#kbc 13

[srbachchan]

DAY 6192

Jalsa, Mumbai Jan 29, 2025/Jan 30 Wed/Thu 1:13 am

🪔 ,

January 30 .. birthday greetings to Ef Gayetri .. Ef Nasser Algharibeh .. and Ef Yash Goveas .. 🙏🏽❤️🚩.. love and greetings on this special day ..

... the absolute wonderment at the talent and the knowledge and the awareness of the young .. as we start the week of KBC Juniors ..

Incredible and unbelievable what they come out with .. the xpression on my face is the genuine wonder of these kids, who really are no longer kids , but adults in the garb of kids ..

my mouth wide open in amazement and what else to expect from these mini geniuses ..

so a commendation to them ..

and the joy of being in the absence of rushed Blogs .. for today as we write it's a rare off day .. and the catching up is huge ..

work continues relentlessly .. and the regularity of its making for almost a daily affair for the years and on is undoubtedly credit to the audience presence and the viewers , but also the joy it gives in their presence each day .. they are the ones that make the show .. they clap, we smile and get the required energy .. they scream appreciation and you feel as though you have conquered the World ..

My eternal gratitude to them and may they be blessed with all the goodness in the World .. a World that gives them nothing else but happiness ..

At times there is conversation of boredom as a professional .. and many a times it comes across to me and I wonder why this would be brought up or even given reason to address .. so I brought it to the notice of the other .. the 'other' that thinks and presents and writes for you .. for the entire game show at work was dependent on this youngster who at age 13 was decided to go to robotics and making it a desire to build that which thinks and works for you ..

so this is what the 'other' said ..

well the 'other' 'does not open anymore and the limit of patience tested and tried has now decided to give that up for another day ..

but yes the boredom of professionalism is an idea that springs up often and the need to relate to it in modern setups was sought .. hopefully by tomorrow it shall be resolved ..

till then ..

Amitabh Bachchan

got it from 'there'

Boredom in Professionalism: A Hidden Challenge

Boredom in professionalism is an often-overlooked issue that can undermine productivity, motivation, and overall job satisfaction. In many work environments, repetitive tasks, lack of challenges, and rigid structures contribute to disengagement, leading employees to lose enthusiasm for their roles. While professionalism demands discipline and consistency, it should not come at the cost of creativity and personal fulfillment.

One major cause of boredom in the workplace is a lack of variety. When professionals perform the same tasks daily without intellectual stimulation, they may struggle to stay engaged. Additionally, bureaucratic procedures, excessive meetings, and uninspiring leadership can exacerbate the problem. Over time, boredom can lead to burnout, decreased innovation, and even career dissatisfaction.

To combat this issue, organizations should encourage professional growth, continuous learning, and opportunities for creative problem-solving. Employees, in turn, should take initiative by seeking new challenges, upskilling, and finding meaning in their work. A balance between routine and innovation is essential to maintaining enthusiasm and professionalism.

Ultimately, boredom in professionalism is not just an individual concern but an organizational challenge. Companies that foster engagement and adaptability will retain motivated employees who bring passion and creativity to their work, ensuring long-term success for both individuals and businesses.

[kennak]

鳥栖市内の公立中学校に勤める教師の男が13日、自分の妻に暴行を加えみだらな行為をした疑いで逮捕されました。 不同意性交等の疑いで逮捕されたのは、佐賀県鳥栖市内の公立中学校教師・浜野匠容疑者（28）です。 警察によりますと浜野容疑者は、先月、自宅の寝室で妻の両足を掴んで引きずる暴行を加えた上、覆いかぶさって同意することを困難にし、みだらな行為をした疑いがもたれています。 被害にあった妻は事件の前日、警察にＤＶに関する相談をしていて知人宅に避難していましたが、当日、浜野容疑者が不在中に自宅に戻っていたところ、帰宅した浜野容疑者と鉢合わせし、被害に遭ったということです。 警察の調べに対し、浜野容疑者は「同意の上で性行為をしました」と容疑を否認しています。（25/5/13　KBC）

鳥栖市中学校教師 : 教育業界エージェント　日本版DBSより役に立つ！

[swradiogram]

Shortwave Radiogram, 1-14 May 2025 (program 400): Onward to program 800. Well, maybe program 700. More likely 600. We'll see if we reach program 500.

We have reached the milestone of 400 programs. Thank you for tuning in, keeping in touch, contributing to the socials, and for all your support. To celebrate our 400th program, we will transmit it twice. Due to family activities, the broadcast 1-7 May 2025 will be repeated  8-14 May 2025. If I am not eaten by a bear (who will suffer from indigestion), I will be back to produce program 401. For both news stories of program 400, I had to edit out some of the content to leave some time for images. Both stories are interesting, so follow the URLs for the full text. A video of last week's Shortwave Radiogram (program 399) is provided by Scott in Ontario (Wednesday 1330 UTC). The audio archive is maintained by Mark in the UK. Analysis is provided by Roger in Germany. Here is the lineup for Shortwave Radiogram, program 400, 1-14  2025, in MFSK modes as noted:  1:44  MFSK32: Program preview  3:13  MFSK32: BBC Burmese on DTH channel formerly used by VOA  7:11  MFSK64: NIST launches new cesium fountain clock 10:30  MFSK64: This week's images 28:07  MFSK32: Closing announcements (and image) Please send reception reports to radiogram@verizon.net And visit http://swradiogram.net Bluesky: swradiogram.bsky.social or https://swradiogram.bsky.social Twitter: @SWRadiogram or https://twitter.com/swradiogram (visit during the weekend to see listeners’ results) Facebook group: https://www.facebook.com/groups/567099476753304 Shortwave Radiogram Gateway Wiki: https://wiki.radioreference.com/index.php/Shortwave_Radiogram_Gateway THE SHORTWAVE RADIOGRAM TRANSMISSION SCHEDULE IS IN THE IMAGE IMMEDIATELY BELOW. IF THE IMAGE DOES NOT DISPLAY FULL WIDTH, CLICK ON IT.

Other Shortwave broadcast programs that include digital text and images include The Mighty KBC, Pop Shop Radio and Radio North Europe International (RNEI). Links to these fine broadcasts, with schedules, are posted here.

Tobias in Germany received these images 26 April 2025, 0230-0300 UTC, 9265 kHz from WINB Pennsylvania ...

[shardaassociates]

Project Report Requirements for Government Loan Schemes in India

Securing funding through government loan schemes in India necessitates meticulous documentation. Among the most critical documents are various types of project reports, each tailored to specific schemes and purposes. This guide elucidates the requirements and significance of key project reports, including the NLM Project Report, Startup India Registration, Pitch Deck for Startup, Project Report for Business, Project Report for Land Allotment, DPR for Bank Loan, and Detailed Feasibility Report.​

 NLM Project Report (National Livestock Mission)

The NLM Project Report is essential for entrepreneurs seeking subsidies under the National Livestock Mission, which aims to enhance livestock productivity and entrepreneurship. This report should encompass:​YouTube+6Pashudhan Prahree+6megahvt.gov.in+6IIFL Finance

Project Overview: Details of the proposed livestock venture, including objectives and expected outcomes.

Financial Projections: Comprehensive cost analysis, revenue forecasts, and profitability estimates.

Implementation Plan: Timeline and methodology for project execution.

Compliance Certificates: Integrity Compliance and Surety Bond as mandated by NLM guidelines.​KBC North Maharashtra University

A well-structured NLM Project Report enhances the credibility of the proposal and facilitates approval from financial institutions.​Lendingkart

Startup India Registration

The Startup India Registration process is pivotal for startups aiming to avail benefits under the Startup India initiative. Key requirements include:​Startup India

Incorporation Certificate: Proof of company registration.

Business Plan: Detailed description of the business model and objectives.

Pitch Deck for Startup: A concise presentation highlighting the startup's value proposition, market analysis, and financial projections.

