
In short, it is the Josie that fans have always wanted to see.
But what good is the character without the backing of her Pussycats? Drummer Melody Valentine (Asha Bromfield) and multi-instrumentalist Valerie Brown (Hayley Law) have been estranged from Josie since she blew off the Pussycats for a solo career when they were in high school. Seven years later and the wounds are still raw, even though Melody has since become a renowned author with movie rights optioned by Tyler Perry, and Valerie is a talented artist and actress.
When Josie returns to Riverdale to take stock following the sudden death of her father, she finds herself coming to terms with her past. More than that though, she has found her voice in every sense of the word. She dismisses Mr. Lodge, the show’s big bad in a hilarious kiss off that sums up many viewers’ opinions on the often irksome character. Better still, the episode allows her to get meta to discuss how Riverdale often sidelined the Josie character in her previous iteration on the series. “I didn’t have much to say in old times,” she plaintively declares, commenting on the problem that Riverdale had with diversity in its early seasons. She then accurately dismisses Archie, Betty, Veronica and Jughead not as old friends but as acquaintances. It’s a bold and surprising scene that takes responsibility for past sins that the series committed, further illustrating that it is aware that it can do better and has been attempting to do so.
After a steamy reunion with old flame Sweet Pea (Jordan Connor), Josie begins the work of reaching out to Valerie and Melody. It is here that the episode goes from great to an all-timer. The chemistry that Murray, Bromfield and Law possess is lightning in a bottle. As old injustices are aired and attempts to repair wounded hearts and egos are undertaken, these actresses embody the old friends they portray fully. But this backdoor pilot, fortunately, has zero interest in having its women of color tear each other down. The characters candidly discuss their shared past, and begin to repair the rift that will — if The Pussycats goes to series — lead them to becoming the global superstars they are destined to be.
Josie, Melody and Valerie are icons. They know it, and the world will soon follow.
Inspired by her renewed friendship with her once and future bandmates, Josie decides to do a concert with the Pussycats that will raise money to help reincorporate the town of Riverdale. It is a performance that highlights each of the women’s musical strengths, even if Josie does steal the spotlight for an emotional rendition of Nina Simone’s “Stars.” Despite being cut short when Toni goes into labor, the concert is enough of a success for The Pussycats to agree to go on the road together — playing in towns where Josie’s late father wanted his ashes scattered. The women consider themselves to be equals now, thus the “Josie and” is jettisoned from the band name. This still being Riverdale, a friend of Josie’s dad appears moments before she leaves town to tell her that her father may have been murdered in New Orleans, and that voodoo might be involved.
With this incredible/ridiculous plot development thrown at us, the full image of what The Pussycats will be as a series comes into view: A mixture of Fame and 13 Ghosts of Scooby-Doo that celebrates these characters and their comic/cartoon legacy in an unexpected way. (As an Archie comics historian even I was taken off guard by the last-minute introduction of the potential show’s mystery angle, and my mind reels at the possibilities).
Hopefully sooner rather than later a series order for The Pussycats will be announced. There is so much potential here to tell exciting, fun, music-packed stories featuring strong women of color that it feels like a surefire hit. “The Return of the Pussycats” is not only the best episode of Riverdale this season, but a perfect pilot episode. There desperately needs to be lots more long tails and ears for hats in our future, for these are the Pussycats we’ve been waiting for.
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Riverdale Rundown
While nothing has been officially announced as of yet, it feels ridiculous for The CW to not do a full series of The Pussycats, yes? This logo appearing at the end of the episode instead of the usual Riverdale bumper bodes well for things to come. Fingers crossed…
My guess is that this episode didn’t have Alexandra and Josie cross paths due to their Katy Keene past, which had the characters begin as enemies who were slowly forming a friendship before that series was cancelled. By not having them interact, the writers didn’t have to figure out where their relationship currently is — making this a narrative thread that The Pussycats could potentially pull on down the line.
The character of Alan M. briefly appears as Melody’s love interest, which indeed he is in the comics and fondly remembered 2001 movie.
Speaking of the Josie and the Pussycats movie, that film’s ever-growing cult continues to delight me. Thanks to multiverses, there’s no reason why that version of these characters and the ones of The Pussycats can’t co-exist in the same pop culture landscape.
Let’s give a special shoutout to Robin Givens, who not only reprises her role as Sierra McCoy here but also did a terrific job directing this installment.
Melody narrates this episode a la Jughead, except that her writing is bright and full of hope, a sharp and intentional contrast to her brooding counterpoint.
If you didn’t cheer when Josie and the Pussycats took the stage to their cartoon theme song, you are dead inside.
“Entertainment Tomorrow” enters the Riverdale fake product lexicon in this episode (which also includes the returning chestnut “Vanity Flair”).
Toni gives birth to a boy, Anthony.
Expect to see more about the franchising of Pop’s in upcoming restaurants, and Tabitha’s speech about the importance of the Chok’lit Shoppe being a black-owned restaurant in a time when Riverdale had no other such establishments was one of the most powerful scenes this series has ever done.
