#just one am ramblings and stuff

[blupenguinz]

Bro for real tho what the fuck is up with Punchline. Like she just appeared one day and just.. didn’t go away. She’s like Harley Quinn except someone misunderstood her and Jokers relationship and she shops at hot topic. She’s apparently a ‘fan favourite’ yet I have yet to meet a single person who even acknowledges her existence (betting you they called her a fan favourite just so they could justify keeping her around for the marketable Joker dynamic). Why the fuck is she like the only woman in Batman comics thats unapologetically evil. Why make the only female character that no one cares about the bad bitch like that makes me so upset im going cry and go asleep forever .SHE HAS HER OWN COMIC LINE LIKE WTF I JUST FOUND OUT ABOUT IT LIKE RIGHT NOW LIKE GIRL WHO TF ARE YOU WHY ARE YOU DESIGNED LIKE THAT WTF. Slay I guess

[excali8ur]

Weird dream.

[shkika]

i need a name for this bug

[wasyago]

we're at it again🕺

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[glitchedcosmos]

You know, I would love it if we get to see shadows medical failure guilt expanded on, it makes sense he would have a lot , he has a lot of deadly, raging guilt inside of him, survivors guilt, creation guilt, the guilt of past mistakes that almost destroyed entire planets ect, and the guilt of failing someone you were medically responsible for. I want too see that guilt of failure expanded on, Shadow is the ultimate cure, he sees himself as a tool, a weapon, a twisted distortion of a miracle for someone else, a creation to surpass all else for no one but his friend, pushing himself through endless tests, doing anything he was told to do for the sake of his only friend, his best friend, the only true friend he’d know for a long time. The weight of pressure and anxiety crushing him out of fear of failing Maria , not being able to save her from the conditions she faced, not being able to cure her, not living up to the only worth he was created to have. I want to see that expanded on , I want to see how absolutely crushing that guilt of failure is, during their time on the Ark, and the awful , doubled up guilt of the aftermath , the guilt of it all rooted in his most familiar failure. its a important part of his story, and I for one would love to see it expanded on .

[greatestjubilee]

bleh

[iamhereinthebg]

Seeing Akane reacts so strongly seeing Kako being destroyed was already a big shot at my heart but Mirai and Akane protecting each other absolutely annihilated me in the last chapter.

Akane is a character who is really blunt about his opinion and stands his ground, he said right away in his introduction chapter how strongly he hates the clock keepers, and insists on how much he isn't like them.

In this new arc, he is forced to face this part of him he doesn't want to acknowledge since the beginning, he has been forced to do it a lot since the grim reaper arc (and I think it's really starting to get to him but this is for another day)

Aoi Akane, the human forced to be a supernatural who hates his contract and the clock keepers so much he wants nothing to do with them. But what does he do when fighting Tsukasa? He keeps the latter's attention on him so the threat can't get to Mirai.

Akane is mortal and human. The only mortal clock keepers and supernatural, and he still risks his life to protect Mirai. The yorishiro of the clock keepers yes, but mostly Mirai.

He shifts his attention from Tsukasa to her because he knows what she represents for the clock keepers and he waits for the moment to let her free, even if it results in him getting hurt.

Akane is the character of the cast who shows the most how he loves life, he definitely doesn't want to die. We can see it in how he defends himself, his last movement in this fight being one of protection (and fear). Something he has been doing more since coming back a second time from the far shore. Even if he doesn't want to die, he is still at his core a nice person. He is distressed at the idea of death, disappearing for good, no matter who it may concern in the end. Finding a way to protect Mirai (and the yorishiro) goes before his own safety.

And then Mirai gets the blow for him. She knows it means Tsukasa will get the yorishiro. Kako has been the mystery the most alarmed about the yorishiros being destroyed by Hanako. But Mirai, n°1, who knows how dangerous it is for another yorishiro to be destroyed for the land, sacrifices their seat number, herself and what is supposely the most important thing to them, for Akane.

Akane is a proactive character who rarely stops in his actions. Even when Aoi was "dead" he was activaly searching for a way to bring her back and when he learned she was gone he was quick to try to find a way to go where she was. When he stops, it's because he is physically unable to move. But here, even if he is still concsious and has Time's power he doesn't do anything, like he is the one being stopped in time, unable to move on from Mirai's body.

