#kahin door lyrics

[bollywoodirect]

53 years of #Anand (12/03/1971)

"Kahin Door Jab Din Dhal Jaye, Sanjh Ki Dulhan Badan Churaye Chupke Se Aaye, Mere Khayaalon Ke Aangan Mein, Koi Sapnon Ke Deep Jalaaye"

A must-watch among #HrishikeshMukherjee's masterpieces is the movie 'Anand,' starring #RajeshKhanna and #AmitabhBachchan in the lead roles. The screenplay was a collaborative effort by Bimal Dutta, #Gulzar, D.N. Mukherjee, Hrishikesh Mukherjee, and Biren Tripathy. Music by Salil Chowdhury The lyrics were penned by #Gulzar and Yogesh, with #Gulzar also writing the poignant poem 'Maut Tu Ek Kavita Hai,' which is narrated by Amitabh Bachchan. What are your favorite songs or dialogues from the movie?

What are your favourite songs/dialogue from the movie?

[lyricsssdotin]

Meraa Chand Mujhse Door Hai Lyrics

Singer:Nihal Tauro, Garima YajnikAlbum:Himesh Ke Dil Se The Album Kahin der na ho jaaye ruthne manane meinKat jaaye na zindgi pyaar jatane mein Meraa chaand mujhse door haiJaane kyun mazboor haiMera chaand mujhse door haiJaane kyu majboor hai Uske bagair mera dil choor choor haiMera chaand mujhse door haiJaane kyun majboor haiUske bagair mera dil choor choor hai Mera chaand mujhse door…

[blogtozone]

Tere Bina Zindagi Se Piano Notes | Aandhi

Tere Bina Zindagi Se Piano Notes

Notes :-  Tere bina zindagi se koi G4 G4# C5 D5 C5 G4# C5 G4# G4 G4# G4 D4# Shikava to nahi, shikava nahi, A4# A4# A4# G4 G4 A4# A4# G4#, G4 D4# G4 G4 F4 Shikava nahi shikava nahi F4 G4 G4# A4# A4# C5 A4# G4# F4 G4# G4# G4 Tere bina zindagi bhi lekin G4 G4# C5 D5 C5 G4# C5 G4# G4 G4# G4 D4# Zindagi to nahi, zindagi nahi, A4# A4# A4# G4 G4 A4# A4# G4#, G4 D4# G4 G4 F4 Zindagi nahi zindagi nahi F4 G4 G4# A4# A4# C5 A4# G4# F4 G4# G4# G4 Tere bina zindagi se koi G4 G4# C5 D5 C5 G4# C5 G4# G4 G4# G4 D4# Shikava.. A4# A4# A4# G4 Kash aisa ho tere kadamo se chun ke mazil chale C5 C5 B4 B4 C5 C5 C5 A4# A4# C5 C5 C5 C5 A4 C5 C5 A4 Aur kahin door kahin A4 C5 F5 D5 A4# D5 C5 Kash aisa ho tere kadamo se chun ke mazil chale C5 C5 B4 B4 C5 C5 C5 A4# A4# C5 C5 C5 C5 A4 C5 C5 A4 Aur kahin door kahin A4 C5 F5 D5 A4# D5 C5 D5 C5 A4# D5 Tum gar saath ho, mazilon ki kami to nahin D5 C5 A4# A4# A4# A4#, D5 A4 A4 A4 A4 G4 F4 F4 G4 A4 G4 A4 A4 G4 G4 G4# C5 Tere bina zindagi se koi G4 G4# C5 D5 C5 G4# C5 G4# G4 G4# G4 D4# Shikava to nahi, shikava nahi, A4# A4# A4# G4 G4 A4# A4# G4#, G4 D4# G4 G4 F4 Shikava nahi shikava nahi F4 G4 G4# A4# A4# C5 A4# G4# F4 G4# G4# G4