It’s worth noting that a franchise for real-life Archie restaurants did exist in the early 1970s. However the idea never really took off, and pictures of the three diners that were opened have never surfaced online.
What the hell was up with the Old Navy product placement in this episode, which felt like it was ripped from the Josie and the Pussycats movie, minus the irony.
Kevin’s dancing during the Little Shop of Horrors musical number was, unsurprisingly, everything.
Melody’s book being named Summer Storm is a sly reference to actress Asha Bromfield having a newly released novel called Hurricane Summer that was released in May.
Josie uses the alias Ms. Newmar to check into hotels. Julie Newmar famously portrayed Catwoman on the Batman TV series, which not only plays into Josie’s feline motif, but also is yet another of the show’s near-constant DC Comics references of late.
Mr. Lodge being called a “little bitch” was so unbelievably pleasing to watch. Josie is just SO OVER Riverdale’s bullshit.
In a nice character moment, Cheryl immediately leaps into action to help deliver ex-lover Toni’s baby.
Dr. Curdle Jr. being a Josie and the Pussycats superfan is comedic brilliance (as is the fact that nobody trusts him enough to have him anywhere near Toni’s delivery.
The post Josie and The Pussycats is the Spinoff Riverdale Deserves appeared first on Den of Geek.
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To summarise:
“A new age of wonderment is upon us.”
Cheryl Blossom, 2021(possibly)
6x06 is called Unbelievable. For once, the title is apt.
It’s all about superpowers in the Dale. But don’t be fooled: it’s not an au. Even Jughead couldn’t be bothered to narrate this one.
Other people’s bombs merely explode. Hiram’s also gives you superpowers. A true legend.
All the characters of the show (core and secondary) are informed about the bomb in separate scenes because this episode is 42 min long and has no discernible plot.
Archie’s superpower is becoming dens(er than usual). We’ve been knew.
Betty’s super power is adding visual effects to her already established knack of sensing danger/serial killers.
Jughead’s superpower is suffering. He’s an author after all, and the only artist worth his salt, is the tortured one.
You know you’re down on your luck when your girlfriend didn’t pay her business insurance to take care of her employees but you had already quit working at Pop’s, so now you don’t have health insurance.  
Tabitha’s super power is not being given her own plot line. She was, however, briefly shown without her Pop’s uniform, so points for that at least.
Ironically, Bingo’s superpower is getting a plot line. More trauma for Bingo-of-the-illegal-dog-fighting-ring.
“What is happening to us, Betty?”, asks Archie. “What is happening to me?” he soon after corrects. To the woman with the two cracked ribs spending the night in the hospital for observation. So thoughtful, that Archie lad.
Only Cheryl can string together the phrases “scholarly research” and “for realsies”. And because she can, she does.
She persists that she put Abigail’s curse on her “school chums” *insert eyeroll* although it is clear from the curse’s wording that it pertained to all descendants of Jedediah & co. That is so season 5 though: in season 6 Nana Rose burnt the og curse, so now the wording is open to interpretation.
Kevin takes his remaining kidney to Broadway: part deux. Kevin is flabbergasted by Tangs getting together, probably because this means even less screen time for him.
He later decides to postpone his musical career to play Mrs Doubtfire to baby Anthony. He will guard the baby with his life, says the man who 2 episodes ago was not ready to have a baby at all. Kevin’s superpower is flightiness.
Betty and Veronica talk. It’s not about Archie but it’s about Hiram, so they still don’t pass the Bechdel test.
The FBI is making Hiram’s capture an immediate priority, says Betty i.e. the FBI agent who let Hiram walk away in the previous episode in spite of having condemning evidence of him committing a murder.
Betty acts as if she’s in charge of Riverdale’s F.B.I. office. Having read Glen’s dissertation on the “Varying displays of the serial killer gene in the Cooper family tree”, the rest of the agents decide to play along.
Veronica’s casino must be doing really well in the newly reinstated town of Riverdale. Babylonium opened its doors the previous(?) week and Veronica already has 2 million dollars, that she invests in paying an assassin to off her father. That she let walk away in the previous episode in spite of having condemning evidence of him committing a murder.
Veronica also has a little neon sign spelling “casino” over the wall at her office at the casino. So as not to forget she is at the casino, one presumes?
FP II and FP III might have been Serpent Kings but the real heart of the gangs were the women: Penny, Gladys and, now, Twyla Twist. Did Toni get pregnant solely to join the Milf Club of Southside Gang Wars?
Hospital orderly Trevor Collins, who has been moving around the country, has done time at Shawshank. There IS really only one prison in Riverdale! (well, technically two: there’s Hiram’s prison too – unless they merged behind the scenes?)
Archie takes justice in his own hands, vol. 6.347.289.273. He intervenes at a gang war and makes things worse for the Serpents: A Fresh Story.
When Britta is not playing football, she becomes a whole different person. No, really. She’s now Abigail.
Nana Rose’s superpower is getting up from her wheelchair. You can’t do a banishment sitting down. It lacks gravitas.
Cheryl’s superpower is being possessed.
