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stainedglassgardens · 5 years

Text

Favourite films watched in 2019

I arranged them into broad categories – other than that they’re in no particular order.

Indie

Skate Kitchen (Crystal Moselle, 2018) 6 Balloons (Marja-Lewis Ryan, 2018) The Party’s Just Beginning (Karen Gillan, 2018) Thirteen (Catherine Hardwicke, 2003) Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000) Vazante (Daniela Thomas, 2017) Erasing Eden (Beth Dewey, 2016) The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017) Knock Down Ginger (Cleo Samoles-Little, 2016) The Garden (Sommerhaüser, Sonja Maria Kröner, 2017) Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017) Fish Tank (Andrea Arnold, 2009) Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

Comedy

Dick (Andrew Fleming, 1999) The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018) It Stains the Sands Red (Colin Minihan, 2016) Satanic Panic (Chelsea Stardust, 2019)

Classics

Wanda (Barbara Loden, 1970) House of Wax (Andre DeToth, 1953) Eve's Bayou (Kasi Lemmons, 1997) Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Horror

April and the Devil (Jake Hammond, 2018) Blackwood (Andrew Montague, 2019) The Crescent (Seth A Smith, 2017) Us (Jordan Peele, 2019) American Mary (Jen and Sylvia Soska, 2012) Midsommar (Ari Aster, 2019) Black Christmas (Bob Clark, 1974) The Devil's Passenger (Dave Bundtzen, 2018)

Science fiction

Born in Flames (Lizzie Borden, 1983) Evolution (Lucile Hadžihalilović, 2015) In Full Bloom (Maegan Houang, 2019)

Action

Destroyer (Karyn Kusama, 2018) Under the Silver Lake (David Robert Mitchell, 2018) Snatch (Guy Ritchie, 2000) Holiday (Isabella Eklöf, 2018)

Documentary

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005) Abducted in Plain Sight (Skye Borgman, 2017) Jane Fonda in Five Acts (Susan Lacy, 2018) Stories We Tell (Sarah Polley, 2012) The Decline of Western Civilization series (Penelope Spheeris, 1981, 1988 and 1998)

Full list of 273 films watched in 2018 under the cut!

January

Like Father (Lauren Miller Rogen, 2018)

Upgrade (Leigh Whannell, 2018)

Skate Kitchen (Crystal Moselle, 2018)

Never Been Kissed (Raja Gosnell, 1999)

Anomalisa (Charlie Kaufman and Duke Johnson, 2015)

Dick (Andrew Fleming, 1999)

The Black Balloon (Elissa Down, 2008)

Under the Silver Lake (David Robert Mitchell, 2018)

6 Balloons (Marja-Lewis Ryan, 2018)

Rosy (Jess Bond, 2018)

The Party’s Just Beginning (Karen Gillan, 2018)

The Rider (Chloé Zhao, 2017)

Snowpiercer (Bong Joon-ho, 2013)

Touch of Evil (Orson Welles, 1958)

Thirteen (Catherine Hardwicke, 2003)

Sadie (Megan Griffiths, 2018)

The Miseducation of Cameron Post (Desiree Akhavan, 2018)

Frida (Julie Taymor, 2002)

Fyre: The Greatest Pary That Never Happened (Chris Smith, 2019)

Time Share (Tiempo Compartido, Sebastián Hofmann, 2018)

The Stranger (Orson Welles, 1946)

Abducted in Plain Sight (Skye Borgman, 2017)

King of Thieves (James Marsh, 2018)

Malevolent (Olaf de Fleur, 2018)

Serena (Susanne Bier, 2014)

Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000)

And Breathe Normally (Andið Eðlilega, Ísold Uggadóttir, 2018)

Catwalk: Tales from the Cat Show Circuit (Aaron Hancox and Michael McNamara, 2018)

Santoalla (Andrew Becker and Daniel Mehrer, 2016)

Jane Fonda in Five Acts (Susan Lacy, 2018)

Mademoiselle Paradis (Licht, Barbara Albert, 2017)

The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, 2016)

February

Matangi/Maya/M.I.A (Steve Loveridge, 2018)

Pride & Prejudice (Joe Wright, 2005)T

The Brain Hack (Joseph White, 2014)

Vazante (Daniela Thomas, 2017)

Tanglewood (Jordan Prosser, 2016)

Outfall (Suzi Ewing, 2018)

Pigskin (Jake Hammond, 2015)

The Funspot (Jake Hammond, 2015)

April and the Devil (Jake Hammond, 2018)

Smithereens (Susan Seidelman, 1982)

Can You Ever Forgive Me? (Marielle Heller, 2018)

Bus Stop (Joshua Logan, 1956)

Pink Plastic Flamingos (Colin West, 2017)

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018)

Amanda Knox (Rod Blackhurst and Brian McGinn, 2016)

Holy Hell (Will Allen, 2016)

Shoplifters (Manbiki Kazoku, Hirokazu Kore-eda, 2018)

Skin (Jordana Spiro, 2015)

A Night at the Garden (Marshall Curry, 2017)

Give Up the Ghost (Nathan Sam Long, 2018)

Last One Screaming (Matt Devino, 2017)

The Katy Universe (Patrick Muhlberger, 2018)

Roma (Alfonso Cuarón, 2018)

Did You Hear About the Morgans? (Marc Lawrence, 2009)

End Game (Rob Epstein and Jeffrey Friedman, 2018)

Behind the Curve (Daniel J. Clark, 2018)

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005)

92MARS (Ricardo Bernardini, 2018)

Construct (Kevin Margo, 2018)

Invaders (Daniel Prince, 2018)

March

Three Identical Strangers (Tim Wardle, 2018)

Dirty John: The Dirty Truth (Sara Mast, 2019)

Blackwood (Andrew Montague, 2019)

One (Luke Bradford, 2019)

God's Kingdom (Guy Soulsby, 2018)

Holiday (Isabella Eklöf, 2018)

Frigid (Joe Kicak, 2016)

Girl of the Sky (Ariel Martin, 2017)

Monitor (Matt Black and Ryan Polly, 2018)

Donoma (Evan Spencer Brace, 2018)

Perfect Blue (パーフェクトブル, Pāfekuto Burū, Satoshi Kon, 1997)

The Sermon (Dean Puckett, 2018)

Layer Cake (Matthew Vaughn, 2004)

Easy A (Will Gluck, 2010)

Generation Wealth (Lauren Greenfield, 2018)

The Rachel Divide (Laura Brownson, 2018)

The Place Beyond the Pines (Derek Cianfrance, 2012)

Burden (Timothy Marrinan and Richard Dewey, 2016)

What Will People Say (Hva vil folk si, Iram Haq, 2017)

Close Encounters of the Third Kind (Steven Spielberg, 1977)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Animal (Fabrice Le Nézet and Jules Janaud, 2017)

Capturing the Friedmans (Andrew Karecki, 2003)

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)

April

Erasing Eden (Beth Dewey, 2016)

Destroyer (Karyn Kusama, 2018)

Unicorn Store (Brie Larson, 2019)

May the Devil Take You (Sebelum iblis menjemput, Timo Tjahjanto, 2018)

People in Cars (Daniel Lundh, 2017)

Presentation (Danielle Kampf, 2017)

Ink (Jamin Winans, 2009)

Hedgehog (Lindsey Copeland, 2016)

Koyaanisqatsi (Godfrey Reggio, 1982)

Wanda (Barbara Loden, 1970)

The Silence (John R. Leonetti, 2019)

24 Davids (Céline Baril, 2017)

The Frame (Jamin Winans, 2014)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Baraka (Ron Fricke, 1992)

Wayne’s World (Penelope Spheeris, 1992)

Stories We Tell (Sarah Polley, 2012)

Born in Flames (Lizzie Borden, 1983)

Jesse’s Girl (M. Keegan Uhl, 2018)

I Walked With a Zombie (Jacques Tourneur, 1943)

Mary Goes Round (Molly McGlynn, 2017)

The Green Fog (Guy Maddin, Evan Johnson, and Galen Johnson, 2017)

Psycho (Alfred Hitchcock, 1960)

Someone Great (Jennifer Kaytin Robinson, 2019)

May

Ekaj (Cati Gonzalez, 2015)

Capernaum (Nadine Labaki, 2018)

Porcupine Lake (Ingrid Veninger, 2017)

The Decline of Western Civilization (Penelope Spheeris, 1981)

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)

The Decline of Western Civilization III (Penelope Spheeris, 1998)

Revolver (Guy Ritchie, 2005)

Pokémon: Detective Pikachu (Rob Letterman, 2019)

RocknRolla (Guy Ritchie, 2008)

Snatch (Guy Ritchie, 2000)

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017)

Nkosi Coiffure (Frederike Migom, 2015)

Speak Your Truth (Kris Erickson, 2018)

Incendies (Denis Villeneuve, 2010)

A.I. Rising (Lazar Bodrosa, 2018)

The Crescent (Seth A Smith, 2017)

Ring (リング, Ringu, Hideo Nakata, 1998)

Absences (Carole Laganière, 2013)

The Uninvited (Lewis Allen, 1944)

In Color (José Andrés Cardona, 2019)

Winners (Dan Bulla, 2018)

Jess (Daniel Hurwitz, 2018)

My First Time (Asaf Livni, 2018)

Murmur (Aurora Fearnley, 2018)

Pulsar (Aurora Fearnley, 2017)

Struck (Aurora Fearnley, 2017)

Samira (Lainey Richardson, 2018)

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019)

It Stains the Sands Red (Colin Minihan, 2016)

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016)

Knock Down Ginger (Cleo Samoles-Little, 2016)

Gold (Cleo Samoles-Little, 2015)

Jane's Life (Cleo Samoles-Little, 2012)

4/4 (Kyle Sawyer, 2016)

Sugar Land (Lorenzo Lanzillotti, 2018)

The Idea of North (Albert Choi, 2018)

A Quiet Place (John Krasinski, 2018)

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002)

Sound of My Voice (Zal Batmanglij, 2011)

Us (Jordan Peele, 2019)

The Perfection (Richard Shepard, 2018)

House of Wax (Andre DeToth, 1953)

June

We Have Always Lived in the Castle (Stacie Passon, 2018)

Always Be My Maybe (Nahnatchka Khan, 2019)

Gente que viene y bah (Patricia Font, 2019)

Period. End of Sentence. (Rayka Zehtabchi, 2018)

American Mary (Jen and Sylvia Soska, 2012)

The Boss (Ben Falcone, 2016)

Extremis (Dan Krauss, 2016)

E il cibo va (Food on the Go, Mercedes Cordova, 2017)

Last Night (Massy Tadjedin, 2010)

Murder Mystery (Kyle Newacheck, 2019)

Bead Game (Ishu Patel, 1977)

The Ceiling (Katto, Teppo Airaksinen, 2017)

Elisa & Marcela (Elisa y Marcela, Isabel Coixet, 2019)

Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017)

The Garden (Sommerhaüser, Sonja Maria Kröner, 2017)

Fast Color (Julia Hart, 2018)

The Tale of Iya (Iya Monogatari: Oku no Hito, Tetsuichiro Tsuta, 2013)

Chico and Rita (Chico y Rita, Tono Errando, Fernando Trueba and Javier

Mariscal, 2010)

Rafiki (Wanuri Kahiu, 2018)

Floating! (Das Floß!, Julia C. Kaiser, 2015)

The Quiet American (Phillip Noyce, 2002)

July

Keepers of the Magic (Vic Sarin, 2016)

Evolution (Lucile Hadžihalilović, 2015)

Mr. Holmes (Bill Condon, 2015)

The Long Dumb Road (Hannah Fidell, 2018)

Toni Erdmann (Maren Ade, 2016)

Life Overtakes Me (John Haptas and Kristine Samuelson, 2019)

The Milk System (Andreas Pilcher, 2017)

A Streetcar Named Desire (Elia Kazan, 1951)

The Texture of Falling (Maria Allred, 2019)

Family (Laura Steinel, 2018)

Sudden Fear (David Miller, 1952)

Identity Thief (Seth Gordon, 2013)

August

Point Break (Kathryn Bigelow, 1991)

In Full Bloom (Maegan Houang, 2019)

Blue Steel (Kathryn Bigelow, 1990)

The Eagles are a Country Music Band (Cody Wagner, 2018)

The Fifth Element (Luc Besson, 1997)

Hobbs & Shaw (David Leitch, 2019)

Coco (Lee Unkrich, 2017)

Bubba Ho-Tep (Don Coscarelli, 2002)

John Wick (Chad Stahelski, 2014)

Eve's Bayou (Kasi Lemmons, 1997)

I Don’t Protest, I Just Dance In My Shadow (Jessica Ashman, 2017)

My Cousin Rachel (Henry Koster, 1952)

Lifeline (Harry Jackson, 2018)

FOMI (Fear of Missing In) (Norbert Fodor, 2019)

Body at Brighton Rock (Roxanne Benjamin, 2019)

Koreatown (Grant Hyun, 2018)

A Report of Connected Events (Mischa Rozema, 2018)

Sundays (Mischa Rozema, 2015)

A King's Betrayal (David Bornstein, 2014)

Perception (Ilana Rein, 2018)

Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Men in Black International (F. Gary Gray, 2019)

Captive State (Rupert Wyatt, 2019)

Little Forest (리틀 포레스트, Liteul Poleseuteu, Yim Soon-rye, 2018)

September

What Keeps You Alive (Colin Minihan, 2018)

Grave Encounters (The Vicious Brothers, 2011)

Terrified (Aterrados, Demián Rugna, 2017)

Blade Runner (Ridley Scott, 1982)

Helen (Sandra Nettelbeck, 2009)

Colossal (Nacho Vigalondo, 2016)

Out of Blue (Carol Morley, 2018)

Taxi (تاکسی‎, Jafar Panahi, 2015)

Dear Ex (誰先愛上他的, Mag Hsu and Hsu Chih-yen, 2018)

Marguerite (Marianne Farley, 2019)

Birders (Otilia Portillo Padua, 2019)

Midsommar (Ari Aster, 2019)

Mansfield Park (Patricia Rozema, 1999)

Long Term Delivery (Jake Honig, 2018)

Game (Joy Webster, 2017)

Fish Tank (Andrea Arnold, 2009)

Foxfire (Annette Haywood-Carter, 1996)

October

Zombieland (Ruben Fleischer, 2009)

Under the Shadow ( زیر سایه, Babak Anvari, 2015)

Ghostbusters (Ivan Reitman, 1984)

Scream (Wes Craven, 1996)

Ghostbusters (Paul Feig, 2016)

Jaws (Steven Spielberg, 1975)

Rabid (David Cronenberg, 1977)

Rabid (The Soska Sisters, 2019)

In the Shadow of the Moon (Jim Mickle, 2019)

Benny Loves Killing (Ben Woodiwiss, 2018)

The Golem (Yoav & Doron Paz, 2018)

Eli (Ciarán Foy, 2019)

The Adversary (L’Adversaire, Nicole Garcia, 2002)

Satanic Panic (Chelsea Stardust, 2019)

The Devil and Father Amorth (William Friedkin, 2017)

Wounds (Babak Anvari, 2019)

Silent Hill (Christophe Gans, 2006)

Sleeping Beauty (Julia Leigh, 2011)

Black Christmas (Bob Clark, 1974)

The Shift (Francesco Calabrese, 2014)

The Baby (Kamran Chahkar, Lei Jim, 2012)

Intrusion (Jack Michel, 2013)

The Devil's Passenger (Dave Bundtzen, 2018)

Halloween (John Carpenter, 1978)

November

A Hijacking (Kapringen, Tobias Lindholm, 2012)

The Kitchen (Andrea Berloff, 2019)

The Hole in the Ground (Lee Cronin, 2019)

Assassination Nation (Sam Levinson, 2018)

Amy (Asif Kapadia, 2015)

Tell Me Who I Am (Ed Perkins, 2019)

Possessed (Curtis Bernhardt, 1947)

Terminally Happy (Adina Istrate, 2015)

The Glass Key (Stuart Heisler, 1942)

LuTo (Katina Medina Mora, 2015)

The Night of the Hunter (Charles Laughton, 1955)

Bikram: Yogi, Guru, Predator (Eva Orner, 2019)

December

Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

John and Michael (John et Michael, Shira Avni, 2004)

High Tension (Haute Tension, Alexandre Aja, 2003)