About Song :-

"Tere Bina Zindagi Se" is a classic Hindi song from the Bollywood movie "Aandhi," which was released in 1975. The film was directed by Gulzar and starred Sanjeev Kumar and Suchitra Sen in the lead roles. The song is known for its beautiful melody and emotional depth. Here's some information about the song: Singers: "Tere Bina Zindagi Se" was sung by the legendary playback singers Kishore Kumar and Lata Mangeshkar. Kishore Kumar and Lata Mangeshkar are considered two of the greatest playback singers in the history of Indian cinema. Lyrics: The lyrics for the song were written by Gulzar, who was also the director of the film. The lyrics poignantly express the feelings of love, separation, and the complexities of relationships. Music: The music for "Tere Bina Zindagi Se" was composed by R.D. Burman, one of the most celebrated music directors in the Indian film industry. R.D. Burman's composition beautifully complements the lyrical depth of the song. Movie Context: In the film "Aandhi," "Tere Bina Zindagi Se" is picturized on the lead characters, Aarti Devi (played by Suchitra Sen) and JK (played by Sanjeev Kumar). The song represents the emotional turmoil and complexities of their relationship and adds depth to the film's narrative. Popularity: "Tere Bina Zindagi Se" became an iconic song and is considered one of the greatest hits in Bollywood music history. Its timeless melody, the enchanting voices of Kishore Kumar and Lata Mangeshkar, and the lyrical brilliance of Gulzar have made it an enduring favorite. The song has been covered and remixed by various artists and continues to be cherished by fans of Indian music. The song "Tere Bina Zindagi Se" is a testament to the timeless quality of Bollywood music and remains a beloved classic in Indian cinema. If you'd like to listen to the song or learn more about it, you can easily find it on various music streaming platforms, and it continues to be celebrated as a gem in the world of Hindi film music. Read the full article

[judas-had-a-crown]

Translation of the Lyrics under the cut.

Baarishein yun achanak huyi When it suddenly started raining; Toh laga tum shehar mein ho I thought you are near me (in the city). Raat bhar phir woh jab na ruki When it kept raining all night long; Toh laga tum sehar mein ho I thought you were here till morning.

Kahin ek saaz hai goonji Somewhere, an instrument has struck chords. Teri aawaaz hai goonji Your voice has echoed in my ears.

Meri khamoshiyon ko ab kar de bayaan Do understand my silence now. Tere bin bewajah sab hai Nothing is worth without you.

Tu agar hai to matlab hai If you’re here it all may have meaning. Nahi toh toota saa adhoora kaarwan If not; it’s a broken caravan (a company).

Ek tera raasta One path for you; Ek mera raasta And another for me. Nahio rehna ve judaa I don’t want to live separated from you. Nahio rehna ve judaa (x2) I don’t want to live separated from you.

Shaam phir khoobsurat huyi Its a beautiful sunset, again. Toh laga tum shehar mein ho It seemed like you’re in the city (somewhere near me). Door hoke bhi nazron se tum Even being away from me; Har lamha har pehar mein ho. You exist in every moment.

Sirf teri yaad sathi hai Only your memories are my company. Meri fariyad baaki hai My request is still to be fulfilled. Jism aur jaan ka mita de faasla Please, come to me and let there be no distance between our bodies and souls.

Mere khaabon mein jo rang hain The colors in my dreams; Woh khilte bas tere sang hain Turn even more beautiful in your presence. Judke tujhse mukammal hogi dastaan Joining you would complete the story.

Ek tera raasta One path for you; Ek mera raasta And another for me. Nahio rehna ve judaa I don’t want to live separated from you. Nahio rehna ve judaa (x2) I don’t want to live separated from you.

Baarishein yun achanak huyi When it suddenly started raining; Toh laga tum shehar mein ho I thought you are near me (in the city). Raat bhar phir woh jab na ruki When it kept raining all night long; Toh laga tum sehar mein ho. I thought you were here till morning.