Proof of Concept: Evidence of product/service feasibility, such as prototypes or pilot studies.​

Completing the Startup India Registration not only provides recognition but also opens avenues for funding and mentorship.​

 Pitch Deck for Startup

A compelling Pitch Deck for Startup is crucial for attracting investors and securing funding. An effective pitch deck should include:​Business Insider+7Carta+7E-StartupIndia+7ENTERSLICE PRIVATE LIMITED+13Investopedia+13Sharda Associates+13

Problem Statement: The issue your startup aims to address.

Solution Overview: How your product/service resolves the problem.

Market Opportunity: Size and dynamics of the target market.

Business Model: Revenue generation strategies.

Financial Projections: Forecasted income, expenses, and profitability.​

A well-crafted Pitch Deck for Startup succinctly conveys the business potential and persuades stakeholders of its viability.​

Project Report for Business

The Project Report for Business is a comprehensive document outlining the operational and financial aspects of a proposed business venture. Essential components include:​

Executive Summary: Overview of the business idea.

Market Analysis: Assessment of industry trends and target demographics.

Operational Plan: Details of production processes, supply chain, and logistics.

Financial Plan: Budget estimates, funding requirements, and break-even analysis.​Medium

This report is instrumental in securing loans and attracting investors by demonstrating the business's feasibility and profitability.​

 Project Report for Land Allotment

When applying for industrial land from government agencies, a Project Report for Land Allotment is mandatory. This report should justify the land requirement and include:​Sharda Associates

Project Description: Nature and scope of the proposed enterprise.

Land Utilization Plan: Layout of facilities and infrastructure.

Environmental Impact Assessment: Analysis of potential environmental effects and mitigation strategies.

Compliance with Zoning Regulations: Adherence to local land use policies.​

A detailed Project Report for Land Allotment ensures transparency and aids authorities in decision-making.​

 DPR for Bank Loan (Detailed Project Report)

The DPR for Bank Loan is a critical document for obtaining financial assistance from banks. It provides an in-depth analysis of the project and includes:​

Promoter's Background: Experience and qualifications of the business owner(s).

Technical Feasibility: Assessment of technology and operational processes.

Financial Viability: Detailed cost estimates, revenue projections, and return on investment calculations.

Risk Analysis: Identification of potential risks and contingency plans.​Startup India

A meticulously prepared DPR for Bank Loan enhances the likelihood of loan approval by showcasing the project's soundness.​

Detailed Feasibility Report

A Detailed Feasibility Report evaluates the practicality of a proposed project before significant investments are made. It encompasses:​KBC North Maharashtra University+12E-StartupIndia+12Tata Nexarc Blog+12

Market Feasibility: Demand analysis and competitive landscape.

Technical Feasibility: Assessment of required technology and resources.

Financial Feasibility: Cost-benefit analysis and funding strategies.

Legal and Regulatory Compliance: Adherence to applicable laws and standards.​

This report serves as a decision-making tool, guiding stakeholders on the project's potential success.​

In conclusion

 the preparation of comprehensive and tailored project reports is indispensable for accessing government loan schemes in India. Each report—be it the NLM Project Report, Startup India Registration, Pitch Deck for Startup, Project Report for Business, Project Report for Land Allotment, DPR for Bank Loan, or Detailed Feasibility Report—plays a pivotal role in demonstrating the viability and credibility of your business proposal. Investing time and resources in crafting these documents can significantly enhance your prospects of securing the necessary funding and support for your entrepreneurial endeavors.. For additional information or assistance, please contact us at +91-8989977769.

[n2qfd]

Stayed up for Pop-Shop Radio tonight 0100z 5950 kHz AM and what a great radio program. They end with some MFSK 64, a play list and a few images.

G106 Xeigu radio G5RV antenna @ AMS N2QFD in the Southern Tier of NY

Now to ground the antenna ahead of the inbound storms and hit the hay.

Pop Shop Radio-Radiogram Show 2025-13 MFSK64-Colour 175 x 175 px

Image: The_Selecter-Ready_Mix_Radio Sending Pic:175x175C;

The Selecter-Ready Mix Radio Flexipop 001 (USA) 1980

Flexipop was a unique music magazine from the UK that started up in

Every issue featured flexi-disk with an exclusive track by one of the top artists of the day. The flexi that came with the first issue was a special remix of On My Radio by 2-Tone group The Selecter. Flexipop was published until 1983

The Selecter, from Coventry, was one of the most successful groups on the 2-Tone record label. They shared the first release on 2-Tone with The Specials and scored a number 8 hit in the UK charts with On My Radio in 1980.

Playlist: Christie-Yellow River Gene Pitney-It Hurts To Be In Love Lou Monte-Pepino The Italian Mouse The Vi-Tones-Stop What You're Doing 5th Dimension-You Are The Reason I Feel Like Dancing Middle Of The Road-Soley Soley Olivia Newton John-If Not For You Paul Revere And The Raiders-Hungry Ringo Starr-La De Da Roxy Music-In The Midnight Hour Tommy James & The Shondells-Mirage The New Wave Band-Cecilia Chad & Jill Stuart-The Cruel War Eliza Keil-Raindrops Keep Falling On My Head Harry Belafonte-Star O Harry Belafonte-Day O Glen Campbell-Any Which Way You Can Grin-If I Were A Song The Selector-Ready Mix Radio

For more great stuff tune your radio to: Radio Northern Europe International The Mighty KBC Radio Carpathia Radio Catface International Cult of Show Texas Radio Shortwave Shortwave Radiogram

For Pop Shop Radio T-shirts and more visit https://www.cafepress.ca/shop/PopShopRadioSwag

reception reports to: radiopopshop@gmail.com Bluesky: @popshopradio.bsky.social

Image: Flexipop Sending Pic:125x175C;

[newepisodetodayoffical]

"Amitabh Bachchan's Kaun Banega Crorepati 16 Salary Revealed: Host's Huge Earnings Per Episode" Usage date: Jul 13, 2024

“Amitabh Bachchan’s Kaun Banega Crorepati 16 Salary Revealed: Host’s Huge Earnings Per Episode” Usage date: Jul 13, 2024 Amitabh Bachchan’s Kaun Banega Crorepati 16 Salary Revealed: The Iconic Host’s Jaw-Dropping Earnings Per Episode The iconic quiz show Kaun Banega Crorepati (KBC) has made a grand return to television screens with its 16th season, premiering last weekend on Sony TV. As always,…

[successvu-blog]

TCT phát triển Đô thị Kinh Bắc (KBC): Các nút thắt pháp lý dần được cởi bỏ, mở ra một giai đoạn tăng trưởng mới [Mục tiêu 41.500 đ/cp]

Dựa trên triển vọng kinh doanh và kết quả định giá, chúng tôi đưa ra khuyến nghị MUA đối với cổ phiếu KBC, mức giá mục tiêu là 39,300 VND/cổ phiếu, cao hơn 25% so với mức giá đóng cửa 31,450 VND ngày 13/12/2023. Các dự án hiện hữu hấp đẫn nhà đầu tư nhưng quỹ đất đang giảm dần Tóm tắt tình hình chung của các dự án KCN Nam Sơn Hạp Lĩnh: còn 102,2ha đất (tương đương khoảng 66ha đất thương phẩm)…

[jobskenyaplace]

TENDER FOR PROVISION OF PARTNERSHIP IN GAMING JUNE 2024  - KBC

KENYA BROADCASTING CORPORATION TENDER JUNE 2024   INVITATION OF TENDER PROVISION OF PARTNERSHIP IN GAMING  TENDER NO. 13/KBC/2023-2024 The KBC invites sealed tenders from eligible candidates for provision of partnership in gaming. 1.1 Interested eligible candidates may obtain further information from and inspect the tender documents at Broadcasting House, Harry Thuku Road, Nairobi (Procurement…

[srbachchan]

DAY 6052

Jalsa, Mumbai Sept 12, 2024/Sept 13 Thu/Fri 7:03 pm

Birthday Ef - Sapan Shrivastava Friday, 13 September .. our wishes for wellness and care 🚩

it may have been a long delay .. but the make-up of the delayed Blog is truly a pancake job .. the make up I mean ..

pan cake , foundation , eyes , chin brows , hair and the etcetera that goes on in front of the mirror each morning .. and the reliance on the artist that has been with me forever .. !!

soon after the crew meet and the brief and the AUDIENCE .. the audience .. they give the impetus to go on on and on and on .. !!

we that survive in this field of the creative , live and exist because of them ..

