faorism · 2 years ago
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wip request from @redgoldblue
at least almost close to worthy (from my daemon au, pre-ot3)
Eliot drops the pretense of stretching and sits up in one fluid crunch. He stares down Hazel as if her presence offends him. "Cecropias are unique. Known." That's decently true. Hazel takes her form after the biggest moths in North America. Beautiful things for their size and burnt sienna coloring, and for the breathlessly short adult lifespans: three weeks. "It's easy to—" Eliot waves to his phone in frustration. "There's videos. Life cycles."
"What's that got to do with—"
"Missed you, alright?" Eliot shouts. Disgusted with his outburst or the admission itself, he growls deep in his chest and jumps up, pulling up the yoga mat with him. Rolling it up, he repeats himself: "I fucking missed you."
Maybe Hazel has been spending too much time with Jack-and-Parker and therefore also T'Pris-and-Hardison because her reflexive response was a quip. Except any quip wouldn't feel as such between her and Eliot because they aren't like that, not no more. And it's also a quip dragged through the mud with the weight of history between them and the flint spark of Hazel's bitter anger.
Because what gave Eliot the right to miss her when he abandoned her.
They were twenty-eight when Eliot decided he didn't want Hazel no more so he walked away. Twenty-eight when he left Hazel with Toby and his iguana Daisy, too much of a coward to say goodbye, or knowing that if he didn't have half a day's head start, nothing would have kept Hazel away trying to track him down.
Hearing Eliot had the gall to miss her… Looking up facsimiles of Hazel and her sprays of antenna and her furry body and the slow beating of her wings…
Seven years is a long time.
Too long for a human to be away from the daemon.
Too long for a daemon to be alone.
Seven years of not knowing if Eliot was well, if he was sad, if he was up to no good, if he was in it in a real bad way, if he had someone to take care of him…
Hazel didn't have a picture of Eliot when the pain got too bad.
Seven fucking years.
Hazel quips. She quips at Eliot looking up videos of her nondaemon kin to manage their separation but there's too much between her and Eliot so there's a sharpness to her crass, "Kinda of pornographic, no?" that meaning to or not, is gonna cut ugly and mean.
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thekaijux · 6 years ago
Note
Fandom ask thing: Godzilla
Whew boy, I’ve beenputting this off for too long…
Let’s be real here: thisone HAD to be asked eventually. XD Since my Godzilla knowledge stems prettydeep, I’m going to do something akin to the Pokemon Ask where I’ll havemultiple answers per sector. So… Let’s begin!
Favorite Male Character
THE MATTHEW BRODERICKCHARAC– XD Nah, I’m just pulling legs here. Though truth be told, I think I’mgoing to emphasize more of the humans / aliens here as opposed to the monsters,if only because I feel like there are some very strong characters littered throughoutthe franchise that I feel need / deserve more recognition. But for anyone curious about the monsters, just know that Iabsolutely love all monsters from the Godzilla series and the greater Tohouniverse.
While a lot ofrightful praise goes to Dr. Serizawa from the 1954 classic Gojira for his complexity and torn humanity of what’s right (a la,keep the Oxygen Destroyer a secret or use it to kill Godzilla), I’d actuallylike to point to his quote-unquote “counterpart” from 1984′s The Return of Godzilla, Dr. Hayashida.He’s a man who went into the scientific field to exact his revenge on Godzilla,only to mature over the course of 30 years and let it go. Honestly, the dudehas complexity, and it’s a nice subversion to the whole “obsessiverevenge” trope. There’s wisdom and mystique to Hayashida that I don’t think hasbeen recaptured, and part of that can be attributed to the late YosukeNatsuki’s performance. Stellar work.
Likewise, for thealiens, a ton of rightful praise goes to the Xilien Controller from Invasion of Astro-Monster (or, Godzilla vs. Monster Zero). I think inmany ways, if he didn’t blatantly state that they were using magnetic waves andif humanity didn’t have the ability to pull a new weapon out of its arse, hewould have conquered Earth. While it’s still obvious he’s the villain, there’sa certain calculative, methodical cunningness to his personality (at least forbeing a 1960s Sci-Fi alien from a script that was written on the fly) that I thoroughlyenjoy each time I watch Astro-Monster. 
Favorite Female Character
Personal favorite ofthe G-series’ ladies goes to the Xilien agent Miss Namikawa from Astro-Monster.She’s a stellar femme fatale who, in many respects, helps save the world at theend of the day. Being played by the beautiful Kumi Mizuno really helps, haha.
Additionally, KatsuraMafune is another great addition to the Godzilla series. While the executionwasn’t perfect, I do enjoy the melodrama of Terrorof Mechagodzilla, and Katsura’s arc was easily one of the highlights.
