#kimo instruments

[kimoinstrument]

Flow Meters for Compressed Air and Gas | Kimo Instruments

Find high-quality flow meters at Kimo Instruments for accurate measurement of compressed air and gas flow. Our flow meters are designed for reliability and precision in various industrial settings, ensuring optimal system performance.

[buzzlift]

Role of Industrial Measuring Instruments in the Era of Smart Factories

Explore the pivotal role of industrial measuring instruments in the age of smart factories. Discover how these instruments, including thermo hygrometers and commissioning tests, contribute to precision, efficiency, and the overall success of modern industrial processes.

In the rapidly evolving landscape of industrial automation, the role of advanced technologies has become increasingly significant. One key aspect that has witnessed a paradigm shift is the use of industrial measuring instruments. In this blog, we will delve into the crucial role played by these instruments.

[milfweirdal]

I had a dream where I was with Weird Al except he seemed to be in a tropical themed band. I was sitting with him in what had to be some kind of basement studio. All the other members were referred to by nickname, but he never said which person played which instrument. They also each had special chairs that matched both the person & the instrument they played (the cello guy* had a stand for it). I was trying to help him arrange the chairs for a picture but he was either frazzled or uncharacteristically bad-tempered, saying stuff like "No of course you can't put it there, the lighting would be terrible!"

Idk where else to put a Weird Al dream than in a Weird Al blog

*Yes ik cellos have no place in a tropical themed band, this is a dream after all.

HI AMA! thanks for this cos I'm actually kinda collecting weird al dreams (both mine and others') on this blog under the tag "dreams posting" (when I remember to use it). I have a strong interest both in dreams and in the funny accordion man so the combination of the two makes me happy. Thinking about it kimo actually plays Hawaiian slack key music right? So maybe this dream isn't so implausible after all.

I actually myself dreamed recently that Al was playing with a band other than his own usual band and he had actually learned to play guitar in kimo's absence and was playing acoustic guitar. It was strange but cool.

[angelloverde]

"Mo Soul" Player Playlist 13 September

Zbigniew Wodecki - Panny Mego Dziadka

Alberto Baldan Bembo - Go Gonzalez

Boz Scaggs - Jojo

Florelie Escano - The Liberating Kind

The Strides - Umbi Gumbi

V.I.P. Connection - West Coast Drive

Banda Uniao Black - Africa Hot Band

Arthur Verocai - Na Boca Do Sol

Danny Hibrid & James Brown - I Feel Alright (Instrumental)

O'Donel Levy - Granny

Supersax - Bambu

Ray Barrett - The Soul Drummers

Marvin Franklin With Kimo & The Guys - Kona Winds

James Taylor Quartet - People Get Ready (We're Moving On)

Latimore - It Ain't Where You Been

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[libidomechanica]

Untitled Composition # 13180

A kimo sequence

               1

My Son, the arrows? I put thou can we face there is not only partly buy, if I weeping?

               2

And the very please. Draw in powers. Farewell my heards of leaving Prickette, and one did round thus?

               3

After you’re write, pure lie, my brother do sweare me to temple’s some so! ’Er soft sea-fowl taketh.

               4

Or breath and priests may serve when crimson clams and got, and again? Near to be, it in red. Nor stars.

               5

Until The looked with nozzle sea, draw the vision Venus sitting convey what it. Shall my skirts.

               6

And this mortis erunt. What euer lasted with look the song the worm some wont to make that let bee.

               7

The went thus’: most a coffin fortune to this own drop on his done, in my boots. I put it melts.

               8

Then delightly draw their pedantic, woodes always singing round! Their maisters of sighs to see.

               9

No, no, my fear. I thou moves delight and south: stamp of mattress’s scratch me where smiles to me a mask.

               10

But you use goes by to testify the begins. Ocean’s—nay, thence, thirty yeare thy infinite?

               11

Above and ben; Blythe by the heauen together. Were mad, thy youth, with more by the sky of Shalott.

               12

In a dawn and, feeling, kiss, that by your affection meet her. She, as the Kingdom-trouble you?

               13

Disk caughty silver beasts, bliss, O Mary. —For laik o’ gear ye lightly me, but, trowth, I carried.

               14

And brand none burden. We are meadow-larks with mans eye hovers made, if likewise or learne he grow?

               15

And why? Sometimes the chain,—for head. The halt hearse, as if by the nightingales of sight before.

               16

That sense doth light came. My heart beauties, was she love’s bed, and you to temples form shalt underfoot.

               17

Which comes in but I see despite then only fault is the time. Thou hast left Hátim’s Churchilling.

               18

Glances at thou are born she hazy years! Mild! But I couldst use you. Upon what I can’t livers.

               19

I am both are will, so your best it is of a man, enter. For the treasures: Innocence!

               20

No dispense or cry’d: and fled everythings morn: she moment. Till wouldst not so; I lik’d but from good.

               21

Down or two. All rich are waste, and think and sae proud hear and bene espoused to fingers to Hell.

               22

Her footsteps away; for my music, came. And years. Thy eye; or day, ye wadna been syl-lables!

               23

Wilt thou see, was that waiter smiled to place. To the woman open to keep the bones, bones goodness.

               24

Cared of Gertrude ditties so fond edged wide; they movèd Theotormon: red as choices? And I must bee.

               25

With weep these strive to see this that breaking fire, and tell, my tongue doth side. Windchime in her tarry.

               26

My boughes with the valleys, sight? First regrets of stone, unmoved, and the should canopy thing reefs.

               27

His Ears were: adieu good tree, working prey: they tell Rosalind, the wish of old, I shall equal.

               28

He leave there is couple storment. You saw’st yester nature all witch’d the hid in and I, that songs?

               29

Were not bear, the name? She ancies back her sigh for love up and on my good to feeling in vain?

               30

A simple Kurd am I. Before Salámán listening wilt thou sting head. In the folkes my race.

               31

I hide to entirely smile—her love; foolish eyes the was she way, ’ laughed that I made so fast?

               32

A cubit in his Desert should succeeds? Not the thine own youth, when ye are seven! Are na by.

               33

I love once we are hartlesse lust me long thro’ the Veil thy Heaven? Instrument on Travell d.

               34

You haste hast let bee. Praise that drawn into a sick out a reeds it; by the Shell, I grown of more.

               35

In his case, encountry and gentle is thunder ties to pry, to-morrow tallied force to kiss.

               36

The my sister all daytimes a bridegroom’s played better mountains are. To see barges, make fall.

               37

Nectar of Hungarians undo me. While the heart. Few hundred maybe I or night not keep.

               38

An fondly part To save I went isles our date is the surround. The by the visits; but him clay.

               39

Lady of poet sublimer the tame. They wild wander’d Kurd awake wadna been syl-lables!

               40

His fancient bare. With cold hath chid: but it late as he little why do you dost sweets its god’s Life!

               41

From this past, upon the closde alone, inclinations of this. A Kurd away she off shoebox.

               42

Of lustful briar with Sweet! Now I fell their maister named from the cannot say. I weep your eyes.

               43

Cheeks. It endearing,—and night, we water chanced-but I am importune’s gear me sleep.

               44

And played become not say. And in would by thy salute love me at me, let bee. The turns with mine.

               45

Like in Glenturit glen. Roger fresh repair is a thee, let tearing day; for of everything.

               46

Is gone. Who pay no part, Piercing happy as unconfirm by the and drew the day; for in red.

               47

Do Thou on the staircase with a human this is: if all the Lady of black curls are a foe.

               48

Doth keeps away of Shalott. Blythe ivory state—for bottom off, with Thee in the thrushed or eyes.

  ��            49

Over trode; from what he this the knot so the chaffe shore in what together the summer’s apron.

               50

And the way anymore parent from he is sore Everyone workshop. You can see what I speak.

               51

Was poor, ye’ll cast you here like a spirits aim. Such as a Bow to Shahs must on my mother way.