Percival Pickens, exuding really strong Patrick Bateman vibes and rocking a similar haircut and wardrobe, wants to buy Archie’s blown-up house. He’s offering good money, which is highly suspicious.
“You’re just going to spend your entire life living in the same house?” asks Mary Andrews who doesn’t know yet that Varchie’s downfall started when Archie refused to move to the Pembrooke.
Mary gets rid of her wreck of a house by selling it to her son. Mary’s superpower is lawyering.
Archie, it turns out, had quite the egg nest. Wasn’t he going around asking the Riverdale ladies for twenty grand to fund the Bulldogs?
Archie who was told by his girlfriend that she already handled Glen, decides that he has to handle him himself too. So respectful, that Archie lad.
Archie and Betty show zero interest in Jughead -the third person hurt during the explosion. This is the writers’ way of telling us that they’re still good chums. Because in Riverdale the rule is that, when you’re friends with someone, you don’t share a second thought about them.
TBK’s super power is changing his m.o. He went from torturing and killing young women and children to offing those who disrespect Betty (in this case: Glen). 1 Riverdollar says Archie’s next. We should have known this storyline would be garbage: they do call him The Trashbag Killer after all ....
While Hiram was alive, Veronica’s story line was about daddykins. Now that he is dead, Veronica’s story line is about daddykins. Veronica’s super power is having the same plot line for 6 seasons.  
Toffee is still in the Vale. Because Toffee’s superpower is knowing when a universe is wonky.
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I’m a petty Betty … The PaleyFest Edition
Look, I know there is zero chance of this happening, but imagine how glorious it would be, if tomorrow, at PaleyFest, no one asked any shipping questions … If, in fact, no one asked any pertinent questions!
Is it really passive-aggressive to want to ask things of no consequence, if the show only gives you plots of no consequence?
Just imagine, if people went …
- Was Caramel Polly’s cat too or just Betty’s?
- How many of Samm Pansky’s clients ended up being best-selling authors?
- Who does Nana Rose’s hair at Thornhill? Tutorial, please!
- Will we see Cheryl using mixed media or is she strictly oil-on-canvas?
- How many kidneys does Fangs have?
- What are Juniper and Dagwood’s favourite subjects at school?
- Tabitha Tate: Pop’s classic burger-and-fries or Chicago-style deep-dish pizza?
- I expected Archie to go shirtless more frequently after his wardrobe was wrecked during the explosion. Will this be explored in future episodes?
- Will there be another musical episode? If yes, could it be West Side Story and could Kevin play Officer Krupke?
- Does Britta still go to school?
- As a school counselor and a biker gang leader, what are Toni’s tips for motorbike safety?
- How much wood would a woodchuck chuck How many serial killers would Betty serially kill, if Betty could serially kill serial killers?
- Does Jughead’s new super power mean he hears his own thoughts as well? Will he now narrate with reverb effect?
- Did Veronica enjoy teaching at RHS?
- Would Reggie grow a moustache? And if so, what would it be: the chevron, the walrus or the handlebar?
- What is Dr Curdle Jr’s first name and favourite ice-cream flavour?
- What kind of fish are in Sweetwater? Could salmon aquaculture be the answer to Riverdale’s declining economy?
Naturally, there wouldn’t be any questions about Toffee, because RAS would be prepared. Hot Dog and the anonymous snake at the old Whyte Wyrm, on the other hand, would be both game!
If, however, I wanted to be really snide, I’d have one question and one question only, because the writers’ attempts to capitalize on the BLM movement to promote their show have been abysmal. Kudos to them for supporting what is right and just. But using it as advertisement for the show, especially, when they haven’t fixed what is problematic? Not ok. Toni’s s5 job being a vehicle for Cheryl and Archie’s storylines? Toni’s pregnancy being a vehicle for Kevin’s trauma plot line in s5? The fact that in s6b out of the show’s 5 poc regulars, 2 are shown as villains (Veronica, Reggie) and 2 are given a gang violence-related plot? Not. Ok.
So, that question to RAS would be:
“During the summer of 2020, you’ve been very vocal about the show’s effort to be socially aware. And yet, when the show resumed and the time-jump happened, you showed a sheriff, an FBI trainee, an ex-army officer and three civilians conducting a no-warrant forced-entry police raid, which you advertised as “badass”. You finished off that season with the same law enforcement officers letting Hiram walk free in spite of having condemning evidence against him. So, my question is: what changed?”
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Riverdale Episode 6.5 (Rivervale Finale)
In the final chapter of this fanfic-within-the-canon that has been the ride through Rivervale, there’s a truly Herculian effort to resolve the in-AU storylines that have received varying levels of development, and an attempt to tie it all back to Riverdale, to which we will return. And a lot of it is very witty and so much of this episode encapsulates what I so love about Riverdale the show as a piece of entertainment.   
There are six elements that serve as tentpoles to this AU finale, and they are:
Just Go With It
It was All A Dream
It Hath Been Foretold
Fanservice/ Fan Provocation
Jughead Jones is Always Ready to Die
Riverdale Writers Find Writing Very Hard & Want You To Know
Here we go!