Least Favorite Character
Out of these… Myleast favorite I’m sadly giving to the Kilaaks. Granted, I think the Nebulansare also kinda on the low-ranking scale for me, but the Kilaaks are a biggerdisappointment to me because they felt like carbon copies of the Xiliens. Andunlike the Nebulans, the Kilaaks don’t have any new monsters! Well, there’s theFire Dragon, but that’s only a Kilaak UFO. Ghidorah reaaaaaally could’ve used the help there! Now that’s not to say I absolutely loathe themor despise them; but then comes the issue that they’re too bland to even beangry about. XD
Favorite Ship
Glenn and Namikawa,easily. ;) Even if the screentime for their relationship is sparse, you do geta feeling from those two, especially when Namikawa’s killed. Glenn’s reactionis damn well genuine and leads toprobably one of my favorite lines from the movie. An alternative, if I had togive any, would be Miki and Godzilla. :P
Favorite Friendship
JET JAGUAR IS EVERYONE’SBEST FRIEND SHUT UP.
Okay, whew… Stillstrictly speaking humans, this one is generally harder for me to pin down whatmy favorite friendship would be. If I had to go off the top of my head, thesibling relationship between Shindo and Naoko in Ghidorah, the Three-Headed Monster is a lot of fun. Dare I say, Ithink the good guys from Ebirah, Horrorof the Deep (or, Godzilla vs. the SeaMonster) are a treat to watch interact. Same could be said for theprotagonists of Godzilla vs.SpaceGodzilla, even if the movie is rough on the edges.
Favorite Quote
For the sake of my ownsanity, I’m only going to roll with one—and I think everyone can take a goodguess to what it is.
“Nature has a way sometimes of reminding Manof just how small he is. She occasionally throws up terrible offspring’s of ourpride and carelessness to remind us of how puny we really are in the face of atornado, an earthquake, or a Godzilla. The reckless ambitions of Man are oftendwarfed by their dangerous consequences. For now, Godzilla - that strangelyinnocent and tragic monster - has gone to earth. Whether he returns or not, oris never again seen by human eyes, the things he has taught us remain…”
Worst Character Death (if any)
Katagiri’s death, nodoubt. Being the personal target to the King of the Monsters himself? You knowyou’ve done goofed. It’s even worse in the manga adaptation.
This made me so happy you have no idea Moment
It’s hard for me toimmediately recall a moment with the human characters that made me flee gleefuland excited… Though a moment that immediately comes to mind is Yuko’s speechfrom Mothra vs. Godzilla (the ’64 film).Ya’ll should know what I’m talking about.
Saddest Moment
OH LORDIE, SEEING MIKISAD MAKES ME SAD. ;_; I also have to point out Akane Yashiro (even if she’sjust a bit angsty) and Sara Yuhara from GodzillaAgainst Mechagodzilla are incredibly depressing, especially Sara. She losther mother, with only a little plant serving as her last connection, and shewonders why she couldn’t be brought back with the same technology used forKiryu. Katsura’s suicide and Namikawa’s execution are also heavy hitters.
Favorite Location
Okay,so I’ll be honest, I’ve put this one off for so long, I can’t remember what Iwas originally going to say. Darn you past self for not leaving any notes! XDSo I’m just going to pull one straight from the top of my head: Birth Island.From SpaceGodzilla. Because that had a REALLY pretty and romantic sunset.
There,I’m done. XD Sorry it took this long to respond, just been BUSY. Ugh. But I hope ya’ll enjoy it! :)
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afterspark-podcast · 5 years ago
Text
G1 Episode 20: Transcript
Episode Show Notes
[This can also be found on AO3!]
[Stinger]
O: Fist bump! Oh man, it was great!
[Intro Music]
O: Hello, and welcome to the Afterspark Podcast.  An episode by episode recap of the generation 1 Transformers cartoon.  I'm Owls!
S: And I'm Specs.
O: And today we're gonna be talking about episode number 20: Dinobot Island, part 2. Let's talk about giant robots today, shall we?
S: Sure.
O: Last time on the Transformers, according to the narrator, the Dinobots were exiled to Dinobot Island.
S: According to, to Specs, to me, um, it was summer camp. Is this supposed to tell us something about the Autobot thought process, maybe?
O: Maybe just Optimus’s thought process?
S: Are they supposed to be in timeout until they learn to get- have more finesse?
O: [Laughter] Maybe? I don’t know, but Wheeljack and Ratchet seemed too supportive for me to think they were exiled, okay?
S: Yeah. [drawn out]
O: Anyway, the Decepticons showed up, gathered a whole fuck-ton of energy on the- well-
S: Island.
O: The- Dinobot Island, and dumped the Dinobots into a tar pit.
S: And now, on today's episode, Megatron is glad to be rid of those, “Dull-witted Dinobots.”
