#kobojo

[leochiola]

Old works for Mutants : Genetic Gladiators (KOBOJO)

[doc-gworldz]

Primal Legends - Random - Cerberus - Concedes (https://youtu.be/-wzYdgNn8Bg)

Primal Legends – Random – Cerberus – Concedes (https://youtu.be/-wzYdgNn8Bg)

Link: https://youtu.be/-wzYdgNn8Bg Team: Bane 10, Shura 10, Roku 10 and Floyd 5

Versus: Vernay 7, Kaala 7, ? Blue ? and ? Green ?

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#PLMoment #PrimalGods #ShareLegends

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[pavanghage]

モバイルゲームソフトウェアの市場規模2021は, 技術, アプリケーション, エンドユーザー, 地域, 商業研究を定義, 説明, および2027年までの将来の成長

"

モバイルゲームソフトウェア市場レポートは、徹底的な調査プロセスに基づいて、市場の状況、将来の予測、成長の機会、および主要なプレーヤーに関する洞察に満ちたデータを提供します。市場の推進要因、制約、弱点、脅威などの側面を特定しようとしている読者は、ここで必要なすべての情報を、裏付けとなる数字や事実とともに入手できます。

モバイルゲームソフトウェア市場2021に関する最新の調査の無料サンプルPDFコピーを入手@ https://axelreports.com/request-sample/197110

STEEPLE、SWOT、回帰分析などの分析方法を利用して、市場の根本的な要因を調査しました。根底にある側面が研究されている間、テストモデルは、市場の発展と傾向に対する根底にある要因の影響を研究するために利用されます。

Market Verdors別： Activity Blizzard Inc. Electronic Arts Inc Tencent Kabam Inc. Gameloft Supercell Oy DeNa Disney Interactive Nintendo Blizzard Ubisoft Kobojo Glu Mobile Blockdot GREE International GigaMedia Sony Computer Entertainment Tylted SEGA WeMadeエンターテインメント タイプ別： アクション アドベンチャー カード RPG スポーツ 戦略 アプリケーション別： 子供 大人

Grab Your印象的な割引でレポート@ https://axelreports.com/request-discount/197110

地理的に、グローバルモバイルゲームソフトウェアマーケットは、次の地域マーケット向けに設計されています：北米（米国、カナダ、メキシコ）、ヨーロッパ（ドイツ、フランス、英国、ロシア、イタリア）、アジア太平洋（中国、日本、韓国、インド、東南アジア）、南アメリカ（ブラジル、ナイジェリア、コロンビアなど）、中東およびアフリカ（サウジアラビア、UAE、エジプト、ナイジェリア、南アフリカ）

購入する価値のあるレポートの重要性：

金融に関する幅広く具体的な理解 ialサービスアプリケーション業界は、製品の種類、アプリケーション、地域に基づいてセグメント化された形式で提供されます。

金融サービスアプリケーション業界業界の成長に影響を与える要因と課題は、このレポートに示されています。

市場の成長につながるビジネス戦略と要因を計画します。

競争の激しい市場の状況を評価し、それに応じてビジネス戦略を計画します。

金融サービスアプリケーションのビジネス計画、ポリシー、技術の進歩、およびプロファイルを理解します。主要な業界の利害関係者

モバイルゲームソフトウェア市場レポートで回答された主要な質問は次のとおりです。

モバイルゲームソフトウェア市場の成長の可能性は何ですか？

地域市場は、今後数年間で定期的にチャンピオンとして浮上しますか？

アプリケーション部分は堅調に成長しますか？

成長機会の単位は何ですか？これは、モバイルゲームソフトウェアの取引が今後数年の間隔で発生する可能性がありますか？

世界のモバイルゲームソフトウェア市場が将来間隔を置いて直面する可能性のある主要な課題はどのユニットですか？

世界のモバイルゲームソフトウェア市場が将来間隔を置いて直面する可能性のある主要な課題はどのユニットですか？

世界のモバイルゲームソフトウェア市場を定期的にリードする企業？

市場の成長に完全に影響を与える主要なトレンド？

プレーヤーが定期的に保持するために考えている成長戦略は、グローバルモバイルゲームソフトウェア市場？

レポートのカスタマイズをリクエスト@ https://axelreports.com/request-customization/197110

Axelレポートについて：

Axel Reportsには、Web上で利用可能な市場調査製品およびサービスの最も包括的なコレクションがあります。ほぼすべての主要な出版物からレポートを配信し、定期的にリストを更新して、世界の市場、企業、商品、パターンに関する専門的な洞察の世界で最も広範で最新のアーカイブにすぐにオンラインでアクセスできるようにします。