वो हैं तो हम हैं !

and the contestants .. they are the inspiration of the DAY ..

and one such glorious contestant body gave us all the lesson of the day :

जो प्राप्त है ! वो परियाप्त है !

jo prapt hai vo pariyapt hai .. that which has been achieved or received or got is sufficient for me ..

you shall see that extraordinary example on the show, KBC soon ..

what a player .. what a lesson ..

that which I have is sufficient !!

satisfaction be the motto .. to be fulfilled with whatever has been got or achieved .. a tough ask , for ee all ask and express the need for more .. always ..

greed ..

desire ..

but satisfaction .. a boon

....EVEN this .. !!

Amitabh Bachchan

[seishun18x2movie]

メディア情報＜更新＞

＜紙媒体＞ 5月1日発��� 「GQ」清原果耶さんインタビュー 「J Movie Magazine」 シュー・グァンハンさん＆道枝駿佑さんインタビュー、 道枝駿佑さん＆藤井道人監督インタビュー

5月7日発売 「InRed」道枝駿佑さんインタビュー ＜TV＞ 5月2日 9:55～ HBC「グッチーな！」シュー・グァンハンさん＆清原果耶さんコメント

5月2日 24:56～ HBC「夜のブラキタ」シュー・グァンハンさん＆清原果耶さんコメント

5月3日 16:50～ HBC「今日ドキッ！」シュー・グァンハンさん＆清原果耶さんコメント 5月4日 19:00～ 日本テレビ「嗚呼！みんなの動物園」道枝駿佑さん出演 5月5日 7:30～ 日本テレビ「シューイチ」 シュー・グァンハンさん＆清原果耶さん＆道枝駿佑さんインタビュー 5月5日 13:30～ HBC「今日ドキッ！＋（プラス）」シュー・グァンハンさん＆清原果耶さんコメント ＜ラジオ＞ 4月29日～5月3日　ニッポン放送 「あさナビ」藤井道人監督出演 5月1日　13:00～ KBC「PAO～N」（作品紹介） 5月4日　8:00～　 J-WAVE「RADIO DONUTS」（作品紹介） 5月6日 21:30～ 文化放送「ワンダーユーマン由真と紗友美のシネマログ」（作品紹介） ＜WEB＞ Seventeen web 清原果耶さんインタビュー https://seventeen-web.jp/news/16235/ Movie Walker シュー・グァンハンさん＆道枝駿佑さんインタビュー https://moviewalker.jp/news/article/1193453/ 清原果耶さん＆藤井道人監督インタビュー https://moviewalker.jp/news/article/1193446/ ELLE girl 清原果耶さんインタビュー https://www.ellegirl.jp/fashion/column/a60314262/kaya-kiyohara-04-2024/ 映画.com シュー・グァンハンさん＆清原果耶さんインタビュー https://eiga.com/news/20240429/5/ ENCOUNT 道枝駿佑さん＆藤井道人監督インタビュー https://encount.press/archives/611422/ ORICON チャン・チェンさん×藤井道人監督インタビュー https://www.oricon.co.jp/news/2324951/full/ ぴあ 道枝駿佑さん＆藤井道人監督インタビュー https://lp.p.pia.jp/article/news/367147/index.html?detail=true テレビジョン 道枝駿佑さん＆藤井道人監督インタビュー https://thetv.jp/news/detail/1195720/ 清原果耶さんインタビュー https://thetv.jp/news/detail/1195813/ cinemacafe シュー・グァンハンさん＆藤井道人監督インタビュー https://www.cinemacafe.net/article/2024/05/02/91402.html All About 清原果耶さんインタビュー https://allabout.co.jp/gm/gc/503541/ Music Voice 道枝駿佑さん＆藤井道人監督インタビュー https://www.musicvoice.jp/news/271471/ ※OA／掲載日は予定のため、予告なく変更する場合がございます。 　あらかじめご了承ください。

[swradiogram]

Shortwave Radiogram, 17-23 October 2023 (program 375): Chickpeas and habaneros

WRMI is still making repairs after Hurricane Milton, but the WRMI frequencies used for Shortwave Radiogram have been restored.  During the past week, 7570 kHz was off the air Saturday at 2300 UTC. And 5850 kHz was temporarily replaced by 7730 kHz. These frequencies are now back to normal. Because of the minimal disruption last week, I have produced a new show (375) for this week. However, program 375 will be repeated next week (October 24-30) due to family activities. The last Sunday of October will be the beginning of the B24 HF (shortwave) frequency season. Some shortwave broadcast stations will make seasonal frequency changes. I am not aware of any planned changes of frequencies used for Shortwave Radiogram on WRMI and WINB, but be alert for any unexpected changes. Most of Europe will turn clocks back one hour on that same last Sunday of October. Most of North America will do the same one week later, November 2. The schedule for Shortwave Radiogram via WRMI will stay with UTC, except for 9955 kHz, which stays with US Eastern time. WINB's 9265 kHz will stay with US Eastern time. I will provide an updated schedule at the end of October. A video of last week's Shortwave Radiogram (program 374) is provided by Scott in Ontario (Wednesday 1330 UTC). The audio archive is maintained by Mark in the UK. Analysis is provided by Roger in Germany. Here is the lineup for Shortwave Radiogram, program 375, 17-24 October 2024, in MFSK modes as noted:  1:42  MFSK32: Program preview  2:55  MFSK32: Chickpeas may be key crop for future food security  8:22  MFSK64: Mild habanero peppers: flavor without the heat* 13:21  MFSK64: This week's images* 27:28  MFSK32: Closing announcements * with image(s)   Please send reception reports to radiogram@verizon.net And visit http://swradiogram.net Twitter: @SWRadiogram or https://twitter.com/swradiogram (visit during the weekend to see listeners’ results) Facebook group: https://www.facebook.com/groups/567099476753304 Shortwave Radiogram Gateway Wiki: https://wiki.radioreference.com/index.php/Shortwave_Radiogram_Gateway

Shortwave Radiogram Transmission Schedule UTC Day UTC Time Frequency kHz Transmitter Thursday 2330-2400 9265 WINB Pennsylvania Friday 0530-0600 7780 WRMI Florida Saturday 0230-0300 9265 WINB Pennsylvania Saturday 2300-2330 7570 WRMI Florida Sunday 1430-1500 9955 WRMI Florida Monday 0800-0830 5850 WRMI Florida Wednesday 1330-1400 15770 WRMI Florida

The Shortwave Radiogram transmission schedule is in the image below. Click on the image to see the full width …

Other Shortwave broadcast programs that include digital text and images include The Mighty KBC, Pop Shop Radio and Radio North Europe International (RNEI). Links to these fine broadcasts, with schedules, are posted here.

Zach in Alabama received these images 12 October 2024, 0230-0300 UTC, 9265 kHz from WINB Pennsylvania ...