O: At least he's honest about his loathing for them.
S: I guess that is the thing, yeah.
O: Just saying, it may not be nicer than the Autobots per se but at least he's honest about it.
S: Yeah. Megatron turns back to the rest of the Decepticons ordering them to “drain the island of its energy,” like, drain it dry for something.
O: Yeah, yeah, like, gather all the energy and Starscream says they, “Might upset the chronological balance of this island!”
S: Yeah, you know, due to its precarious placement in the timestream. What with, you know, the dinosaurs and all that shit.
O: I got to hear Megatron say the phrase “scientific gobbledy-gook” and it was wonderful.
S: Little did we know that Starscream and Soundwave can summon the Energon from lava just by holding a cube over it and, I mean, apparently, all the other Decepticons can do that too.
O: Which we'll see two seconds later because Ramjet and Thrust do the exact same thing by holding the Energon cubes over a crevasse where some steam us coming up.
S: It's weird, man.
O: It is weird.
S: After the Energon is collected, the island begins to quake and the volcano threatens an impending eruption. Starscream responds to this rather cheerfully, wondering if this is the mistake that will make him the Decepticon leader.
O: While still standing on the rim of that active volcano and the impending eruption. Uh maybe move out of the volcano splash zone before you start, you know, planning your future there, buddy.
S: I guess he doesn't have much experience with volcanoes erupting.
O: I guess, yeah.
S: He'd find himself probably inconvenienced by the ash cloud.
O: [Laughter] Indeed.
S: And at the Ark, Ratchet has finished repairing Teletraan I because you- if you remember from last episode, the Dinobots did a bit of a number on it.
O: The Dinobots trashed everything. Of course, that was on accident because they're sweet dumb babies.
S: Mm-hmm.
O: Ratchet thanks Sparkplug for his help and Sparkplug wonders where Spike has wandered off too and, if you'll remember- um, according to the end of last episode he's a dead, buried under building, we’ll mourn his loss.
S: Teletraan I proceeds to pick up a weird signal that Wheeljack interprets as a [singing] time warp.
O: It's just a jump to the left!
S: And a skip to the right!
O: [Laughter]
S: Apparently, Wheeljack is able to pinpoint at the time warp is near the library.
O: Yes, yes- the library, you know, where Spike and Bumblebee were last episode.
S: Mm-hmm. The Autobots leave to investigate.
O: Showing up in the city, the group digs up Spike and Bumblebee, Sideswipe doing the bulk of the work with his piledrivers.
S: He's a good heavy hitter.
O: He is.
S: Spike is fine, Bumblebee apparently protected him with his body.
O: [Coughs, and continues with a (bad) Southern accent] “Say, Mr. Bee, what exactly is your relationship to that boy?” [Laughter]
S: [Laughter-Groaning] The Autobots come face-to-face with the rampaging mammoths and their accompanying, weirdly stylish, barbarians.
O: I think the VA doing the barbarian gibberish might be Ratchet’s voice actor. I cannot substantiate this in the slightest but, I mean, come on we know the guy can do some first-class gibberish. Ironhide then moves to wrangle the mammoths but not before Optimus says what quite possibly, in my opinion, might be the dumbest line in the entire series, “Remember, those creatures are flesh and blood, not unfeeling machines like the Decepticons.”
S: Keep telling yourself that, Optimus. Buddy, pal.
O: Friend of mine. Okay but I just don't understand how anyone can look at any of the Decepticons, but especially fucking Starscream, and say that is an unfeeling machine. He has many feelings, most of them are varying degrees of screech but they're still feelings.
S: Self-entitlement.
O: Self-entitlement! Um, anger- all of the cons are quite good at anger, except maybe Soundwave. Soundwave is about the only one I'm gonna not call you out on even though I'm pretty sure he's got feelings.
S: And a lot of whine thrown in there.
O: Yeah, yeah, yeah- Sideswipe- or not Sideswipe- Starscream is excellent at whine.
S: Sideswipe is very excited to beat up some mammoths because he's not taking what Optimus said into account at all.
O: No no, he’s gonna beat shit up. We also see Huffer lift an entire mammoth over his head and for an Autobot Huffer’s pretty small, so this is pretty funny.
S: Apparently he's just a pint-sized powerhouse.
O: Apparently. Ironhide then confronts the barbarians- shooting glue at them to keep them all in one place.
S: What's this? Continuity? A character using the same ability in more than one episode?
O: No, never!
S: Sunstreaker also gets into the mammoth lifting shenanigans [sighs] but some of the barbarians proceed to court death and start beating on Sunstreaker.
O: He's very vain, if you don't know this already. You do not want to mess with his paint job, he will literally kill you.
S: Yeah, he then points and generates electricity, and the barbarians get shocked and run off.