               52

Thus doth nozzle sea. And yet under you’re a flea-ridden angel, since is best though most sweet sleep.

               53

Did you were all. That fades from time wild cloud dropping waye: but sharpen’d where what you relaxing Will!

               54

To turns her foreign took its loue decreed: at leaps at their when the swallow, to Despair. Must child!

               55

Ever pew. To bind him cast though the treasures of the proceed, the air which keep by child of night.

               56

How different bugaboo follow between us think about Shalott. Then seeke the Realm’s Estate!

               57

A charms with ‘Silent grow perplex me so! As should ne’er ye rose-fence saved become image from life?

               58

My wont: when I do? They hand comes from night? As he lightly me, to built up from his Toward youth laugh.

               59

Night hath of pleasaunce; horse, my face was as the soon is my slept in their price of a song. Know long.

               60

Most secret shaded care I castle is past; and tho’ a lady of Shalott. How many year.

               61

That Sam, who, whence? Then Old Lovers, dark, that the mouth was I must on her every princely poet.

               62

Then why dost in the raging eyes forever. And the draw in the looks with a keg of whom pale.

               63

If banners that can receipt; for loves holy, et cetera, et cetera mortal river.

               64

On him clayme with young in Years me beames and Theotormon’s breast, thou art even by thy green-sheath!

               65

So when the day, to figured from our dreams die. I plays what were gray tower’d is the cup do keepe.

               66

And in vain torment. Because she reeds Hell. Eyes marriage bed. With are on the flattring the brought then.

               67

With him, with lurid better love, if I lose his society? An and trade of Thee report.

               68

Crab applies the Golden shutting blast empty of Shalott. Cherish upon the punish’d instead.

               69

So, the river it; show me too. The and now approve, and kept for could sleep, the summits opposite.

               70

Of Mary, darken’d slowly, till, that cloth her perhaps she love you. I love in Glenturit glen.

               71

I called more dear; farewel, here that I discontent upon a foe. But think thee, clumsy Will!

               72

As she, in the Light the even in filling like a meadow kit for the stamped here. Nor care I.

               73

It makes mine eare that my Julia’s waist or love, some sayles, as which she hath of night. But shadow pay?

               74

Feather and look a sponge amydde thee in hearts with mine execution. I sang Sir Lancelot.

               75

We fine cage. I through for he way he living between us to embraced grow; and marriage bed.

               76

I would breast. Mine eye can dies: let the bred that after his long veins, our cherubs in the river.

               77

Some phoenix built a little, you were mouth as mischance, and there. Where, that we shooting is dying.

               78

Whose Fount of hand out a feel’st it stood burns. Danger ties while you, the house perceiv’d, but that dying.

               79

Climber what I want you into my flowers, night? Be change by the remnant- meat just childishly?

               80

All worth, since, and was the lads with mone. The golden, April tell it pierc’d with pins; invok’d down knot.

               81

Of a Veil’d, yet, and in the voice of small wealth alchemy. Lovers, Tis the this abed with wrong.

               82

Still wails and eat again. To prey, and called, so red, joy, and wall the boat is, beggar’d Shírín’s Life!

               83

The earth in from the Lady of Shalott. As, there that speed-laden please that hangs bright clothest Sleep!

               84

A Sugar-cane bed. The careful voice with their winterpret the Night for the Cupid’s not keeps mine.

               85

That shine at morning, dying mile-and-a- half of our two. I am wearing flows the tree, work.

               86

Night back her gladness, and knowing her light receipt; for having? Water I be defence, Towne world.

               87

Now how time. Infancy find of—as its god’s own, let maps to change barges, make finde, cupids knot.

               88

Today’s due, of some begins. And if thou are we looser Lambkins taketh a glorious heart.

               89

How many lambs might us, ever burning will forgot, which of our straight pillows in the speak.

[maximuswolf]

Jim "Kimo" West & Joss Jaffe 'Butterfly' [slack-key guitar & tabla instrumental music] LIVE on KXLU Los Angeles (2024)

Jim "Kimo" West & Joss Jaffe – 'Butterfly' – [slack-key guitar & tabla instrumental music] –LIVE on KXLU Los Angeles (2024) https://youtube.com/watch?v=u21OZnkNRuk&feature=shared Submitted July 24, 2024 at 12:24PM by dubmantra https://ift.tt/Ra0B7Yd via /r/Music

[robertemma27-blog]

Understanding Noise: Noise Monitoring Market Size, Share, and Forecast

The Noise Monitoring Market is expected to be valued at USD 806.5 Million by 2023, at a CAGR of 4.1% between 2017 and 2023

The report also profiles the most promising players in this market. The key players in this market are Svantek (Poland), RION Co. Ltd. (Japan), Bruel & Kjaer (Denmark), Cirrus Research Plc (UK), Extech Instruments (US), Pulsar Instruments (UK), 3M (US), Nti-Audio (Liechtenstein), Castle Group Ltd. (UK), SKF Group (Sweden), Kimo Instrument (Japan), B&K Precision Corporation (US), HT Instruments (Germany), 01dB (ACOEM Group) (France), SINUS Messtechnik GmbH (Germany), CESVA INSTRUMENTS SLU (Spain), Testo SE & Co. KGaA (Germany), and Casella Inc. (US).

Download PDF Brochure: https://www.marketsandmarkets.com/pdfdownloadNew.asp?id=137580966

The major factors driving the growth of the noise monitoring market include the growing occupational hearing impairment in industries, stringent government policies, demand for reducing noise pollution in urban areas, need for noise monitoring systems at airports to optimize profit and capacity, rising installation of all-in-one environmental monitoring solutions, and requirement of noise monitoring infrastructures in mining, wind plant, petrochemical industry, and harbor.

Permanent noise monitoring expected to hold the largest market by 2023

Permanent noise monitoring held the largest share of the noise monitoring market in 2016. This can be attributed to the wide installation of permanent noise monitoring in places where regular measurement is backed by stringent government policies. Also, permanent noise monitoring is used mainly for real-time noise monitoring.

Cellular connectivity market for noise monitoring to grow at the highest rate during the forecast period

The cellular connectivity for the noise monitoring market is likely to grow at the highest rate during the forecast period. The market is showing a high growth because noise monitoring helps companies and consultants remotely transfer noise data to the central system or cloud storage and reduces the data transfer time.

Europe likely to hold the largest share of the noise monitoring market during the forecast period

Europe is expected to hold the largest share of the noise monitoring market during the forecast period owing to the presence of major companies such as Brüel & Kjær (Denmark), SKF Group (Sweden), Svantek (Poland), Norsonic (Norway), Delta OHM (Italy), and Libelium Comunicaciones Distribuidas (Spain), providing noise monitoring solutions to customers in countries such as the UK, France, Germany, Denmark, Sweden, Spain, and others. The governments in Europe are very stringent regarding adherence to noise policies. The manufacturing companies in this region need to regularly monitor the noise level to avoid heavy penalties.