[mylyricsdost]

Ban Ke Titli Dil Uda Hai Kahi Door Lyrics

Ban Ke Titli Dil Uda Hai Kahi Door Lyrics

SONG CREDITS Movie - Chennai Express (2013) Singer -  Chinmayi Sripada, Gopi Sunder Composer - Vishal-Shekhar Lyricist -  Amitabh Bhattacharya

Ban Ke Titli Dil Uda Hai Kahi Door Lyrics

Banake titali dil uda ,uda, uda hai, kahin dur Chalake khushbu se juda, juda, juda hai, kahin dur Haadase ye kaise, anasune se jaise Chume andheron ko koi nur Sirf kah jaaun ya, asamaan pe likh dun Teri taarifon men, chashmebadadur Bhuri bhuri ankhen teri Kanakhiyon se tez tir kitane chhode Dhaani dhaani baaten teri Udate-firate pnchhiyon ke rukh bhi mode Adhuri thi jra si, main puri ho rahi hun Teri saadagi men hoke chur Raaten gin ke ninden bun ke Chiz kya hai khwaabadaari hamane jaani Tere sur ka saaz ban ke Hoti kya hai raagadaari hamane jaani Jo dil ko bha rahi hai, wo teri shaayari hai Ya koi shaayarana hai fitur Ban ke titali In addition, to the lyrics, you can also watch the music video of Ban Ke Titli Dil Uda Hai Kahi Door Lyrics. Ban Ke Titli Dil Uda Hai Kahi Door Lyrics Youtube Video https://www.youtube.com/watch?v=uqLbHkYXaAI I hope you enjoyed the song Ban Ke Titli Dil Uda Hai Kahi Door Lyrics. Please share your valuable comments within the comment box. If you don’t discover your favored song lyrics, then you can request us to feature the tune in our library here. Thank You for visiting Read the full article

[baigmusic]

Baig - Kahin Door Chalain Hum (Urdu Synthwave) from Baig on Vimeo.

Karachi 1986 (Volume 2) OUT NOW on Spotify!

Tap in to hear some new retro music, Pakistani style! ����

Spotify: open.spotify.com/album/0ul7tnD4BZ4HYjBadsBxQe?si=fP1NBw3yS_WBvcwo5g82aA

Track: Kahin Door Chalain Hum - Baig - Karachi 1986 EP, available on all platforms

Lyrics, Produced and Performed by Baig

Recording, Mixing/Mastering by Baig

Artwork Design/Video by Baig

Logo Design: @graphicmercenary

Follow: Instagram/ Twitter/ Facebook: @baigmusic LinkTree: linktr.ee/baigmusic

[hotboylove]

Kahin Door Jab Din Dhal Jaye Lyrics In English/Hindi

Kahin Door Jab Din Dhal Jaye Lyrics In English/Hindi #MukeshKumar

Kahin Door Jab Din Dhal Jaye Lyrics writer is Yogesh and this song sing by Mukesh Kumar. Kahin Door Jab Din Dhal Jaye song taken from Anand 1971 movie directed by Hrishikesh Mukherjee. The starring of movie Rajesh Khanna, Amitabh Bachchan, Sumita Sanyal, and Ramesh Deo. Kahin Door Jab Din Dhal Jaye Song Details Song: Kahin Door Jab Din Dhal JayeMovie/Album: Anand (1971)Singer: Mukesh…

[just-a-poor-boy-queen]

28🥰

Thanks for the ask!💙

28. five songs to describe you?

I don't know if these songs describe me, but they're some of the most soulful songs I've listened to in my life (some of them are in Hindi. I've provided links in case anyone wants to check them out. The videos include the translated lyrics, which don't exactly capture the depth of the songs, but give a sense of what they're about).

Jalte hain jiske liye

Kahin door jab din dhal jaaye

Ae zindagi gale lagale (couldn't find a video with English subtitles, so I've included some translated text)

Somebody to Love (of course, I have to include this one)

Something (my current obsession, I cannot stop listening to this song)

Weird asks game!