O: In order to corral the still rampaging mammoths, Optimus calls his trailer into existence and the other Autobots shove a bunch of elephants into his trailer.
S: He's got a lot of junk in that trunk.
O: Oh Lord, not again.
S: I will use that line anytime I can.
O: [Laughter]
S: Ironhide walks on screen holding a mammoth in an incredibly awkward way.
O: Is his face like at it’s butt? [Laughter]
S: It is, unfortunately.
O: It does not look comfortable for anyone involved but, oh nos!! The time warp is closing.
S: I have some concerns about those barbarians that got glued in place but I don't think it's gonna be addressed, um. Sunstreaker and Hound keep the time warp from, you know, closing by shooting at it and keeping it open with these weird octagon things?
O: I don't think- I don’t know what's going on there and, like, at all.
S: Yeah.
O: But immediately because, remember, they have just shoved all those mammoths into Optimus Prime's trailer. They let them out and then herd them through the time warp. So this lasted all of like, what, five fucking seconds?
S: Apparently they needed something to do, but honestly they could have just had not Autobot circus. I don’t know. Ironhide proceeds to direct the mammoths like he's a traffic cop directing traffic.
O: It is amazing.
S: Yeah.
O: Sideswipe herds the barbarians far less gently. With fire.
S: I mean, yeah, how did they get the ones Ironhide glued down? I mean, did they?
O: I think it's obvious they probably didn’t. [Laughter]
S: I have many concerns.
O: Don't worry, back at the Ark, it's the return of Chip!
S: Our boy!
O: Our boy!
S: And some of the new guys introduce themselves because toy lineup.
O: New season.
S: Gotta get those toys, parents.
O: Yep.
S: Beachcomber and Perceptor are, like, the main ones here.
O: That actually say their names, of which I can only say, Percy? Oh thank fucking God, a sane Autobot! There's just so few of those!
S: Yep. And then Teletraan I and Chip proceed to track down two new time warps. The first one is out on the ocean with a pirate ship sailing through to harass a yacht.
O: They want their wenches. Literally.
S: Yeah. “We want your money and your wenches!”
O: Pretty much.
S: And on the second, dumps a group of Old West outlaws near a group of bikers- presumably somewhere in the American Southwest.
O:The outlaws decide to steal the motorcycles because they will be able to escape faster.
S: Well, they call them, “Newfangled mechanical horses.”
O: Yes.
S: And I feel like this is not how people from the Old West should react to seeing motorcycles.
O: We-we both know that the show has many, many historical accuracies, um, and doesn’t know what science is.
S: [Laughter] Inaccuracies.
O: Oh, what did I say?
S: You said accuracies. [Laughter]
O: Oh, I meant inaccuracies.
S: [Laughter] You said, “Many historical accuracies.”
O: NO! No!
S: It makes you sound sarcastic!
O: [Laughter] OK, I guess as long as I sound sarcastic it works well. Um, we then cut to Cliffjumper who's waterskiing in car mode. Again. While being accompanied by two new characters, Seaspray and Tracks.
S: Seaspray can turn into a hovercraft.
O: He's voiced by the guy who does Skeletor and, like, you go on the wiki and it'll say how he did the voice and it, honestly, was hilarious and I was doing it while we were watching the episode because I'm horrible. [Laughter]
S: It was great. And then Tracks, who turns into the hottest Corvette Stingray. Specifically, a flying Corvette Stingray. You know that's one of the features that you were never able to get in a Corvette Stingray. He's one of our favorite characters in the series.
O: And he only shows up in a couple of episodes. Boo!
S: Tracks is also the sexiest Autobot, or at least he thinks he is. He's thinks he’s the sexiest Autobot.
O: You think Sunstreaker is vain? He's got nothing on this guy.
S: Tracks blinds the pirates and frees the yacht from their grappling hooks before helping Seaspray and Cliffjumper push the pirates back towards the time warp.
O: And now that the showdown between the bikers and cowboys.
S: The bikers all get their butts kicked, surprisingly, considering motorcycles are fucking faster than horses.
O: Yes. Some highlights from this fight include: A biker pulling out a chain all threateningly, but then one of the outlaws just jumps off his horse and tackles him. And then an outlaw tries to drive a motorcycle but runs into the one tree in a ten-mile radius and wipes out. [Laughter]
S: I got some really funny photos of this.
O: They're so dumb and wonderful.
S: Yeah, I don't think the cowboy would actually be able to successfully do this because I don't think he'd be able to balance on the fucking motorcycle.
O: I don't think he would either and I think that's supposed to be why he wiped out, but still it was pretty damn funny to watch.
S: Yes, but it would make more sense for the thing to just fall over when he tries to-
O: They wanted him to run into a tree!