1. Just Go With It
Narration Jughead opens the episode with the very portentous statement that “The following isn’t an imaginary story. It happened” but then we jump immediately to - “Archie Andrews has *somehow* just come back from the dead.”   No explanation, no attempt at curiosity as to how - he just has. SOMEHOW is the answer, OK?
The Barchie Wedding is introduced with this same Just Go With It energy.  Jughead is himself and not himself, and so when everyone has to explain to him what they (inclusive of Jughead) have been aware of for weeks, they all give him appropriately weird looks. 
When the piling on of narrative elements gets too unwieldy (trust me - trying to SUMMARIZE this episode proved to be too much for me, and I’m pretty intrepid)  Jughead just tells you that “The rules of this universe were making less sense every day.”  I suppose you could call this a cop out, or bad writing, but then you’re no fun and you lack Just Go With It energy.
Because Jughead Narrator is a Bughead Stan and does not want to even LOOK AT the Barchie Wedding (though he does want to have Betty rescue him in a wedding gown by literally shooting Archie from behind - remember that nightmare Jughead had about stabbing Archie in the back when he ‘got’ Betty??  I mean. Jughead Jones as a writer is not subtle!)  we don’t get any of those scenes.  Even more blatantly, Betty, after preparing a wedding, getting dressed up and made up, being stood up at the altar in front of all her friends by her childhood first love and best friend, calmly says: I JUST KNEW TO COME HERE to explain her timely appearance. We need to just go with it.
 2.  It was all a dream
There’s a super easy trope for off-universe off-piste adventures often deployed in both professional and amateur storytelling: It Was All A Dream.   Betty, Fangs, Veronica, Reggie, the Blossom women - everyone wakes up to say they had ‘a dream’ about their particular episode.  
The one apparent exception to this, because Jughead is Narrator and Author and accordingly made himself the most important person in this universe, Jughead von Rivervale jolts awake from a dream he has about an explosion that happened in Prime Universe Riverdale to Jughead von Riverdale (who didn’t actually experience the explosion in that way).
And yet!  Was he really sleeping?  Did he really wake up? Or does Jughead think he woke up only to keep on dreaming? 
Coming to in Archie’s garage, Jughead von Rivervale walks all the way home to where he lives with Tabitha and they have the weirdest conversation ever. Or maybe it’s just me.  If someone I live with walked in barefoot, disheveled and clearly not having slept in their own bed when they almost always do, I would never have had the ho-hum no-reaction reaction that Tabitha has.  It’s just such a telling choice, to have her as ‘HOW DID YOU SLEEP’ when he just walked in through the front door.  See? This might be Jughead’s dream still, mind you, so this is a fun quirky way to destabilize the narrative to make room for all the shenanigans that are coming down the pipeline.
Archie’s actions too seem to be fueled by dream-logic more than anything else, as well.  Archie murders, in sequence, two women (Veronica and Cheryl) and then his lesbian coded friend Jughead in order to get his Daddy back.  Herr Freud?  Sind Sie da??  Archie being the one who has figured out the rules of “this universe” and says things like, “I am on the threshold of revelation.”  This statement strongly argues for This Was All A Dream because Archie Andrews is just not bright like that and just does not talk like that.
3. It Has Been Written/ Foretold and /or ‘Tis Inevitable!
Jughead starts to read the 95 issues of Riverdale, the comics, and the comic covers say things like:  America’s Typical Teenagers.  Rivervale.  What is the Jughead Paradox.   And they even show Barchie in a wedding setting.   Jughead is a faithful reader (Hermione Coded!) and reads to solve every problem.  I got a big kick out of the Neverending Story reference, where the next ‘chapters’ or ‘frames’ of the book remain blank unless Jughead of Rivervale, the Object that Thinks He’s a Subject, lives it. 
Subheading:  Physics is Magic is God. Despite the efforts of brilliant eminent physicists, most of us just don’t understand physics.  Not any more than previous generations of people really understood theology.  We just go with it because we’re told smart people figured it out, and we benefit from bridges and tunnels and airplanes and satellites that use physics and they work.  So Riverdale writers use the same tropes to just push us to accept that whatever they’re doing is supposed to happen by reaching for physics. When Ethelhead and Dilton are figuring things out, the board in the room says Physics Words like: observer (effect??), Einstein tensor defined, a space time interval.  Vacume(? misspelling)  law of special? relativity - all so that we can rest assured this has all been foretold and is inevitable.
4. Fan Service/ Fan Provocation
The one-two rapid punch of fan service (for portions of fandom) and fan provocation (apparently aimed at the entire fandom, sometimes) makes for a very dizzy 100th episode.