[priokskfm]

#MixOfDay #Podcast #Radioshow #LiveDjset RHYTHMS Radio Show (Mar.22.2024) Listen every Friday from 21 till 22 (Moscow time) Jazz FM (radiojazzfm.ru) Subscribe in iTunes: https://ift.tt/Np3Jwk4 for more details please visit beyondfunk.ru Tracklist: 1. Alice Russell - Gravity 2. Laufey - Fragile (emesonremix) 3. Angelo Outlaw - Silent Horizon 4. Soul Sugar - Fly Away 5. Jahari Massamba Unit - Karriem's Bolero 6. Soul Sugar - The makings of you 7. The Jazz Defenders - Meanderthal 8. Bacao Rhythm Steel Band - Love$ick 9. Luli Luchinha E O Bando - Flor Lilás (Kenny Dope Remix) 10. Ederlezi - Burn 11. Viktoria Tolstoy - What Should I Do 12. The KBCS - Deep Color Jam 13. The Waxidermist - Enter the Dojo (Instrumental) 14. Bugseed - Sundown 15. Cloud Of I - Sail Away 16. Amy May Ellis - Miner Farmer 17. Pure Colors - Ride On 18. Heavy Joker - That's It! Jazz, Funk, Downtempo, Electronic www.priokskfm.online https://ift.tt/24ObiDg

[trojerucica-blr]

DOPUNA:KTR-****/2* U DOKAZNOM POSTUPKU PROTIV NADLEZNE POLICIJE BEZANIJSKA KOSA VIA IX PS NOVI BEOGRAD

OVOLIKO ZASADA SKINUTO SA FLASH-a i TO JEDVA SKINUTO JER SU PODACI SIFROVANI IZ NEPOZNATIH RAZLOGA.PA ISCITAVAJTE ZLO SRBIJANSKOG MUP-a i SRBIJANSKOG TUZILASTVA I TO NIJE SVO NASILJE KOJE SAM PRETRPJELA I MOJE KCI,ISTODOBNO I SRAM VAS BILO VUCIBATINE NA CELU SA BILMEZOM. SKINUTI PODACI NISAM IH CEKIRALA #JusticeForVictims#JusticeSystem#stopviolenceagainstwomen#StopViolenceAgainstWomenNow#stopviolence#JusticeDepartment#UNGeneva#stopnasiljunadzenama#tuzilastvo#iskljucinasilje

VJT -BEOGRAD

DOPUNA:KTR-****/2* U DOKAZNOM POSTUPKU PROTIV NADLEZNE POLICIJE BEZANIJSKA KOSA VIA IX PS NOVI BEOGRAD

PREKRSAJNI SUD U BEOGRADU

74 Br.predmeta pr.br.51 479/15

Pre svega da korigujem licno ime I prezime pozvate Vase stranke za svedocenje u navedenom postupku nije Markovic Simonida vec Simona Markovic!!!Molim Vas da akceptujete korekciju.

Veza sa predmetom 8 br.pr.151759/15,kojom prilikom dogadjaja 31.08.2015.me je VELICKOVIC MIROSLAV,napao u kuci dok sam dosla sa obidjem njegovu staru I nemocnu majku Velickovic Nadezdu I da joj ukazem neophodnu kucnu pomoc!

Nakon tog dogadjaja napada na mene I vredjanja on je obecao da to nece vise ciniti ubuduce,ALI dato obecanje je brutalno nasilnicki bezobzirno krsio,na sve moguce nacine,posto nisam smela da dodjem kada je on u stanu,on me je uznemiravao upornim danonocnim uznemiravanjima preko mobilnog tel,broj je ukrao bez dozvole iz Nadezdinog mobilnog,koji mob.aparat je njen I cesto namjerno gasio da ona ne bi imala kontakt sa unukom Velickovic Ivanom,niti sa ostalima,te sam od strane Ivane slata I da ukljucim baki telefon I stavim na punjac da bi mogla da je cuje da je ziva makar.Dalje,presretao me je na ulici,prateci me,kada bih se uputila sa zdravstvenom knjizicom bake da joj podignem mjesecnu th.prepisanu od strane nadleznih lekara,pokusavajuci da me psiholoski zastrasi,tom prilikom sam ga opomjenula da prestane da zlostavlja bolesnu I staru majku I da ne pravi probleme po kuci I da prestane I mene da maltretira na sve navedene nacine,I to obecanje je pogazio I naravno da mu je zbog porodicnog nasilja KD KZ 194 nalozen pritvor posto je u prvom navratu kraceg pritvora I sud obmanuo I doveo u zabludu davanjem laznih podataka te dobio olaksavajucu uslovnu kaznu zbog toga sto je u krivicnom postupku sud doveo u zabludu da je otac maloletnog vanbracnog deteta itd…

Elem,28.09.2016.Velickovic Miroslav je opet zlostavljao porodicu I majku,nanevsi joj vidljive povrede,MUP je bio na intervenciji,a 2 dana nakon toga-30.09.2016.sa pocetkom u 13:25, JA sam po zakazanom pregledu vodila Velickovic Nadezdu na kontrolni pregled ORL kod ordinirajuceg lijecnika u KBC Zemun,jer je 18.08.2016. u dnevnoj bolnici ORL izvrsena operacija:30075-25 Biopsio tonsillae l.d. usled D370 Neoplasma labii,oris et pharyngis Tu tonsillae l.d.,od strane ordinirajuceg lijecnika,a ja sam je I tom prilikom vodila I pomagala u boxu nakon izvrsene intervencije,da ispira grlo 3%vodonik peroxidom onako kako je medicinsko osoblje nalozilo.

Inace,pomenutog 28.09.2016.ordinirajuci lijecnik je konstatovao vidne povrede na licu bake,usnama I sluznici usana,te je ispunjem protokol lista evidencije porodicnog nasilja,izvjestaj lijekara specijaliste ordinirajuceg u anamnezi :nasilje od strane sina 28.09.2016.I u statusu: navedene nanete povrede pacijentkinji navedenog datuma intervencije MUP,ali I tom prilikom je MUP obavjesten,medjutim posto je vec bilo evidentirano 28.09.2016.da je policija upoznata,nisu dolazili u bolnicu.

Kao svjedok JA moram da iznesem slijedece:da sam 28.09.2016.za zakazani pregled Velickovic Nadezdu bila prinudjena da iz javnog parka po nasem dogovoru preuzmem I odvedem u bolnicu uz veliki rizik od napasnika Velickovic Miroslava,koji je pratio Nadezdu da je uhodi I spijunira gde ide I sta radi,tek kada se ON odaljio,ja sam joj prisla,na klupicu,ali tek kada sam sinhronizovala Nadezdino odvodjenje sa auto prevozom koji sam obezbedila da se ona bezbedno preveze do bolnice,medjutim samo splet sretnih okolnosti je doveo do naseg bezbednog odlaska do bolnice I njenog pregleda!!!

Sto se policije tice,jako sam razocarana u njihovo postupanje I mogu da izjavim da trpim nasilje I gde zivim I tamo gde radim I to je pogubno za normalno funkcionisanje ljudskog zivota,a policijski radnik ALEXANDAR ACA VELICKOVIC koji nezasluzuje da bude ikad pripadnik MUP jedinica mi je doslovce sugerirao``KLONITE SE SIMONA TE PORODICE,TO JE PROBLEMATICNA PORODICA I SAMI CETE IMATI PROBLEME``,kao I POSALICU zbog koencidencije istog prezimena``JA SAM NJIHOV RODJAK``!!!

Zbog svega I jos mnogo toga nesavjesnog NEPROFESIONALNOG rada PROKLETE IX STANICE PS Novi Beograd MUP-12.02.2016 sam podnela krivicnu prijavu KTR 585/16 ZA TESKE OBLIKE DISKRIMINACIJE implicirano od clana 13 u clan 15 III posebnih slucajeva diskriminacije u postupcima pred organima javne vlasti,ali Predrag Cetkovic elementarno pravno nepismjen,posto pravda nije zadovoljena morace da se restartuje-obnovi postupak utuzenja,prakticno sam bez ikakve zakonske zastite,1 od mnogih,vecina.

Podnosioc|:SIMONA MARKOVIC,

PREKRSAJNI SUD-BEOGRAD

Predmet:26 br.146091/15

Pelanovic Misa je huskanjem od strane odredjenih lica iz zgrade napastvovao stanarku Mirjanu Jovanovic-18.12.2013.te sam pozvata u svojstvu svedoka u tom postupku 43 pr.br.31533/14 sudije Bojovic Bojana.