連絡先： アクセルレポート Akansha G（ナレッジパートナー） オフィス番号- B 201 Pune、Maharashtra 411060

連絡先：

メール： sales@axelreports.com | +18488639402

"

[daniel1244martinez]

Reports Monitor recently announced the addition of a new research study to its comprehensive collection of research reports. The research report, titled ” Global Mobile Game Software Market Size, Status and Forecast 2022 “.This research report includes diverse topics like total market size, key market drivers, challenges, growth opportunities, key players etc. We have also covered key market updates, the effect of regulations and technological updates. New start-ups entering the space of Global Mobile Game Software Sales need to carefully pick their niches and genres so that they can compete on an equal position with global companies who have an end to end development studios, production capabilities and global skills and experience backing them.

This report covers the precisely studied and evaluated data of the Global market players and their scope in the market using a number of analytical tools. The analytical tools such as investment return analysis, SWOT analysis and feasibility study are used to analyze the key Global market player’s growth in this Market.

Get Free Sample Copy Of Mobile Game Software Market Report: https://www.reportsmonitor.com/request-sample/?post=530387 

This Report studies live as well as future aspects of the Industry. The market report provides Mobile Game Software Market demand, trends and segmentation analysis. Global Mobile Game Software Market industry report presents the up to date and useful market insights stating the product definition, product type, variety of applications.

Top manufacturers, with production, price, revenue (value) and market share for each manufacturer; the top players including: Activision Blizzard Inc., Electronic Arts Inc, Tencent, Kabam Inc., Gameloft, Supercell Oy, DeNa, Disney Interactive, Nintendo, Blizzard, Ubisoft, Kobojo, Glu Mobile, Blockdot, GREE International, GigaMedia, Sony Computer Entertainment, Tylted, SEGA, WeMade Entertainment

Product Type Coverage: Action, Adventure, Card, RPGs, Sports, Strategy

Segmentation by distribution channel and analysis of this market: Children, Adults

Market segment by Regions/Countries, this report covers: United States, EU, Japan, China, India, Southeast Asia

To Check a Discount on Mobile Game Software Market Report: https://www.reportsmonitor.com/check-discount/?post=530387 

Moving forward with TOC areas covered in this market research report are:

1) Mobile Game Software Market Overview.

2) Global Mobile Game Software Market Competition by Manufacturers

3) Global Mobile Game Software Capacity, Production, Revenue (Value) by Region

4) Global Mobile Game Software Supply (Production), Consumption, Export, Import by Region

5) Global Mobile Game Software Production, Revenue (Value), Price Trend by Type

6) Global Mobile Game Software Market Analysis by Application

7) Global Mobile Game Software Manufacturers Profiles/Analysis

8) Mobile Game Software Manufacturing Cost Analysis

9) Industrial Chain, Sourcing Strategy and Downstream Buyers

Overall the report gives an entire study of the parent Mobile Game Software market, key techniques followed by leading Market Key Players and upcoming segments. Former, current and forecast Mobile Game Software market synthesis in terms of volume and value along with research conclusions is a decisive part of Mobile Game Software study. So that the report helps the fresh aspirants to inspect the upcoming opportunities in the Mobile Game Software market.

About Us

Reports Monitor (ReportsMonitor.com) is a platform for companies looking to meet their market research and business intelligence requirements. Our aim is to change the dynamics of the Market Research industry by providing quality intelligence backed by data. Your requirement for market forecasting is fulfilled by our exclusive quantitative and analytics driven intelligence. We have a vast collection of reports, covering maximum industries worldwide.

Contact Us

Jay Matthews

Direct: +1 513 549-5911

Email: sales@reportsmonitor.com

Website: https://ift.tt/2majIg1

[aurelliocheek]

Monster Boy: Evolution of the environment art style

When European and Japanese influences come together. Lead Artist Johan Lun with interesting insights.

When we started the project, our game references were essentially from the games on Super Nintendo (Zelda and Secret of Mana) Mega Drive (Thor and obviously Wonder Boy in Monster World) and other rpgs of that era, with the visual ­aspect that was so typical of Japanese ­video games of the ‘90s. We really wanted to make players aware of this tribute.

