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The silliest thing I liked about Those About To Die is that there's this evil scheming patrician woman, being promiscuous and evil all over the place, and she's not bisexual. Plus she really loves her husband. Plus her big scheme by the finale is executed with the assistance of 100% other women which is nice.
Antonia from TATD, low-key my character of the year. Support women's wrongs.
Heya sorry for popping outta the blue when we literally haven't talked for like, a year or two
Hii it's been a while how are ya :3 who's your favorite UTY character?
Okay bye I'm crawling back into my shed-
Hiiiiiiii!!! It's been a long while since we've both interact with each other! I'm pretty fine here, getting shoved in the face by utterly silly college activities and projects,random ups and downs, but still hanging in there actually :D
And for your question
This skrunkly my fav character and probably Axis by how long I got stuck with his fight and his annoying */aff antics, I hope I got out with his boss fight tho 😔
Anyways , thank you for stopping by! Drink lots of water and get some rest you amazing goof :3
alr so i decided to be a bit silly and attempt some silly voice over/impressions of the reboot characters :) my natural voice sounds like a mix of emma and jula so i tried my best :D hehe teehee lolz plz watch whole thing
Jula Isenburger (née Jula Elenbogen, 9th January 1908 – 17th April 2000) was born in Augustów, but left her native Poland for Frankfurt at the age of sixteen to become a dancer. To continue her training, she and her husband, the painter Eric Isenburger, moved to Vienna in 1928. She took lessons in expressionist dance at the Hellerau dance school as well as with Gertrud Kraus. Eric Isenburger designed dance costumes for his wife during this period and in some cases also designed the stage sets for her dance group. In 1931 Jula moved to Berlin to work in Mary Wigman’s dance theatre. When Hitler came to power in 1933 and Eric Isenburger’s art was publicly vilified, the couple left Germany for good.
In Paris, Isenburger was able to build on her previous success as a dancer. Under the pseudonym Jula Géris she performed with her own program throughout France. As the political situation worsened, her husband was interned in Les Milles; thanks to her Polish nationality, Jula avoided arrest by the French authorities. After months of uncertainty and waiting, the pair managed to escape in 1941 to the United States. On their arrival there Jula stopped dancing, allowing her husband to begin his artistic career in America afresh.