Fan service:  Nostalgia for Seasons Past.  This is a frank acknowledgment of the fact that a show has to have initial, early-season momentum that keeps viewers coming back.  So they play the song “Don’t you forget about me” and this weird time capsule thing happens - with the S1 Riverdale-style Veronica- Betty- Kevin walk through the corridor at Riverd(v)ale High.  Archie is with Grundy (implied), and Jughead is somehow still getting body checked by Reggie 2.0 (who didn’t really do this - that was Reggie 1.0).  But Reggie 2.0  seems to see the current and past and yet this just turns out to be the actor being interesting. Cheryl is a sneery cheerleader again, and Toni as she was first styled when Jughead first met her walks by.  Then Jughead sees himself.  
This whole bit reminded me of corps de ballet ballerina memoirs where they talk about fitting into the Swan Lake or Giselle wili costume from the year before - some can and some can’t. In the several years of this show, some of these actors really do look exactly the same and most don’t, so I wondered about the advisability of doing this as a production, but I still got a kick out of it. 
Fan Service:  Bringing back as many actors as they could from earlier seasons.
I LOVED IT. I am very sad of course at the omission of SWEET PEA and also MALACHAI but it is  what it is.   Ben Button showing up only to be told, point blank, BEN YOU DIED was PEAK Riverdale to me and I had such a good time.  Jughead, you can’t just tell people they died.   The comeback that Ben has is hilarious - being told ‘you’re dead’ - he answers, “You have symptoms of paranoid schizophrenia” and then wishes all a good day.   By the same token: Jason gets to talk!!!!  They really  owed it to this actor, I think, to give him a close up and some lines because of what they did to Jason’s corpse all these years.
Fan Service:  They address the Reggie Recasting.  Regarding the Reggie situation, Jughead calls it an ANOMALY but otherwise doesn’t attempt to explain how Reggie entered the anomaly by himself.  I prefer my own explanation - that  Reggie 2.0 speaking of himself in the third person (“How can Reggie make it all better?”) is what summons Reggie 1.0.  Reggie is such a fun character  (“I’m Reggie prime baby.” - “You’ve been in like three issues.”) and has similar Hermosa-Veronica vibes in terms of wanting to be the elder sibling if they can’t be the only child.  Reggie is also the only male character, really, that you could realistically send to be a stripper at a Bachelorette Party.  
Aside: The rules of American television are so weird:  Women getting off to a male stripper are not erotic, are not adult, it’s just SILLY, so this is not obscene, but a woman being a stripper for men would be all those things, so we get a boy stripper at a women’s party and then the young men at the Bachelor’s party having THE MOST sedate evening ever. 
The fact that the two Reggies kill each other instead of having a threesome with the very willing Veronica was a huge disservice to Veronica and I am very disappointed in the Reggies, but the fact that I can think these thoughts and then write them out is, in fact, very high quality fan service indeed.
Fan Service: Dilton is back!!  By the way, the librarian seems really furious that Dilton is alive  and never returned the library books but also has never asked for them apparently was more dream logic.  Can I just say - Dilton has the most excellent hair.  Dilton does the same kind of interesting ornate hand gestures as Jughead  when he delivers lines like “peaceful coexistence with one another” and “Stop trying to figure out the secrets to the universe. You have a good life here Jughead.”
The absolutely cursed items of clothing that they keep giving Jughead this season (what the fuck are these PATTERNS people??) have had me silently cursing the costume department but they get something absolutely right on Dilton here: HE WEARS A BOWTIE FOR NO REASON. Dudes who do this, wear bowties casually like it’s a normal thing to do, are villains. Absolute villains.  VILLAINS!  In real life.  So if you see one, watch out, friend.  (End of public service announcement.)  So anyway Dilton gives a villain laugh and then he dies a second time, by murder, again - this time at Ethel’s hands and we will be talking about Ethel in a bit. 
Fan Provocation: They bring Hal back to be a nice dad.  NOBODY WANTED THIS. This is harmful to EVERYONE.  Death to Hal in all universes please.  And this is paired with the fact that they killed Hiram - OFF SCREEN.  This is pure provocation. 
Fan Service/ Provocation:  A Barchie Wedding!  Betty has been talking about getting married to Archie since her early childhood (interestingly, I don’t recall Betty planning to MARRY Jughead, but just being with him) so it’s fitting that she is shown in a wedding dress for the 100th episode.  That’s what happens when you’re the female lead. This is Barchie fanservice but blatant Bughead provocation, and they tried to have their cake and eat it because they show both Betty and Archie in their lovely wedding outfits, but we never see the venue or how it was decorated or the VERY dramatic fact of Archie standing Betty up.  This AU’s narrator, though, is a pro-Bughead Jughead so it made me laugh that he was UNWILLING to imagine the Barchie wedding in great detail (though he used to imagine exactly what Veronica and Archie did together in bed down to the last kiss lol).
Fan Service/ Provocation:  ETHELHEAD.   I’m a pro Ethel, pro Ethelhead person.  Mostly because the extremely meanspirited way canon scoffed with such contempt at the idea that Ethel could ever EVER get Jughead (who’s literally, Jughead hello) rubbed me the wrong way.   So the fan service to people like me came in the form of Ethel getting to say things like, “I can save Riverdale.”  And Ethel and Jughead explaining back and forth to each other  that Barchie Love is  THE PRIMARY SOURCE OF GOODNESS in the UNIVERSE cracked me up. 