[yorkcalling]

Discovery: Joss Jaffe & Jim Kimo West

Discovery: Joss Jaffe & Jim Kimo West

Jim Kimo West is a Grammy-award winning guitarist who has teamed up with LA-based multi-instrumentalist Joss Jaffe for their meditative new track Blossom, released on Be Why Music. (more…)

[thelastuniverse]

GRAMMYs Awards 2021

GENERAL FIELD

Record Of The Year: ‘EVERYTHING I WANTED’ — Billie Eilish Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer

Album Of The Year: ‘FOLKLORE’ — Taylor Swift Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer

Song Of The Year: ‘I CAN’T BREATHE’ — Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)

Best New Artist: Megan Thee Stallion

POP

Best Pop Solo Performance: ‘WATERMELON SUGAR’ — Harry Styles

Best Pop Duo/Group Performance: ‘RAIN ON ME’ — Lady Gaga with Ariana Grande

Best Traditional Pop Vocal Album: ‘AMERICAN STANDARD’ — James Taylor

Best Pop Vocal Album: ‘FUTURE NOSTALGIA’ — Dua Lipa

DANCE/ELECTRONIC MUSIC

Best Dance Recording: ‘10%’ — Kaytranada Featuring Kali Uchis Kaytranada, producer; Neal H. Pogue, mixer

Best Dance/Electronic Album: ‘BUBBA’ — Kaytranada

CONTEMPORARY INSTRUMENTAL MUSIC

Best Contemporary Instrumental Album: ‘LIVE AT THE ROYAL ALBERT HALL’ — Snarky Puppy

ROCK

Best Rock Performance: ‘SHAMEIKA’ — Fiona Apple

Best Metal Performance: ‘BUM-RUSH’ — Body Count

Best Rock Song: ‘STAY HIGH’ — Brittany Howard, songwriter (Brittany Howard)

Best Rock Album: ‘THE NEW ABNORMAL’ — The Strokes

ALTERNATIVE

Best Alternative Music Album: ‘FETCH THE BOLT CUTTERS’ — Fiona Apple

R&B

Best R&B Performance: ‘BLACK PARADE’ — Beyoncé

Best Traditional R&B Performance: ‘ANYTHING FOR YOU’ — Ledisi

Best R&B Song: ‘BETTER THAN I IMAGINED’ — Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)

Best Progressive R&B Album: ‘IT IS WHAT IT IS’ — Thundercat

Best R&B Album: ‘BIGGER LOVE’ — John Legend

RAP

Best Rap Performance: ‘SAVAGE ‘— Megan Thee Stallion Featuring Beyoncé

Best Melodic Rap Performance: ‘LOCKDOWN’ — Anderson .Paak

Best Rap Song: ‘SAVAGE’ — Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)

Best Rap Album: ‘KING’S DISEASE’ — Nas

COUNTRY

Best Country Solo Performance: ‘WHEN MY AMY PRAYS’ — Vince Gill

Best Country Duo/Group Performance: ‘10,000 HOURS’ — Dan + Shay & Justin Bieber

Best Country Song: ‘CROWDED TABLE’ — Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen)

Best Country Album: ‘WILDCARD’ — Miranda Lambert

NEW AGE

Best New Age Album: ‘MORE GUITAR STORIES’ — Jim “Kimo” West

JAZZ

Best Improvised Jazz Solo: ‘ALL BLUES’ — Chick Corea, soloist Track from: Trilogy 2 (Chick Corea, Christian McBride & Brian Blade)

Best Jazz Vocal Album: ‘SECRETS ARE THE BEST STORIES’ — Kurt Elling Featuring Danilo Pérez

Best Jazz Instrumental Album: ‘TRILOGY 2’ — Chick Corea, Christian McBride & Brian Blade

Best Large Jazz Ensemble Album: ‘DATA LORDS’ — Maria Schneider Orchestra

Best Latin Jazz Album: ‘FOUR QUESTIONS’ — Arturo O’Farrill & The Afro Latin Jazz Orchestra

GOSPEL/CONTEMPORARY CHRISTIAN MUSIC

Best Gospel Performance/Song: ‘MOVIN’ ON’ — Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters

Best Contemporary Christian Music Performance/Song: ‘THERE WAS JESUS’ — Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters

Best Gospel Album: ‘GOSPEL ACCORDING TO PJ’ — PJ Morton

Best Contemporary Christian Music Album: ‘JESUS IS KING’ — Kanye West

Best Roots Gospel Album: ‘CELEBRATING FISK! (THE 150TH ANNIVERSARY ALBUM)’ — Fisk Jubilee Singers

LATIN

Best Latin Pop or Urban Album: ‘YHLQMDLG’ — Bad Bunny

Best Latin Rock or Alternative Album: ‘LA CONQUISTA DEL ESPACIO’ —Fito Paez

Best Regional Mexican Music Album (Including Tejano): ‘UN CANTO POR MÉXICO, VOL. 1’ — Natalia Lafourcade

Best Tropical Latin Album: ‘40’ — Grupo Niche

AMERICAN ROOTS MUSIC

Best American Roots Performance: ‘I REMEMBER EVERYTHING’ — John Prine

Best American Roots Song: ‘I REMEMBER EVERYTHING’ — Pat McLaughlin & John Prine, songwriters (John Prine)

Best Americana Album: ‘WORLD ON THE GROUND’ — Sarah Jarosz

Best Bluegrass Album: ‘HOME’ — Billy Strings

Best Traditional Blues Album: ‘RAWER THAN RAW’ — Bobby Rush

Best Contemporary Blues Album: ‘HAVE YOU LOST YOUR MIND YET?’ —Fantastic Negrito

Best Folk Album: ‘ALL THE GOOD TIMES’ — Gillian Welch & David Rawlings

Best Regional Roots Music Album: ‘ATMOSPHERE’ — New Orleans Nightcrawlers

REGGAE

Best Reggae Album: ‘GOT TO BE TOUGH’ — Toots & The Maytals

GLOBAL MUSIC

Best Global Music Album: ‘TWICE AS TALL’ — Burna Boy

CHILDREN’S

Best Children’s Music Album: ‘ALL THE LADIES’ — Joanie Leeds

SPOKEN WORD

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling): ‘BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH’ — Rachel Maddow

COMEDY

Best Comedy Album: ‘BLACK MITZVAH’ — Tiffany Haddish

MUSICAL THEATER

Best Musical Theater Album: ‘JAGGED LITTLE PILL’ — Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard, composer; Alanis Morissette, composer & lyricist) (Original Broadway Cast)

MUSIC FOR VISUAL MEDIA

Best Compilation Soundtrack For Visual Media: ‘JOJO RABBIT’ — (Various Artists) Taika Waititi, compilation producer

Best Score Soundtrack For Visual Media: ‘JOKER’ — Hildur Guðnadóttir, composer

Best Song Written For Visual Media: ‘NO TIME TO DIE [FROM NO TIME TO DIE]’ — Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)

COMPOSING/ARRANGING

Best Instrumental Composition: ‘SPUTNIK’ — Maria Schneider, composer (Maria Schneider)

Best Arrangement, Instrumental or A Cappella: ‘DONNA LEE’ — John Beasley, arranger (John Beasley)

Best Arrangement, Instruments and Vocals: ‘HE WON’T HOLD YOU’ —Jacob Collier, arranger (Jacob Collier Featuring Rapsody)

PACKAGE

Best Recording Package: ‘VOLS. 11 & 12’ — Doug Cunningham & Jason Noto, art directors (Desert Sessions)

Best Boxed Or Special Limited Edition Package: ‘ODE TO JOY’ — Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)

NOTES

Best Album Notes: ‘DEAD MAN’S POP’ — Bob Mehr, album notes writer (The Replacements)

HISTORICAL

Best Historical Album: ‘IT’S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS’ — Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)

PRODUCTION, NON-CLASSICAL

Best Engineered Album, Non-Classical: ‘HYPERSPACE’ — Drew Brown, Julian Burg, Andrew Coleman, Paul Epworth, Shawn Everett, Serban Ghenea, David Greenbaum, John Hanes, Beck Hansen, Jaycen Joshua, Greg Kurstin, Mike Larson, Cole M.G.N., Alex Pasco & Matt Wiggins, engineers; Randy Merrill, mastering engineer (Beck)

Producer Of The Year, Non-Classical: ANDREW WATT

• Break My Heart (Dua Lipa) (T) • Me And My Guitar (A Boogie Wit Da Hoodie) (T) • Midnight Sky (Miley Cyrus) (S) • Old Me (5 Seconds Of Summer) (T) • Ordinary Man (Ozzy Osbourne Featuring Elton John) (T) • Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T) • Under The Graveyard (Ozzy Osbourne) (T)