Mirai may be made of gears but it's been clear since the beginning that she has a real attachement to Akane. Wearing the name he gave her like a medal, jumping on him whenever she can, having a personality where she clearly has fun when he is present, and actually being the one noticing him on his first day at school.

And what does it mean after all for a yorishiro to be sacrified to protect something else? That maybe Akane is in the end more important than what the yorishiro represents for the clock keepers.

If this follows the pattern of a lot of mysteries it may mean that Mirai and Kako have strong regrets/resentment towards the story/person behind their yorishiro.

It's kind of beautiful in the end to see Mirai sacrifiying their past and future to focus on the one representing the present.

[quinn-of-aebradore]

I keep thinking about how Ashton’s been acting lately and I coming back to them saying that they’ve earned “a minor sense of superiority” for all they’ve been through in their life and then how through a lot of what they said after that demonstrates that that sense of superiority goes far beyond being minor. Especially the way they laughed and said “who else?” when the Hells asked themselves if they should really be the ones deciding if the balance of the world should be upended and remade. It carried a lot less of a “well who else is going to do it?” energy that I think it might’ve once carried, the sort of thing the Nein might say, and instead felt more like a “you really want anyone else but us choosing that?”, which aligns with the wildly out-of-hand way they were behaving in the council meeting. They really seem to be placing themself above everyone that was in that council room, especially with how they repeatedly said that all of those delegates are stupid and blind and so on, particularly those who answer to divine powers (I cannot remember if Ashton directly said that last night, but I feel like it would align with what they did say even if they didn’t put it that clearly).

What makes that very interesting to me is that Ashton is also a vessel for a higher power now, a power that—from the way they seem to be looking at things—is grander and older and more powerful than the gods themselves; a titan. They may not answer to Rau’shan, but they channel her power just as surely as any cleric or paladin might channel their deity’s powers. Which is a little hypocritical, but that’s not my point.

I keep wondering that if maybe, probably on a subconscious level, that connection to an older power than the gods is fueling Ashton’s sense of superiority over the gods and those who follow them.

[trans-axolotl]

also: I mostly switched over from saying "antipsychiatry" to psych abolition after I started to see more groups like CPA use it, and thought I'd share some of my thoughts on it.

antipsychiatry is a fundamental part of psych abolition for me, but i think my definition of psych abolition contains a lot more. first, there's a lot more things than just psychiatry that i want to abolish and transform--the whole mental health system and many different belief systems, types of providers, forms of treatment, and types of incarceration that are encompassed in that. i think it's important to name and identify the particular harms of psychiatry as a value system in the way it is the strictest example of pathologizing, medicalizing, and the strongest adherer to the purely biomedical model of illness and how this creates so much harm. but i think that there are also so many other harmful structures + belief systems within the whole mental health system. i also sometimes see therapists, for example, portraying themselves as alternatives to psychiatry, and while that's true in the sense that they are a different treatment option than a psychiatrist, they are often still harmful actors in their own rights and entangled with the state in an equally bad way.

second thing for me is that i think it's really important to intentionally build cross movement solidarity, especially with the prison abolition movement and to expand the way psych survivors currently support support people fighting for abolition of all forms of incarceration. (i drew inspiration from sins invalid and the 10 principles of Disability Justice). I see so many people in psych survivor spaces saying " I can't believe we were treated like prisoners on the ward" with the implication that it's fine if prisoners are treated that way, but it's bad when it happens to them. i think that's fucked up and i think that any psych survivor movement that doesn't actively support people incarcerated in prisons is a movement that does nothing to dismantle white supremacy. we need to be able to recognize the ways carceral logics operate in many different structures, and approach our activism as a shared struggle, where we constantly are led by those most impacted. so i think that naming what we're doing as "abolition" is important (with the important caveat that our organizing must then actually be abolitionist, and especially for white organizers, that we need to learn about the history of abolition, actively support the Black leaders and thinkers who have created the prison abolition movement and not center ourselves, that we actually have to be actively involved in supporting abolitionist work happening in your area, instead of just stealing the work of Black abolitionist scholars to use it for our own benefit without any credit or reciprocity, that we need to actively interrogate ways white supremacy culture and antiblackness are showing up in our movement places so that we aren't inviting our comrades who are people of color into spaces that are not safe for them, or exploiting our comrades of color by expecting them to do the work of dismantling the racism within our shared organizing spaces--don't call yourself a psych abolitionist if you still call the cops on your homeless neighbors, if your solutions to psych incarceration contribute to gentrification, if you refuse to support currently incarcerated comrades, for example.)