Once our publisher FDG Entertainment joined the project, we were able to develop and devote resources to the game ­graphics, and therefore called on several concept artists to enhance the game backdrops. The first, Benjamin Dupouy, brought lots of ideas and created new environments in a style that was different from what we had up to then. He not only created new concepts such as the crystal caverns and the forest, but also redefined the overall build of the levels while placing elements in the foreground to add depth. He had a more mature and European graphic style which was less Japanese. At that time, we still hadn’t decided on the style we wanted for the game or the final atmosphere. We had to dismantle the linear and rigid aspect of the settings to achieve a more ‘organic’ look.

A second concept artist, David Cicerone, joined us who brought his extensive experience of manga in a style that was somewhere between Europe and Japan and heavily influenced by Dragon Ball Z. In addition to creating the logo for ­Monster Boy, he also used slightly distorted and ­exaggerated forms and infused lots of colour and dynamism into the settings. We had been a tad restrained up to that time and had stayed in the classic realm without breaking too many boundaries, but a new game identity was now born. The environments had been updated and transformed the levels. The beach and the hut looked outdated, and were totally ‘revamped’ and we created more objects and décor ­elements to get closer to the Wonder Boy universe. David managed to create an illusion of richer and more vibrant settings.

The early version of the inn was inspired by the first versions of Wonder Boy, with the flat sides and classic doors with no perspective; a rather functional house, but with no soul. The new concept was devised by Alexandre Le Saux, who brought his own style to it. He deconstructed and rebuilt it and pushed the design further, which tended more to the American comic style (Warcraft). He added numerous details compared to what we had up to that point (small fork on the table, bucket next to the door and the hammer in the forge, etc.).

We then ended up with a game that ­contained a range of influences; a huge mix that posed a problem, especially as the rendering of the textures was as varied as the many different artists who had worked on them! The graphic inconsistency was clearly visible, however, and we had to find a consistent style, a logical link between the different game environments and, at the same time, the graphic designers had to integrate all these concepts into the ­numerous levels in the game (over 350). They also had to create elements while ­adhering to the spirit of the artistic ­concepts, and this created an even wider gulf between the different styles already present in the game.

The inn evolved from a concept with flat sides and classic doors to a more American comic style.

From Wonder Boy to Monster Boy Lizardcube released Wonder Boy: The Dragon’s Trap in 2017, which was a pure remake of the game Master System with a highly stylised redesign of the graphics. The game was visually really appealing, inspired by the comic genre with traditional animation. This Wonder Boy influenced the artistic direction of our Monster Boy, but we had to find our own style and create distinctive graphics, and this important realisation was crucial.

We developed our idea and took a step further by looking for an artist who could help us; someone who could come up with the style we were after. And that’s when Alina Latypova joined our team.

Alina had no experience of the video games world but had been creating backdrop designs for animation, with classic inspirations from Disney to Pixar through cartoons from the ‘80s to the present. The atmosphere and texture of her work was incredibly good, and her first job was to integrate existing settings, and she then, of course, made improvements to certain levels. She implemented her vision on the houses and lighting in the village backdrop.

Alina then designed the last concept art for the haunted house and the last dungeon herself. The graphic style in the different levels had again become inconsistent, and we still had to harmonise the look. We asked her to rework specific levels that were too dissimilar graphically, and the forest, the prison, the castle, the mines, the waterfalls, the underwater world and the beach were revamped. She brought a great deal of volume and substance to all the backdrops.

We were lucky to find someone with such great talent who was also a quick worker! She didn’t just redesign the forms, light and the colour, she basically added atmosphere and a visual identity to the game; she had provided the tone and we had found our graphic style! We then replaced all the decor elements and hired graphic designers who were able to internalise and reproduce her graphic style. Her arrival in our team was an amazing event, and we hoped the game graphics would stick in the minds of the players as much as they impressed us. We really wanted players to feel they were progressing and moving around in a cartoon as opposed to a classic video game.

The difficulty for all the artists who worked on the backdrops of Monster Boy was to use drawings to justify the mechanisms of the level designs, and this can be quite abstract. We had to find logical solutions to implement flying platforms, for example. The challenge was to make sense of the various locations to ensure the player immediately knew what to do. The mechanics of some areas were very complex, and involved deep research to establish the composition of a scene, and forced us to find the right idea that worked with the level. This is precisely where the connection between the level design and the artistic aspect is forged. It’s also the most interesting part for the artists, as you have to decide what setting you will create to justify certain mechanisms. You’re forced to be very creative and generate numerous ideas to make the whole thing believable. One of the tricks that appeared frequently in the Monster Boy levels to convey information to players was to place statues everywhere!