Little Joe (Jessica Hausner, 2019)

The Matrix (The Wachowskis, 1999)

Finders Keepers (Bryan Carberry and Clay Tweel, 2015)

To Catch a Thief (Alfred Hitchcock, 1955)

My Buddha is Punk (Andreas Hartmann, 2016)

Little Miss Sumo (Matt Kay, 2018)

#films #watched in 2019 #2019 in review

23 notes · View notes

burgerfiction · 6 years

Video

youtube

Sunrise: A Song Of Two Humans (1927/28) - Charles Rosher & Karl Struss

White Shadows In The South Seas (1928/29) - Clyde De Vinna

With Byrd At The South Pole (1929/30) - Joseph T. Rucker & Willard Van der Veer

Tabu: A Story Of The South Seas (1930/31) - Floyd Crosby

Shanghai Express (1931/32) - Lee Garmes

A Farewell To Arms (1932/33) - Charles Lang

Cleopatra (1934) - Victor Milner

A Midsummer Night’s Dream (1935) - Hal Mohr

Anthony Adverse (1936 B&W) - Tony Gaudio

The Garden Of Allah (1936 COLOR) - W. Howard Greene & Harold Rosson

The Good Earth (1937 B&W) - Karl Freund

A Star Is Born (1937 COLOR) - W. Howard Greene

The Great Waltz (1938 B&W) - Joseph Ruttenberg

Sweethearts (1938 COLOR) - Oliver T. Marsh & Allen Davey

Wuthering Heights (1939 B&W) - Gregg Toland

Gone With The Wind (1939 COLOR) - Ernest Haller & Ray Rennahan

Rebecca (1940 B&W) - George Barnes

The Thief Of Bagdad (1940 COLOR) - Georges Perinal

How Green Was My Valley (1941 B&W) - Arthur C. Miller

Blood And Sand (1941 COLOR) - Ernest Palmer & Ray Rennahan

Mrs. Miniver (1942 B&W) - Joseph Ruttenberg

The Black Swan (1942 COLOR) - Leon Shamroy

The Song Of Bernadette (1943 B&W) - Arthur C. Miller

Phantom Of The Opera (1943 COLOR) - Hal Mohr & W. Howard Greene

Laura (1944 B&W) - Joseph LaShelle

Wilson (1944 COLOR) - Leon Shamroy

The Picture Of Dorian Gray (1945 B&W) - Harry Stradling

Leave Her To Heaven (1945 COLOR) - Leon Shamroy

Anna And The King Of Siam (1945 B&W) - Arthur C. Miller

The Yearling (1946 COLOR) - Charles Rosher, Leonard Smith & Arthur E. Arling

Great Expectations (1947 B&W) - Guy Green

Black Narcissus (1947 COLOR) - Jack Cardiff

The Naked City (1948 B&W) - William H. Daniels

Joan Of Arc (1948 COLOR) - Joseph A. Valentine, William V. Skall & Winton Hoch

Battleground (1949 B&W) - Paul C. Vogel

She Wore A Yellow Ribbon (1949 COLOR) - Winton Hoch

The Third Man (1950 B&W) - Robert Krasker

King Solomon’s Mines (1950 COLOR) - Robert Surtees

A Place In The Sun (1951 B&W) - William C. Mellor

An American In Paris (1951 COLOR) - Alfred Gilks & John Alton

The Bad And The Beautiful (1952 B&W) - Robert Surtees

The Quiet Man (1952 COLOR) - Winton Hoch & Archie Stout

From Here To Eternity (1953 B&W) - Burnett Guffey

Shane (1953 COLOR) - Loyal Griggs

On The Waterfront (1954 B&W) - Boris Kaufman

Three Coins In The Fountain (1954 COLOR) - Milton R. Krasner

The Rose Tattoo (1955 B&W) - James Wong Howe

To Catch A Thief (1955 COLOR) - Robert Burks

Somebody Up There Likes Me (1956 B&W) - Joseph Ruttenberg

Around The World In 80 Days (1956 COLOR) - Lionel Lindon

The Bridge On The River Kwai (1957) - Jack Hildyard

The Defiant Ones (1958 B&W) - Sam Leavitt

Gigi (1958 COLOR) - Joseph Ruttenberg

The Diary Of Anne Frank (1959 B&W) - William C. Mellor

Ben-Hur (1959 COLOR) - Robert Surtees

Sons And Lovers (1960 B&W) - Freddie Francis

Spartacus (1960 COLOR) - Russel Metty

The Hustler (1961 B&W) - Eugen Schufftan

West Side Story (1961 COLOR) - Daniel L. Fapp

The Longest Day (1962 B&W) - Jean Bourgoin & Walter Wottitz

Lawrence Of Arabia (1962 COLOR) - Freddie Young

Hud (1963 B&W) - James Wong Howe

Cleopatra (1963 COLOR) - Leon Shamroy

Zorba The Greek (1964 B&W) - Walter Lassally

My Fair Lady (1964 COLOR) - Harry Stradling

Ship Of Fools (1965 B&W) - Ernest Laszlo

Doctor Zhivago (1965 COLOR) - Freddie Young

Who’s Afraid Of Virginia Woolf? (1966 B&W) - Haskell Wexler

A Man For All Seasons (1966 COLOR) - Ted Moore

Bonnie And Clyde (1967) - Burnett Guffey

Romeo And Juliet (1968) - Pasqualino De Santis

Butch Cassidy And The Sundance Kid (1969) - Conrad L. Hall

Ryan’s Daughter (1970) - Freddie Young

Fiddler On The Roof (1971) - Oswald Morris

Cabaret (1972) - Geoffrey Unsworth

Cries And Whispers (1973) - Sven Nykvist

The Towering Inferno (1974) - Fred J. Koenekamp & Joseph F. Biroc

Barry Lyndon (1975) - John Alcott

Bound For Glory (1976) - Haskell Wexler

Close Encounters Of The Third Kind (1977) - Vilmos Zsigmond

Days Of Heaven (1978) - Nestor Almendros

Apocalypse Now (1979) - Vittorio Storaro

Tess (1980) - Geoffrey Unsworth & Ghislain Cloquet

Reds (1981) - Vittorio Storaro

Gandhi (1982) - Billy Williams & Ronnie Taylor

Fanny And Alexander (1983) - Sven Nykvist

The Killing Fields (1984) - Chris Menges

Out Of Africa (1985) - David Watkin

The Mission (1986) - Chris Menges

The Last Emperor (1987) - Vittorio Storaro

Mississippi Burning (1988) - Peter Biziou

Glory (1989) - Freddie Francis

Dances With Wolves (1990) - Dean Semler

JFK (1991) - Robert Richardson

A River Runs Through It (1992) - Philippe Rousselot

Schindler’s List (1993) - Janusz Kaminski

Legends Of The Fall (1994) - John Toll

Braveheart (1995) - John Toll

The English Patient (1996) - John Seale

Titanic (1997) - Russell Carpenter

Saving Private Ryan (1998) - Janusz Kaminski

American Beauty (1999) - Conrad L. Hall

Crouching Tiger, Hidden Dragon (2000) - Peter Pau

The Lord Of The Rings: The Fellowship Of The Ring (2001) - Andrew Lesnie

Road To Perdition (2002) - Conrad L. Hall

Master And Commander: The Far Side Of The World (2003) - Russell Boyd

The Aviator (2004) - Robert Richardson

Memoirs Of A Geisha (2005) - Dion Beebe

Pan’s Labyrinth (2006) - Guillermo Navarro

There Will Be Blood (2007) - Robert Elswit

Slumdog Millionaire (2008) - Anthony Dod Mantle

Avatar (2009) - Mauro Fiore

Inception (2010) - Wally Pfister

Hugo (2011) - Robert Richardson

Life Of Pi (2012) - Claudio Miranda

Gravity (2013) - Emmanuel Lubezki

Birdman (2014) - Emmanuel Lubezki

The Revenant (2015) - Emmanuel Lubezki

La La Land (2016) - Linus Sandgren

Blade Runner 2049 (2017) - Roger Deakins

#Oscars #Academy Awards #cinematography #Best Cinematography

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bookmonsterzero · 7 years

Text

2017: September 17 - 23

Read

364. Titan: The Life of John D. Rockefeller by Ron Chernow

365. Six Records of a Floating Life by Shen Fu

366. Fury by Salman Rushdie

Seen

306. Without a Clue (1988/Thom Eberhardt)

307. The Iron Curtain (1948/William A. Wellman)

308. As I Was Moving Ahead... (2000/Jonas Mekas)

309. Hold Back the Dawn (1941/Mitchell Leisen)

310. Brutti, sporchi e cattivi (1976/Ettore Scola)

311. One Hundred Men and a Girl (1937/Henry Koster)

312. The Match King (1932/William Keighley)

313. Münchhausen (1943/Josef von Báky)

314. Caravaggio (1986/Derek Jarman)

315. Princess O’Rourke (1943/Norman Krasna)

316. Agatha et les lectures illimitées (1981/Marguerite Duras)

317. Alien: Covenant (2017/Ridley Scott)

318. Slow West (2015/John Maclean)

319. The Bride Wore Red (1937/Dorothy Arzner)

320. Chapayev (1934/Sergei Vasilyev)

321. Calcutta (1947/John Farrow)

322. A Walk in the Woods (2015/Ken Kwapis)

323. Yes, God, Yes (2017/Karen Maine)

324. The Final Comedown (1972/Oscar Williams)

325. Black Wind (1964/Servando González)

Heard

Orchestre de la Cité - Duruflé: Requiem, Op. 9

Jean-Efflam Bavouzet - Beethoven: Sonata No.8 in C Minor "Pathétique"

Grigory Sokolov - Saint-Saëns: Piano Concerto No. 2

St. Lawrence String Quartet - Shostakovich: String Quartet No. 8

Håkon Austbø - Satie: Gymnopédies and Gnossiennes

#read 2017 #seen 2017 #heard 2017

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musicoviniciusrodrigues · 5 years

Text

O filme mais popular do ano em que você nasceu

A popularização do cinema começou a ocorrer na década de 1920. Alguns anos mais tarde, surgiram os filmes com som, animações, efeitos visuais, e assim por diante. O site da revista norte-americana “Reader’s Digest” publicou uma lista com o filme mais popular de cada ano, desde 1930 até 2019. “A Branca de Neve e os Sete Anões”, de 1937; anunciou um fenômeno para os próximos anos, já que os filmes de animação foram protagonistas por várias vezes. Assim como “Batman”, de 1989, foi o precursor das franquias de super-heróis. Em toda a lista, o diretor que mais aparece é Steven Spielberg, com seis longas entre os mais assistidos. Confira, abaixo, o filme mais popular no ano em que você nasceu.

1930 — Aventuras de Tom Sawyer (John Cromwell)

1931 — Frankenstein (James Whale)

1932 — O Expresso de Xangai (Josef von Sternberg)

1933 — King Kong (Merian C. Cooper e Ernest B. Schoedsack)

1934 — Aconteceu Naquela Noite (Frank Capra)

1935 — O Grande Motim (Frank Lloyd)

1936 — Tempos Modernos (Charlie Chaplin)

1937 — Branca de Neve e os Sete Anões (David Hand e Wilfred Jackson)

1938 — As Aventuras de Robin Hood (Michael Curtiz e William Keighley)

1939 — E O Vento Levou (Victor Fleming)

1940 — Pinóquio (Hamilton Luske, Wilfred Jackson e outros)

1941 — Sargento York (Howard Hanks)

1942 — Bambi (David Hand, James Algar e outros)

1943 — Forja de Heróis (Michael Curtiz)

1944 — O Bom Pastor (Lei McCarey)

1945 — Mom and Dad (William Beaudine)

1946 — A Felicidade Não se Compra (Frank Capra)

1947 — Entre o Amor e o Pecado (Otto Preminger e John M. Stahl)

1948 — A Cova da Serpente (Anatole Litvak)

1949 — Sansão e Dalila (Cecil B. DeMille)

1950 — Cinderela (Clyde Geronimi, Hamilton Luske e outros)

1951 — Quo Vadis (Mervyn LeRoy)

1952 — O Maior Espetáculo da Terra (Cecil B. DeMille)

1953 — Peter Pan (Clyde Geronimi, Wilfred Jackson e outros)

1954 — Janela Indiscreta (Alfred Hitchcock)

1955 — A Dama e O Vagabundo (Clyde Geronimi, Hamilton Luske e outros)

1956 — Os Dez Mandamentos (Cecil B. DeMille)

1957 — A Ponte do Rio Kwai (David Lean)

1958 — No Sul do Pacífico (Joshua Logan)

1959 — Bem-Hur (William Wyler)

1960 — A Família Robinson (Ken Annakin)

1961 — A Guerra dos Dálmatas (Wolfgang Reitherman e Hamilton Luske)

1962 — O Mais Longo dos Dias (Ken Annakin, Andrew Marton e outros)

1963 — Cleópatra (Joseph L. Mankiewicz)

1964 — Mary Poppins (Robert Stevenson)

1965 — A Noviça Rebelde (Robert Wise)

1966 — A Bíblia (John Huston)

1967 — Mogli: O Menino Lobo (Wolfgang Reitherman)

1968 — Funny Girl, A Garota Genial (William Wyler e Herbert Ross)

1969 — Butch Cassidy (George Roy Hill)

1970 — Love Story: Uma História de Amor (Arthur Hiller)

1971 — Billy Jack (Tom Laughlin)

1972 — O Poderoso Chefão (Francis Ford Coppola)

1973 — O Exorcista (William Friedkin)

1974 — Banzé no Oeste (Mel Brooks)

1975 — Tubarão (Steven Spielberg)

1976 — Rocky, Um Lutador (John G. Avildsen)

1977 — Guerra Nas Estrelas (George Lucas)

1978 — Grease: Nos Tempos da Brilhantina (Randal Kleiser)

1979 — Kramer Vs. Kramer (Robert Benton)

1980 — Star Wars: O Império Contra-Ataca (Irvin Kershner)

1981 — Indiana Jones e os Caçadores da Arca Perdida (Steven Spielberg)

1982 — E.T.: O Extraterrestre (Steven Spielberg)

1983 — O Retorno do Jedi (Richard Marquand)

1984 — Os Caça-Fantasmas (Ivan Reitman)

1985 — De Volta Para o Futuro (Robert Zemeckis)

1986 — Top Gun: Ases Indomáveis (Tony Scott)

1987 — Três Solteirões e um Bebê (Leonard Nimoy)

1988 — Rain Man (Barry Levinson)

1989 — Batman (Tim Burton)

1990 — Esqueceram de Mim (Chris Columbus)

1991 — A Bela e a Fera (Gary Trousdale e Kirk Wise)

1992 — Aladdin (Ron Clements e John Musker)

1993 — Jurassic Park (Steven Spielberg)

1994 — O Rei Leão (Rob Minkoff e Roger Allers)

1995 — Toy Story: Um Mundo de Aventuras (John Lasseter)

1996 — Independence Day (Roland Emmerich)

1997 — Titanic (James Cameron)

1998 — O Resgate do Soldado Ryan (Steven Spielberg)

1999 — Star Wars: Episódio 1: A Ameaça Fantasma (George Lucas)

2000 — O Grinch (Ron Roward)

2001 — Harry Potter e A Pedra Filosofal (Chris Columbus)

2002 — Homem-Aranha (Sam Raimi)

2003 — Senhor dos Anéis: O Retorno do Rei (Peter Jackson)

2004 — Shrek 2 (Andrew Adamson, Conrad Vernon e outros)

2005 — Star Wars: Episódio 3: A Vingança dos Sith (George Lucas)

2006 — Piratas do Caribe: O Baú da Morte (Gore Verbinski)

2007 — Homem-Aranha 3 (Sam Raimi)

2008 — Batman, O Cavaleiro das Trevas (Christopher Nolan)

2009 — Avatar (James Cameron)

2010 — Toy Story 3 (Lee Unkrich)

2011 — Harry Potter e as Relíquias da Morte: Parte 2 (David Yates)

2012 — Os Vingadores (Joss Whedon)

2013 — Jogos Vorazes: Em Chamas (Francis Lawrence)

2014 — Sniper Americano (Clint Eastwood)

2015 — Star Wars 7: O Despertar da Força (J. J. Abrams)

2016 — Rogue One: Uma História Star Wars (Gareth Edwards)

2017 — A Bela e a Fera (Bill Condon)

2018 — Vingadores: Guerra Infinita (Anthony e Joe Russo)

2019 — Vingadores: Ultimato (Anthony e Joe Russo)

O filme mais popular do ano em que você nasceu publicado primeiro em https://www.revistabula.com

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bloglivre-blog · 5 years

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‘X-Men: Fênix Negra’: Jean Grey é a nova personagem dos mutantes a ganhar filme solo

New Post has been published on https://baixafilmestorrent.com/cinema/x-men-fenix-negra-jean-grey-e-a-nova-personagem-dos-mutantes-a-ganhar-filme-solo/

‘X-Men: Fênix Negra’: Jean Grey é a nova personagem dos mutantes a ganhar filme solo

Ela é considerada a maior telepata e telecinética do Universo Marvel. Após muita expectativa, o primeiro trailer oficial de X-Men: Fênix Negra foi divulgado (26) e mostra os conflitos que vive Jean Grey, personagem interpretada por Sophie Turner. Confira:

Ambientado em 1992, Charles Xavier (James McAvoy) está lidando com o fato dos mutantes serem considerados heróis nacionais. Com o orgulho a flor da pele, ele envia sua equipe para perigosas missões, mas a primeira tarefa dos X-Men no espaço gera uma explosão solar, que acende uma força malévola e faminta por poder dentro de Jean Grey (Sophie Turner).