Ethel also gets to have a really important thing in common with Jughead - she is ready to accept a reality in which her existence is not of primary importance.  Jughead Jones is in fact the only being of her generation that would calmly accept and agree with statements like WE WERE NOT MEANT TO EXIST and WE ARE ABERRATIONS.  See? SEE?? They belong together!!!
Ethelhead get to hatch an insane scheme together too.  Jughead says,  We just need to detonate a bomb under Archie’s bed (This is the guy who lay under the bed while Barchie made out on top of it on the bunker!)  but refuses to actually blow up Barchie (because he doesn’t hate them!  Bless!).  And Ethel gets to be told she’s brilliant. 
Fan Service:  We Miss Fred Andrews  Everyone wants Fred back - this is a GREAT motivation for Archie to do anything.  . 
Fan Service:  Heaven to Jughead is the Diner.  I mean -  this is funny.  Some fanfic writers literally create a whole universe but others reuse things. It’s hard to imagine what heaven is like but you can just send Jughead to the one place he always consistently seemed to like going to and that’s the diner.
Fan Provocation:  Archie BEATS DOWN THE DOOR WITH A BAT while the terrified off-key Bughead combo of Narrator Jughead and Betty cling to each other in panic. This was the funniest thing I’ve seen on this show.  This is apparently how the Barchie-Bughead fandom dynamics look like to the Riverdale writers - that the Bugheads feel literally imperiled, with the armed and dangerous Barchies violently knocking down the door.  I have no idea if this is accurate, because to me both sets of fandoms have people who get kind of scary about it and an equal number of people who just wanna vibe with their ship and pretend the other one is not a thing.  And I will note that the thing that ends the world is Archie attacking Jughead.   
Fan Provocation:  Jeronica Is Not Allowed. It’s not even called Jeronica, which is such a better name than Vughead (NOBODY CALLS IT THAT).
There is an acknowledgment that textually, Jeronica are set up to be counterparts to Barchie.  Jughead is willing to die to save billions in a world that may or may not exist, and so is Veronica and this is a prime Jeronica moment.   She says, “Let’s make out to save the universe.”  While THIS IS THE MOST FANFIC THING TO EVER SAY, the way they have Veronica say it like she’d really rather just eat dog poop, that was rude 
 5. Jughead Jones is Always Ready To Die
 Jughead dies in some way every season, and this AU arc is no exception. It’s not any sort of Riverdale finale when Jughead isn’t dead on a slab.  Except - and this was truly delightful - for the first time ever, Jughead gets to see HIMSELF dead on a slab.
Jughead’s been pretend-dead on this slab before. Now one of him is actually dead. And he’s standing looking at it.  And Curdle looks freaked out but also calmly accepting (shades of Tabitha).  And literal cracks appear in reality when Jughead of Rivervale sees a Jughead Jones dead on the slab.
Jughead is so ready to be dead at all times that he just asks “How did I- How did HE die?” without much freaking out. (If I saw Me dead on the slab I would mourn so hard, people, you don’t even KNOW.)    When Jughead the Alive goes to see the Rivervale sign, there’s an infinity sign on it and the phrase, “There’s No Place Like Home’ - just like Wizard of Oz maybe, except everything is in dank green and blues.  The RiverDALE sigh though, on the reverse side, says THE TOWN WITH POP’S (not the town with Pep!) HUH!!  
The consistency of characterization is very important in creating credible alternate universes, and since Canon Jughead is someone who wouldn’t center himself, it makes sense Rivervale Jughead accepts the idea that his world (Vale) is the parallel reflection rather than being world-prime. (Despite Tabitha giving him a You are cRaZy look.)
6. Writing is Really, Really Hard, you guys
So this is how Riverdale writers summarize what Riverdale the show is, and they have Jughead say it:   It’s a universe of high school dances and masked serial killers,of football and milkshakes and musicals and cults,  diabolical board games and murderous nuns. 
Note the wording.  It’s not A STORY ABOUT a boy and a girl and whatever.  It’s not about some sort of narrative thread. It’s about these elements someone wanted to smoosh into a show and stir.
Anyway they really want you to know that writing is extraordinarily important, that writers are people who grind their very bones into dust, sealed into an underground bunker with nobody for company but people they don’t want to have sex with, being used as living batteries to generate the very world in which we all live. 
“Soon you will forget about Jughead’ the writers’ sacrifice for you and for us and he they will fade from memory.” 
Honeys, you wish.  We know what you did. WE KNOW WHAT YOU DID.  You only wish you could fade from memory.
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riverdale-retread · 3 years
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Riverdale Season 6 (Rivervale) Ep 1
I love Riverdale the show because it tries to give you the most show that it can.  (Musical numbers! Dance routines! Serial Killers! Supernatural shenanigans! Aliens! Gangsters!  Teen Romance! Gentrification mumbo jumbo! Time Jumps!)  As they close in on 100 episodes, Riverdale the show is now trying  their hand at actually creating fanfic for their own series.  