Following the redesign of the environments in late 2017, we then realised that the hero, Jin had not kept up with the settings; he wasn’t in sync and looked out of place in the game. We decided to review all the game characters and had to take a year out to redesign all the sprites in a traditional animation style.

Johan Lun Lead Artist Johan is Lead Artist on Monster Boy and the Cursed Kingdom. He was working as a QA Tester at Electronic Arts and VMC Gamelabs Montreal, then Kobojo Paris before joining Game Atelier in 2014.

The post Monster Boy: Evolution of the environment art style appeared first on Making Games.

Monster Boy: Evolution of the environment art style published first on https://leolarsonblog.tumblr.com/

[marketresearchreports07-blog]

Product Overview and Scope of Global Mobile Gaming Market 2018

This report studies the global Mobile Gaming market size, industry status and forecast, competition landscape and growth opportunity. This research report categorizes the global Mobile Gaming market by companies, region, type and end-use industry.

Request Sample Report at https://www.wiseguyreports.com/sample-request/3123203-global-mobile-gaming-market-size-status-and-forecast-2025

This report focuses on the global top players, covered

Gameloft

Electronic Arts Inc

Tencent

Activision Blizzard Inc.

Rovio

Supercell Oy

DeNa

Disney Interactive

Nintendo

Blizzard

Ubisoft

Kobojo

Glu Mobile

Wooga GmbH

GREE International

GigaMedia

Sony Computer Entertainment

Tylted

Storm8

Blockdot

Market segment by Regions/Countries, this report covers

United States

Europe

China

Japan

Southeast Asia

India

Market segment by Type, the product can be split into

Action/Adventure

Strategy & Brain

Casino

Sport and Role Playing Games

Others

Market segment by Application, Mobile Gaming can be split into

Android

iOS

Others

View Detailed Report at https://www.wiseguyreports.com/reports/3123203-global-mobile-gaming-market-size-status-and-forecast-2025

The study objectives of this report are:

To study and forecast the market size of Mobile Gaming in global market.

To analyze the global key players, SWOT analysis, value and global market share for top players.

To define, describe and forecast the market by type, end use and region.

To analyze and compare the market status and forecast between China and major regions, namely, United States, Europe, China, Japan, Southeast Asia, India and Rest of World.

To analyze the global key regions market potential and advantage, opportunity and challenge, restraints and risks.

To identify significant trends and factors driving or inhibiting the market growth.

To analyze the opportunities in the market for stakeholders by identifying the high growth segments.

To strategically analyze each submarket with respect to individual growth trend and their contribution to the market

To analyze competitive developments such as expansions, agreements, new product launches, and acquisitions in the market

To strategically profile the key players and comprehensively analyze their growth strategies.

In this study, the years considered to estimate the market size of Mobile Gaming are as follows:

History Year: 2013-2017

Base Year: 2017

Estimated Year: 2018

Forecast Year 2018 to 2025

For the data information by region, company, type and application, 2017 is considered as the base year. Whenever data information was unavailable for the base year, the prior year has been considered.

Key Stakeholders

Mobile Gaming Manufacturers

Mobile Gaming Distributors/Traders/Wholesalers

Mobile Gaming Subcomponent Manufacturers

Industry Association

Downstream Vendors

Table of Contents

1 Industry Overview of Mobile Gaming

2 Global Mobile Gaming Competition Analysis by Players

3 Company (Top Players) Profiles

4 Global Mobile Gaming Market Size by Type and Application (2013-2018)

5 United States Mobile Gaming Development Status and Outlook

6 Europe Mobile Gaming Development Status and Outlook

7 China Mobile Gaming Development Status and Outlook

8 Japan Mobile Gaming Development Status and Outlook

9 Southeast Asia Mobile Gaming Development Status and Outlook

10 India Mobile Gaming Development Status and Outlook

11 Market Forecast by Regions, Type and Application (2018-2025)

12 Mobile Gaming Market Dynamics

13 Market Effect Factors Analysis

14 Research Finding/Conclusion

15 Appendix

About Us:

Wise Guy Reports is part of the Wise Guy Research Consultants Pvt. Ltd. and offers premium progressive statistical surveying, market research reports, analysis & forecast data for industries and governments around the globe.