Jean é um dos membros mais importantes e poderosos dos X-Men, a famosa equipe de heróis. Sua primeira aparição nos quadrinhos foi em Uncanny X-Men #1 (1963), com roteiro de Stan Lee com arte de Jack Kirby. Ela foi conhecida por décadas como Fênix, pois hospedava uma entidade cósmica conhecida como Força Fênix, uma das forças primordiais do universo.

Jean Grey já foi interesse amoroso de alguns X-Men famosos como Arcanjo e Wolverine. Durante muito tempo foi esposa de Scott Summers, mais conhecido por Ciclope, com quem teve uma filha em um futuro alternativo, Rachel Summers. Mas por seu relacionamento estar meio morno, Ciclope flertou com Emma Frost, o que levou Jean para os braços de Logan, mas foi um flerte de curta duração.

A atriz holandesa Famke Beumer Janssen se tornou conhecida no cinema por interpretar a personagem dar vida a Jean Grey/Fênix na trilogia X-Men: O Filme (2000), X-Men 2 (2003) e X-Men 3: O Confronto Final (2006). O primeiro filme solo de Jean Grey será dirigido por Simon Kinberg, roteirista e produtor conhecido por Logan (2017) Perdido em Marte (2015) e Quarteto Fantástico (2015), que fará a sua estreia atrás da câmera e também assina o roteiro.

O longa foi baseado nas histórias em quadrinho publicadas em A Saga da Fênix Negra (The Dark Phoenix Saga), escrita por Chris Claremont (1976-1991) com arte de Dave Cockrum (1943-2006) e John Byrne. Às vezes, é dividida em duas partes: A Saga da Fênix (X-Men [vol. 1] # 101-108, 1976-1977) e A Saga da Fênix Negra (X-Men [vol. 1] # 129-138, 1980).

X-Men: Fênix Negra é uma sequência de X-Men: Apocalipse. Além de Sophie Turner, estão no elenco: Jennifer Lawrence (Mística), Evan Peters (Mercúrio), Jessica Chastain (Smith), James McAvoy (Charles Xavier), Michael Fassbender (Magneto), Nicholas Hoult (Fera), Tye Sheridan (Ciclope), Kodi Smit-McPhee (Noturno), Alexandra Shipp (Tempestade), entre outros.

Com estreia marcada para 14 de fevereiro de 2019, o longa-metragem envolve até mesmo “alienígenas, algo que nunca tínhamos feito na franquia e é extremamente importante para o arco nos quadrinhos” (via IGN Brasil), de acordo com o diretor Simon Kinberg. Depois da grande despedida de Hugh Jackman do personagem Wolverine em Logan (2017), a Fênix Negra é a nova personagem da equipe X-Men a estrelar um filme solo no universo cinematográfico.

#A Saga da Fênix #A Saga da Fênix Negra #Chris Claremont #Dave Cockrum #Famke Beumer Janssen #filme solo Fênix Negra #Jean Grey #John Byrne #Simon Kinberg #Sophie Turner #X-Men

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roundaboutmidnight · 5 years

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23 de junho

Bom dia a todos:

Neste dia:

Nasceu, em 1889, a importante poetisa russa Anna Akhmatova.

Nasceu, em 1943, o fabuloso maestro estadunidense James Levine.

Nasceu, em 1957, a grande atriz estadunidense Frances McDormand.

James Lawrence Levine (Cincinnati, Ohio, 23 de junho de 1943) é um consagrado maestro e pianista estadunidense. Atual diretor musical do Metropolitan Opera e da Orquestra Sinfônica de Boston.

Frances Louise McDormand nasceu em Chicago no dia 23 de junho de 1957. é uma atriz norte-americana. A estreia de McDormand se deu no primeiro filme dos irmãos Coen, Gosto de Sangue. Foi indicada três vezes ao Oscar por Mississippi Burning (1988), Quase Famosos (2000), Terra Fria (2005) e vencedora em duas ocasiões, 1996 por Fargo e 2017 por Three Billboards Outside Ebbing, Missouri. Atuou em seis filmes dos irmãos Coen: História de Gângsters, Arizona Nunca Mais, Gosto de Sangue, O Homem que Não Estava Lá, Fargo e Queime Depois de Ler. Frances McDormand e Joel Coen casaram-se em 1994, após dez anos de relacionamento.

Anna Akhmátova (А́нна Ахма́това), nasceu em Odessa, no dia 23 de junho de 1889 e morreu em Leningrado, em 5 de março de 1966. foi uma das mais importantes poetisas acmeístas russas.

É seu o poema:

Torci os dedos sob a manta escura…

“Torci os dedos sob a manta escura… “Por que tão pálida?” ele indaga. – Porque eu o fiz beber tanta amargura Que o deixei bêbado de mágoa

Como esquecer? Ele saiu sem reação, A boca retorcida, em agonia… Desci correndo, sem tocar no corrimão, E o encontrei no portão, quando saía.

“É tudo brincadeira, por favor, Não parta, eu morro se você se for. E ele, com um sorriso frio, isento, Me disse apenas: “Não fique ao relento”

1911

Agora em russo para quem não entendeu em português:

Сжала руки под тёмной вуалью…

Сжала руки под тёмной вуалью… “Отчего ты сегодня бледна?” – Оттого, что я терпкой печалью Напоила его допьяна.

Как забуду? Он вышел, шатаясь, Искривился мучительно рот… Я сбежала, перил не касаясь, Я бежала за ним до ворот.

Задыхаясь, я крикнула: “Шутка Всё, что было. Уйдешь, я умру.” Улыбнулся спокойно и жутко И сказал мне: “Не стой на ветру”.

No livro “Poesia da recusa” com organização e tradução de Augusto de Campos.

A seguir os vídeos de hoje:

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goldeagleprice · 5 years

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Attendance Tops 3,000 at National Money Show ®

The American Numismatic Association’s (ANA) 2019 National Money Show® in Pittsburgh, Pennsylvania, welcomed a total of 3,002 people to the three-day event, held March 28-30 at the David L. Lawrence Convention Center. “The Pittsburgh convention was very successful thanks to the combined efforts of the great ANA staff and the tremendous support provided by PAN [Pennsylvania Association of Numismatists] and its volunteers,” said ANA President Gary Adkins. “The show was well attended and the venue overlooking the river and skyline was incredible.”

ANA President Gary Adkins addresses attendees during the PAN-hosted dinner to kick off the National Money Show.

During the show’s opening ceremonies on Thursday morning, President Adkins presented National Money Show Host Chair Pat McBride with the ANA Goodfellow Award in recognition of his service. Adkins also recognized the host club, the Pennsylvania Association of Numismatists and its president, Tom Uram, with the Lewis S. Werner Host Club Award.

The event featured 180 companies buying and selling coins, currency and related items; a wide range of numismatic educational presentations led by notable speakers; a three-session sale by Kagin’s Auctions; and exhibits of priceless rarities from private collections and the American Numismatic Association’s Money Museum in Colorado Springs.

The week kicked off on Wednesday, March 27 with a dinner hosted by PAN at the Five-Star Diamond Award-Winning LeMont Restaurant, known for its spectacular view of Pittsburgh from atop Mt. Washington. United States Mint Director David Ryder gave the keynote presentation on his efforts to revitalize the Mint, including an increase in marketing coin collecting.

A major draw for numismatists and the general public alike were the collector exhibits and the Museum Showcase. On display were a 1913 Liberty Head nickel, one of a mere five struck, and a Class III 1804 silver dollar, one of eight known. Also featured was a 1943 Lincoln cent erroneously struck on a bronze planchet, and a world-class case filled with historic Pennsylvania paper money. A 1933 Indian Head eagle (gold $10) on display was a bona fide showstopper.

The Kids Zone offered youngsters a plethora of activities to engage them in coin collecting, including a Treasure Trivia game where they learned about numismatics and earned prizes as they explored the bourse floor in search of answers to trivia questions. A Young Collectors Corner also debuted this year, offering basic information about the hobby.

Former United States Mint Chief Engraver Don Everhart was the guest of honor at the ANA Legacy Series on Thursday afternoon, March 28. During the interview, moderated by Barbara Gregory, editor-in-chief of The Numismatist , attendees learned about his early years, professional challenges, and crowning achievements in the world of numismatic art and design. Everhart elaborated on his decades-long career during his “Money Talks” presentation, “Don Everhart: A Career in Coin Design,” on Friday, March 29. Nearly a dozen free Money Talks presentations were offered at the event, highlighting historically significant events, artistic vision and numismatic objects from around the globe.

Eleven of the 14 individuals who have received the necessary nominations for the 2019 ANA Board of Governors election participated in the Candidates Forum on Friday, March 29 to answer questions and express their views on a number of topics. (Video of the forum can be viewed on money.org/election .) In what can be described as an unusual election, two individuals are running for president, two for vice president and ten candidates are competing for seven governor positions. “This election has the largest number of candidates running that I can remember,” noted former ANA Board President Jeff Garrett. “The election is particularly important this year with so many seats being contested,” he said. “I urge everyone to watch the forum once it is posted.”

Kagin’s Auctions of Tiburon, California, served as the official auctioneer of the 2019 National Money Show. The multi-session sale featured a variety of interesting and important numismatic properties, from colonials, encased postage stamps and pioneer gold to tokens, medals and patterns. Total prices realized (with a 20% buyer’s premium) was $2.5 million, including:

$336,000 for a unique $10 Treasury note from the War of 1812 (Friedberg TN-14b) part of the Joel Anderson Collection of Treasury Notes. The 16 lots realized a total of $561,720.

The $10 Treasury note from the War of 1812, part of the Joel Anderson Collection of Treasury Notes. The note realized $336,000 during Kagin’s auction at the National Money Show. (Photo Courtesy of Kagin’s Auctions.)

$180,000 for an 1860 Clark, Gruber & Co. Pikes Peak $20 gold coin with a reeded edge, Rarity 6+, certified Professional Coin Grading Service (PCGS) “Graffiti [About Uncirculated] Detail.” One of nine known.

$38,400 for a 1796 “Reverse of 1794” large cent, graded PCGS Mint-State-62 Brown.

$28,800 for an 1888 $3 gold coin, graded PCGS Proof-65 Cameo.

Pittsburgh Show Attendance

According to ANA Executive Director Kim Kiick, attendance at the Pittsburgh National Money Show was relatively slow on Thursday and Friday, but more than a thousand people registered on Saturday. “Pittsburgh is a working town and as such, most people couldn’t get to the show until Saturday,” she said. Tom Hallenbeck of Hallenbeck Coin Gallery agreed. “The momentum really picked up later in the week,” he said. “We stayed to the very end and it paid off for us. Our sales were great.”Total attendance was 3,002, reflected as follows:

1,796 general public

708 ANA members

32 volunteers and staff

466 dealers and their assistants, representing 180 companies at 192 tables

Five-Year National Money Show Statistics

Year City Attendance (MAKE INTO A TABLE MOLLY PLEASE)

2019 Pittsburgh 3,002

2018 Irving 2,671

2017 Orlando 2,516

2016 Dallas 2,585

2015 Portland 4,592

The next ANA convention is the 2019 World’s Fair of Money® to be held August 13-17 in Chicago (Rosemont), Illinois, at the Donald E. Stephens Convention Center. The 2020 National Money Show is slated for February 27-29 at the Cobb Galleria Centre in Atlanta, Georgia. The ANA Board of Governors will be selecting the 2021 National Money Show site in May.

ANA Board of Governors Meeting

The ANA Board of Governors met in open session on Saturday, March 30 to review and approve the IRS Form 990 and Fiscal Year 2018 audited financial statement prepared by Waugh & Goodwin, LLP, and to receive an update on ANA financials from Treasurer Larry Baber.

Fiscal Year 2018 expenses were $5,806,161, of which $4,710,294 were directly related to ANA programs (conventions, magazine, education, museum, library, etc.) and $1,095,867 were for support services (marketing, fundraising, membership, development, administration).

“Our investment in the Ben E. Keith Corp. had an exceptional year with an increase in value of over $8.5 million,” Baber reported. “With assets of over $84 million we can continue to provide benefits to our members and the numismatic hobby.”

“The ANA has a very strong financial footing,” said President Adkins, “and a portion of the Keith funds can continue to be invested in the future of numismatic education. These amazing resources will be utilized prudently and judiciously to improve the ANA’s mission and strategic goals, while advancing the Association’s continued relevance and leadership.”

The ANA’s Fiscal Year 2018 audited financial statement and IRS Form 990 are available for review online at money.org/financial-reports.

The American Numismatic Association is a congressionally chartered, nonprofit educational organization dedicated to encouraging the study and collection of coins and related items. The ANA helps its 25,000 members and the public discover and explore the world of money through its vast array of educational and outreach programs, as well as its museum, library, publications and conventions. For more information about the ANA, call 719-632-2646 or visit www.money.org .

This article was originally printed in Numismatic News. >> Subscribe today.

The post Attendance Tops 3,000 at National Money Show ® appeared first on Numismatic News.

#Precious Metals

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sailorrrvenus · 6 years

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Every Best Cinematography Oscar Winner from 1929 to 2019

youtube

The 2019 Oscars are just a day away now. If you’d like a dose of visual inspiration, check out this 10-minute video by Burger Fiction. It steps through every single film that won the “Best Cinematography” Oscar over the past 90 years, from 1929 to 2018 (and 2019 nominees as well).