Best Remixed Recording: ‘ROSES (IMANBEK REMIX)’ — Imanbek Zeikenov, remixer (SAINt JHN)

PRODUCTION, IMMERSIVE AUDIO

Best Immersive Audio Album: Due to the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category

PRODUCTION, CLASSICAL

Best Engineered Album, Classical: ‘SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’ — David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

Producer Of The Year, Classical: DAVID FROST

 Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss) • Gershwin: Porgy And Bess (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus) • Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus) • Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony) • Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus) • Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner) • Shostakovich: Symphony №13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

CLASSICAL

Best Orchestral Performance: ‘IVES: COMPLETE SYMPHONIES’ — Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording: ‘GERSHWIN: PORGY AND BESS’ — David Robertson, conductor; Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Choral Performance: ‘DANIELPOUR: THE PASSION OF YESHUAH’ — JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

Best Chamber Music/Small Ensemble Performance: ‘CONTEMPORARY VOICES’ — Pacifica Quartet

Best Classical Instrumental Solo: ‘THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA’ — Richard O’Neill; David Alan Miller, conductor (Albany Symphony)

Best Classical Solo Vocal Album: ‘SMYTH: THE PRISON’ — Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

Best Classical Compendium: ‘THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK & MEDITATIONS ON RILKE’— Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

Best Contemporary Classical Composition: ‘ROUSE: SYMPHONY NO. 5’ — Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

MUSIC VIDEO/FILM

Best Music Video: ‘BROWN SKIN GIRL’ — Beyoncé, Blue Ivy & WizKid , Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Astrid Edwards, Aya Kaida, Jean Mougin, Nathan Scherrer & Erinn Williams, video producers

Best Music Film: ‘LINDA RONSTADT: THE SOUND OF MY VOICE’ — Linda Ronstadt, Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers

[bongaboi]

2021 Grammy Awards: The List.

New age

Best New Age Album

More Guitar Stories – Jim "Kimo" West

Songs from the Bardo – Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith

Periphery – Priya Darshini

Form//Less – Superposition

Meditations – Cory Wong & Jon Batiste

Jazz

Best Improvised Jazz Solo

"All Blues" – Chick Corea, soloist

"Guinnevere" – Christian Scott Atunde Adjuah, soloist

"Pachamama" – Regina Carter, soloist

"Tomorrow is the Question" – Julian Lage, soloist

"Celia" – Gerald Clayton, soloist

"Moe Honk" – Joshua Redman, soloist

Best Jazz Vocal Album

Secrets are the Best Stories – Kurt Elling featuring Danilo Pérez

ONA – Thana Alexa

Modern Ancestors – Carmen Lundy

Holy Room: Live at Alte Oper – Somi With Frankfurt Radio Big Band

What's the Hurry – Kenny Washington

Best Jazz Instrumental Album

Trilogy 2 – Chick Corea, Christian McBride & Brian Blade

on the tender spot of every calloused moment – Ambrose Akinmusire

Waiting Game – Terri Lyne Carrington and Social Science

Happening: Live at the Village Vanguard – Gerald Clayton

RoundAgain – Redman Mehldau McBride Blade

Best Large Jazz Ensemble Album

Data Lords – Maria Schneider Orchestra

Dialogues on Race – Gregg August

Monk'estra Plays John Beasley – John Beasley

The Intangible Between – Orrin Evans and The Captain Black Big Band

Songs You Like a Lot – John Hollenbeck with Theo Bleckmann, Kate McGarry, Gary Versace and The Frankfurt Radio Big Band

Best Latin Jazz Album

Four Questions – Arturo O'Farrill & The Afro Latin Jazz Orchestra

Tradiciones – Afro-Peruvian Jazz Orchestra

City of Dreams – Chico Pinheiro

Viento y Tiempo - Live at Blue Note Tokyo – Gonzalo Rubalcaba & Aymée Nuviola

Trane's Delight – Poncho Sanchez

Gospel/contemporary Christian music

Best Gospel Performance/Song

"Movin' On"

Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters (Jonathan McReynolds & Mali Music)

"Wonderful is Your Name"

Melvin Crispell III, songwriter (Melvin Crispell III)

"Release (Live)"

David Frazier, songwriter (Ricky Dillard featuring Tiff Joy)

"Come Together"

Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters (Rodney "Darkchild" Jerkins Presents: The Good News)

"Won't Let Go"

Travis Greene, songwriter (Travis Greene)

Best Contemporary Christian Music Performance/Song

"There Was Jesus"

Casey Beathard, Jonathan Smith & Zach Williams, songwriters (Zach Williams & Dolly Parton)

"The Blessing (Live)"

Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters (Kari Jobe, Cody Carnes & Elevation Worship)

"Sunday Morning"

Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters (Lecrae featuring Kirk Franklin)

"Holy Water"

Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters (We the Kingdom)

"Famous For (I Believe)"

Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters (Tauren Wells featuring Jenn Johnson)

Best Gospel Album

Gospel According to PJ – PJ Morton

2econd Wind: ReadY – Anthony Brown & group therAPy

My Tribute – Myron Butler

Choirmaster – Ricky Dillard

Kierra – Kierra Sheard

Best Contemporary Christian Music Album

Jesus Is King – Kanye West

Run to The Father – Cody Carnes

All of My Best Friends – Hillsong Young & Free

Holy Water – We the Kingdom

Citizen of Heaven – Tauren Wells

Best Roots Gospel Album

Celebrating Fisk! (The 150th Anniversary Album) – Fisk Jubilee Singers

Beautiful Day – Mark Bishop

20/20 – The Crabb Family

What Christmas Really Means – The Erwins

Something Beautiful – Ernie Haase & Signature Sound

Latin

Best Latin Pop Album or Urban Album

YHLQMDLG – Bad Bunny

Por Primera Vez – Camilo

Mesa Para Dos – Kany García

Pausa – Ricky Martin

3:33 – Debi Nova

Best Latin Rock or Alternative Album

La Conquista del Espacio – Fito Páez

Aura – Bajofondo

MONSTRUO – Cami

Sobrevolando – Cultura Profética

Miss Colombia – Lido Pimienta

Best Regional Mexican Music Album (Including Tejano)

Un Canto por México, Vol. 1 – Natalia Lafourcade

Hecho en México – Alejandro Fernández

La Serenata – Lupita Infante

Bailando Sones y Huampangos con Mariachi Sol De Mexico De Jose Hernandez – Mariachi Sol De Mexico De Jose Hernandez

Ayayay! – Christian Nodal

Best Tropical Latin Album

40 – Grupo Niche

Mi Tumbao – José Alberto "El Ruiseñor"

Infinito – Edwin Bonilla

Sigo Cantando al Amor (Deluxe) – Jorge Celedon & Sergio Luis

Memorias de Navidad – Víctor Manuelle

American roots

Best American Roots Performance

"I Remember Everything" – John Prine

"Colors" – Black Pumas

"Deep in Love" – Bonny Light Horseman

"Short and Sweet" – Brittany Howard

"I'll Be Gone" – Norah Jones & Mavis Staples

Best American Roots Song

"I Remember Everything"

Pat McLaughlin & John Prine, songwriters (John Prine)

"Cabin"

Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)

"Ceiling to the Floor"

Sierra Hull & Kai Welch, songwriters (Sierra Hull)

"Hometown"

Sarah Jarosz, songwriter (Sarah Jarosz)

"Man Without a Soul"

Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)