Contact Us:

NORAH TRENT                                                      

sales@wiseguyreports.com      

Ph: +1-646-845-9349 (US)                          

Ph: +44 208 133 9349 (UK)        

[myjosephine123blog-blog]

Global Mobile Gaming Market Size, Status and Forecast 2022

Summary

This report studies the global Mobile Gaming market, analyzes and researches the Mobile Gaming development status and forecast in United States, EU, Japan, China, India and Southeast Asia. This report focuses on the top players in global market, like Gameloft Electronic Arts Inc Tencent Activision Blizzard Inc. Rovio Supercell Oy DeNa Disney Interactive Nintendo Blizzard Ubisoft Kobojo Glu Mobile Wooga GmbH GREE International GigaMedia Sony Computer Entertainment Tylted Storm8 Blockdot

Market segment by Regions/Countries, this report covers United States EU Japan China India Southeast Asia

Market segment by Type, Mobile Gaming can be split into By Gaming Genre By Platform

Market segment by Application, Mobile Gaming can be split into Entertainment Competition

If you have any special requirements, please let us know and we will offer you the report as you want.

Table of Contents

Global Mobile Gaming Market Size, Status and Forecast 2022 1 Industry Overview of Mobile Gaming 1.1 Mobile Gaming Market Overview 1.1.1 Mobile Gaming Product Scope 1.1.2 Market Status and Outlook 1.2 Global Mobile Gaming Market Size and Analysis by Regions 1.2.1 United States 1.2.2 EU 1.2.3 Japan 1.2.4 China 1.2.5 India 1.2.6 Southeast Asia 1.3 Mobile Gaming Market by Type 1.3.1 By Gaming Genre 1.3.2 By Platform 1.4 Mobile Gaming Market by End Users/Application 1.4.1 Entertainment 1.4.2 Competition

others

List of Tables and Figures

Figure Mobile Gaming Product Scope Figure Global Mobile Gaming Market Size (Million USD) (2012-2017) Table Global Mobile Gaming Market Size (Million USD) and Growth Rate by Regions (2012-2017) Figure Global Mobile Gaming Market Share by Regions in 2016 Table Global Mobile Gaming Market Size (Million USD) by Type (2017-2022) Figure Global Mobile Gaming Market Size Share by Type in 2017 Figure Global Mobile Gaming Market Size Share by Type in 2022 Table Global Mobile Gaming Market Size (Million USD) by Application (2017-2022)

Thank you for reading the essay.

If you are interested in it or have any questions,plesase contact me.

QYRESEARCH CO., LTD

Josephine Luo - QYResearch Report Global Sales

Email: josephine@qyresearch.com      

Web: http://qyresearcheurope.com/    http://qyresearchglobal.com/  

[leonhouse]

MUTANTS: GENETIC GLADIATORS by Kobojo | Free Mobile Game | Android Gameplay HD VideoYou can download and play this game for free on the Google play store here: http://ift.tt/1mEZsdJ Please thumbs up, share, comment and subscribe Tweet me? @LeonHouse

[doc-gworldz]

Primal Legends - Random - AdeptCamel

Primal Legends – Random – AdeptCamel

Link: https://youtu.be/XUnh3L9binA Team: Chasqa 8, Masha 10, Cipai 6 and Roku 10

Versus: Arpa 4, Shi 6, Karg 7 and Waru 8

🎭💬

#PLMoment #PrimalGods #ShareLegends

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•[PRIMAL GODS LINKS]• [PG] Chat: http://bit.ly/PG-Telegram

•[PLAY PRIMAL LEGENDS]• Android: http://ift.tt/2aF8vyN iOS:

[innerpersonwerewolf-blog]

(via https://www.youtube.com/watch?v=0-PB0Ijz2Lo)

@kobojo @mutantsgeneticgladiators @mutantsgeneticgladiatorshack 

[daniel1244martinez]

Mobile Game Software Market boosting the growth Worldwide: Market dynamics, trends, efficiencies and Forecast 2022

Reports Monitor recently announced the addition of a new research study to its comprehensive collection of research reports. The research report, titled ” Global Mobile Game Software Market Size, Status and Forecast 2022 “.This research report includes diverse topics like total market size, key market drivers, challenges, growth opportunities, key players etc. We have also covered key market updates, the effect of regulations and technological updates. New start-ups entering the space of Global Mobile Game Software Sales need to carefully pick their niches and genres so that they can compete on an equal position with global companies who have an end to end development studios, production capabilities and global skills and experience backing them.