Nakon tog dogadjaja Pelanovic mi je demolirao stan I u pokusaju nasrtao na moja ulazna vrata stana u namjeri da me fizicki I verbalno zlostavlja,sto je registrovano u nadleznom MUP,no medjutim usled korupcije istog,a pod direktnim uticajem lica Radojicic Milana pozicije zamjenika komandira prekrsajna prijava nije pisana,jer je Pelanovic u tesnoj vezi iz pasta sa Ostojicem iz policijske uprave za grad Beograd,bul.Despota Stefana 107,no medjutim ukoliko se prvi puta nereagira na nasilje to se nastavlja,te je tako Pelanovic Misa-30.05.2015.upotrebio brutalnu fizicku silu javno batinama izvrsivsi nadamnom cime mi je naneo psiholosku traumu mucki me napadnuvsi sa ledja,neocekivano,dorcavsi kao maratonac batom trcecih koraka,bos,bez invalidskog pomagala stapa,koje koristi kao rekvizit za izazivanje sucuti I koristi!!!Pomagac u dogadjaju mu je bila Nakija Rahmani iz stana Mileve Maric Anstajn 2/23,koja mu je dodala papuce obletajuci,a nijednim gestom ga nije sprecila u tom gnusnom cinu.Dan pre toga, Pelanovic u direktnom dosluhu I dogovoru sa Elviri Gerinom,koji me je obavjestio da je doticni pijan I da ce on to ``srediti``,posto sam kao majka bila uznemirena Pelanovicevom drekom,vucom salona I lupom prozora,jer je moja maloletna kci M.T.u tom trenutku po povratku iz skolske smjene bila sama u stanu sa skolskom drugaricom u nasem stanu,a Pelanovic neumije da se kontrolira u pijanom stanju te dolazi da prepada ljude bez ikakvog nagovjestaja,respekta I uljudnosti,``sredio``je dogovornom diskriminacijom udruzeno da mi Pelanovic batinama nanese psiholosku traumu I neuroloske posledice trajno uvratanjem mojih saka da mi umanji sposobnost funkcionisanja obe sake,te da mi se prsti neuroloski bolno koce I grce,te da nisam u stanju da obavljam u tim momentima bilo kakve fizicke radne aktivnosti otada!!!Bila sam svesna u tom trenutku opasnosti koja mi preti,kada me je tukao ,grcevito se boreci ne da se oduprem njegovoj jakoj fizickoj sili-prakticno nemoguce,vec da uspostavim komunakciju sa njim I sprecim jos gore-da mi slomi sake uvrtanjem,time bi me prakticno unistio onesposobio.

Podnosioc:Simona Markovic,

Mileva Maric Anstajn 2/1,N.Beograd.

P O D N E S A K P R E K R S A J N O M S U D U - B E O G R A D .

B r . p r e d m e t a : 5 0 2 6 2 - 1 5

O s n o v p o k r e t a n j a c l a n 1 7 9 . s t . 2 z a k o n a o p r e k r s a j i m a .

Z b o g N A V O D N O i z v r s e n o g p r e k r s a j a c l a n 6 s t a v 3 t a c k a - V r e d j a n j e i l i z l o s t a v l j a n j e d r u g o g , r e m e c e n j e J R M .

I v o d i m u p o d n e s k u u z d o k a z n i m a t e r i j a l u p r i l o g u c i n j e n i c n i o p i s p r e k r s a j a k o j i s a m p r i j a v i l a n a j p r e s e k r e t a r i j a t u n a b r . 3 2 1 6 0 0 0 , p o t o m p o s t o s u m e u p i t i l i n a k o m u n a l n u i l i M U P , p o z v a l a s a m i p r i j a v i l a B e o k o , s e r v i s u n a b r . 0 8 0 0 / 1 1 - 0 0 - 1 1 . i p r i j a v i l a l i c e k o j e j e m e n e u z n e m i r a v a l o z a p r a v o , a t o j e E l v i r i G e r i n a i z M . M . A n s t a j n 2 / 7 , N o v i B e o g r a d , a l i i G r a d e n a c e l n i k u B o g r a d a u p o d n e s k u p r i j a v e , a l i i M U P - n a d l e z n o m d e v e t a s t a n i c a - N o v i B e o g r a d .

N A Z A L O S T S U Z A M E N J E N E T E Z E & O D P R A V E Z R T V E S T E I S C E N I T A L I O K R I V L J E N O G , S T O U M E S A N I M A N E K A S L U Z I N A C A S T & S A V E S T K O J A S V E V I S E Z A K A Z U J E U S L E D K O R U P C I J E I D I R E K T N E S P R E G E D R Z A V E S A K R I M I N A L O M I U T I C A J E M I P R I T I S C I M A M I N I S T R - a M U P N E B O J S E S T E F A N O V I C A N A R A D ` ` N E Z A V I S N O G ` ` S U D A ! ! !

V e l i k o p o n i z e n j e j e k l a s i c n a z a m e n a t e z e n a s u d u e p o l o g a z a k o n s k i n e u r e d j e n o g d r u s t v a d a o d z r t v e n a p r a v i t e a g r e s o r a i p o z o v e t e d a s e p r e d z a k o n o m o d a z o v e i s t o m u n a m e t n u t o j u l o z i o k r i v l j e n o g ! ! !

K a o c o v e k a & v e l i k o g h u m a n i s t u o v o j e v r h u n a c t e r o r a & v e l i k a l i c n a s r a m o t a k o j a m i j e p o r e d s v a g a o s t a l o g p r e z i v l j e n o g n a n e t a , a s a m i m t i m & d e g r a d a c i j a i n t e g r i t e t a l i c n o s t i , d i s k r i m i n a c i j a l j u d s k o g d o s t o j a n s t v a , p o v r e d a l j u d s k i h p r a v a , v r e d j a n j e i n t e l i g e n c i j e & n a n o s e n j e e m o c i o n a l n e p a t n j e & d u s e v n o g b o l a .

V a s c i n p r e d s t a v l j a d o d v o r a v a n j e p r e s t u p n i c i m a & s a u c e s n i s t v o s a n j i m a & m o t i v a c i j u d a n e k a z n j e n i n a s t a v e p r a x u d e l i k v e n c i j e t e r o r a - v a n d a l i z m a , v u l g a r i z m a & n a s i l j a e x p a n z i j e p o p u l a r i z m a d e v i j a n t n o g d r u s t v a k a o a k c e p t o v a n u f o r m u i n i c i j a l i z a c i j e n o r m a t i v n e l e s t v i c e m o r a l n o g k o d e x a s o c . d r u s t v a , s a k o n o t a c i j o m n a p a r a d o x a l n o s o c . z a s t i c e n e u s l o v e s t a n o v a n j a m a h o m n e i n k l u z o v a n e p o p u l a c i j e k r i m i n o g e n o g d e l i k v e n t n o g f a k t o r a m i l j e a s r e d i n e m a l o l e t n i c k e d e l i k v e n c i j e s t a r i h p o v r a t n i k a I z g r e d n i k a & o d r a s l i h l i c a s k l o n o h d e v i j a n t n o m p o n a s a n j u s v i h o b l i k a ( a l k o h o l i z a m , t a b l e t o m a n i j a , z l o u p o t r e b a i d i s t r i b u c i j a n a r k o t i k a , p o d v o d j e n j e , o r g a n i z o v a n i k r i m i n a l t r g o v i n e l j u d i m a - p r o s t i t u c i j o m , k r a d j e , v r s n j a c k o n a s i l j e , m e d j u o s o b n o n a s i l j e , u n i s t a v a n j e d r u s t v e n e i m o v i n e , r e m e c e n j e J R M , p r e t n j e n a z i v o t & t e l o , r a s n a & n a c i o n a l n a n e t r p e l j i v o s t - S R B O M R Z S T V O J E S V E P R I S U T N O & P O S T O I N K L U Z I J A N I J E I Z V R S E N A N I T I U P O K U S A J U , Z A D A T A K M U P - a J E S U Z B I J A N J E N A T E R E N U D E L I K V E N C I J E - K R I M I N A L A S V I H O B L I K A , O S O B I T O S U Z B I J A N J E M A L O L E T N I C K E D E L I K V E N C I J E & R E S O C I J A L I Z A C I J A I Z G R E D N I K A U K P Z , P O S T O J E P R E V E N C I J A O V A K O N E U R E D J E N O G D R U S T V A C I S T A U T O P I J A P R E D L O G A A L E X A N D R A V U L I N A .

