Nobel Laureate in Chemistry Kary Mullis (inventor of the PCR test) slams Fauci in the 1990s.🤔
"Guys like Fauci get up there and start talking, you know, he doesn't know anything, really, about anything and I'd say that to his face. Nothing.... They've got a personal kind of agenda, they make up their own rules as they go, they change them when they want to and they smugly, like Tony Fauci, does not mind going on television in front of the people who pay his salary and lie directly into the camera."
Ci rendiamo conto che l'unica cosa assolutamente costante è il mutamento – un mutamento improvviso, catastrofico e tutt'altro che confortevole. Perché uno squilibrio deve essere un problema, se lo stato naturale delle cose è il cambiamento?
Dr. Kary Mullis @ TED 2009 - Climate Hoax, Military Complex, Sold Out Scientists
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Creativity is when you are trying to figure something out and something else keeps intruding. You finally give in to it, and it turns out to be the answer you were looking for. Perhaps something is lost and instead of looking for it, you let your hands lead you to it with your eyes closed. You might be looking something up and find the wrong subject and it turns out not only to be related, but to be exactly what you were after. It's not an accident. It was inevitable and it all makes perfect sense after the moment, but it's unexpected. That's how creativity happens. The focused beam of your consciousness is very narrow, but you have a creepy sense of what is right behind you.
"raising #PRC #cycles you can detect any viral matter and produce infinite cases: a permanent #pandemic", by Kary #Mulls, #Nobel inventor of the PRC test in 1996. This did #Fauci
#hacker found that #vaxxed're tracked via 5G towers by #nanotech inside vax
[This following link provides access to the updated version of the Worldwide Monkeypox Pandemic published by Global Research on August 17, 2024.]
“The PCR is a process. It does not tell you that you are sick.”
–Dr. Kary Mullis, (feature image left ) Nobel Laureate and Inventor of the RT-PCR, passed away in August 2019, a few months prior to the onslaught of the Covid Crisis. See video below. His legacy will prevail.
“…All or a substantial part of these positives could be due to what’s called false positives tests.”
–Dr. Michael Yeadon, distinguished scientist, former Vice President and Chief Science Officer of Pfizer
“This misuse of the RT-PCR technique is applied as a relentless and intentional strategy by some governments to justify excessive measures such as the violation of a large number of constitutional rights, … under the pretext of a pandemic based on a number of positive RT-PCR tests, and not on a real number of patients.”
–Dr.Pascal Sacré, Belgian physician specialized in critical care and renowned public health analyst.
Introduction
On July 23, 2022, the WHO Director General Tedros Adhanom Ghebreyesus went against the majority vote of the WHO expert committee (9 against 6 in favor): The committee was AGAINST the calling of a Public Health Emergency of International Concern (PHEIC).
“We have an outbreak that has spread around the world rapidly through new modes of transmission,” WHO Director-General Tedros Adhanom Ghebreyesus said during a press briefing in Geneva on Saturday (July 23, 2022).
“I have decided that the global monkeypox outbreak represents a public health emergency of international concern.”
With Bill Gates in the background, the evidence was scanty, the motivation was “Moneypox”. The unspoken objective was to sustain the fear campaign.
selections from my almost nowhere writing playlist
This morning I took a trip down memory lane and listened to a bunch of my AN playlist (previously described here).
And then I thought, hey, why not say a bit more about it on tumblr? Someone might find it interesting...
CW: Almost Nowhere spoilers, highly questionable musical taste
(More specifically re: spoilers – they're not very specific, and if you haven't read the book they probably won't mean much to you, but OTOH if you haven't read the book then you won't get much out of this post. And they do involve the whole plot from beginning to end. So if you haven't read the book, you almost certainly shouldn't click the readmore.)
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First song on the playlist.
This was my standard background music when working on my notes (as opposed to writing the book itself). It's strongly associated in my mind with thinking about the story in a relatively analytical and distanced way, working on conceptual puzzles or plot holes, and that sort of thing.
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Third song on the playlist. Like the previous one, most often listened to when doing notes/plotting work.
Mentally associated with the MM, the dominant aeon, and other "cosmic" aspects of the story.
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Background music for writing Chapter 13 (first arbitration scene), and also for some occasional later scenes that had the same vibe.
Mentally associated with Azad's feelings about Michael, and with viral/infectious/pathological metaphors for what the anomalings experienced during and after first contact.
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Ever since I first came up with the Nowhere-to-Hide event, this has been its "theme song" in my mind.
(The theme song of the actual event/moment itself, I mean, as opposed to all the setup that leads into it, and the various consequences that result from it.)
(Meanwhile, this and this and this – all of which are directly quoted in the book, as songs that the Annes "canonically" listened to – supplied a very different sort of inspiration for the same event.)
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Background music for writing Chapter 34, "Everywhen" (following up on each of the main-character NTH Annes after the NTH event).
Strongly associated with that chapter, and with the pleasant summer weather of the week in 2022 in which I wrote that whole sequence of chapters.
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I often listened to this (as well as this from the same album) while writing sections of Part 3 involving Anne Eleven.
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Background music for writing Chapter 40 (Angelprobes / Stein's Rock).
Strongly associated with the tone and texture of that chapter (which it presumably influenced).
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Background music for writing Chapter 46 (with Arthur the raccoon), and associated with the subject matter exposited therein.
(BTW: in my head Arthur was named after Arthur C. Clarke. As for why he's a raccoon, specifically: it's mostly because I just like raccoons, but also in reference to an infamous experience related by chemistry Nobel laureate Kary Mullis.)
The soundtrack that this is from – for some anime called "Date A Live" – came up on YouTube autoplay at some point near the start of time in which I was writing the final 6 chapters, and I ended up listening to it a lot while writing those chapters.
In particular, this 3-track compilation...
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...ended up feeling like the "theme song" of that whole final stretch.
Its emotional vibe – of buoyant and vertiginous ascent, of decisive triumph, of unexpected hope – had some obvious effects on various parts of that sequence, and was a perfect match for the intense, elevated mood I was in while I writing it.
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I had a little personal ritual of listening to this every time I finished writing a chapter. It was always the background music for getting formatting nuances worked out in the AO3 editor, and for pushing the fateful "Post" button at last.
Climatology is a "Joke" - Nobel Laureate Dr. Kary Mullis
Nobel Laureate Dr. Kary Mullis is correct in his assessment of the current state of climate science, describing it as a "Joke". As he correctly points out, there is no scientific evidence whatever that our CO2 is, or can ever "drive" climate change. There is also no published empirical scientific evidence that any CO2, whether natural or man-made, causes warming in the troposphere.
Mullis earned a Bachelor of Science (BS) degree in chemistry from the Georgia Institute of Technology in Atlanta in 1966, he then received a PhD in biochemistry from the University of California, Berkeley in 1973.
His Nobel Prize was awarded in 1993.