Larissa Szporluk, from Dark Sky Question; "Solar Wind"
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Body lines ( light and shadow ) :: (by Matthew Fang)
* * * *
It is dark inside the body, and wet,
and double-hearted. There are so many ways
to go, and not see, and lose
the feeling of the thread...
and never reach the fabled center.
By Larissa Szporluk "One Thousand Bullfrogs Rejoice" quoted in "Writing and the Spiritual Life" by Patrice Vecchione
So Many Ways to Go
Larissa Szporluk
Inward/Outward
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Larissa Szporluk, "Nihilist" from Traffic With Macbeth
[text: If I pushed my face into the dirt and gulped, I could wash this shame a little off. end text description]
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There is no sound at all on this wild upland.
The horses have stopped falling
in their great arc through the air.
The panic that carried their necks over the crag
became, early on, in their legs, regret.
The dark knowing that spoils the morning
enters them now, showing them how,
like a difference in contour, they weren’t the real
power of the field. How their bearing was minor,
their bones meaning more to the earth
than what each aloof mane in the wind had been.
Their eyes, which before were clear, crowd
like the fleas madness brings, as she notes
in the noonday heat how each part lies,
spread across rock, like her own in that scene,
half-girl, half-cow, the cloud half off.
Io Remembers by Larissa Szporluk
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It is dark inside the body, and wet,
and double-hearted. There are so many ways
to go, and not see, and lose the feeling of the thread...
and never reach the fabled center.
Larissa Szporluk, from "One Thousand Bullfrogs Rejoice"
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Jack Gilbert, from“Alba” / Larissa Szporluk, from "Prowler's Universe"
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"Dark Eros", by Larissa Szporluk
She smirks, sets herself up
on a cinder cone--How does
it feel, she asks the old mountain,
to have no choice but to feel?
Succuss of Anoton's glottis.
Rumbles, plutonic debris.
Feel this, she hisses into his
sphincter, then does something
evil with fruit--oh, the power
to cry! Oh, to be able to cry!
His mouth is under the sea now.
The past is a quasi-fetish.
I was only a child, but my
obsession with you was divine.
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Let's call on the plasmoids
to splotch up their picnic.
Let's snow ultraviolet
so they grow extra limbs.
Let's give vegetables sex lives,
grill them flagrante.
Let's unite the divided
so the shy one crawls back
to his witch, so his witch
can flog him hill sunrise.
Let's be lenticular, delicate.
Let's stretch over Norway.
Let's terrorize swing-sets,
yank down some knee-socks,
fondle some calves.
Let's cause some trauma.
Let's hide all their gods.
Let's extend civil twilight,
rattle a private, scour
and wax it. Let's not let them
think we're just passing.
"Mother-of-Pearl Clouds," Larissa Szporluk, Embryos & Idiots
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“But
sometimes I pause
in an unforeseen calm.
I don’t care what I am.”
Larissa Szporluk, “Windmill,” from Backwards City Review
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But
sometimes I pause
in an unforeseen calm.
I don't care what I am.
Larissa Szporluk, "Windmill," from Backwards City Review.
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I’m cuckoo-true, a blood
and thunder freedom monger.
From Cuckoo by Larissa Szporluk
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Villain Horizon by Larissa Szporluk
Moles vibrate the world.
I lie in the soil and wait.
There’s a military reason
for their holes. Golden
Alexander, Golden Alexander,
your little golden head
will need some protection
when the heavens crumble.
A fish would tell you water,
but ask any mole—
darkness is the helmet
when darkness is the culprit
that will guard you most.
The trees step in close.
There are towers in their
shadows, full of forest flowers,
and beyond them, a whole
city built by blind things
that I govern with an eyeball
lest a modicum of sunshine
creeps in to untie you.
from Anti-
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How easily our loved ones
leave us, speeding into sunsets,
maiming us with absence.
Sea Lettuce by Larissa Szporluk
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