#kimiko toho

[retroscifiart]

The Mysterions by Noriyoshi Ohrai for The History of TOHO Tokusatsu Movies

[delaneykiff]

🖤Youngblood🖤

Chase Young and Kimiko as the couple in 5 Seconds of Summer 's music video "Youngblood" 🖤

I thought this song, and obviously the Asian couple, fit Chamiko pretty well 💕

Original concept and design, characters are from Xiaolin Showdown

No reference of any kind was used in the making of this drawing 😊

[vsthepomegranate]

House (1977)

[gloriouscollectorflower]

Who has a crush on Kimiko Toho?

in Xiaolin Showdown and its sequel/reboot series, Xiaolin Chronicles, who has a crush on Kimiko Tohomiko? and don’t say Raimundo Pedrosa. 

[newsintheshell]

Date e locandine della trilogia cinematografica “Psycho-Pass Sinners of the System”

Il futuro distopico di Psycho-Pass tornerà da gennaio.

Svelate in occasione del Tokyo International Film Festival le locandine e le date di debutto dei film che andranno comporre la trilogia cinematografica denominata “Psycho-Pass Sinners of the System”. I primi due lungometraggi saranno mostrati in anteprima durante l’evento, iniziato il 25 ottobre, che si chiuderà il 3 novembre. 

"Case.1 Tsumi to Bachi" (Caso.1 Crimine e Punizione), sarà incentrato su Nobuchika Ginoza e Mika Shimotsuki. La sceneggiatura è stata curata da Ryō Yoshigami, l’autore dei romanzi Psycho-Pass Asylum e Psycho-Pass Genesis. La pellicola debutterà in Giappone il 25 gennaio 2019 e la sigla di chiusura sarà “Fallen” degli EGOIST, remixata da Masayuki Nakano.

Altri membri dello staff:

Direttore delle animazioni: Satoru Nakamura

Supervisione animazioni Ryouta Shinya, Ryouta Furukawa, Shunji Suzuki, Fuhito Morita, Satoru Nakamura, Tetsurou Moronuki

Direttore tecnico: Tomoyuki Kurokawa, Yasuhiro Geshi

3D: Sublimation

Direttore della fotografia: Eiji Arai

Colorazioni: Emiko Ueno

Direttore artistico: Shuichi Kusamori

Direttore del suono: Yoshikazu Iwanami

Musiche: Yuugo Kanno

Character Design: Naoyuki Onda, Kyoji Asano, Hisashi Abe 

Il cast:

Izumi Yasaka: Saori Yumiba

Takeya Kukuri: Sachie Hirai

Kyouka Tsujikari: Horie Oka

Rojion Matsuki: Rikiya Koyama

Aiko Gentaku: Kimiko Saito

Kouji Notou: Youhei Tadano

Akira Karasuma: Keiichi Nakagawa

Akane Tsunemori: Kana Hanazawa

Teppei Sugou: Hiroki Touchi

Shou Hinakawa: Takahiro Sakurai

Yayoi Kunizuka: Shizuka Itou

Shion Karanomori: Miyuki Sawashiro

"Case.2 First Guardian" (Caso.2 Primo Guardiano), sarà focalizzato su Tomomi Masaoka e Teppei Sugo. La sceneggiatura qua è stata curata da Makoto Fukami, già dietro a quella della prima stagione televisiva e del film del 2015. La pellicola debutterà in Giappone il 15 febbraio 2019 e la sigla di chiusura sarà “All Alone With You” degli EGOIST, remixata da Masayuki Nakano.

Altri membri dello staff:

Direttore delle animazioni: Hisashi Abe

Supervisione animazioni: Miyuki Nakamura, Ryouta Furukawa, Hisashi Abe, Tetsurou Moronuki

Direttore tencico: Yasuhiro Geshi

3D: IG 3D 

Direttore della fotografia: Eiji Arai

Colorazioni: Emiko Ueno

Direttore artistico: Shuichi Kusamori

Direttore del suono: Yoshikazu Iwanami

Musiche: Yuugo Kanno

Character Design: Naoyuki Onda, Kyoji Asano, Yasuhiro Aoki

Il cast:

Risa Aoyanagi: Masumi Asano 

Itsuki Ootomo：Masaki Terasoma

Rin Ootomo: Sayaka Ohara

Shinya Kougami: Tomokazu Seki

Nobuchika Ginoza: Kenji Nojima

Shuusei Kagari: Akira Ishida

Yayoi Kunizuka: Shizuka Itou

Shion Karanomori: Miyuki Sawashiro

Fredelica Hanashiro: Takako Honda 

Akane Tsunemori: Kana Hanazawa 

Mika Shimotsuki: Ayane Sakura 

"Case.3 Onshuu no Kanata ni＿" (Dall’altro lato di amore e odio＿), vedrà invece come protagonista Shinya Kougami. Lo sceneggiatore anche in questo caso è sempre Makoto Fukami. La pellicola debutterà in Giappone l’8 marzo 2019 e la sigla di chiusura sarà “Namae no nai Kaibutsu” degli EGOIST, remixata da Masayuki Nakano.