Here’s a complete list of the films seen and the brilliant cinematographers behind them:

Sunrise: A Song Of Two Humans (1927/28) – Charles Rosher & Karl Struss

White Shadows In The South Seas (1928/29) – Clyde De Vinna

With Byrd At The South Pole (1929/30) – Joseph T. Rucker & Willard Van der Veer

Tabu: A Story Of The South Seas (1930/31) – Floyd Crosby

Shanghai Express (1931/32) – Lee Garmes

A Farewell To Arms (1932/33) – Charles Lang

Cleopatra (1934) – Victor Milner

A Midsummer Night’s Dream (1935) – Hal Mohr

Anthony Adverse (1936 B&W) – Tony Gaudio

The Garden Of Allah (1936 COLOR) – W. Howard Greene & Harold Rosson

The Good Earth (1937 B&W) – Karl Freund

A Star Is Born (1937 COLOR) – W. Howard Greene

The Great Waltz (1938 B&W) – Joseph Ruttenberg

Sweethearts (1938 COLOR) – Oliver T. Marsh & Allen Davey

Wuthering Heights (1939 B&W) – Gregg Toland

Gone With The Wind (1939 COLOR) – Ernest Haller & Ray Rennahan

Rebecca (1940 B&W) – George Barnes

The Thief Of Bagdad (1940 COLOR) – Georges Perinal

How Green Was My Valley (1941 B&W) – Arthur C. Miller

Blood And Sand (1941 COLOR) – Ernest Palmer & Ray Rennahan

Mrs. Miniver (1942 B&W) – Joseph Ruttenberg

The Black Swan (1942 COLOR) – Leon Shamroy

The Song Of Bernadette (1943 B&W) – Arthur C. Miller

Phantom Of The Opera (1943 COLOR) – Hal Mohr & W. Howard Greene

Laura (1944 B&W) – Joseph LaShelle

Wilson (1944 COLOR) – Leon Shamroy

The Picture Of Dorian Gray (1945 B&W) – Harry Stradling

Leave Her To Heaven (1945 COLOR) – Leon Shamroy

Anna And The King Of Siam (1945 B&W) – Arthur C. Miller

The Yearling (1946 COLOR) – Charles Rosher, Leonard Smith & Arthur E. Arling

Great Expectations (1947 B&W) – Guy Green

Black Narcissus (1947 COLOR) – Jack Cardiff

The Naked City (1948 B&W) – William H. Daniels

Joan Of Arc (1948 COLOR) – Joseph A. Valentine, William V. Skall & Winton Hoch

Battleground (1949 B&W) – Paul C. Vogel

She Wore A Yellow Ribbon (1949 COLOR) – Winton Hoch

The Third Man (1950 B&W) – Robert Krasker

King Solomon’s Mines (1950 COLOR) – Robert Surtees

A Place In The Sun (1951 B&W) – William C. Mellor

An American In Paris (1951 COLOR) – Alfred Gilks & John Alton

The Bad And The Beautiful (1952 B&W) – Robert Surtees

The Quiet Man (1952 COLOR) – Winton Hoch & Archie Stout

From Here To Eternity (1953 B&W) – Burnett Guffey

Shane (1953 COLOR) – Loyal Griggs

On The Waterfront (1954 B&W) – Boris Kaufman

Three Coins In The Fountain (1954 COLOR) – Milton R. Krasner

The Rose Tattoo (1955 B&W) – James Wong Howe

To Catch A Thief (1955 COLOR) – Robert Burks

Somebody Up There Likes Me (1956 B&W) – Joseph Ruttenberg

Around The World In 80 Days (1956 COLOR) – Lionel Lindon

The Bridge On The River Kwai (1957) – Jack Hildyard

The Defiant Ones (1958 B&W) – Sam Leavitt

Gigi (1958 COLOR) – Joseph Ruttenberg

The Diary Of Anne Frank (1959 B&W) – William C. Mellor

Ben-Hur (1959 COLOR) – Robert Surtees

Sons And Lovers (1960 B&W) – Freddie Francis

Spartacus (1960 COLOR) – Russel Metty

The Hustler (1961 B&W) – Eugen Schufftan

West Side Story (1961 COLOR) – Daniel L. Fapp

The Longest Day (1962 B&W) – Jean Bourgoin & Walter Wottitz

Lawrence Of Arabia (1962 COLOR) – Freddie Young

Hud (1963 B&W) – James Wong Howe

Cleopatra (1963 COLOR) – Leon Shamroy

Zorba The Greek (1964 B&W) – Walter Lassally

My Fair Lady (1964 COLOR) – Harry Stradling

Ship Of Fools (1965 B&W) – Ernest Laszlo

Doctor Zhivago (1965 COLOR) – Freddie Young

Who’s Afraid Of Virginia Woolf? (1966 B&W) – Haskell Wexler

A Man For All Seasons (1966 COLOR) – Ted Moore

Bonnie And Clyde (1967) – Burnett Guffey

Romeo And Juliet (1968) – Pasqualino De Santis

Butch Cassidy And The Sundance Kid (1969) – Conrad L. Hall

Ryan’s Daughter (1970) – Freddie Young

Fiddler On The Roof (1971) – Oswald Morris

Cabaret (1972) – Geoffrey Unsworth

Cries And Whispers (1973) – Sven Nykvist

The Towering Inferno (1974) – Fred J. Koenekamp & Joseph F. Biroc

Barry Lyndon (1975) – John Alcott

Bound For Glory (1976) – Haskell Wexler

Close Encounters Of The Third Kind (1977) – Vilmos Zsigmond

Days Of Heaven (1978) – Nestor Almendros

Apocalypse Now (1979) – Vittorio Storaro

Tess (1980) – Geoffrey Unsworth & Ghislain Cloquet

Reds (1981) – Vittorio Storaro

Gandhi (1982) – Billy Williams & Ronnie Taylor

Fanny And Alexander (1983) – Sven Nykvist

The Killing Fields (1984) – Chris Menges

Out Of Africa (1985) – David Watkin

The Mission (1986) – Chris Menges

The Last Emperor (1987) – Vittorio Storaro

Mississippi Burning (1988) – Peter Biziou

Glory (1989) – Freddie Francis

Dances With Wolves (1990) – Dean Semler

JFK (1991) – Robert Richardson

A River Runs Through It (1992) – Philippe Rousselot

Schindler’s List (1993) – Janusz Kaminski

Legends Of The Fall (1994) – John Toll

Braveheart (1995) – John Toll

The English Patient (1996) – John Seale

Titanic (1997) – Russell Carpenter

Saving Private Ryan (1998) – Janusz Kaminski

American Beauty (1999) – Conrad L. Hall

Crouching Tiger, Hidden Dragon (2000) – Peter Pau

The Lord Of The Rings: The Fellowship Of The Ring (2001) – Andrew Lesnie

Road To Perdition (2002) – Conrad L. Hall

Master And Commander: The Far Side Of The World (2003) – Russell Boyd

The Aviator (2004) – Robert Richardson

Memoirs Of A Geisha (2005) – Dion Beebe

Pan’s Labyrinth (2006) – Guillermo Navarro

There Will Be Blood (2007) – Robert Elswit

Slumdog Millionaire (2008) – Anthony Dod Mantle

Avatar (2009) – Mauro Fiore

Inception (2010) – Wally Pfister

Hugo (2011) – Robert Richardson

Life Of Pi (2012) – Claudio Miranda

Gravity (2013) – Emmanuel Lubezki

Birdman (2014) – Emmanuel Lubezki

The Revenant (2015) – Emmanuel Lubezki

La La Land (2016) – Linus Sandgren

Blade Runner 2049 (2017) – Roger Deakins

(via Burger Fiction via Fstoppers)

source https://petapixel.com/2019/02/23/every-best-cinematography-oscar-winner-from-1929-to-2019/

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pauldeckerus · 6 years

Text

Every Best Cinematography Oscar Winner from 1929 to 2019

youtube

Here’s a complete list of the films seen and the brilliant cinematographers behind them:

Sunrise: A Song Of Two Humans (1927/28) – Charles Rosher & Karl Struss

White Shadows In The South Seas (1928/29) – Clyde De Vinna

With Byrd At The South Pole (1929/30) – Joseph T. Rucker & Willard Van der Veer

Tabu: A Story Of The South Seas (1930/31) – Floyd Crosby

Shanghai Express (1931/32) – Lee Garmes

A Farewell To Arms (1932/33) – Charles Lang

Cleopatra (1934) – Victor Milner

A Midsummer Night’s Dream (1935) – Hal Mohr

Anthony Adverse (1936 B&W) – Tony Gaudio

The Garden Of Allah (1936 COLOR) – W. Howard Greene & Harold Rosson

The Good Earth (1937 B&W) – Karl Freund

A Star Is Born (1937 COLOR) – W. Howard Greene

The Great Waltz (1938 B&W) – Joseph Ruttenberg

Sweethearts (1938 COLOR) – Oliver T. Marsh & Allen Davey

Wuthering Heights (1939 B&W) – Gregg Toland

Gone With The Wind (1939 COLOR) – Ernest Haller & Ray Rennahan

Rebecca (1940 B&W) – George Barnes

The Thief Of Bagdad (1940 COLOR) – Georges Perinal

How Green Was My Valley (1941 B&W) – Arthur C. Miller

Blood And Sand (1941 COLOR) – Ernest Palmer & Ray Rennahan

Mrs. Miniver (1942 B&W) – Joseph Ruttenberg

The Black Swan (1942 COLOR) – Leon Shamroy

The Song Of Bernadette (1943 B&W) – Arthur C. Miller

Phantom Of The Opera (1943 COLOR) – Hal Mohr & W. Howard Greene

Laura (1944 B&W) – Joseph LaShelle

Wilson (1944 COLOR) – Leon Shamroy

The Picture Of Dorian Gray (1945 B&W) – Harry Stradling

Leave Her To Heaven (1945 COLOR) – Leon Shamroy

Anna And The King Of Siam (1945 B&W) – Arthur C. Miller

The Yearling (1946 COLOR) – Charles Rosher, Leonard Smith & Arthur E. Arling

Great Expectations (1947 B&W) – Guy Green

Black Narcissus (1947 COLOR) – Jack Cardiff

The Naked City (1948 B&W) – William H. Daniels

Joan Of Arc (1948 COLOR) – Joseph A. Valentine, William V. Skall & Winton Hoch

Battleground (1949 B&W) – Paul C. Vogel

She Wore A Yellow Ribbon (1949 COLOR) – Winton Hoch

The Third Man (1950 B&W) – Robert Krasker

King Solomon’s Mines (1950 COLOR) – Robert Surtees

A Place In The Sun (1951 B&W) – William C. Mellor

An American In Paris (1951 COLOR) – Alfred Gilks & John Alton

The Bad And The Beautiful (1952 B&W) – Robert Surtees

The Quiet Man (1952 COLOR) – Winton Hoch & Archie Stout

From Here To Eternity (1953 B&W) – Burnett Guffey

Shane (1953 COLOR) – Loyal Griggs

On The Waterfront (1954 B&W) – Boris Kaufman

Three Coins In The Fountain (1954 COLOR) – Milton R. Krasner

The Rose Tattoo (1955 B&W) – James Wong Howe

To Catch A Thief (1955 COLOR) – Robert Burks

Somebody Up There Likes Me (1956 B&W) – Joseph Ruttenberg

Around The World In 80 Days (1956 COLOR) – Lionel Lindon

The Bridge On The River Kwai (1957) – Jack Hildyard

The Defiant Ones (1958 B&W) – Sam Leavitt

Gigi (1958 COLOR) – Joseph Ruttenberg

The Diary Of Anne Frank (1959 B&W) – William C. Mellor

Ben-Hur (1959 COLOR) – Robert Surtees

Sons And Lovers (1960 B&W) – Freddie Francis

Spartacus (1960 COLOR) – Russel Metty

The Hustler (1961 B&W) – Eugen Schufftan

West Side Story (1961 COLOR) – Daniel L. Fapp

The Longest Day (1962 B&W) – Jean Bourgoin & Walter Wottitz

Lawrence Of Arabia (1962 COLOR) – Freddie Young

Hud (1963 B&W) – James Wong Howe

Cleopatra (1963 COLOR) – Leon Shamroy

Zorba The Greek (1964 B&W) – Walter Lassally

My Fair Lady (1964 COLOR) – Harry Stradling

Ship Of Fools (1965 B&W) – Ernest Laszlo

Doctor Zhivago (1965 COLOR) – Freddie Young

Who’s Afraid Of Virginia Woolf? (1966 B&W) – Haskell Wexler

A Man For All Seasons (1966 COLOR) – Ted Moore

Bonnie And Clyde (1967) – Burnett Guffey

Romeo And Juliet (1968) – Pasqualino De Santis

Butch Cassidy And The Sundance Kid (1969) – Conrad L. Hall

Ryan’s Daughter (1970) – Freddie Young

Fiddler On The Roof (1971) – Oswald Morris

Cabaret (1972) – Geoffrey Unsworth

Cries And Whispers (1973) – Sven Nykvist

The Towering Inferno (1974) – Fred J. Koenekamp & Joseph F. Biroc

Barry Lyndon (1975) – John Alcott

Bound For Glory (1976) – Haskell Wexler

Close Encounters Of The Third Kind (1977) – Vilmos Zsigmond

Days Of Heaven (1978) – Nestor Almendros

Apocalypse Now (1979) – Vittorio Storaro

Tess (1980) – Geoffrey Unsworth & Ghislain Cloquet

Reds (1981) – Vittorio Storaro

Gandhi (1982) – Billy Williams & Ronnie Taylor

Fanny And Alexander (1983) – Sven Nykvist

The Killing Fields (1984) – Chris Menges

Out Of Africa (1985) – David Watkin

The Mission (1986) – Chris Menges

The Last Emperor (1987) – Vittorio Storaro

Mississippi Burning (1988) – Peter Biziou

Glory (1989) – Freddie Francis

Dances With Wolves (1990) – Dean Semler

JFK (1991) – Robert Richardson

A River Runs Through It (1992) – Philippe Rousselot

Schindler’s List (1993) – Janusz Kaminski

Legends Of The Fall (1994) – John Toll

Braveheart (1995) – John Toll

The English Patient (1996) – John Seale

Titanic (1997) – Russell Carpenter

Saving Private Ryan (1998) – Janusz Kaminski

American Beauty (1999) – Conrad L. Hall

Crouching Tiger, Hidden Dragon (2000) – Peter Pau

The Lord Of The Rings: The Fellowship Of The Ring (2001) – Andrew Lesnie

Road To Perdition (2002) – Conrad L. Hall

Master And Commander: The Far Side Of The World (2003) – Russell Boyd

The Aviator (2004) – Robert Richardson

Memoirs Of A Geisha (2005) – Dion Beebe

Pan’s Labyrinth (2006) – Guillermo Navarro

There Will Be Blood (2007) – Robert Elswit

Slumdog Millionaire (2008) – Anthony Dod Mantle

Avatar (2009) – Mauro Fiore

Inception (2010) – Wally Pfister

Hugo (2011) – Robert Richardson

Life Of Pi (2012) – Claudio Miranda

Gravity (2013) – Emmanuel Lubezki

Birdman (2014) – Emmanuel Lubezki

The Revenant (2015) – Emmanuel Lubezki

La La Land (2016) – Linus Sandgren

Blade Runner 2049 (2017) – Roger Deakins

(via Burger Fiction via Fstoppers)

from Photography News https://petapixel.com/2019/02/23/every-best-cinematography-oscar-winner-from-1929-to-2019/

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oikade-project · 6 years

Text

bibliography book 3

Βιβλιογραφία / 3

Γενική

Clogg, R. (1987). Parties and elections in Greece. 1η Εκδ. Λονδίνο: C. Hurst. [ξενόγλωσσο]

Clogg, R. (2003). Συνοπτική Ιστορία της Ελλάδας. 2η εκδ. Αθήνα: Κάτοπτρο.

Παπαφλωράτος, Ι.Σ. (2014). Η Ιστορία Του Ελληνικού Στρατού (1833-1949). Αθήνα: Εκδόσεις Σάκκουλα Α.Ε.

Hobsbawn, E. J. (2004). Η Επ��χή των Άκρων - Ο σύντομος Εικοστός Αιώνας 1914-1991. 2η εκδ. Αθήνα: Εκδόσεις Θεμέλιο.

Mazower, M. (2001). Σκοτεινή Ήπειρος: Ο Ευρωπαϊκός Εικοστός Αιώνας. Αθήνα: Εκδόσεις Αλεξάνδρεια.

Mazower, M. (2003). Μετά τον πόλεμο: η ανασυγκρότηση της οικογένειας, του έθνους και του κράτους στην Ελλάδα, 1943-1960. Αθήνα: Εκδόσεις Αλεξάνδρεια.

Αλιβιζάτος, Ν. (1983). Οι πολιτικοί θεσμοί σε κρίση (1922-1974). Αθήνα: Εκδόσεις Θεμέλιο.

Βούλγαρης, Γ., Νικολακόπουλος, Η., Ρίζας, Σ., Σακελλαρόπουλος, Τ. και Στεφανίδης, Ι. (2011). Ελληνική Πολιτική Ιστορία 1950 - 2004. 2η εκδ. Αθήνα: Θεμέλιο.

Βουρνάς, Τ. (2013). Ιστορία της Νεώτερης και Σύγχρονης Ελλάδας. Τόμος Δ'. Αθήνα: Εκδόσεις Πατάκη

Δερτιλής, Γ.Β. (2016). Επτά πόλεμοι, τέσσερις εμφύλιοι, επτά πτωχεύσεις. 1η εκδ. Αθήνα: Εκδόσεις Πόλις.

Ηλιαδάκης, Τ.Μ. (2011). Ο εξωτερικός δανεισμός στη γένεση και εξέλιξη του Νέου Ελληνικού Κράτους 1824-2009. Αθήνα: Εκδόσεις Μπατσιούλας.