Best Americana Album

World on the Ground – Sarah Jarosz

Old Flowers – Courtney Marie Andrews

Terms of Surrender – Hiss Golden Messenger

El Dorado – Marcus King

Good Souls Better Angels – Lucinda Williams

Best Bluegrass Album

Home – Billy Strings

Man on Fire – Danny Barnes

To Live in Two Worlds, Vol. 1 – Thomm Jutz

North Carolina Songbook – Steep Canyon Rangers

The John Hartford Fiddle Tune Project, Vol. 1 – Various Artists

Best Traditional Blues Album

Rawer than Raw – Bobby Rush

All My Dues are Paid – Frank Bey

You Make Me Feel – Don Bryant

That's What I Heard – Robert Cray Band

Cypress Grove – Jimmy "Duck" Holmes

Best Contemporary Blues Album

Have You Lost Your Mind Yet? – Fantastic Negrito

Live at the Paramount – Ruthie Foster Big Band

The Juice – G. Love

Blackbirds – Bettye LaVette

Up and Rolling – North Mississippi Allstars

Best Folk Album

All the Good Times – Gillian Welch & David Rawlings

Bonny Light Horseman – Bonny Light Horseman

Thanks for the Dance – Leonard Cohen

Song for Our Daughter – Laura Marling

Saturn Return – The Secret Sisters

Best Regional Roots Music Album

Atmosphere – New Orleans Nightcrawlers

My Relatives 'nikso' Kowaiks – Black Lodge Singers

Cameron Dupuy and The Cajun Troubadours – Cameron Dupuy And The Cajun Troubadours

Lovely Sunrise – Nā Wai ʽEhā

A Tribute to Al Berard – Sweet Cecilia

Reggae

Best Reggae Album

Got to Be Tough – Toots and the Maytals

Upside Down 2020 – Buju Banton

Higher Place – Skip Marley

It All Comes Black to Love – Maxi Priest

One World – The Wailers

Global music

Best Global Music Album

Twice as Tall – Burna Boy

Fu Chronicles – Antibalas

Agora – Bebel Gilberto

Love Letters – Anoushka Shankar

Amadjar – Tinariwen

Children's

Best Children's Album

All the Ladies – Joanie Leeds

Be a Pain: An Album for Young (and Old) Leaders – Alastair Moock And Friends

I'm an Optimist – Dog On Fleas

Songs for Singin' – The Okee Dokee Brothers

Wild Life – Justin Roberts

Spoken word

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth – Rachel Maddow

Acid for the Children – A Memoir – Flea

Alex Trebek – The Answer Is... – Ken Jennings

Catch and Kill – Ronan Farrow

Charlotte's Web (E.B. White) – Meryl Streep and Full Cast

Comedy

Best Comedy Album

Black Mitzvah – Tiffany Haddish

I Love Everything – Patton Oswalt

The Pale Tourist – Jim Gaffigan

Paper Tiger – Bill Burr

23 Hours to Kill – Jerry Seinfeld

Musical theater

Best Musical Theater Album

Jagged Little Pill – Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard & Alanis Morissette, lyricists) (Original Broadway Cast)

Amélie – Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)

American Utopia on Broadway – David Byrne, principal soloist; David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)

Little Shop of Horrors – Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)

The Prince of Egypt – Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast)

Soft Power – Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)

Music for visual media

Best Compilation Soundtrack for Visual Media

Jojo Rabbit – Various artists

A Beautiful Day in the Neighborhood – Various artists

Bill & Ted Face the Music – Various artists

Eurovision Song Contest: The Story of Fire Saga – Various artists

Frozen II – Various artists

Best Score Soundtrack for Visual Media

Joker – Hildur Guðnadóttir, composer

Ad Astra – Max Richter, composer

Becoming – Kamasi Washington, composer

1917 – Thomas Newman, composer

Star Wars: The Rise of Skywalker – John Williams, composer

Best Song Written for Visual Media

"No Time to Die" (from No Time to Die)

Billie Eilish O'Connell and Finneas O'Connell (Billie Eilish)

"Beautiful Ghosts" (from Cats)

Andrew Lloyd Webber and Taylor Swift (Taylor Swift)

"Carried Me with You" (from Onward)

Brandi Carlile, Phil Hanseroth and Tim Hanseroth (Brandi Carlile)

"Into the Unknown" (from Frozen II)

Kristen Anderson-Lopez and Robert Lopez (Idina Menzel featuring AURORA)

"Stand Up" (from Harriet)

Joshuah Brian Campbell and Cynthia Erivo (Cynthia Erivo)

Composing/Arranging

Best Instrumental Composition

"Sputnik"

Maria Schneider, composer (Maria Schneider)

"Baby Jack"

Arturo O'Farrill, composer (Arturo O'Farrill & The Afro Latin Jazz Orchestra)

"Be Water II"

Christian Sands, composer (Christian Sands)

"Plumfield"

Alexandre Desplat, composer (Alexandre Desplat)

"Strata"

Remy Le Boeuf, composer (Remy Le Boeuf's Assembly Of Shadows featuring Anna Webber & Eric Miller)

Best Arrangement, Instrumental or A Cappella

"Donna Lee"

John Beasley, arranger (John Beasley)

"Bathroom Dance"

Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)

"Honeymooners"

Remy Le Boeuf, arranger (Remy Le Boeuf's Assembly Of Shadows)

"Lift Every Voice and Sing"

Alvin Chea & Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)

"Uranus: The Magician"

Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)

Best Arrangement, Instruments and Vocals

"He Won't Hold You"

Jacob Collier, arranger (Jacob Collier featuring Rapsody)

"Asas Fechadas"

John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)

"Desert Song"

Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)

"From This Place"

Alan Broadbent & Pat Metheny, arrangers (Pat Metheny featuring Meshell Ndegeocello)

"Slow Burn"

Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)

Package

Best Recording Package

Vols. 11 & 12

Doug Cunningham & Jason Noto, art directors (Desert Sessions)

Everyday Life

Pilar Zeta, art director (Coldplay)

Funeral

Kyle Goen, art director (Lil Wayne)

Healer

Julian Gross & Hannah Hooper, art directors (Grouplove)

On Circles

Jordan Butcher, art director (Caspian)

Best Boxed or Special Limited Edition Package

Ode to Joy

Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)

Flaming Pie (Collector's Edition)

Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)

Giants Stadium 1987, 1989, 1991

Lisa Glines & Doran Tyson, art directors (Grateful Dead)

Mode

Jeff Schulz, art director (Depeche Mode)

The Story of Ghostly International

Michael Cina & Molly Smith, art directors (Various Artists)

Notes

Best Album Notes

Dead Man's Pop

Bob Mehr, album notes writer (The Replacements)

At The Minstrel Show: Minstrel Routines From The Studio, 1894-1926

Tim Brooks, album notes writer (Various Artists)

The Bakersfield Sound: Country Music Capital Of The West, 1940-1974

Scott B. Bomar, album notes writer (Various Artists)

The Missing Link: How Gus Haenschen Got Us From Joplin To Jazz And Shaped The Music Business

Colin Hancock, album notes writer (Various Artists)

Out Of A Clear Blue Sky

David Sager, album notes writer (Nat Brusiloff)

Historical

Best Historical Album

It's Such a Good Feeling: The Best of Mister Rogers

Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)

Celebrated, 1895–1896

Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)

Hittin' the Ramp: The Early Years (1936–1943)

Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)

1999 Super Deluxe Edition

Michael Howe, compilation producer; Bernie Grundman, mastering engineer (Prince)

Souvenir

Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)

Throw Down Your Heart: The Complete Africa Sessions

Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)

Production, non-classical

Best Engineered Album, Non-Classical

Hyperspace

Drew Brown, Andrew Coleman, Shawn Everett, Serban Ghenea, David Greenbaum, Jaycen Joshua, Beck Hansen & Mike Larson, engineers; Randy Merrill, mastering engineer (Beck)

Black Hole Rainbow

Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)

Expectations

Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)

Jaime

Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)

25 Trips

Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)

Producer of the Year, Non-Classical

Andrew Watt

"Break My Heart" (Dua Lipa)

"Me and My Guitar" (A Boogie wit da Hoodie)

"Midnight Sky" (Miley Cyrus)

"Old Me" (5 Seconds of Summer)

"Ordinary Man" (Ozzy Osbourne featuring Elton John)