U p r i l o g u d a j e m d o k a z e o d o g a d j a j i m a z a k o j i m e t e r e t i g - d i n , k o m s i j a E l v i r i G e r i n a , s t o j e n j e g o v o p r a v o , a l i & m o j e d a i z l o z i m o p i s r e c o r d o v a n o g c i n j e n i c n o g o p i s a d o g a d j a j a k o j i s a m t a k o d j e r p r i j a v i l a k a o o s t e c e n a g r a d j a n k a & u k a z u j e m n a p o s l e d i c e l a z n o g p r i j a v l j i v a n j a c l . 3 3 4 K Z R S , d a u z m e t e u o b z i r s v e o k o l n o s t i d o g a d j a j a k o j i s u d o v e l i d o l a z n e p r i j a v e o d s t r a n e n e s a v e s n i h r a d n i k a M U P - a , A l e x a n d r a V e l i c k o v i c a , k o j i m e j e z l o s t a v l j a o & p s i h i c k i & f i z i c k i u d e v e t o j s t a n i c i M U P - a n a n a c i n d o s t a v l j e n v a m u p r i l o g u o d 3 0 . j u n a 2 0 1 5 . p r e d m e t n o - a u t o p i l o t p r i j a v e n a f i z i c k o l i c e A c e V e l i c k o v i c a - A c i V e l i c k o v i c u i n s p e k t o r u , u z d a d o d a m d a m i j e o t v o r e n o u s m e n o u p i t i o d i r e k t n u p r e t n j u u i z g l e d u c e n e i l i d a p r e s t a n e m d a k r i t i k u j e m v l a s t i l i c u u p r o t i v n o m b i t i i s e l j e n a i z s t a n a u k o j o j s a m s a s v o j o m u z o r n o m d e c o m ( s t a r i j a j e d r u g a g o d P r a v n o g f a k u l t e t a n a b u d z e t u ) , t e m e t e r a o d a d e s e t i n e p u t a i s c i t a v a m t e x t u p u c e n k a b i n e t u m i n i s t r a S t e f a n o v i c u , t e m e i s m e j a v a o s t o u g o v o r n o m i z r a z a v a n j u & p i s a n o m k o r i s t i m h r t v a t s k e r i j e c i & i z r a z e & u p o t r e b n o p i s m o l a t i n i c e , t e m e j e p r i t v a r a o u w c u s t a n i c i & o s t a l o n a v e d e n o u p r i j a v i k o j o j s a m n j e m u l i c n o u p u t i l a , j e r s t r i k t n o r a d v a j a m l j u d k i f a k t o r p r o f e s i o n a l i z m a & d e l e t a n t i z m a ! ! !

O v i m d o g a d j a j i m a s u p r e t h o d i l i s l e d e c i n e m i l i d o g a d j a j i : d a j e E l v i r i G e r i n a l i c n o p r e d l o z b e n o s t u p i o s a m n o m u d i r e k t a n k o n t a k t j u l a 2 0 1 4 . p o v o d o m d o g a d j a j a t u c e k o m s i n i c e N i k o l i c L J u b i c e : 1 1 . 0 7 . 2 0 1 4 . O d s t r a n e J o v a n c e v i c G o r d a n e , k o m s i n i c e , s a c i l j e m d a s e o d s t r a n i m i z s t a n a u z i z g o v o r d a i z l e d a m l o s e & d a m i j e p o t r e b a n o d m o r , a l i j e b i o u o c i g l e d n o m d o s l u h u s a p o c i n i o c i m a t u c e N i k o l i c L j u b i c e p o n a g o v o r u & u m e s a n & p o d s t r e k a c , j a g a n i s a m p o s l u s a l a & k a o s v e d o k d o g a d j a j a d o p r i n e l a s a m & p o t v r d i l a M U P - t k o j e p o c i n i o c , d a j e N i k o l i c L J u b i c a t u c e n o l i c e u z s a u c e s n i s t v o & d o t i c n o g g - d i n a , a B a t i n a s i c a J o v a n c e v i c G o r d a n a j e p o k u s a l a d a p r i k r i j e i s t i n u i d a m e o d s t r a n i i z r e k a v s i p r i s u t n o m p o l i c a j c u - ` ` O n a j e m e n e t u k l a , a n e j a n j u ` ` , t e o v o m p r i l i k o m n a v o d i m & p r e d l a z e m N i k o l i c L J u b i c u , u l i c e M i l e v e M a r i c A n s t a j n 2 / 1 4 , N o v i B e o g r a d , z a s v e d o c e n j e s v i h o v i h n e m i l i h d o g a d j a j a , i z v r t a n j a c i n j e n i c n o g s t a n j a , l a z n o g s v e d o c e n j a z a r a d i z b e g a v a n j a K R I V I C N E O D G O V O R N O S T I P R A V I H A K T E R A A G R E S O R A ! ! !

T e i z n o s i m d o g a d j a j i k o j i s u p r e t h o d i l i n a r u s e n i m m e d j u l j u d s k i m o d n o s i m a k o j i s u p o p r i m i l i k r i v i c n u o d g o v o r n o s t U P O R N O G Z A T A S K A V A N J A I S T I N E P R E D Z A K O N O M & P R A V D O M :

P r e b i j a n j e p o l i c a j a c a 3 1 . 0 3 . 2 0 1 4 , o d s t r a n e s a u c e s n i k a s a E l v i r i G e r i n o m : s i n o v i B e c i r i B r a i m a - A l e k s a n d a r & S r e f a n , ( N i k o l i c L j u b i c a j e b i l a s v e d o k u p o s t u p k u , a j a o c e v i d a c t r a u m a t i c n o g n e m i l o g d o g a d j a j a ) k o j i s u i s e l j e n i i z s t a n a M . M . A n s t a j n 2 / 1 8 , u d a l j i m b a t i n a m a , p r o v o k a c i j a m a & p o d m e t a n j i m a s v o j e k a o t u d j e k r i v i c e ,

O d t a d a j e s u z i v o t u u v o m u l a z u p o s t a o p r a k t i c n o n e i z d r z i v & n e m o g u c

T a k o d j e h u s k a n j e m o d s t r a n e n a d e n i h l i c a j e P e l a n o v i c M i s a n a p a s t v o v a o J o v a n o v i c M i r j a n u ; 1 8 . 1 2 . 2 0 1 3 t e s a m p o z v a n a & o d a z v a l a s e s v e d o c e n j u u t o m p o s t u p k u 4 3 P r . b r . 3 1 5 3 3 / 1 4 s u d i j e B o j o v i c B o g d a n a .

T e j e p r e k i d u s v a k o g d a l j e g k o n t a k t a s a g - d i n E l v i r i G e r i n o m p r e t h o d i o d o g a d j a j u p o t r e b e f i z i c k e s i l e - b a t i n a k o j e j e n a d a m n o m i z v r s i o n a v e d e n o l i c e - P e l a n o v i c M i s a : 3 0 . 0 5 . 2 0 1 5 . p r e k r s a j n e p r i j a v e z a v e d e n e k a o u p r i l o g u 1 - 1 0 8 - 2 2 5 9 5 / 1 5 . u d i r e k t n o m d o s l u h u & p o d n a g o v o r o m h u s k a n j a o d s t r a n e & n a v e d e n o g l i c a E l v i r i G e r i n e , k o j i m e j e d a n p r e t o g a o b a v e s t i o d a j e d o t i c n i p i j a n & d a c e ` ` s r e d i t i t o ` ` , p o s t o s a m k a o m a j k a b i l a u z n e m i r e n a P e l a n o v i c e v o m d r e k o m & v u c o m s a l o n a v e n e c i j a n e r a & l u p a n j e m p r o z o r a , j e r j e m o j a m a l o l e t n a k c e r k a M . T u t o m t r e n u t k u p o p o v r a t k u i z s k o l s k e s m e n e o s t a l a s a m a s a s k o l s k o m d r u g a r i c o m u n a s e m s t a n u , a P e l a n o v i c j e u p i j a n o m s t a n j u d o l a z i o b e z i k a k v o g n a g o v e s t a j a & r e s p e k t a & u l j u d n o s t i & k r i t e r i j u m a k o l i k o j e s t e t e v e c n a n e o k o n k r e t n o m e n i & m o j o j k u c i . D a b i o p e t u j e m 3 0 . 0 5 . 2 0 1 5 . m e d o t r c a v s i k a o m a r a t o n a c m u c k i m e s a l e d j a n a p a o , b i o j e t o n e o c e k i v a n i n a p a d , j e r o n k o r i s t i s t a p k a o p o m a g a l o , a p o m a g a c u d o g a d j a j u j e b i l o l i c e g - d j a R a h m a n i N a k i j a i z s t a n a M . M . A n s t a j n 2 / 2 3 , N o v i B e o g r a d .