This report covers the precisely studied and evaluated data of the Global market players and their scope in the market using a number of analytical tools. The analytical tools such as investment return analysis, SWOT analysis and feasibility study are used to analyze the key Global market player’s growth in this Market.

Get Free Sample Copy Of Mobile Game Software Market Report: https://www.reportsmonitor.com/request-sample/?post=530387 

This Report studies live as well as future aspects of the Industry. The market report provides Mobile Game Software Market demand, trends and segmentation analysis. Global Mobile Game Software Market industry report presents the up to date and useful market insights stating the product definition, product type, variety of applications.

Top manufacturers, with production, price, revenue (value) and market share for each manufacturer; the top players including: Activision Blizzard Inc., Electronic Arts Inc, Tencent, Kabam Inc., Gameloft, Supercell Oy, DeNa, Disney Interactive, Nintendo, Blizzard, Ubisoft, Kobojo, Glu Mobile, Blockdot, GREE International, GigaMedia, Sony Computer Entertainment, Tylted, SEGA, WeMade Entertainment

Product Type Coverage: Action, Adventure, Card, RPGs, Sports, Strategy

Segmentation by distribution channel and analysis of this market: Children, Adults

Market segment by Regions/Countries, this report covers: United States, EU, Japan, China, India, Southeast Asia

To Check a Discount on Mobile Game Software Market Report: https://www.reportsmonitor.com/check-discount/?post=530387 

Moving forward with TOC areas covered in this market research report are:

1) Mobile Game Software Market Overview.

2) Global Mobile Game Software Market Competition by Manufacturers

3) Global Mobile Game Software Capacity, Production, Revenue (Value) by Region

4) Global Mobile Game Software Supply (Production), Consumption, Export, Import by Region

5) Global Mobile Game Software Production, Revenue (Value), Price Trend by Type

6) Global Mobile Game Software Market Analysis by Application

7) Global Mobile Game Software Manufacturers Profiles/Analysis

8) Mobile Game Software Manufacturing Cost Analysis

9) Industrial Chain, Sourcing Strategy and Downstream Buyers

Overall the report gives an entire study of the parent Mobile Game Software market, key techniques followed by leading Market Key Players and upcoming segments. Former, current and forecast Mobile Game Software market synthesis in terms of volume and value along with research conclusions is a decisive part of Mobile Game Software study. So that the report helps the fresh aspirants to inspect the upcoming opportunities in the Mobile Game Software market.

About Us

Reports Monitor (ReportsMonitor.com) is a platform for companies looking to meet their market research and business intelligence requirements. Our aim is to change the dynamics of the Market Research industry by providing quality intelligence backed by data. Your requirement for market forecasting is fulfilled by our exclusive quantitative and analytics driven intelligence. We have a vast collection of reports, covering maximum industries worldwide.

Contact Us

Jay Matthews

Direct: +1 513 549-5911

Email: sales@reportsmonitor.com

Website: https://ift.tt/2majIg1

from WordPress https://ift.tt/2K2B0nl via IFTTT

[worldapp123]

Primal Legends

This is a combination of strategy card game, upgrade your hero and collect and realize their full potential, adapt your strategy to build the strongest army. FEATURES – INNOVATIVE CORE GAMEPLAY Easy to play, hard to master. Mix between classic match-3 mechanics and collectible card games. – AN EPIC ADVENTURE Persevere through the trials of Theria in over 200 levels. – COMPETE AGAINST THE WORLD…

[appdaily888]

Primal Legends

This is a combination of strategy card game, upgrade your hero and collect and realize their full potential, adapt your strategy to build the strongest army.

FEATURES

– INNOVATIVE CORE GAMEPLAY Easy to play, hard to master. Mix between classic match-3 mechanics and collectible card games.

– AN EPIC ADVENTURE Persevere through the trials of Theria in over 100 levels.

– COMPETE AGAINST THE WORLD Du…

[spencerwan]

Here’s some animation I did for Tokkun Studio last year. It’s a cutscene for the game Zodiac: Orcanon Odyssey, which was created by Kobojo. 

I included all my roughs for anyone interested, but I also did the clean up and coloring on this sequence. My old boss actually gave me the freedom to improvise the motion in a few of the shots. At the time I’d never been given that chance, and I’ll be forever grateful for it.