third thing is that antipsychiatry as a specific term is often associated with the sociologist theory from the 1960s, some of which i think is useful, some of which comes from antisemetic and racist psychiatrists who should not be given any legitimacy. antipsychiatry also often gets associated with cults like scientology. although i think that scientologists bastardize a lot of antipsychiatry stuff and weaponize it for their own ends, a lot of the public thinks of them if you say antipsychiatry, and it can cause misconceptions. also think that people sometimes assume antipsychiatry is inherently against medication and while i don't think that's our responsibility to clear up every time people misread our words on purpose, i think it's been a lot more helpful for me to talk about medication in the context of autonomy, harm reduction, war on drugs, and the ways that psychiatry creates issues to consent, autonomy, informed use, risk reduction, etc etc etc. and i think psych abolition helps me do that a little better.

i get in a lot of conversations with people who say "well from what i've seen you are just against institutionalization. why not just say that instead of attacking psychiatry?" and my answer is always if we want to end institutionalization, we have to end the structures, belief systems, and power dynamics of psychiatry--psychiatry is one of the logics that enables institutionalization to continue, and abolishing institutionalization without abolishing the structures that allow it to continue mean that it just pops up again in a new form with a new name (asylums to hospitals to group homes etc etc etc). so i think psych abolition to me is a clearer way to encompass the ways that all these systems are interconnected, and that when we're fighting for mad liberation, the right for mad/neurodivergent/mentally ill people to access care, support, healing on our own terms, to be free from institutionalization and violent treatment, and have the right to exist as mad people, whether or not we're "cured."

TL;DR: I switched to saying "psych abolition" rather than antipsychiatry even though there are many core ideas of antipsychiatry that I agree with. I think that for me, psych abolition helps clear up some misconceptions that people have about antipsychiatry, more clearly connects to prison abolition, and makes it clear that we need to transform more of the mental health system than just psychiatry.

[findafight]

Wait hehe.

Modern au where Eddie has a decent following in social media and is known as both a guy who does ttrpg with a few friends and does cool metal covers of different song genres. He's weird, sure, and will also post two minute video monologues but it's done while camera is mildly unfocused on a worm on the wet pavement, or he'll rant about prog rock and then two minutes later go "I'm sorry my statements on Keith Emmerson were inappropriate and I guess" *pauses and looks off camera* "he totally deserves to be in the rock and roll Hall of Fame" like it's a hostage video and someone made him say it because he looks like he's having a terrible time about it.

Anyways he's an internet funny little man and one day he posts a tiktok or what have you labeled "tfw ur bf is sitting in his platonic soulmate's lap instead of yours" and it's just of Steve sitting sideways across Robin's lap on someone's couch chatting and smiling with her before turning to Eddie and giving a little finger wave.

This is of course met with internet hullabaloo because is that Steve Harrington and Robin Buckley? Famous indie music duo who are also starring in a popular new tv series? Social media weirdos? Beloved and popular and bizarre and memeable? Queer icons RobinandSteve? Was Eddie serious? He was dating thee Steve Harrington?

An hour later Robin tags Eddie in a post that is a video obviously taken from slightly under Steve as the angles are a bit weird, and Eddie can be heard saying "oh my god how could I have forgotten you're, like, really famous how'd I do that Steve! Babe, Stop laughing! It was supposed to be a silly relatable post! You're no better Buckley-hey why are you filming this? My mortification isn't funny!!" While the video is just shaking of Steve curling in on himself and Robin trying to focus on Eddie and you can hear them both cackling over Eddie talking. She captions it "tfw ur QPP's bf forgets you two are famous and that most ppl don't know they're dating. Or didn't, at least"

[gingermintpepper]

I would really like to read one piece of writing, amateur or not, that features Apollo and Zeus having a positive relationship. One. Any one. It could be 30 words long for all I care. I just need confirmation that one other writer actively producing content in the Greek Mythology sector doesn't think of Apollo as Zeus' toy, sexual or otherwise, or of Zeus purposefully surpressing Apollo because he doesn't want him to surpass his power, or of Apollo only being obedient to his father over all else because of fear and physical abuse, or of any other reason possibly invented except some sort of mutual understanding and respect.