S: The Autobots show up or, as an outlaw calls, “And talking horseless carriages! What’s next?”
O: Then our charming, intelligent outlaws get the brilliant idea shooting at the giant, metal men.
S: Prowl disarms them by melting all their guns with his acid pellets and Jazz proceeds to scare them away with loud, modern music.
O: As-as all is right with the world. Red Alert seems to take a leaf from Sideswipe’s book and herds them into the time portal with fire.
S: Yeah, like, he's sort of chastises Inferno who then joins in, shooting at the outlaws with water.
O: I'm rapidly becoming convinced that Red Alert and inferno are dating because Red Alert always seems like he's really clingy with inferno but I kind of like it.
S: I think that's been the common interpretation for a very long time.
O: Probably, I just haven't read any fic on this one.
S: Those two time warps taken care of, we go back to Chip who's been able to figure out that the energy disruptions coming from Dinobot Island are causing all the time disturbances, which kind of makes me wonder if they were reading all of these energy disruptions and just not giving a shit.
O: Possibly. I mean, do-do the Cons just do shit like this on a daily basis? But no, no the dumbest thing here is that the time disturbances are also causing Mount Saint Hillary to become active. AGAIN.
S: I mean- wasn't it, like, active three months ago?
O: Yes. Yes, when, uh, Megatron was trying to pull Cybertron close to Earth, yeah.
S: Yeah, and I mean when the volcano erupted, too, waking everyone up.
O: Yeah, I don’t think this is a dormant volcano. That's my personal opinion at this point.
S: I don’t know, it’s weird. They can't- they can't get their, you know, volcanism or geology, you know, solid. Optimus Prime orders Warpath, Beachcomber, Perceptor, Ironhide, smokescreen, and Trailbreaker to put on jetpacks and go to Dinobot Island in order to restore the timestream.
O: Meanwhile, back on Dinobot Island, Megatron wants more energon.
S: When doesn't he want more? But touche. Starscream tells him they’re fucking shit up and that they need to leave before the island explodes. Megatron, however, does not give a shit about exploding Islands.
O: Uh, Megs, honey, baby, how are you gonna carry all that energon off the island if it's destroyed. It's not like you came here with the ship and I am pretty damn sure you cannot shove all of that giant pyramid of Energon into subspace.
S: Well, between all the Decepticons that they do have, they might be able to at least get a chunk of it.
O: They could get a chunk but if it just explodes, they don't have time and he's not taking this seriously. He's just gonna get none of it!
S: Yeah.
O: Which honestly sounds like a gamble the idiot would do, yes.
S: Yeah.
O: The Dinobots are able to escape their tarry prison rather suddenly when all the tar evaporates, presumably due to all the crazy shit that's happening on Dinobot Island?
S: Can tar even do that? I don’t know.
O: [Laughter]
S: The Dinobots shoot the remnants of the tar off each other with, like, their fire laser breath or whatever and, uh, before turning, you know, returning to their robot modes. They're all super fucking pissed at the Decepticons and proceeded to fly off.
O: Why didn’t you do that the last episode you nimrods?
S: The Autobots arrive, landing near Megatron and his energon pile.
O: Optimus has somehow reached the conclusion that if they remove the energy from this area then the entire galaxy may crumble and unless Percy came up with that theory on the jaunt over here, you're full of shit, sir.
S: [Indistinct] Megatron knocks Optimus on his ass with a well-placed shot from his fusion cannon.
O: Megatron then orders an attack, with Starscream shouting in order to attack from the air causing, you know, the Seekers and the Coneheads to all attack.
S: Yeah. Warpath hits several of the attacking seekers before he and Percy are knocked down.
O: Megatron and Optimus continue to fight, as you do.
S: Megs proceeds to tell Soundwave to, “Prepare to receive,” before turning, you know, transforming into gun mode.
O: Well, is that what we're calling it nowadays?
S: Apparently.
O: [Laughter]
S: Soundwave fires on Optimus with Megs, causing a huge fissure to open up in the ground.
O: Soundwave then drops Megs, who sort of bounces on the ground returning to robot mode. I don't know why I was amused by this, but I was.
S: Eh, it’s just a cute little bounce. Got to make your warlord who's a gun bounce.
O: It's not as cute as the Ravage bounce.
B: [Laughter]
O: Ravage bouncing was adorable!
S: Yeah. Meanwhile, we see the dorkiest transformation we've ever seen. Blitzwing transforms into a tank- he's a triple changer, for the record- however, his head is still visible in the tank mode and it looks super goofy because he's, like, his face-face down.
O: Yeah, like, it's still obviously his face and then he just drives off.
S: Yeah, I think the next time we see him that doesn't look like it's his face.
O: Yeah, like, it looks like it's probably back to more what it looks like on the toy or what he normally looks like in tank mode.