[hindikala]

Kahin Door Jab 🧡 Follow @hindikala  

Movie: Anand (1971) Singer: #Mukesh Lyrics: #YogeshGaud Music: #salilchowdhury Actor: #RajeshKhanna #amitabhbachchan

#hindikala #hindipoetry #hindi #kavita #kavitayein #hindiquotes #poemsofinstagram #poemoftheday #poetrycommunity #poetryofinstagram #writerscommunity #shaam #song #songlyrics #bollywoodsongs #closetomyheart

[shankarjaikishanfansassnintl]

30 June Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary

By

Siraj Syed

Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary 30 June 1928-24 August 2000

From sleeve notes written for SaReGaMa’s LEGENDS CD set in 2009: More than half a century after the cobra swayed to the clavioline, masquerading as the been, in ‘Tan dole mera man dole’, its notes still reverberate across India, and in many other parts of the world. It was, and remains, Kalyanji Virji Shah’s best-known musical signature. Kalyanji had first used the instrument in a film called Naag Panchami (1953, music Chitragupta), but that went largely un-noticed. ‘Tan dole’, a Hemant Kumar tune from a box-office hit, was the chart-topper of 1954, so listeners took good notice of its mesmerising been theme. Developed in France by a designer named Constant Martin, the clavioline was introduced in 1947. Five years later, musician Kalyanji was playing it here, in India, in film song takes. Four years after Nagin, Kalyanji had arrived as music director, with Samrat Chandragupta. And the following year, younger brother Anandji, who was a child actor and chorus singer too, joined him to create the K-A team that stood firm for over 40 years. Nevertheless, as Anandji, some four years younger (now 88), is often heard saying, “Kalyanjibhai is watching all this from above. He is very much with us in spirit.” Kalyanji Virji Shah died in the year 2000, at the age of 72.

Born in Kundrodi village of the Mundra taluka in Kutchh, the brothers grew up in Mumbai, where their father ran a food-grain store. Inclined more towards music than academics, they developed the self-taught ability to play a host of instruments, and formed part of school bands. By 1944-45, the teenager siblings had started playing in film song recordings. Big brother set up his own band in 1950, calling it Kalyanji and Party, with Purshottam Upadhyaya singing ‘Too mera chaand maen teree chaandnee’, the super-hit Naushad tune from Dillagi, to thunderous encores. The band performed in Bombay and in other nearby towns. For a while, the businessman in him did surface, and Kalyanji started a tailoring shop in partnership with a friend. Destiny, however, ensured that the shop did not prosper, drawing Kalyanji even closer to a world where a needle was something that played a gramophone record, not a device to stitch clothes with.

Many of us have heard the popular tunes the brothers composed for films like Samrat Chandragupta, Bedard Zamana Kya Jane, Chhalia and Bluff Master, the last two being the earliest directorial forays of director Manmohan Desai, but few would be aware that it was producer Subhash Desai, Manmohan’s brother, who gave Kalyanji his music directorial his break. Impressed with his prowess at song recordings of various recognised composers, Subhash saw a competent future music director in Kalyanji, and made him an offer that was strange, but nevertheless one that he could not refuse. Would he agree to a contract offering him 11 film assignments as music director, with a fee of Rs. 5,000 for the first film, Rs. 10,000 for the second…a recurring Rs. 5,000 increment per film, non-negotiable? The offer was too good to resist, so Kalyanji agreed, but he did ask Subhash, “Why11 films? Why not 10? Or 12?” The reply was convincing, “Eleven is my lucky number.” As it transpired, they did not do 11 films together, but Kalyanji’s career choice was made.