Κολιόπουλος, Ι. (2014). Ιστορία της νεωτέρας Ελλάδος, 1797-1980. Θεσσαλονίκη: Εκδόσεις Βάνιας.

Μαρκεζίνης, Σ. (1968). Πολιτική Ιστορία Της Νεωτέρας Ελλάδος 1828 - 1964. 4 Τόμοι. Εκδόσεις Πάπυρος.

Ραφαηλίδης, Β. (2010). Ιστορία (κωμικοτραγική) του νεοελληνικού κράτους 1830-1974. Εκδόσεις του Εικοστού Πρώτου.

Συλλογικό (1994). Γεώργιος Παπανδρέου - 60 χρονιά παρουσίας και δράσης στην πολιτική ζωή. University Studio Press.

Συλλογικό (2017). Ελλάδα: 20ος αιώνας – Η Καθημερινή. Αθήνα: Εκδόσεις Εξπλόρερ Α.Ε.Ε.Ε.Ε.

Συλλογικό (2008). Ιστορία του Ελληνικού Έθνους: Σύγχρονος Ελληνισμός, από το 1941 ως το τέλος του αιώνα. 16ος τόμος. Εκδοτική Αθηνών.

Χαραλαμπής, Δ. (1985). Στρατός και πολιτική εξουσία: Η δομή της εξουσίας στη μετεμφυλιακή Ελλάδα. Αθήνα: Εκδόσεις Εξάντας.

Χατζηβασιλείου, Ε. (2004), Εισαγωγή στην ιστορία του μεταπολεμικού κόσμου. Αθήνα: Εκδόσεις Πατάκης.

Εμφύλιος

Γρηγοριάδης, Σ. Ν. (2010). Τα φοβέρα ντοκουμέντα, ο Εμφύλιος 1946-1949. Τόμος Α'. Το Βήμα Βιβλιοθήκη. Αθήνα: Alter - Ego ΜΜΕ Α.Ε.

Δεμερτζής, Ν. (2015). Ο ελληνικός Εμφύλιος ως πολιτισμικό τραύμα. Επιστήμη και Κοινωνία: Επιθεώρηση Πολιτικής και Ηθικής Θεωρίας [Έκδοση σε ψηφιακή μορφή] 28:81.

Ζαφειροπουλος, Γ. Δ. (1956). Ο Αντισυμμοριακος Αγων, 1945-1949. Ιδιωτική έκδοση.

Κοκοβλής Ν. και Κοκοβλή Α. (2002). Άλλος δρόμος δεν υπήρχε: Αντίσταση, εμφύλιος, προσφυγιά. Εκδόσεις Πολύτυπο.

Μαραντζίδης, Ν. και Καλυβάς, Σ. (2016). Εμφύλια πάθη: 23+2 νέες ερωτήσεις και απαντήσεις για τον Εμφύλιο. Αθήνα: Μεταίχμιο.

Μαργαρίτης, Γ. (2000). Ιστορία του Ελληνικού εμφυλίου πολέμου 1946-1949. Αθήνα: Εκδόσεις Πρωτοπορία.

Νικολακόπουλος, Η. και Παναγιωτόπουλος, Β. (2012). Ο Εμφύλιος 1946 – 1949. Έξι στιγμές του 20ου αιώνα. Δημοσιογραφικός Οργανισμός Λαμπράκη Α.Ε.

Πετρίδης, Π. (1998). Στη Δίνη του Εμφυλίου Πολέμου – Σπάνια ντοκουμέντα του ΕΑΜ 1944-1947. Αθήνα: Εκδόσεις Προσκήνιο.

Τζουβαλάς, Γ. Μ. (2018). Γιατί ο εμφύλιος; 1941 – 1949. Εταιρεία Μελέτης Ελληνικής Ιστορίας. Αθήνα: Δημοκρατικός Τύπος Α.Ε.

Συλλογικό (2000). Ο ελληνικός εμφύλιος πόλεμος, 1943-1950: Μελέτες για την πόλωση. Αθήνα: Εκδόσεις Φιλίστωρ.

Συλλογικό (2012). Ελλήνων ιστορικά: 1946-1949 οι μεγάλες μάχες του Εμφυλίου Πολέμου. Αθήνα : Εφημερίδα "Ελεύθερος Τύπος".

Ελεγχόμενη Δημοκρατία & Ψυχρός πόλεμος

Blum, W. (2008). Killing Hope: U.S. Military and C.I.A. Interventions since World War II. Common Courage Press; Updated edition. [ξενόγλωσσο]

Deane, P. (1977). I should have died. Atheneum. [ξενόγλωσσο]

Kaplan, Lawrence S. (2013). NATO before the Korean War: April 1949-June 1950. Kent, OH: Kent State University Press. [ξενόγλωσσο]

Njølstad, Olav (2004). The last decade of the Cold War: from conflict escalation to conflict transformation. Εκδόσεις Routledge. [ξενόγλωσσο]

Reynolds, David (1994). The Origins of the Cold War in Europe: International Perspectives. Yale University Press. [ξενόγλωσσο]

Γρηγοριάδης Σ. Ν. (2011). Ιστορία της σύγχρονης Ελλάδας 1941-1974. Αθήνα: Ελευθεροτυπία.

Κλειτσίκας, Ν. και Speranzoni, Α. (2003). Φαινόμενα Τρομοκρατίας. Ο ελληνικός νεοφασισμός μέσα από τα αρχεία των Μυστικών Υπηρεσιών. Αθήνα: Εκδόσεις Προσκήνιο.

Μαρκεζίνης, Σ.(2013), Στρατηγικές οικονομικής ανάπτυξης και η υποτίμηση της δραχμής- 1953. Τετράδια Κοινοβουλευτικού Λόγου ΙΙ. Ίδρυμα Βουλής των Ελλήνων.

Νικολακόπουλος, Η. (2001). Ή Καχεκτική Δημοκρατία: Κόμματα και Εκλογές 1946 - 1976. Αθήνα: Πατάκης.

Παπαχελάς, Α. (1997). Ο Βιασμός της Ελληνικής Δημοκρατίας. Αθήνα: Εκδόσεις Εστία.

Σταθάκης, Γ. (2004). Το Δόγμα Τρούμαν και το Σχέδιο Μάρσαλ. Αθήνα: Εκδόσεις Βιβλιόραμα.

Χατζηβασιλείου. Ε. (2000). Η άνοδος του Κωνσταντίνου Καραμανλή στην Εξουσία, 1954 – 1956. Αθήνα: Εκδόσεις Πατάκης.

Ψαλιδόπουλος, Μ. (2013). Επιτηρητές σε Απόγνωση: Αμερικανοί σύμβουλοι στην Ελλάδα 1947-1953, Από τον Paul A. Porter στον Edward A. Tenenbaum. Μεταμεσονύκτιες Εκδόσεις.

Ψηφιακές Πηγές / Αρχεία

Ψηφιακή Βιβλιοθήκη Εφημερίδων και Περιοδικού Τύπου | efimeris.nlg.gr

History Report | HistoryReport.gr

Διδακτορικές και Μεταπτυχιακές Διατριβές ΙΚΕΕ | ikee.lib.auth.gr

Πανελλήνια ένωση κρατούμενων αγωνιστών Μακρονήσου (Π.Ε.Κ.Α.Μ) | pekam.org.gr

North Atlantic Treaty Organization website | nato.int

Δημοσιογραφικά Άρθρα

“Τη νύχτα που ξέσπασε ο ελληνικός εμφύλιος” του Σταύρου Τζίμα, Η Καθημερινή, 02.04.2006.

“Ο εμφύλιος πόλεμος 1946- 49” του Αυγερινού Θεόδωρου, Το Βήμα, 26.06.2017

“Ιστορία του Εμφυλίου απέναντι στη φάρσα” της Κατερίνας Σώκου, Η Καθημερινή, 28.02.2018

“Τα έκτακτα Στρατοδικεία του Εμφυλίου Πολέμου” από τον Βλάση Αγτζίδη, Ελευθεροτυπία, 09.02.2014

“Το δημοψήφισμα του 1946” του Σωτήρη Ρίζα. Η Καθημερινή. 23.10.2011

“Η νέα Δεξιά και ο Ελληνικός Συναγερμός” του Χρήστου Χρηστίδη, Η Καθημερινή, 24.02.2013

“O αριστοκράτης πολιτικός που σταθεροποίησε την οικονομία” του Νίκου Νικολάου, Η Καθημερινή, 01.12.2007.

“Αφηγησεις: Ο Μαρκεζίνης και η πλέον επιτυχής υποτίμηση της δραχμής” του Νίκου Νικολάου, Η Καθημερινή, 12.04.2008

“Η υποτίμηση της δραχμής” του Πάνου Καζάκου, Η Καθημερινή, 23.06.2013

“Το Α΄ Συνέδριο της ΕΔΑ” της Ελένης Πασχαλούδη, Η Καθημερινή, 14.06.2015

“Η Ελλάδα στον Ψυχρό Πόλεμο” του Λυκούργου Κουρκουβέλα, Η Καθημερινή, 25.05.2015

“Η διεθνοποίηση του Κυπριακού” του Νίκου Χριστοδουλίδη, Η Καθημερινή, 13.10.2013

“Όταν η Αριστερά έγινε αξιωματική αντιπολίτευση” του Φοίβου Οικονομίδη, Ελευθεροτυπία, 28.05.2011

“Σαν σήμερα: Η δολοφονία Λαμπράκη η «δημοκρατία του τρίκυκλου»” του Στέλιου Μπαμιάτζη, The Toc, 22.05.2017

“1964 – 1967: Η εποχή του Γεωργίου Παπανδρέου” από history report | historyreport.gr

“Η δολοφονία του Γρηγόρη Λαμπράκη από το παρακράτος” από Μηχανή του Χρόνου | mixanitouxronou.gr

“Στην αποστασία του ’65” από τον Κάρολο Μπρούσαλη, protagon.gr, 18.11.2013

“Η Αποστασία, ο Τέως και ο Μητσοτάκης” από ΣΤ. Π. Ψυχάρη, Το Βήμα, 25.11.2008

“Ιουλιανά 1965: Ψωμί κι ελευθερία” από τον Τάσο Κωστόπουλο, Εφημερίδα των Συντακτών, 18.07.2015

“The Spider under the sheepskin: In southern Europe, the guerrilla group was particularly active - even in the military coups in Greece and Turkey?” – Γερμανικός Τίτλος: Spinne unterm Schafsfell: In Südeuropa war die Guerillatruppe besonders aktiv - auch bei den Militärputschen in Griechenland und der Türkei?, Der Spiegel, τεύχος 48/1990 [ξενόγλωσσο]

Εφημερίδες

Βασίλειον της Ελλάδος – «Εφηµερίς της Κυβερνήσεως», ΦΕΚ 1946/Α/48 της 15.2.1946.

“Έθνος”, 24.2.1945.

“Το Βήµα”, 30.10.1945.

“Ελευθερία”, 05.01.1945

“Ελευθερία”, 09.09.1955

“Ελευθερία”, 08.09.1955

“Ελευθερία”, 07.09.1955

Τεκμήρια

ΑΝΑΓΚΑΣΤΙΚΟΣ ΝΟΜΟΣ ὑπ’ ἀριθ. 509 | wikisource.org

Ο Δημοκρατικός Στρατός Ελλάδας (ΔΣΕ), του Πολυμέρη Βόγλη, Συλλογές ΑΣΚΙ

Ο ελληνικός εμφύλιος πόλεμος (1946-1949). Ιστορία και δράση του Δημοκρατικού Στρατού Ελλάδας. Συλλογές ΑΣΚΙ.

“Τρείς μαρτυρίες για την Λευκή Τρομοκρατία", Στάθης Γαλαζούλας | youtu.be/Mqxlc98GLwE

Μακρόνησος

Ανυπόγραφο ημερολογίου κρατουμένου στη Μακρόνησο, 1950-1951, Κωδικός 005.135.001, ΑΣΚΙ / Αρχείο ΕΔΑ, ψηφιακό μουσείο Μακρονήσου | makronissos.org

“Το φρικτό δράμα των κρατουμένων στο Μακρονήσι”, Κωδικός 005.135.004, ΑΣΚΙ / Αρχείο ΕΔΑ, ψηφιακό μουσείο Μακρονήσου | makronissos.org

“Μακρονήσι, Η κόλαση των δημοκρατικών φαντάρων” του Τζόκα Γ., 1.1949, Κωδικός 005.135.007, ΑΣΚΙ / Αρχείο ΕΔΑ, ψηφιακό μουσείο Μακρονήσου | makronissos.org

“Αγωνία…13 Ιούλη 1947”, 1947, Κωδικός 001.421.25.3.108, ΑΣΚΙ / Αρχείο ΚΚΕ, ψηφιακό μουσείο Μακρονήσου | makronissos.org

“Η ζωή στα τάγματα σκαπανέων Μακρονήσου” από Μιχάλη Κωνσταντίνο, 10.1985, Κωδικός 1723.001, ΑΣΚΙ / Συλλογή Παντελή Μιχάλη, ψηφιακό μουσείο Μακρονήσου | makronissos.org

“Makronissos. The symbol of Greek fascism”, 1949, Free Greece Publications, Κωδικός 12957, Βιβλιοθήκη ΑΣΚΙ, ψηφιακό μουσείο Μακρονήσου | makronissos.org

“Μακρόνησος”, Τεύχος 04, 10.9.1948, Κωδικός 13662.001, Βιβλιοθήκη ΑΣΚΙ, ψηφιακό μουσείο Μακρονήσου | makronissos.org

“Makronissos: Le Dachau Americain en Grece”, Lambrinos G., 1949, Κωδικός 13849, Βιβλιοθήκη ΑΣΚΙ

#bibliography #oikade project #thalia maria bitha

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stainedglassgardens · 5 years

Photo

In a surprising turn of events, I have watched more films in the past six months than I ever have before, bringing the total to 171 from the first of January, 2019. Recap:

Like Father (Lauren Miller Rogen, 2018)

Upgrade (Leigh Whannell, 2018)

Skate Kitchen (Crystal Moselle, 2018)

Never Been Kissed (Raja Gosnell, 1999)

Anomalisa (Charlie Kaufman and Duke Johnson, 2015)

Dick (Andrew Fleming, 1999)

The Black Balloon (Elissa Down, 2008)

Under the Silver Lake (David Robert Mitchell, 2018)

6 Balloons (Marja-Lewis Ryan, 2018)

Rosy (Jess Bond, 2018)

The Party’s Just Beginning (Karen Gillan, 2018)

The Rider (Chloé Zhao, 2017)

Snowpiercer (Bong Joon-ho, 2013)

Touch of Evil (Orson Welles, 1958)

Thirteen (Catherine Hardwicke, 2003)

Sadie (Megan Griffiths, 2018)

The Miseducation of Cameron Post (Desiree Akhavan, 2018)

Frida (Julie Taymor, 2002)

Fyre: The Greatest Pary That Never Happened (Chris Smith, 2019)

Time Share (Tiempo Compartido, Sebastián Hofmann, 2018)

The Stranger (Orson Welles, 1946)

Abducted in Plain Sight (Skye Borgman, 2017)

King of Thieves (James Marsh, 2018)

Malevolent (Olaf de Fleur, 2018)

Serena (Susanne Bier, 2014)

Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000)

And Breathe Normally (Andið Eðlilega, Ísold Uggadóttir, 2018)

Catwalk: Tales from the Cat Show Circuit (Aaron Hancox and Michael McNamara, 2018)

Santoalla (Andrew Becker and Daniel Mehrer, 2016)

Jane Fonda in Five Acts (Susan Lacy, 2018)

Mademoiselle Paradis (Licht, Barbara Albert, 2017)

The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, 2016)

Matangi/Maya/M.I.A (Steve Loveridge, 2018)

Pride & Prejudice (Joe Wright, 2005)

The Brain Hack (Joseph White, 2014)

Vazante (Daniela Thomas, 2017)

Tanglewood (Jordan Prosser, 2016)

Outfall (Suzi Ewing, 2018)

Pigskin (Jake Hammond, 2015)

The Funspot (Jake Hammond, 2015)

April and the Devil (Jake Hammond, 2018)

Smithereens (Susan Seidelman, 1982)