Accordingly, I’m going to ‘read’ this episode of the Rivervale Arc as though it was fanfic, and compare it to the best and worst aspects of this genre of fiction.
A. Rivervale Ep 1 adheres to a lot of fanfic rules:
- AO3 and Tumblr manners in fanfiction dictate that the author provide basic information (in tags, trigger warnings, summaries & intros) to ensure the best reader experience
Narrator Jughead is the personification of a fanfic tag.  He bursts  through the fourth wall to securely situate you in RiverVale, and tells you the viewer direction that this RiverVale  is a ‘place of nightmares and dreamscapes’ and most definitely is not RiverDale.  He also says that RiverVale ‘overshadows the laws of science’ which leads to the next point.
Sidebar: And just in case you missed it, Betty, the most important female character, enunciates the difference between RiverDALE and RiverVALE for those bringing up the rear
- Plot exuberance and the bending of reality is the name of the game in fanfic.
Examples of irrational exuberance in this fic!
A giant Maple Festival that is of a scale and complexity that would make it something a town (or a single solitary rich person) need at least half a year to pull together happens on a whim.
Thornhill, a private property with some surrounding woods, can suddenly declare itself both a sovereign nation and a sovereign state (which in the US is not in fact the same thing) and nobody in the TOWN of Rivervale knows nor cares what any of that means. They just accept Cheryl at her word.  
Maple sap/ syrup is immensely important economically in some unspecified way, and the way to combat an unjust monopolist is for everyone to get a tree of their own to plant in their yard, but there’s no information given on how soon you can tap sap, for one, and Toni and Tabitha, who live in apartments, do not object to a house-dwelling Archie when he mentions planting these trees in people’s YARDS.  
Betty Cooper can look into the entrails of a deer and know in 2 seconds that its heart is removed.
Cheryl removes an entire human heart from an adult man’s body with an extraordinarily tiny incision.  (The heart keeps beating, but we all expected that, right?)
- Making the most of ‘plot pockets’ provided by canon
Every show has ‘plot pockets’ that are immensely useful to fic writers. You can shove whatever you want into these pockets to make your story.  In Riverdale they are, among others: (1) Cheryl’s religious imagination (2) The FBI (3) The Serpents and (4) flashbacks involving Parentdale.  The FBI office will always have some key piece of information, and the Serpents are always available to provide some nonsense lore and backstory that can propel Toni to go have her important conversation with Cheryl in the woods in the middle of the night.  Go hog wild, why not.
- No need to explain canon unnecessarily because why are you reading the fic if you don’t know the canon?
All the relationships are in situ as they were at the end of S5.  Betty and Archie, Jughead and Tabitha, Fangs and Toni, Cheryl with her grandma and at least one foundling, Kevin with his dad, Frank is in town and Alice will never leave it. Polly RIP so completely she’s forgotten.   Furthermore, Betty is a compulsive liar whenever she needs to admit she is less than perfect to any boyfriend - and this completely carrying over from canon was an interesting choice.    All of Kevin’s night jogs being cursed in some way is also a carry over from canon.
- Adherence to formal structure and a serious commitment to Chekov’s Gun Rule (This doesn’t seem to be fashionable currently in literary fiction, go figure.)
A sacrificial deer has its heart removed at the start, so a sacrificial man has his heart removed at the end.  
Narrator Jughead comes back at the end to tell you that while Archie was born in RiverDALE  he has died 25 year later in RiverVALE.  This is the fic writer crowing that they’ve included a “Major Character Death” and signalling this is a very intensely alternative AU. He also warns you that someone else is up next!
B. Rivervale Ep 1 intentionally (or, even funnier, on accident??) incorporates flaws that are attributed to (but not actually necessarily present in all or even most of) fanfic.
- Unwarranted lack of confidence by the fiction maker
Novelists will often force you to read very boring passages that they deemed were necessary to the plot and stand by them. Fanfic though has an almost customer-service oriented approach, and this then leads to excessive amounts of apology on the part of the writer. This happens in Rivervale Ep 1 too.  We need to be shown the Town Hall Meeting where Archie proposes the tree distribution plan so that he and Cheryl can have the confrontation where she threatens his life so that we can have the build up to when she kills him at the end, but Narrator Jug felt like this was boring, so he comments to the viewer: “Riveting!” to wink wink nudge nudge that he knows it’s boring.
Cheryl sometimes takes on this task as well in this episode, with utterances like, “J’adore a plot twist” and “I’m giving myself chills.” She suddenly changes the rules for how the maple festival king is chosen (maybe the fic writer had to take time off for finals and came back next semester but can’t remember what she originally wanted to say) and simply says, “don’t question my authority!”  
- The passivity and reactivity of the ‘main’ characters
Cheryl is the only character with any agency or narrative drive.  Everyone else is dragged along without really having a good reason for doing so. Everyone is given a motivation for participating in the Archie sacrifice ritual, but the reasons are fun and insane.  Soothe a colicky baby?  Let’s kill a man.  Make up to your man whom you treated blatantly as a second class citizen?  Let’s kill a man.  Got bed bugs? Let’s kill a man. Want a baby? Let’s kill the baby daddy.