The K-A success story begins with Kalyanji’s kingly debut, Samrat Chandragupta. ‘Chahe paas ho’ is a touching lyric, with a tinge of sadness, as is the next number, ‘Door kahin tu chal’, another Rafi-Lata duet, from Bedard Zamana Kya Jaane, both penned by Bharat Vyas. With a title like Madari, there had to be a snake-charmer and his been in play, and the theme track, penned by Faruk Kaiser and rendered by Lata and Mukesh, indeed provided flashbacks of the legendary Kalyanji patent. Soon after he wrote his first song for them in Chandrasena, Gulshan Bawra penned a real gem in Satta Bazar, and this time the brothers invited their mentor Hemant Kumar to join Lata in the recording room, with amazing results. Who can forget ‘Tumhe yaad hoga’? Not yet the He Man he was to become in his later years, Dharmendra in Dil Bhi Tera Hum Bhi Tere was emoting to Mukesh’s emotion-charged playback, rendering Shamim Jaipuri’s rich poetry. Graduating from smaller set-ups into a Raj Kapoor vehicle, K-A hit big time in Chhalia. Nonsensical verse from a sensible writer, Qamar Jalalabadi, ‘Dum dum diga diga’, with Mukesh providing playback to Raj’s on-screen antics, set the aisles afire.

Soon, they were signed to compose for Mehndi Lagi Mere Haath, a Shashi Kapoor starrer, and Bluff Master. Both films enjoyed reasonable success and the music went around too. In Bluff Master, we find the rare phenomenon of four voices being used for the same actor: Mukesh, Hemant Kumar, Shamshad Begum (Shammi Kapoor in drag) and Rafi. It was Rafi who immortalised ‘Govinda ala re’ and sang the duet ‘Husn chala kuchh aisi chal’ with Lata. Anand Bakhshi wrote inspired lyrics for Phool Bane Angaare, and Mukesh, as usual, delivered them with consummate artistry. By 1964, K-A were in the Premier League. That very year, they came up with such melodious tracks as the lilting ‘Humsafar mere humsafar’ (Purnima), where they teamed up with Gulzar, a rarity, and the two Mukesh solos from Ji Chahta Hai and Himalaya Ki God Mein. The former was written by Majrooh, not a K-A regular. Another infrequent teaming worked very well, as Hasrat Jaipuri wrote and Rafi sang in great style, ‘Dil beqarar sa hai’ (Ji Chahta Hai). Melodious, hummable and catchy. A ghazal on Shammi Kapoor with Bakhshi writing and Rafi singing may not be a common occurrence, but just savour ‘Teri zulfen pareshan’ (Preet Na Jane Reet). Staying with Mukesh on Shashi, after MLMH, the duo came up with a moody duet in Juari, ‘Humsafar ab yeh safar kat jayega’. If there was still any doubt about the standing of the duo in the rankings, Jab Jab Phool Khile laid to rest all criticism. Every track was heard everywhere. The songs had it all: pathos, fun, longing, depression, pep. For both K-A and Anand Bakhshi, the success of JJPK was to remain a milestone forever.

Rafi provided playback for debutant Rajesh Khanna in the theme song of his debut vehicle, Raaz, re-uniting K-A with Shamim Jaipuri, producing haunting results. Indeevar’s lyrics sang of cruel fate in Dil Ne Pukara, and who better to voice them than Mukesh, as ‘Waqt karta jo wafa’. In the same vein was the Suhag Raat lament, ‘Khush raho’. Manna De came in to give playback for Pran in Upkar and Zanjeer, rendering two of his most acclaimed numbers. It took the duo 19 hours to record ‘Mere desh ki dharti’, the patriotic anthem of Upkar. Saraswatichandra, based on a literary classic, needed the linguistic mastery of Indeevar to weave in the songs, and the author of ‘Kasme vaade pyar vafa’ made it count. Filmfare awarded the duo for the best music of the year. It was still pristine K-A, full of melody, working with Lata and Mukesh. Another award followed some years later, for Kora Kagaz, which had a pathos-laden title-track in the voice of Kishore. Not many might realise, but K-A used Kishore Kumar for the first time in the 1968 film Suhag Raat, singing a sad song, a full decade after the duo had started their career. A comic song was rendered by Manna De while Mukesh was called-upon to put across the other sad lyric.