Altri membri dello staff:

Direttore delle animazioni: Naoyuki Onda, Hisashi Abe, Satoru Nakamura

Supervisione animazioni: Miyuki Nakamura, Ryouta Furukawa, Tomomi Takeuchi, Hisaki Furukawa, Miho Ichikawa, Kazuchika Kise, Hisashi Abe, Tetsurou Moronuki, Ryouta Shinya, Satoru Nakamura

Direttore tecnico: Toshiyuki Kouno, Hirotaka Endou

3D: Sublimation

Character Design: Naoyuki Onda, Kyouji Asano, Hisashi Abe 

Direttore della fotografia: Eiji Arai

Colorazioni: Emiko Ueno

Direttore artistico: Shuichi Kusamori

Direttore del suono Yoshikazu Iwanami

Musiche: Yuugo Kanno

Il cast:

Tenzing Wangchuck: Sumire Morohoshi 

Fredelica Hanashiro: Takako Honda

Kinren Doruji: Tomoyuki Shimura 

Guillermo Garcia: Tsutomu Isobe 

Tshering Gurung: Wataru Takagi 

Jean Marcel Belmondo: Satoshi Tsuruoka 

Tutti e tre i progetti sono stati diretti da Naoyoshi Shiotani, che ne ha anche fornito il concept originale, presso lo studio Production I.G e saranno distribuiti da TOHO. Il tema musicale di tutti i film sarà “abnormalize” dei Ling Tosite Sigure, remixato da Masayuki Nakano.

In un futuro prossimo, lo stato mentale, la personalità e il potenziale criminale dei cittadini possono essere monitorati attraverso un sistema di scansione chiamato Psycho-Pass. Quando il Coefficiente di Criminalità di un individuo supera una certa soglia, la Sezione Anticrimine del Dipartimento di Pubblica Sicurezza ha il compito di arrestarlo. Per farlo, Ispettori e Agenti ricorrono a speciali armi chiamate Dominator in grado di sparare solo ai cittadini con un Coefficiente di Criminalità superiore alla soglia.

La prima stagione, di 22 episodi, della serie originale animata da Production I.G ha fatto il suo debutto nel 2012, seguita nel 2014 da una seconda, questa volta composta da 11 puntate e animata da Tatsunoko Production. L’anno successivo è uscito nei cinema giapponesi il film “Psycho-Pass Movie”. In Italia è attualmente distribuita da Dynit solo la prima stagione, sia in home video che in streaming su VVVVID.

L’opera ha ispirato diversi spinoff manga e la visual novel Psycho-Pass: Mandatory Happiness, disponibili anche nel nostro paese.

SilenziO)))

[FONTE]

[recentanimenews]

Behold the Birth of Shinnosuke in 30th Crayon Shin-chan Anime Film's Opening Minutes

  Friday marked the premiere of the 30th feature film in the Crayon Shin-chan anime series, which is based on the manga of the same name by Yoshito Usui. If you ever wanted to witness the moment the cheeky star of the series, Shinnosuke Nohara, came into this world, you can see that and more in TOHO's new preview of Crayon Shin-chan the Movie: Mononoke Ninja Chinpuden's opening minutes.

  RELATED: Crayon Shin-chan Anime Celebrates 30 Years with Anniversary Video

  Watch Shinnosuke's birth, Hiroshi and Misae coming up with his name and more in the video below, which will be available on YouTube until May 31.

    The film is directed by Masakazu Hashimoto (TARI TARI, Soul Eater Not!), who previously worked on the 21st, 23rd, and 27th films, based on a screenplay co-written by himself and Kimiko Ueno (The Royal Tutor).

  Its story begins when Hesogakure Chiyome appears in front of the Nohara family and introduces Chinzo, the child she brought with her, saying, "He is your real child." Meanwhile, Shinnosuke is taken away to the "Ninja Village" where only ninjas live. The Hesogakure clan is a ninja family that has been protecting the "Earth's Navel" as a user of the "Mononoke no Jutsu" for generations, and Shinnosuke is their heir. When the plug of the "Earth's Navel" is pulled out, the Earth will wither and tomorrow will never come... Shinnosuke is not a child of the Nohara family, but a child of the ninja who protects the earth!

    Source: TOHO via Anime News Network

    -------

Joseph Luster is the Games and Web editor at Otaku USA Magazine and the Editor-in-Chief of Sci Fi Magazine. You can read his comics at subhumanzoids. Follow him on Twitter @Moldilox.