T e u p r i l o g u v a m d o s t a v l j a m & d o p i s i z M U P - a z a v e d e n k a o & p r e t h o d n i d o p i s i z M U P - a o d d a n a 0 7 . 0 7 . 2 0 1 5 . b r . 0 7 . 1 - 1 2 / 1 5 u k o j e m s a m o b a v e s t e n a d a p o v o d o m d o g a d j a j a o d 3 0 . 0 5 . 2 0 1 5 . j e p o d n e t a p r e k r s a j n a p r i j a v a p r o t i v P e l a n o v i c M i s e b r . 1 - 1 0 8 - 2 2 5 9 5 / 1 5 . d a b i n a m o j p r e d a t i z a h t e v u p i s a r n i c u M U P - a u k o j e m s a m z a h t e v a l a p i s m e n i d o k a z b r . p r e k r s a j n e p r i j a v e p r o t i v J o v a n c e v i c G o r d a n e , k o j a j e v e r b a l n o p r e k o p r o z o r a z a v r e m e m o g a o d s u s t v a 1 3 . f e b r u a r a . 2 0 1 5 . n a p a l a m o j e m a l o l e t n o d e t e M . T . u r l a j u c i p r e t h o d n o v i k a j u c i m o j e i m e , t e m e j e t o m p r i l i k o m n a z i v a l a o b r a c a j u c i s e m o m d e t e s a m o m u s t a n u d a s a m ` ` k u r v e t i n a , d r o l j a , n e m a j k a , s e k t a s i c a , u b i c a & g o m i l u s i j a s e t p a k e t a n a j g o r i h m o g u c i h p o g r d a l i c n i h u v r e d a , d a m e j e d e t e u p l a s e n o & u z n e m i r e n i z v a l o n a m o b i l n i & u p t a l o s t a s e z b i v a s a t o m z e n o m , n a s t a s a m p r o d u z i l a d o n a d l e z n e d e v e t e s t a n i c e M U P - a d a p r i j a v i m d o g a d j a j & d o j u r u i l a p o t o m k o d s v o g d e t e t a ! ! ! U b r z o n a k o n t o g a s a m & p r e t e c e p i s m o u z n e m i r a v a j u c e g & k o m p r o m i t u j u c e g - u v r e d l j i v o d s a d r z a j a p r e t e c e g k a r a k t e r a d o b i l a u p o s t a n s k o s a n d u c e s l o b o d n o m r u k o m p i s a n o o d s t r a n e n a v e d e n e d o t i c n e o s o b e - J o v a n c e v i c G o r d a n e ! ! ! N a v o d n i b r . p r e k r s a j n e j e 1 - 1 0 8 - 0 0 2 5 7 / 1 5 , s t o m i j e u s m e n o s a o p s t i o z a m e n i k k o m a n d i r a g - d i n M i l a n R a d o j i c i c i z d e v e t e P S P U M U P - N o v i B e o g r a d .

M e d j u t i m d o p i s o d M U P , o d d a t u m a : 0 7 . 0 8 . 2 0 1 5 . z a v e d e n p o d i s t i m b r . 0 7 . 1 - 1 2 / 1 5 , k a o i d o p i s M U P o d p r e t h o d n o n a v e d e n o g d a t u m a - 0 7 . 0 7 . 2 0 1 5 . U O V O M N O V O M D O P I S U U M E S T O B R . P R E K R S A J N E P R I J A V E J O V A N C E V I C G O R D A N E , O P E T S A M D O B I L A O D G O V O R Z A N A P A D P E L A N O V I C M I S E D O G A D J A J A 3 0 . 0 5 . / 1 5 , A L I S A D A J E P R E K R S A J N A P R I J A V A Z A V E D E N A P O D D R U G I M B R . A T O J E 1 - 1 0 8 - 0 0 5 9 5 / 1 5 , T E O S N O V A N O P I T A M Z A k o r u p c i j u u m u p - & n e s a v e s n o p o s t u p a n j e i s t i h , t e o p s t r u i s a n j e p r o c e s u i r a n j a c i n j e n i c n o g s t a n j a d o g a d j a j a & n a d a s v e P O L I T I C K I P R O G O N ! ! ! ? ! O P O Z I V A M S E N A S L O B O D U G O V O R A D E M O K R A T S K O G U S T A V N O G P R A V A G R A D J A N A , O S O B I T O S T R U K O V N O U S M E R E N I H Z A J A V N E K O M U N I K A C I J E & I N F O R M A C I J E P O P U T M O J E P R E O K U P A C I J E .

D o g a d j a j k o j i s l e d i n a k o n n e m i l o g d o g a d j a j a z a k o j i s e t e r e t i m , a k o j i s a m j a n a j p r e p r i j a v i l a n a d l e z n i m , j e d a s a m o p e t f i z i c k l i n a p a d n u t a p a r d a n a n a k o n v e r b a l n o g d e l i k t a n a p a d a o d s t r a n e g - d i n a E l v i r i G e r i n e , t e s u m e u d e z u r n o j b o l n i c i u Z e m u n u o s u m n j i c i l i n a p r i j e m n o m s a l t e r u d a s a m n e d a v n o b i l a ( 3 0 . 0 5 . 2 0 1 5 ) , p a k a k o t o o p e t , v a l j d a s u m i s l i l i d a p r i k r i v a m p o r o d i c n o n a s i l j e , u g l a v n o m j a s a m r e k l a d a m e j e t a d a j e d n o l i c e n a p a l o , a s a d a g r u p n o & d a n e b i r a m j a s i t u a c i j e & d o g a d j a j e , v e c m i i h d r u g i n a m e t a j u ! ! !

P R E K R S A J N E P R I J A V E U C E S T A L O G K A R A K T E R A S U P R E R A S L E F O R M U & K A R A K T E R P R E K R S A J N I H P R I J A V A U K R I V I C N U P R I J A V U , A L I P O S T O S A M P O L I T I C K I P R O G O N J E N A M O J I P O S T U P C I S E O P S T R U I S U P R E D T U Z I L A S T V O M , T E C U B I T I P R I N U D J E N A D A P O D U Z M E M D A L J E K O R A K E U Z A S T I T I G O L O G Z I V O T A & N A P A D A N A T E L O , P O R O D I C U & O S K U D N U I M O V I N U P R O U Z R O K O V A N U K R A J N J O M B E D O M Z B O G N E S A V E S N O G R A D A V U C I C E V E S T R A H O V L A D E ! ! !

P O R E D S V E G A J A S E R U K O V O D I M J A V N I M G O V O R O M M U F T I J E B E O G R A D S K O G , D A A K C I J U K O J A I Z A Z I V A R E A K C I J U , T R E B A I G N O R I S A T I , A D A U S U Z I V O T U U K O L I K O N E M O Z E M O Z A J E D N O D A Z I V I M O ( P R E M D A N I S M O K O M U N A P R A - H O R D I ) , O N D A T R E B A D A P R I H V A T I M O D A Z I V I M O N E O M E T A N O J E D N I P O R E D D R U G I H , S T O J A I C I N I M , A M O J M O T O J E D U H O V N A K R I L A T I C A J E D I N O G I S T I N I T O S N O G S R P S K O G P A T R I J A R H A P A V L A : B U D I M O L J U D I , A N E N E L J U D I .