Only Rafi could have set swinging mood for Shashi Kapoor to gyrate on screen in ‘Nain milakar chaen churana’ (Aamne Saamne). Rafi for Shashi it was again in Ek Shriman Ek Shrimati and Raja Saab. Part of the female vocals in Raja Saab came from Suman Kalyanpur. Suman had sung for K-A in MLMH and JJPK too, and was to partner Manhar in his first hit number in Vishwas. Giving Hemlata her break in the same film, K-A paired her with good-old friend Mukesh. Soon, the duo was to show its preference for rotating the strike, training and honing a host of budding singing talent, while reverting to the established names with equal regularity. Like a lot of extremely popular Mahendra-Manoj Kumar, Kishore-Amitabh Bachchan and Kishore-Rajesh Khanna outings. Incidentally, K-A took three days to record the back-ground score of Suhaag Raat, while they needed a whole month for Purab Aur Paschim. For the ‘Om jai Jagdeesh Hare’ bhajan of PAP, the composers used 50 chorus singers to get the effect normally created by violins. They called it human resonance. Delay (natural echo) was the highlight of ‘Mere mitwa’ (Geet). The child-like double speed of ‘Na sun sun sun bura’ (Priya) was simply achieved by recording on spool-tape at a particular speed and playing it back at double the speed. Most of their work was done at the Famous, Tardeo, recording studio.

There is Rafi, and not Kishore, for Rajesh Khanna, oozing sensuality as only he could, in Chhoti Bahu: ‘Yeh raat hai pyasi pyasi’, echoing musician hero Rajendra Kumar’s heart-rending call in Geet and charting a romantic route for Dharmendra in Kab Kyon Aur Kahan? He also offers love lessons in Upaasna; in the Haath Ki Safai duet, he makes a solemn promise of eternal love; and he goes on Dilip Kumar for the intoxicating ‘Peete peete’ duet with Asha Bhosle in Bairaag. As Western as it gets is the rare title chorus ‘Pretty pretty Priya’ (Priya) and as Sanskritised as it can get is the Kishore hilarity ‘Priye praneshwari’ (Hum Tum Aur Woh). Kalyanji-Anandji made Shatrughan Sinha sing in Kashmakash, Amitabh Bachchan in Laawaris and Anil Kapoor in Chameli Ki Shaadi. They also gave ample opportunities to the emerging talent of 70s’ generation, as you can sample on the Shailendra Singh, Suresh Wadkar, Anwar, Alka Yagnik and Kanchan tracks.

Known for their hundreds of stage performances, in India and abroad, both brothers also enjoyed a sturdy reputation as funsters, with a joke for every occasion and a keen sense of self-deprecating humour. They once famously described themselves as medical practitioners. “We offer all lines of treatment. If some producer approaches us with symptoms that demand a classical approach, we recommend the Ayurvedic style of medicine: Slow, but efficacious in the long-term. On the other hand, if some film-maker wants to experiment with the musical score of his film, we suggest Homoeopathic type of tunes: May work, may not. Some element of risk is involved. If, however, he wants the juke-boxes to jingle and listeners to start singing along instantaneously, we churn out Allopathic compositions: Like injections, they have instant, strong effect, but the effect may wear out sooner.” Music, along with laughter, is the best medicine known to mankind. Kalyanji-Anandji have already issued a statutory warning to your troubles to keep away, for there’s no place for them, ‘Mere angne men tumhara kya kaam hae?’

[lyricsssdotin]

Phir Se Ud Chala Lyrics

Singer:Mohit ChauhanAlbum:Rockstar Phir se ud chalaUd ke chhoda hai jahaan neeche main tumhare ab hoon hawaaleDoor door log baag meelo’n door ye waadiyaan Phir dhuaan dhuaan tan har badli chali aati hai chhoonePar koi badli kabhi kahin kar de tan geela ye bhi na ho… Kisi manzar par main ruka nahiKabhi khud se bhi mein mila nahiYe gila tto hai main khafa nahiShehar ek se gaa’nv ek seLog ek se…

[devilsgotmyback]

Feb 8 Awake since 4 am...and now it's 5.57 am 2022

The lyrics which I have mentioned has deeper meaning and that's why I wrote it here because I can feel them right now. I want to convey this to someone that the person will stay in touch. But then I feel that I don't want him to be in my life anymore. I don't want to cross my paths with him at any corners of the road. When it's over, it's just over.