  By: Joseph Luster

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 6 / 10

Título Original: Hausu (AKA House)

Año: 1977

Duración: 88 min

País: Japón

Director: Nobuhiko Ôbayashi

Guion: Nobuhiko Ôbayashi, Chiho Katsura

Música: Asei Kobayashi, Micky Yoshino

Fotografía: Yoshitaka Sakamoto

Reparto: Kimiko Ikegami, Kumiko Ohba, Yôko Minamida, Mitsutoshi Ishigami, Miki Jinbo, Asei Kobayashi

Productora: Toho

Género: Comedy, Horror

https://www.imdb.com/title/tt0076162

TRAILER:

[tamedchaosramblings]

Watch "What is Blanca? (Animal Crossing Theory)" on YouTube

What if it is Blanche??

https://cinemacats.com/hausu-1977/

[docrotten]

House (Hausu, 1977) – Episode 121 – Decades of Horror 1970s

"She eats unmarried young girls. It is the only time she can wear her wedding gown.” Cool! Sounds like a great place to spend your summer vacation. Join your faithful Grue Crew - Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr - as they ride the bus to Auntie’s and try to avoid the cat with the laser eyes in House (1977).

Decades of Horror 1970s Episode 121 – House (Hausu, 1977)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A schoolgirl and six of her classmates travel to her aunt's country home, which turns out to be haunted.

IMDb

  Director: Nobuhiko Ôbayashi

Writers: Chiho Katsura (screenplay), Chigumi Ôbayashi (original story)

Cast:

Kimiko Ikegami as Gorgeous

Miki Jinbo as Kung Fu

Ai Matsubara as Prof

Kumiko Oba as Fantasy

Mieko Sato as Mac

Masayo Miyako as Sweet

Eriko Tanaka as Melody

Yōko Minamida as Auntie

Kiyohiko Ozaki as Keisuke Tōgō

Saho Sasazawa as Father

Haruko Wanibuchi as Ryoko Ema

Nobuhiko Ôbayashi’s House is an infamous Toho film. According to Bill, if you do an internet search for “weird Japanese movies,” House turns up number one on every list. Chad calls it the strangest movie they’ve ever removed. The 45-minute documentary on the Criterion Blu-ray edition is well worth the cost in Jeff’s opinion, especially in giving the viewer a vague idea of what House is all about. Doc, on the other hand, says don’t even bother trying to follow the narrative, but if you pay attention to what’s going on in the background, you might just see a talking watermelon puppet.

House (Hausu, original title) is without a doubt a unique and stunning film, one everyone should see at least once. Jeff has already recommended the Blu-ray from Criterion and currently, House is available to stream on HBOmax and the Criterion Channel. Your loyal Grue-Crew says check it out!

Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror 2-week rotation with The Classic Era and the 1980s. In two weeks, the next episode in their very flexible schedule will be And Now the Screaming Starts! (1973), another Amicus Productions film starring Peter Cushing, Stephanie Beacham, Ian Ogilvy, Herbert Lom, and Patrick Magee.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the site or email the Decades of Horror 1970s podcast hosts at feedback@gruesomemagazine.com

Check out this episode!

[supercultshow]

Howdy all you Supercultists out there on the interwebz! I’m Bad Movie Professor Cameron Coker (BS in “Nobuhiko Obayashi” with a minor in “Criterion Supercult”) and I’ll be posting my hype-tacular speeches every week along with some long-lost speeches from past Supercult Shows!

This week Supercult takes a summer vacation to our Aunt’s house to watch House!

A young girl, upset with her father for suddenly bringing home a new stepmother, decides to visit her Aunt’s house in the countryside with her six friends, but soon the quaint summer get away becomes a waking nightmare. Before long the girls start disappearing and supernatural events, possessions, and gruesome encounters with household objects begin to take their toll on the girl’s sanity. Can they discover the secrets behind this creaky old mansion or will they forever be consumed by…the House!

House is Calling to You Come Back Home and Marry Me

Nothing is more terrifying than indigestion.

I mean…that’s cool lighting right there.

The only thing more horrifying would be if they were playing chopsticks non-stop.

“I will allow you to pet me, but as soon as you’re done I’m going to have this house eat your face.”

The Japanese rock band Godiego have a brief cameo in the film as the men who flirt with the girls at Tokyo Station.

Gardening tip: Cut the thorns off roses before giving them to others, that way your friends won’t be symbolically hurt by love or whatever.

OH GOD! THE HORROR! Visiting family!