Can You Ever Forgive Me? (Marielle Heller, 2018)

Bus Stop (Joshua Logan, 1956)

Pink Plastic Flamingos (Colin West, 2017)

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018)

Amanda Knox (Rod Blackhurst and Brian McGinn, 2016)

Holy Hell (Will Allen, 2016)

Shoplifters (Manbiki Kazoku, Hirokazu Kore-eda, 2018)

Skin (Jordana Spiro, 2015)

A Night at the Garden (Marshall Curry, 2017)

Give Up the Ghost (Nathan Sam Long, 2018)

Last One Screaming (Matt Devino, 2017)

The Katy Universe (Patrick Muhlberger, 2018)

Roma (Alfonso Cuarón, 2018)

Did You Hear About the Morgans? (Marc Lawrence, 2009)

End Game (Rob Epstein and Jeffrey Friedman, 2018)

Behind the Curve (Daniel J. Clark, 2018)

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005)

92MARS (Ricardo Bernardini, 2018)

Construct (Kevin Margo, 2018)

Invaders (Daniel Prince, 2018)

Three Identical Strangers (Tim Wardle, 2018)

Dirty John: The Dirty Truth (Sara Mast, 2019)

Blackwood (Andrew Montague, 2019)

One (Luke Bradford, 2019)

God's Kingdom (Guy Soulsby, 2018)

Holiday (Isabella Eklöf, 2018)

Frigid (Joe Kicak, 2016)

Girl of the Sky (Ariel Martin, 2017)

Monitor (Matt Black and Ryan Polly, 2018)

Donoma (Evan Spencer Brace, 2018)

Perfect Blue (パーフェクトブル, Pāfekuto Burū, Satoshi Kon, 1997)

The Sermon (Dean Puckett, 2018)

Layer Cake (Matthew Vaughn, 2004)

Easy A (Will Gluck, 2010)

Generation Wealth (Lauren Greenfield, 2018)

The Rachel Divide (Laura Brownson, 2018)

The Place Beyond the Pines (Derek Cianfrance, 2012)

Burden (Timothy Marrinan and Richard Dewey, 2016)

What Will People Say (Hva vil folk si, Iram Haq, 2017)

Close Encounters of the Third Kind (Steven Spielberg, 1977)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Animal (Fabrice Le Nézet and Jules Janaud, 2017)

Capturing the Friedmans (Andrew Karecki, 2003)

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)

Erasing Eden (Beth Dewey, 2016)

Destroyer (Karyn Kusama, 2018)

Unicorn Store (Brie Larson, 2019)

May the Devil Take You (Sebelum iblis menjemput, Timo Tjahjanto, 2018)

People in Cars (Daniel Lundh, 2017)

Presentation (Danielle Kampf, 2017)

Ink (Jamin Winans, 2009)

Hedgehog (Lindsey Copeland, 2016)

Koyaanisqatsi (Godfrey Reggio, 1982)

Wanda (Barbara Loden, 1970)

The Silence (John R. Leonetti, 2019)

24 Davids (Céline Baril, 2017)

The Frame (Jamin Winans, 2014)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Baraka (Ron Fricke, 1992)

Wayne’s World (Penelope Spheeris, 1992)

Stories We Tell (Sarah Polley, 2012)

Born in Flames (Lizzie Borden, 1983)

Jesse’s Girl (M. Keegan Uhl, 2018)

I Walked With a Zombie (Jacques Tourneur, 1943)

Mary Goes Round (Molly McGlynn, 2017)

The Green Fog (Guy Maddin, Evan Johnson, and Galen Johnson, 2017)

Psycho (Alfred Hitchcock, 1960)

Someone Great (Jennifer Kaytin Robinson, 2019)

Ekaj (Cati Gonzalez, 2015)

Capernaum (Nadine Labaki, 2018)

Porcupine Lake (Ingrid Veninger, 2017)

The Decline of Western Civilization (Penelope Spheeris, 1981)

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)

The Decline of Western Civilization III (Penelope Spheeris, 1998)

Revolver (Guy Ritchie, 2005)

Pokémon: Detective Pikachu (Rob Letterman, 2019)

RocknRolla (Guy Ritchie, 2008)

Snatch (Guy Ritchie, 2000)

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017)

Nkosi Coiffure (Frederike Migom, 2015)

Speak Your Truth (Kris Erickson, 2018)

Incendies (Denis Villeneuve, 2010)

A.I. Rising (Lazar Bodrosa, 2018)

The Crescent (Seth A Smith, 2017)

Ring (リング, Ringu, Hideo Nakata, 1998)

Absences (Carole Laganière, 2013)

The Uninvited (Lewis Allen, 1944)

In Color (José Andrés Cardona, 2019)

Winners (Dan Bulla, 2018)

Jess (Daniel Hurwitz, 2018)

My First Time (Asaf Livni, 2018)

Murmur (Aurora Fearnley, 2018)

Pulsar (Aurora Fearnley, 2017)

Struck (Aurora Fearnley, 2017)

Samira (Lainey Richardson, 2018)

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019)

It Stains the Sands Red (Colin Minihan, 2016)

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016)

Knock Down Ginger (Cleo Samoles-Little, 2016)

Gold (Cleo Samoles-Little, 2015)

Jane's Life (Cleo Samoles-Little, 2012)

4/4 (Kyle Sawyer, 2016)

Sugar Land (Lorenzo Lanzillotti, 2018)

The Idea of North (Albert Choi, 2018)

A Quiet Place (John Krasinski, 2018)

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002)

Sound of My Voice (Zal Batmanglij, 2011)

Us (Jordan Peele, 2019)

The Perfection (Richard Shepard, 2018)

House of Wax (Andre DeToth, 1953)

We Have Always Lived in the Castle (Stacie Passon, 2018)

Always Be My Maybe (Nahnatchka Khan, 2019)

Gente que viene y bah (Patricia Font, 2019)

Period. End of Sentence. (Rayka Zehtabchi, 2018)

American Mary (Jen and Sylvia Soska, 2012)

The Boss (Ben Falcone, 2016)

Extremis (Dan Krauss, 2016)

E il cibo va (Food on the Go, Mercedes Cordova, 2017)

Last Night (Massy Tadjedin, 2010)

Murder Mystery (Kyle Newacheck, 2019)

Bead Game (Ishu Patel, 1977)

The Ceiling (Katto, Teppo Airaksinen, 2017)

Elisa & Marcela (Elisa y Marcela, Isabel Coixet, 2019)

Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017)

The Garden (Sommerhaüser, Sonja Maria Kröner, 2017)

Fast Color (Julia Hart, 2018)

The Tale of Iya (Iya Monogatari: Oku no Hito, Tetsuichiro Tsuta, 2013)

Chico and Rita (Chico y Rita, Tono Errando, Fernando Trueba and Javier Mariscal, 2010)

Rafiki (Wanuri Kahiu, 2018)

Floating! (Das Floß!, Julia C. Kaiser, 2015)

The Quiet American (Phillip Noyce, 2002)

#watched in 2019 #films #yeah i don't believe it either

13 notes · View notes

burgerfiction · 8 years

Video

youtube

Sunrise: A Song Of Two Humans (1927/28) - Charles Rosher & Karl Struss

White Shadows In The South Seas (1928/29) - Clyde De Vinna

With Byrd At The South Pole (1929/30) - Joseph T. Rucker & Willard Van der Veer

Tabu: A Story Of The South Seas (1930/31) - Floyd Crosby

Shanghai Express (1931/32) - Lee Garmes

A Farewell To Arms (1932/33) - Charles Lang

Cleopatra (1934) - Victor Milner

A Midsummer Night’s Dream (1935) - Hal Mohr

Anthony Adverse (1936 B&W) - Tony Gaudio

The Garden Of Allah (1936 COLOR) - W. Howard Greene & Harold Rosson

The Good Earth (1937 B&W) - Karl Freund

A Star Is Born (1937 COLOR) - W. Howard Greene

The Great Waltz (1938 B&W) - Joseph Ruttenberg

Sweethearts (1938 COLOR) - Oliver T. Marsh & Allen Davey

Wuthering Heights (1939 B&W) - Gregg Toland

Gone With The Wind (1939 COLOR) - Ernest Haller & Ray Rennahan

Rebecca (1940 B&W) - George Barnes

The Thief Of Bagdad (1940 COLOR) - Georges Perinal

How Green Was My Valley (1941 B&W) - Arthur C. Miller

Blood And Sand (1941 COLOR) - Ernest Palmer & Ray Rennahan

Mrs. Miniver (1942 B&W) - Joseph Ruttenberg

The Black Swan (1942 COLOR) - Leon Shamroy

The Song Of Bernadette (1943 B&W) - Arthur C. Miller

Phantom Of The Opera (1943 COLOR) - Hal Mohr & W. Howard Greene

Laura (1944 B&W) - Joseph LaShelle

Wilson (1944 COLOR) - Leon Shamroy

The Picture Of Dorian Gray (1945 B&W) - Harry Stradling

Leave Her To Heaven (1945 COLOR) - Leon Shamroy

Anna And The King Of Siam (1945 B&W) - Arthur C. Miller

The Yearling (1946 COLOR) - Charles Rosher, Leonard Smith & Arthur E. Arling

Great Expectations (1947 B&W) - Guy Green

Black Narcissus (1947 COLOR) - Jack Cardiff

The Naked City (1948 B&W) - William H. Daniels

Joan Of Arc (1948 COLOR) - Joseph A. Valentine, William V. Skall & Winton Hoch

Battleground (1949 B&W) - Paul C. Vogel

She Wore A Yellow Ribbon (1949 COLOR) - Winton Hoch

The Third Man (1950 B&W) - Robert Krasker

King Solomon’s Mines (1950 COLOR) - Robert Surtees

A Place In The Sun (1951 B&W) - William C. Mellor

An American In Paris (1951 COLOR) - Alfred Gilks & John Alton

The Bad And The Beautiful (1952 B&W) - Robert Surtees

The Quiet Man (1952 COLOR) - Winton Hoch & Archie Stout

From Here To Eternity (1953 B&W) - Burnett Guffey

Shane (1953 COLOR) - Loyal Griggs

On The Waterfront (1954 B&W) - Boris Kaufman

Three Coins In The Fountain (1954 COLOR) - Milton R. Krasner

The Rose Tattoo (1955 B&W) - James Wong Howe

To Catch A Thief (1955 COLOR) - Robert Burks

Somebody Up There Likes Me (1956 B&W) - Joseph Ruttenberg

Around The World In 80 Days (1956 COLOR) - Lionel Lindon

The Bridge On The River Kwai (1957) - Jack Hildyard

The Defiant Ones (1958 B&W) - Sam Leavitt

Gigi (1958 COLOR) - Joseph Ruttenberg

The Diary Of Anne Frank (1959 B&W) - William C. Mellor

Ben-Hur (1959 COLOR) - Robert Surtees

Sons And Lovers (1960 B&W) - Freddie Francis

Spartacus (1960 COLOR) - Russel Metty

The Hustler (1961 B&W) - Eugen Schufftan

West Side Story (1961 COLOR) - Daniel L. Fapp

The Longest Day (1962 B&W) - Jean Bourgoin & Walter Wottitz

Lawrence Of Arabia (1962 COLOR) - Freddie Young

Hud (1963 B&W) - James Wong Howe

Cleopatra (1963 COLOR) - Leon Shamroy

Zorba The Greek (1964 B&W) - Walter Lassally

My Fair Lady (1964 COLOR) - Harry Stradling

Ship Of Fools (1965 B&W) - Ernest Laszlo

Doctor Zhivago (1965 COLOR) - Freddie Young

Who’s Afraid Of Virginia Woolf? (1966 B&W) - Haskell Wexler

A Man For All Seasons (1966 COLOR) - Ted Moore

Bonnie And Clyde (1967) - Burnett Guffey

Romeo And Juliet (1968) - Pasqualino De Santis

Butch Cassidy And The Sundance Kid (1969) - Conrad L. Hall

Ryan’s Daughter (1970) - Freddie Young

Fiddler On The Roof (1971) - Oswald Morris

Cabaret (1972) - Geoffrey Unsworth

Cries And Whispers (1973) - Sven Nykvist

The Towering Inferno (1974) - Fred J. Koenekamp & Joseph F. Biroc

Barry Lyndon (1975) - John Alcott

Bound For Glory (1976) - Haskell Wexler

Close Encounters Of The Third Kind (1977) - Vilmos Zsigmond

Days Of Heaven (1978) - Nestor Almendros

Apocalypse Now (1979) - Vittorio Storaro

Tess (1980) - Geoffrey Unsworth & Ghislain Cloquet

Reds (1981) - Vittorio Storaro

Gandhi (1982) - Billy Williams & Ronnie Taylor

Fanny And Alexander (1983) - Sven Nykvist

The Killing Fields (1984) - Chris Menges

Out Of Africa (1985) - David Watkin

The Mission (1986) - Chris Menges

The Last Emperor (1987) - Vittorio Storaro

Mississippi Burning (1988) - Peter Biziou

Glory (1989) - Freddie Francis

Dances With Wolves (1990) - Dean Semler

JFK (1991) - Robert Richardson

A River Runs Through It (1992) - Philippe Rousselot

Schindler’s List (1993) - Janusz Kaminski

Legends Of The Fall (1994) - John Toll

Braveheart (1995) - John Toll

The English Patient (1996) - John Seale

Titanic (1997) - Russell Carpenter

Saving Private Ryan (1998) - Janusz Kaminski

American Beauty (1999) - Conrad L. Hall

Crouching Tiger, Hidden Dragon (2000) - Peter Pau

The Lord Of The Rings: The Fellowship Of The Ring (2001) - Andrew Lesnie

Road To Perdition (2002) - Conrad L. Hall

Master And Commander: The Far Side Of The World (2003) - Russell Boyd

The Aviator (2004) - Robert Richardson

Memoirs Of A Geisha (2005) - Dion Beebe

Pan’s Labyrinth (2006) - Guillermo Navarro

There Will Be Blood (2007) - Robert Elswit

Slumdog Millionaire (2008) - Anthony Dod Mantle

Avatar (2009) - Mauro Fiore

Inception (2010) - Wally Pfister

Hugo (2011) - Robert Richardson

Life Of Pi (2012) - Claudio Miranda

Gravity (2013) - Emmanuel Lubezki

Birdman (2014) - Emmanuel Lubezki

The Revenant (2015) - Emmanuel Lubezki

La La Land (2016) - Linus Sandgren

Blade Runner 2049 (2017) - Roger Deakins

#oscars #academy awards #cinematography #best cinematography

21 notes · View notes

nicolesbook1 · 6 years

Text

In Memoriam: 2017-2018 season in Palm Beach

Philip and Mary Huiltar posed for a photograph taken sometime before his death in 1992. The couple moved to Palm Beach in the 1960s. Photo courtesy Leslie Hindman Auctioneers

June 21, 2017

Longtime resident Mary Hulitar, known for her unassuming generosity, died at her home. She was 90.

+ Mary Hulitar

Mrs. Hulitar was a graduate of Sarah Lawrence College in Bronxville, N.Y. She served on the boards of Hospice of Palm Beach County, whose Charles W. Gerstenberg Hospice Center in West Palm Beach is named for her father; the National Tropical Botanical Garden in Kalaheo, Hawaii; and The Society of the Four Arts. She joined the Garden Club of Palm Beach in 1978 and was an active member for the remainder of her life.

Her honors include the Palm Beach Fellowship of Christians and Jews’ John C. Randolph Award, the Hospice Foundation Hero Award and Town of Palm Beach Centennial Ambassador.

Mrs. Hulitar spent many hours volunteering for the Four Arts’ library.

Sept. 5

Myra Mann Morrison

Resident Myra Mann Morrison, who enjoyed careers in nursing and real estate, died at age 85.

+ Myra Mann Morrison

A native of Victoria, Australia, Mrs. Morrison completed her nursing training in Melbourne, Australia, in 1953 before

traveling to the United States to visit family in Palm Beach.

She lived in Atlanta, where she worked as a registered nurse. In 1967, she married the late Earl Mann, then owner of the Atlanta Crackers baseball team. They moved to Palm Beach in 1970. Mrs. Morrison worked as a registered nurse at Good Samaritan Medical Center. In the 1970s, she became certified in real estate and was a longtime Realtor with Brown Harris Stevens.