The stanza in this song which hits me the most is :

*Phool jo band hai panno mein

Tum usko dhool bana dena

Baat chhide jo meri kahin

Tum usko bhool bataa dena

Lekin wo bhool ho aisi

Jis'se bezaar nahin*

*Note : The rest of the songs lyrics is below in a systematic way or you can call it as synchronised way! 💙

Maana ke hum yaar nahin

Lo tay hai ke pyaar nahin

Phir bhi nazrein na tum milaana

Dil ka aitbaar nahi

Maana ke hum yaar nahi...

Raaste mein jo milo toh

Haath milaane ruk jaana

Saath mein koi ho tumhare

Door se hi tum muskaana

Lekin muskaan ho aisi

Ki jisme ikraar nahi

Nazron se na karna tum bayaan

Woh jis'se inkaar nahi

Maana ke hum yaar nahi...

Phool jo band hai panno mein

Tum usko dhool bana dena

Baat chhide jo meri kahin

Tum usko bhool bataa dena

Lekin wo bhool ho aisi

Jis'se bezaar nahin

Tu jo soye toh meri tarah

Ik pal ko bhi karaar nahin

Maana ki hum yaar nahi...

[baigmusic]

Karachi 1986 (Volume 2) releases in a few days, stay tuned...

Track: Kahin Door Chalain Hum - Baig - Karachi 1986 EP, available on all platforms.

Lyrics, Produced and Performed by Baig

Recording, Mixing/Mastering by Baig

Artwork Design/Video by Baig

Logo Design: @graphicmercenary

[axomlyrics]

Udd Jaun Kahin Main Lyrics - Dilli Kaand

Udd Jaun Kahin Main Lyrics – Dilli Kaand

Udd Jaun Kahin Main Lyrics by Aaman Trikha, Harshit Chauhan is the latest Hindi song from the movie “Dilli Kaand”. The song music is given by Shashank Ranjan while the lyrics were written by Nikhilesh Negi. Udd Jaun Kahin Main Lyrics Ho Ho.., Ho Ho…Ho Ho.., Ho Ho..Ho Ho.., Ho Ho..Ho Ho.., Ho Ho.. Udd Jaun Kahin MainKehti Hai HawaManzil Door Hai ParSaansein Hai Jawan Aa Ke Hoon Main PichheAage…

[hindikala]

Salman Elahi – Mera Dil Kahin Door Pahadon Mein Lyrics | मेरा दिल कहीं दूर पहाड़ों में खो गया #PahadonMein #SongLyrics Full Song Lyrics: https://hindikala.com/hindi-songs-lyrics/salman-elahi-mera-dil-kahin-door-pahadon-mein-kho-gaya-lyrics-in-hindi-english-translation/

[bollywoodproduct]

Lyrics Purva Suhani Aayi Re

Lyrics Purva Suhani Aayi Re

Lyrics in English | Purva Suhani Aayi Re | Purab Aur Pachhim (1970) | Manoj Kumar, Saira Banu Kahin Na AisiSubah DekhiAaJaisi Balak Ki MuskaanYa Phir Door Kahin Hind MeAaHalki SiMurli Ki TaanGurubaani Gurudware MeTo Masjid SeUthati AazaanAatma Aur ParmatmaMile JahaanYahi HaiWo SthaanDholi Dhol BajaanaTaal Se Taal MilaanaDholi Dhola (2)Dholi Dhol BajaanaTa Ta ThaiyyaTak Tak ThaiyyaTaal Se Taal…