Following the massive success of the 1975 American film Jaws, the film that is widely attributed as the first modern ‘blockbuster’ film, the Toho film studio was clamoring for something similar and reached out to Nobuhiko Obayashi, an experimental film and TV commercial director. Nobuhiko went to his pre-teen daughter for inspiration with the rationale that adults “only think about things they understand … everything stays on that boring human level” while “children can come up with things that can’t be explained”. Nobuhiko’s daughter’s ideas and childhood fears, such as a house that eats girls, fingers getting caught between piano keys, and futons falling in a way that made them look like they were attacking her, were synthesized with Nobuhiko’s own fears from growing up in Hiroshima and losing all his friends to the bombings of the city during WWII, into the script for House, a story about one person’s fears, loss, and anger spilling over into the lives of innocents.

Woah there House, slow it down. This is supposed to be a Comedy Horror, remember?

Now you’re just somebody that I used to know!

Oh no! The Cat has gone all Emperor Ming on us!

“We got you a watermelon Auntie!” “I see…how nice…I’ll murder you all.” “What was that?” “Nothing!”

https://www.youtube.com/watch?v=Or8wDzmsibA

Yeah, let’s just put that back where you found it and forget this whole thing happened.

Can we all agree that all mirrors are creepy? Why do we even have them now that we have camera phones??

https://www.youtube.com/watch?v=-qvFtwzEG5U

Are they gonna sing Bohemian Rhapsody or something?

The script for House was green-lit, but no director wanted to touch it, fearing that it would be a career ending project. Though Obayashi offered to direct the film himself, Toho rejected him for not being a staff member at Toho. Obayashi decided to instead promote the script with the help of his colleagues in the commercial industry producing everything from a soundtrack and a novelization of the script to a manga and radio drama. The cast was put together as well, mostly from among the models and actresses that Obayashi had worked with in the commercial industry. Of the main cast only two members, Kimiko Ikegami and Yōko Minamida had any significant prior experience. Finally, after two years of production limbo Obayashi’s producer told him that Toho was tired of losing money on comprehensible films and were ready to let Obayashi direct an incomprehensible one. Thus, with Toho’s special permission, House would be written, directed, produced, edited, and have visual effects by Nobuhiko Obayashi. It was his feature film debut.

Oh, did we not mention that Obayashi was a special effects guy? I mean you might’ve guessed with all the experimental film stuff in his past, but…yeah, you ain’t seen nothing yet. Obayashi desired the special effects to look unrealistic, as if a child created them, and using everything from animation, matte effects, and visual collage, turned a script which even the cast and crew felt was utter nonsense, into something that would downright puree the brains of audiences. For a scene in which a character vanishes under a wave of blood, Obiyashi had her suspended nude, pouring buckets of blue paint on her to create a blue-screen chroma key effect where the blue colored parts of her body would deteriorate on camera. In some cases, Obayashi didn’t know how some effects and processes would look until after the film was completed and sometimes the effects didn’t turn out the way he envisioned them.

Nevertheless, House was first released in 1977 in Japan as a double feature with the romance film Pure Hearts in Mud. Toho didn’t expect House to be successful, and indeed early reviews of the film from critics were lack-luster at best, but the film became a commercial hit, especially with younger audiences, and went on to garner additional praise in the United States. It wasn’t until a DVD version of the film became available in 2009 that the film took on a new life as a genuine cult classic even going so far as to be inducted into the Criterion collection which describes it as “Equally absurd and nightmarish, House might have been beamed to Earth from some other planet… it’s one of the most exciting cult discoveries in years.” With a 90% on Rotten Tomatoes and a 7.4 on IMDB, one wonders how Supercult can even bear to screen a film with such genuine critical success.

Well, it’s because we can’t take our eyes off of it. It’s garish, psychedelic, bloody, hilarious, and downright hypnotic. Both a technical marvel and a hilariously poor executed film, House will not only perplex and delight you, but might even give you genuine nightmares!

The House is calling you fellow Supercultists! Come back home and marry me!

The Supercult Show is proud to present, House!

  House Howdy all you Supercultists out there on the interwebz! I’m Bad Movie Professor Cameron Coker (BS in “Nobuhiko Obayashi” with a minor in “Criterion Supercult”) and I’ll be posting my hype-tacular speeches every week along with some long-lost speeches from past Supercult Shows!

[delaneykiff]

Chase and Kimiko from Xiaolin Showdown ♥️✨🏯

[makapedia]

so i edited like a 5 second video of kimiko because i was feeling inspired

but it's only 5 seconds so don't get too excited

i am still the queen of lazy

[delaneykiff]

Kimiko's bedroom 🎀

[delaneykiff]

💙Chamiko Wedding👰

Chase Young and Kimiko Tohomiko getting married 💙💍💕

[delaneykiff]

🦋Graveyard💙

Chamiko in Halseys song Graveyard 💙🦋✨

[delaneykiff]

💗Chamiko💎

Kimiko and Chase Young in Steven Universe style 💎💗

Steven Universe Xiaolin Showdown