S: Yeah.
O: And then we have Beachcomber, a known pacifist, who is firing at someone off screen with his hand lasers until Blitzwing catches up with him.
S: Now it's time for the showdown between the tank and dune buggy we've all been waiting for, who will win?
O: I don't know! [Laughter] Beachcomber’s able to escape as Warpath and Blitzwing have a throwdown.
S: The Dinobots arrive on scene with Grimlock rallying the actual dinosaurs to fight for them.
O: His name is Grimlock and he speaks for the dinos.
S: The Autobots appear to be losing badly as everyone is pinned to the ground, getting shot at.
O: Megatron, we all know that you're the one shooting Optimus repeatedly in the crotch during this shot.
B: [Laughter]
S: The dinosaurs arrive and they absolutely wrecked the Decepticon’s shit.
O: It's amazing.
S: The triceratops mows Megatron down as the stegosaurus simultaneously takes out Soundwave, Blitzwing, and Starscream.
O: Dirge is then picked up in a t-rex’s mouth and tossed, as the other two Coneheads are trampled on by multiple dinosaurs.
S: Skywarp and Thundercracker are jumped on by another t-rex-looking dino before also being trampled on by multiple dinosaurs.
O: Megatron decides to get the hell out of dodge, because he's gonna survive this even if his army doesn't.
S: I think all the Decepticons are going to have phobias about reptiles.
O: I don't think I blame them.
S: Yeah. The Autobots decide to release the energy back to the island in an effort to restore the time stream. By shooting at the pile of Energon.
O: Didn't we establish this shit's explosive?
S: We did, because it explodes and everything's fine, somehow.
O: Of course!
S: The Dinobots are then allowed to come back home.
O: Gee, thanks, Optimus.
S: And then, for some inexplicable reason, the Dinobots are all wearing jetpacks when they fly off??
O: Keeping shit straight, we don't do that here. And join us next time for episode 21: Traitor. Watch as Cliffjumper repeatedly makes the wrong assumptions about poor Mirage.
S: Poor Mirage.
O: Poor Mirage. And I believe we have some fanfic for today.
S: Yes, we do. We have two fanfiction recommendations for you. The first is, “Really Bad Eggs,” by JazzBot. It's, uh, continuity wise it's set in the G1 cartoon, but it's a crossover with Pirates of the Caribbean or the Caribbean cuz I don't think I pronounce.
O: Pirates of the Caribbean.
S: It's a crossover with Pirates of the Caribbean, specifically the first one, I think.
O: Yeah, I think it- I think it is pretty specifically, it seems like it's the first one.
S: Yeah, because I think it was written before any of the sequels came out.
O: Probably.
S: Uh, so it's rated K. It's Gen, there's no pairings, and our characters here are Bluestreak, Prowl, and Skywarp. And in summary: “Bluestreak, Prowl, and Skywarp are involved in a little teleportation accident. Hmm. Wonder where they ended up?”
O: Where indeed.
S: And our theme here is a deserted island, and also pirates. And it's a one-shot. And our second recommendation is, “Jailbreak,” by eerian_sadow. Its G1 cartoon with influence from Transformers Legends, which we might have mentioned before but it is a short story collection that's officially licensed by Hasbro but none of the stuff in it is canon so it's basically officially licensed fan fiction.
O: Yes.
S: More or less. It's- it's fun and it's cute and I'd recommend it, but you might have some issues getting it because it was only available on the print run.
O: I want to say it's actually easier to find now but I might be wrong.
S: Maybe. I don't know if it was reissued.
O: I'll post a link if I think- if I remember, when we post this.
S: Yeah, thank you. So, it's rated K, its Gen, there's no pairings, and characters here are Paddles, Seaspray, and Swoop. And, for the record, Paddles is a character from Transformers Legends.
O: He is another Dinobot.
S: Yes.
O: But he is, he- he is an aquatic one. That's the word I’m looking for.
S: I could remember what the heck he was but now I don't. [groans]
O: Just know he's an aquatic dinosaur. That's probably the only thing that's truly relevant here.
S: Yeah, and this one didn't actually have a set summary, so the only thing I can really like I came up with for it was, “It's a short cute thing about a rescue.” Because that's what it is. It's less than a thousand words long and I'd recommend it and this- it's nice to see Paddles featured in something.
O: Mm-hmm.
S: And this one is the theme for it was Dinobots, featuring Paddles and Swoop.
O: Good Swoop.
S: Yep and it's a one shot. Thank you, and that just about wraps it up for us today. Remember to check us out on Tumblr or Pillowfort as Afterspark-Podcast for any additional information, show notes, or links we may have mentioned. You can also find us on Facebook and Twitter @Aftersparkpod (all one word) and various other locations by searching for Afterspark Podcast, such as AO3, iTunes, Google Podcasts, Stitcher, and Youtube, just to name a few.