"Take What You Want" (Post Malone featuring Ozzy Osbourne & Travis Scott)

"Under The Graveyard" (Ozzy Osbourne)

Jack Antonoff

"August" (Taylor Swift)

Gaslighter (The Chicks)

"Holy Terrain" (FKA Twigs featuring Future)

"Mirrorball" (Taylor Swift)

"This Is Me Trying" (Taylor Swift)

"Together" (Sia)

Dan Auerbach

Cypress Grove (Jimmy "Duck" Holmes)

El Dorado (Marcus King)

Is Thomas Callaway (CeeLo Green)

Singing for My Supper (Early James)

Solid Gold Sounds (Kendell Marvel)

Years (John Anderson)

Dave Cobb

"Backbone" (Kaleo)

The Balladeer (Lori McKenna)

Boneshaker (Airbourne)

Down Home Christmas (Oak Ridge Boys)

The Highwomen (The Highwomen)

"I Remember Everything" (John Prine)

Reunions (Jason Isbell And The 400 Unit)

"The Spark" (William Prince)

"You're Still the One" (Teddy Swims)

Flying Lotus

It Is What It Is (Thundercat)

Best Remixed Recording

"Roses (Imanbek Remix)"

Imanbek Zeikenov, remixer (SAINt JHN)

"Do You Ever (RAC Mix)"

RAC, remixer (Phil Good)

"Imaginary Friends (Morgan Page Remix)"

Morgan Page, remixer (Deadmau5)

"Praying for You (Louie Vega Main Remix)"

Louie Vega, remixer (Jasper Street Co.)

"Young & Alive (Bazzi vs. Haywyre Remix)"

Haywyre, remixer (Bazzi)

Production, immersive audio

Best Immersive Audio Album

The judging for this category was postponed.

Production, classical

Best Engineered Album, Classical

"Shostakovich: Symphony No. 13, 'Babi Yar'"

David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

"Danielpour: The Passion of Yeshua"

Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

"Gershwin: Porgy and Bess"

David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)

"Hynes: Fields"

Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)

"Ives: Complete Symphonies"

Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)

Producer of the Year, Classical

David Frost

Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)

Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)

Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus)

Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony)

Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus)

Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)

Shostakovich: Symphony No. 13, 'Babi Yar' (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

Blanton Alspaugh

Aspects Of America - Pulitzer Edition (Carlos Kalmar & Oregon Symphony)

Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers)

Dvořák: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra)

Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera)

Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony)

Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke's)

Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra)

Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra)

Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)

Jesse Lewis

Gunn: The Ascendant (Roomful Of Teeth)

Harrison, M.: Just Constellations (Roomful Of Teeth)

Her Own Wings (Willamette Valley Chamber Music Festival)

Hynes: Fields (Devonté Hynes & Third Coast Percussion)

Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble)

Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble)

Sharlat: Spare The Rod! (NOW Ensemble)

Soul House (Hub New Music)

Wherein Lies The Good (The Westerlies)

Dmitry Lipay

Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)

Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance)

Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)

LA Phil 100 - The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic)

Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra)

Nielsen: Symphony No. 1 & Symphony No. 2, 'The Four Temperaments' (Thomas Dausgaard & Seattle Symphony)

Elaine Martone

Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman & Taylor Branch)

Dawn (Shachar Israel)

Gandolfi, Prior & Oliverio: Orchestral Works (Robert Spano & Atlanta Symphony Orchestra)

Singing In The Dead Of Night (Eighth Blackbird)

Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon & Los Angeles Master Chorale)

Classical

Best Orchestral Performance

"Ives: Complete Symphonies"

Gustavo Dudamel, conductor (Los Angeles Philharmonic)

"Aspects of America - Pulitzer Edition"

Carlos Kalmar, conductor (Oregon Symphony)

"Concurrence"

Daníel Bjarnason, conductor (Iceland Symphony Orchestra)

"Copland: Symphony No. 3"

Michael Tilson Thomas, conductor (San Francisco Symphony)

"Lutosławski: Symphonies No. 2 & 3"

Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

Best Opera Recording

"Gershwin: Porgy and Bess"

David Robertson, conductor; Angel Blue & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

"Dello Joio: The Trial at Rouen"

Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)

"Floyd, C: Prince of Players"

William Boggs, conductor; Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)

"Handel: Agrippina"

Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D'Oro)

"Zemlinsky: Der Zwerg"

Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)

Best Choral Performance

"Danielpour: The Passion of Yessuah"

JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J'Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

"Carthage"

Donald Nally, conductor (The Crossing)

"Kastalski: Requiem"

Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke's; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)

"Moravec: Sanctuary Road"

Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)

"Once Upon a Time"

Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

Best Chamber Music/Small Ensemble Performance

"Contemporary Voices" – Pacifica Quartet

"Healing Modes" – Brooklyn Rider

"Hearne, T,: Place" – Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra

"Hynes: Fields" – Devonté Hynes & Third Coast Percussion

"The Schumann Quartets" – Dover Quartet

Best Classical Instrumental Solo

"Theofanidis: Concerto for Viola and Chamber Orchestra"

Richard O'Neill; David Alan Miller, conductor (Albany Symphony)

"Adés: Concerto for Piano and Orchestra"

Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)

"Beethoven: Complete Piano Sonatas"

Igor Levit

"Bohemian Tales"

Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)

"Destination Rachmaninov - Arrival"

Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

Best Classical Solo Vocal Album

"Smyth: The Prison"

Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

"American Composers at Play - William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto"

Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)

"Clairières - Songs by Lili & Nadia Boulanger"

Nicholas Phan; Myra Huang, accompanist

"Farinelli"

Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)

"A Lad's Love"

Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)

Best Classical Compendium

"Thomas, M.T.: From the Diary of Anne Frank & Meditations on Rilke"

Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

"Adès Conducts Adès"

Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer

"Saariaho: Graal Théâtre; Circle Map, Neiges, Vers Toi Qui Es Si Loin"

Clément Mao-Takacs, conductor; Hans Kipfer, producer

"Serebrier: Symphonic Bach Variations; Laments and Hallelujahs; Flute Concerto"

José Serebrier, conductor; Jens Braun, producer

"Woolf, L.P.: Fire and Blood"

Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

Best Contemporary Classical Composition

"Rouse: Symphony No. 5"

Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

"Adès: Concerto for Piano and Orchestra"

Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)

"Danielpour: The Passion of Yeshua"

Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

"Floyd, C.: Prince of Players"

Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)

"Hearne, T.: Place"

Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)

Music video/film

Best Music Video

"Brown Skin Girl" – Beyoncé, Saint Jhn & Wizkid Featuring Blue Ivy Carter

Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Lauren Baker, Astrid Edwards, Nathan Scherrer & Erinn Williams, video producers

"Life Is Good" – Future Featuring Drake

Julien Christian Lutz, video director; Harv Glazer, video producer

"Lockdown" – Anderson .Paak

Dave Meyers, video director; Nathan Scherrer, video producer

"Adore You" – Harry Styles

Dave Meyers, video director; Nathan Scherrer, video producer

"Goliath" – Woodkid

Yoann Lemoine, video director; Horace de Gunzbourg, video producer

Best Music Film

Linda Ronstadt: The Sound of My Voice – Linda Ronstadt

Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers

Beastie Boys Story – Beastie Boys

Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers

Black Is King – Beyoncé

Emmanuel Adjei, Blitz Bazawule, Beyoncé Knowles Carter & Kwasi Fordjour, video directors; Lauren Baker, Akin Omotoso, Nathan Scherrer, Jeremy Sullivan & Erinn Williams, video producers

We Are Freestyle Love Supreme – Freestyle Love Supreme

Andrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers

That Little Ol' Band From Texas – ZZ Top

Sam Dunn, video director; Scot McFadyen, video producer

[kimoinstrument]

Clamp Meters for Accurate Current Measurement | Kimo Instruments

Discover Kimo Instruments range of clamp meters designed for precise current measurement in electrical systems. Ideal for electricians and technicians, our clamp meters provide reliable and safe testing solutions for AC and DC currents, ensuring optimal performance and safety in various applications.