In 2008, she married John Morrison, a career officer in the U.S. Army whom she met at Royal Poinciana Chapel. He also was a licensed real estate broker.

Oct. 18

Dennis Wayne

Dancer and choreographer Dennis Wayne, dubbed the Bad Lad of Ballet for his good looks and rebellious attitude, died of respiratory failure at 72 in West Palm Beach.

+ Dennis Wayne

Born Dennis Wayne Wendelken in St. Petersburg, his career in ballet began in the 1960s with Harkness Ballet. He then became a principal dancer with the Joffrey Ballet and American Ballet Theater. He was a frequent visitor to Palm Beach and spent his later years in West Palm Beach.

He was still under contract to American Ballet Theater when he formed his own company, DANCERS, in 1975 and recruited six American Ballet Theater dancers to perform in it, The New York Times said. American Ballet Theater ordered him to disband his company or leave. He acquiesced for a year, then revived his company with financial backing from actress Joanne Woodward. DANCERS debuted in December 1976 at the Royal Poinciana Playhouse.

After suffering serious injuries in a car accident in 1980, he took up choreography and even returned to the stage in 1985 when he and his company performed at the Royal Poinciana Playhouse for the Palm Beach Festival. Wayne danced several times in the 1990s at the Flagler Museum with small freelance troupes he organized. In 1996, he choreographed a fashion show benefit for the Palm Beach Zoo. He created dances for the 2005 Palm Beach Follies fundraiser at The Society of the Four Arts, which raised money for the hurricane-ravaged Four Arts’ gardens.

Nov. 6

Jane Dudley, a longtime winter resident and a stalwart of the island’s society and fashion sets, died at her home in West Nashville. She was 92.

+ Jane Dudley

She was the widow of Guilford Dudley Jr., a former U.S. ambassador to Denmark and longtime chairman of The Coconuts. At the time of his death in 2002, they had been married for 52 years.

A native of Nashville, she was the daughter of William and Nancy (Joseph) Anderson. Her father was the coach of Vanderbilt University’s track team. She was a graduate of the Parmer School; Ward Belmont Ladies Seminary and Vanderbilt University.

After college, she worked for the Nashville Tennessean newspaper. Later, she managed corporate accounts for Tiffany & Co. for more than two decades. After marrying, she traveled the world as an ambassador’s wife, acquiring the skills that would later make an invitation from her among the most coveted in Palm Beach, Nashville and New York.

Mrs. Dudley was active in charitable and cultural causes.

Nov. 6

John Bowden Dodge

Longtime resident, businessman and sportsman John Bowden Dodge died from complications of Alzheimer’s disease. He was 86.

+ John Dodge

A native of Boston, he was the son of Frank Schuyler Dodge and Mary (nee Bowden) Dodge. After serving with the U.S. Army during the Korean War, he graduated from Cornell University’s School of Hotel Management in 1957.

His love of the hospitality industry began when he worked at his family’s historic hotel, The Mountain View House in Whitefield. His career included management stints at American Airlines’ Sky Chef division and the Casa Blanca, both in Scottsdale, Ariz.; Charlie Farrell’s Racquet Club in Palm Springs; and the Townhouse in Rochester, N.Y. Later, he became a developer of golf course communities in the Virgin Islands, North Carolina, New Hampshire and Florida. His favorite project was Harbour Ridge, which he chose for its proximity to the St. Lucie River’s scenic North Fork.

An accomplished athlete, he was a diver and loved spending time on his boat, the Lorelei; he also was an avid skier, tennis player and hiker, especially in the White Mountains’ Presidential Range. He considered his greatest athletic accomplishment to be his ascent of Mount Kilimanjaro in 1986 at the age of 55.

Mr. Dodge was widely active in civic, charitable and cultural causes.

Nov. 14

Parker Ladd

Parker B. Ladd, a part-time resident, publishing executive and philanthropist, died at his home in New York.

+ Parker Ladd

Mr. Ladd was a graduate of the University of Vermont. After serving in the U.S. Army, he worked as a book seller in Sweden before eventually landing in New York. Mr. Ladd enjoyed a successful career at Charles Scribner’s Sons and was a director at the Association of American Publishers.

Following his retirement, Mr. Ladd served as a television producer for the A&E program, Open Book, an interview talk show featuring authors and their work. In Palm Beach, he developed an interview format breakfast series at The Brazilian Court called the Book and Author Breakfast.

Mr. Ladd, along with his husband — international fashion designer Arnold Scaasi — and their friend and journalist Liz Smith, was a founder of the nonprofit organization Literacy Partners Inc.

Nov. 18

Betty Marcus of Jupiter, formerly of Palm Beach, died at 94.

+ Betty Marcus

Mrs. Marcus was born in 1923, the year that her father, Leo Gerstenzang, invented the Q-tip. She grew up in New York City and spent one year at Northwestern University before marrying Robert (Bob) Marcus, in 1943. She finished her education at Parsons School of Design and became an interior decorator.

Residents of Scarsdale, N.Y., she and her husband bought a second home in Palm Beach in the 1970s that eventually became their full-time residence. Her husband, who died in 2001, was president of Q-tips from 1947 to 1959 and later president and owner of S&K Sales Corp.

Mrs. Marcus and her husband were members of the Palm Beach Country Club.

Nov. 18

North Palm Beach resident Irma Lee Anapol, an award-winning angler who was active in charitable causes in Palm Beach, died at 83.

+ Irma Anapol. Photo by Debbie Schatz

A native of New Bedford, Mass., she was married to Joel Anapol of Fall River, Mass., for 51 years. Mrs. Anapol was a member of the Chub Cay Club in the Bahamas and the Nantucket Anglers Club.

Among her charity works, the three-time breast cancer survivor committed herself to counseling other cancer patients. She partnered with Estee Lauder to provide cancer patients with cosmetics and guidance on fashionable ways to wear makeup, wigs and hats during treatment.

She also was active in “Our Kids Sake,” a national educational program against pesticides in food. A founding member and major supporter of the YWCA’s Harmony House, she received the group’s Grace Hoadley Dodge Award in 2013. She also supported the Richard David Kann Melanoma Foundation, Wheelchairs for Kids and The Angels of Charity.

Nov. 18

Longtime resident Alec Engelstein, a real estate developer and philanthropist, died at 87.

+ Alec Engelstein

Born in Romania, he survived the Holocaust and in 1948, with the help of the Jewish Joint Distribution Committee, moved to Montreal, where he met his future wife, Sheila. In 1968, the family moved to Florida, where Mr. Engelstein became a real estate developer. His Engel Homes became one of the largest home builders in the United States.

For more than 40 years, Mr. Engelstein was pivotal in expanding Jewish life in Palm Beach County with support of organizations including the Friedman Commission for Jewish Education, MorseLife Health System and Temple Emanu-El.

During his four-year tenure as its board chairman, the Jewish Federation of Palm Beach County established Partnership2Gether, providing a lifesaving link between the Palm Beaches and Israel’s TZAHAR region. He was a member of the Prime Ministers Council, the most generous donors to the federation’s annual campaign.

Nov. 27

Frederic Alan Sharf of Palm Beach, a businessman, philanthropist, scholar and avid collector of forgotten treasures, died in West Palm Beach after a long illness. He was 83.

+ Fred Sharf

Mr. Sharf, a Boston native, turned down a job teaching history at Harvard University to go into the family business, channeling his love of history into collecting. He sought things that were overlooked by other collectors, including Spanish-American War illustrations, architectural drawings, automotive design drawings, Japanese Meiji period woodblock prints, fashion illustrations, 1940s British women’s wear and, most recently, cartoons. Through his scholarship and initiative, he elevated his collectibles into museum-worthy objects. He curated exhibitions from his collections, wrote or edited more than 40 books and donated collections to museums.

He was a trustee of the Museum of Fine Arts, Boston; The Essex Institute, and The Wolfsonian-FIU in Miami Beach, as well as Beth Israel Hospital and Brigham and Women’s Hospital in Boston. In 2016, Mr. Sharf and his wife, Jean, donated $1 million to MorseLife in West Palm Beach for the senior care facility’s welcome center.

Mr. Sharf built the family business, M. Sharf & Co., into a sports marketing and management company offering services to professional ice hockey and tennis athletes.

Nov. 28

Irving Luntz

Longtime Worth Avenue art dealer Irving Luntz, regarded by many as the Avenue’s canniest and most colorful businessman, died at 88 at his island home.

+ Irving Luntz. Photo by Lannis Waters

A native of Milwaukee, Mr. Luntz opened Irving Galleries in 1974 in Palm Beach, focusing on top-quality modern master and contemporary art. He retired in 2011, when he turned over 332 Worth Ave. to his son, photography dealer Holden Luntz.

As a young man, Mr. Luntz played clarinet and saxophone in jazz bands. After he married, he worked for his father-in-law’s business leasing heavy equipment for commercial developments in Milwaukee.

When he and his wife divorced in the early 1960s, Mr. Luntz went into the art business. He taught himself the trade. He opened his first gallery in 1959 in Milwaukee.

Dec. 5

Leandro Rizzuto of Palm Beach, the co-founder and board chairman of Conair Corp., died after a battle with pancreatic cancer.

With his parents, Mr. Rizzuto founded the company in 1959. Forbes reported that Mr. Rizzuto, who was worth $3.4 billion, left St. John’s University to help set up Conair in the basement of the family’s home in Brooklyn. He was tied for No. 212 on the 2017 Forbes 400 list, and No. 367 on Forbes’ list of world billionaires.

Mr. Rizzuto owned a $2.3 million condominium in Winthrop House, according to county records. He also owned a single-family home in Highland Beach and condominiums in Sheridan, Wyo.

Jan. 4, 2018

Bruce Halle

Discount Tire chairman Bruce Halle, a seasonal resident who grew the retail chain he founded into a business empire, died in his sleep at age 87.

+ Bruce Halle. Photo courtesy of Discount Tire

Mr. Halle, who served in the Korean War as a Marine, opened his first Discount Tire store in 1960 in Ann Arbor, Mich. Today, the company is the world’s largest tire and wheel retailer and is expected to have more than 1,000 stores this year in 34 states. In October, Forbes.com’s annual Forbes 400 list estimated his net worth at $4.6 billion and ranked him in 144th place. Mr. Halle and his wife Diane shared a house on North Ocean Boulevard they had bought in 2012.

The Halles were active in civic and charitable causes as well as the arts. The Bruce T. Halle Library on his alma mater campus at Eastern Michigan University is named after him. Mr. Halle and wife established The Diane & Bruce Halle Foundation to fund a range of charitable endeavors. He also created programs to help his employees in need, including the Bruce T. Halle Assistance Fund and a scholarship program for employees’ college-bound children.

In town over the past two seasons, the Halles attended charitable functions that included events supporting the Dana Farber Cancer Institute, the Navy SEALs and The Lord’s Place. The Halles also were significant art collectors, with a collection that concentrated on Latin American art and contemporary sculpture.

Jan. 14

Norbert Goldner, chef and owner Café L’Europe, one of the island’s most beloved restaurants, died at age 77.

Mr. Goldner was born in Berlin and managed the New York City restaurant The Sign of the Dove before opening the first Cafe L’Europe in Sarasota in 1972.

+ Norbert Goldner

In 1980, Cafe L’Europe opened in Palm Beach, where, in the weeks that followed, it was so popular that there often was a line out the door before dinner hours. Cafe L’Europe became an island staple, and Mr. Goldner became known as an outstanding chef.

Customers remember Mr. Goldner for his warm personality, his love of walking around the restaurant and talking to customers, and his meticulous attention to detail in operation of the restaurant.

Jan. 22

William P. Rayner

Water-colorist and travel writer William P. Rayner died in New York City at age 88.

+ Billy Rayner

Mr. Rayner was born in Washington, D.C. He was educated at the Taft School in Watertown, Conn., and the University of Virginia in Charlottesville. He was introduced to art at an early age. His mother, Emily Rayner, was a director of the Worth Avenue Gallery, a Palm Beach fixture from the 1940s to the 1960s.

His aunt was the celebrated New York art dealer Betty Parsons, with whom he spent many summers on Long Island. Through her, he met artists such as Barnett Newman, Ad Reinhardt, Mark Rothko, Clyfford Still and Jackson Pollock.

Rayner was the editorial business manager for Conde Nast for 30 years. His job provided him with a passport to exotic locales and vehicles for publishing the writing and paintings inspired by his many trips with his wife, Kathy, the daughter of Anne Cox Chambers of Cox Enterprises, the former parent company of the Palm Beach Daily News.

Feb. 11

Vic Damone, longtime resident whom Frank Sinatra once described as “having the best pipes in the business,” died from respiratory failure at Mount Sinai Medical Center in Miami Beach. He was 89.

+ Vic Damone

Born Vito Farinola in Brooklyn’s Bensonhurst neighborhood, he was the son of Italian immigrants from the Adriatic seaside city of Bari. His father, Rocco Farinola, was an electrician; his mother, Mamie Damone Farinola, was a homemaker and piano teacher. Mr. Damone was a 14-year-old dropout working as an usher at New York’s legendary Paramount Theater when he found himself in an elevator with the evening’s headliner, Perry Como. He told Como he was taking voice lessons and began singing, then asked Como if he should continue his voice lessons. Como — who would also, later in life, become a Palm Beach County resident — said “Keep singing!”

He served in the Army from 1951-53. After his military service, he took his mother’s maiden name professionally and carved out a career that encompassed film, television, concerts and more than 2,500 recordings. He received the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame and has a star on Hollywood’s Walk of Fame. He moved to Palm Beach, where he met and married his fifth wife, Rena Rowan, and moved into a home on Via Bellaria and lived the life of a retiree.

He was active in many causes, including Palm Beach Island Cats, Vita Nova, the Renaissance Learning Center for Autism, St. Edward Church, and the Society for the Preservation of the Great American Songbook, founded by Old Port Cove resident Dick Robinson. Mr. Damone was the first recipient of the organization’s Legend Award.

March 10

Hubert de Givenchy

French couturier Hubert de Givenchy, 91, who popularized the little black dress, died at his home outside Paris.

+ Hubert De Givenchy

Some of his best-known pieces include the Bettina blouse inspired by model Bettina Graziani and Audrey Hepburn’s little black dress from Breakfast at Tiffany’s. Mr. Givenchy was known for making everlasting friendships with his clients.

Born in Beauvais, France, he was raised by his mother and maternal grandparents from a young age after his father, a business executive and amateur pilot, died.

Mr. Givenchy developed an eye for art and aesthetics from his grandfather, an administrator of a tapestry workshop in Beauvais. In Paris, couturier Jacques Fath took Mr. Givenchy under his wing for two years, where he learned sketching, cutting and fitting haute couture styles. After working for the house of Piguet and Italian designer Elsa Schiaparelli, he founded his own design house in 1952, which proved to be an instant success.

March 15

Marie D. Schwartz

Marie D. Schwartz, of Greenwich, Conn., and formerly of Palm Beach, died at Greenwich Hospital. She was 97.

A native of Atlanta, she attended the University of Georgia. She held an honorary doctor of humane letters degree from Long Island University College of Pharmacy.

She was a staff writer for The Washington Post from 1954 to 1970, covering the White House. She served as president of the American Newspaper Women’s Club. She also wrote a number of books, including Entertaining in the White House, The President’s Lady: An Intimate Biography of Mrs. Lyndon B. Johnson and White House Brides.

In 1970, she married New York City oil company executive Arnold Schwartz, and left Washington and the newspaper world behind. The couple served as benefactors for the Arnold and Marie Schwartz Kidney Dialysis Center at St. Mary’s Medical Center and the Norton Museum of Art in West Palm Beach. She was a board member of St. Mary’s and the Norton.

March 15

John Weller “Jack” Hanley

John Weller Hanley, a former Palm Beacher, died at Wake Forest Baptist Medical Center. He was 96. Mr. Hanley was a resident of Winston-Salem and Roaring Gap, N.C.

+ Jack Hanley

Born in Parkersburg, West Virginia, he was a graduate of Pennsylvania State University with a bachelor’s degree in Metallurgical Engineering and the Harvard University’s School of Business with an MBA. Following graduation, he joined the U.S. Navy serving primarily in the Pacific Theater.