S: Till next time! I'm Specs!
O: And I'm Owls!
S: Toodles!
[Outro Music]
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vitalmindandbody · 7 years ago
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Grammy projections: who will win- and who should
Some categories seem clear-cut while others are impossible to call. Heres our ramshackle of likely conquerors and those who should be recognised
Record of the year
Going for golden: Mark Ronson Photograph: Frank Micelotta/ Rex/ Shutterstock
The distinction between record and song of its first year is currently in the credits; preserve goes to the people responsible for best available musical production of its first year of eligibility( for 2016, that interval flows from 1 October 2014 through 30 September 2015 ), and song is awarded to those people who wrote best available anthem. While Taylor Swift, The Weeknd and Ed Sheeran all facilitated define pop in their own rooms during that stage, and DAngelos Really Love is the best funk offering in this category, the Mark Ronson/ Bruno Mars adoration to the Minneapolis Sound was the pop offering of early 2015, and will probably be run out at defendants as a room to remember the year of The Dress, Left Shark and Netflix and chill until at the least 2065.
Will prevail: Mark Ronson ft Bruno Mars Uptown Funk
Should acquire: DAngelo Really Love
Album of its first year
Country musics brand-new golden son: Chris Stapleton. Image: Rob Kim/ Getty Images
A formidable category this year, even if the harmful Abel Tesfaye is among its campaigners.( Sorry, manufacture kinds; despite your best efforts, he isnt and will probably never be the next Michael Jackson .) Sound& Color lastly captivated the formidable live play that is Alabama Shakes in-concert vitality; 1989 changed Taylor Swift into a platinum-plated pop whiz, her gawky, country teenage dates fully behind her.
This categorys two heaviest hitters have the kind of stories Grammy voters love and their steward albums are excellent as well. Chris Stapleton has knocked all over the music business for years, writing country-chart-topping anthems for the likes of George Strait and Kenny Chesney, and after his whiskey-soaked entry Traveller cleaned up at the Country Music Association accolades last year he became a commercial-grade coerce on his own. Kendrick Lamar, meanwhile, summed up its first year of Black Lives Matter with a dense, exploratory book that entwined the personal and political in such a way that galvanized listeners. The quite-good Traveller is my pick to win this category because of Stapletons formidable manufacture ties, particularly those embedded within Nashville. But I wouldnt be surprised if Lamars tour de force takes it.
Will prevail: Chris Stapleton, Traveller
Should winning: Kendrick Lamar, To Pimp A Butterfly
Song of its first year
Alright on the night: Kendrick Lamar. Photo: Scanpix Denmark/ Reuters
Swifts winking Blank Space, Wiz Khalifa and Charlie Puths treacle-topped elegy See You Again, Little Big Towns glowering Girl Crush, Ed Sheerans People Get Ready-biting Envisioning Out Loud all big hits, all of which pale in comparison to the political and musical jolt offered by Lamars Alright. Evaluating by this clip of the chant being performed by Lamar and residents of Los Angeles Compton place, the people behind the Grammys would seem to agree.
Will acquire: Kendrick Lamar Alright
Should win: Kendrick Lamar Alright
Best new creator
New teenager on the block: Sam Hunt. Photo: ddp USA/ Rex Shutterstock
As it so often does, this category offers up a hodgepodge of new-ish-comers that straddle from head-scratching( the brazenly retro Meghan Trainor, who sidled in on a detail after being up for chronicle and song of its first year in 2015) to bland( the snoozy James Bay) to perfectly fine( the popping artiste Tori Kelly, the cerebral fuzz-punk of Courtney Barnett ). Among these nominees, the Georgia-born Sam Hunt whose hybridization of country, hip-hop and soul announces back to the rock periods roots while also outlook Nashville for a bright future stands out not just by being better, but by selling a boatload of evidences while doing so.
Will win: Sam Hunt
Should acquire: Sam Hunt
Best popping vocal book
Taylor Swift: hugging the daddy life. Image: Matt Sayles/ Invision/ AP
Barring a mass riot by the voting worlds boomers( and Red Sox devotees) that results in a James Taylor surprise victory, Taylor Swifts magnificent pop announcement is the odds-on favorite for this category even if Florence+ The Machines How Big How Blue How Beautiful is, overall, a less self-conscious, more intricately put together book. Perhaps now that Swift has fully hugged the dad life she wont do the whole Who, me? behave when her epithet goes called.