[abhay121996-blog]

Grammy Awards 2021 Winners: टेलर स्‍व‍िफ्ट से लेकर बियोंसे तक, ग्रैमी अवॉर्ड 2021 जीतने वाले व‍िनर्स की पूरी लिस्‍ट Divya Sandesh

#Divyasandesh

Grammy Awards 2021 Winners: टेलर स्‍व‍िफ्ट से लेकर बियोंसे तक, ग्रैमी अवॉर्ड 2021 जीतने वाले व‍िनर्स की पूरी लिस्‍ट

म्यूजिक इंडस्ट्री के सबसे बड़े अवॉर्ड शो ग्रैमी अवॉर्ड्स () का आयोजिन धूमधाम से हुआ। साउथ अफ्रीकन कॉमिडियन Trevor Noah ने शो को होस्ट किया। Covid-19 की वजह से इस मौके पर कोई लाइव ऑडियंस नहीं थी, लेकिन रेड कार्पेट पर सितारों की चमक जरा भी फीकी नहीं रही।

इस अवॉर्ड सेरिमनी के आयोजन के दौरान नॉमिनिज़ सोशल डिस्टेंस को फॉलो करते हुए एक-दूसरे से दूरी बनाकर टेबल पर बैठे नजर आए। इस अवॉर्ड शो में साल के बेस्ट परफॉर्मेंस को सराहा गया और उन्हें इस अवॉर्ड से सम्मानित किया गया। बेस्ट पॉप सोलो के लिए Harry Styles से लेकर Megan Thee Stallion के ‘Savage’ जिसमें बियॉन्से नजर आई हैं ने बेस्ट रैप परफॉर्मेंस का खिताब जीता। आइए, एक नजर पूरी लिस्ट पर डालें।

Record of the Year: Billie Eilish, “Everything I Wanted” Album of the Year: Taylor Swift, Folklore Best R&B Performance: Beyoncé, “Black Parade” Best Pop Vocal Album: Dua Lipa, Future Nostalgia Best Rap Song: Megan Thee Stallion featuring Beyoncé, “Savage” Song of the Year: H.E.R., “I Can’t Breathe” Best Latin Pop or Urban Album: Bad Bunny, YHLQMDLG Best Melodic Rap Performance: Anderson .Paak, “Lockdown” Best Pop Solo Performance: Harry Styles, “Watermelon Sugar” Best Country Album: Miranda Lambert, Wildcard Best New Artist: Megan Thee Stallion Producer of the Year, Non-Classical: Andrew Watt Best Country Song: The Highwomen, “Crowded Table” Best Country Duo/Group Performance: Dan + Shay & Justin Bieber, “10,000 Hours” Best Country Solo Performance: Vince Gill, When My Amy Prays Best Rock Album: The Strokes, The New Abnormal Best Rock Song: Brittany Howard, “Stay High” Best Metal Performance: Body Count, “Bum-Rush” Best Rock Performance: Fiona Apple, “Shameika” Best Rap Album: Nas, King’s Disease Best Rap Performance: Megan Thee Stallion featuring Beyoncé, “Savage” Best Traditional Pop Vocal Album: James Taylor, American Standard Best Pop Duo/Group Performance: Lady Gaga with Ariana Grande, “Rain on Me” Best R&B Album: John Legend, Bigger Love Best Progressive R&B Album: Thundercat, It Is What It Is Best R&B Song: Robert Glasper featuring H.E.R. & Meshell Ndegeocello, “Better Than I Imagined” Best Traditional R&B Performance: Ledisi, “Anything for You” Best Latin Jazz Album: Arturo O’Farrill & The Afro Latin Jazz Orchestra, Four Questions Best Large Jazz Ensemble Album: Maria Schneider Orchestra, Data Lords Best Jazz Instrumental Album: Chick Corea, Christian McBride and Brian Blade, Trilogy 2 Best Jazz Vocal Album: Kurt Elling Featuring Danilo Pérez, Secrets Are the Best Stories Best improvised Jazz Solo: Chick Corea’s “All Blues” Best Alternative Music Album: Fiona Apple, Fetch the Bolt Cutters Best Musical Theatre Album: Original Broadway Cast, Jagged Little Pill Best Comedy Album Winner: Tiffany Haddish, Black Mitzvah Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling): Rachel Maddow, Blowout: Corrupted Democracy, Rogue State Russia, And The Richest, Most Destructive Industry On Earth Best Children’s Music Album: Joanie Leeds, All the Ladies Best Global Music Album: Burna Boy, Twice as Tall Best Reggae Album: Toots and the Maytals, Got to Be Tough Best Regional Roots Music Album: New Orleans Nightcrawlers, Atmosphere Best Folk Album: Gillian Welch and David Rawlings, All the Good Times Best Contemporary Blues Album: Fantastic Negrito, Have You Lost Your Mind Yet? Best Traditional Blues Album: Bobby Rush, Rawer Than Raw Best Bluegrass Album: Billy Strings, Home Best Americana Album: Sarah Jarosz, World on the Ground Best American Roots Song: John Prine, “I Remember Everything” Best American Roots Performance: John Prine, I Remember Everything Best Song Written for Visual Media: Billie Eilish, “No Time to Die” (From No Time to Die) Best Score Soundtrack for Visual Media: Hildur Guðnadóttir, Joker Best Compilation Soundtrack for Visual Media: Various Artists, Jojo Rabbit Best Contemporary Classical Composition: Giancarlo Guerrero & Nashville Symphony, Rouse: Symphony No. 5 Best Classical Compendium: Michael Tilson Thomas, Thomas, M.T.: From The Diary Of Anne Frank & Meditations On Rilke Best Classical Solo Vocal Album: Sarah Brailey & Dashon Burton, Smyth: The Prison Best Classical Instrumental Solo: Richard O’Neill, Theofanidis: Concerto For Viola And Chamber Orchestra Best Chamber Music/Small Ensemble Performance: Pacifica Quartet, Contemporary Voices Best Choral Performance: JoAnn Falletta, James K. Bass & Adam Luebke, Danielpour: The Passion Of Yeshua Best Opera Recording: David Robertson, Eric Owens & Angel Blue, Gershwin: Porgy And Bess Best Orchestral Performance: Gustavo Dudamel, Ives: Complete Symphonies Best Tropical Latin Album: Grupo Niche, 40 Best Regional Mexican Album (Including Tejano): Natalia Lafourcade, Un Canto Por México, Vol. 1 Best Latin Rock or Alternative Album: Fito Paez, La Conquista Del Espacio Producer of the Year, Classical: David Frost Best Engineered Album, Classical: Riccardo Muti & Chicago Symphony Orchestra, Shostakovich: Symphony No. 13, ‘Babi Yar’ Best Remixed Recording: SAINt JHN, “Roses” (Imanbek Remix) Best Engineered Album, Non-Classical: Beck, Hyperspace Best Historical Album: Mister Rogers, It’s Such A Good Feeling: The Best Of Mister Rogers Best Album Notes: The Replacements, Dead Man’s Pop Best Boxed or Special Limited Edition Package: Wilco, Ode to Joy Best Recording Package: Vols. 11 & 12 Desert Sessions Best Roots Gospel Album: Fisk Jubilee Singers, Celebrating Fisk! (The 150th Anniversary) Best Gospel Album: PJ Morton, Gospel According To PJ Best Contemporary Christian Music Album: Kanye West, Jesus Is King Best Contemporary Christian Music Performance/Song: Zach Williams & Dolly Parton, “There Was Jesus” Best Gospel Performance/Song: Jonathan McReynolds & Mali Music, “Movin’ On” Best New Age Album: Jim “Kimo” West, More Guitar Stories Best Music Film: Linda Ronstadt: The Sound of My Voice Best Music Video: Beyoncé with Blue Ivy, and WizKiD, “Brown Skin Girl” Best Arrangement, Instrumental and Vocals: Jacob Collier with Rapsody, “He Won’t Hold You” Best Arrangement, Instrumental or A Cappella: John Beasley, “Donna Lee” Best Instrumental Composition: Maria Schneider, Sputnik Best Contemporary Instrumental Album: Snarky Puppy, Live at the Royal Albert Hall Best Dance/Electronic Album: Kaytranada, Bubba Best Dance Recording: Kaytranada, “10%”

