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#lbh is very much driven by a desire to be needed and loved by someone
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I feel like there’s a point to be made about how SVSSS, MXTX’s first novel, deliberately comments on and explores the prevalence of tragically orphaned, traumatised protagonists through Luo Binghe (both versions), and explores how that trope would actually affect the characters as people. Meanwhile, her second novel tells the story of someone who at face value has a very similarly generic backstory, but she deliberately breaks past those narrative confines with Wei Wuxian, whose identity doesn’t depend on that at all. 
Both characters have a very similar, deliberately ‘generic’ backstory – orphaned very young, grew up on the streets in poverty, were taken in by a cultivation sect but were abused by someone in power, and so on – but what separates them is their actions and levels of agency (both narrative and personal). If the value of it for Luo Binghe is to comment on and exploring its use as a button for sympathy points, the value of it for Wei Wuxian is to actively reject that use, and rather than using it as a way to make him tragic and sympathetic because of his helplessness, it’s used to enhance his narrative agency. He isn’t defined by it, he’s defined by what he does despite that.
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