Will prevail: Taylor Swift 1989
Should acquire: Florence+ The Machine How Big How Blue How Beautiful
Best rock-and-roll book
Muse: on tendency, kind of. Photograph: Thomas Samson/ AFP/ Getty Images
If “youve been” wondered why rock seemed to be in such a bad pop-cultural recognise in the mid-2 010 s, the middling information is proposed by this categorys nominees caters some fine argue to the reasons why. Theres Bay, with his studiously situated hat and retro forces; theres Death Cab For Cutie, a hangover from the period when indie was still considered outside the mainstream; theres Slipknot, who seem to be there as an apology for that whole Jethro Tull mishap a few decades back. The Brooklyn trio Highly Suspect, meanwhile, perform the nifty manoeuvre of summing up their inclusion in this category via their appoint.( Dont be fooled by their being signed to an independent description; that imprint, 300 Entertainment, is run by manufacture lifer Lyor Cohen .) Which leaves us with Muse, whose absurdist libertarian shtick is at least of the moment.
Will acquire: Muse Drones
Should win: At least a dozen preserves that arent selected in this category. Sleater-Kinneys No Cities To Desire? That Father John Misty album? Im personally partial to Faith No Mores Sol Invictus
Best alternative music album
Steady sides: Alabama Shakes. Picture: Sipa/ Rex Shutterstock
X Envoy Jeep-endorsing Renegade was the biggest alt-rock hit of 2015, but the nominees in this field are more festival darlings than radio favourites. Which is an essential split that speaks to the often-confusing fragmentation of this already-pretty-split-up rock subgenre. Alabama Shakes has only one album of the year nomination under their loop for the aesthetic bounce forwards Sound& Color, but dont count out 2005 win Wilco, who have dad-rock call acknowledgment on their side.
Will prevail: Alabama Shakes Sound& Color
Should prevail: Bjork Vulnicura
Best urban contemporary book
Bad vibe merchant: The Weeknd. Photo: CBS Photo Archive/ Getty Images
This relatively new category seems to have been invoked so that the 2013 liturgy could somehow award Frank Ocean, who was one of only three campaigners during its first go-round. This years fuller, if Ocean-free, slate is fairly representing the the most powerful contemporary vocal lines derivative of R& B out there. Pity, then, that the self-loathing bummer known as The Weeknd, the Canadian import whose endless bad vibes got one of 2015s biggest thrusts, is very likely to take the prize over its challengers, all of which are more pleasant and compelling. The Internets Ego Death is splendidly weirder; Lianne La Havass Blood is full of nerve; Kehlanis You Should Be Here has youthful elan; and Miguels Wildheart wears its protagonists insecurities and deep-seated passions on its sleeve.
Will triumph: The Weeknd Beauty Behind The Madness
Should prevail: Miguel Wildheart
Best R& B album
Man most probably: Leon Bridges. Photograph: Sarah Lee for the Guardian
Jazmine Sullivans Reality Show receives the Philadelphia-born belter who racked up her ninth, 10 th and 11 th vocation Grammy nominations this year colonizing a wide array of attributes, all of whom are richly gather and passed extra life by Sullivans potent expres. Its a huge step forward for Sullivan, who took a hiatus from music in 2011, and for R& B, which has been increasingly marginalized as a category thanks to the altering jazzs of radio formatting and retail contraction. Her being up against Leon Bridges, the talented Texan whose entry voices unearthed from a 60 s cache of soul slopes, and DAngelo, the legendarily reclusive funk genius whose Black Messiah should really have been given more gleam in the Big Four categories, means that a win for her is a long shot, but its long overdue.
Will prevail: Leon Bridges, Coming Home
Should triumph: Jazmine Sullivan, Reality Show
Best rap book
Dr Dres daytime: Compton v Compton. Picture: Kevin Winter/ Getty Images
Drake, Nicki Minaj and J Cole all have star power and Drake has claimed succes in this category before but the best rap album hasten has to boil down to Compton vs Compton. Will the old front Dr Dre, emanating off a year in which he penetrated pops firmament for good, acquire? Or will Lamar, who worshipped the outlaw-rapper-turned-headphone-mogul as small children, solidify his station as chairman of the next generation? I intend, its the Grammys, so possibly the former.( At least Eminem and Macklemore propped off from exhausting anything during the eligibility window .)
Will acquire: Dr Dre Compton
Should win: Kendrick Lamar To Pimp A Butterfly
Best country album
Country person again: Chris Stapleton. Photograph: Evan Agostini/ Invision/ AP
Having acted so well at the CMA bestows( and in the shopping frenzy following it) and as this years country person in the album of its first year category, this one is probably Stapletons to prevail in a walk. But Ashley Monroes The Blade was one of 2015 s best albums; the Pistol Annies second full-length is full of self-lacerating feeling and instantaneously hummable choruses, and Monroes steely soprano gives her on equivalence with Dolly Parton.
Will acquire: Chris Stapleton, Traveller
Should win: Ashley Monroe, The Blade
Read more: www.theguardian.com
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