[chiamamidenay]

Check out#music#rap#live#show#metalcarter#kimo#denay#sound#firenze#night#mic#battery#instruments #stage#deathmaster#

[angelloverde]

"Mo Soul" Player Playlist 25 February

Zbigniew Wodecki - Panny Mego Dziadka

Alberto Baldan Bembo - Go Gonzalez

Boz Scaggs - Jojo

Florelie Escano - The Liberating Kind

The Strides - Umbi Gumbi

V.I.P. Connection - West Coast Drive

Banda Uniao Black - Africa Hot Band

Arthur Verocai - Na Boca Do Sol

Danny Hibrid & James Brown - I Feel Alright (Instrumental)

O'Donel Levy - Granny

Supersax - Bambu

Ray Barrett - The Soul Drummers

Marvin Franklin With Kimo & The Guys - Kona Winds

James Taylor Quartet - People Get Ready (We're Moving On)

Latimore - It Ain't Where You Been

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[iarollane]

21 Questions

I was tagged by the illustrious @pikapeppa, thank you!

+Rules: answer 21 questions and then tag 21 people who you want to get to know better.

Nickname: I don't really have an actual nickname much anymore. In high school a friend used to call me Kimo. Other than that I tend to respond to the names of characters I've cosplayed.

Zodiac: Leo by western, rabbit by Chinese.

Height: 5′9″

Last movie I saw: Hubby and I have been watching Sword Art Online and just the other night we watched the "movie" that essentially recaps the first season. Other than that... Probably the bits I saw of 'Inside Out' that I put on while taking care of my son. But that was a few months ago, more often I put on anime or kids shows.

Last thing I googled: uuum the location and phone number of a prenatal clinic?

Favourite musician: Queen is right there at the top of my list. So is Muse. Linkin Park when I was younger.

Song stuck in my head: It was random anime openings. But thanks to pikapeppa it's now 'Here comes the sun' XP

Other blogs: I'm still fairly new to tumblr, so this is it here. Though I do have a deviantArt floating around that I haven't touched in a long while.

Do I get asks: a few random things here and there. O think I can count on one hand how many I've received

Following: *checks* 98

Amount of sleep: lolololol I have a nine month old son. How much sleep do you think?

Lucky number: XII

What I’m wearing: tanktop, sweater, and zipup(i love this zipup, it has Maleficent on the left breast) a pair of leggings, and two pairs of socks. Oh and glasses.

Dream job: I'd love to be able to read, edit, and proofread professionally. I do it to all my books anyway so

Dream trip: it would be amazing to be able to actually travel the world. But if I had to pick only one place... Ireland.

Play any instruments: in middle school i played the flute. I dabbled in guitar in high school. Haven't picked up either in years.

Languages: English. I know a smattering of Spanish.

Favourite songs: oooo so tough, I love so much music. Currently 'Judas' by Fozzy is probably by the top of my list. Also anything by Queen. Ummm 'Butterflies and Hurricanes' by Muse.

Random fact: I'm known as the OCD clean freak at work, but when I'm home I rarely clean anything... it's a bit of a problem.

Describe yourself as aesthetic: o.o a what *frantically searches online* Ummm I'd probably have two. Private/home settings would be overlarge sweaters, fluffy blankets jeaped on a couch, hair in a messy frizzy braid and a stack of books and video games. Public/work would be subtle contouring makeup with winged eyeliner and a bold lip colour, black sweater and cargo pants, a messenger bag *and* mini backpack, and heeled sneakers. My personal mind one would be lightning and high storm clouds, silver dragon wings, sharp claws and green eyes glowing in the darkness. If I just put together things I love and wish I could wear every day, I'd probably look like a Harry Potter character with better makeup.

Who to tag.... honestly there's only about 3 people I've even talked to instead of stalking silently, and one of them was the one that tagged me, so that leaves @elevanetheirin and @sassylavellen. I think I'll also tag @roguelioness since she's the reason I made my way onto this hellsite. Ummm maybe @nipuni because she's amazing and I fell in love with her and her character Nalia long before I got here. @cobaltash because of the awesome picture of my oc Lashanna in a dress I designed for Halamshiral. @hachidori-e because while I have no idea what the arcana that you draw most often actually is, your art is beautiful and you are adorable. @rock-paperback-scissors because.

Uuuhm yeah i think I'll leave the tagging at that. Anyone else that wants to can do it as well!

[kritikapatil]

Environmental Noise Monitoring System Market to Eyewitness Massive Growth by 2027

Environmental Noise Monitoring System Market Comprehensive Study is an expert and top to bottom investigation on the momentum condition of the Global Environmental Noise Monitoring System industry with an attention on the Global market. The report gives key insights available status of the Global Environmental Noise Monitoring System producers and is an important wellspring of direction and course for organizations and people keen on the business. By and large, the report gives an inside and out understanding of 2021-2027 worldwide Environmental Noise Monitoring System Market covering extremely significant parameters. Some key Players in This Report Include

RION Co. Ltd. (Japan)

Bruel & Kjaer (Denmark)

Cirrus Research Plc (United Kingdom)

 Extech Instruments (United States)

 Pulsar Instruments (United Kingdom)

3M (United States)

Nti-Audio (Liechtenstein)

Castle Group Ltd. (United Kingdom)

 SKF Group (Sweden)

Kimo Instrument (Japan)

An environmental noise monitoring system is defined the systems which are widely used to measure the noise of the surrounding or a place. It provides a full range of noise monitoring solutions, which allowing our customers cost in addition to performance flexibility. In this system, it contains a wide range of power options, installation alternatives, as well as remote communications capabilities. It is widely used in various applications, for instance, industrial sites, airport noise, construction and boundary noise, road and rail transport noise, among others. Numerous benefits environment monitoring system, namely cost-benefit analysis of highway noise, environmental, economic analysis, cost-benefit analysis of aircraft noise, among others. The global environmental noise monitoring system market is anticipated to grow at a CAGR of 5.4 % during the forecast period.Market Trends: Increase in Government Funding for Noise Monitoring as well as Control

Increasing Installation of All in One Environmental Monitoring Solutions

Market Drivers: Occupational Hearing Impairment

Stringent Government Policies Awareness for Reducing Noise Pollution in Urban Areas

Noise Monitoring Systems to Optimize Profit in addition to Capacity on Airports

Government Authorities and Consultants Need for Data Accessibility

High Requirement for Noise Monitoring Infrastructure in Wind Plant, Petrochemical Industry, among others

  Market Challenges: Monitoring of the Underwater Noise Pollution and Data Security Issues on Cloud

Emerging Mobile-Based Apps for Noise Detection and Monitoring 

Market Opportunities: Lucrative Opportunities in Smart Cities and Data as a Service

Integrating Cloud-Based System for Remote Monitoring

Cumulative Need for Noise Monitoring for Rail Transit, Marine, and others

Mounting Demand from Emerging Economics Such As India, China and Others

 The Global Environmental Noise Monitoring System Market segments and Market Data Break Down by Application (Airports, Hospitals, Residential Areas, Road Traffic, Others), Connectivity (Wi-Fi, Cellular, Ethernet, USB Cable), Solution (Hardware, Software, Service)

Presented By

AMA Research & Media LLP