It should not be this difficult to find content where they do not hate each other.

[dianagj-art]

Grief really is a bitch huh? I've written another piece about my dad and I've made myself cry again

[laurrelise]

guys i’ve drawn lila some more

decided to draw 2 of her saddest scenes for what reason????????

i actually don’t have an answer i just liked the references

(also here are the references)

and i can’t remember if ive dropped these here before but i did some pencil drawings of her a whiiiiiile ago and im actually really proud of them so i’ll just leave them here regardless :)

v also their references

[ancha-aus]

RealAgeAU drabble - Moving

Hello I am back and I got another idea for this little silly au that I have @spotaus to thank for for the original idea :3 Though I think this may be officially becoming one of my AUs hahahaha

First part Prev Part Next part

Also yes. I know it would work better to number these uploads but also i am not writing these in any set order so it will become miserable for all of us if i number them because either they will be out of order or I will have to rework all the names and I am already editing links I don't need that extra energy in my life.

ANYWAY! :D

Next part! The one I lovingly clal in my head - The one where the gang finds a more permanent temporary home. (also yes. Before this they all speed-run the whole Parental bonding and emotional bonding to the idea of having a babybones. Which honestly can and probably will make four different drabbles)

-------

Horror stares at the door and wonders once again how he got to this point.

Well, no. That is a lie. He knows exactly how he got to his point.

He glances over his shoulder where the other four at hiding off to the side. Out of view from the doorway but still visable for Horror if he looks just right. Seems like Dust won the discussion, again, and is holding Nightmare, again.

Horror wants to say it is surprising how quickly they all just... accepted the situation they got into but he really isn't. Monsters are weird like that. Forced adoption is not that wild all things considered when you are talking about beings made of magic and emotions.

Horror stares at the door and raises his hand before knocking twice.

He really hadn't wanted to do this but they have no other choice. As he waits he can't help but think back to what made them decide this.

Cross walks from side to side "That was way to close! That was the third time we came across the Stars with Nightmare out. Third!"

Killer nods from where he is sitting wiht the sleeping Nightmare in his lap "Yeah no kidding. It is annoying as shit that they are hunting us."

Dust shrugs "Not surprising. Nightmare 'disappeared' after all. We are their only lead."

Killer grins "We were lucky Cross managed to lie his way out of the last one." and he shoots Cross a wink.

Cross sputters "I panicked!"

Killer grins and winks "Sure sure daddy crossy."

Horror holds up his hands between his two... co-parents "This is not the time. We need to figure out where we can go." and he thinks things over.

Cross sighs "I don't get how they keep finding us!"

Dust huffs as he packs their bags "We go to too little universes. Makes it easy for Ink and Dream to pick us out because they recognise us personally."

Killer frowns "Meaning. we need a big universe?" he taps his chin "But also mostly positive as we still don't know how obvious Nightmare would be otherwise."

Cross frowns "I think it will be fine. He can't feel the balance anymore right? And no one seems to have a reaction to him like they had before nor how people have a reaction to Dream's aura thing. Maybe with the corruption gone he really is just... ex-guardian now?"

Killer groans "I hope so. I am not a fan of child labor."

That is when it hits him. Horror sits up "I think I know a place."

All of them turn to him and he immediantly regrets saying anything. See? This is why he normally tries to limit what he says.

Either way. Here they are now and Horror prays this works. Please. They need one thing to work in their favor.

The door opens and a gasp "Horror! It has been ages! It is great to see you. How have you been?" Crop smiles at him.

Horror steels his nerves. Come on. Too much hangs on this moment "Hey Crop. Nice to see you. I am... okay. How are you?"

Crop frowns at him instantly "You sure? You don't sound okay. Trouble at home?"

Horror chuckles "Kinda? Not exactly. Euh... Can't go back to that place now?"

Crop frowns "Why? Need a place to stay? I got a spare room."

Okay yes! this is going great! just... gotta make sure he knows.

Horror nods "I do need a room. Not just for me though..." Crop starts to frown and Horror raises his hands "Just temporarily!"

Crop frowns "Did... something go wrong?"

Horror pauses and thinks this through once more. He trusts Crop. Crop has never been anything but kind even when Horror had been an ass. Even when he had to once drag Dust here to get healing before they could make the jump back home.