After the war, Mr. Hanley graduated from the Harvard Business School and began a career with Procter & Gamble. After serving as executive vice president of P&G, he was served as president, and CEO of the Monsanto Company in St. Louis, Missouri. He served there from 1972 to 1983 before retiring from business to concentrate on his private passion preventing and treating substance use disorder. Recognizing his contributions on the national scene, he was awarded honorary law degrees from the University of Missouri, Maryville College, Notre Dame University, University of the Pacific, Washington University in St. Louis, and Webster College.

The post-retirement activity that occupied much of his time was built around his family’s interest in helping people suffering from alcoholism and drug dependency. In Palm Beach County, he and his wife co-founded the Hanley Center in West Palm Beach and Gate Lodge in Vero Beach as well as the research laboratory at Penn State.

March 20

Marvin Kamin

Marvin Kamin, a member of the Pittsburgh and Palm Beach communities, died at age 90.

+ Hannah and Marvin Kamin. Daily News file photo

He was a graduate of the University of Pittsburgh School of Engineering. He had a long career in real estate development with the National Development Corp., which is based in Pittsburgh with offices in Boston, Washington, D.C., and Florida.

He served on the boards and a supporter of The United Jewish Federation, the Red Cross, United Way, Palm Beach International Society and The Round Table. He also was an original member of The Mar-a-Lago Club.

March 23

Rhoda L. Kleid, wife of Richard Kleid, who retired in March from the Town Council, died unexpectedly. She was 80.

The Kleids, who celebrated 59 years of marriage in November, celebrated his 13 years as a member and president of the council at a party on March 22. at Club Colette. She died while asleep at home the next day.

+ Rhoda L. Kleid

Mrs. Kleid attended every council meeting, as well as meetings of other town boards, including the Planning and Zoning Commission, on which her husband served before joining the council.

A native of Philadelphia, Mrs. Kleid was a graduate of Columbia University’s Barnard College. She enjoyed a long career as a residential real estate agent, in Pittsburgh and Palm Beach, most recently with The Fite Group. She volunteered for the Junior League of Pittsburgh and the United Way Allocation Committee in Palm Beach, and she worked to register voters in Palm Beach County. Mrs. Kleid was a docent at the Norton Museum of Art in West Palm Beach.

March 24

Artist Stewart Colwell Broberg, a resident, died at age 92.

She was born in Chicago and raised in Urbana, Ohio. She was an avid horse lover in her youth and attended Stephens College in Columbia, Missouri.

+ Stewart Colwell Broberg

She married Gustave T. Broberg Jr. in 1946 and moved to Palm Beach in 1950. Through the years she was involved with Opportunity Inc., the United Way and The Episcopal Church of Bethesda-by-the-Sea bookshop. She was an active artist; one of her works depicting Chief Justice John Marshall is on display at the Virginia Historical Society in Richmond. She also was a member of the Coral Beach Club and the Sailfish Club.

March 24

Denise S. Meyer, a resident, died after a battle with cancer. She was 67.

She was the wife of William A. Meyer, former board chairman of the Kravis Center, former vice chairman of JFK Medical Center and chairman of Meyer Jabara Hotels.

+ Denise Meyer

She designed and oversaw the construction of Temple Judea in Palm Beach Gardens; designed two spec homes in Palm Beach; designed and rebuilt her 1938 landmarked home; worked on the 1860 carriage house of her son and daughter-in-law, Andrew (AJ) and Jess, in Cambridge, Mass.; and worked on the design of the Arthur I. Meyer Jewish Academy.

A resident of Palm Beach County for 42 years and the town for 25 years, Mrs. Meyer grew up in East Lansing, Mich. She was a travel agent and then worked in the Michigan legislature. Upon moving to Palm Beach County in 1976, she became assistant to John Sansbury, the then-county administrator. She later ran the office of lunar astronaut Ed Mitchell and subsequently started her own advertising specialties company, The Specialty Shoppe.

April 7

Hannah Honig Kamin, of Pittsburgh and Palm Beach, died 18 days after the death of her husband of 59 years, Marvin Kamin.

She was a graduate of Chatham University. With her husband, she was well-known in her communities as well as nationally as a leader, fundraiser and philanthropist.

In Palm Beach, her board and leadership positions included the American Lung Association, Ballet Florida, Jewish National Fund, Jewish Guild for the Blind and UJA Women’s Executive Committee.

Nationally, Mrs. Kamin was a member of the National Trust for Historic Preservation, the Millennium Committee to Save American’s Treasures and the Women’s Leadership Forum of the Democratic National Committee. She also was active with the National Council of Jewish Women.

April 14

Peter Pulitzer

Peter Pulitzer, businessman, sportsman and scion of two prominent American families, died at home, surrounded by his children. He was 88.

+ Peter Pulitzer. (Karen T. Borchers/The Palm Beach Post)

Born Herbert Peter Pulitzer, he was the son of Herbert Pulitzer and Gladys Munn. His maternal grandparents were Charles and Carrie Louise (nee Gurnee) Munn. His paternal grandparents were newspaperman Joseph and Katherine (nee Davidson) Pulitzer. He attended St. Mark’s in Southborough, Mass., a feeder school for the Ivy League.

He went to college but soon become bored and dropped out, using a half-million dollars of his family’s money to seed a business career that began with a liquor store and bowling alley and grew to include citrus groves, cattle ranches, a popular Palm Beach restaurant, wide real estate holdings, and hotels.

Along the way, he gained a reputation as a ladies man and married three times. The first was to Lillian “Lilly” McKim who went on to achieve fame as a fashion designer Lilly Pulitzer. He married Roxanne Dixon in 1976 and their acrimonious divorce in 1982 became tabloid fodder. His marriage to Hilary King in 1986 was his longest, 32 years.

April 28

Judith Leiber

Handbag designer Judith Leiber, 97, known for her ornate shiny bags, died within hours of the passing of her husband, abstract painter Gerson Leiber, in their Springs, N.Y., home. They had been married for 72 years.

+ Judith Leiber

Mrs. Leiber was born in Hungary in 1921. She hid in a crammed apartment to survive the Holocaust during World War II. She met her husband, an American GI, during the war and moved to the United States. In 1963, she created her brand, which is best known for its bejeweled bags in whimsical designs. Her bags were popular on the island.

By 1973, Mrs. Leiber was the first woman in her field and first accessories designer to win a Coty award, according to Harper’s, and 20 years later she was the first handbag designer to win the lifetime achievement award from the Council of Fashion Designers of America. She sold her company in 1993 but continued to design for the brand for nearly five years.

April 29

Jean-Pierre Leverrier

Jean-Pierre Leverrier, chef and owner of Chez Jean-Pierre, died at age 62.

+ Jean-Pierre Leverrier

Mr. Leverrier’s restaurant was known for its classical northern French cuisine, family-owned atmosphere and freshly baked bread. Mr. Leverrier himself was best known for his charm, his warmth, his love for teaching cooking techniques to his children and grandchildren, and his thoughtful and carefully crafted dishes.

A native of Normandy, he opened Chez Jean-Pierre in November 1991, quickly gaining attention and loyal customers. Mr. Leverrier’s legacy will continue with his sons, Guillaume and David, who are now running the restaurant.

April 30

Lory A. Volk, 60, a resident and passionate preservationist, died after a long illness.

She was a graduate of Forest Hill High School and the University of Florida.

+ Lory Volk

Mrs. Volk was an outspoken advocate for preserving the history and archives of her late father-in-law, noted Palm Beach architect John L. Volk. She co-authored the book John L. Volk, Palm Beach Architect with her late mother-in-law Jane Volk and was chairwoman of the John L. Volk Foundation.

For more than 30 years, Mrs. Volk was a weekly volunteer at the Lourdes-Noreen McKeen residence for geriatric care in West Palm Beach.

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Seeking And Preserving the History

Doing something a little different this week and blogging about several women historians who have birthdays this week.

Iris Shun-Ru Chang (March 28, 1968 – November 9, 2004) was an American author and journalist, best known for her 1997 book The Rape of Nanking: The Forgotten Holocaust of World War II about the Naking massacre. Her first book was Thread of the Silkworm, published in 1995), a story of Tsien Hsue-she, a Chinese-born physicist forced to leave the American space program and deported back to China during the McCarthy era. After returning to China, he founded its international missile program.

The Rape of Nanking was published sixty years after the massacre, the first full-length nonfiction book, and the most detailed Western account of the atrocities committed by Japanese soldiers after they invaded in December 1937. Within two months, more than 300,000 civilians were murdered and 800,000 women were raped.

Chang was inspired to write the book when she attended a conference in 1994 sponsored by the Global Alliance for Preserving the History of World War II in Asia and saw photographs of the atrocities at Nanking. Later, she met a group of Chinese-American activists when she moved to California with her husband.

Her maternal grandparents escaped mere weeks before the Japanese invasion. Chang grew up hearing gruesome stories about Nanking, but could not find any books on the subject in her school library. She later learned that there was very little printed material on the subject in China, Japan, or the West. She wrote The Rape of Naking, “out of a sense of rage. I didn't really care if I made a cent from it. It was important to me that the world knew what happened in Nanking back in 1937."

She spent two years researching, including going to China to look through archives and interview survivors. She made several discoveries, including diaries of two Westerners who saved hundreds of Chinese civilians, whom she dubbed the "Oskar Schindler of Nanking” and the "Anne Frank of Nanking." The first was John Rabe, a German Nazi party member. He established an International Safety Zone before the Japanese soldiers arrived from Shanghai. The second was a Minnie Vautrin, an Illinois woman, a missionary and teacher at the Nanking Women's College that became part of the Safety Zone. She saved hundreds of women and children there, but suffered a breakdown believing that she had failed because she had not saved more. In 1940 she returned home to Illinois and committed suicide a year later.

In her next book, The Chinese in America: A Narrative History published in 2003, the year before she died, Chang chronicled the 150-year history of Chinese immigration. At her death, she was working on a book members of the U.S. tank battalions who were taken prisoner by the Japanese and forced into the Bataan Death march. After the American general surrendered to the Japanese on April 9, 1942, the Japanese forced the troops to walk sixty-five mines through the jungle, during which around 8,000 died. Survivors spent the rest of the war in prison camps or as slave laborers. Though it was the largest U.S. Army surrender, the story was mostly forgotten after the war. One of the men she interviewed was Ed Martel, one of the last survivors, whom she “cross-examined...like a district attorney for five solid hours."

Chang committed suicide while still researching her book on Bataan.

In April 2017, a memorial hall honoring Chang opened in her ancestral home, Huaian, Jiangsu province. Each of the six parts of the museum depict an aspect of Chang’s life. It is the second memorial to commemorate the Nanking massacre, after the The Memorial Hall of the Victims in Nanjing Massacre was built in 1985.

Joan Kelly (March 29, 1928 – August 15, 1982) was a leading Italian Renaissance historian who challenged dominant notions of women’s roles during that time. She took night courses at St. John’s University in Queens, New York, graduating with her BA summa cum laude in 1953. She also was the only woman in New York to receive a Woodrow Wilson Fellowship that year. She received an M.A. (1954) and Ph.D. (1963) in history from Columbia University, where her dissertation Professor Garret Mattingley described her dissertation as, "the best Columbia dissertation he had ever read." It became the basis of her first book, Leon Battista Alberti: Universal Man of the Early Renaissance.

She spent the next few years teaching, including at Sarah Lawrence College where she became interested in women of the Renaissance and feminist theories of history and social change. She worked with Gerda Lerner to develop the first M.A. program in women's history there and was acting director of the women's studies program at City College of New York (CCNY) from 1976-1977. She defined herself as a socialist feminist and developed a Marxist-feminist theory of history.

Kelly wrote “Did Women Have A Renaissance?,” a ground-breaking area of scholarship (she concluded that they did not) and co-authored a Households and Kin: Families in Flux, a high school textbook. Her essay collection, “Women, History and Theory” was published posthumously.

Additionally, she served on the Renaissance Society of America executive board, was chair of the Committee of Women Historians of the American Historical Association, and was on the board of the Feminist Press.

In 1874, two years after Kelly died, the American Historical Association created the Joan Kelly Memorial Prize, “for the book in women’s history and/or feminist theory that best reflects the high intellectual and scholarly ideals exemplified by the life and work of Joan Kelly” which addresses “a recognition of the important role of sex and gender in the historical process. The inter-relationship between women and the historical process should be addressed.”

Muriel Wright (March 31, 1889-February 27, 1975), a member of the Choctaw Nation, was a teacher, historian, and editor. Her mother Ida Belle Richards was a Presbyterian missionary teacher who arrived in 1887, and her father, Eliphalet Nott “E. N.”) Wright, was a Choctaw and a graduate of Union College and Albany Medical College in New York. He returned to the Choctaw Nation in 1895 to establish a private practice and serve as company physician for the Missouri-Pacific Coal Mines at Lehigh.

Wright could trace her white ancestry on both sides of her family to the Mayflower (1620) and the Anne (1623). On her mother’s side she is descended from Frances Sprangue, who arrived on the Anne. Her paternal grandmother Harriet Newell Mitchell Wright, who descended from two Mayflower passengers William Brewster and Edward Doty was a Presbyterian missionary teacher who moved from Dayton, Ohio to the Choctaw Nation. In 1857, she married Rev. Allen Wright, principal chief of the Choctaw Nation from 1866 to 1870. It was he who suggested that the territory be named “Oklahoma” which means "red people." in 1866. Wright was a member of several organizations, including the Daughters of the American Revolution and the Colonial Dames.

Wright attended Wheaton Seminary in Norton, Massachusetts and completed a teacher education course at East Central Normal School in Ada in 1912, but did not receive a degree. From 1912 to the mid-1920s, Wright worked at several schools in southeastern Oklahoma as principal and English and history instructor. From 1916-7, she studied English and history at Barnard College.

Wright’s interest in Choctaw history began in 1914 when she met journalist and Oklahoma Historical Society board member Joseph B. Thoburn. He encouraged her to study southeastern Oklahoma’s geography, map the Choctaw Nation, and conducted field work almost annually from 1922-9. Thoburn and Wright collaborated on a four-volume work, Oklahoma: A History of the State and Its People (1929). She also wrote three Oklahoma history textbooks used in the public schools: The Story of Oklahoma (1929), Our Oklahoma (1939), and The Oklahoma History (1955).

In addition to studying Choctaw history, Wright was actively involved in Choctaw Nation affairs as secretary of the Choctaw Committee during the 1920s, member and secretary of the Choctaw Advisory Council in 1934, and as a Choctaw delegate to the Inter-tribal Indian Council from the late 1930s to the early 1940s.

After joining the Oklahoma Historical Society in 1922, Wright wrote articles for the The Chronicles of Oklahoma from 1923 to 1971 on topics such as Indian and military history, biographies of notable women, and historic preservation. From 1943 to 1954, she was the journal’s editor in all but name, which she officially became in 1955. Wright produced more than one hundred issues, including over sixty-six of her articles.

Wright’s A Guide to the Indian Tribes of Oklahoma (1951), which surveys the sixty-seven tribes then in Oklahoma, including their location, membership, history, government, contemporary life and culture, removal experiences and adaptation to change, “remains a standard reference for studying the state's American Indian people.”

In the 1950s, Wright and her historical society colleagues launched a program to create historical markers to raise awareness of the state’s history. Wright conducted most of the research for the inscriptions and created a list of sites which went from the initial 512 to 557 when the final list was published in the The Chronicles of Oklahoma in 1958. That same year, Wright and Oklahoma Historic Sites Committee chair George H. Shirk compiled and edited Mark of Heritage: Oklahoma Historical Markers, focusing on 131 sites. In 1966, Wright collaborated with LeRoy H. Fischer on "Civil War Sites in Oklahoma," identifying and describing the location and historical significance of the sites. In addition, she also conducted OHS–sponsored public tours of historic sites.

Wright received numerous honors including listing in the Oklahoma Hall of Fame in 1940, the University of Oklahoma's Distinguished Service Award citation in 1948, the Oklahoma City Business and Professional Woman of the Year Award in 1950, Oklahoma City University's honorary doctorate of humanities degree in 1964, and the National American Indian Women's Association Award in 1971. After retiring in 1973, Wright continued her research projects until she died in 1975. She was one of the first four inductees of the when the Oklahoma Historical Society launched the Oklahoma Historians Hall of Fame in 1993.

#historian #writer #women #books

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