This does allow for a lot of fun with Cheryl, who is in fact the most fun character. Who else would get to call Betty Cooper “sad simple she-child” in front of a whole bunch of people and get a pass?
- The sex is written for effect without much consideration for what the physical reality would be like.
Veronica and Reggie presumably have unprotected (?) sex on a pile of literal cash. No thought given to how to clean or use as legal tender sweat, ejaculate and other bodily-substance covered cash.  No afterwards scene of Veggie peeling soiled Benjamins off of their sticky behinds. Are they literally gonna launder this?
- Writer has some basic information about how the world works but has not in fact had an actual experience of what is being described, and so it’s unintentionally hilarious to a reader with experience of same.
Doctor Curdle has been repurposed from coroner to family doctor AND a pediatrician AND an ob-gyn. This is just fanfic exuberance. However,  why Doctor Curdle is DEEPLY UPSETTING as an obgyn cannot be explained to people who will never need to go to an obgyn and unnecessary to expound to those who do. Just. Trust.   Furthermore, determining fertility/ infertility is a very involved task, for one, and for another, no doctor would go YOU ARE BARREN.  Telling a woman ‘you are not producing VIABLE eggs’ is a very big claim, as well.  I am going to have nightmares about these bits, but  I also laughed so much during all of his scenes.
- Writer has very strong biases and arguments for or against certain ships or characters and will take the time air their opinions in a way that grinds their narrative to a lurching halt
MOTHERFUCKING UNCLE  FRANK.  Look, Narrator Jug, I understand that for some reason you are pro Uncle Fucking Frank. But none of us are.  And doing this narrative trope - THE FRIDGED WIFE! - is a terrible awful idea.  The Fridged Wife is a misogynist trope as well as a lazy device, and nobody in the current fanfic reading world would find this anything other than trite.  You added a daughter to this - and of course it would be a daughter.  You should’ve maybe added a twist like make it a fridged wife and her brother, fridged wife and fridged father in law, but in any case, killing off a wife to make a very annoying male character ‘deeper’ does not work.
This AU is pro-Bughead, and anti-Barchie.  While actual Jughead in universe seems stable and happy with Tabitha, Narrator Jughead is definitely going to create a Bughead situation. This is signalled by his “Let That Sink In For a Moment” snark about Barchie (when in-narrative Jughead appears over it completely), as well as his disgust at the idea of a Barchie coupling expressed by abandoning the camera, which then floats up to the Barchie bedroom without him.
Rejection of Jarchie. OK. So Jarchie fans want Jughead and Archie to get together and we get this awful, ship-sinking exchange of Jughead, face smeared with food and clearly in danger of vomiting up 116 pancakes, mumbles that he “loves” Archie, and Archie clearly humoring a man that he thinks has relapsed into alcoholism. This was mean.
C. There are things that fanfic I’ve seen at least does better than the fanfic that someone (Jughead? Cheryl??) has written for this Rivervale AU.
- Introduction of OCs with deeply imagined backstories and fully fledged personalities
Cheryl has an entire gaggle of orphans but so far only Britta  - the carry-over from canon - has a name, a known backstory, and anything to say.  Most fic writers would not be lazy enough to do this. Each of the scenes where Britta responds to Cheryl would get a name check of a different girl.
- Musical choices to inspire key scenes (usually sex scenes) in a highly curated playlist
When Reggie and Veronica have sex on their bed of cash money, the song “Need To Know” plays and the lyrics literally say: Baby Come Throw The Pipe/ Gotta Know What It’s Like.  Appalling.  Same token - when Betty and Archie have their dinner table sex, the lyrics to “U & ME’ which say It’s Just You And Me Now play over the proceedings.  Many fic writers compile significantly more evocative playlists to inspire their writing and to set the mood, and probably object to the crude bluntness of using these songs for these types of scenes.
- Not incorporating fandom lingo into the actual dialogue
In Riverdale fandom most know what all these things mean - Varchie, Barchie, Bughead,  Jopaz, Choni, Veggie, Swozie etc etc  - and many even know the rarepairs/ AU pairings - Jeronica, Jugpea, Fredsythe.  That said, I have not encountered a fanfic where a writer actually incorporates these categorization headings into the actual dialogue for the characters because that’s just too clunky.  Fanfic has standards - Riverdale writers often don’t.
- Awkward Dialogue In General
Fanfic gets pilloried as having terribly written dialogue, but actually that’s not true.  The following bits of hideousness may be Riverdale trying to be archly fan-ficcy in Rivervale, but it just sounds like Riverdale prime, to be honest:  “early morning delight”;  “do our thing”;  “I’m with child” (especially egregious);  “Make it on a bed of money.”
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And if you made it this far bless you!  My favorite bit of exuberance in this episode was Cheryl declaring that WOMEN CAN NEVER BE SACRIFICED.  I felt such catharsis after so many, too many, pieces of media that always killed off the girl. Thank you, Rivervale.
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