Horror looks to the side and he sees the others just beyond the treeline, hidden in shadows and waiting. Crop takes a look as well but he can't quite spot them. Crop looks back up at him.

Horror takes a deep breath "You need... to promise me, no not just promise you need to swear. That what you are about to learn will not leave this universe."

Crop frowns as he immediantly looks uncomfortable. It is the reaction a promise gets from most of them. But Crop also shoots him a considering look before he nods. He holds out a hand "I swear and promise I will not share the about to be giving information. UNLESS! It endangers anyone." and he waits.

Horror stares at the hand and thinks. That... That is fine right? That should be fine. Nightmare being a child doesn't endanger anyone. Only them and Nightmare. Horror nods and shakes the hand.

Crop nods and steps aside "Come inside. I bet you will be more comfortable explaining there." he glances at the forest "Do your... friends? Want to come in too?" a guess clearly. probably on multiple fronts.

Horror shakes his skull "Not yet. Need to know your answer and reaction first." He turns to the forest and makes a signal to wait a bit longer. He sees a thumbs up shot his way back. Probably Killer. He never bothered with the signals they had learned together.

Crop nods as he steps aside and Horror walks in, having to duck slightly for the door. The door closes behind him and Horror sees the small living room with fireplace.

Crop leads him to the kitchen "Lets talk there. I will get some tea."

A few minutes later they are both seated and with a cup of tea. Crop looks at him expectingly.

Horror takes a deep breath and takes out their most valuable resourch. The Dreamtale book. And places it on the table. Crop frowns at it before looking at Horror.

Horror nods to it "It will help explain... Very long story short... Nightmare was never an adult. He was a child with a magical shield of some type. That magic has ran out."

Crop stares at him for a moment, then he pulls the book closer and starts reading it. He pauses at the title before opening it.

And now he waits.

---------

Crop sits wiht his skull in his hands. Horror just sits across from him, with his empty cup of tea. Crop's own cup has grown cold a long time ago. Horror just waits for anymore questions but Crop hasn't said anyhting in the last ten minutes.

Horror looks back at the book and sees that Crop has turned the pages back to the one with the drawing of Nightmare's head being cracked open. The image makes a very clear show on how small Nightmare was compared to the ones attacking him.

Horror still thinks the book doesn't do it justice. Nightmare is much smaller in person than the picture makes him seem. The cracks had been much worse than the picture showed. But it is the closest they got.

Crop finally sighs and speaks. He doesn't look away from the picture "I don't... Know a lot about this whole... multiverse stuff. It isn't my place at all. And that is fine." he pauses for a moment "But this... You are telling me... That the one being that had everyone afraid. That everyone saw as a demon. Is a child... is this child?"

Horror nods before he explains more "Nightmare... gained a lot of magic and powers when he ate those apples. At least that is what the story implied. We haven't managed to get him to tell us yet, mostly because well... he is six again." Crops pulls a face as well, yeah. Horror agrees. A PTSD filled six year old is not easy. But they are managing.

Horror nods "so... What Cross nad Dust think what happened is that... The magic and negativity of the apples bond itself to Nightmare. Which game him the magic and powers he would use. The connection to the balance because the apples were part of the balance. and more importantly, an adult form and mind to fit all the magic. There was just no way all that magic and energy would have fit a babybones. Especially one that hadn't shown much magic beforehand." an assumption on their end as Nightmare was never said to use magic in the book.

"We think... We think that this magic of the apples just. ran out. We had been in battle at the time and Nightmare had been hit but it shouldn't have had that much of an effect. it was the same type of attack he had been hit by before. Dust thinks it was just the last bit of magic that the apples had having run out. Meaning that with the magic and energy so went the form." all a theory of course. But it is the only thing they have.

Crop nods as he clearly thinks "And as he was suddenly an adult. instead of just being afraid and scared. all that pain and emotions took a more violent turn. As he was an adult and was suddenly able to realise that it was unfair which made him angry..." Crop pauses.

Crop glares back at the table and shakes his skull "It is... It is a whole story about victim blaming. A victim is blamed for the abuse they suffered. They are made to believe they deserve it and should be abused. Then as soon as they fight back and defend themselves they are seen as guilty." Crop takes adeep breath as he leans back "What I don't get... Why come here? I can't help with any of this."

Horror shakes his skull "This isn't about any of the big stuff. We don't even care about it. We just... Nightmare is himself again. His real self." he taps the page lightly "Not his aged-up self that the corruption enabled him to be."