P O D N O S I O C : S I M O N A M A R K O V I C ,

U l . M I L E V A M A R I C A N S T A J N 2 / 1 , N O V I B E O G R A D .

P R I L O G :

D I S C K L J U C N I H S P O R N I H D O G A D J A J A .

D O P I S M U P 0 7 . 1 - 1 2 / 1 5 D A N A 0 7 . 0 7 . 2 0 1 5 I L E K A R S K I I Z V E S T A J Z A D O G A D J A J 3 0 . 0 5 . 2 0 1 5 .

D O P I S M U P 0 7 . 1 - 1 2 / 1 5 D A N A 0 7 . 0 8 . 2 0 1 5 . P a u p o r e d i t e p o g r e s a n b r . p r e k r s a j n e z a i s t i d o g a d j a j . I D O K A Z D A S A M P R I J A V I L A N A V E D E N O L I C E G - D I N A E L V I R I G E R I N U T E D A S A M L A Z N O O P T U Z E N A P O V O D O M I Z N E T O G S P O R N O G D O G A D J A J A .

P r e k r s a j n a s v e d o c e n j e 4 3 P R . b r . 3 1 5 3 3 / 1 4 .

K R I V I C N A P R I J A V A U M U P P R O T I V F I Z I C K O G L I C A A C E V E L I C K O V I C A A U T O R I T E T U T I T U L E I N S P E K T O R A A C E V E L I C K O V I C A .

Z A P I S N I K O P R I J E M U K R I V I C N E P R I J A V E T E S K E K R A D J E N A S I L N O G O B I J A N J A M O G A P O D R U M S K O G B O X A V E Z A N O G Z A K O R I S C E N J E M O G A S T A N A & K R A D J U S T V A R I I Z I S T O G K O N S T A T O V A N O G U P R I S U S T V U S V E D O K A S T A N K O V I C D A L I B O R A 1 0 . 0 1 . 2 0 1 5 . M O G A S E X U A L N O G P A R T N E R A R E L A C I J E S T A L N E V E Z E Z A K O J U M E J E P R I J A V L J E N O L I C E P O N I Z A V A L O V R E D J A J U C I M E D A S A M K U R V E T I N A , D R O L J A , T E P E D O F I L I C A R K A I D A S E C I T I R A M G A - ` ` J E B E M S A K L I N C I M A O D D V A D E S E T G O D I N A I D A N E C E V A L J D A T A J B A L A V A C D A D O D J E D A G A B I J E Z B O G U V R E D A M E N I N A N E T I H , K A D A S A M M U K A Z A L A D A O S O B A I M A P R E K O 3 5 G O D , I S M E J A V A O M E J E D A T R E B A D A D O S L O V C E I S K O P I R A M N J E G O V U L I C N U K A R T U I O K A C I M N A V I D N O M J E S T O D A S V I M O G U D A V I D E K O L I K O ( M O J S E X U A L N I P A R T N E R ) I M A G O D .

N A P O M I N J E M : P O R E D P R I P R E M A N J A T E R E N A Z A B R U T A L N O P R E B I J A N J E I P O Z I V N A J A V N I L I N C N I K O L I C L J U B I C E T E S K O O B O L E L O G L I C A O D C E R E B A L N E P A R A L I Z E 1 1 . 0 7 . 2 0 1 4 . E L V I R I G E R I N A M I J E N A K O N T O G A I P R E D L O Z I O O T V O R E N O B E Z U V I J A N J A T A J N U S E X U A L N U V E Z U , K A O I N A O C I G L E D P U N O G L I N I J S K O G A U T O B U S A - 4 5 P O C E O S E X U A L N O D A M E N A P A D A Z A V L A C E C I S V O J U R U K U I Z M E D J U M O J I H N O G U N A S E D A L I M A , I P O V L A C E C I M O J U R U K U I Z M E D J U N J E G O V I H N O G U K A N J E G O V O M P O L N O M O R G A N U , S T O S A M K A T E G O R I C N O O D B I L A D A P R I H V A T I M T O J A V N O P O N I Z A V A N J E N E P R I M J E R E N O M O J I M G O D I N A M A & S T A T U S U M A J K E - Z E N E ! ! ! O N S E P O V O D O M T O G A I Z V I N I O M E N I L I C N O , A L I O P E T U J E M P O S L E N E O C E K I V A N O M U C K I B R U T A L N O G N A P A D A S A L E D J A N A U L I C I P E L A N O V I C M I S E D I R E K T N I M N A P A D O M N A M E N E ( 3 0 . 0 5 . 2 0 1 5 . ) , J A S A M S V A K I D A L J I K O N T A K T S A N A V E D E N I M L I C I M A P R E K I N U L A I N A K O N T O G A T O I S V E P O S L E T O G A U R E D N O P R I J A V I L A N A D L E Z N O M M U P .

- - - - - - -

...

[ganhosdoelefante]

Zagreb - 19 de novembro de Ano 3 - Segunda - Doc - 27 anos

06:00 - Acordo e corro:

07:00 - Voltamos, tomamos banho e nos arrumamos. 07:40 - Tomamos café:

08:00 - Temos reunião do force no hotel mesmo:

12:30 - Almoçamos: Restoran Zinfandel's

13:40 - Nos apresentamos no nosso local de trabalho: KBC Zagreb - Klinika za ženske bolesti i porode (Petrova)

17:00 - Saímos. 17:10 - Chegamos ao hotel e tomamos um chá da tarde:

18:00 - Subimos e relaxamos um pouco. 18:30 - Tomamos banho e nos arrumamos. 19:20 - Vamos ao jazz: Bacchus jazz bar

21:00 - Voltamos ao hotel e comemos pizza.

21:30 - Dormimos.

[furtivestar]

2023/11/12 大トリは最長60分枠

『テレビ朝日 旧ジャニーズ問題検証』

11/12日 10:00 - テレビ朝日ほか下��を除く系列局

11/12日 10:50 - 熊本KAB（題名のない音楽会）

11/12日 24:30 - 北海道HTB（題名のない音楽会、高校バスケウィンターカップ）

11/12日 24:55 - 北陸HAB（KICK OFF! ISHIKAWA）

11/13月 10:15 - 沖縄QAB（うちなーなんばー1、スマイル住まいる住宅）

11/13月 10:25 - 福岡KBC（福岡マラソン）

緑文字は時差・遅れネットの要因とみられる番組。ちゃんと理由あるねっていうことだけ。

あいやー固くお断りされたぁ。

・・・当時の文春（他社）記事を引用してたからかな？

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忖度してないと言ってみたり、してたと言ってみたり。

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反論？

"特にテレ朝"とされてる風潮、確かにファクト（具体的な数字）が欲しいところなんだけど、かといってこのグラフもいまいち納得感がない（あまりに低すぎん？）。プライム帯に絞るとこうなるのかなぁ。

テレ朝が「後発の局」だなんて、いつの時代の話をしてるんだい？・・・いや、その時代のことをむしろ明かすべき？

結局、どの局の証言も「いつ（当人の死後なのか、裁判のころなのか、90年代なのか、あるいはもっと前か）」が抜けてて具体性が欠ける。

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最高裁の事実認定があって、証言者がいたこともわかって、にもかかわらずその少年たちに取材を申し込んできたメディア、あるいは個人での記者、一人もいませんでした。 これをね、私は「日本の記者全員が、人権意識がその当時全くなかった」と、「だからこれには興味を持たなかった」というふうには、さすがに思いたくないんです。 むしろやっぱり、「ジャニーズのテーマだから、これは取材しても書けないだろうな」というふうに��さん思ったんじゃないかなというふうに、僕は信じたい。むしろ信じたいです。

各局、逆に行きました。

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後味。

[technomiz]

The popular comedy show Taarak Mehta Ka Ooltah Chashmah has created a new record. The show completed 13 years on Wednesday, July 28. With this, the show to be aired on the small screen has become the most-running show in television history.