Crop stares before his face changes to shock "You are trying to hide him." Then a frown "Why not go to your own home? Has it been compromised?"

Horror snorts "At this point? probably." a confused look and Horror continues "Nightmare used his magic to shield off an universe and make a castle." he shrugs at the glance "Nightmare likes to read. I imagine he liked to read back then too. He may have been an adult technically but he was still a child at soul. Child him wanted a home and wanted that to be a castle and adult him made it happen... probably... that is Killer's theory at the moment."

Crop laughs and nods "Suonds reasonable- oh... and with his magic disappearing."

Horror sighs "When I left his universe the castle had already been decaying..."

Crop frowns "Left? The five of you you mean?"

Horror looks to the side and feels the shame return "We.... we did not react well... when we saw the changes at first... we... we obviously dind't know what was going on and well." he looks down "We abandoned him. I know it was wrong and stupid and we all regret it. We came back but we still did it." shame.

shame shame shame shame shame shame shame-

A hand on his shoulder. Horror glances up and Crop smiles at him "It is okay. You are trying to fix it now right? obviously. Not cool that you abandoned a child... but it can be nerve wrecking. Suddenly going from a position where a person is mostly guiding you, to going to a position where you suddenly are responsible over that same person."

Horror looks to the side "We still left." he can't believe they just left!

Crop nods "But you returned." he grins "And you are trying to fix it."

Horror nods again "We are..." he chuckles "Not that we have been doing a good job at it. Jumping from place to place."

Crop hums "So you are looking to settle, at least for a little bit, while also hidding. Why this universe?"

Horror nods "Yeah..." He looks to the side "We... we don't know how everyone will react. To him being like this. Maybe they will react well. Maybe not. We don't want to risk it. Risk him."

Crop stares at him for a long time and nods "There must be better places?"

Horror shakes his skull "The Stars kept finding us. Dust figured out we needed a big universe that leans towards positive. Yours is one of those. It is one of the wider and bigger ones. And overall leaning towards positive."

Crop frowns "It can't be the best one..."

Horror shrugs but continues "True... there are bigger and more positive ones. But those are busy. Many people. many places. Yours is quieter. more empty. Gives peace and room to work from."

Crop frowns as he taps his chin. He thinks deeply before sighing "You guys got any type of backstory we can use? The multiverse thing isn't a known thing here and the only reason my brother and I know is because you crash landed here."

Horror blinks "You will let us stay?"

Crop nods "Sure." and he grins "Can't kick out four parents with a babybones." and he gets up.

Horrro shakes his skull "That isn't... Well I mean technically." He knows that Killer has come close to killing quite a few people with how protective he has grown over Nightmare and that isn't even including the motherhenning of Cross nor the clinginess that Dust has.

Crop chuckles as he nods towards the stairs "The attic is messy and should be cleaned but can be used by you four, well five. There is an old bed and an old lounge chair up there." more thoughtful "How big is he exactly? we will need some clothes. Probably also get a healer to check him if he is developing okay after all those magical shenanigans."

Horror stares for a moment before smiling "Thank you... I know it is a lot."

Crop shrugs as he opens the linnen closet "Horror. Taking care of milking all the cows on your own is a lot. Having to fix your roof in the middle of a thunderstorm is a lot." He straightens his spine with blankets in his arms "Helping a friend and his friends who have somehow aqcuired a babybones, while strange, does not compare to either of those. Now get your friends out of those woods. They will make the animals nervous." he grins "I am excited to be one of the first ones to meet the real Nightmare."

Horror smiles as he packs his book and goes towards the door. "Thanks again Crop."

Crop waves it off as he moves the piles upstairs.

-------

Boom! and they are staying in FarmTale for now! Horror and Crop are homies and Dust is more of an acquaintance of Crop but it works. Aged-up Nightmare knew that Horror had an universe he liked to visit but never demanded details. *shrugs* Nightmare didn't see the point. as long as horror wasn't going to betray him what did it matter he didn't tell him?

Surprise Nightmare, this is your temporary home now. For a bit. or maybe longer? They are still figuring it out.

First part Prev Part Next part

[tekkenenjoyerblue]

I tried to make a fake SFV screenshot for if Echo had a story mode definitely not my usual shading style but I gave it my best attempt!